Chapter IV: Part 4

On the fly-leaves of an old account-book the following strange statement appears: “_June 23, 1764_.--To-day, at bright noon, as I was at my work upon the moor, I looked up, and saw all at once a stranger standing on the turf, just above my block. He was dressed like an old picture I remember in the windows of St. Neot’s Church, in a long brown garment, with a girdle; and his head was uncovered and grizzled with long hair. He spoke to me, and he said, in a low, clear voice, ‘Daniel, that work is hard!’ I wondered that he should know my name, and I answered, ‘Yes, sir; but I am used to it, and don’t mind it, for the sake of the faces at home.’ Then he said, sounding his words like a psalm, ‘Man goeth forth to his work and to his labour until the evening; when will it be night with Daniel Gumb?’ I began to feel queer; it seemed to me that there was something awful about the unknown man. I even shook. Then he said again, ‘Fear nothing. The happiest man in all the earth is he that wins his daily bread by his daily sweat, if he will but fear God and do no man wrong.’ I bent down my head like any one confounded, and I greatly wondered who this strange appearance could be. He was not like a preacher, for he looked me full in the face; nor a bit like a parson, for he seemed very meek and kind. I began to think it was a spirit, only such ones always come by night, and here was I at noonday, and at work. So I made up my mind to drop my hammer and step up and ask his name right out. But when I looked up he was gone, and that clear out of my sight, on the bare wide moor suddenly.[75] I only wish that I had gone forward at once and felt him with my hand, and found out if he was a real man or only a resemblance. What could it mean! Mem. to ask Mr. C.”

This event is recorded in a more formal and painful handwriting than the other MSS. which survive. Nothing could be further removed from superstition or fear than this man’s whole character and mind. Hard as one of his native rocks, and accurate as a diagram, yet here is a tinge of that large and artless belief which is so inseparable from a Keltic origin, and which is so often manifested by the strongest and loftiest minds. Another paragraph, written on the blank page of an almanac, runs thus: “Found to-day, in the very heart of a slab rock that came out below the granite, the bony skeleton of a strange animal, or rather some kind of fish. The stone had never been broken into before, and looked ages older than the rocks above. Now, how came this creature to get in, and to die and harden there? Was it before Adam’s time, or since? What date was it? But what can we tell about dates after all? Time is nothing but Adam’s clock--a measurement that men invented to reckon by. This very rock with the creature in it was made, perhaps, before there was any such thing as time. In eternity may be--that is, before there were any dates begun. At all events, when God did make the rock, He must have put the creature there.” This appears to be a singular and rude anticipation of modern discovery, and a simple solution of a question of science in our own and later time. It is to be lamented that these surviving details of a thoughtful and original life are so few and far between.

Gumb appears to have united in his native character the simplicity of an ancient hermit and the stern contempt of the solitary student for the busy hum of men, with the brave resolution and independent energy of mind which have won success and fame for some of our self-made sons of science and skill. But his opportunities were few, and the severance of his life and abode from contact with his fellow-men forbade that access to the discoveries and researches of his kind which might have rendered him, in other days, the Hugh Miller of the rocks, or the Stephenson or Watt of a scientific solitude. He and his wife inhabited their wedded cell for many years and long. The mother on her stony couch gladdened her anxious husband with sons and daughters; but she had the courage to brave her woman’s trials alone, for neither midwife nor doctor were ever summoned to “the rock.” These, as may well be imagined, were all literally educated at home; but only one of their children--his name was John--appears to have inherited his father’s habits or energy. He succeeded to the caverned home after Daniel’s death, and when his mother had returned to her native village to die also, the existence of John Gumb is casually seen recorded as one of the skilful hewers of stone at the foot of Carradon. But Daniel died “an old man full of days,” and he was carried after all _ad plures_, and to the silent society of men, in the churchyard of the parish wherein stood afar off his rocky home. He won and he still deserves a nook of remembrance among the legendary sons of the west, “the giants” of Keltic race, “the mighty men that were of old, the men of renown.” His mind, though rough-hewn, like a block of his native granite, must have been well balanced: resolute and firm reliance on a man’s own resources, and disdain of external succour, have ever been a signal of native genius. To be able to live alone, according to the adage of an ancient sage, a man must be either an angel or a demon. Gumb was neither, but a simple, strong-hearted, and intellectual man. He had the “mens sana in corpore sano” of the poet’s aspiration. A scenic taste and a mind “to enjoy the universe” he revealed in the very choice of his abode. In utter scorn of the pent-up city, and dislike for the reek of the multitude, he built like “the Kenite, his nest in the rock;”[76] nor did he pitch his stony tent by chance, or in a casual place in the wild. He chose and he fixed his home where his eye could command and exult in a stretch of circumferent scenery a hundred and fifty miles in surrounding extent. In the east, he greeted the morning sun, as he mounted the rugged saddle of Dartmoor and Exmoor for his daily career. To the west, Roche, the rock of the ruined hermitage, lifted a bold and craggy crest to the sky, where long centuries before another solitary of more ascetic mind lay, like the patriarch on his pillow of granite, and reared a ladder to heaven by the energy of nightly prayer. Far, far away to the westward the haughty sun of England went into the storied sea of Arthur and his knights, and touched caressingly the heights of grim Dundagel with a lingering halo of light. These were the visions that soothed and surrounded the worker at his daily toil, and roused and strengthened the energies of the self-sustaining man. The lessons of the legend of Daniel Gumb are simple and earnest and strong. The words of supernatural wisdom might be graven as an added superscription on his rock, “Whatsoever thou doest, do it with all thine heart.” If thou be a man friendless and alone, the slave of the hammer or the axe, and doomed to the sweat of labour day by day till the night shall come that no man can work, “aide-toi et Dieu t’aidera”--aid thyself and God will succour thee.

