Chapter XIV: Part V: I (3)

Then she placed a chair under the image of the Madonna by the bedside, and, kneeling on the carpet, prayed as she used to pray in her school-days. Her face was buried in her hands; she prayed without looking at the Madonna. She neither wept nor sobbed, nor even sighed. It did not transpire whether she repeated her usual prayers or only told the Virgin her thoughts. It was a long, calm, mute prayer, unbroken by thrill, start, or shiver. Twice she made the sign of the cross, glanced for an instant at the Madonna, and rose. Then she put the chair back in its place. She tore a strip off the newspaper, and folded it in four. This she placed under the door, thereby effectually shutting out the draught. With a small roll of paper she closed the keyhole, from which she had previously withdrawn the key. She tore another strip and placed it under the window. She stopped up a tiny hole that let in the rain-water. She placed her head against the window fastening to feel if there were any draught: no, the two sides closed so accurately that there was none. She looked round, wondering if the air could get in anywhere. No. She drew the brazier into the middle of the room, and, with a strip of paper lighted at the lamp, set fire to two small pieces of coal. She blew the fire to spread it. Then she carried the light to the bedside and unlooped the white curtains, standing a moment absorbed in thought. She turned to look at the brazier; one coal caught fire from another, and the whole mass was gradually becoming incandescent. She felt an increasing weight in her head. Without hesitation she blew out the light, and, drawing the curtains, lay down on the bed, on the place where she had been accustomed to sleep.

* * * * *

The bright winter sun shed its light on a room flooded with a light haze. Behind the white curtains lay a little dead woman. She was dressed in black, her feet outstretched and close together, her head resting on the pillows. She looked like a child, smaller than in life. Her face was of leaden hue. The hair was unruffled, the mouth open as if in the effort to breathe, the lips violet, the chest slightly elevated, and the rest of the body sunken in the bed. The glazed eyes of the little dead woman were wide open, as if in stupefaction at an incredible spectacle; and round the violet fingers of the leaden-hued hands there was twisted part of a broken rosary of lapis-lazuli.

FOOTNOTES:

[3] _Gnorsi_, corruption of _Signora si_.

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* * * * *

Heinemann’s International Library.

EDITORS NOTE.

There is nothing in which the Anglo-Saxon world differs more from the world of the Continent of Europe than in its fiction. English readers are accustomed to satisfy their curiosity with English novels, and it is rarely indeed that we turn aside to learn something of the interior life of those other countries the exterior scenery of which is often so familiar to us. We climb the Alps, but are content to know nothing of the pastoral romances of Switzerland. We steam in and out of the picturesque fjords of Norway, but never guess what deep speculation into life and morals is made by the novelists of that sparsely peopled but richly endowed nation. We stroll across the courts of the Alhambra, we are listlessly rowed upon Venetian canals and Lombard lakes, we hasten by night through the roaring factories of Belgium; but we never pause to inquire whether there is now flourishing a Spanish, an Italian, a Flemish school of fiction. Of Russian novels we have lately been taught to become partly aware, but we do not ask ourselves whether Poland may not possess a Dostoieffsky and Portugal a Tolstoï.

Yet, as a matter of fact, there is no European country that has not, within the last half-century, felt the dew of revival on the threshing-floor of its worn-out schools of romance. Everywhere there has been shown by young men, endowed with a talent for narrative, a vigorous determination to devote themselves to a vivid and sympathetic interpretation of nature and of man. In almost every language, too, this movement has tended to display itself more and more in the direction of what is reported and less of what is created. Fancy has seemed to these young novelists a poorer thing than observation; the world of dreams fainter than the world of men. They have not been occupied mainly with what might be or what should be, but with what is, and, in spite of all their shortcomings, they have combined to produce a series of pictures of existing society in each of their several countries such as cannot fail to form an archive of documents invaluable to futurity.

But to us they should be still more valuable. To travel in a foreign country is but to touch its surface. Under the guidance of a novelist of genius we penetrate to the secrets of a nation, and talk the very language of its citizens. We may go to Normandy summer after summer and know less of the manner of life that proceeds under those gnarled orchards of apple-blossom than we learn from one tale of Guy de Maupassant’s. The present series is intended to be a guide to the inner geography of Europe. It offers to our readers a series of spiritual Baedekers and Murrays. It will endeavour to keep pace with every truly characteristic and vigorous expression of the novelist’s art in each of the principal European countries, presenting what is quite new if it is also good, side by side with what is old, if it has not hitherto been presented to our public. That will be selected which gives with most freshness and variety the different aspects of continental feeling, the only limits of selection being that a book shall be, on the one hand, amusing, and, on the other, wholesome.

