Chapter II: Front Matter (2)
Facing us was No. 3, Magdala Terrace, a house which was empty for some weeks, but one April evening a large van full of new furniture drove up to it, followed by a respectable looking man and woman of the artisan class, who soon began to set the house in order. Before sleep had fallen on the shabby street a cab drove up to No. 3, and from it stepped a woman, tall, slight, and closely veiled. I had been to the pillar box to post an answer to an advertisement, and it happened that I passed the door of the newly let house as the cab drew up. Without waiting to be summoned, the trim young woman came out to welcome the new-comer, and said in French:
"Madame, the place is poor, but clean, and quiet, and," lowering her voice, "fitted for observation."
In spite of my own anxieties I wondered who the stranger could be, and why the little house was to be an observatory. Then I remembered the vicinity of the big gaol, and thought that madame might have an interest in one of the black sheep incarcerated there.
Very soon strange rumours began to circulate amongst the dwellers in the avenue. The bright young woman was madame's foster sister; madame herself was of high degree, a countess, or one of even nobler rank, travelling in disguise; the quiet, dark young man, her foster sister's husband, was a woodcarver, who was out of work and only too glad to serve the foreign lady, who out of generous pity had come to stay with them.
I, of course, gave no credence to these seemingly absurd reports, but, all the same, I was aware that there was a mystery at No. 3. The lady was young, beautiful, and distinguished looking, she had dark, pathetic, haunting eyes, which reminded me forcibly of other eyes I had seen, but when and where I could not recall; and though her dresses were dark, they were _chic_, the word Paris was writ plain on all her toques.
Madame made no friends, and it was clear from the first that she desired to be undisturbed, at any rate by her neighbours. Every now and again there were visitors at No 3, but these were strangers, foreign looking visitors, cloaked, swarthy and sombre men who came and went, one of whom I overheard say in French as he flicked the ash from his cigar: "Chut! the rat keeps in his hole, he will not stir."
At Maytime, in the early gloaming, the foreign lady and I met in the narrow street.
We met face to face, and passed each other with a slight bow of recognition; a moment after I heard soft, hurried footfalls, and the strange lady was by my side.
She held out an envelope addressed to me, saying:
"Pardon me, if I mistake not, you dropped this. Is it not so?"
I thanked her, and took the letter, saying:
"It _is_ mine, and I should have troubled had I lost it."
This little incident broke down our old-time reserve, and saying:
"I go to-morrow," she placed a bunch of amber roses she was carrying in my hand. I thanked her, and asked by what name I might remember her?
"As Nadine," she whispered softly. "I need not ask you yours."
The mention of the name electrified me. Here was I bidding farewell to Nadine, whose little sister Irene, our sweet snow flower, I had loved and lost at the old school far away.
Nadine noticed my excitement, and putting her finger to her lips, cautioned me to silence. But I was not to be denied.
"Irene?" I said in a whisper, "Irene, where is Irene?"
"Hush!" she said, taking me by the arm and drawing me in at the open doorway of No. 3. "Speak of it not again. Irene fell a victim to our cruel Russian laws, and lies beside her husband among the snow tombs of Siberia."
The next morning the strange dark house was empty. The woodcarver and his wife, and the beautiful Nadine, had vanished with the shadows of the night.
VI.--NADINE: THE PRINCESS.
I.
WHICHELLO TOWERS.
It was between the lights. I was looking down the dingy street from behind the curtains of my little window at the postman who was working his way slowly from side to side delivering his messages of hope and fear, and was wondering whether I was among those to whom he bore tidings of joy or sorrow. I had few correspondents, and no expectations, and so it was with surprise that I saw him ultimately turn in at our little garden gate and place a letter in our box.
I was not long in breaking the seal, and it was with real delight and surprise that I discovered that it was from my old schoolfellow, the generous and sometimes extravagant Maura. It ran thus:
"WHICHELLO TOWERS,
_October 3rd._
"MY DEAR ABSURD LITTLE GLORIA,--
"Why have you hidden away from your friends so long? Was it
pride, self-styled dignity? Never mind, I have found you
out at last, and I want you to join our house-party here.
We have some interesting people with us of whom you can
make pencil sketches and pen pictures (they call them
cameos or thumbnails, do they not?). Amongst them are the
beautiful Princess Milontine, who wrote, 'Over the
Steppes,' and the famous Russian General, Loris Trakoff.
"The change will do you good. Name the day and time of your
arrival, and I will meet you at the station. There are
surprises in store for you, but you must come if you would
realise them.
"Your affectionate MAURA."
I put by the missive, and meditated over the pros and cons. My wardrobe would need replenishing, and I had none too much money to spend. I could manage this, however, but there arose another question.
I was a worker--would it do me harm to disport myself in the flowery mead with the butterflies? Should I feel a distaste for the bread earned by labour and pain after the honey placed, effortless, on my plate?
So much for the cons. The pros were these:
Black, being most inexpensive in a smoky town, was my wear, relieved by a few touches of blue. And I should not go as a butterfly, but as a quiet worker in my dark things. I need only buy a new walking costume, and a fresh dinner dress. The costume difficulty was disposed of. Then again, I had been without a day's change for five years; and here was the prospect of one I should enjoy. The pros had the victory, I went.