FOOTNOTES:

[64] From _All the Year Round_, vol. xv. pp. 206-210. 1866. See Appendix D.

[65] Spelt “Routorr” in the lines quoted on p. 234. It seems more natural to take the word as meaning “rough, or rugged, tor.” Hawker spells it “Roughtor” on p. 124.

[66] Now called “Brown Willy.” See the lines quoted on p. 80.

[67] Compare the lines on Sir Lancelot in “The Quest of the Sangraal,” and Hawker’s note--

“Ah me! that logan of the rocky hills,
Pillar’d in storm, calm in the rush of war,
Shook at the light touch of his lady’s hand!”

The ballad on “The Doom Well of St. Madron” records a similar test of innocence. For Carew’s description of a logan-rock, see end of Appendix D.

[68] See Appendix D_a_.

[69]

“On one side lay the Ocean, and on one
Lay a great water, and the moon was full.”

[70] William Cookworthy (1705-1780) started life as a small druggist in Nut Street, Plymouth. He had been educated by the Society of Friends, and at thirty-one he retired from trade, became a Quaker minister, and continued so for twenty-five years. About 1758, having discovered a new process of making porcelain, he set up a manufactory at Plymouth, which was after his death transferred to Bristol, and thence to the Potteries. “Cookworthy is said to have been a believer in the _dowsing_ or divining-rod for discovering mineral veins, and we learn that he became a disciple of Swedenborg.... As a lover of science he was much appreciated, as is proved by the fact that Sir Joseph Banks, Dr. Solander, and Captain Cook, dined with him at Plymouth before their voyage round the world” (“Dictionary of National Biography”). His duties led him to travel about the mining districts of Cornwall, and he was a great friend of Nancarrow of Godolphin, a superintendent of mines. It would be on these journeys, no doubt, that he came across Daniel Gumb. Cookworthy died on October 16, 1780, aged 76.

[71]

“On many a cairn’s grey pyramid,
Where urns of mighty chiefs lie hid.”

_Lay of the Last Minstrel._

[72] It was not Agag, but Og, the king of Bashan, who had the bedstead of iron. See Deuteronomy iii. 11.

[73] This is probably a slip of the pen for “Virgilian.” The line occurs in Virgil’s “Eclogues,” 8, 43. There is no stop at “illum.” The sentence is carried on to the next lines--

“Aut Tmaros aut Rhodope aut extremi Garamantes
Nec generis nostri puerum nec sanguinis edunt.”

Conington translates the passage thus: “Now know I what love is; it is among savage rocks that he is produced by Tmarus or Rhodope or the Garamantes at earth’s end; no child of lineage or blood like ours.” Hawker’s translation, it must be owned, is preferable as far as it goes.

[74] Evidences of thought and style make it almost certain that these ingenious “fragments” are Hawker’s “own invention.” See note on p. 104.

[75] It was a trick of Hawker’s style to end a sentence with this or similar adverbs. Instances occur on pp. 17 and 172. Elsewhere he writes: “As the lightning leaps from the dark cloud suddenly.” Little points like this suggest the real authorship of Daniel Gumb’s diary.

[76] Numbers xxiv. 21, “And he (Balaam) looked on the Kenites, and took up his parable, and said, Strong is thy dwelling-place, and thou puttest thy nest in a rock.”

ANTONY PAYNE, A CORNISH

GIANT[77]

On the brow of a lofty hill, crested with stag-horned trees, commanding a deep and woodland gorge wherein “the Crooks of Combe”[78] (the curves of a winding river) urge onward to the “Severn Sea,” still survive the remains of famous old Stowe,--that historic abode of the loyal and glorious Sir Beville,[79] the Bayard of old Cornwall, “sans peur et sans reproche,” in the thrilling Stuart wars. No mansion on the Tamar-side ever accumulated so rich and varied a store of association and event. Thither the sons of the Cornish gentry were accustomed to resort, to be nurtured and brought up with the children of Sir Beville Granville and Lady Grace; for the noble knight was literally the “glass wherein” the youth of those ancient times “did dress themselves.” There their graver studies were relieved by manly pastime and athletic exercise. Like the children of the Persians, they were taught “to ride, to bend the bow, and to speak the truth.” At hearth and hall every time-honoured usage and festive celebration was carefully and reverently preserved. Around the walls branched the massive antlers of the red deer of the moors, the trophies of many a bold achievement with horse and hound. At the buttery-hatch hung a tankard marked with the guests’ and the travellers’ peg, and a manchet, flanked with native cheese, stood ready on a trencher for any sudden visitant who might choose to lift the latch; for the Granville motto was, “An open door and a greeting hand.” A troop of retainers, servants, grooms, and varlets of the yard, stood each in his place, and under orders to receive with a welcome the unknown stranger, as well as their master’s kinsman and friend.

