Chapter I: Front Matter
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FAMILIAR FACES
_By the Same Author_
MISREPRESENTATIVE MEN
MORE MISREPRESENTATIVE MEN
MISREPRESENTATIVE WOMEN
FAMILIAR FACES
BY
HARRY GRAHAM
_Author of "Ruthless Rhymes for Heartless Homes," "Misrepresentative Men," "Misrepresentative Women," etc., etc._
ILLUSTRATED BY TOM HALL
NEW YORK DUFFIELD & COMPANY 1907
COPYRIGHT, 1907, BY DUFFIELD & COMPANY
_Published August, 1907_
THE PREMIER PRESS, NEW YORK.
CONTENTS
PAGE
THE CRY OF THE PUBLISHER 7
THE CRY OF THE AUTHOR 9
THE FUMBLER 11
THE BARITONE 15
THE ACTOR MANAGER 20
THE GILDED YOUTH 25
THE GOURMAND 29
THE DENTIST 36
THE MAN WHO KNOWS 38
THE FADDIST 44
THE COLONEL 47
THE WAITER 50
THE POLICEMAN 54
THE MUSIC HALL COMEDIAN 58
THE CONVERSATIONAL REFORMER 63
KING LEOPOLD 67
"BART'S" CLUB 71
THE REVIEWER 74
L'ENVOI 77
LIST OF ILLUSTRATIONS
THE MAN WHO KNOWS IT ALL _Frontispiece_
THE BARITONE _Facing Page_ 16
THE ACTOR MANAGER " " 22
THE GILDED YOUTH " " 28
THE FADDIST " " 44
THE COMEDIAN " " 58
KING LEOPOLD " " 68
THE REVIEWER " " 74
THE CRY OF THE PUBLISHER
O my Author, do you hear the Autumn calling?
Does its message fail to reach you in your den,
Where the ink that once so sluggishly was crawling
Courses swiftly through your stylographic pen?
'Tis the season when the editor grows active,
When the office-boy looks longingly to you.
Won't you give him something novel and attractive
To review?
Never mind if you are frivolous or solemn,
If you only can be striking and unique,
The reviewers will concede you half a column
In their literary journals, any week.
And 'twill always be your publisher's ambition
To provide for the demand that you create,
And dispose of a gigantic first edition,
While you wait.
O my Author, can't you pull yourself together,
Try to expiate the failures of the past,
And just ask yourself dispassionately whether
You can't give us something better than your last?
If you really--if you truly--are a poet,
As you fancy--pray forgive my being terse--
Don't you think you might occasionally show it
In your verse?
THE CRY OF THE AUTHOR
O my Publisher, how dreadfully you bore me!
Of your censure I am frankly growing tired.
With your diatribes eternally before me,
How on earth can I expect to feel inspired?
You are orderly, no doubt, and systematic,
In that office where recumbent you recline;
You would modify your methods in an attic
Such as mine.
If you lived a sort of hand-to-mouth existence
(Where the mouth found less employment than the hand);
If your rhymes would lend your humour no assistance,
And your wit assumed a form that never scann'd;
If you sat and waited vainly at your table
While Calliope declined to give her cues,
You would realise how very far from _stable_
Was the _Mews_!
You would find it quite impossible to labour
With the patient perseverance of a drone,
While some tactless but enthusiastic neighbour
Played a cake walk on a wheezy gramophone,
While your peace was so disturbed by constant clatter,
That at length you grew accustomed--nay, resigned,
To the never-ending victory of Matter
Over Mind.
While _you_ batten upon plovers' eggs and claret,
In the shelter of some fashionable club,
_I_ am starving, very likely, in a garret,
Off the street so incorrectly labelled Grub,
Where the vintage smacks distinctly of the ink-butt,
And the atmosphere is redolent of toil,
And there's nothing for the journalist to drink but
Midnight oil!
It is useless to solicit inspiration
When one isn't in the true poetic mood,
When one contemplates the prospect of starvation,
And one's little ones are clamouring for food.
When one's tongue remains ingloriously tacit,
One is forced with some reluctance to admit
That, alas! (as Virgil said) _Poeta nascit_-
-_Ur, non fit_!
Then, my Publisher, be gentle with your poet;
Do not treat him with the harshness he deserves,
For, in fact, altho' you little seem to know it,
You are gradually getting on his nerves.
Kindly dam the foaming torrent of your curses,
While I ask you,--yes, and pause for a reply,--
Are _you_ writing this immortal book of verses,
Or am _I_?
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Familiar FacesChapter I: Front Matter
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