I arrived at the station in the gloaming, when twilight veiled the everlasting hills, and found two figures waiting on the narrow platform.
One of these had a fresh, fair, bonnie face, framed in hair of a golden brown, and I knew her for Maura Merle, my old schoolfellow, the lady of Whichello Towers. The other was darker, taller, and the very dark blue eyes had a pensive expression, she could have posed as a study for Milton's _Il Pensoroso_, and I did not recognise her for an instant, and then I exclaimed: "Not--not 'Stella."
"Yes, 'Stella," said Maura. Our own beautiful Estella and the miser's heiress came forward and kissed my first surprise away. As she did so I noticed that she was wearing the beautiful coral set which had wrought the tragedy of her school days.
We had naturally much to say to each other, and as we walked towards Whichello Towers together, Maura said:
"You have worked and suffered, Gloria, since we were last together. You look thoughtful, are graver, and there are violet circles under your eyes, which used to be so merry."
"Yes," I said, "I've had to fight the battle of life for myself since I left school, but it makes the more welcome this reunion with my old schoolfellows."
"Speaking of them," interposed Maura, "we have Princess Milontine staying with us--little Irene's sister--I left her doing the honours on my behalf when I came to meet you."
This then was the second surprise in store for me. Neither of my companions had the slightest idea how great a surprise it was.
Naturally, we had much to talk of during our walk up to the Towers, Miss Melford had passed away, and one or two of my old companions had followed her across the border. Irene was, of course, one of them, but I took the news of her death as though I had not heard it before.
I had not heard of Miss Melford's death previously, and the angel of memory came down and troubled the waters of my soul, so I was silent for a time.
The silence was broken by Maura, saying:
"There is something painful, if not tragical, connected with Irene's death, of which the princess refuses to speak; so the subject is never mentioned to her." And then, as if to change the subject, she added, "I have named my little daughter Cordelia after Miss Melford, but we call her Corrie."
As she spoke we came in sight of The Towers--a large, four-winged mansion, with pepper box turrets, oriel windows, a square lawn, and many tree-lined walks.
"Home," said Maura, and in a few minutes I found myself in the large warm hall, bright with firelight, and sweet with autumn flowers.
Standing by a table, and turning over the leaves of a book, stood a graceful woman in fawn and cream, who turned round upon our entrance, saying:
"There is tea on the way, you will take some?"
"Thank you, princess, yes, directly we come down," said Maura, and then she added: "See, I have brought an old friend to see you, Gloria, Princess Milontine."
The foreign lady held out her hand, and as I took it I found myself almost involuntarily murmuring, "Nadine." For the dark pathetic eyes of the Russian princess were those of the mysterious foreigner who had lodged in Cherry-Tree Avenue. She kissed me (foreign fashion) on both cheeks, and as she did so whispered: "Hush! let the dead past sleep."
Wondering much, I held my peace and went to inspect the sunshine of Whichello Towers, the pretty dimpled Corrie; and though I forgot the incident during the evening, I remembered it when I found myself in my own room.
Why had Nadine lived in the mean street with the so-called woodcarver and his wife? She was a widow, true, but widows of rank do not usually lodge in such humble places for pleasure. Then again, what was the mystery attaching to Irene? Would the tangled skein ever be unravelled? Time would show.
Whichello Towers was more than a great house, it was a home, a northern liberty hall, surrounded by woods and big breezy moors. There was something for every one in this broad domain. A fine library full of rare editions of rare books, a museum of natural history specimens, a gallery of antiquities, a lake on which to skate or row, preserves in which to shoot, a grand ball-room with an old-world polished floor, a long corridor full of pictures and articles of vertu, and a beautiful music-room.
Princess Nadine and I were much together, we talked of her little sister's school-days, but never of her latter ones, the subject was evidently tabooed.
General Trakoff (a stern, military man who had once been governor of the penal settlement of O----) was evidently devoted to the beautiful Russ, and I found myself hoping that she would not become "Madame la Generale," for though the general was the very pink of politeness, I could not like him.
I had spent a happy fortnight at the Towers when the incident occurred which will always remain the most vivid in my memory. A sudden and severe frost had set in. All the trees turned to white coral, the lake was frozen stone hard. There were naturally many skating parties organised, and in these Nadine and I generally joined. One morning, after we had been skating for nearly half an hour, the princess averred herself tired, and said she would stand out for a time. The general declared that he would also rest awhile, and the two left the lake together, and stood watching the skaters at the edge of the pine wood.
By-and-by I too grew a little weary, and thought I would go for a stroll by myself through the woods I loved so much. The air was fresh and keen, squirrels jumped about in the trees, and the storm-cock sang blithely. Through an opening in the glade I saw the princess and the general chatting _en tete-a-tete_.
As I came up the former was saying, in a tone of earnest raillery:
"Now, tell me, general, is there nothing you regret doing, or having allowed to be done, when you were administrator of O----?"
She spoke with a strange, almost tragic, earnestness, and when her companion replied:
"No, on my honour, princess."
She bowed gravely. A moment later, with a careless laugh, she opened a gold bonbonniere full of chocolate caramels, and held it temptingly towards him.