One difficulty which must be frankly faced is that of subject. Life is now treated in fiction by every race but our own with singular candour. The novelists of the Lutheran North are not more fully emancipated from prejudice in this respect than the novelists of the Catholic South. Everywhere in Europe a novel is looked upon now as an impersonal work, from which the writer, as a mere observer, stands aloof, neither blaming nor applauding. Continental fiction has learned to exclude, in the main, from among the subjects of its attention, all but those facts which are of common experience, and thus the novelists have determined to disdain nothing and to repudiate nothing which is common to humanity; much is freely discussed, even in the novels of Holland and of Denmark, which our race is apt to treat with a much more gingerly discretion. It is not difficult, however, we believe--it is certainly not impossible--to discard all which may justly give offence, and yet to offer to an English public as many of the masterpieces of European fiction as we can ever hope to see included in this library. It will be the endeavour of the editor to search on all hands and in all languages for such books as combine the greatest literary value with the most curious and amusing qualities of manner and matter.

EDMUND GOSSE.

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MANUAL OF ASSAYING GOLD, SILVER, COPPER, AND LEAD ORES.
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Introduction. Diffusion and Occlusion.
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HEAT AS A FORM OF ENERGY.
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Industries.

OTHER VOLUMES IN PREPARATION.

MR. WILLIAM HEINEMANN’S ANNOUNCEMENTS
AND
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_The Books mentioned in this List can be obtained_ to order _by
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THE CURE OF CONSUMPTION.
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COMMUNICATIONS ON A REMEDY
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By PROFESSOR ROBERT KOCH, BERLIN.
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THE LIFE OF HENRIK IBSEN.
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HEDDA GABLER:
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THE SALON OF MARIE BASHKIRTSEFF.
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These volumes include letters to De Quincey from his mother whilst he was still at school, from his sisters Jane and Mary, his brothers Henry and Richard, and his guardian, the Rev. Samuel Hall. Letters also from the Marquis of Sligo, Professor Wilson, Sir W. Hamilton, “Cyril Thornton,” Hannah More, the Brontës, Coleridge, Professor T. P. Nichol, the Wordsworths, and many others, add to the value of the book, and with De Quincey’s own letters, throw new light on many points in his career, and present confirmation by documentary evidence of the truth of some of his statements regarding the most extraordinary incidents in his early career, some of which have been doubted at various times.

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THE POSTHUMOUS WORKS OF THOMAS DE QUINCEY.

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_In the Press._

THE COMPLETE WORKS OF HEINRICH HEINE.

I.
PICTURES OF TRAVEL.

TRANSLATED BY

CHARLES GODFREY LELAND, M.A., F.R.L.S., _
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A want has long been felt and often expressed by different writers for a complete English edition of Heine’s works. That this has never been done is the more remarkable, because HEINE is, next to GOETHE, the most universally popular author in Germany, and one who, although he termed himself an unlicked Teutonic savage, wrote in a style and manner which have made him a leading favourite in all countries.

The first volume will be the REISEBILDER, or PICTURES OF TRAVEL, probably the most brilliant and entertaining, while at the same time the most instructive or thought-inspiring work of its kind ever written; to be followed by II., FLORENTINE NIGHTS, SCHNABELEWOPSKI, and THE RABBI OF BACHARACH; and III., THE BOOK OF SONGS. Other volumes will be announced later.

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THE GENESIS OF THE UNITED STATES.

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_With 100 Portraits, Maps, and Plans._

The crucial period of English occupancy of North America was that included between the return of Weymouth to England in July 1605, and closing with the return of Dale to England in July 1616. This period has hitherto been most imperfectly understood, partly because of the misrepresentations made by early authorities who have been followed too implicitly, but chiefly because of the ignorance by later historians, and even by early writers, of the part played by Spain in attempting to thwart the movements of England.

