Chapter III: Introduction (2)

Poor Teig could not bring out a word at all, nor open his lips, if he were to get the world for it, and so he gave no answer.

"Teig O'Kane," said the little grey man again, "isn't it timely you met us?"

Teig could not answer him.

"Teig O'Kane," says he, "the third time, isn't it lucky and timely that we met you?"

But Teig remained silent, for he was afraid to return an answer, and his tongue was as if it was tied to the roof of his mouth.

The little grey man turned to his companions, and there was joy in his bright little eye. "And now," says he, "Teig O'Kane hasn't a word, we can do with him what we please. Teig, Teig," says he, "you're living a bad life, and we can make a slave of you now, and you cannot withstand us, for there's no use in trying to go against us. Lift that corpse."

Teig was so frightened that he was only able to utter the two words, "I won't;" for as frightened as he was, he was obstinate and stiff, the same as ever.

"Teig O'Kane won't lift the corpse," said the little _maneen_, with a wicked little laugh, for all the world like the breaking of a _lock_ of dry _kippeens_, and with a little harsh voice like the striking of a cracked bell. "Teig O'Kane won't lift the corpse--make him lift it;" and before the word was out of his mouth they had all gathered round poor Teig, and they all talking and laughing through other.

Teig tried to run from them, but they followed him, and a man of them stretched out his foot before him as he ran, so that Teig was thrown in a heap on the road. Then before he could rise up the fairies caught him, some by the hands and some by the feet, and they held him tight, in a way that he could not stir, with his face against the ground. Six or seven of them raised the body then, and pulled it over to him, and left it down on his back. The breast of the corpse was squeezed against Teig's back and shoulders, and the arms of the corpse were thrown around Teig's neck. Then they stood back from him a couple of yards, and let him get up. He rose, foaming at the mouth and cursing, and he shook himself, thinking to throw the corpse off his back. But his fear and his wonder were great when he found that the two arms had a tight hold round his own neck, and that the two legs were squeezing his hips firmly, and that, however strongly he tried, he could not throw it off, any more than a horse can throw off its saddle. He was terribly frightened then, and he thought he was lost. "Ochone! for ever," said he to himself, "it's the bad life I'm leading that has given the good people this power over me. I promise to God and Mary, Peter and Paul, Patrick and Bridget, that I'll mend my ways for as long as I have to live, if I come clear out of this danger--and I'll marry the girl."

The little grey man came up to him again, and said he to him, "Now, Teig_een_," says he, "you didn't lift the body when I told you to lift it, and see how you were made to lift it; perhaps when I tell you to bury it you won't bury it until you're made to bury it!"

"Anything at all that I can do for your honour," said Teig, "I'll do it," for he was getting sense already, and if it had not been for the great fear that was on him, he never would have let that civil word slip out of his mouth.

The little man laughed a sort of laugh again. "You're getting quiet now, Teig," says he. "I'll go bail but you'll be quiet enough before I'm done with you. Listen to me now, Teig O'Kane, and if you don't obey me in all I'm telling you to do, you'll repent it. You must carry with you this corpse that is on your back to Teampoll-Démus, and you must bring it into the church with you, and make a grave for it in the very middle of the church, and you must raise up the flags and put them down again the very same way, and you must carry the clay out of the church and leave the place as it was when you came, so that no one could know that there had been anything changed. But that's not all. Maybe that the body won't be allowed to be buried in that church; perhaps some other man has the bed, and, if so, it's likely he won't share it with this one. If you don't get leave to bury it in Teampoll-Démus, you must carry it to Carrick-fhad-vic-Orus, and bury it in the churchyard there; and if you don't get it into that place, take it with you to Teampoll-Ronan; and if that churchyard is closed on you, take it to Imlogue-Fada; and if you're not able to bury it there, you've no more to do than to take it to Kill-Breedya, and you can bury it there without hindrance. I cannot tell you what one of those churches is the one where you will have leave to bury that corpse under the clay, but I know that it will be allowed you to bury him at some church or other of them. If you do this work rightly, we will be thankful to you, and you will have no cause to grieve; but if you are slow or lazy, believe me we shall take satisfaction of you."

When the grey little man had done speaking, his comrades laughed and clapped their hands together. "Glic! Glic! Hwee! Hwee!" they all cried; "go on, go on, you have eight hours before you till daybreak, and if you haven't this man buried before the sun rises, you're lost." They struck a fist and a foot behind on him, and drove him on in the road. He was obliged to walk, and to walk fast, for they gave him no rest.

He thought himself that there was not a wet path, or a dirty _boreen_, or a crooked contrary road in the whole county, that he had not walked that night. The night was at times very dark, and whenever there would come a cloud across the moon he could see nothing, and then he used often to fall. Sometimes he was hurt, and sometimes he escaped, but he was obliged always to rise on the moment and to hurry on. Sometimes the moon would break out clearly, and then he would look behind him and see the little people following at his back. And he heard them speaking amongst themselves, talking and crying out, and screaming like a flock of sea-gulls; and if he was to save his soul he never understood as much as one word of what they were saying.