He hesitated, and as he did so I put my arm through the branches, and with a playful:
"By your leave, princess," attempted to help myself.
Nadine started, and closed the box with a snap, a strange pallor coming over her white, set face. The general looked gravely at her, and then, raising his hat, with a "Till we meet again," walked leisurely away.
I must own to being slightly offended, I was childishly fond of chocolate, and the act seemed so inexplicably discourteous. We walked to the house in silence, neither of us speaking, until we reached the side entrance. Here the princess paused by the nail-studded oaken door, and said:
"There will come a day when things done in secret will be declared upon the housetops, then (if not before) you will know the secret of the gold bonbonniere. Say, 'Forgiven, Nadine.'"
And I said it with my hand in hers.
How glad I was afterwards that I had done so.
II.
THE PASSING OF NADINE.
Throughout the great house of Whichello Towers there was a hush. Soft-footed servants went to and fro, all the guests save Estella and I went away with many condolences. The Princess Nadine was passing away in the room overlooking the pine woods. She had been thrown from her horse whilst hunting with the Whichello hounds, and the end was not far off.
I was sitting in the library with a great sadness in my heart, when the door opened, and Canon Manningtree, the white-haired rector of Whichello, came into the room.
"Miss Dene," he said gravely, "in the absence of a priest of the Greek Church, I have ministered to Princess Milontine. She is going to meet a merciful Saviour who knows her temptations, and the singular circumstances in which she has been placed. She desires to see you. Do not excite her. Speak to her of the infinite love of God. Will you please go to her _now_."
Weeping, I went.
Sitting beside the sufferer was Maura, who rose when I came in, and left us two alone, save for that unseen Angel who calls us to the presence of our God.
The princess looked at me with her beautiful wistful eyes, as she had looked when she gave me the amber roses in the narrow street.
"Gloria, little sister, I am going to tell _how_ Irene died."
"No, no, not if it distresses you."
"I would rather tell you. Listen! I have not much time to speak. As you know, we are of a noble Russian family, and Irene and I were the only children. I was ten years older than Irene, and was educated in France; she came to England, and was your schoolmate!
"I was passionately fond of the child I had seen an infant lying in her pink-lined cot, and when she came out and married Prince Alex Laskine, I prayed that God's sunshine might light on my darling's head. Then, I myself married, and travelled with my husband in all kinds of strange, out-of-the-way places; in one of which he died, and I came back to St. Petersburgh, a childless, lonely widow!
"But there was no Irene; her husband had been implicated in a plot, and had been sent to O----, one of the most desolate places in Siberia, and my sister had voluntarily accompanied him!
"When I heard this, I never rested until I too was en route to Siberia! I wanted to take Irene in my arms and to console her as her dead mother would have done. O---- was a fearful place, just a colony of dreary huts by the sea. Behind were the wolf-infested forests; in the midst of it, the frowning fortress prison! When I showed my ukase, and demanded to see my relations, they simply showed me two graves. Irene and Alex rested side by side, in the silent acre, and an exile told me _how_ they had died! Alex had been knouted for refusing to play the part of Judas, and had passed away in the fortress. Irene was found dead inside their small wooden hut, kneeling beside her bed. Her heart had broken! My little Snow Flower had been crushed under the iron heel of despotism.
"He by whose mandate this iniquity was done was General Loris Trakoff, the governor of the province! I was turned to stone by Irene's grave, and afterwards became a partisan of the Nihilists.
"Night and day I pondered upon how I could be revenged upon Trakoff, and at last Fate seemed to favour me.
"The general (so it was reported) was coming to visit a former friend of his. I made up my mind to be there also, and to shoot him, if opportunity served.
"So, two members of our society, a young mechanic and his wife, rented a house in Cherry-Tree Avenue, to which I came, and whilst waiting for my revenge I became acquainted with you."
She paused, whispered, "The restorative," and I gave her the medicine.
The sweet, faint voice spoke again.
"I knew that you were Irene's friend because I saw your name upon the letter that I picked up, and I loved you, Gloria, aye, and was sorry for you."
I laid my cheek next hers.
"Dear, I knew it, and was fond of you."
"Fond of the Nihilist Princess, my little English Gloria! 'Tis a strange world!
"After all, the general did not come, and then we all left. I bided my time. No outsider knew me for a _Revolutionnaire_, so I mixed in society as before, and accepted the invitation to Whichello, on purpose to meet him here.
"The bonbonniere was filled with poisoned caramels, prepared by a Nihilist chemist, and it was my intention to destroy myself after I had destroyed my enemy. I gave him one chance; I asked him if he repented of anything, and he answered 'No.'
"At the great crisis your little hand, as a hand from another world--as Irene's hand might have done--came between us.
"Your coming saved him. I could not let you share his fate."
"Oh, thank God!" I said. "Nadine, tell me--tell God, that you are sorry, that you repent your dreadful purpose."
"I do, I do," she whispered. "Lying here I see all the sins, the errors, the mistakes. I do not despair of God's mercy though I am myself deserving of His wrath. Irene used to tell me that when she fell asleep, in the new world of school life, it was in your arms. Put them round me, Gloria, and let me fall asleep."
I placed my arm gently, very gently, under her head, and then sat very still.
