Chapter II: Preface (2)

I remember taking sly glances when I was a very little boy at an old Culpepper's Herbal, heavily bound in leather and curiously illustrated. It was so deliciously wicked to read about the poisons; and I thought perhaps it was a book like that, only in papyrus rolls, that was used by the sorceress who got ready the poisoned mushrooms in old Rome. Youth's ideas are so imaginative, and bring together things that are so widely separated. Conscience told me I had no business to read about poisons; but there was a fearful fascination in hemlock, and I recollect tasting a little bit--it was very nasty. At this day, nevertheless, if any one wishes to begin a pleasant, interesting, unscientific acquaintance with English plants, he would do very well indeed to get a good copy of Culpepper. Grey hairs had insisted in showing themselves in my beard when, all those weary years afterwards, I thought I would like to buy the still older Englishman, Gerard, who had no Linnaeus to guide him, who walked about our English lanes centuries ago. What wonderful scenes he must have viewed when they were all a tangle of wild flowers, and plants that are now scarce were common, and the old ploughs, and the curious customs, and the wild red-deer--it would make a good picture, it really would, Gerard studying English orchids! Such a volume!--hundreds of pages, yellow of course, close type, and marvellously well printed. The minute care they must have taken in those early days of printing to get up such a book--a wonderful volume both in bodily shape and contents. Just then the only copy I could hear of was much damaged. The cunning old bookseller said he could make it up; but I have no fancy for patched books, they are not genuine; I would rather have them deficient; and the price was rather long, and so I went Gerardless. Of folk-lore and medicinal use and history and associations here you have hints. The bottom of the sack is not yet; there are the monographs, years of study expended upon one species of plant growing in one locality, perhaps; some made up into thick books and some into broad quarto pamphlets, with most beautiful plates, that, if you were to see them, would tempt you to cut them out and steal them, all sunk and lost like dead ships under the sand: piles of monographs. There are warehouses in London that are choked to the beams of the roof with them, and every fresh exploration furnishes another shelf-load. The source of the Nile was unknown a very few years ago, and now, I have no doubt, there are dozens of monographs on the flowers that flourish there. Indeed, there is not a thing that grows that may not furnish a monograph. The author spends perhaps twenty years in collecting his material, during which time he must of course come across a great variety of amusing information, and then he spends another ten years writing out a fair copy of his labours. Then he thinks it does not quite do in that form, so he snips a paragraph out of the beginning and puts it at the end; next he shifts some more matter from the middle to the preface; then he thinks it over. It seems to him that it is too big, it wants condensation. The scientific world will say he has made too much of it; it ought to read very slight, and present the facts while concealing the labour. So he sets about removing the superfluous--leaves out all the personal observations, and all the little adventures he has met with in his investigations; and so, having got it down to the dry bones and stones thereof and omitted all the mortar that stuck them together, he sends for the engraver, and the next three years are occupied in working up the illustrations. About this time some new discovery is made by a foreign observer, which necessitates a complete revision of the subject; and so having shifted the contents of the book about hither and thither till he does not know which is the end and which is the beginning, he pitches the much-mutilated copy into a drawer and turns the key. Farewell, no more of this; his declining days shall be spent in peace. A few months afterwards a work is announced in Leipsic which 'really trenches on my favourite subject, and really after spending a lifetime I can't stand it.' By this time his handwriting has become so shaky he can hardly read it himself, so he sends in despair for a lady who works a type-writer, and with infinite patience she makes a clean manuscript of the muddled mass. To the press at last, and the proofs come rapidly. Such a relief! How joyfully easy a thing is when you set about it! but by-and-by this won't do. Sub-section A ought to be in a foot-note, family B is doubtful; and so the corrections grow and run over the margin in a thin treble hand, till they approach the bulk of the original book--a good profit for the printer; and so after about forty years the monograph is published--the work of a life is accomplished. Fifty copies are sent round to as many public libraries and learned societies, and the rest of the impression lies on the shelves till dust and time and spiders' webs have buried it. Splendid work in it too. Looked back upon from to-day with the key of modern thought, these monographs often contain a whole chest of treasure. And still there are the periodicals, a century of magazines and journals and reviews and notices that have been coming out these hundred years and dropping to the ground like dead leaves unnoticed. And then there are the art works--books about shape and colour and ornament, and a naturalist lately has been trying to see how the leaves of one tree look fitted on the boughs of another. Boundless is the wealth of Flora's lap; the ingenuity of man has been weaving wreaths out of it for ages, and still the bottom of the sack is not yet. Nor have we got much news of the dandelion. For I sit on the thrown timber under the trees and meditate, and I want something more: I want the soul of the flowers.

