Chapter XXVII: Appendix: Index

Abbey Theatre, Dublin, 400-1.

_Academy_, 246, 287.

Achurch, Janet, 299, 304, 353-4.

_Actors' Society Monthly Bulletin, The_, 369.

Adams, Maurice, 104.

Addison, Joseph, 199.

Ade, George, 136.

Adelphi Terrace, 20.

_Admirable Bashville, The._ _See_ G. B. SHAW.

Aldwych Theatre, 401.

Alexander, George, 183, 282.

Allen, Grant, 279.

Allen, Rev. G. W., 102.

Alma-Tadema, Sir L., 287.

_Amateur Photographer_, 226.

Anderton's Hotel, 115, 131.

Angelo, Michael, 31, 46, 90, 153, 218-9, 225, 243, 291, 393.

Archer, William, 20, 75, 84, 90, 91, 142, 251, 297, 306,
315, 327, 333, 369, 413, 417, 443;
and _Cashel Byron's Profession_, 61, 76;
first sees Shaw, 97;
and Shaw's career as a critic, 195;
and Shaw's musical criticisms, 232-3;
and Shaw's dramatic criticisms, 279 _et sqq._, 286;
collaborates with Shaw, 293, 295;
and Shaw as a dramatist, 299;
and _Mrs. Warren's Profession_, 307-8, 363, 425;
and _Arms and the Man_, 316-17;
and _You Never Can Tell_, 325;
and Shaw's greatest work, 378;
and _Major Barbara_, 387;
and _The Doctor's Dilemma_, 390 _et sqq._;
and stage directions, 419;
and _Widowers' Houses_, 445;
and Shaw's sentiment, 507.

_Arms and the Man._ _See_ G. B. SHAW.

Arnold, Matthew, 96.

Arnold, Sir Edwin, 299.

_Art Moderne, L'_, 348.

_Atlantic Monthly, The_, 484.

Augier, E., 294.

_Author, The_, 91.

Aveling, Dr., 114, 160, 164, 261.

Avenue Theatre, 312 _et sqq._, 316.

Bab, Julius, 85, 249, 402.

Bach, 236, 240, 252.

Bahr, Hermann, 198, 353, 358, 410, 414, 424.

Bakunin, Michel, 98, 189, 247.

Balfour, Right Hon. A. J., 372, 404.

Ball Publishing Co., 111.

Barker, Granville, 286, 368, 371-2, 388, 398, 446.

Barnby, Sir Joseph, 237.

Barrie, J. M., 404.

Barry, James, 200.

Bashkirtseff, Marie, 5, 273.

Bax, Belfort, 51, 98, 164, 485-6;
his article, _Socialism and Bourgeois Culture_, 159.

Beaumarchais, 23.

Beaumont and Fletcher, 264, 366.

Bebel, F. A., 152, 180, 186.

Beerbohm, Max, 231, 288, 339, 363, 394, 425, 496.

Beethoven, 18, 23-4, 73, 153, 240, 243, 250, 257, 393.

Beeton, 158.

Bell, Chichester, 34-5, 44.

Bellamy, Edward, 152.

Bellini, 18.

Bennett, Sterndale, 237.

Berlioz, 234, 257.

Bernstein, Eduard, 165.

Besant, Mrs. Annie, 52, 92, 109, 113 _et sqq._, 125, 133,
144, 160, 165, 178, 283, 484.

Beyle, Henri, 20, 412, 463.

Birmingham, George A., 401.

Bispham, David, 238.

Bizet, 24, 61.

Blake, William, 447, 454 _et sqq._, 466, 469, 473.

Bland, Hubert, 67, 99, 102, 114 _et sqq._, 128-9, 169, 175, 178.

Bland, Mrs. Hubert, 128-9.

Blavatsky, Madame, 127.

Blum, M. Jean, 337.

Booth, General, 387.

Borchardt, Miss, 484.

Borsa, Mario, 270.

_Boston Transcript_, 287.

Bouguereau, W. A., 222.

Bourget, Paul, 416, 464.