I heard the big clock in the clock-tower slowly and distinctly strike the hour of twelve, I saw the pale lips move and heard them murmur: "Agnus Dei, qui tollis peccata mundi, miserere mei."
But save for this, all was silence! And in the silence Princess Nadine slept.
MY YEAR AT SCHOOL.
BY MARGARET WATSON.
I was rather old to start out as a school-girl, for I was seventeen, and had never been to school before.
We lived in the heart of the country, and my education had been rather casual--broken into now for a day's work, and now for a day's play, now for visitors staying in the house, now for a visit to friends or relations; as is the way when you are one of a large family, and do your lessons at home--especially if your tastes lie rather in the line of doing than thinking.
I did not love books. I loved gardening and riding the pony, and making cakes, and minding the baby. My sisters were much cleverer than I, and I had never believed it possible that I could excel in anything requiring study, so I satisfied myself with being rather clever with my hands.
However, I didn't really mind work of any kind, and I worked at my lessons when I _was_ at them, though I was always ready enough to throw them aside for anything else that might turn up. When my mother said I must go away to a good school for a year I was quite willing. I always loved a change.
The school chosen was a London High School, and I was to board with some people we knew. They had no connection with the school, so I was thrown pretty much on my own resources, and had to find my way about for myself.
I had to go up first for the entrance exam., and I shall never forget my feelings that day. The headmistress had a sharp, quick manner, and I thought she set me down as very stupid for my age. I was put in a room with a lot of girls, mostly younger than myself, and given a set of exam. papers to do. The way the questions were put was new to me, I was nervous and worried, but I worked on doggedly with the courage of despair, certain that I was showing appalling ignorance for a girl of seventeen, and that I should be placed in a form with the babies.
Two very pretty girls were working beside me. They had curly black hair, and bright complexions, and lovely dark eyes, and there was a fair girl, who wrote diligently all the time, and seemed in no difficulty. When it was over I asked her how she had got on, and she said she had found it quite easy, and answered most of the questions. We compared notes, and I saw that if she was right I must be wrong, and as she was quite sure she was right I went home very despondent indeed, but determined to work my way up from the bottom if need be.
Next morning I hardened my heart for what was to befall me, and started for school. I had to go by omnibus, and found one that ran just at the right time.
I was met at the school entrance by a tall, thin, small-featured lady, who wore glasses, and spoke in a sharp, clear voice, but quite kindly, telling me that I was in the Fifth Form, and my desk was that nearest the door.
There was a good deal of crush and confusion as there were a lot of new girls, and I sat at my desk and wondered whether the Fifth Form was the highest or the lowest. I could hardly believe I was in the highest form, but the other girls sitting at the desks looked as old as myself. The two pretty dark girls were there, but I saw no sign of the fair girl who had worked so easily.
I sat and watched for her, and presently she came in, but she was moved on to the form behind. She was in the Fourth Form, and I heard her name--Mabel Smith.
I had a good report at the end of the first term, and went home happy--very happy to get home again, for I had never been so long away before, and I found my little brothers grown out of knowledge. But the Christmas holidays were soon over, and I went back in a cold, snowy week; and London snow is a miserable spectacle, not like the lovely pure white covering which hides up all dirt and ugliness in the country.
However, I knew my way about by this time, and found my old familiar bus waiting for me, and the conductor greeted me with great friendliness. He was a most kind man, and always waited for me as long as he could.
This term we had a new mistress for mathematics, and I didn't like her a bit.
I was always very slow and stupid at mathematics, and the new mistress was so quick, she worked away like lightning, and I _could_ not follow her. She would rush through a proposition in Euclid, proving that some figure was, or was not equal to some other figure, and leave me stranded vainly trying to understand the first proof when she was at the last, and I _couldn't_ care, anyhow, whether one line could be proved equal to another or not, I felt it would be much simpler to measure it and have done with it. It was the same in arithmetic; she took us through innumerable step-fractions with innumerable steps, just as fast as she could put the figures down, and all I could do was to stare stupidly at the blackboard and hope that I might be able to worry some sense out of it all at home; and she gave us so much home-work that I had to toil till after ten at night, and then had to leave my sums half done, or neglect my other work altogether.
I was slow and stupid, I knew, but the others all suffered too, though not so much, and presently complaints were made by all the other mistresses that their work was not done, and all the girls had the same reason to give, the arithmetic took so long.
So Miss Vinton made out a time-table for our prep., and said we were to leave off when the time was up, whether we'd finished or not. It was a great relief, my hair was turning grey with the work and worry! But I did not get on at all with mathematics, and in the end of term exam. I came out very badly in that and in French.
As most of us had done badly in those subjects our poor madame and the mathematical mistress did not come back next term.
Miss Vinton gave us mathematics herself, and a splendid teacher she was, letting some daylight even into my thick head, which was not constructed for that kind of work, and her sister gave us French, and we really began to make progress. Some of the girls had done well before, those who sat near madame and talked to her, but most of us had not learnt much from her.
Altogether it was with regret that I saw the end of my school-year drawing near; and I was very anxious to do well in the final exams.
They were to be rather important, as we were to have a university examiner, and there were two prizes offered by people interested in the school, one for the best literature paper, and one for the best history. I _did_ want a prize to take home.