The bee and the butterfly take their pollen and their honey, and the strange moths so curiously coloured, like the curious colouring of the owls, come to them by night, and they turn towards the sun and live their little day, and their petals fall, and where is the soul when the body decays? I want the inner meaning and the understanding of the wild flowers in the meadow. Why are they? What end? What purpose? The plant knows, and sees, and feels; where is its mind when the petal falls? Absorbed in the universal dynamic force, or what? They make no shadow of pretence, these beautiful flowers, of being beautiful for my sake, of bearing honey for me; in short, there does not seem to be any kind of relationship between us, and yet--as I said just now--language does not express the dumb feelings of the mind any more than the flower can speak. I want to know the soul of the flowers, but the word soul does not in the smallest degree convey the meaning of my wish. It is quite inadequate; I must hope that you will grasp the drift of my meaning. All these life-laboured monographs, these classifications, works of Linnaeus, and our own classic Darwin, microscope, physiology, and the flower has not given us its message yet. There are a million books; there are no books: all the books have to be written. What a field! A whole million of books have got to be written. In this sense there are hardly a dozen of them done, and these mere primers. The thoughts of man are like the foraminifera, those minute shells which build up the solid chalk hills and lay the level plain of endless sand; so minute that, save with a powerful lens, you would never imagine the dust on your fingers to be more than dust. The thoughts of man are like these: each to him seems great in his day, but the ages roll, and they shrink till they become triturated dust, and you might, as it were, put a thousand on your thumb-nail. They are not shapeless dust for all that; they are organic, and they build and weld and grow together, till in the passage of time they will make a new earth and a new life. So I think I may say there are no books; the books are yet to be written.

Let us get a little alchemy out of the dandelions. They were not precise, the Arabian sages, with their flowing robes and handwriting; there was a large margin to their manuscripts, much imagination. Therein they failed, judged by the monograph standard, but gave a subtle food for the mind. Some of this I would fain see now inspiring the works and words of our great men of science and thought--a little alchemy. A great change is slowly going forward all over the printing-press world, I mean wherever men print books and papers. The Chinese are perhaps outside that world at present, and the other Asian races; the myriads, too, of the great southern islands and of Africa. The change is steadily, however, proceeding wherever the printing-press is used. Nor Pope, nor Kaiser, nor Czar, nor Sultan, nor fanatic monk, nor muezzin, shouting in vain from his minaret, nor, most fanatic of all, the fanatic shouting in vain in London, can keep it out--all powerless against a bit of printed paper. Bits of printed paper that listen to no command, to which none can say, 'Stand back; thou shalt not enter.' They rise on the summer whirlwinds from the very dust of the road, and float over the highest walls; they fall on the well-kept lawns--monastery, prison, palace--there is no fortress against a bit of printed paper. They penetrate where even Danae's gold cannot go. Our Darwins, our Lyalls, Herschels, Faradays--all the immense army of those that go down to nature with considering eye--are steadfastly undermining and obliterating the superstitious past, literally burying it under endless loads of accumulated facts; and the printing-presses, like so many Argos, take these facts on their voyage round the world. Over go temples, and minarets, and churches, or rather there they stay, the hollow shells, like the snail shells which thrushes have picked clean; there they stay like Karnac, where there is no more incense, like the stone circles on our own hills, where there are no more human sacrifices. Thus men's minds all over the printing-press world are unlearning the falsehoods that have bound them down so long; they are unlearning, the first step to learn. They are going down to nature and taking up the clods with their own hands, and so coming to have touch of that which is real. As yet we are in the fact stage; by-and-by we shall come to the alchemy, and get the honey for the inner mind and soul. I found, therefore, from the dandelion that there were no books, and it came upon me, believe me, as a great surprise, for I had lived quite certain that I was surrounded with them. It is nothing but unlearning, I find now; five thousand books to unlearn.

Then to unlearn the first ideas of history, of science, of social institutions, to unlearn one's own life and purpose; to unlearn the old mode of thought and way of arriving at things; to take off peel after peel, and so get by degrees slowly towards the truth--thus writing, as it were, a sort of floating book in the mind, almost remaking the soul. It seems as if the chief value of books is to give us something to unlearn. Sometimes I feel indignant at the false views that were instilled into me in early days, and then again I see that that very indignation gives me a moral life. I hope in the days to come future thinkers will unlearn us, and find ideas infinitely better. How marvellous it seems that there should be found communities furnished with the printing-press and fully convinced they are more intelligent than ants, and yet deliberately refusing by a solid 'popular' vote to accept free libraries! They look with scorn on the mediaeval times, when volumes were chained in the college library or to the desk at church. Ignorant times those! A good thing it would be if only three books were chained to a desk, open and free in every parish throughout the kingdom now. So might the wish to unlearn be at last started in the inert mind of the mass. Almost the only books left to me to read, and not to unlearn very much, are my first books--the graven classics of Greece and Rome, cut with a stylus so deeply into the tablet they cannot be erased. Little of the monograph or of classification, no bushel baskets full of facts, no minute dissection of nature, no attempt to find the soul under the scalpel. Thoughts which do not exactly deal with nature direct in a mechanical way, as the chemist labels all his gums and spices and earths in small boxes--I wonder if anybody at Athens ever made a collection of the coleoptera? Yet in some way they had got the spirit of the earth and sea, the soul of the sun. This never dies; this I wish not to unlearn; this is ever fresh and beautiful as a summer morning:--

