Chapter III: Part TWO: The Collaboration of Beaumont and Fletcher

CHAPTER PAGE

XVI STATEMENT OF THE PROBLEM; CRITICAL APPARATUS 225

XVII THE DELIMITATION OF THE FIELD 236

XVIII THE VERSIFICATION OF FLETCHER AND OF
BEAUMONT 243

XIX FLETCHER'S DICTION 260

XX FLETCHER'S MENTAL HABIT 277

XXI BEAUMONT'S DICTION 281

XXII BEAUMONT'S MENTAL HABIT 291

XXIII THE AUTHORSHIP OF THREE DISPUTED PLAYS 300

XXIV "THE WOMAN-HATER," AND "THE KNIGHT" 307

XXV THE FIVE CENTRAL PLAYS 332

XXVI THE LAST PLAY 368

XXVII THE DRAMATIC ART, PRINCIPALLY OF BEAUMONT 378

XXVIII DID THE BEAUMONT "ROMANCE" INFLUENCE
SHAKESPEARE? 386

XXIX CONCLUSION 396