He did not know how far he had walked, when at last one of them cried out to him, "Stop here!" He stood, and they all gathered round him.

"Do you see those withered trees over there?" says the old boy to him again. "Teampoll-Démus is among those trees, and you must go in there by yourself, for we cannot follow you or go with you. We must remain here. Go on boldly."

Teig looked from him, and he saw a high wall that was in places half broken down, and an old grey church on the inside of the wall, and about a dozen withered old trees scattered here and there round it. There was neither leaf nor twig on any of them, but their bare crooked branches were stretched out like the arms of an angry man when he threatens. He had no help for it, but was obliged to go forward. He was a couple of hundred yards from the church, but he walked on, and never looked behind him until he came to the gate of the churchyard. The old gate was thrown down, and he had no difficulty in entering. He turned then to see if any of the little people were following him, but there came a cloud over the moon, and the night became so dark that he could see nothing. He went into the churchyard, and he walked up the old grassy pathway leading to the church. When he reached the door, he found it locked. The door was large and strong, and he did not know what to do. At last he drew out his knife with difficulty, and stuck it in the wood to try if it were not rotten, but it was not.

"Now," said he to himself, "I have no more to do; the door is shut, and I can't open it."

Before the words were rightly shaped in his own mind, a voice in his ear said to him, "Search for the key on the top of the door, or on the wall."

He started. "Who is that speaking to me?" he cried, turning round; but he saw no one. The voice said in his ear again, "Search for the key on the top of the door, or on the wall."

"What's that?" said he, and the sweat running from his forehead; "who spoke to me?"

"It's I, the corpse, that spoke to you!" said the voice.

"Can you talk?" said Teig.

"Now and again," said the corpse.

Teig searched for the key, and he found it on the top of the wall. He was too much frightened to say any more, but he opened the door wide, and as quickly as he could, and he went in, with the corpse on his back. It was as dark as pitch inside, and poor Teig began to shake and tremble.

"Light the candle," said the corpse.

Teig put his hand in his pocket, as well as he was able, and drew out a flint and steel. He struck a spark out of it, and lit a burnt rag he had in his pocket. He blew it until it made a flame, and he looked round him. The church was very ancient, and part of the wall was broken down. The windows were blown in or cracked, and the timber of the seats was rotten. There were six or seven old iron candlesticks left there still, and in one of these candlesticks Teig found the stump of an old candle, and he lit it. He was still looking round him on the strange and horrid place in which he found himself, when the cold corpse whispered in his ear, "Bury me now, bury me now; there is a spade and turn the ground." Teig looked from him, and he saw a spade lying beside the altar. He took it up, and he placed the blade under a flag that was in the middle of the aisle, and leaning all his weight on the handle of the spade, he raised it. When the first flag was raised it was not hard to raise the others near it, and he moved three or four of them out of their places. The clay that was under them was soft and easy to dig, but he had not thrown up more than three or four shovelfuls, when he felt the iron touch something soft like flesh. He threw up three or four more shovelfuls from around it, and then he saw that it was another body that was buried in the same place.

"I am afraid I'll never be allowed to bury the two bodies in the same hole," said Teig, in his own mind. "You corpse, there on my back," says he, "will you be satisfied if I bury you down here?" But the corpse never answered him a word.

"That's a good sign," said Teig to himself. "Maybe he's getting quiet," and he thrust the spade down in the earth again. Perhaps he hurt the flesh of the other body, for the dead man that was buried there stood up in the grave, and shouted an awful shout. "Hoo! hoo!! hoo!!! Go! go!! go!!! or you're a dead, dead, dead man!" And then he fell back in the grave again. Teig said afterwards, that of all the wonderful things he saw that night, that was the most awful to him. His hair stood upright on his head like the bristles of a pig, the cold sweat ran off his face, and then came a tremour over all his bones, until he thought that he must fall.

But after a while he became bolder, when he saw that the second corpse remained lying quietly there, and he threw in the clay on it again, and he smoothed it overhead and he laid down the flags carefully as they had been before. "It can't be that he'll rise up any more," said he.

He went down the aisle a little further, and drew near to the door, and began raising the flags again, looking for another bed for the corpse on his back. He took up three or four flags and put them aside, and then he dug the clay. He was not long digging until he laid bare an old woman without a thread upon her but her shirt. She was more lively than the first corpse, for he had scarcely taken any of the clay away from about her, when she sat up and began to cry, "Ho, you _bodach_ (clown)! Ha, you _bodach_! Where has he been that he got no bed?"

Poor Teig drew back, and when she found that she was getting no answer, she closed her eyes gently, lost her vigour, and fell back quietly and slowly under the clay. Teig did to her as he had done to the man--he threw the clay back on her, and left the flags down overhead.