There was great excitement in the school, and we all meant to try our best. The Fourth and Fifth Forms were to have the same papers, so as to give the Fourth Form girls a chance for the prize, and Mabel Smith said she was determined to win that offered for literature.
The exam. week began. Geology, arithmetic, Latin, French, German. We worked through them all conscientiously but without much enthusiasm. Then came the literature, you could hear the girls hold their breaths as the papers were given to them.
I read the questions down the first time, and my head spun round so that I could not understand one.
"This won't do," I said to myself, and set my teeth and clung to my desk till I steadied down. Then I read them through again.
I found one question I could answer right away, and by the time I had done that my brain was clear, and I knew the answers to every one.
Alice Thompson was sitting next me, she was one of the pretty dark girls, and very idle.
"What's the date of Paradise Lost?" she whispered.
I didn't know what to do. I wouldn't speak, and of course I knew that it was very mean of her to ask, but I was sure of the date, and I thought it would be mean of me not to tell her. Just then Miss Vinton walked up the room and glanced round at us.
Alice bent over her work, writing diligently. Miss Vinton went down the room again, and Alice edged up to me, questioning me with her pretty dark eyes.
I hesitated, then I pushed the sheet I had just finished close to the edge of my desk so that she could read the date, which she did quickly enough. After that she looked over my papers freely whenever Miss Vinton wasn't looking.
I was rather worried about it, but I didn't think she could win the prize, for I knew she hadn't worked at the subject at all, and if she didn't I thought it couldn't matter much to any one.
I had answered all the questions a good while before the time was up, I thought we had been allowed too long, and was surprised to see Mabel Smith and one or two more scribbling away for dear life till the last minute. However, the time was up at last, and we all gave in our papers.
"How did you get on, Margaret?" asked Miss Vinton, smiling kindly at me.
"I think I answered all the questions right," I replied.
"That's good," she said.
The history paper was given us next day, and it filled me with despair. The questions were so put that short answers were no use, and I was afraid to trust myself to write down my own ideas. However, after a bit the ideas began to come, and I quite enjoyed scribbling them down.
Alice had been moved to another desk, so I was left in peace, for Joyce, who was a friend of mine, was next to me, working away quietly.
I was getting on swimmingly, when all at once the bell rang, and I had only answered three quarters of the questions.
I _was_ vexed, for I could see one or two more I could have done. However, there was no help for it. The papers must be given up.
"I wish I had had a little more time," I said to Miss Vinton, as I gave in my work.
"You had as much as the rest," she answered, rather sharply, and I went away feeling sad and snubbed.
The exams. were over, and we were to know the result next day.
I don't think any of us wanted that extra half hour in bed in the morning, which generally seemed so desirable; and we were all waiting in the cloak-room--a chattering throng, for discipline was relaxed on this occasion. When the school-bell rang, and we hurried in to take our places, Miss Vinton made us a speech, saying that the general results of the examinations had been very satisfactory. Our term's work had been on the whole good.
We could hardly listen to these general remarks when we were longing for particulars. At last they came:
Alice Thompson was awarded the literature prize. Her work was so very accurate, and her paper so well written.
There was a silence of astonishment.
Alice turned scarlet. I felt horrified to think what mischief I had done by being so weak-minded as to let her copy my work. Mabel Smith was white. But Miss Vinton went on calmly:
"Mabel Smith comes next. Her paper was exceptionally well written, but there were a few blunders which placed it below Alice's."
Then came Nelly, Joyce, and the rest of the Fifth Form, and one or two of the Fourth--and I began to get over the shock of Alice's success and to wonder what had happened to me. At last my name came with just half marks.
My cheeks were burning. I was dreadfully disappointed and ashamed. Miss Vinton saw what I was feeling and stopped to explain that the examiner had not wanted mere bald answers of dates and names, but well-written essays, showing thought and intelligence. This was how I had failed, while Alice, cribbing my facts, had worked them out well, and come out first. I felt very sore about it, and almost forgot the injustice done to Mabel Smith.
There was still the history prize, and a hush of excited expectation fell on us when Miss Vinton began again:
"The history prize has been awarded to Nelly Gascoyne for a very good paper indeed. Margaret and Joyce have been bracketed second. Their papers were excellent, and only just behind Nelly's in merit."
I gasped with surprise. I had left so many questions unanswered that I had had no hope of distinction in history.
This was some consolation for my former disgrace--and then my mind went back to the question of what was to be done about the literature prize.
As soon as the business of the morning was concluded Mabel Smith touched my arm. She was still quite white, and her eyes were blazing.
"I must speak to you," she said.
"Come to the cloak-room," I answered, "we can get our books after."
"You _know_ Alice Thompson cheated," she said, the moment we were alone. "I sat just behind, and I saw you push your papers over to her, and she leant over, and copied whatever she wanted."
"I never dreamt she'd get the prize," I answered, "I only wanted to help her out of a hole."
"Well, she _did_ get it--and it's my prize, and what are you going to do about it?"
"I don't know, I'm sure. Of course I oughtn't to have let her copy--but I thought it wouldn't hurt any one."
