Chapter II

And she--between the ocean and the town--
Lies cursed of one and by the other blest:
Her staring eyes, her long drenched hair, her gown,
Sea-laved and soiled and dank above her breast.
She, image of her God since life began,
She, but the child of Mammon, born of clods,
Her broken body spoiled and spurned of man,
But her sweet soul is God's.

FIRE-FLOWERS

And only where the forest fires have sped, Scorching relentlessly the cool north lands, A sweet wild flower lifts its purple head, And, like some gentle spirit sorrow-fed, It hides the scars with almost human hands.

And only to the heart that knows of grief, Of desolating fire, of human pain, There comes some purifying sweet belief, Some fellow-feeling beautiful, if brief. And life revives, and blossoms once again.

A TOAST

There's wine in the cup, Vancouver,
And there's warmth in my heart for you,
While I drink to your health, your youth, and your wealth,
And the things that you yet will do.
In a vintage rare and olden,
With a flavour fine and keen,
Fill the glass to the edge, while I stand up to pledge
My faith to my western queen.

Then here's a Ho! Vancouver, in wine of the bonniest hue, With a hand on my hip and the cup at my lip, And a love in my life for you. For you are a jolly good fellow, with a great, big heart, I know; So I drink this toast To the "Queen of the Coast." Vancouver, here's a Ho!

And here's to the days that are coming,
And here's to the days that are gone,
And here's to your gold and your spirit bold,
And your luck that has held its own;
And here's to your hands so sturdy,
And here's to your hearts so true,
And here's to the speed of the day decreed
That brings me again to you.

Then here's a Ho! Vancouver, in wine of the bonniest hue, With a hand on my hip and the cup at my lip, And a love in my life for you. For you are a jolly good fellow, with a great, big heart, I know; So I drink this toast To the "Queen of the Coast." Vancouver, here's a Ho!

LADY ICICLE

Little Lady Icicle is dreaming in the north-land And gleaming in the north-land, her pillow all a-glow; For the frost has come and found her With an ermine robe around her Where little Lady Icicle lies dreaming in the snow.

Little Lady Icicle is waking in the north-land, And shaking in the north-land her pillow to and fro; And the hurricane a-skirling Sends the feathers all a-whirling Where little Lady Icicle is waking in the snow.

Little Lady Icicle is laughing in the north-land, And quaffing in the north-land her wines that overflow; All the lakes and rivers crusting That her finger-tips are dusting, Where little Lady Icicle is laughing in the snow.

Little Lady Icicle is singing in the north-land, And bringing from the north-land a music wild and low; And the fairies watch and listen Where her silver slippers glisten, As little Lady Icicle goes singing through the snow.

Little Lady Icicle is coming from the north-land, Benumbing all the north-land where'er her feet may go; With a fringe of frost before her And a crystal garment o'er her, Little Lady Icicle is coming with the snow.

THE LEGEND OF QU'APPELLE VALLEY

I am the one who loved her as my life,
Had watched her grow to sweet young womanhood;
Won the dear privilege to call her wife,
And found the world, because of her, was good.
I am the one who heard the spirit voice,
Of which the paleface settlers love to tell;
From whose strange story they have made their choice
Of naming this fair valley the "Qu'Appelle."

She had said fondly in my eager ear--
"When Indian summer smiles with dusky lip,
Come to the lakes, I will be first to hear
The welcome music of thy paddle dip.
I will be first to lay in thine my hand,
To whisper words of greeting on the shore;
And when thou would'st return to thine own land,
I'll go with thee, thy wife for evermore."

Not yet a leaf had fallen, not a tone
Of frost upon the plain ere I set forth,
Impatient to possess her as my own--
This queen of all the women of the North.
I rested not at even or at dawn,
But journeyed all the dark and daylight through--
Until I reached the Lakes, and, hurrying on,
I launched upon their bosom my canoe.

Of sleep or hunger then I took no heed,
But hastened o'er their leagues of waterways;
But my hot heart outstripped my paddle's speed
And waited not for distance or for days,
But flew before me swifter than the blade
Of magic paddle ever cleaved the Lake,
Eager to lay its love before the maid,
And watch the lovelight in her eyes awake.

So the long days went slowly drifting past;
It seemed that half my life must intervene
Before the morrow, when I said at last--
"One more day's journey and I win my queen!"
I rested then, and, drifting, dreamed the more
Of all the happiness I was to claim,--
When suddenly from out the shadowed shore,
I heard a voice speak tenderly my name.

"Who calls?" I answered; no reply; and long
I stilled my paddle blade and listened. Then
Above the night wind's melancholy song
I heard distinctly that strange voice again--
A woman's voice, that through the twilight came
Like to a soul unborn--a song unsung.

I leaned and listened--yes, she spoke my name,
And then I answered in the quaint French tongue,
"Qu'Appelle? Qu'Appelle?" No answer, and the night
Seemed stiller for the sound, till round me fell
The far-off echoes from the far-off height--
"Qu'Appelle?" my voice came back, "Qu'Appelle? Qu'Appelle?"
This--and no more; I called aloud until
I shuddered as the gloom of night increased,
And, like a pallid spectre wan and chill,
The moon arose in silence in the east.