Bradlaugh, Charles, 137-8, 144, 160, 176.

Braekstad, Hans L., 272.

Brahms, 241, 243.

Brandes, Dr. Georg, 306, 307, 311, 313, 347, 359-60, 418, 464.

Brentanos, 54-5.

Brieux, Eugène, 432, 439.

Brooke, Stopford, 15, 93, 208.

Brown, Ford Madox, 212, 219-20.

Browning, Robert, 31-2, 40, 219, 412, 415, 466.

Browning Society, 135.

Bruneau, 245.

Brunetière, Ferdinand, 307, 309.

Bryant, D. Sophia, 37-8.

Bülow, Hans Von, 241.

Bunyan, John, 268, 447, 473.

Burne-Jones, Sir Edward, 206, 212, 221, 225.

Burne-Jones, Lady, 206.

Burns, Right Hon. John, 112 _et sqq._, 127, 142, 166, 174.

Burrows, 113.

Butler, Samuel, 480, 483.

Byron, Lord, 143, 215, 364.

_Cæsar and Cleopatra._ _See_ G. B. SHAW.

Cairnes, J. E., 155.

Calderon, 432.

Calvé, Mme., 245.

Campbell-Bannerman, Sir Henry, 372.

Campbell, Lady Colin, 212.

Campbell, Mrs. Patrick, 228, 392.

_Candida._ _See_ G. B. SHAW.

_Candid Friend, The_, 42, 60, 98, 147, 202, 476.

_Captain Brassbound's Conversion._ _See_ G. B. SHAW.

Carlyle, Thomas, 253, 271, 336, 434, 457, 474.

Carnegie, Andrew, 383, 385.

Carpaccio, 227.

Carpenter, Captain Alfred, 99.

Carpenter, Edward, 50, 99, 114.

Carroll, Rev. William George, 15.

_Cashel Byron's Profession._ _See_ G. B. SHAW.

_Caxton Magazine_, 211.

Cellier, Alfred, 233.

_Century Magazine_, 505.

Chamberlain, Right Hon. Joseph, 404.

Chamfort, Nicholas, 456.

Champion, Henry Hyde, 48, 51, 52-3, 102, 112 _et sqq._, 125, 155.

_Chap-Book, The_, 29, 57, 149.

Chapman and Hall, 47.

Chapman, George, 264.

Charrington, Charles, 354.

Charrington, Mrs. _See_ ACHURCH.

Chaucer, 221.

Chesterton, Gilbert K., 9, 190, 202, 354, 413, 415, 435, 436,
453, 472, 489, 496, 503, 508-9.

Chopin, 23, 25.

_Christian Socialist, The_, 47.

Chubb, Percival, 102.

Civic and Dramatic Guild, 402.

_Clarion, The_, 385, 390, 422.

Clarke, M.A., William, 100 _et sqq._;
his _The Fabian Society_, 111, 129, 136.

_Clerk, The_, 22.

Cobden, Richard, 168.

Coburn, Alvin L., 224 _et sqq._, 496, 501 _et sqq._

Collier and Son, P. F., 498-9.

Colvin, Sidney, 53.

Comedy Theatre, 295.

_Common Sense of Municipal Trading, The._ _See_ G. B. SHAW.

Common, Thomas, 485.

Comte, Auguste, 102, 168.

Constable and Co., Archibald, 55, 183, 399.

_Contemporary Review_, 183, 385.

Corbett, James J., 72.

Corbin, John, 319, 321, 344, 373.

Correggio, 221.

Courtney, W. L., 63, 80, 81, 177, 286.

Court Theatre, 277, 285, 286, 324, 345, 368-9, 371-2, 388, 402.

Cowen, Sir Fred, 237.

Crane, Walter, his _An Artist's Reminiscences_, 112.

Crawford, Rev. William, 16.

Criterion Theatre, 295.

Cunningham, Edward, 158.

Cunningham, W., 159.

_Daily Chronicle, The_, 100, 164, 212, 248, 305, 312, 331.