No historical work for many years has attracted such attention as is sure to be given to this. Its peculiar significance consists in the fact that it contains so much important matter never before printed in any language. Mr. Brown’s researches, pursued through many years and at large expense, were rewarded by the discovery, in the secret archives of Spain, of numerous documents throwing light on the contest in Europe for the possession of the American Continent. These documents, with rare tracts of that period (in all 365 papers, of which 294 are now for the first time made public), accompanied by Bibliographical Memoranda, Notes, Maps and Plans, Portraits and Autographs, and a Comprehensive Biographical Index, lend special value and importance to this work.

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MANUAL OF ASSAYING GOLD, SILVER, COPPER, AND LEAD ORES.
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REVISED, CORRECTED, AND CONSIDERABLY ENLARGED,
WITH A CHAPTER ON THE ASSAYING OF FUEL, ETC.

BY A. B. GRIFFITHS, Ph.D., F.R.S. (Edin.), F.C.S.

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In One Volume, Crown 8vo, Illustrated, 5s.

THE PHYSICAL PROPERTIES OF GASES.
BY ARTHUR L. KIMBALL, OF THE JOHNS HOPKINS UNIVERSITY.

CONTENTS.

Introduction. Diffusion and Occlusion.
Pressure and Buoyancy. Thermodynamics of Gases.
Elasticity and Expansion with Avogadro’s Land and the Kinetic
heat. Theory.
Gases and Vapours. Geissler Tubes and Radiant Matter.
Air-Pumps and High Vacua. Conclusion.

In One Volume, Crown 8vo, Illustrated, 5s.

HEAT AS A FORM OF ENERGY.
BY PROFESSOR R. H. THURSTON, OF CORNELL UNIVERSITY.

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The Philosophers’ Ideas of Heat. Air and Gas Engines, their Work and
their Promise.
The Science of Thermodynamics. The Development of the Steam Engine.
Heat Transfer and the World’s Summary and Conclusion.
Industries.

_In preparation._

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TRANSLATED FROM THE RUSSIAN BY E. J. DILLON, Ph.D.

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_Saturday Review._--“The English reader could desire no better introduction to contemporary foreign fiction than this notable novel.”

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PIERRE AND JEAN.
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TRANSLATED FROM THE FRENCH BY CLARA BELL.

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_Athenæum._--“Ranks amongst the best gems of modern French fiction.”

_The Books of which the titles follow this have
been published during the present year._

THE GENTLE ART OF MAKING ENEMIES

As pleasingly exemplified in many instances, wherein
the serious ones of this earth, carefully exasperated,
have been prettily spurred on to indiscretions and
unseemliness, while overcome by an undue sense of right.

By J. M’NEIL WHISTLER.

In One Volume, pott 4to, 10s. 6d.

_Punch_, _June 21_.--“The book in itself, in its binding, print, and arrangement, is a work of art.”

_Punch_, _June 28_.--“A work of rare humour, a thing of beauty and a joy for now and ever.”

THE PASSION PLAY AT OBERAMMERGAU, 1890.
By F. W. FARRAR, D.D., F.R.S.,
Archdeacon and Canon of Westminster, &c. &c.

In One Volume, small 4to, 2s. 6d.

_Spectator._--“Among the many accounts that have been written this year of 'The Passion Play,’ one of the most picturesque, the most interesting, and the most reasonable, is this sketch of Archdeacon Farrar’s.... This little book will be read with delight by those who have, and by those who have not, visited Oberammergau.”

THE GARDEN’S STORY;
or, Pleasures and Trials of an Amateur Gardener.

By G. H. ELLWANGER.

With an Introduction by the Rev. C. WOLLEY DOD.

In One Volume, 12mo, with Illustrations, 5s.

_Scotsman._--“Deserves every recommendation that a pleasant-looking page can give it; for it deals with a charming subject in a charming manner. Mr. Ellwanger talks delightfully, with instruction but without pedantry, of the flowers, the insects, and the birds.... It will give pleasure to every reader who takes the smallest interest in flowers, and ought to find many readers.”

NEW WORKS OF FICTION.

THE BONDMAN. A New Saga.
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Fourth Edition (Twelfth Thousand).

In One Volume. Crown 8vo, 3s. 6d.

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_Standard._--“Its argument is grand, and it is sustained with a power that is almost marvellous.”

IN THE VALLEY. A Novel.
By HAROLD FREDERIC,
Author of “The Lawton Girl,” “Seth’s Brother’s Wife,” &c. &c.

In Three Volumes. Crown 8vo, with Illustrations.