He began digging again near the door, but before he had thrown up more than a couple of shovelfuls, he noticed a man's hand laid bare by the spade. "By my soul, I'll go no further, then," said he to himself; "what use is it for me?" And he threw the clay in again on it, and settled the flags as they had been before.

He left the church then, and his heart was heavy enough, but he shut the door and locked it, and left the key where he found it. He sat down on a tombstone that was near the door, and began thinking. He was in great doubt what he should do. He laid his face between his two hands, and cried for grief and fatigue, since he was dead certain at this time that he never would come home alive. He made another attempt to loosen the hands of the corpse that were squeezed round his neck, but they were as tight as if they were clamped; and the more he tried to loosen them, the tighter they squeezed him. He was going to sit down once more, when the cold, horrid lips of the dead man said to him, "Carrick-fhad-vic-Orus," and he remembered the command of the good people to bring the corpse with him to that place if he should be unable to bury it where he had been.

He rose up, and looked about him. "I don't know the way," he said.

As soon as he had uttered the word, the corpse stretched out suddenly its left hand that had been tightened round his neck, and kept it pointing out, showing him the road he ought to follow. Teig went in the direction that the fingers were stretched, and passed out of the churchyard. He found himself on an old rutty, stony road, and he stood still again, not knowing where to turn. The corpse stretched out its bony hand a second time, and pointed out to him another road--not the road by which he had come when approaching the old church. Teig followed that road, and whenever he came to a path or road meeting it, the corpse always stretched out its hand and pointed with its fingers, showing him the way he was to take.

Many was the cross-road he turned down, and many was the crooked _boreen_ he walked, until he saw from him an old burying-ground at last, beside the road, but there was neither church nor chapel nor any other building in it. The corpse squeezed him tightly, and he stood. "Bury me, bury me in the burying-ground," said the voice.

Teig drew over towards the old burying-place, and he was not more than about twenty yards from it, when, raising his eyes, he saw hundreds and hundreds of ghosts--men, women, and children--sitting on the top of the wall round about, or standing on the inside of it, or running backwards and forwards, and pointing at him, while he could see their mouths opening and shutting as if they were speaking, though he heard no word, nor any sound amongst them at all.

He was afraid to go forward, so he stood where he was, and the moment he stood, all the ghosts became quiet, and ceased moving. Then Teig understood that it was trying to keep him from going in, that they were. He walked a couple of yards forwards, and immediately the whole crowd rushed together towards the spot to which he was moving, and they stood so thickly together that it seemed to him that he never could break through them, even though he had a mind to try. But he had no mind to try it. He went back broken and dispirited, and when he had gone a couple of hundred yards from the burying-ground, he stood again, for he did not know what way he was to go. He heard the voice of the corpse in his ear, saying "Teampoll-Ronan," and the skinny hand was stretched out again, pointing him out the road.

As tired as he was, he had to walk, and the road was neither short nor even. The night was darker than ever, and it was difficult to make his way. Many was the toss he got, and many a bruise they left on his body. At last he saw Teampoll-Ronan from him in the distance, standing in the middle of the burying-ground. He moved over towards it, and thought he was all right and safe, when he saw no ghosts nor anything else on the wall, and he thought he would never be hindered now from leaving his load off him at last. He moved over to the gate, but as he was passing in, he tripped on the threshold. Before he could recover himself, something that he could not see seized him by the neck, by the hands, and by the feet, and bruised him, and shook him, and choked him, until he was nearly dead; and at last he was lifted up, and carried more than a hundred yards from that place, and then thrown down in an old dyke, with the corpse still clinging to him.

He rose up, bruised and sore, but feared to go near the place again, for he had seen nothing the time he was thrown down and carried away.

"You corpse, up on my back," said he, "shall I go over again to the churchyard?"--but the corpse never answered him. "That's a sign you don't wish me to try it again," said Teig.

He was now in great doubt as to what he ought to do, when the corpse spoke in his ear, and said "Imlogue-Fada."

"Oh, murder!" said Teig, "must I bring you there? If you keep me long walking like this, I tell you I'll fall under you."

He went on, however, in the direction the corpse pointed out to him. He could not have told, himself, how long he had been going, when the dead man behind suddenly squeezed him, and said, "There!"

Teig looked from him, and he saw a little low wall, that was so broken down in places that it was no wall at all. It was in a great wide field, in from the road; and only for three or four great stones at the corners, that were more like rocks than stones, there was nothing to show that there was either graveyard or burying-ground there.

"Is this Imlogue-Fada? Shall I bury you here?" said Teig.

"Yes," said the voice.

"But I see no grave or gravestone, only this pile of stones," said Teig.