_Daily News, The_, 75, 91, 419.

Daly, Arnold, 315, 326, 346.

D'Annunzio, Gabriel, 416, 419.

_Dark Lady of the Sonnets, The._ _See_ G. B. SHAW.

Darwin, Charles, 92, 94, 96, 102, 123, 153, 261, 476, 483;
his _Descent of Man_, 97.

Davidson, Thomas, 102-4, 173.

Davis, 114.

Day, Holland, 228.

Delaroche, Paul, 200, 224.

Delia Robbia, 221.

Demachy, 228.

De Quincey, Thomas, 51, 153, 161, 359, 503.

De Reszke, Édouard, 238, 445.

De Reszke, Jean, 238, 245, 445.

_Devil's Disciple, The._ _See_ G. B. SHAW.

Dialectical Society, 92-3, 271.

Dickens, Charles, 41, 253, 361, 416, 443, 473.

_Die Zeit_, 165.

Disraeli, Benjamin, Earl of Beaconsfield, 98, 124, 144, 205, 262.

_Doctor's Dilemma, The._ _See_ G. B. SHAW.

Dolmetsch, Arnold, 237.

Donald, 114.

Donatello, 221.

_Don Giovanni_, 18, 23.

Donisthorpe, Wordsworth, 114, 125.

Donizetti, 18, 23.

_Don Juan in Hell._ _See_ G. B. SHAW.

_Dramatic Opinions and Essays._ _See_ G. B. SHAW.

Dryden, John, 476.

Drysdale, Dr., 93.

Dublin, Shaw born at, 3;
Shaw's early life in, 3 _et sqq._

Dumas, Alexandre, 61, 67.

Dumas, Alexandre _fils_, 413.

Düsel, Friedrich, 337.

Dvorak, 241.

_Echo, The_, 231.

Economic Club, The, 158.

_Economic Journal, The_, 158.

Edgeworth, F. Y., 158-9.

Edison, Thomas A., 44.

Edward VII., 311, 372.

Edwards, Clement, 142.

Edwards, Osmon, 270.

Eliot, George, 92, 94, 96, 305.

Ellis, Alexander, 91.

Ellis, Ashton, 393.

Ellis, Havelock, 102.

Emerson, Ralph Waldo, 3, 439.

Engel, Louis, 235.

Engels, Friedrich, 106, 163, 167, 181.

_English Illustrated Magazine_, 244.

English Land Restoration League, The, 47, 99.

Fabian Essays in Socialism. _See_ G. B. SHAW.

Fabian Society, The, 39, 47, 52, 56, 89 _et sqq._,
173 _et sqq._, 231, 280.

Faguet, Émile, 84, 250.

Farr, Florence, 329, 504.

_Faust_, 18.

_Fellowship of the New Life, The._ _See_ THE FABIAN SOCIETY.

_Figaro, Le_, 348.

Filon, Augustin, 300, 336, 344-5, 367, 445, 449.

Fitzgerald, C. L., 111.

Fontenelle, 416.

Foote, G. W., 114, 131, 138 _et sqq._, 482.

Ford, Rev. F. W., 125.

_Fortnightly Review, The_, 24, 60, 187.

Foxwell, 158-9.

France, Anatole, 144, 449, 502-3.

_Freethinker, The_, 482.

Freiligrath, Ferdinand, 51.

Frost, Percy, 155-6.

Funk and Wagnalls Co., 268.

Furniss, Harry, 327.

Furnival, Dr. F. J., 135.

Gaiety Theatre, Manchester, 402.

Galsworthy, John, 372.

Galton, Sir Francis, F.R.S., 492.

Garcke, Emil, 91.

Garland, Hamlin, 152.

Garrick, David, 196.

Garrick Theatre, 295.

George, Henry, 47-8, 50, 56, 90, 117, 153 _et sqq._, 176, 178;
his _Progress and Poverty_, 94, 96, 102, 152, 154-5, 178.

George, Henry, Jr., 95, 152.

George, Right Hon. Lloyd, 175.