Among these, at the beginning of the seventeenth century, appeared a remarkable personage. He was the son of an old tenant on the estate, who occupied the manor-house of Stratton, a neighbouring town. His parents were of the yeoman rank in life, and possessed no singularity of personal aspect or frame, although both were comely. But Antony, their son, was from his earliest years a wonderful boy. He shot up into preternatural stature and strength. His proportions were so vast that, when he was a mere lad, his schoolmates were accustomed to “borrow his back,” and, for sport, to work out their geography lessons or arithmetic on that broad disc in chalk; so that, to his mother’s amazement and dismay, he more than once brought home, like Atlas, the world on his shoulders, for her to rub out. His strength and skill in every boyish game were marvellous, and, unlike many other large men, his mental and intellectual faculties increased with his amazing growth.

It was Antony Payne’s delight to select two of his stoutest companions, whom he termed “his kittens,” and, with one under each arm, to climb some perilous crag or cliff in the neighbourhood of the sea, “to show them the world,” as he said. He was called in the school “Uncle Tony,” for the Cornish to this day employ the names “uncle and aunt” as titles of endearment and respect. Another relic of his boyhood is extant still: the country lads, when they describe anything of excessive dimensions, call it, “As long as Tony Payne’s foot.”

He grew on gradually, and in accurate proportion of sinews and thews, until, at the age of twenty-one, he was taken into the establishment at Stowe. He then measured seven feet two inches without his shoes,[80] and he afterwards added a couple of inches more to his stately growth. Wide-chested, full-armed, and pillared like a rock on lower limbs of ample and exact symmetry, he would have gladdened the critical eyes of Queen Elizabeth, whose Tudor taste led her to exult in “looking on a man.” If his lot had fallen in later days, he might have been hired by some wonder-monger to astonish the provincial mind, or the intellect of cities, as the Cornish Chang. But in good, old, honest, simple-hearted England, they utilised their giants, and deemed that when a cubit was added to the stature of a man, it was for some wise good end, and they looked upon their loftier brother with added honour and respect.

So for many years Payne continued to fulfil his various duties as Sir Beville’s chief retainer at Stowe. He it was who was the leader and the authority in every masculine sport. He embowelled and flayed the hunted deer, and carried the carcass on his own shoulders to the Hall, where he received as his guerdon the horns and the hide. The antlers, cleansed and polished, were hoisted as a trophy on the panelled wall; and the skins, dressed and prepared, were shaped into a jerkin for his goodly chest. It took the spoils of three full-grown red deer to make the garment complete. His master’s sons and their companions, the very pride of the West, who were housed and instructed at Stowe, when released from their graver studies, were under his especial charge. He taught them to shoot, and fish, and to handle arms. Tilt-yard and bowling-green, and the hurler’s ground, can still be identified at Stowe. In the latter, the poising-place and the mark survive, and a rough block of graywacke is called to this day “Payne’s cast;” it lies full ten paces beyond the reach whereat the ordinary players could “put the stone.”

It is said that one Christmas-eve the fire languished in the Hall. A boy with an ass had been sent to the woodland for logs, and the driver loitered on his homeward way. Lady Grace lost patience, and was displeased. All at once a sudden outcry was heard at the gate, and Sir Beville’s Giant appeared with the loaded animal on his mighty back. He threw down his burden in triumph at the hearth-side, shouting merrily, “Ass and fardel! ass and fardel for my lady’s Yule!” Another time he strode along the path from Kilkhampton village to Stowe with a bacon-hog of three hundredweight thrown across his shoulders, and merely because a taunting butcher had doubted his strength for the feat. Among the excellences of Sir Beville’s Giant, it is told of him that he was by no means clumsy or uncouth, as men of unusual size sometimes are, but as nimble and elastic, and as capable of swift and dexterous movement, as a light and muscular man. Added to this, his was a strong and acute intellect; so happy also in his language, and of such a ready wit, that he was called by a writer[81] of the last century, from his resemblance, in these points only, to Shakespeare’s knight, “the Falstaff of the West.”

But a great and sudden change was about to come over the happy halls of Stowe. The king and his Parliament were at fatal strife; and there could be but one place in the land for the true-hearted and chivalrous Sir Beville, and that was at his royal master’s side.[82] The well-known rallying cry went through the hills and valleys of Cornwall, “Granville’s up!” and the hearts and hands of many a noble knight and man-at-arms turned towards old Stowe. Mounted messengers rode to and fro. Strange and stalwart forms arrived to claim a place in the ranks. Retainers were enrolled day and night; and the smooth sward of the bowling-green and the Fawn’s Paddock were dinted by the hoofs of horses and the tread of serried men. Foremost among these scenes we find, as body-guard of his master, the bulky form of Antony Payne. He marshalled and manœuvred the rude levies from the western mines, “the underground men.” He served out arms and rations, and established order, by the mere terror of his presence and strength, among the wild and mixed multitude that gathered “for the king and land.”

