Chapter IV: With Our Typical Novelists (1)
Edwin and Ethelinda Afterthought--Husband and Wife--In their Delightful Home Life.
It was at their beautiful country place on the Woonagansett that we had the pleasure of interviewing the Afterthoughts. At their own cordial invitation, we had walked over from the nearest railway station, a distance of some fourteen miles. Indeed, as soon as they heard of our intention they invited us to walk. “We are so sorry not to bring you in the motor,” they wrote, “but the roads are so frightfully dusty that we might get dust on our chauffeur.” This little touch of thoughtfulness is the keynote of their character.
The house itself is a delightful old mansion giving on a wide garden, which gives in turn on a broad terrace giving on the river.
The Eminent Novelist met us at the gate. We had expected to find the author of _Angela Rivers_ and _The Garden of Desire_ a pale aesthetic type (we have a way of expecting the wrong thing in our interviews). We could not resist a shock of surprise (indeed we seldom do) at finding him a burly out-of-door man weighting, as he himself told us, a hundred stone in his stockinged feet (we think he said stone).
He shook hands cordially.
“Come and see my pigs,” he said.
“We wanted to ask you,” we began, as we went down the walk, “something about your books.”
“Let’s look at the pigs first,” he said. “Are you anything of a pig man?”
We are always anxious in our interviews to be all things to all men. But we were compelled to admit that we were not much of a pig man.
“Ah,” said the Great Novelist, “perhaps you are more of a dog man?”
“Not altogether a dog man,” we answered.
“Anything of a bee man?” he asked.
“Something,” we said (we were once stung by a bee).
“Ah,” he said, “you shall have a go at the beehives, then, right away?”
We assured him that we were willing to postpone a go at the beehives till later.
“Come along, then, to the styes,” said the Great Novelist, and he added, “Perhaps you’re not much of a breeder.”
We blushed. We thought of the five little faces around the table for which we provide food by writing our interviews.
“No,” we said, “we were not much of a breeder.”
“Now then,” said the Great Novelist as we reached our goal, “how do you like this stye?”
“Very much indeed,” we said.
“I’ve put in a new tile draining--my own plan. You notice how sweet it keeps the stye.”
We had not noticed this.
“I am afraid,” said the Novelist, “that the pigs are all asleep inside.”
We begged him on no account to waken them. He offered to open the little door at the side and let us crawl in. We insisted that we could not think of intruding.
“What we would like,” we said, “is to hear something of your methods of work in novel writing.” We said this with very peculiar conviction. Quite apart from the immediate purposes of our interview, we have always been most anxious to know by what process novels are written. If we could get to know this, we would write one ourselves.
“Come and see my bulls first,” said the Novelist. “I’ve got a couple of young bulls here in the paddock that will interest you.”
We felt sure that they would.
He led us to a little green fence. Inside it were two ferocious looking animals, eating grain. They rolled their eyes upwards at us as they ate.
“How do those strike you?” he asked.
We assured him that they struck us as our beau ideal of bulls.
“Like to walk in beside them?” said the Novelist, opening a little gate.
We drew back. Was it fair to disturb these bulls?
The Great Novelist noticed our hesitation.
“Don’t be afraid,” he said. “They’re not likely to harm you. I send my hired man right in beside them every morning, without the slightest hesitation.”
We looked at the Eminent Novelist with admiration. We realized that like so many of our writers, actors, and even our thinkers, of to-day, he was an open-air man in every sense of the word.
But we shook our heads.
Bulls, we explained, were not a department of research for which we were equipped. What we wanted, we said, was to learn something of his methods of work.
“My methods of work?” he answered, as we turned up the path again. “Well, really, I hardly know that I have any.”
“What is your plan or method,” we asked, getting out our notebook and pencil, “of laying the beginning of a new novel?”
“My usual plan,” said the Novelist, “is to come out here and sit in the stye till I get my characters.”
“Does it take long?” we questioned.
“Not very. I generally find that a quiet half-hour spent among the hogs will give me at least my leading character.”
“And what do you do next?”
“Oh, after that I generally light a pipe and go and sit among the beehives looking for an incident.”
“Do you get it?” we asked.
“Invariably. After that I make a few notes, then go off for a ten mile tramp with my esquimaux dogs, and get back in time to have a go through the cattle sheds and take a romp with the young bulls.”
We sighed. We couldn’t help it. Novel writing seemed further away than ever.
“Have you also a goat on the premises?” we asked.
“Oh, certainly. A ripping old fellow--come along and see him.”
We shook our heads. No doubt our disappointment showed in our face. It often does. We felt that it was altogether right and wholesome that our great novels of to-day should be written in this fashion with the help of goats, dogs, hogs and young bulls. But we felt, too, that it was not for us.
We permitted ourselves one further question.
“At what time,” we said, “do you rise in the morning?”
“Oh anywhere between four and five,” said the Novelist.
“Ah, and do you generally take a cold dip as soon as you are up--even in winter?”
“I do.”
“You prefer, no doubt,” we said, with a dejection that we could not conceal, “to have water with a good coat of ice over it?”
“Oh, certainly!”
We said no more. We have long understood the reasons for our own failure in life, but it was painful to receive a renewed corroboration of it. This ice question has stood in our way for forty-seven years.
The Great Novelist seemed to note our dejection.