Such the golden crocus,
Fair flower of early spring; the gopher white,
And fragrant thyme, and all the unsown beauty
Which in moist grounds the verdant meadows bear;
The ox-eye, the sweet-smelling flower of love,
The chalca, and the much-sung hyacinth,
And the low-growing violet, to which
Dark Proserpine a darker hue has given.

They come nearest to our own violets and cowslips--the unsown beauty of our meadows--to the hawthorn leaf and the high pinewood. I can forget all else that I have read, but it is difficult to forget these even when I will. I read them in English. I had the usual Latin and Greek instruction, but I read them in English deliberately. For the inflexion of the vowel I care nothing; I prize the idea. Scholars may regard me with scorn. I reply with equal scorn. I say that a great classic thought is greater to an English mind in English words than in any other form, and therein fits best to this our life and day. I read them in English first, and intend to do so to the end. I do not know what set me on these books, but I began them when about eighteen. The first of all was Diogenes Laertius's 'Lives of the Philosophers.' It was a happy choice; my good genius, I suppose, for you see I was already fairly well read in modern science, and these old Greek philosophies set me thinking backwards, unwinding and unlearning, and getting at that eidolon which is not to be found in the mechanical heavens of this age. I still read him. I still find new things, quite new, because they are so very, very old, and quite true; and with his help I seem in a measure to look back upon our thoughts now as if I had projected myself a thousand years forward in space. An imperfect book, say the critics. I do not know about that; his short paragraphs and chapters in their imperfect state convey more freshness to the mind than the thick, laboured volumes in which modern scholarship professes to describe ancient philosophy. I prefer the imperfect original records. Neither can I read the ponderous volumes of modern history, which are nothing but words. I prefer the incomplete and shattered chronicles themselves, where the swords shine and the armour rings, and all is life though but a broken frieze. Next came Plato (it took me a long time to read Plato, and I have had to unlearn much of him) and Xenophon. Socrates' dialectic method taught me how to write, or rather how to put ideas in sequence. Sophocles, too; and last, that wonderful encyclopaedia of curious things, Athenaeus. So that I found, when the idea of the hundred best books came out, that between seventy and eighty of them had been my companions almost from boyhood, those lacking to complete the number being chiefly ecclesiastical or Continental. Indeed, some years before the hundred books were talked of, the idea had occurred to me of making up a catalogue of books that could be bought for ten pounds. In an article in the 'Pall Mall Gazette' on 'The Pigeons at the British Museum' I said,' It seems as if all the books in the world--really books--can be bought for 10_l_. Man's whole thought is purchasable at that small price--for the value of a watch, of a good dog.' The idea of making a 10_l_. catalogue was in my mind--I did make a rough pencil one--and I still think that a 10_l_. library is worth the notice of the publishing world. My rough list did not contain a hundred. These old books of nature and nature's mind ought to be chained up, free for every man to read in every parish. These are the only books I do not wish to unlearn, one item only excepted, which I shall not here discuss. It is curious, too, that the Greek philosophers, in the more rigid sense of science, anticipated most of the drift of modern thought. Two chapters in Aristotle might almost be printed without change as summaries of our present natural science. For the facts of nature, of course, neither one hundred books nor a 10_l_. library would be worth mentioning; say five thousand, and having read those, then go to Kew, and spend a year studying the specimens of wood only stored there, such a little slice after all of the whole. You will then believe what I have advanced, that there are no books as yet; they have got to be written; and if we pursue the idea a little further, and consider that these are all about the crude clods of life--for I often feel what a very crude and clumsy clod I am--only of the earth, a minute speck among one hundred millions of stars, how shall we write what is _there_? It is only to be written by the mind or soul, and that is why I strive so much to find what I have called the alchemy of nature. Let us not be too entirely mechanical, Baconian, and experimental only; let us let the soul hope and dream and float on these oceans of accumulated facts, and feel still greater aspiration than it has ever known since first a flint was chipped before the glaciers. Man's mind is the most important fact with which we are yet acquainted. Let us not turn then against it and deny its existence with too many brazen instruments, but remember these are but a means, and that the vast lens of the Californian refractor is but glass--it is the infinite speck upon which the ray of light will fall that is the one great fact of the universe. By the mind, without instruments, the Greeks anticipated almost all our thoughts; by-and-by, having raised ourselves up upon these huge mounds of facts, we shall begin to see still greater things; to do so we must look not at the mound under foot, but at the starry horizon.