"You'll have to tell Miss Vinton now. It's not fair I should be cheated out of the prize I've honestly won, and I'd worked so hard for it too. I can't think how I came to make those mistakes."
"I wish to peace you hadn't!"
"But, anyhow, Alice could never have got it if she hadn't cheated, and you must tell Miss Vinton."
"Oh! that's too much," I cried. "It's for Alice to tell Miss Vinton, I can't. I'm willing to tell Alice she must."
"And if she won't?"
"Then I don't quite see what's to be done."
"You'll let her keep my prize?"
"Well, you can tell Miss Vinton if you like."
"It's you that ought to tell her. It was all your fault, you'd no right to help Alice to cheat."
"I know that's true. But it makes it all the more impossible for me to tell on her."
Just then Alice came in:
"Oh, Margaret!" she cried.
Then she saw Mabel and stopped.
"Are you going to tell Miss Vinton you cheated?" said Mabel, going up to her with flaming eyes.
"_Margaret_, did you tell?" said Alice.
"I saw you!" said Mabel, "I sat just behind and saw you! You're not going to try to keep my prize, are you?"
"No, of course not," said Alice, "I never thought of getting the prize. I only wanted to write a decent paper and not have Miss Vinton pitching into me as usual. You're welcome to the prize, if that will do."
Mabel said nothing.
"I'm afraid that won't quite do," I said. "It would be too difficult for Mabel to explain at home without telling on you. You'd much better tell on yourself."
"I can't," said Alice, "I'm as sorry as I can be, now, that I did it--but I can't face Miss Vinton."
She looked ready to cry.
"Well, I shall have to confess too," I said. "It was partly my fault. Let us go together."
"I daren't," said Alice.
But I could see she was yielding.
"Come along," I said, taking her arm. "It's the only way out. You know you won't keep Mabel's prize, and it's as bad to keep her honour and glory. This is the only way out. Let's get it over."
She came then, but reluctantly.
Fortunately we found Miss Vinton alone in her room, and between us we managed to stammer out our confession.
Miss Vinton, I think, was not surprised. She had feared there was something not quite straight. But she was extremely severe with us both, as much with me as with Alice, and as it was to be my last interview with her I was heart-broken.
However, I lingered a moment after Alice, and then turned back and said:
"Please forgive me, you can't think how sorry I am."
"Remember, Margaret," she replied, "that it is not enough to be honourable in your own conduct--you must as far as possible discourage anything dishonourable in other people. I know you would not cheat yourself, but if it is wrong to cheat, it is equally wrong to help some one else to cheat--don't you see? Will you remember this in future--in big things as well as in small? You must not only do right yourself. Your influence must be on the right side too. Certainly, I forgive you. You've been a good girl all this year, and I'm sorry to lose you."
So I went away comforted.
And I came home with never a prize to show. But I had what was better. I had acquired a real love of study which I have never lost. I don't know what became of Alice Thompson, I only hope that she never had to earn her living by teaching. Nelly Gascoyne went home to a jolly family of brothers and sisters and gave herself up to the pleasures and duties of home. Joyce became assistant mistress in a school, and Mabel followed up her successes at school by winning a scholarship at Cambridge a year later.
And I--well, I've never come in first anywhere, but I'm fairly contented with a second place.
THE SILVER STAR.
BY NELLIE HOLDERNESS.
Maysie Grey had set her heart on the Drawing Society's Silver Star. She kept her ambition to herself as a thing too audacious to be put into words. That she possessed talent, the school fully recognised. She was only thirteen, and by dint of steady perseverance was making almost daily progress. Her painting lessons were a source of unmixed pleasure to her, for hers was a nature that never yielded to discouragement, and never magnified difficulties.
"You must aim at the Bronze Star this year," her science mistress had said to her, while helping her to fix the glass slides she was to paint from, under the microscope, "and next year you must go on to the Silver----"
"Look, how beautiful the colours are!" Maysie exclaimed in delight. The delicate, varying tints fascinated her. She set to work with enthusiasm, never having done anything of the kind before. "'Mycetozoa,' do you call them?" she asked.
"Yes. Be sure you spell it rightly."
The next day, when the first of her three sheets was finished, Miss Elton came in to examine it. Though she said little, she was evidently more than satisfied. It was nearly tea-time, and Maysie spent the few minutes before preparation was over in tearing up some old drawings. After breakfast, on the following morning, before the bell rang for class, she went over to Ruth Allen's desk to ask her how to spell "Mycetozoa." Ruth was her particular chum, and the best English scholar in the form.
"I've got something to show you, Maysie," she said, when she had furnished the desired information. She brought out a piece of paper as she spoke, and passed it on to her friend behind the cover of her open desk. It was a fragment of one of Maysie's zoological drawing-sheets, evidently picked up out of the waste-paper basket--a wasp with wings outspread, showing the three divisions of an insect's body. The head was roughly altered so as to form a caricature of a human face, and above was printed, in letters that might have done credit to Maysie herself: "Miss E. in a tantrum," and below: "How doth the little waxy wasp rejoice to snap and snarl!"