_Athenæum._--“A romantic story book, graphic and exciting, not merely in the central picture itself, but also in its weird surroundings. This is a novel deserving to be read.”

_Manchester Examiner._--“Certain to win the reader’s admiration. 'In the Valley’ is a novel that deserves to live.”

_Scotsman._--“A work of real ability; it stands apart from the common crowd of three-volume novels.”

A MARKED MAN: Some Episodes in his Life.
By ADA CAMBRIDGE,
Author of “Two Years’ Time,” “A Mere Chance,” &c. &c.

In Three Volumes, crown 8vo.

_Morning Post._--“A depth of feeling, a knowledge of the human heart, and an amount of tact that one rarely finds. Should take a prominent place among the novels of the season.”

_Illustrated London News._--“The moral tone of this story, rightly considered, is pure and noble, though it deals with the problem of an unhappy marriage.”

_Pall Mall Gazette._--“Contains one of the best written stories of a _mésalliance_ that is to be found in modern fiction.”

THE MOMENT AFTER: A Tale of the Unseen.
By ROBERT BUCHANAN.

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COME FORTH!
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In One Volume, imperial 16mo, 7s. 6d.

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THE DOMINANT SEVENTH: A Musical Story.
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In One Volume, crown 8vo, 5s.

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A VERY STRANGE FAMILY: A Novel.
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In One Volume, crown 8vo, 3s. 6d.

_Glasgow Herald._--“An ingeniously-devised plot, of which the interest is kept up to the very last page. A judicious blending of humour and pathos further helps to make the book delightful reading from start to finish.”

HAUNTINGS: Fantastic Stories.
By VERNON LEE,
Author of “Baldwin,” “Miss Brown,” &c. &c.

In One Volume, crown 8vo, 6s.

_Pall Mall Gazette._--“Well imagined, cleverly constructed, powerfully executed. 'Dionea’ is a fine and impressive idea, and 'Oke of Okehurst’ a masterly story.”

PASSION THE PLAYTHING. A Novel.
By R. MURRAY GILCHRIST.

In One Volume, crown 8vo, 6s.

_Athenæum._--“This well-written story must be read to be appreciated.”

_Yorkshire Post._--“A book to lay hold of the reader.”

THE LABOUR MOVEMENT IN AMERICA.
By RICHARD T. ELY, Ph.D.,

Associate in Political Economy, Johns Hopkins University.

In One Volume, crown 8vo, 5s.

_Weekly Despatch._--“There is much to interest and instruct.”

_Saturday Review._--“Both interesting and valuable.”

_England._--“Full of information and thought.”

_National Reformer._--“Chapter iii. deals with the growth and present condition of labour organisations in America ... this forms a most valuable page of history.”

ARABIC AUTHORS: A Manual of Arabian History and Literature.
By F.F. ARBUTHNOT, M.R.A.S.,
Author of “Early Ideas,” “Persian Portraits,” &c.

In One Volume 8vo, 10s.

_Manchester Examiner._--“The whole work has been carefully indexed, and will prove a handbook of the highest value to the student who wishes to gain a better acquaintance with Arabian letters.”

IDLE MUSINGS: Essays in Social Mosaic.
By E. CONDER GRAY,
Author of “Wise Words and Loving Deeds,” &c. &c.

In One Volume, crown 8vo, 6s.

_Saturday Review._--“Light, brief, and bright are the 'essays in social mosaic.’ Mr. Gray ranges like a butterfly from high themes to trivial with a good deal of dexterity and a profusion of illustrations.”

_Graphic._--“Pleasantly written, will serve admirably to wile away an idle half-hour or two.” IVY AND PASSION FLOWER: Poems. By GERARD BENDALL, Author of “Estelle,” &c. &c. 12mo, 3s. 6d.

_Scotsman._--“Will be read with pleasure.”

_Woman._--“There is a delicacy of touch and simplicity about the poems which is very attractive.”

_Musical World._--“The poems are delicate specimens of art, graceful and polished.”

VERSES.
By GERTRUDE HALL.

12mo, 3s. 6d.

_Musical World._--“Interesting volume of verse.”

_Woman._--“Very sweet and musical.”

_Manchester Guardian._--“Will be welcome to every lover of poetry who takes it up.”

* * * * *

LONDON: WM. HEINEMANN, 21, BEDFORD STREET, W.C.

TELEGRAPHIC ADDRESS--SUNLOCKS, LONDON.
_December 1890._