Gerster, 239.

_Gestalten und Gedanken_, 313.

_Getting Married._ _See_ G. B. SHAW.

Gibson, Dr. Burns, 102, 104.

Gilbert, Sir W. S., 237, 303, 316 _et sqq._, 433, 456 _et sqq._;
his _Palace of Truth_, 318 _et sqq._

Gissing, George, 415.

Godard, J. G., 91.

Goethe, 23, 306, 364, 412, 434.

Goncourt, Edmond de, 440.

Gonner, E. C. K., 135.

Gordon, General, 312.

Gorki, Maxim, 432.

Gounod, 18, 24.

Graham, Cunninghame, 113, 306, 314, 328.

Grant, Corrie, 125.

_Great Thoughts_, 480.

Greene, Robert, 264.

Greenwood, Frederick, 200.

Gregory, Lady, 400.

Grein, J. T., 293, 295, 309, 321, 358.

Greuze, 228.

Greville, Eden, 293.

Grove, Sir George, 236.

_Grundsätze der Volkswirtschaftslehre_, 161.

Grundy, Sydney, 282, 284.

Guèsde, 152, 166, 180.

Guilbert, Yvette, 345.

Gurly, Lucinda Elizabeth. _See_ MRS. G. C. SHAW.

Gurly, Walter Bagenal, 7.

Hadden, Caroline, 104.

Hagemann, Herr Carl, 410.

Haldane, Right Hon. R. B., 132 _et sqq._

Hale, Professor, 426.

Hall, Andrew, 113.

Hals, Franz, 227.

Hamon, Auguste, 165, 309-10, 353, 439.

Hampstead Historic Club, 128 _et sqq._, 157.

Handel, 18, 23, 233, 257.

Hankin, St. John, 372.

Hapgood, Norman, 325, 411.

Hardie, Keir, 187.

Hardy, Thomas, 55, 368.

Hare, Sir John, 282.

Harper and Brothers, 54-5.

_Harper's Bazaar_, 85.

Harris, Frank, 261, 266.

Harris, Sir Augustus, 216, 245, 278, 287.

Hart, Sir Robert, 16.

Hauptmann, Gerhart, 413, 464.

Hausemann, William A., 340, 456, 486.

Hawthorne, Nathaniel, 25.

Hay, John, 189.

Haydn, 36.

Haymarket Theatre, 321.

Headlam, Rev. Stewart, 48, 114.

Hebbel Theater, 301.

Heine, Heinrich, 3, 47, 201, 413, 457.

Helmholtz, Hermann Von, 44.

Henderson, Archibald, 484.

Henley, W. E., 53, 212, 214 _et sqq._, 282.

Henry and Co., 205, 298.

Hensley, Lewis, his _The Scholar's Algebra_, 158.

Herwegh, Georg, 51.

_Hibbert Journal_, 471.

Hichens, Robert, 261.

Hinton, Horsley, 228.

Hinton, Mrs., 104.

Hodgskin, 155.

Hodgson, R., 127.

Hogarth, William, 227-8, 422, 473.

Holbein, 227.

Hollman, 239.

Holmes, Oliver Wendell, his _Autocrat of the Breakfast Table_, 89.

Hooghe, Peter de, 224.

Hope, Laurence, 392.

Hoppner, John, 228.

Horniman, Miss, 401.

_How He Lied to Her Husband._ _See_ G. B. SHAW.

Hudson Theatre, 365.

Hughes, 114.

Hugo, Victor, 23, 59, 250, 432, 434, 443.

Humanitarian League, The, 49.

_Humanitarian, The_, 435.

Huneker, James G., 84-5, 246, 275, 350, 366, 375, 418.

Huxley, Thomas, 92, 94, 96-7, 443, 476-7.

Hyndman, H. M., 98, 110, 112-3, 127, 138, 152, 156-7, 159, 160, 164-5,
167 _et sqq._, 173-4, 200, 206, 302, 368;
his _Economics of Socialism_, 162;
his _Marx's Theory of Value_, 164-5.