THE JULY GRASS.

A July fly went sideways over the long grass. His wings made a burr about him like a net, beating so fast they wrapped him round with a cloud. Every now and then, as he flew over the trees of grass, a taller one than common stopped him, and there he clung, and then the eye had time to see the scarlet spots--the loveliest colour--on his wings. The wind swung the bennet and loosened his hold, and away he went again over the grasses, and not one jot did he care if they were _Poa_ or _Festuca_, or _Bromus_ or _Hordeum_, or any other name. Names were nothing to him; all he had to do was to whirl his scarlet spots about in the brilliant sun, rest when he liked, and go on again. I wonder whether it is a joy to have bright scarlet spots, and to be clad in the purple and gold of life; is the colour felt by the creature that wears it? The rose, restful of a dewy morn before the sunbeams have topped the garden wall, must feel a joy in its own fragrance, and know the exquisite hue of its stained petals. The rose sleeps in its beauty.

The fly whirls his scarlet-spotted wings about and splashes himself with sunlight, like the children on the sands. He thinks not of the grass and sun; he does not heed them at all--and that is why he is so happy-any more than the barefoot children ask why the sea is there, or why it does not quite dry up when it ebbs. He is unconscious; he lives without thinking about living; and if the sunshine were a hundred hours long, still it would not be long enough. No, never enough of sun and sliding shadows that come like a hand over the table to lovingly reach our shoulder, never enough of the grass that smells sweet as a flower, not if we could live years and years equal in number to the tides that have ebbed and flowed counting backwards four years to every day and night, backward still till we found out which came first, the night or the day. The scarlet-dotted fly knows nothing of the names of the grasses that grow here where the sward nears the sea, and thinking of him I have decided not to wilfully seek to learn any more of their names either. My big grass book I have left at home, and the dust is settling on the gold of the binding. I have picked a handful this morning of which I know nothing. I will sit here on the turf and the scarlet-dotted flies shall pass over me, as if I too were but a grass. I will not think, I will be unconscious, I will live.

Listen! that was the low sound of a summer wavelet striking the uncovered rock over there beneath in the green sea. All things that are beautiful are found by chance, like everything that is good. Here by me is a praying-rug, just wide enough to kneel on, of the richest gold inwoven with crimson. All the Sultans of the East never had such beauty as that to kneel on. It is, indeed, too beautiful to kneel on, for the life in these golden flowers must not be broken down even for that purpose. They must not be defaced, not a stem bent; it is more reverent not to kneel on them, for this carpet prays itself I will sit by it and let it pray for me. It is so common, the bird's-foot lotus, it grows everywhere; yet if I purposely searched for days I should not have found a plot like this, so rich, so golden, so glowing with sunshine. You might pass by it in one stride, yet it is worthy to be thought of for a week and remembered for a year. Slender grasses, branched round about with slenderer boughs, each tipped with pollen and rising in tiers cone-shaped--too delicate to grow tall--cluster at the base of the mound. They dare not grow tall or the wind would snap them. A great grass, stout and thick, rises three feet by the hedge, with a head another foot nearly, very green and strong and bold, lifting itself right up to you; you must say, 'What a fine grass!' Grasses whose awns succeed each other alternately; grasses whose tops seem flattened; others drooping over the shorter blades beneath; some that you can only find by parting the heavier growth around them; hundreds and hundreds, thousands and thousands. The kingly poppies on the dry summit of the mound take no heed of these, the populace, their subjects so numerous they cannot be numbered. A barren race they are, the proud poppies, lords of the July field, taking no deep root, but raising up a brilliant blazon of scarlet heraldry out of nothing. They are useless, they are bitter, they are allied to sleep and poison and everlasting night; yet they are forgiven because they are not commonplace. Nothing, no abundance of them, can ever make the poppies commonplace. There is genius in them, the genius of colour, and they are saved. Even when they take the room of the corn we must admire them. The mighty multitude of nations, the millions and millions of the grass stretching away in intertangled ranks, through pasture and mead from shore to shore, have no kinship with these their lords. The ruler is always a foreigner. From England to China the native born is no king; the poppies are the Normans of the field. One of these on the mound is very beautiful, a width of petal, a clear silkiness of colour three shades higher than the rest--it is almost dark with scarlet. I wish I could do something more than gaze at all this scarlet and gold and crimson and green, something more than see it, not exactly to drink it or inhale it, but in some way to make it part of me that I might live it.