“Come to the house,” he said, “my wife will give you a cup of tea.”
In a few moments we had forgotten all our troubles in the presence of one of the most charming chatelaines it has been our lot to meet.
We sat on a low stool immediately beside Ethelinda Afterthought, who presided in her own gracious fashion over the tea-urn.
“So you want to know something of my methods of work?” she said, as she poured hot tea over our leg.
“We do,” we answered, taking out our little book and recovering something of our enthusiasm. We do not mind hot tea being poured over us if people treat us as a human being.
“Can you indicate,” we continued, “what method you follow in beginning one of your novels?”
“I always begin,” said Ethelinda Afterthought, “with a study.”
“A study?” we queried.
“Yes. I mean a study of actual facts. Take, for example, my _Leaves from the Life of a Steam Laundrywoman_--more tea?”
“No, no,” we said.
“Well, to make that book I first worked two years in a laundry.”
“Two years!” we exclaimed. “And why?”
“To get the atmosphere.”
“The steam?” we questioned.
“Oh, no,” said Mrs. Afterthought, “I did that separately. I took a course in steam at a technical school.”
“Is it possible?” we said, our heart beginning to sing again. “Was all that necessary?”
“I don’t see how one could do it otherwise. The story opens, as no doubt you remember--tea?--in the boiler room of the laundry.”
“Yes,” we said, moving our leg--“no, thank you.”
“So you see the only possible _point d’appui_ was to begin with a description of the inside of the boiler.”
We nodded.
“A masterly thing,” we said.
“My wife,” interrupted the Great Novelist, who was sitting with the head of a huge Danish hound in his lap, sharing his buttered toast with the dog while he adjusted a set of trout flies, “is a great worker.”
“Do you always work on that method?” we asked.
“Always,” she answered. “For _Frederica of the Factory_ I spent six months in a knitting mill. For _Marguerite of the Mud Flats_ I made special studies for months and months.”
“Of what sort?” we asked.
“In mud. Learning to model it. You see for a story of that sort the first thing needed is a thorough knowledge of mud--all kinds of it.”
“And what are you doing next?” we inquired.
“My next book,” said the Lady Novelist, “is to be a study--tea?--of the pickle industry--perfectly new ground.”
“A fascinating field,” we murmured.
“And quite new. Several of our writers have done the slaughter-house, and in England a good deal has been done in jam. But so far no one has done pickles. I should like, if I could,” added Ethelinda Afterthought, with the graceful modesty that is characteristic of her, “to make it the first of a series of pickle novels, showing, don’t you know, the whole pickle district, and perhaps following a family of pickle workers for four or five generations.”
“Four or five!” we said enthusiastically. “Make it ten! And have you any plan for work beyond that?”
“Oh, yes indeed,” laughed the Lady Novelist. “I am always planning ahead. What I want to do after that is a study of the inside of a penitentiary.”
“Of the _inside_?” we said, with a shudder.
“Yes. To do it, of course, I shall go to jail for two or three years!”
“But how can you get in?” we asked, thrilled at the quiet determination of the frail woman before us.
“I shall demand it as a right,” she answered quietly. “I shall go to the authorities, at the head of a band of enthusiastic women, and demand that I shall be sent to jail. Surely after the work I have done, that much is coming to me.”
“It certainly is,” we said warmly.
We rose to go.
Both the novelists shook hands with us with great cordiality. Mr. Afterthought walked as far as the front door with us and showed us a short cut past the beehives that could take us directly through the bull pasture to the main road.
We walked away in the gathering darkness of evening very quietly. We made up our mind as we went that novel writing is not for us. We must reach the penitentiary in some other way.
But we thought it well to set down our interview as a guide to others.
IX. The New Education
“So you’re going back to college in a fortnight,” I said to the Bright Young Thing on the veranda of the summer hotel. “Aren’t you sorry?”
“In a way I am,” she said, “but in another sense I’m glad to go back. One can’t loaf all the time.”
She looked up from her rocking-chair over her Red Cross knitting with great earnestness.
How full of purpose these modern students are, I thought to myself. In my time we used to go back to college as to a treadmill.
“I know that,” I said, “but what I mean is that college, after all, is a pretty hard grind. Things like mathematics and Greek are no joke, are they? In my day, as I remember it, we used to think spherical trigonometry about the hardest stuff of the lot.”
She looked dubious.
“I didn’t _elect_ mathematics,” she said.
“Oh,” I said, “I see. So you don’t have to take it. And what _have_ you elected?”
“For this coming half semester--that’s six weeks, you know--I’ve elected Social Endeavour.”
“Ah,” I said, “that’s since my day, what is it?”
“Oh, it’s _awfully_ interesting. It’s the study of conditions.”
“What kind of conditions?” I asked.
“All conditions. Perhaps I can’t explain it properly. But I have the prospectus of it indoors if you’d like to see it. We take up Society.”
“And what do you do with it?”
“Analyse it,” she said.
“But it must mean reading a tremendous lot of books.”
“No,” she answered. “We don’t use books in this course. It’s all Laboratory Work.”
“Now I _am_ mystified,” I said. “What do you mean by Laboratory Work?”
“Well,” answered the girl student with a thoughtful look upon her face, “you see, we are supposed to break society up into its elements.”
“In six weeks?”
“Some of the girls do it in six weeks. Some put in a whole semester and take twelve weeks at it.”