The corpse did not answer, but stretched out its long fleshless hand, to show Teig the direction in which he was to go. Teig went on accordingly, but he was greatly terrified, for he remembered what had happened to him at the last place. He went on, "with his heart in his mouth," as he said himself afterwards; but when he came to within fifteen or twenty yards of the little low square wall, there broke out a flash of lightning, bright yellow and red, with blue streaks in it, and went round about the wall in one course, and it swept by as fast as the swallow in the clouds, and the longer Teig remained looking at it the faster it went, till at last it became like a bright ring of flame round the old graveyard, which no one could pass without being burnt by it. Teig never saw, from the time he was born, and never saw afterwards, so wonderful or so splendid a sight as that was. Round went the flame, white and yellow and blue sparks leaping out from it as it went, and although at first it had been no more than a thin, narrow line, it increased slowly until it was at last a great broad band, and it was continually getting broader and higher, and throwing out more brilliant sparks, till there was never a colour on the ridge of the earth that was not to be seen in that fire; and lightning never shone and flame never flamed that was so shining and so bright as that.

Teig was amazed; he was half dead with fatigue, and he had no courage left to approach the wall. There fell a mist over his eyes, and there came a _soorawn_ in his head, and he was obliged to sit down upon a great stone to recover himself. He could see nothing but the light, and he could hear nothing but the whirr of it as it shot round the paddock faster than a flash of lightning.

As he sat there on the stone, the voice whispered once more in his ear, "Kill-Breedya;" and the dead man squeezed him so tightly that he cried out. He rose again, sick, tired, and trembling, and went forwards as he was directed. The wind was cold, and the road was bad, and the load upon his back was heavy, and the night was dark, and he himself was nearly worn out, and if he had had very much farther to go he must have fallen dead under his burden.

At last the corpse stretched out its hand, and said to him, "Bury me there."

"This is the last burying-place," said Teig in his own mind; "and the little grey man said I'd be allowed to bury him in some of them, so it must be this; it can't be but they'll let him in here."

The first faint streak of the _ring of day_ was appearing in the east, and the clouds were beginning to catch fire, but it was darker than ever, for the moon was set, and there were no stars.

"Make haste, make haste!" said the corpse; and Teig hurried forward as well as he could to the graveyard, which was a little place on a bare hill, with only a few graves in it. He walked boldly in through the open gate, and nothing touched him, nor did he either hear or see anything. He came to the middle of the ground, and then stood up and looked round him for a spade or shovel to make a grave. As he was turning round and searching, he suddenly perceived what startled him greatly--a newly-dug grave right before him. He moved over to it, and looked down, and there at the bottom he saw a black coffin. He clambered down into the hole and lifted the lid, and found that (as he thought it would be) the coffin was empty. He had hardly mounted up out of the hole, and was standing on the brink, when the corpse, which had clung to him for more than eight hours, suddenly relaxed its hold of his neck, and loosened its shins from round his hips, and sank down with a _plop_ into the open coffin.

Teig fell down on his two knees at the brink of the grave, and gave thanks to God. He made no delay then, but pressed down the coffin lid in its place, and threw in the clay over it with his two hands; and when the grave was filled up, he stamped and leaped on it with his feet, until it was firm and hard, and then he left the place.

The sun was fast rising as he finished his work, and the first thing he did was to return to the road, and look out for a house to rest himself in. He found an inn at last, and lay down upon a bed there, and slept till night. Then he rose up and ate a little, and fell asleep again till morning. When he awoke in the morning he hired a horse and rode home. He was more than twenty-six miles from home where he was, and he had come all that way with the dead body on his back in one night.

All the people at his own home thought that he must have left the country, and they rejoiced greatly when they saw him come back. Everyone began asking him where he had been, but he would not tell anyone except his father.

He was a changed man from that day. He never drank too much; he never lost his money over cards; and especially he would not take the world and be out late by himself of a dark night.

He was not a fortnight at home until he married Mary, the girl he had been in love with; and it's at their wedding the sport was, and it's he was the happy man from that day forward, and it's all I wish that we may be as happy as he was.

GLOSSARY.--_Rann_, a stanza; _kailee (céilidhe)_, a visit in the
evening; _wirra (a mhuire)_, "Oh, Mary!" an exclamation like the
French _dame_; _rib_, a single hair (in Irish, _ribe_); _a lock
(glac)_, a bundle or wisp, or a little share of anything;
_kippeen (cipín)_, a rod or twig; _boreen (bóithrín)_ a lane;
_bodach_, a clown; _soorawn (suarán)_, vertigo. _Avic (a Mhic)_ =
son, or rather, Oh, son. Mic is the vocative of Mac.

[Footnote 4: None of Mr. Hyde's stories here given have been published before. They will be printed in the original Irish in his forthcoming _Leabhar Sgeulaigheachta_ (Gill, Dublin).]

PADDY CORCORAN'S WIFE.

William Carleton.