Ibsen, Henrik, 14, 25, 39, 59, 90, 143, 198, 237, 247, 299 _et sqq._,
415, 432, 447, 455, 460, 471, 480;
Shaw compared to, 61-2, 304, 316, 420 _et sqq._, 458;
his _Love's Comedy_, 78, 347;
his _Little Eyolf_, 81;
his _The Master Builder_, 81;
the controversy on, 248-9;
Shaw's championship of, 263, 272 _et sqq._, 305,
389-90;
his mission, 269;
Shaw's admiration for, 270;
his _A Doll's House_, 271, 274, 299, 314, 338, 433, 439;
his _Peer Gynt_, 273;
his _Emperor and Galilean_, 273, 460;
his _The Pillars of Society_, 271, 274;
his _An Enemy of the People_, 274, 297, 439, 456-7;
his _Ghosts_, 274, 296, 305, 307;
his _The Wild Duck_, 274;
his _Rosmersholm_, 274;
his _The Lady from the Sea_, 274, 347;
his _Hedda Gabler_, 274;
criticized by Shaw, 303;
his death, 389;
and stage directions, 417-18.

_Immaturity._ _See_ G. B. SHAW.

Independent Theatre Society, 293, 295, 309, 321.

Ingersoll, Robert G., 92.

Ingres, Jean, 219.

_Interlude at the Playhouse, The._ _See_ G. B. SHAW.

Ireland, its irreligion, 8-9;
National Gallery of, 19, 31;
land agency in, 21;
described in _John Bull's Other Island_, 372 _et sqq._

Irish National Theatre Society, 401.

_Irish Times, The_, 400.

_Irrational Knot, The._ _See_ G. B. SHAW.

Irving, Sir Henry, 216, 287 _et sqq._

Irwin, Will, 270.

Jackson, Holbrook, 11, 175, 447.

James, Henry, 64, 284, 394, 416, 454.

James, S. T., 259.

Jaurès, Jean, 144, 152, 166, 180, 186, 486.

Jefferies, Richard, 51.

Jevons, Stanley, 155-6, 159 _et sqq._;
his _Letters and Journal_, 160;
his _Theory of Political Economy_, 161.

Joachim, Joseph, 240-1.

_John Bull's Other Island._ _See_ G. B. SHAW.

Johnson, Dr., 479.

Jones, Benjamin, 132.

Jones, Henry Arthur, 210, 257, 263, 282 _et sqq._

Jonson, Ben, 264, 266.

_Journal des Débats_, 350.

Jowett, Benjamin, 262.

Joynes, James Leigh, 48, 50-1, 90, 94, 155.

Jupp, W. I., 104.

_Justice_, 164-5.

Kaulbach, Wilhelm von, 200, 224.

Keats, John, 40, 215.

Kerr, Alfred, 340, 438.

Kingsway Theatre, The, 402, 403.

Knight, William, his _Memorials of Thomas Davidson_, 104.

Knowles, Sheridan, 415.

Kropotkin, Prince, 98, 108, 152, 170, 173.

Lamarck, Jean, 480, 483-4, 488.

Lamb, Charles, 6, 266, 447.

_Land Nationalization Society_, 95.

Land Reform Union. _See_ ENGLISH LAND RESTORATION LEAGUE.

Lane, John, 270.

Lane, Joseph, 114.

Lassalle, Ferdinand, 98, 127, 152, 165, 168, 173, 176, 178, 271, 457.

“Law and Liberty League,” 113.

Lecky, James, 90 _et sqq._, 122, 235.

Leeds Art Club, 175.

Lee, George J. V., 17-8, 22, 37.

Le Gallienne, Richard, 232.

Leighton, Sir Frederick, 219.

Leschetizky, 239.

_Le Temps_, 277.

Levy, 131.

Lewes, George H., 201, 233.

_Liberty_, 189, 246.

Liebknecht, Wilhelm, 98, 152, 166, 172-3, 180-1.

Lind, Letty, 254.

Linnell, John, 228.