“So as to break up pretty thoroughly?” I said.
“Yes,” she assented. “But most of the girls think six weeks is enough.”
“That ought to pulverize it pretty completely. But how do you go at it?”
“Well,” the girl said, “it’s all done with Laboratory Work. We take, for instance, department stores. I think that is the first thing we do, we take up the department store.”
“And what do you do with it?”
“We study it as a Social Germ.”
“Ah,” I said, “as a Social Germ.”
“Yes,” said the girl, delighted to see that I was beginning to understand, “as a Germ. All the work is done in the concrete. The class goes down with the professor to the department store itself--”
“And then--”
“Then they walk all through it, observing.”
“But have none of them ever been in a departmental store before?”
“Oh, of course, but, you see, we go as Observers.”
“Ah, now, I understand. You mean you don’t buy anything and so you are able to watch everything?”
“No,” she said, “it’s not that. We do buy things. That’s part of it. Most of the girls like to buy little knick-knacks, and anyway it gives them a good chance to do their shopping while they’re there. But while they _are_ there they are observing. Then afterwards they make charts.”
“Charts of what?” I asked.
“Charts of the employes; they’re used to show the brain movement involved.”
“Do you find much?”
“Well,” she said hesitatingly, “the idea is to reduce all the employes to a Curve.”
“To a Curve?” I exclaimed, “an In or an Out.”
“No, no, not exactly that. Didn’t you use Curves when you were at college?”
“Never,” I said.
“Oh, well, nowadays nearly everything, you know, is done into a Curve. We put them on the board.”
“And what is this particular Curve of the employe used for?” I asked.
“Why,” said the student, “the idea is that from the Curve we can get the Norm of the employe.”
“Get his Norm?” I asked.
“Yes, get the Norm. That stands for the Root Form of the employe as a social factor.”
“And what can you do with that?”
“Oh, when we have that we can tell what the employe would do under any and every circumstance. At least that’s the idea--though I’m really only quoting,” she added, breaking off in a diffident way, “from what Miss Thinker, the professor of Social Endeavour, says. She’s really fine. She’s making a general chart of the female employes of one of the biggest stores to show what percentage in case of fire would jump out of the window and what percentage would run to the fire escape.”
“It’s a wonderful course,” I said. “We had nothing like it when I went to college. And does it only take in departmental stores?”
“No,” said the girl, “the laboratory work includes for this semester ice-cream parlours as well.”
“What do you do with _them_?”
“We take them up as Social Cells, Nuclei, I think the professor calls them.”
“And how do you go at them?” I asked.
“Why, the girls go to them in little laboratory groups and study them.”
“They eat ice-cream in them?”
“They _have to_,” she said, “to make it concrete. But while they are doing it they are considering the ice-cream parlour merely as a section of social protoplasm.”
“Does the professor go?” I asked.
“Oh, yes, she heads each group. Professor Thinker never spares herself from work.”
“Dear me,” I said, “you must be kept very busy. And is Social Endeavour all that you are going to do?”
“No,” she answered, “I’m electing a half-course in Nature Work as well.”
“Nature Work? Well! Well! That, I suppose, means cramming up a lot of biology and zoology, does it not?”
“No,” said the girl, “it’s not exactly done with books. I believe it is all done by Field Work.”
“Field Work?”
“Yes. Field Work four times a week and an Excursion every Saturday.”
“And what do you do in the Field Work?”
“The girls,” she answered, “go out in groups anywhere out of doors, and make a Nature Study of anything they see.”
“How do they do that?” I asked.
“Why, they look at it. Suppose, for example, they come to a stream or a pond or anything--”
“Yes--”
“Well, they _look_ at it.”
“Had they never done that before?” I asked.
“Ah, but they look at it as a Nature Unit. Each girl must take forty units in the course. I think we only do one unit each day we go out.”
“It must,” I said, “be pretty fatiguing work, and what about the Excursion?”
“That’s every Saturday. We go out with Miss Stalk, the professor of Ambulation.”
“And where do you go?”
“Oh, anywhere. One day we go perhaps for a trip on a steamer and another Saturday somewhere in motors, and so on.”
“Doing what?” I asked.
“Field Work. The aim of the course--I’m afraid I’m quoting Miss Stalk but I don’t mind, she’s really fine--is to break nature into its elements--”
“I see--”
“So as to view it as the external structure of Society and make deductions from it.”
“Have you made any?” I asked.
“Oh, no”--she laughed--“I’m only starting the work this term. But, of course, I shall have to. Each girl makes at least one deduction at the end of the course. Some of the seniors make two or three. But you have to make _one_.”
“It’s a great course,” I said. “No wonder you are going to be busy; and, as you say, how much better than loafing round here doing nothing.”
“Isn’t it?” said the girl student with enthusiasm in her eyes. “It gives one such a sense of purpose, such a feeling of doing something.”
“It must,” I answered.
“Oh, goodness,” she exclaimed, “there’s the lunch bell. I must skip and get ready.”
She was just vanishing from my side when the Burly Male Student, who was also staying in the hotel, came puffing up after his five-mile run. He was getting himself into trim for enlistment, so he told me. He noted the retreating form of the college girl as he sat down.
“I’ve just been talking to her,” I said, “about her college work. She seems to be studying a queer lot of stuff--Social Endeavour and all that!”