Maysie did not share Ruth's unreasonable animosity towards Miss Elton, but she could not repress a smile at this specimen of school-girl wit. Just then the bell rang, and she went back to her own desk, while Ruth, letting the lid of hers slip down, was so startled by the noise it made in the sudden silence that she did not see a piece of paper flutter out on to the ground, and gently glide underneath the platform of the mistress's desk, which was just in front of her.
That morning Maysie began her second sheet, and joined the others in the garden after dinner. Molly Brooks, another of her friends, came eagerly running up to her.
"Why didn't you come to botany?" she asked.
"I've been doing my exhibition work."
"Oh, of course! I suppose it's nearly finished?"
"About half. It hasn't to be sent off till next week, so there's plenty of time."
At that moment Ruth Allen linked her arm in Maysie's.
"I'm in my third row," she began casually.
"What, already?" asked Maysie.
"Yes, haven't you heard?" Molly chimed in.
"Oh, it's Miss Elton again!" went on Ruth. "We never can hit it off. You weren't at botany class this morning."
"No, what happened?"
Ruth shrugged her shoulders. Molly looked expressively at Maysie. Ruth seldom got through a botany class without an explosion.
"I hate botany," said Ruth recklessly, "and I hate Miss Elton. I'm supposed to be in silence now, but as Miss Bennet came in and told us all to go out, I thought I'd better not risk another disobedience mark."
Miss Elton, who had been stooping down over some flower-beds, in search of museum treasures, came up at this point. Her face was grave and white, and her manner very stern and quiet.
"What are you doing out here, Ruth?" she demanded.
"Miss Bennet sent us all out; she said it was such a lovely day," answered Ruth carelessly.
"Then you can go and explain to Miss Bennet why I told you to remain in this afternoon."
Ruth looked at Miss Elton, and then looked away; she slowly withdrew her arm from Maysie's, and walked off without a word. At the door she came face to face with Miss Bennet, the headmistress.
"Where are you going to, Ruth?" asked the latter.
"Miss Elton sent me in."
"Why?" There was grave rebuke in Miss Bennet's voice.
"Because I'm in silence."
"I do not understand why you were out at all."
Ruth made no attempt to defend herself.
"You'd better come to my room," continued Miss Bennet. "There is something here that needs explaining.... Now, what were you in silence for?" she continued, seating herself in her chair by the fire.
"I got sent out of botany class."
"And how many times have you been sent out of botany class?"
Ruth did not answer.
"Well, it has come to this, Ruth," Miss Bennet went on gravely, "that a girl of your age--you are fourteen now, I believe--can no longer be allowed to go on setting an example of insolence and disobedience to the younger girls in the school. Now, remember, this is the last time. Let me have no more complaints about you, or it will be my unpleasant duty to write to your mother, and tell her that you cannot remain here."
There was a pause. The colour had left Ruth's face, and she was staring moodily into the fire.
"You will apologise to Miss Elton," added Miss Bennet, rising, "and you will remain in silence at meals for the rest of the week. And try to make an effort over your botany. Your other work is good: you were top last week. Now, promise me that you will make an effort."
Ruth, moved to penitence at the thought of her mother, promised to do her best. That afternoon she apologised to Miss Elton, and made a resolution to keep out of rows for the rest of the term. Maysie and she walked about in the garden as usual, and talked things over. Maysie looked grave when Ruth told her what Miss Bennet had said about sending her away.
"Oh, Ruth!" she said, "you really must be careful! Why, if you got expelled, it would be almost as bad for me as if I were expelled myself. Miss Elton's awfully nice, if you only knew. I had such a lovely talk with her on Sunday, all about home, and drawing. And then she's so jolly at games, and she's never cross when you don't cheek her. And think how horrid it must be for her whenever she comes to botany class, always knowing that you're going to be dense! And you do do it on purpose sometimes, dear, you know you do."
Ruth forced a laugh.
"Oh, I'm going to be awfully good," she said. "You'll see!"
It was Saturday the next day, and Maysie was just settling down to her drawing in the music-room, when Miss Elton appeared. Maysie looked up and smiled at her. It was no unusual thing for her science-mistress to come in and remark on her progress. But on this occasion no answering smile greeted her. Maysie was puzzled. Her inquiring grey eyes fell before Miss Elton's; she began to search her conscience. What had she done?
"I think it is a pity, Maysie," began Miss Elton, "that you put your talents to such an improfitable use."
As she spoke she laid before Maysie the paper that Ruth had exhibited to her in such triumph the day before. Maysie grew scarlet, and remained quite speechless. Her name up in the corner, the neat, even printing, so like her own, the altered diagram that Miss Elton had seen in its original form--they stared her in the face, condemning her beyond hope of appeal. She raised her head proudly, and tossed back the thick curly hair that hung over her shoulder.
"Where did it come from?" she asked.
"I picked it up from under the edge of my platform, but that is of no concern."
"But, Miss Elton----" stammered Maysie, growing suddenly confused.
"You have no excuse," put in Miss Elton, and her voice was all the harder because of the disappointment that she felt. "This is a piece of your paper, is it not?"
Maysie admitted that it was.
"And your diagram?"
"Yes; at least----"
"Is it, or is it not?"
Maysie's voice was very low.
"Yes, it is," she said.