Paddy Corcoran's wife was for several years afflicted with a kind of complaint which nobody could properly understand. She was sick, and she was not sick; she was well, and she was not well; she was as ladies wish to be who love their lords, and she was not as such ladies wish to be. In fact nobody could tell what the matter with her was. She had a gnawing at the heart which came heavily upon her husband; for, with the help of God, a keener appetite than the same gnawing amounted to could not be met with of a summer's day. The poor woman was delicate beyond belief, and had no appetite at all, so she hadn't, barring a little relish for a mutton-chop, or a "staik," or a bit o' mait, anyway; for sure, God help her! she hadn't the laist inclination for the dhry pratie, or the dhrop o' sour buttermilk along wid it, especially as she was so poorly; and, indeed, for a woman in her condition--for, sick as she was, poor Paddy always was made to believe her in _that_ condition--but God's will be done! she didn't care. A pratie an' a grain o' salt was a welcome to her--glory be to his name!--as the best roast an' boiled that ever was dressed; and why not? There was one comfort: she wouldn't be long wid him--long troublin' him; it matthered little what she got; but sure she knew herself, that from the gnawin' at her heart, she could never do good widout the little bit o' mait now and then; an', sure, if her own husband begridged it to her, who else had she a better right to expect it from?

Well, as we have said, she lay a bedridden invalid for long enough, trying doctors and quacks of all sorts, sexes, and sizes, and all without a farthing's benefit, until, at the long run, poor Paddy was nearly brought to the last pass, in striving to keep her in "the bit o' mait." The seventh year was now on the point of closing, when, one harvest day, as she lay bemoaning her hard condition, on her bed beyond the kitchen fire, a little weeshy woman, dressed in a neat red cloak, comes in, and, sitting down by the hearth, says:--

"Well, Kitty Corcoran, you've had a long lair of it there on the broad o' yer back for seven years, an' you're jist as far from bein' cured as ever."

"Mavrone, ay," said the other; "in throth that's what I was this minnit thinkin' ov, and a sorrowful thought it's to me."

"It's yer own fau't, thin," says the little woman; "an', indeed, for that matter, it's yer fau't that ever you wor there at all."

"Arra, how is that?" asked Kitty; "sure I wouldn't be here if I could help it? Do you think it's a comfort or a pleasure to me to be sick and bedridden?"

"No," said the other, "I do not; but I'll tell you the truth: for the last seven years you have been annoying us. I am one o' the good people; an' as I have a regard for you, I'm come to let you know the raison why you've been sick so long as you are. For all the time you've been ill, if you'll take the thrubble to remimber, your childhre threwn out yer dirty wather afther dusk an' before sunrise, at the very time we're passin' yer door, which we pass twice a-day. Now, if you avoid this, if you throw it out in a different place, an' at a different time, the complaint you have will lave you: so will the gnawin' at the heart; an' you'll be as well as ever you wor. If you don't follow this advice, why, remain as you are, an' all the art o' man can't cure you." She then bade her good-bye, and disappeared.

Kitty, who was glad to be cured on such easy terms, immediately complied with the injunction of the fairy; and the consequence was, that the next day she found herself in as good health as ever she enjoyed during her life.

CUSHEEN LOO.

TRANSLATED FROM THE IRISH BY J. J. CALLANAN.

[This song is supposed to have been sung by a young bride, who
was forcibly detained in one of those forts which are so common
in Ireland, and to which the good people are very fond of
resorting. Under pretence of hushing her child to rest, she
retired to the outside margin of the fort, and addressed the
burthen of her song to a young woman whom she saw at a short
distance, and whom she requested to inform her husband of her
condition, and to desire him to bring the steel knife to dissolve
the enchantment.]

Sleep, my child! for the rustling trees,
Stirr'd by the breath of summer breeze,
And fairy songs of sweetest note,
Around us gently float.

Sleep! for the weeping flowers have shed
Their fragrant tears upon thy head,
The voice of love hath sooth'd thy rest,
And thy pillow is a mother's breast.
Sleep, my child!

Weary hath pass'd the time forlorn,
Since to your mansion I was borne,
Tho' bright the feast of its airy halls,
And the voice of mirth resounds from its walls.
Sleep, my child!

Full many a maid and blooming bride
Within that splendid dome abide,--
And many a hoar and shrivell'd sage,
And many a matron bow'd with age.
Sleep, my child!

Oh! thou who hearest this song of fear,
To the mourner's home these tidings bear.
Bid him bring the knife of the magic blade,
At whose lightning-flash the charm will fade.
Sleep, my child!

Haste! for to-morrow's sun will see
The hateful spell renewed for me;
Nor can I from that home depart,
Till life shall leave my withering heart.
Sleep, my child!

Sleep, my child! for the rustling trees,
Stirr'd by the breath of summer breeze,
And fairy songs of sweetest note,
Around us gently float.

THE WHITE TROUT; A LEGEND OF CONG.

BY S. LOVER.