Instead of the glad and hospitable scenery of former times, Stowe became in those days like a garrison surrounded by a camp. At last, one day tidings arrived that the battalions of the Parliament, led by Lord Stamford, were on their way northwards, and not many miles off. A picked and goodly company marched forth from the avenue of Stowe, and among them Payne, on his Cornish cob Samson, of pure Guinhilly breed. The next day, eight miles towards the south, the battle of Stratton Hill was fought and won by the royal troops. The Earl of Stamford was repulsed, and fled, bequeathing, by a strange mischance, his own name, though the defeated commander, to the field of battle. It is called to this day Stamford Hill.[83] Sir Beville returned that night to Stowe, but his Giant remained with some other soldiers to bury the dead. He had caused certain large trenches to be laid open, each to hold ten bodies side by side. There he and his followers carried in the slain. On one occasion they had laid down nine corpses, and Payne was bringing in another, tucked under his arm, like one of “the kittens” of his schoolboy days, when all at once the supposed dead man was heard pleading earnestly with him, and expostulating, “Surely you wouldn’t bury me, Mr. Payne, before I am dead?” “I tell thee, man,” was the grim reply, “our trench was dug for ten, and there’s nine in already; you must take your place.” “But I bean’t dead, I say; I haven’t done living yet; be massyful, Mr. Payne--don’t ye hurry a poor fellow into the earth before his time.” “I won’t hurry thee: I mean to put thee down quietly and cover thee up, and then thee canst die at thy leisure.” Payne’s purpose, however, was kinder than his speech. He carried his suppliant carefully to his own cottage not far off, and charged his wife to stanch, if possible, her husband’s rebellious blood. The man lived, and his descendants are among the principal inhabitants of the town of Stratton to this day.[84]

That same year the battle of Lansdown, near Bath, was fought. The forces of the Parliament prevailed, and Sir Beville nobly died. Payne was still at his side, and, when his master fell, he mounted young John Granville, a youth of sixteen, whom he had always in charge, on his father’s horse, and he led the Granville troop into the fight. A letter[85] which the faithful retainer wrote to his lady at Stowe still survives. It breathes in the quaint language of the day a noble strain of sympathy and homage. Thus it ran:--

“HONOURED MADAM,--Ill news flieth apace. The heavy tidings no doubt
hath already travelled to Stowe that we have lost our blessed
master by the enemy’s advantage. You must not, dear lady, grieve
too much for your noble spouse. You know, as we all believe, that
his soul was in heaven before his bones were cold. He fell, as he
did often tell us he wished to die, in the great Stuart cause, for
his country and his king. He delivered to me his last commands,
and with such tender words for you and for his children as are
not to be set down with my poor pen, but must come to your ears
upon my best heart’s breath. Master John, when I mounted him on
his father’s horse, rode him into the war like a young prince, as
he is, and our men followed him with their swords drawn and with
tears in their eyes. They did say they would kill a rebel for every
hair of Sir Beville’s beard. But I bade them remember their good
master’s word, when he wiped his sword after Stamford fight; how
he said, when their cry was, ‘Stab and slay!’ ‘Halt, men! God will
avenge.’ I am coming down with the mournfullest load that ever a
poor servant did bear, to bring the great heart that is cold to
Kilkhampton vault. Oh, my lady, how shall I ever brook your weeping
face? But I will be trothful to the living and to the dead.

“These, honoured madam, from thy saddest, truest servant,

“ANTONY PAYNE.”

_From the picture by Sir Godfrey Kneller_]

At the Restoration the Stowe Giant reappears upon the scene in attendance on his young master, John Granville. Sir Beville’s son had been instrumental in the return of the king, and had received from Charles II. largess of money, great offices, and the earldom of Bath. Among other places of trust, he was appointed Governor of the Garrison at Plymouth. There Payne received the appointment of Halberdier of the Guns, and the king, who held him in singular favour, commanded his portrait to be painted by the Court artist, Sir Godfrey Kneller.[86] The fate of this picture was one of great vicissitude. It hung in state for some years in the great gallery at Stowe; thence, when that mansion was dismantled at the death of the Earl of Bath, it was removed to Penheale, another manor-house of the Granvilles, in Cornwall; but it ceased to be highly esteemed, from ignorance of the people and the oblivion of years, insomuch so that when Gilbert, the Cornish historian, travelled through the county to collect materials for his work, he discovered the portrait rolled up in an empty room, and described by the farmer’s wife as “a carpet with the effigy of a large man upon it.” It was a gift to her husband, she said, from the landlord’s steward, and she was glad to sell it as she did for £8! When Gilbert died his collection of antique curiosities was sold by auction at Devonport, where he lived, and this portrait of Payne, which had been engraved as the frontispiece to the second volume of his “History of Cornwall,” was bought by a stranger who was passing through the town, and who had strolled in to look at the sale, at the price of forty guineas. The value had been apparently enhanced by oil, and varnish, and frame. This stranger proved to be a connoisseur in paintings: he conveyed it to London, and there it was ascertained to be one of the masterpieces of Kneller; it was resold for the enormous sum of £800. This picture, or even the engraving in Gilbert’s work, reveals still to the eye the Giant of Old Stowe, “in his natural presentment” as he lived. There he stands before the eye, a stalwart soldier of the guard. One hand is placed upon a cannon, and the other wields the tall halberd of his rank and office as yeoman of the guns. By a strange accident this very weapon[87] and a large flask or flagon,[88] sheathed in wicker-work, which is said to have held “Antony’s allowance,” a gallon of wine, and which is placed in the picture on the ground at his feet--both these relics of the time and the man are now in the possession of the writer of this article, in the Vicarage House, near Stowe. It was in Plymouth garrison, and in his later days, that an event is recorded of Payne which testifies that even after long years “his eye had not grown dim, neither was his natural force abated.” The Revolution had come and gone, and William and Mary had been enthroned. At the mess-table of the regiment in garrison, on the anniversary of the day when Charles I. had been beheaded, a sub-officer of Payne’s own rank had ordered a calf’s head to be served up in a “William-and-Mary dish.” This, in those days of new devotion to the house of Hanover, was a coarse and common annual mockery of the beheaded king; and delf, with the faces of these two sovereigns for ornament, was a valued ware (the writer has one large dish). When Payne entered the room, his comrades pointed out to him the insulting and practical jest--to him, too, most offensive, for he was a Stuart man. With a ready and indignant gesture he threw out of the window the symbolic platter and its contents.