Silence ensued, a brief, awkward silence. It was at this moment that Maysie made up her mind. She would not clear herself at the expense of her chum! Ruth should not be expelled through her!
Miss Elton believed _her_ guilty; she would not undeceive her.
Miss Elton waited with her eyes on Maysie's paintings.
They were done as no other girl in the school would have done them, but the thought afforded her no satisfaction, though she had always prophesied great things of Maysie. Then she glanced at the child's downcast face.
"I am sorry about this, Maysie," she said, with the faintest suspicion of reproach in her voice, "I thought we were better friends."
A lump came into Maysie's throat, and the tears into her eyes. She looked at the microscope, at the tiny glass slides, at her unfinished sheet; but she had nothing to say.
"Of course," continued Miss Elton, "I shall have to show it to Miss Bennet. This comes, no doubt, of your friendship with Ruth. I have always said that she would do you no good."
Maysie listened with a swelling heart. Supposing Ruth should be sent for, and hear the whole story? Miss Elton was at the door; she ran up to her in desperation.
"Miss Elton," she faltered, "don't say anything to the girls, will you?"
Miss Elton made no promise. The petition made her think no better of Maysie.
The Fourth Form girls soon discovered that Maysie was in trouble, but no one could get anything out of her. Ruth was forbidden to join her in recreation, but on Sunday evening she managed to get a few minutes' talk with her.
"Do tell me what the row's about, Maysie," she said.
"Oh, nothing much," said Maysie. "Do let's talk about something else."
"But I always thought you liked Miss Elton?"
"So I do. Can't you get into a row with a mistress you like?"
"Well, I'd apologise, if I were you. She was very nice to me."
"I can't, so it's no good." And Maysie sat silent, confronting this new difficulty with a sinking heart. For how could she apologise, she asked herself, for what she had never done?
"Well, I think you might tell me," Ruth went on. "_I_ told you about my row; and what's the good of being chums if we can't keep each other's secrets?"
But Maysie only sighed impatiently, and took up her library book.
"I wish you'd hurry up and finish those paintings of yours, and come back properly to class," went on Ruth. "Aren't they nearly done?"
Maysie grew white, and turned away her face.
"I'm not going to try this year," she said.
"Why, I thought----" began Ruth. "Oh, I see! What a shame!"
Maysie choked down a sob. After a pause she said:
"Perhaps I shall have more chance of a Star next year."
"You'd have got one this!" said Ruth indignantly. "How mean to punish you like that! And it's the only thing you care about!"
Maysie smiled. "Oh, never mind, dear," she said. "Everything seems mean to us. You don't understand."
"But if you apologised it would be all right?"
"I daresay it might, but I don't think so. Besides, they've got to be sent in by Wednesday, and I should hardly have time to do another sheet."
Things went on like this until Monday evening. Though there was only one day left, Maysie made no attempt to apologise. Miss Elton gave her every opportunity, for she, too, hoped that Miss Bennet might thus be induced to allow Maysie to finish her exhibition work, even at the last moment.
Maysie went to bed early that night. Her head had been aching all day, and by the time tea was over she could hardly hold it up. Ruth was greatly concerned about her, and, as a last resource, determined to speak to Miss Bennet.
Maysie soon got into bed, and, being alone in the dormitory, hid her face under the bed-clothes and sobbed. She was terribly homesick, poor child, and now, for the first time, she began to doubt whether she had done right after all; whether it would not have been wiser to have taken Miss Bennet into her confidence, and trusted to her to set things right. And then, there was that Silver Star! And a year was such a long time to have to wait. But, thinking of Ruth, she grew ashamed of herself, and dried her tears, and tried to go to sleep, though it was still quite light out of doors.
Ruth, meanwhile, was sitting on the floor in front of Miss Bennet's fire.
"It's about Maysie, Miss Bennet," she was saying. "I don't understand what she has done, but I'm sure there must be some reason for her not apologising."
Miss Bennet made no remark.
"She's so fond of Miss Elton, too. I don't see how she could have meant to be rude to her."
"I'm afraid there is not much doubt about that," was the answer.
"It seems to me," went on Ruth nervously, "that there's some mystery about it. Maysie won't tell me anything."
"Maysie has no reason to be proud of herself," replied Miss Bennet coldly.
"It seems so horrid her not going in for the exhibition, and she's so good at painting."
"There are various ways of making use of one's talents," said Miss Bennet, rising. "Now this----"
Ruth jumped to her feet, and stood gazing. There, on Miss Bennet's writing-table, lay the identical scrap of paper that she had shown to Maysie the Friday before. "Miss E. in a tantrum!" There, too, was Maysie's name in the corner. In a moment everything was clear.
"That!" she exclaimed. "Maysie didn't do that!"
Miss Bennet looked at her doubtfully.
"I did it!" she went on. "Oh, if I'd only known! Why didn't some one tell me about it?"
"My dear child," began Miss Bennet.
"Yes, I did it!" repeated Ruth passionately. "It's Maysie's drawing, but I altered it, I made up the words. Poor little Maysie! And she was so keen on trying for the exhibition! It's so horribly unfair, when I did it all the time!" She broke off with a sob, hardly knowing what she was saying.
"But why----"
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Fifty-Two Stories For GirlsChapter II: Front Matter (2)
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