“Awful piffle,” said the young man. “But the girls naturally run to all that sort of rot, you know.”
“Now, your work,” I went on, “is no doubt very different. I mean what you were taking before the war came along. I suppose you fellows have an awful dose of mathematics and philology and so on just as I did in my college days?”
Something like a blush came across the face of the handsome youth.
“Well, no,” he said, “I didn’t co-opt mathematics. At our college, you know, we co-opt two majors and two minors.”
“I see,” I said, “and what were you co-opting?”
“I co-opted Turkish, Music, and Religion,” he answered.
“Oh, yes,” I said with a sort of reverential respect, “fitting yourself for a position of choir-master in a Turkish cathedral, no doubt.”
“No, no,” he said, “I’m going into insurance; but, you see, those subjects fitted in better than anything else.”
“Fitted in?”
“Yes. Turkish comes at nine, music at ten and religion at eleven. So they make a good combination; they leave a man free to--”
“To develop his mind,” I said. “We used to find in my college days that lectures interfered with it badly. But now, Turkish, that must be an interesting language, eh?”
“Search me!” said the student. “All you have to do is answer the roll and go out. Forty roll-calls give you one Turkish unit--but, say, I must get on, I’ve got to change. So long.”
I could not help reflecting, as the young man left me, on the great changes that have come over our college education. It was a relief to me later in the day to talk with a quiet, sombre man, himself a graduate student in philosophy, on this topic. He agreed with me that the old strenuous studies seem to be very largely abandoned.
I looked at the sombre man with respect.
“Now your work,” I said, “is very different from what these young people are doing--hard, solid, definite effort. What a relief it must be to you to get a brief vacation up here. I couldn’t help thinking to-day, as I watched you moving round doing nothing, how fine it must feel for you to come up here after your hard work and put in a month of out-and-out loafing.”
“Loafing!” he said indignantly. “I’m not loafing. I’m putting in a half summer course in Introspection. That’s why I’m here. I get credit for two majors for my time here.”
“Ah,” I said, as gently as I could, “you get credit here.”
He left me. I am still pondering over our new education. Meantime I think I shall enter my little boy’s name on the books of Tuskegee College where the education is still old-fashioned.
X. The Errors of Santa Claus
It was Christmas Eve.
The Browns, who lived in the adjoining house, had been dining with the Joneses.
Brown and Jones were sitting over wine and walnuts at the table. The others had gone upstairs.
“What are you giving to your boy for Christmas?” asked Brown.
“A train,” said Jones, “new kind of thing--automatic.”
“Let’s have a look at it,” said Brown.
Jones fetched a parcel from the sideboard and began unwrapping it.
“Ingenious thing, isn’t it?” he said. “Goes on its own rails. Queer how kids love to play with trains, isn’t it?”
“Yes,” assented Brown. “How are the rails fixed?”
“Wait, I’ll show you,” said Jones. “Just help me to shove these dinner things aside and roll back the cloth. There! See! You lay the rails like that and fasten them at the ends, so--”
“Oh, yes, I catch on, makes a grade, doesn’t it? Just the thing to amuse a child, isn’t it? I got Willy a toy aeroplane.”
“I know, they’re great. I got Edwin one on his birthday. But I thought I’d get him a train this time. I told him Santa Claus was going to bring him something altogether new this time. Edwin, of course, believes in Santa Claus absolutely. Say, look at this locomotive, would you? It has a spring coiled up inside the fire box.”
“Wind her up,” said Brown with great interest. “Let’s see her go.”
“All right,” said Jones. “Just pile up two or three plates or something to lean the end of the rails on. There, notice the way it buzzes before it starts. Isn’t that a great thing for a kid, eh?”
“Yes,” said Brown. “And say, see this little string to pull the whistle! By Gad, it toots, eh? Just like real?”
“Now then, Brown,” Jones went on, “you hitch on those cars and I’ll start her. I’ll be engineer, eh!”
Half an hour later Brown and Jones were still playing trains on the dining-room table.
But their wives upstairs in the drawing-room hardly noticed their absence. They were too much interested.
“Oh, I think it’s perfectly sweet,” said Mrs. Brown. “Just the loveliest doll I’ve seen in years. I must get one like it for Ulvina. Won’t Clarisse be perfectly enchanted?”
“Yes,” answered Mrs. Jones, “and then she’ll have all the fun of arranging the dresses. Children love that so much. Look, there are three little dresses with the doll, aren’t they cute? All cut out and ready to stitch together.”
“Oh, how perfectly lovely!” exclaimed Mrs. Brown. “I think the mauve one would suit the doll best, don’t you, with such golden hair? Only don’t you think it would make it much nicer to turn back the collar, so, and to put a little band--so?”
“_What_ a good idea!” said Mrs. Jones. “Do let’s try it. Just wait, I’ll get a needle in a minute. I’ll tell Clarisse that Santa Claus sewed it himself. The child believes in Santa Claus absolutely.”
And half an hour later Mrs. Jones and Mrs. Brown were so busy stitching dolls’ clothes that they could not hear the roaring of the little train up and down the dining table, and had no idea what the four children were doing.
Nor did the children miss their mothers.