ANTONY PAYNE’S FLAGON (P. 120)]

A fierce quarrel ensued and a challenge, and at break of day Payne and his antagonist fought with swords on the ramparts. After a strong contest--for the offender was a master of his weapon--Payne ran his adversary through the sword-arm and disabled him. He is said to have accompanied the successful thrust with the taunting shout, “There’s sauce for thy calf’s head!” When the strong man at last began to bow himself down at the approach of one stronger than he, the Giant of Stowe obtained leave to retire. He returned to Stratton, his native place, and found shelter and repose in the very house and chamber wherein he was born.

After his death, neither the door nor the stairs would afford egress for the large and coffined corpse. The joists had to be sawn through, and the floor lowered with rope and pulley, to enable the Giant to pass out towards his mighty grave. Relays of strong bier-men carried him to his rest, and the bells of the tower, by his own express desire, “chimed him home.” He was buried outside the southern wall of Stratton church.[89] When the writer was a boy, the sexton one day broke, by accident, through the side wall of a vast but empty sepulchre. Many went to see the sight, and there, marked by a stone in the wall, was a vault, like the tomb of the Anakim, large enough in these days for the interment of three or four of our degenerate dead. But it was empty, desolate, and bare. No mammoth bones nor mysterious relics of the unknown dead. A massive heap of silent dust!

FOOTNOTES:

[77] From _All the Year Round_, vol. xvi. pp. 247-249. 1866. See Appendix E.

[78] See Appendix B.

[79] Compare Hawker’s poem, “Sir Beville--the Gate Song of Stowe.” See also Appendix E_a_.

[80] It is said locally that Antony’s stocking would hold a peck of wheat.

[81] C. S. Gilbert in his “History of Cornwall.”

[82]

“Ride! ride! with red spur, there is death in delay,
’Tis a race for dear life with the devil;
If dark Cromwell prevail, and the king must give way,
This earth is no place for Sir Beville.”

_The Gate Song of Stowe._

[83] There is a description of this battle in Q’s novel, “The Splendid Spur,” one of the most vivid and stirring battle pictures in modern fiction.

[84] In a letter dated September 21, 1866, to his brother-in-law, the late Mr. John Sommers James, Hawker says, “He (Antony Payne) was an Ancestor of Captain Parsons and Sam. He was going to bury your Great Grandfather at Stamford Hill alive, wounded among the other Rebels, but he spared him, and, as I have stated, his ‘descendants are among the most conspicuous of the Inhabitants of Stratton to this day.’”

[85] The authenticity of this letter is doubtful. If spurious, however, it is interesting as an example of Hawker’s Chattertonian propensities and his skill in catching the antique style. (See Appendix E.)

[86] Sir Godfrey Kneller (1646-1723), a German by birth, was Court painter to five English sovereigns, Charles II., James II., William III., Anne, and George I. He came to England in 1675, and if Charles II., who died in 1685, commanded him to paint the portrait of Antony Payne, it must have been between those years that the picture was executed. According to the dedication under Gilbert’s engraving, however, it was done at the expense of the Earl of Bath. The Royal Institution of Cornwall, Truro, has published a pamphlet (price 2_d._) entitled “A Short Account of Anthony Payne, the Cornish Giant, and the History of his Portrait.” This states that the picture was painted in 1680. “Ten reigning sovereigns in all sat to Kneller for their portraits. His sitters included almost all persons of rank, wealth, or eminence, in his day, and examples of his brush may be found in nearly every historic mansion or palace in the kingdom.... Kneller can best be studied at Hampton Court” (“Dictionary of National Biography”).

[87] In the letter to Mr. J. Sommers James quoted above Hawker refers to Antony Payne as “owner of the spear your brother Henry gave me years ago.”

[88] This flagon was given by Mr. Hawker to Mr. Thomas Shephard, of Stratton, whose daughter, Mrs. William Shephard, of Barnstaple, has presented it to Truro Museum. (See illustration facing p. 14.) The Shephards are descendants of Antony Payne, and Mr. William Shephard has in his possession a pewter shaving cup that belonged to Antony’s father.