There was wanst upon a time, long ago, a beautiful lady that lived in a castle upon the lake beyant, and they say she was promised to a king's son, and they wor to be married, when all of a sudden he was murthered, the crathur (Lord help us), and threwn into the lake above, and so, of course, he couldn't keep his promise to the fair lady,--and more's the pity.

Well, the story goes that she went out iv her mind, bekase av loosin' the king's son--for she was tendher-hearted, God help her, like the rest iv us!--and pined away after him, until at last, no one about seen her, good or bad; and the story wint that the fairies took her away.

Well, sir, in coorse o' time, the White Throut, God bless it, was seen in the sthrame beyant, and sure the people didn't know what to think av the crathur, seein' as how a _white_ throut was never heard av afor, nor since; and years upon years the throut was there, just where you seen it this blessed minit, longer nor I can tell--aye throth, and beyant the memory o' th' ouldest in the village.

At last the people began to think it must be a fairy; for what else could it be?--and no hurt nor harm was iver put an the white throut, until some wicked sinners of sojers kem to these parts, and laughed at all the people, and gibed and jeered them for thinkin' o' the likes; and one o' them in partic'lar (bad luck to him; God forgi' me for saying it!) swore he'd catch the throut and ate it for his dinner--the blackguard!

Well, what would you think o' the villainy of the sojer? Sure enough he cotch the throut, and away wid him home, and puts an the fryin'-pan, and into it he pitches the purty little thing. The throut squeeled all as one as a christian crathur, and, my dear, you'd think the sojer id split his sides laughin'--for he was a harden'd villain; and when he thought one side was done, he turns it over to fry the other; and, what would you think, but the divil a taste of a burn was an it at all at all; and sure the sojer thought it was a _quare_ throut that could not be briled. "But," says he, "I'll give it another turn by-and-by," little thinkin' what was in store for him, the haythen.

Well, when he thought that side was done he turns it agin, and lo and behould you, the divil a taste more done that side was nor the other. "Bad luck to me," says the sojer, "but that bates the world," says he; "but I'll thry you agin, my darlint," says he, "as cunnin' as you think yourself;" and so with that he turns it over and over, but not a sign of the fire was on the purty throut. "Well," says the desperate villain--(for sure, sir, only he was a desperate villain _entirely_, he might know he was doing a wrong thing, seein' that all his endeavours was no good)--"Well," says he, "my jolly little throut, maybe you're fried enough, though you don't seem over well dress'd; but you may be better than you look, like a singed cat, and a tit-bit afther all," says he; and with that he ups with his knife and fork to taste a piece o' the throut; but, my jew'l, the minit he puts his knife into the fish, there was a murtherin' screech, that you'd think the life id lave you if you hurd it, and away jumps the throut out av the fryin'-pan into the middle o' the flure; and an the spot where it fell, up riz a lovely lady--the beautifullest crathur that eyes ever seen, dressed in white, and a band o' goold in her hair, and a sthrame o' blood runnin' down her arm.

"Look where you cut me, you villain," says she, and she held out her arm to him--and, my dear, he thought the sight id lave his eyes.

"Couldn't you lave me cool and comfortable in the river where you snared me, and not disturb me in my duty?" says she.

Well, he thrimbled like a dog in a wet sack, and at last he stammered out somethin', and begged for his life, and ax'd her ladyship's pardin, and said he didn't know she was on duty, or he was too good a sojer not to know betther nor to meddle wid her.

"I _was_ on duty, then," says the lady; "I was watchin' for my true love that is comin' by wather to me," says she, "an' if he comes while I'm away, an' that I miss iv him, I'll turn you into a pinkeen, and I'll hunt you up and down for evermore, while grass grows or wather runs."

Well the sojer thought the life id lave him, at the thoughts iv his bein' turned into a pinkeen, and begged for mercy; and with that says the lady--

"Renounce your evil coorses," says she, "you villain, or you'll repint it too late; be a good man for the futhur, and go to your duty[5] reg'lar, and now," says she, "take me back and put me into the river again, where you found me."

"Oh, my lady," says the sojer, "how could I have the heart to drownd a beautiful lady like you?"

But before he could say another word, the lady was vanished, and there he saw the little throut an the ground. Well he put it in a clean plate, and away he runs for the bare life, for fear her lover would come while she was away; and he run, and he run, even till he came to the cave agin, and threw the throut into the river. The minit he did, the wather was as red as blood for a little while, by rayson av the cut, I suppose, until the sthrame washed the stain away; and to this day there's a little red mark an the throut's side, where it was cut.[6]

Well, sir, from that day out the sojer was an altered man, and reformed his ways, and went to his duty reg'lar, and fasted three times a-week--though it was never fish he tuk an fastin' days, for afther the fright he got, fish id never rest an his stomach--savin' your presence.

But anyhow, he was an altered man, as I said before, and in coorse o' time he left the army, and turned hermit at last; and they say he _used to pray evermore for the soul of the White Throut_.