The July grasses must be looked for in corners and out-of-the-way places, and not in the broad acres--the scythe has taken them there. By the wayside on the banks of the lane, near the gateway--look, too, in uninteresting places behind incomplete buildings on the mounds cast up from abandoned foundations where speculation has been and gone. There weeds that would not have found resting-place elsewhere grow unchecked, and uncommon species and unusually large growths appear. Like everything else that is looked for, they are found under unlikely conditions. At the back of ponds, just inside the enclosure of woods, angles of corn-fields, old quarries, that is where to find grasses, or by the sea in the brackish marsh. Some of the finest of them grow by the mere road-side; you may look for others up the lanes in the deep ruts, look too inside the hollow trees by the stream. In a morning you may easily garner together a great sheaf of this harvest. Cut the larger stems aslant, like the reeds imitated deep in old green glass. You must consider as you gather them the height and slenderness of the stems, the droop and degree of curve, the shape and colour of the panicle, the dusting of the pollen, the motion and sway in the wind. The sheaf you may take home with you, but the wind that was among it stays without.

WINDS OF HEAVEN.

The window rattled, the gate swung; a leaf rose, and the kitten chased it, 'whoo-oo'--the faintest sound in the keyhole. I looked up, and saw the feathers on a sparrow's breast ruffled for an instant. It was quiet for some time; after a while it came again with heavier purpose. The folded shutters shook; the latch of the kitchen door rattled as if some one were lifting it and dropped it; indefinite noises came from upstairs: there was a hand in the house moving everything. Another pause. The kitten was curled up on the window-ledge outside in the sunshine, just as the sleek cats curled up in the warmth at Thebes of old Egypt five or six thousand years ago; the sparrow was happy at the rose tree; a bee was happy on a broad dandelion disc. 'Soo-hoo!'--a low whistle came through the chink; a handful of rain was flung at the window; a great shadow rushed up the valley and strode the house in an instant as you would get over a stile. I put down my book and buttoned my coat. Soo-hoo! the wind was here and the cloud--soo-hoo! drawing out longer and more plaintive in the thin mouthpiece of the chink. The cloud had no more rain in it, but it shut out the sun; and all that afternoon and all that night the low plaint of the wind continued in sorrowful hopelessness, and little sounds ran about the floors and round the rooms.

Still soo-hoo all the next day and sunlessness, turning the mind, through work and conversation, to pensive notes. At even the edge of the cloud lifted over the forest hill westwards, and a yellow glow, the great beacon fire of the sun, burned out, a conflagration at the verge of the world. In the night, awaking gently as one who is whispered to--listen! Ah! all the orchestra is at work--the keyhole, the chink, and the chimney; whoo-hooing in the keyhole, whistling shrill whew-w-w! in the chink, moaning long and deep in the chimney. Over in the field the row of pines was sighing; the wind lingered and clung to the close foliage, and each needle of the million million leaflets drew its tongue across the organ blast. A countless multitude of sighs made one continued distant undertone to the wild roar of the gable close at hand. Something seemed to be running with innumerable centipede feet over the mouth of the chimney, for the long deep moan, as I listened, resolved itself into a quick succession of touches, just as you might play with your finger-tips, fifty times a second tattooing on the hollow table. In the midst of the clangour the hearing settled down to the sighing of the pines, which drew the mind towards it, and soothed the senses to sleep.

Towards dawn, awake again--another change: the battering-ram at work now against the walls. Swinging back, the solid thickness of the wind came forward--crush! as the iron-shod ram's head hanging from its chains rushed to the tower. Crush! It sucked back again as if there had been a vacuum--a moment's silence, and crush! Blow after blow--the floor heaved; the walls were ready to come together--alternate sucking back and heavy billowy advance. Crush! crush! Blow after blow, heave and batter and hoist, as if it would tear the house up by the roots. Forty miles that battering-ram wind had travelled without so much as a bough to check it till it struck the house on the hill. Thud! thud! as if it were iron and not air. I looked from the window, and the bright morning star was shining--the sky was full of the wind and the star. As light came, the thud, thud sunk away, and nothing remained but the whoo-hoo-hoo of the keyhole and the moan of the chimney. These did not leave us; for four days and nights the whoo-hoo-hoo-whoo never ceased a moment. Whoo-hoo! whoo! and this is the wind on the hill indoors.

Out of doors, sometimes in the morning, deep in the valley, over the tree-tops of the forest, there stays a vapour, lit up within by sunlight. A glory hovers over the oaks--a cloud of light hundreds of feet thick, the air made visible by surcharge and heaviness of sunbeams, pressed together till you can see them in themselves and not reflected. The cloud slants down the sloping wood, till in a moment it is gone, and the beams are now focussed in the depth of the narrow valley. The mirror has been tilted, and the glow has shifted; in a moment more it has vanished into space, and the dream has gone from the wood. In the arms of the wind, vast bundles of mist are borne against the hill; they widen and slip, and lengthen, drawing out; the wind works quickly with moist colours ready and a wide brush laying broadly. Colour comes up in the wind; the thin mist disappears, drunk up in the grass and trees, and the air is full of blue behind the vapour. Blue sky at the far horizon--rich deep blue overhead--a dark-brown blue deep yonder in the gorge among the trees. I feel a sense of blue colour as I face the strong breeze; the vibration and blow of its force answer to that hue, the sound of the swinging branches and the rush--rush in the grass is azure in its note; it is wind-blue, not the night-blue, or heaven-blue, a colour of air. To see the colour of air it needs great space like this--a vastness of concavity and hollow--an equal caldron of valley and plain under, to the dome of the sky over, for no vessel of earth and sky is too large for the air-colour to fill. Thirty, forty, and more miles of eye-sweep, and beyond that the limitless expanse over the sea--the thought of the eye knows no butt, shooting on with stellar penetration into the unknown. In a small space there seems a vacuum, and nothing between you and the hedge opposite, or even across the valley; in a great space the void is filled, and the wind touches the sight like a thing tangible. The air becomes itself a cloud, and is coloured--recognised as a thing suspended; something real exists between you and the horizon. Now full of sun, and now of shade, the air-cloud rests in the expanse.