“Dandy, aren’t they?” Edwin Jones was saying to little Willie Brown, as they sat in Edwin’s bedroom. “A hundred in a box, with cork tips, and see, an amber mouthpiece that fits into a little case at the side. Good present for Dad, eh?”
“Fine!” said Willie appreciatively. “I’m giving Father cigars.”
“I know, I thought of cigars too. Men always like cigars and cigarettes. You can’t go wrong on them. Say, would you like to try one or two of these cigarettes? We can take them from the bottom. You’ll like them, they’re Russian--away ahead of Egyptian.”
“Thanks,” answered Willie. “I’d like one immensely. I only started smoking last spring--on my twelfth birthday. I think a feller’s a fool to begin smoking cigarettes too soon, don’t you? It stunts him. I waited till I was twelve.”
“Me too,” said Edwin, as they lighted their cigarettes. “In fact, I wouldn’t buy them now if it weren’t for Dad. I simply _had_ to give him something from Santa Claus. He believes in Santa Claus absolutely, you know.”
And, while this was going on, Clarisse was showing little Ulvina the absolutely lovely little bridge set that she got for her mother.
“Aren’t these markers perfectly charming?” said Ulvina. “And don’t you love this little Dutch design--or is it Flemish, darling?”
“Dutch,” said Clarisse. “Isn’t it quaint? And aren’t these the dearest little things, for putting the money in when you play. I needn’t have got them with it--they’d have sold the rest separately--but I think it’s too utterly slow playing without money, don’t you?”
“Oh, abominable,” shuddered Ulvina. “But your mamma never plays for money, does she?”
“Mamma! Oh, gracious, no. Mamma’s far too slow for that. But I shall tell her that Santa Claus insisted on putting in the little money boxes.”
“I suppose she believes in Santa Claus, just as my mamma does.”
“Oh, absolutely,” said Clarisse, and added, “What if we play a little game! With a double dummy, the French way, or Norwegian Skat, if you like. That only needs two.”
“All right,” agreed Ulvina, and in a few minutes they were deep in a game of cards with a little pile of pocket money beside them.
About half an hour later, all the members of the two families were again in the drawing-room. But of course nobody said anything about the presents. In any case they were all too busy looking at the beautiful big Bible, with maps in it, that the Joneses had brought to give to Grandfather. They all agreed that, with the help of it, Grandfather could hunt up any place in Palestine in a moment, day or night.
But upstairs, away upstairs in a sitting-room of his own Grandfather Jones was looking with an affectionate eye at the presents that stood beside him. There was a beautiful whisky decanter, with silver filigree outside (and whiskey inside) for Jones, and for the little boy a big nickel-plated Jew’s harp.
Later on, far in the night, the person, or the influence, or whatever it is called Santa Claus, took all the presents and placed them in the people’s stockings.
And, being blind as he always has been, he gave the wrong things to the wrong people--in fact, he gave them just as indicated above.
But the next day, in the course of Christmas morning, the situation straightened itself out, just as it always does.
Indeed, by ten o’clock, Brown and Jones were playing with the train, and Mrs. Brown and Mrs. Jones were making dolls’ clothes, and the boys were smoking cigarettes, and Clarisse and Ulvina were playing cards for their pocket-money.
And upstairs--away up--Grandfather was drinking whisky and playing the Jew’s harp.
And so Christmas, just as it always does, turned out all right after all.
XI. Lost in New York
A VISITOR’S SOLILOQUY
Well! Well!
Whatever has been happening to this place, to New York? Changed? Changed since I was here in ‘86? Well, I should say so.
The hack-driver of the old days that I used to find waiting for me at the station curb, with that impossible horse of his--the hack-driver with his bulbous red face, and the nice smell of rye whisky all ‘round him for yards--gone, so it seems, for ever.
And in place of him this--what is it they call it?--taxi, with a clean-shaven cut-throat steering it. “Get in,” he says, Just that. He doesn’t offer to help me or lift my satchel. All right, young man, I’m crawling in.
That’s the machine that marks it, eh? I suppose they have them rigged up so they can punch up anything they like. I thought so--he hits it up to fifty cents before we start. But I saw him do it. Well, I can stand for it this time. I’ll not be caught in one of these again.
The hotel? All right, I’m getting out. My hotel? But what is it they have done to it? They must have added ten stories to it. It reaches to the sky. But I’ll not try to look to the top of it. Not with this satchel in my hand: no, sir! I’ll wait till I’m safe inside. In there I’ll feel all right. They’ll know me in there. They’ll remember right away my visit in the fall of ‘86. They won’t easily have forgotten that big dinner I gave--nine people at a dollar fifty a plate, with the cigars extra. The clerk will remember _me_, all right.
Know me? Not they. The _clerk_ know me! How could he? For it seems now there isn’t any clerk, or not as there used to be. They have subdivided him somehow into five or six. There is a man behind a desk, a majestic sort of man, waving his hand. It would be sheer madness to claim acquaintance with him. There is another with a great book, adjusting cards in it; and another, behind glass labelled “Cashier,” and busy as a bank; there are two with mail and telegrams. They are all too busy to know me.
Shall I sneak up near to them, keeping my satchel in my hand? I wonder, do they _see_ me? _Can_ they see me, a mere thing like me? I am within ten feet of them, but I am certain that they cannot see me. I am, and I feel it, absolutely invisible.