[These trout stories are common all over Ireland. Many holy wells
are haunted by such blessed trout. There is a trout in a well on
the border of Lough Gill, Sligo, that some paganish person put
once on the gridiron. It carries the marks to this day. Long ago,
the saint who sanctified the well put that trout there. Nowadays
it is only visible to the pious, who have done due penance.]

[Footnote 5: The Irish peasant calls his attendance at the confessional "going to his duty."]

[Footnote 6: The fish has really a red spot on its side.]

THE FAIRY THORN.

_An Ulster Ballad._

SIR SAMUEL FERGUSON.

"Get up, our Anna dear, from the weary spinning-wheel;
For your father's on the hill, and your mother is asleep;
Come up above the crags, and we'll dance a highland-reel
Around the fairy thorn on the steep."

At Anna Grace's door 'twas thus the maidens cried,
Three merry maidens fair in kirtles of the green;
And Anna laid the rock and the weary wheel aside,
The fairest of the four, I ween.

They're glancing through the glimmer of the quiet eve,
Away in milky wavings of neck and ankle bare;
The heavy-sliding stream in its sleepy song they leave,
And the crags in the ghostly air:

And linking hand in hand, and singing as they go,
The maids along the hill-side have ta'en their fearless way,
Till they come to where the rowan trees in lonely beauty grow
Beside the Fairy Hawthorn grey.

The Hawthorn stands between the ashes tall and slim,
Like matron with her twin grand-daughters at her knee;
The rowan berries cluster o'er her low head grey and dim
In ruddy kisses sweet to see.

The merry maidens four have ranged them in a row,
Between each lovely couple a stately rowan stem,
And away in mazes wavy, like skimming birds they go,
Oh, never caroll'd bird like them!

But solemn is the silence of the silvery haze
That drinks away their voices in echoless repose,
And dreamily the evening has still'd the haunted braes,
And dreamier the gloaming grows.

And sinking one by one, like lark-notes from the sky
When the falcon's shadow saileth across the open shaw,
Are hush'd the maiden's voices, as cowering down they lie
In the flutter of their sudden awe.

For, from the air above, and the grassy ground beneath,
And from the mountain-ashes and the old Whitethorn between,
A Power of faint enchantment doth through their beings breathe,
And they sink down together on the green.

They sink together silent, and stealing side by side,
They fling their lovely arms o'er their drooping necks so fair,
Then vainly strive again their naked arms to hide,
For their shrinking necks again are bare.

Thus clasp'd and prostrate all, with their heads together bow'd,
Soft o'er their bosom's beating--the only human sound--
They hear the silky footsteps of the silent fairy crowd,
Like a river in the air, gliding round.

No scream can any raise, no prayer can any say,
But wild, wild, the terror of the speechless three--
For they feel fair Anna Grace drawn silently away,
By whom they dare not look to see.

They feel their tresses twine with her parting locks of gold,
And the curls elastic falling as her head withdraws;
They feel her sliding arms from their tranced arms unfold,
But they may not look to see the cause:

For heavy on their senses the faint enchantment lies
Through all that night of anguish and perilous amaze;
And neither fear nor wonder can ope their quivering eyes,
Or their limbs from the cold ground raise,

Till out of night the earth has roll'd her dewy side,
With every haunted mountain and streamy vale below;
When, as the mist dissolves in the yellow morning tide,
The maidens' trance dissolveth so.

Then fly the ghastly three as swiftly as they may,
And tell their tale of sorrow to anxious friends in vain--
They pined away and died within the year and day,
And ne'er was Anna Grace seen again.

THE LEGEND OF KNOCKGRAFTON.

T. CROFTON CROCKER.

There was once a poor man who lived in the fertile glen of Aherlow, at the foot of the gloomy Galtee mountains, and he had a great hump on his back: he looked just as if his body had been rolled up and placed upon his shoulders; and his head was pressed down with the weight so much that his chin, when he was sitting, used to rest upon his knees for support. The country people were rather shy of meeting him in any lonesome place, for though, poor creature, he was as harmless and as inoffensive as a newborn infant, yet his deformity was so great that he scarcely appeared to be a human creature, and some ill-minded persons had set strange stories about him afloat. He was said to have a great knowledge of herbs and charms; but certain it was that he had a mighty skilful hand in plaiting straws and rushes into hats and baskets, which was the way he made his livelihood.

Lusmore, for that was the nickname put upon him by reason of his always wearing a sprig of the fairy cap, or lusmore (the foxglove), in his little straw hat, would ever get a higher penny for his plaited work than any one else, and perhaps that was the reason why some one, out of envy, had circulated the strange stories about him. Be that as it may, it happened that he was returning one evening from the pretty town of Cahir towards Cappagh, and as little Lusmore walked very slowly, on account of the great hump upon his back, it was quite dark when he came to the old moat of Knockgrafton, which stood on the right-hand side of his road. Tired and weary was he, and noways comfortable in his own mind at thinking how much farther he had to travel, and that he should be walking all the night; so he sat down under the moat to rest himself, and began looking mournfully enough upon the moon, which--

"Rising in clouded majesty, at length
Apparent Queen, unveil'd her peerless light,
And o'er the dark her silver mantle threw."