Lippi, Fra Filippo, 221.

Liszt, Abbé, 23, 257.

Lodge, Sir Oliver, 385.

_Lohengrin_, 35.

London Stage Society, 380.

Longfellow, Henry W., 24.

Loraine, Robert, 43, 302, 315, 368.

_Love Among the Artists._ _See_ G. B. SHAW.

_Lucrezia Borgia_, 18.

Luther, Martin, 469-70.

Lyceum Theatre, 282, 343.

Lytton, Hon. Neville S., 501.

Lytton, Lord, 297.

Macaulay, Thomas B., 199.

MacCarthy, Desmond, 324, 339.

_McClure's Magazine_, 329.

Macdonald, J., 111.

McEvoy, Charles, 380.

McKail, J. W., 212.

McKee, Rev. T. A., 16.

Mackenzie, Sir Alexander, 236.

Macmillan Co., The, 340, 456.

McNulty, Edward, 34;
his _Misther O'Ryan_, _The Son of a Peasant_ and _Maureen_, 33.

Maeterlinck, Maurice, 134, 224, 368, 415, 463-4.

_Mainly About People_, 1.

Mallock, W. H., 59, 60, 186-7.

Malthus, Thomas R., 92-3, 168.

_Man and Superman._ _See_ G. B. SHAW.

Mann, Tom, 113.

_Man of Destiny, The._ _See_ G. B. SHAW.

Mansfield, Richard, 54, 315, 342-3, 355, 358.

Mantegna, 46, 225, 227.

Marbot, his _Memoirs_, 312.

Maris, James, 222.

Marlowe, Christopher, 264.

Marshall, Alfred, 158.

Marston, John, 264.

Marx, Eleanor, 261, 272.

Marx, Karl, 50, 79, 90, 128, 151-2, 159, 173, 176, 178, 181,
261, 271, 457;
his _Das Kapital_, 96 _et sqq._, 106, 155 _et sqq._,
160 _et sqq._, 293.

Masefield, John, 372.

Massenet, Jules, 245.

Massingham, H. W., 231.

Mathews, Charles, 317.

Matthews, Brander, 416.

Maude, Aylmer, his _Life of Tolstoy_, 399.

Maude, Cyril, 321, 328.

Maupassant, Guy de, 304-5, 316.

Melba, Mme., 24.

Mendelssohn, Felix, 18, 24, 233, 243.

Menger, Anton, 161.

Meredith, George, 46-47, 77, 201, 278, 461, 471, 509;
his _Essay on Comedy_, 278.

Merimée, Prosper, 24.

Methuen and Co., 112.

_Metropolitan Magazine_, 227, 351.

Meyerbeer, 24, 243.

Meyerfeld, Dr. Max, 43, 426.

Millerand, 166.

Mill, John Stuart, 91-2, 94, 96, 102, 123, 153, 157, 466.

Milton, John, 139.

Mirabeau, 339.

_Misalliance._ _See_ G. B. SHAW.

Modern Press, The, 155.

Moffat, Yard and Co., 343.

Molière, 23, 130, 270, 278, 306, 320, 361, 364, 370, 378, 394,
439, 443, 449.

Mommsen, Theodor, 335.

Monet, Claude, 222.

Moody and Sankey, 10-11, 27, 33.

Moore, George, 202.

Moore, Samuel, 160.

Moore, Thomas, 243.

_Morning Leader_, 91.

Morris, May, 261.

Morris, William, 90, 98, 152, 173, 261, 271, 434, 457, 473;
makes Shaw's acquaintance, 52;
and _Cashel Byron's Profession_, 74;
on parents and children, 92;
his influence on Shaw, 99, 205;
and the Fabian Society, 114-5;
and the Socialist League, 137;
and the value theory, 164;
Shaw's ignorance of, 206;
his Socialist views, 207;
Shaw's obituary notice of, 209, 212;
his artistic integrity, 210-11;
his mastery of English, 221;
and Shaw's article on Nordau, 246.