It is summer, and the wind-birds top the furze; the bright stonechat, velvet-black and red and white, sits on the highest spray of the gorse, as if he were painted there. He is always in the wind on the hill, from the hail of April to August's dry glow. All the mile-long slope of the hill under me is purple-clad with heath down to the tree-filled gorge where the green boughs seem to join the purple. The corn-fields and the pastures of the plain--count them one by one till the hedges and squares close together and cannot be separated. The surface of the earth melts away as if the eyes insensibly shut and grew dreamy in gazing, as the soft clouds melt and lose their outline at the horizon. But dwelling there, the glance slowly finds and fills out something that interposes its existence between us and the further space. Too shadowy for the substance of a cloud, too delicate for outline against the sky, fainter than haze, something of which the eye has consciousness, but cannot put into a word to itself. Something is there. It is the air-cloud adhering like a summer garment to the great downs by the sea. I cannot see the substance of the hills nor their exact curve along the sky; all I can see is the air that has thickened and taken to itself form about them. The atmosphere has collected as the shadow collects in the distant corner of a room--it is the shadow of the summer wind. At times it is so soft, so little more than the air at hand, that I almost fancy I can look through the solid boundary. There is no cloud so faint; the great hills are but a thought at the horizon; I _think_ them there rather than see them; if I were not thinking of them, I should scarce know there was even a haze, with so dainty a hand does the atmosphere throw its covering over the massy downs. Riding or passing quickly perhaps you would not observe them; but stay among the heathbells, and the sketch appears in the south. Up from the sea over the corn-fields, through the green boughs of the forest, along the slope, comes a breath of wind, of honey-sweetened air, made more delicate by the fanning of a thousand wings.

The labour of the wind: the cymbals of the aspen clashing, from the lowest to the highest bough, each leaf twirling first forwards and then backwards and swinging to and fro, a double motion. Each lifts a little and falls back like a pendulum, twisting on itself; and as it rises and sinks, strikes its fellow-leaf. Striking the side of the dark pines, the wind changes their colour and turns them paler. The oak leaves slide one over the other, hand above hand, laying shadow upon shadow upon the white road. In the vast net of the wide elm-tops the drifting shadow of the cloud which the wind brings is caught for a moment. Pushing aside the stiff ranks of the wheat with both arms, the air reaches the sun-parched earth. It walks among the mowing-grass like a farmer feeling the crop with his hand one side, and opening it with his walking-stick the other. It rolls the wavelets carelessly as marbles to the shore; the red cattle redden the pool and stand in their own colour. The green caterpillar swings as he spins his thread and lengthens his cable to the tide of air, descending from the tree; before he can slip it the whitethroat takes him. With a thrust the wind hurls the swift fifty miles faster on his way; it ruffles back the black velvet of the mole peeping forth from his burrow. Apple bloom and crab-apple bloom have been blown long since athwart the furrows over the orchard wall; May petals and June roses scattered; the pollen and the seeds of the meadow-grasses thrown on the threshing-floor of earth in basketfuls. Thistle down and dandelion down, the brown down of the goat's-beard; by-and-by the keys of the sycamores twirling aslant--the wind carries them all on its back, gossamer web and great heron's vanes--the same weight to the wind; the drops of the waterfall blown aside sprinkle the bright green ferns. The voice of the cuckoo in his season travels on the zephyr, and the note comes to the most distant hill, and deep into the deepest wood.