Presently there rose a wild strain of unearthly melody upon the ear of little Lusmore; he listened, and he thought that he had never heard such ravishing music before. It was like the sound of many voices, each mingling and blending with the other so strangely that they seemed to be one, though all singing different strains, and the words of the song were these--

_Da Luan, Da Mort, Da Luan, Da Mort, Da Luan, Da Mort;_

when there would be a moment's pause, and then the round of melody went on again.

Lusmore listened attentively, scarcely drawing his breath lest he might lose the slightest note. He now plainly perceived that the singing was within the moat; and though at first it had charmed him so much, he began to get tired of hearing the same round sung over and over so often without any change; so availing himself of the pause when _Da Luan, Da Mort_, had been sung three times, he took up the tune, and raised it with the words _augus Da Dardeen_, and then went on singing with the voices inside of the moat, _Da Luan, Da Mort_, finishing the melody, when the pause again came, with _augus Da Dardeen_.

The fairies within Knockgrafton, for the song was a fairy melody, when they heard this addition to the tune, were so much delighted that, with instant resolve, it was determined to bring the mortal among them, whose musical skill so far exceeded theirs, and little Lusmore was conveyed into their company with the eddying speed of a whirlwind.

Glorious to behold was the sight that burst upon him as he came down through the moat, twirling round and round, with the lightness of a straw, to the sweetest music that kept time to his motion. The greatest honour was then paid him, for he was put above all the musicians, and he had servants tending upon him, and everything to his heart's content, and a hearty welcome to all; and, in short, he was made as much of as if he had been the first man in the land.

Presently Lusmore saw a great consultation going forward among the fairies, and, notwithstanding all their civility, he felt very much frightened, until one stepping out from the rest came up to him and said--

"Lusmore! Lusmore!
Doubt not, nor deplore,
For the hump which you bore
On your back is no more;
Look down on the floor,
And view it, Lusmore!"

When these words were said, poor little Lusmore felt himself so light, and so happy, that he thought he could have bounded at one jump over the moon, like the cow in the history of the cat and the fiddle; and he saw, with inexpressible pleasure, his hump tumble down upon the ground from his shoulders. He then tried to lift up his head, and he did so with becoming caution, fearing that he might knock it against the ceiling of the grand hall, where he was; he looked round and round again with the greatest wonder and delight upon everything, which appeared more and more beautiful; and, overpowered at beholding such a resplendent scene, his head grew dizzy, and his eyesight became dim. At last he fell into a sound sleep, and when he awoke he found that it was broad daylight, the sun shining brightly, and the birds singing sweetly; and that he was lying just at the foot of the moat of Knockgrafton, with the cows and sheep grazing peaceably round about him. The first thing Lusmore did, after saying his prayers, was to put his hand behind to feel for his hump, but no sign of one was there on his back, and he looked at himself with great pride, for he had now become a well-shaped dapper little fellow, and more than that, found himself in a full suit of new clothes, which he concluded the fairies had made for him.

Towards Cappagh he went, stepping out as lightly, and springing up at every step as if he had been all his life a dancing-master. Not a creature who met Lusmore knew him without his hump, and he had a great work to persuade every one that he was the same man--in truth he was not, so far as the outward appearance went.

Of course it was not long before the story of Lusmore's hump got about, and a great wonder was made of it. Through the country, for miles round, it was the talk of every one, high and low.

One morning, as Lusmore was sitting contented enough at his cabin door, up came an old woman to him, and asked him if he could direct her to Cappagh.

"I need give you no directions, my good woman," said Lusmore, "for this is Cappagh; and whom may you want here?"

"I have come," said the woman, "out of Decie's country, in the county of Waterford, looking after one Lusmore, who, I have heard tell, had his hump taken off by the fairies; for there is a son of a gossip of mine who has got a hump on him that will be his death; and maybe, if he could use the same charm as Lusmore, the hump may be taken off him. And now I have told you the reason of my coming so far: 'tis to find out about this charm, if I can."

Lusmore, who was ever a good-natured little fellow, told the woman all the particulars, how he had raised the tune for the fairies at Knockgrafton, how his hump had been removed from his shoulders, and how he had got a new suit of clothes into the bargain.

The woman thanked him very much, and then went away quite happy and easy in her own mind. When she came back to her gossip's house, in the county of Waterford, she told her everything that Lusmore had said, and they put the little hump-backed man, who was a peevish and cunning creature from his birth, upon a car, and took him all the way across the country. It was a long journey, but they did not care for that, so the hump was taken from off him; and they brought him, just at nightfall, and left him under the old moat of Knockgrafton.