[89] Gilbert says “in the north aisle.” Possibly Hawker altered this in accordance with the superstition mentioned on p. 21. See end of Appendix E.

CRUEL COPPINGER[90]

A record of the wild, strange, lawless characters that roamed along the north coast of Cornwall during the middle and latter years of the last century would be a volume full of interest for the student of local history and semi-barbarous life. Therein would be found depicted the rough sea-captain, half smuggler, half pirate, who ran his lugger by beacon-light into some rugged cove among the massive headlands of the shore, and was relieved of his freight by the active and diligent “country-side.” This was the name allotted to that chosen troop of native sympathisers who were always ready to rescue and conceal the stores that had escaped the degradation of the gauger’s brand. Men yet alive relate with glee how they used to rush at some well-known signal to the strand, their small active horses shaved from forelock to tail, smoother than any modern clip, well soaped or greased from head to foot, so as to slip easily out of any hostile grasp; and then, with a double keg or pack slung on to every nag by a single girth, away went the whole herd, led by some swift well-trained mare, to the inland cave or rocky hold, the shelter of their spoil. There was a famous dun mare--she lived to the age of thirty-seven, and died within legal memory--almost human in her craft and fidelity, who is said to have led a bevy of loaded pack-horses, unassisted by driver or guide, from Bossinney Haun to Roughtor Point. But beside these travellers by sea, there would be found ever and anon, in some solitary farmhouse inaccessible by wheels, and only to be approached by some treacherous foot-path along bog and mire, a strange and nameless guest--often a foreigner in language and apparel--who had sought refuge with the native family, and who paid in strange but golden coins for his shelter and food; some political or private adventurer, perchance, to whom secrecy and concealment were safety and life, and who more than once lived and died in his solitary hiding-place on the moor.

There is a bedstead of carved oak still in existence at Trevotter--a farm among the midland hills--whereon for long years an unknown stranger slept. None ever knew his nation or name. He occupied a solitary room, and only emerged now and then for a walk in the evening air. An oaken chest of small size contained his personal possessions and gold of foreign coinage, which he paid into the hands of his host with the solemn charge to conceal it until he was gone thence or dead--a request which the simple-hearted people faithfully fulfilled. His linen was beautifully fine, and his garments richly embroidered. After some time he sickened and died, refusing firmly the visits of the local clergyman, and bequeathing to the farmer the contents of his chest. He wrote some words, they said, for his own tombstone, which, however, were not allowed to be engraved, but they were simply these--“H. De R. Equees & Ecsul.” The same sentence was found, after his death, carved on the ledge of his bed, and the letters are, or lately were, still traceable on the mouldering wood.

But among the legends of local renown a prominent place has always been allotted to a personage whose name has descended to our times linked to a weird and graphic epithet--“Cruel Coppinger.” There was a ballad in existence within human memory which was founded on the history of this singular man, but of which the first verse[91] only can now be recovered. It runs--

“Will you hear of the Cruel Coppinger?
He came from a foreign kind;
He was brought to us by the salt-water,
He was carried away by the wind.”

His arrival on the north coast of Cornwall was signalised by a terrific hurricane. The storm came up Channel from the south-west. The shore and the heights were dotted with watchers for wreck--those daring gleaners of the harvest of the sea. It was just such a scene as is sought for in the proverb of the West--

“A savage sea and a shattering wind,
The cliffs before, and the gale behind.”

As suddenly as if a phantom ship had loomed in the distance, a strange vessel of foreign rig was discovered in fierce struggle with the waves of Harty Race. She was deeply laden or waterlogged, and rolled heavily in the trough of the sea, nearing the shore as she felt the tide. Gradually the pale and dismayed faces of the crew became visible, and among them one man of herculean height and mould, who stood near the wheel with a speaking-trumpet in his hand. The sails were blown to rags, and the rudder was apparently lashed for running ashore. But the suck of the current and the set of the wind were too strong for the vessel, and she appeared to have lost her chance of reaching Harty Pool. It was seen that the tall seaman, who was manifestly the skipper of the boat, had cast off his garments, and stood prepared upon the deck to encounter a battle with the surges for life and rescue. He plunged over the bulwarks, and arose to sight buffeting the seas. With stalwart arm and powerful chest he made his way through the surf, rode manfully from billow to billow, until with a bound he stood at last upright upon the sand, a fine stately semblance of one of the old Vikings of the northern seas. A crowd of people had gathered from the land, on horseback and on foot, women as well as men, drawn together by the tidings of a probable wreck. Into their midst, and to their astonished dismay, rushed the dripping stranger: he snatched from a terrified old dame her red Welsh cloak, cast it loosely around him, and bounded suddenly upon the crupper of a young damsel, who had ridden her father’s horse down to the beach to see the sight. He grasped her bridle, and, shouting aloud in some foreign language, urged on the double-laden animal into full speed, and the horse naturally took his homeward way. Strange and wild were the outcries that greeted the rider, Miss Dinah Hamlyn, when, thus escorted, she reached her father’s door in the very embrace of a wild, rough, tall man, who announced himself by a name--never afterwards forgotten in those parts--as Coppinger, a Dane. He arrayed himself without the smallest scruple in the Sunday suit of his host. The long-skirted coat of purple velveteen with large buttons, the embroidered vest, and nether garments to match, became him well. So thought the lady of his sudden choice. She, no doubt, forgave his onslaught on her and on her horse for the compliment it conveyed. He took his immediate place at the family board, and on the settle by the hearth, as though he had been the most welcome and long-invited guest in the land. Strange to say, the vessel disappeared immediately he had left her deck, nor was she ever after traced by land or sea. At first the stranger subdued all the fierce phases of his savage character, and appeared deeply grateful for all the kindness he received at the hands of his simple-hearted host. Certain letters which he addressed to persons of high name in Denmark were, or were alleged to be, duly answered, and remittances from his friends were supposed to be received. He announced himself as of a wealthy family and superior rank in his native country, and gave out that it was to avoid a marriage with a titled lady that he had left his father’s house and gone to sea. All this recommended him to the unsuspecting Dinah, whose affections he completely won. Her father’s sudden illness postponed their marriage. The good old man died to be spared much evil to come.