Ha! One has seen me. He turns to me, or rather he rounds upon me, with the words “Well, sir?” That, and nothing else, sharp and hard. There is none of the ancient kindly pretence of knowing my name, no reaching out a welcome hand and calling me Mr. Er--Er--till he has read my name upside down while I am writing it and can address me as a familiar friend. No friendly questioning about the crops in my part of the country. The crops, forsooth! What do these young men know about crops?
A room? Had I any reservation? Any which? Any reservation. Oh, I see, had I written down from home to say that I was coming? No, I had not because the truth is I came at very short notice. I didn’t know till a week before that my brother-in-law--He is not listening. He has moved away. I will stand and wait till he comes back. I am intruding here; I had no right to disturb these people like this.
Oh, I can have a room at eleven o’clock. When it is which?--is vacated. Oh, yes, I see, when the man in it gets up and goes away. I didn’t for the minute catch on to what the word--He has stopped listening.
Never mind, I can wait. From eight to eleven is only three hours, anyway. I will move about here and look at things. If I keep moving they will notice me less. Ha! books and news papers and magazines--what a stack of them! Like a regular book-store. I will stand here and take a look at some of them. Eh! what’s that? Did I want to _buy_ anything? Well, no, I hadn’t exactly--I was just--Oh, I see, they’re on _sale_. All right, yes, give me this one--fifty cents--all right--and this and these others. That’s all right, miss, I’m not stingy. They always say of me up in our town that when I--She has stopped listening.
Never mind. I will walk up and down again with the magazines under my arm. That will make people think I live here. Better still if I could put the magazines in my satchel. But how? There is no way to set it down and undo the straps. I wonder if I could dare put it for a minute on that table, the polished one--? Or no, they wouldn’t likely allow a man to put a bag _there_.
Well, I can wait. Anyway, it’s eight o’clock and soon, surely, breakfast will be ready. As soon as I hear the gong I can go in there. I wonder if I could find out first where the dining-room is. It used always to be marked across the door, but I don’t seem to see it. Darn it, I’ll ask that man in uniform. If I’m here prepared to spend my good money to get breakfast I guess I’m not scared to ask a simple question of a man in uniform. Or no, I’ll not ask _him_. I’ll try this one--or no, he’s busy. I’ll ask this other boy. Say, would you mind, if you please, telling me, please, which way the dining-room--Eh, what? Do I want which? The grill room or the palm room? Why, I tell you, young man, I just wanted to get some breakfast if it’s--what? Do I want what? I didn’t quite get that--_a la carte_? No, thanks--and, what’s that? table de what? in the palm room? No, I just wanted--but it doesn’t matter. I’ll wait ‘round here and look about till I hear the gong. Don’t worry about me.
What’s that? What’s that boy shouting out--that boy with the tray? A call for Mr. Something or Other--say, must be something happened pretty serious! A call for Mr.--why, that’s for me! Hullo! _Here I am! Here, it’s Me! Here I am_--wanted at the desk? all right, I’m coming, I’m hurrying. I guess something’s wrong at home, eh! _Here I am_. That’s my name. I’m ready.
Oh, a room. You’ve got a room for me. All right. The fifteenth floor! Good heavens! Away up there! Never mind, I’ll take it. Can’t give me a bath? That’s all right. I had one.
Elevator over this way? All right, I’ll come along. Thanks, I can carry it. But I don’t see any elevator? Oh, this door in the wall? Well! I’m hanged. This the elevator! It certainly has changed. The elevator that I remember had a rope in the middle of it, and you pulled the rope up as you went, wheezing and clanking all the way to the fifth floor. But this looks a queer sort of machine. How do you do--Oh, I beg your pardon. I was in the road of the door, I guess. Excuse me, I’m afraid I got in the way of your elbow. It’s all right, you didn’t hurt--or, not bad.
Gee whiz! It goes fast. Are you sure you can stop it? Better be careful, young man. There was an elevator once in our town that--fifteenth floor? All right.
This room, eh! Great Scott, it’s high up. Say, better not go too near that window, boy. That would be a hell of a drop if a feller fell out. You needn’t wait. Oh, I see. I beg your pardon. I suppose a quarter is enough, eh?
Well, it’s a relief to be alone. But say, this is high up! And what a noise! What is it they’re doing out there, away out in the air, with all that clatter--building a steel building, I guess. Well, those fellers have their nerve, all right. I’ll sit further back from the window.
It’s lonely up here. In the old days I could have rung a bell and had a drink sent up to the room; but away up here on the fifteenth floor! Oh, no, they’d never send a drink clean up to the fifteenth floor. Of course, in the old days, I could have put on my canvas slippers and walked down to the bar and had a drink and talked to the bar-tender.
But of course they wouldn’t have a bar in a place like this. I’d like to go down and see, but I don’t know that I’d care to ask, anyway. No, I guess I’ll just sit and wait. Some one will come for me, I guess, after a while.
If I were back right now in our town, I could walk into Ed Clancey’s restaurant and have ham and eggs, or steak and eggs, or anything, for thirty-five cents.
Our town up home is a peach of a little town, anyway.
Say, I just feel as if I’d like to take my satchel and jump clean out of that window. It would be a good rebuke to them.
But, pshaw! what would _they_ care?