The light and fire of summer are made beautiful by the air, without whose breath the glorious summer were all spoiled. Thick are the hawthorn leaves, many deep on the spray; and beneath them there is a twisted and intertangled winding in and out of boughs, such as no curious ironwork of ancient artist could equal; through the leaves and metal-work of boughs the soft west wind wanders at its ease. Wild wasp and tutored bee sing sideways on their course as the breeze fills their vanes; with broad coloured sails boomed out, the butterfly drifts alee. Beside a brown coated stone in the shadowed stream a brown trout watches for the puffs that slay the May-flies. Their ephemeral wings were made for a more exquisite life; they endure but one sun; they bear not the touch of the water; they die like a dream dropping into the river. To the amethyst in the deep ditch the wind comes; no petal so hidden under green it cannot find; to the blue hill-flower up by the sky; it lifts the guilty head of the passionate poppy that has sinned in the sun for love. Sweet is the rain the wind brings to the wallflower browned in the heat, a-dry on the crumbling stone. Pleasant the sunbeams to the marigold when the wind has carried the rain away and his sun-disc glows on the bank. Acres of perfume come on the wind from the black and white of the bean-field; the firs fill the air by the copse with perfume. I know nothing to which the wind has not some happy use. Is there a grain of dust so small the wind shall not find it out? Ground in the mill-wheel of the centuries, the iron of the distant mountain floats like gossamer, and is drunk up as dew by leaf and living lung. A thousand miles of cloud go by from morn till night, passing overhead without a sound; the immense packs, a mile square, succeed to each other, side by side, laid parallel, book-shape, coming up from the horizon and widening as they approach. From morn till night the silent footfalls of the ponderous vapours travel overhead, no sound, no creaking of the wheels and rattling of the chains; it is calm at the earth, but the wind labours without an effort above, with such case, with such power. Grey smoke hangs on the hill-side where the couch-heaps are piled, a cumulus of smoke; the wind comes, and it draws its length along like the genii from the earthen pot; there leaps up a great red flame shaking its head; it shines in the bright sunlight; you can see it across the valley.

A perfect summer day with a strong south wind; a cloudless blue sky blown pale, a summer sun blown cool, deep draughts of refreshing air to man and horse, clear definition of red-tile roof and conical oast, perfect colour of soft ash-green trees. In the evening, fourteen black swifts rushing together through the upper atmosphere with shrill cries, sometimes aside and on the tip of one wing, with a whirl descending, a black trail, to the tiled ridge they dwell in. Fine weather after this.

A swooning August day, with a hot east wind, from which there is no escape, which gives no air to the chest--you breathe and are not satisfied with the inspiration; it does not fill; there is no life in the killed atmosphere. It is a vacuum of heat, and yet the strong hot wind bends the trees, and the tall firs wrestle with it as they did with Sinis, the Pine-bender, bowed down and rebounding as if they would whirl their cones away like a catapult. Masses of air are moving by, and yet there is none to breathe. No escape in the shadow of hedge or wood, or in the darkened room; darkness excludes the heat that comes with light, but the heat of the oven-wind cannot be shut out. Some monstrous dragon of the Chinese sky pants his fiery breath upon us, and the brown grass stalks threaten to catch flame in the field. The grain of wheat that was full of juice dries hard in the ears, and water is no more good for thirst. There is not a cloud in the sky; but at night there is heavy rain, and the flowers are beaten down. There is a thunder-wind that blows at intervals when great clouds are visibly gathering over the hayfield. It is almost a calm; but from time to time a breath comes, and a low mournful cry sounds in the hollow farmhouse--the windows and doors are open, and the men and women have gone out to make hasty help in the hay ere the storm--a mournful cry in the hollow house, as unhappy a note as if it were soaked February.

In April, six miles away in the valley, a vast cloud came down with swan-shot of hail, black as blackest smoke, overwhelming house and wood, all gone and mixed with the sky; and behind the mass there followed a white cloud, sunlit, dragging along the ground like a cumulus fallen to the earth. At sunset the sky cleared, and under the glowing rim of the sun a golden wind drove the host of vapour before it, scattering it to the right and left. Large pieces caught and tore themselves in the trees of the forest, and one curved fragment hurled from the ridge fell in the narrow coombe, lit up as it came down with golden sunset rays, standing out bright against the shadowed wood. Down it came slowly as it were with outstretched arms, both to fall, carrying the coloured light of the sky to the very surface of the earth.

THE COUNTRY SUNDAY.

Roses bloomed on every bush, and some of the great hawthorns up which the briars had climbed seemed all flowers. The white and pink-white petals of the June roses adhered all over them, almost as if they had been artificially gummed or papered on so as to hide the leaves. Such a profusion of wild-rose bloom is rarely seen. On the Sunday morning, as on a week-day morning, they were entirely unnoticed, and might be said in their turn to take no heed of the sanctified character of the day. With a rush like a sudden thought the white-barred eave-swallows came down the arid road and rose again into the air as easily as a man dives into the water. Dark specks beneath the white summer clouds, the swifts, the black albatross of our skies, moved on their unwearied wings. Like the albatross that floats over the ocean and sleeps on the wing, the swift's scimitar-like pinions are careless of repose. Once now and then they came down to earth, not, as might be supposed, to the mansion or the church tower, but to the low tiled roof of an ancient cottage which they fancied for their home. Kings sometimes affect to mix with their subjects; these birds that aspire to the extreme height of the air frequently nest in the roof of a despised tenement, inhabited by an old woman who never sees them. The corn was green and tall, the hops looked well, the foxglove was stirring, the delicious atmosphere of summer, sun-laden and scented, filled the deep valleys; a morning of the richest beauty and deepest repose. All things reposed but man, and man is so busy with his vulgar aims that it quite dawns upon many people as a wonderful surprise how still nature is on a Sunday morning. Nature is absolutely still every day of the week, and proceeds with the most absolute indifference to days and dates.