The Dane succeeded almost naturally to the management and control of the house, and the widow held only an apparent influence in domestic affairs. He soon persuaded the daughter to become his wife, and immediately afterwards his evil nature, so long smouldering, broke out like a wild beast uncaged. All at once the house became the den and refuge of every lawless character on the coast. All kinds of wild uproar and reckless revelry appalled the neighbourhood day and night. It was discovered that an organised band of desperadoes, smugglers, wreckers, and poachers were embarked in a system of bold adventure, and that “Cruel Coppinger” was their captain. In those days, and in that unknown and far-away region, the peaceable inhabitants were totally unprotected. There was not a single resident gentleman of property or weight in the entire district; and the clergyman, quite insulated from associates of his own standing, was cowed into silence and submission. No revenue officer durst exercise vigilance west of the Tamar; and to put an end to all such surveillance at once, it was well known that one of the “Cruel” gang had chopped off a gauger’s head on the gunwale of a boat, and carried the body off to sea.[92]

Amid such scenes Coppinger pursued his unlawful impulses without check or restraint. Strange vessels began to appear at regular intervals on the coast, and signals were duly flashed from the headlands to lead them into the safest creek or cove. If the ground-sea were too strong to allow them to run in, they anchored outside the surf, and boats prepared for that service were rowed or hauled to and fro, freighted with illegal spoil. Amongst these vessels, one, a full-rigged schooner, soon became ominously conspicuous. She bore the name of the Black Prince, and was the private property of the Dane, built to his own order in a dockyard of Denmark. She was for a long time the chief terror of the Cornish Channel. Once with Coppinger on board, when under chase, she led a revenue cutter into an intricate channel near the Gull Rock, where, from knowledge of the bearings, the Black Prince escaped scathless, while the king’s vessel perished with all on board. In those times, if any landsman became obnoxious to Coppinger’s men, he was either seized by violence or by craft, and borne away handcuffed to the deck of the Black Prince; where, to save his life, he had to enrol himself, under fearful oaths, as one of the crew. In 1835, an old man of the age of ninety-seven related to the writer that, when a youth, he had been so abducted, and after two years’ service had been ransomed by his friends with a large sum. “And all,” said the old man, very simply, “because I happened to see one man kill another, and they thought I should mention it.”

Amid such practices ill-gotten gold began to flow and ebb in the hands of Coppinger. At one time he chanced to hold enough money to purchase a freehold farm bordering on the sea. When the day of transfer arrived, he and one of his followers appeared before the astonished lawyer with bags filled with various kinds of foreign coin. Dollars and ducats, doubloons and pistoles, guineas--the coinage of every foreign country with a seaboard--were displayed on the table. The man of law at first demurred to such purchase-money; but after some controversy, and an ominous oath or two of “that or none,” the lawyer agreed to take it by weight. The document bearing Coppinger’s name is still extant. His signature is traced in stern, bold, fierce characters, as if every letter had been stabbed upon the parchment with the point of a dirk. Underneath his autograph, also in his own writing, is the word “Thuro.”[93]

Long impunity increased Coppinger’s daring. There were certain byways and bridle-roads along the fields over which he exercised exclusive control. Although every one had a perfect right by law to use these ways, he issued orders that no man was to pass over them by night, and accordingly from that hour none ever did. They were called “Coppinger’s Tracks.” They all converged at a headland which had the name of Steeple Brink. Here the cliff sheered off, and stood three hundred feet of perpendicular height, a precipice of smooth rock toward the beach, with an overhanging face one hundred feet down from the brow. There was a hollow entrance into the cliff, like a huge cathedral door, crowned and surrounded with natural Saxon arches, curved by the strata of native stone. Within was an arched and vaulted cave, vast and gloomy; it ran a long way into the heart of the land, and was as large and tall--so the country-people said--as Kilkhampton church. This stronghold was inaccessible by natural means, and could only be approached by a cable-ladder lowered from above and made fast below on a projecting crag. It received the name of “Coppinger’s Cave,” and was long the scene of fierce and secret revelry that would be utterly inconceivable to the educated mind of the nineteenth century. Here sheep were tethered to the rock, and fed on stolen hay and corn till their flesh was required for a feast: kegs of brandy and hollands were piled around; chests of tea; and iron-bound sea-chests contained the chattels and the revenues of the Coppinger royalty of the sea. No man ever essayed the perilous descent into the cavern except the captain’s own troop, and their loyalty was secured, not only by their participation in his crimes, but by a terrible oath.