XII. This Strenuous Age
Something is happening, I regret to find, to the world in which we used to live. The poor old thing is being “speeded up.” There is “efficiency” in the air. Offices open at eight o’clock. Millionaires lunch on a baked apple. Bankers eat practically nothing. A college president has declared that there are more foot pounds of energy in a glass of peptonized milk than in--something else, I forget what. All this is very fine. Yet somehow I feel out of it.
My friends are failing me. They won’t sit up after midnight. They have taken to sleeping out of doors, on porches and pergolas. Some, I understand, merely roost on plain wooden bars. They rise early. They take deep breathing. They bathe in ice water. They are no good.
This change I am sure, is excellent. It is, I am certain, just as it ought to be. I am merely saying, quietly and humbly, that I am not in it. I am being left behind. Take, for example, the case of alcohol. That, at least, is what it is called now. There were days when we called it Bourbon whisky and Tom Gin, and when the very name of it breathed romance. That time is past.
The poor stuff is now called alcohol, and none so low that he has a good word for it. Quite right, I am certain. I don’t defend it. Alcohol, they are saying to-day, if taken in sufficient quantities, tears all the outer coating off the diaphragm. It leaves the epigastric tissue, so I am informed, a useless wreck.
This I don’t deny. It gets, they tell me, into the brain. I don’t dispute it. It turns the prosencephalon into mere punk. I know it. I’ve felt it doing it. They tell me--and I believe it--that after even one glass of alcohol, or shall we say Scotch whisky and soda, a man’s working power is lowered by twenty per cent. This is a dreadful thing. After three glasses, so it is held, his capacity for sustained rigid thought is cut in two. And after about six glasses the man’s working power is reduced by at least a hundred per cent. He merely sits there--in his arm-chair, at his club let us say--with all power, even all _desire_ to work gone out of him, not thinking rigidly, not sustaining his thought, a mere shapeless chunk of geniality, half hidden in the blue smoke of his cigar.
Very dreadful, not a doubt. Alcohol is doomed; it is going it is gone. Yet when I think of a hot Scotch on a winter evening, or a Tom Collins on a summer morning, or a gin Rickey beside a tennis-court, or a stein of beer on a bench beside a bowling-green--I wish somehow that we could prohibit the use of alcohol and merely drink beer and whisky and gin as we used to. But these things, it appears, interfere with work. They have got to go.
But turn to the broader and simpler question of _work_ itself. In my time one hated it. It was viewed as the natural enemy of man. Now the world has fallen in love with it. My friends, I find, take their deep breathing and their porch sleeping because it makes them work better. They go for a week’s vacation in Virginia not for its own sake, but because they say they can work better when they get back. I know a man who wears very loose boots because he can work better in them: and another who wears only soft shirts because he can work better in a soft shirt. There are plenty of men now who would wear dog-harness if they thought they could work more in it. I know another man who walks away out into the country every Sunday: not that he likes the country--he wouldn’t recognize a bumble bee if he saw it--but he claims that if he walks on Sunday his head is as clear as a bell for work on Monday.
Against work itself, I say nothing. But I sometimes wonder if I stand alone in this thing. Am I the _only_ person left who hates it?
Nor is work all. Take food. I admit, here and now, that the lunch I like best--I mean for an ordinary plain lunch, not a party--is a beef steak about one foot square and two inches thick. Can I work on it? No, I can’t, but I can work in spite of it. That is as much as one used to ask, twenty-five years ago.
Yet now I find that all my friends boast ostentatiously about the meagre lunch they eat. One tells me that he finds a glass of milk and a prune is quite as much as he cares to take. Another says that a dry biscuit and a glass of water is all that his brain will stand. One lunches on the white of an egg. Another eats merely the yolk. I have only two friends left who can eat a whole egg at a time.
I understand that the fear of these men is that if they eat more than an egg or a biscuit they will feel heavy after lunch. Why they object to feeling heavy, I do not know. Personally, I enjoy it. I like nothing better than to sit round after a heavy lunch with half a dozen heavy friends, smoking heavy cigars. I am well aware that that is wicked. I merely confess the fact. I do not palliate it.
Nor is food all, nor drink, nor work, nor open air. There has spread abroad along with the so-called physical efficiency a perfect passion for _information_. Somehow if a man’s stomach is empty and his head clear as a bell, and if he won’t drink and won’t smoke, he reaches out for information. He wants facts. He reads the newspapers all though, instead of only reading the headings. He clamours for articles filled with statistics about illiteracy and alien immigration and the number of battleships in the Japanese navy.
I know quite a lot of men who have actually bought the new _Encyclopaedia Britannica_. What is more, they _read_ the thing. They sit in their apartments at night with a glass of water at their elbow reading the encyclopaedia. They say that it is literally filled with facts. Other men spend their time reading the Statistical Abstract of the United States (they say the figures in it are great) and the Acts of Congress, and the list of Presidents since Washington (or was it Washington?).
Spending their evenings thus, and topping it off with a cold baked apple, and sleeping out in the snow, they go to work in the morning, so they tell me, with a positive sense of exhilaration. I have no doubt that they do. But, for me, I confess that once and for all I am out of it. I am left behind.
Add to it all such rising dangers as total prohibition, and the female franchise, the daylight saving, and eugenic marriage, together with proportional representation, the initiative and the referendum, and the duty of the citizen to take an intelligent interest in politics--and I admit that I shall not be sorry to go away from here.