The sharp metallic clangour of a bell went bang, bang, bang, from one roof; not far distant a harsher and deeper note--some Tartar-like bell of universal uproar--hammered away. At intervals came the distant chimes of three distinct village churches--ding dong, dong ding, pango, frango, jango--very much jango--bang, clatter, clash--a humming vibration and dreadful stir. The country world was up in arms, I was about to say--I mean in chimney-pot hat and pomade, _en route_ to its various creeds, some to one bell, some to another, some to ding dong, and some to dong ding; but the most of them directed their steps towards a silent chapel. This great building, plain beyond plainness, stood beside a fir copse, from which in the summer morning there floated an exquisite fragrance of pine. If all the angles of the architects could have been put together, nothing could have been designed more utterly opposite to the graceful curve of the fir tree than this red-bricked crass building. Bethel Chapel combined everything that could be imagined contrary to the spirit of nature, which undulates. The largest erection of the kind, it was evidently meant for a large congregation.

Of all the people in this country there are none so devout as the cottagers in the lanes and hamlets. They are as uncompromising as the sectaries who smashed the images and trampled on the pride of kings in the days of Charles I. The translation of the Bible cut off Charles I.'s head by letting loose such a flood of iron-fisted controversy, and to any one who has read the pamphlets of those days the resemblance is constantly suggested. John Bunyan wrote about the Pilgrim. To this chapel there came every Sunday morning a man and his wife, ten miles on foot from their cottage home in a distant village. The hottest summer day or the coldest winter Sunday made no difference; they tramped through dust, and they tramped through slush and mire; they were pilgrims every week. A grimly real religion, as concrete and as much a fact as a stone wall; a sort of horse's faith going along the furrow unquestioning. In their own village there were many chapels, and at least one church, but these did not suffice. The doctrine at Bethel was the one saving doctrine, and there they went. There were dozens who came from lesser distances quite as regularly, the men in their black coats and high hats, big fellows that did not look ungainly till they dressed themselves up; women as red as turkey-cocks, panting and puffing; crowds of children making the road odorous with the smell of pomade; the boys with their hair too long behind; the girls with vile white stockings, all out of drawing, and without a touch that could be construed into a national costume--the cheap shoddy shop in the country lane. All with an expression of Sunday goodness: 'To-day we are good, we are going to chapel, and we mean to stay till the very last word. We have got our wives and families with us, and woe be to any of them if they dare to look for a bird's nest! This is business.' Besides the foot people there come plenty in traps and pony-carriages, and some on horseback, for a certain class of farmers belong to the same persuasion, and there are well-to-do people in the crowd. It is the cast of mind that makes the worshipper, not the worldly position.

It is written, but perhaps it is not true, that in old times--not very old times--the parish clergyman had a legal right, by which every person in the parish was compelled to appear once on a Sunday in the church. Those who did not come were fined a shilling.

Now look at the Shillings this Sunday morning flowing of their own freewill along the crooked lanes, and over the stiles, and through the hops, and down the hill to the chapel which can offer no bribe and can impose no fine.

Old women--wonder 'tis how they live on nothing a day--still manage to keep a decent black dress and come to chapel with a penny in their pockets in spite of their age and infirmities. The nearest innkeeper, himself a most godly man, has work enough to do to receive the horses and traps and pony-carriages and stow them away before service begins, when he will stride from the stable to the pew. Then begins the hollow and flute-like modulation of a pitch-pipe within the great building. One of the members of the congregation who is a musician is setting the ears of the people to the tune of the hymn that is about to be given forth. The verse is read, and then rises the full swell of hundreds of voices; and while they sing let us think what a strange thing the old pitch-pipe--no organ, no harmonium--what a strange thing the whole scene is, with its Cromwellian air in the midst of the modern fields.

This is a picture, and not a disputation: as to what they teach or preach inside Bethel, it is nothing to me; this paper has not the slightest theological bias.

You may tell when the service is nearly over by the stray boys who steal out and round the walls to throw stones at the sparrows in the roads; they need a little relaxation; nature gets even into Bethel. By-and-by out come some bigger lads and tie two long hop-poles together with which to poke down the swallows' nests under the chapel eaves. The Book inside, of which they almost make an idol, seemed to think the life of a sparrow--and possibly of a swallow--was of value; still it is good fun to see the callow young come down flop on the hard ground.