The terror linked with Coppinger’s name throughout the coast was so extreme that the people themselves, wild and lawless as they were, submitted to his sway as though he had been the lord of the soil and they his vassals. Such a household as Coppinger’s was of course far from happy or calm. Although when his wife’s father died he had insensibly acquired possession of the stock and farm, there remained in the hands of the widow a considerable amount of money as her dower. This he obtained from the poor helpless woman by instalments; and when pretext and entreaty alike failed, he resorted to a novel mode of levy. He fastened his wife to the pillar of her oak bedstead, and called her mother into the room. He then explained that it was his purpose to flog Dinah with the sea-cat, which he flourished in his hand, until her mother had transferred to him such an amount as he required of her reserved property. This deed of atrocity he repeated until he had utterly exhausted the widow’s store. He had a favourite mare, so fierce and indomitable that none but Coppinger himself could venture on her back, and so fleet and strong that he owed his escape from more than one menacing peril by her speed and endurance. The clergyman had spoken above his breath of the evil doings in the cave, and had thus aroused his wrath and vengeance.[94] On a certain day he was jogging homeward on his parish cob, and had reached the middle of a wide and desolate heath. All at once he heard behind him the clattering of horse-hoofs and a yell such as might have burst from the throat of the visible demon when he hurled the battle on the ancient saint. It was Cruel Coppinger with his double-thonged whip, mounted on his terrible mare. Down came the fearful scourge on his victim’s shuddering shoulders. Escape was impossible. The poor parson knew too well the difference between his own ambling galloway, that never essayed any swifter pace than a jog-trot, and that awful steed behind him with footsteps like the storm. Circling, doubling like a hare, twisting aside, crying aloud for mercy,--all was vain. He arrived at last at his own house, striped like a zebra, and as he rushed in at the gate he heard the parting scoff of his assailant, “There, parson, I have paid my tithe in full; never mind the receipt!”

It was on the self-same animal that Coppinger performed another freak. He had passed a festive evening at a farmhouse, and was about to take his departure, when he spied at the corner of the hearth a little old tailor of the country-side, who went from house to house to exercise his calling. He was a half-witted, harmless old fellow, and answered to the name of Uncle Tom Tape.

“Ha, Uncle Tom!” cried Coppinger; “we both travel the same road, and I don’t mind giving thee a hoist behind me on the mare.”

The old man cowered in the settle. He would not encumber the gentleman,--was unaccustomed to ride such a spirited horse. But all his excuses were overborne. The other guests, entering into the joke, assisted the trembling old man to mount the crupper of the capering mare. Off she bounded, and Uncle Tom, with his arms cast with the strong gripe of terror around his bulky companion, held on like grim death. Unbuckling his belt, Coppinger passed it around Uncle Tom’s thin haggard body, and buckled it on his own front. When he had firmly secured his victim, he loosened his reins, and urged the mare with thong and spur into a furious gallop. Onward they rushed till they fled past the tailor’s own door at the roadside, where his startled wife, who was on the watch, afterwards declared “she caught sight of her husband clinging on to a rainbow.” Loud and piteous were the outcries of Tailor Tom, and earnest his shrieks of entreaty that he might be told where he was to be carried that night, and for what doom he had been buckled on. At last, in a relaxation of their pace going up a steep hill, Coppinger made him a confidential communication.

“I have been,” he said, “under a long promise to the devil that I would bring him a tailor to make and mend for him, poor man; and as sure as I breathe, Uncle Tom, I mean to keep my word to-night!”

The agony of terror produced by this revelation produced such convulsive spasms, that at last the belt gave way, and the tailor fell off like a log among the gorse at the roadside. There he was found next morning in a semi-delirious state, muttering at intervals, “No, no; I never will. Let him mend his breeches with his own drag-chain, as the saying is. I will never so much as thread a needle for Coppinger nor his friend.”

One boy was the only fruit of poor Dinah’s marriage with the Dane. But his birth brought neither gladness nor solace to his mother’s miserable hearth. He was fair and golden-haired, and had his father’s fierce, flashing eyes. But though perfectly well formed and healthful, he was born deaf and dumb. He was mischievous and ungovernable from his birth. His cruelty to animals, birds, and to other children was intense. Any living thing that he could torture appeared to yield him delight. With savage gestures and jabbering moans he haunted the rocks along the shore, and seemed like some uncouth creature cast up by the sea. When he was only six years old he was found one day upon the brink of a tall cliff, bounding with joy, and pointing downward towards the beach with convulsions of delight. There, mangled by the fall and dead, they found the body of a neighbour’s child of his own age, who was his frequent companion, and whom, as it was inferred, he had drawn towards the steep precipice, and urged over by stratagem or force. The spot where this occurred was ever afterwards his favourite haunt. He would draw the notice of any passer-by to the place, and then point downward where the murdered child was found with fierce exultant mockery. It was a saying evermore in the district, that, as a judgment on his father’s cruelty, his child had been born without a human soul. He lived to be the pestilent scourge of the neighbourhood.