But before I _do_ go, I have one hope. I understand that down in Hayti things are very different. Bull fights, cock fights, dog fights, are openly permitted. Business never begins till eleven in the morning. Everybody sleeps after lunch, and the bars remain open all night. Marriage is but a casual relation. In fact, the general condition of morality, so they tell me, is lower in Hayti than it has been anywhere since the time of Nero. Me for Hayti.
XIII. The Old, Old Story of How Five Men Went Fishing
This is a plain account of a fishing party. It is not a story. There is no plot. Nothing happens in it and nobody is hurt. The only point of this narrative is its peculiar truth. It not only tells what happened to us--the five people concerned in it--but what has happened and is happening to all the other fishing parties that at the season of the year, from Halifax to Idaho, go gliding out on the unruffled surface of our Canadian and American lakes in the still cool of early summer morning.
We decided to go in the early morning because there is a popular belief that the early morning is the right time for bass fishing. The bass is said to bite in the early morning. Perhaps it does. In fact the thing is almost capable of scientific proof. The bass does _not_ bite between eight and twelve. It does _not_ bite between twelve and six in the afternoon. Nor does it bite between six o’clock and midnight. All these things are known facts. The inference is that the bass bites furiously at about daybreak.
At any rate our party were unanimous about starting early. “Better make an early start,” said the Colonel, when the idea of the party was suggested. “Oh, yes,” said George Popley, the bank manager, “we want to get right out on the shoal while the fish are biting.”
When he said this all our eyes glistened. Everybody’s do. There’s a thrill in the words. To “get right out on the shoal at daybreak when the fish are biting,” is an idea that goes to any man’s brain.
If you listen to the men talking in a Pullman car, or an hotel corridor, or, better still, at the little tables in a first-class bar, you will not listen long before you hear one say: “Well, we got out early, just after sunrise, right on the shoal.” And presently, even if you can’t hear him, you will see him reach out his two hands and hold them about two feet apart for the other man to admire. He is measuring the fish. No, not the fish they caught; this was the big one that they lost. But they had him right up to the top of the water. Oh, yes, he was up to the top of the water all right. The number of huge fish that have been heaved up to the top of the water in our lakes is almost incredible. Or at least it used to be when we still had bar rooms and little tables for serving that vile stuff Scotch whisky and such foul things as gin Rickeys and John Collinses. It makes one sick to think of it, doesn’t it? But there was good fishing in the bars, all the winter.
But, as I say, we decided to go early in the morning. Charlie Jones, the railroad man, said that he remembered how when he was a boy, up in Wisconsin, they used to get out at five in the morning--not get up at five but be on the shoal at five. It appears that there is a shoal somewhere in Wisconsin where the bass lie in thousands. Kernin, the lawyer, said that when he was a boy--this was on Lake Rosseau--they used to get out at four. It seems there is a shoal in Lake Rosseau where you can haul up the bass as fast as you can drop your line. The shoal is hard to find--very hard. Kernin can find it, but it is doubtful--so I gather--if any other living man can. The Wisconsin shoal, too, is very difficult to find. Once you find it, you are all right; but it’s hard to find. Charlie Jones can find it. If you were in Wisconsin right now he’d take you straight to it, but probably no other person now alive could reach that shoal. In the same way Colonel Morse knows of a shoal in Lake Simcoe where he used to fish years and years ago and which, I understand, he can still find.
I have mentioned that Kernin is a lawyer, and Jones a railroad man and Popley a banker. But I needn’t have. Any reader would take it for granted. In any fishing party there is always a lawyer. You can tell him at sight. He is the one of the party that has a landing net and a steel rod in sections with a wheel that is used to wind the fish to the top of the water.
And there is always a banker. You can tell him by his good clothes. Popley, in the bank, wears his banking suit. When he goes fishing he wears his fishing suit. It is much the better of the two, because his banking suit has ink marks on it, and his fishing suit has no fish marks on it.
As for the railroad man--quite so, the reader knows it as well as I do--you can tell him because he carries a pole that he cut in the bush himself, with a ten-cent line wrapped round the end of it. Jones says he can catch as many fish with this kind of line as Kernin can with his patent rod and wheel. So he can too. Just the same number.
But Kernin says that with his patent apparatus if you get a fish on you can _play_ him. Jones says to Hades with _playing_ him: give him a fish on his line and he’ll haul him in all right. Kernin says he’d lose him. But Jones says _he_ wouldn’t. In fact he _guarantees_ to haul the fish in. Kernin says that more than once--in Lake Rosseau--he has played a fish for over half an hour. I forget now why he stopped; I think the fish quit playing.
I have heard Kernin and Jones argue this question of their two rods, as to which rod can best pull in the fish, for half an hour. Others may have heard the same question debated. I know no way by which it could be settled.
Our arrangement to go fishing was made at the little golf club of our summer town on the veranda where we sit in the evening. Oh, it’s just a little place, nothing pretentious: the links are not much good for _golf_; in fact we don’t play much _golf_ there, so far as golf goes, and of course, we don’t serve meals at the club, it’s not like that--and no, we’ve nothing to drink there because of prohibition. But we go and _sit_ there. It is a good place to _sit_, and, after all, what else can you do in the present state of the law?
So it was there that we arranged the party.
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Frenzied FictionChapter IV: With Our Typical Novelists (1)
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