I dare not linger on the moment when
My boat I beached beside her tepee door;
I heard the wail of women and of men,--
I saw the death-fires lighted on the shore.
No language tells the torture or the pain,
The bitterness that flooded all my life,--
When I was led to look on her again,
That queen of women pledged to be my wife.
To look upon the beauty of her face,
The still closed eyes, the lips that knew no breath;
To look, to learn,--to realize my place
Had been usurped by my one rival--Death.
A storm of wrecking sorrow beat and broke
About my heart, and life shut out its light
Till through my anguish some one gently spoke,
And said, "Twice did she call for thee last night."

I started up--and bending o'er my dead, Asked when did her sweet lips in silence close. "She called thy name--then passed away," they said, "Just on the hour whereat the moon arose."

Among the lonely Lakes I go no more,
For she who made their beauty is not there;
The paleface rears his tepee on the shore
And says the vale is fairest of the fair.
Full many years have vanished since, but still
The voyageurs beside the campfire tell
How, when the moonrise tips the distant hill,
They hear strange voices through the silence swell.
The paleface loves the haunted lakes they say,
And journeys far to watch their beauty spread
Before his vision; but to me the day,
The night, the hour, the seasons are all dead.
I listen heartsick, while the hunters tell
Why white men named the valley The Qu'Appelle.

THE ART OF ALMA-TADEMA

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.

And at the Master's touch the marbles leap
To life, the creamy onyx and the skins
Of copper-coloured leopards, and the deep,
Cool basins where the whispering water wins

Reflections from the gold and glowing sun,
And tints from warm, sweet human flesh, for fair
And subtly lithe and beautiful, leans one--
A goddess with a wealth of tawny hair.

GOOD-BYE

Sounds of the seas grow fainter, Sounds of the sands have sped; The sweep of gales, The far white sails, Are silent, spent and dead.

Sounds of the days of summer Murmur and die away, And distance hides The long, low tides, As night shuts out the day.

MISCELLANEOUS POEMS

(These miscellaneous poems are all of later date.)

IN GREY DAYS

Measures of oil for others,
Oil and red wine,
Lips laugh and drink, but never
Are the lips mine.

Worlds at the feet of others,
Power gods have known,
Hearts for the favoured round me
Mine beats, alone.

Fame offering to others
Chaplets of bays,
I with no crown of laurels,
Only grey days.

Sweet human love for others,
Deep as the sea,
God-sent unto my neighbour--
But not to me.

Sometime I'll wrest from others
More than all this,
I shall demand from Heaven
Far sweeter bliss.

What profit then to others,
Laughter and wine?
I'll have what most they covet--
Death, will be mine.

BRANDON

(ACROSTIC)

Born on the breast of the prairie, she smiles to her sire--the sun, Robed in the wealth of her wheat-lands, gift of her mothering soil, Affluence knocks at her gateways, opulence waits to be won. Nuggets of gold are her acres, yielding and yellow with spoil, Dream of the hungry millions, dawn of the food-filled age, Over the starving tale of want her fingers have turned the page; Nations will nurse at her storehouse, and God gives her grain for wage.

THE INDIAN CORN PLANTER

He needs must leave the trapping and the chase,
For mating game his arrows ne'er despoil,
And from the hunter's heaven turn his face,
To wring some promise from the dormant soil.

He needs must leave the lodge that wintered him,
The enervating fires, the blanket bed--
The women's dulcet voices, for the grim
Realities of labouring for bread.

So goes he forth beneath the planter's moon
With sack of seed that pledges large increase,
His simple pagan faith knows night and noon,
Heat, cold, seedtime and harvest shall not cease.

And yielding to his needs, this honest sod,
Brown as the hand that tills it, moist with rain,
Teeming with ripe fulfilment, true as God,
With fostering richness, mothers every grain.

THE CATTLE COUNTRY

Up the dusk-enfolded prairie,
Foot-falls, soft and sly,
Velvet cushioned, wild and wary,
Then--the coyote's cry.

Rush of hoofs, and roar and rattle,
Beasts of blood and breed,
Twenty thousand frightened cattle,
Then--the wild stampede.

Pliant lasso circling wider
In the frenzied flight--
Loping horse and cursing rider,
Plunging through the night.

Rim of dawn the darkness losing
Trail of blackened soil;
Perfume of the sage brush oozing
On the air like oil.

Foothills to the Rockies lifting
Brown, and blue, and green,
Warm Alberta sunlight drifting
Over leagues between.

That's the country of the ranges,
Plain and prairie land,
And the God who never changes
Holds it in His hand.

AUTUMN'S ORCHESTRA

(INSCRIBED TO ONE BEYOND SEAS)

Know by the thread of music woven through This fragile web of cadences I spin, That I have only caught these songs since you Voiced them upon your haunting violin.

THE OVERTURE

October's orchestra plays softly on The northern forest with its thousand strings, And Autumn, the conductor wields anon The Golden-rod-- The baton that he swings.

THE FIRS

There is a lonely minor chord that sings Faintly and far along the forest ways, When the firs finger faintly on the strings Of that rare violin the night wind plays, Just as it whispered once to you and me Beneath the English pines beyond the sea.

MOSSES

The lost wind wandering, forever grieves Low overhead, Above grey mosses whispering of leaves Fallen and dead. And through the lonely night sweeps their refrain Like Chopin's prelude, sobbing 'neath the rain.

THE VINE

The wild grape mantling the trail and tree, Festoons in graceful veils its drapery, Its tendrils cling, as clings the memory stirred By some evasive haunting tune, twice heard.

THE MAPLE

I

It is the blood-hued maple straight and strong, Voicing abroad its patriotic song.