Mozart, 18, 24, 32, 36, 90, 214, 218, 240, 243-4, 248-9, 257, 364, 393.

_Munsey's Magazine_, 293.

Muret, M. Maurice, 349-50.

Nansen, Fridtjof, 504.

Napier, Dr. T. B., 125.

Napoleon, 342 _et sqq._, 508.

Napoleon III., 93.

_Nation_, 250, 287, 401.

_National Observer_, 214.

_National Reformer_, 160, 164.

National Secular Society, 114, 160.

National Service League, 405.

Nesbit, E. _See_ MRS. H. BLAND.

_Neue Freie Presse_, 287, 343.

_New Age, The_, 175, 246, 396.

Newman, Ernest, 249.

Newman, Professor F. W., 95.

_New Review, The_, 313, 462.

New Shakespeare Society, 135, 263.

_New York Herald_, 54.

_New York Sun_, 373.

_New York Times_, 342, 361, 393.

_New York Tribune_, 317.

Nicol, Commissioner, 387.

Nietzsche, 20, 39, 81, 90, 151, 247, 261, 273, 339, 413, 455 _et sqq._,
464, 468, 471 _et sqq._, 480, 484 _et sqq._;
his _Genealogy of Morals_, 340, 364, 456, 486.

_Nineteenth Century_, 246, 439.

Nordau, Max, 35, 346, 436.

_North American Review_, 286-7.

O'Connor, Fergus, 173.

O'Connor, T. P., 231, 232, 235-6.

Offenbach, 233, 243, 340.

Olivier, Sir Sydney, 48, 99, 107, 128-9, 174;
his play, _Mrs. Maxwell's Marriage_, 100;
his career, 100.

_One and All_, 43.

Orage, A. R., 175.

Ouida, 392.

_Our Corner_, 52, 109, 195.

Owen, Miss Dale, 104.

Owen, Robert, 178, 209.

Paderewski, I. J., 237-8, 254.

_Pall Mall Budget_, 244.

_Pall Mall Gazette_, 48, 50-1, 98, 127, 135, 160, 164-5, 195-6,
200, 215, 483.

_Palmist and Chirological Review_, 493.

Pankhurst, Dr., 114.

Pardon, Sidney, 261.

Parker, Dr. H. R., 16.

Parnell, Charles Stewart, 101.

Parry, Sir Charles H. H., 236-7.

_Passion, Poison and Petrifaction._ _See_ G. B. SHAW.

Pater, Walter, 433, 438.

Patmore, Coventry, 445.

Patti, Adelina, 237, 239, 254.

Pease, Edward R., 102, 104, 127, 139.

Pepys, Samuel, 45.

Phelps, William L., 366.

_Philanderer, The._ _See_ G. B. SHAW.

_Photography_, 222.

Pinero, Arthur Wing, 3, 279 _et sqq._, 364, 447.

Plançon, P., 24.

_Play, The_, 335, 338.

_Playhouse, The_, 327.

_Plays for Puritans._ _See_ G. B. SHAW.

_Plays, Pleasant and Unpleasant._ _See_ G. B. SHAW.

Podmore, Frank, 102, 104, 114, 127, 177.

Poe, Edgar Allan, 5, 24, 130.

Pope, Alexander, 59, 243.

Porter, General Horace, 312.

Praxiteles, 32.

Proudhon, P. J., 128, 186.

Psychical Research Society, The, 127.

_Public Opinion_, 11, 33.

_Putnam's Monthly_, 501.

Queensberry, Marquess of, 387.

_Quintessence of Ibsenism._ _See_ G. B. SHAW.

Rabelais, 201, 509.

_Radical, The_, 132.

Raphael, 208, 221, 224.

Reade, Charles, 432-3.

Reclus, Elisée, 486.

Reinhardt, Max, 345.

Rembrandt, 227, 393.

Renan, Ernest, 449.

Repertory Theatre, 285.

_Review of Reviews_ (London), 386.

_Revue des Deux Mondes_, 300, 445.

Rhodes, Cecil, 385.

Ricardo, David, 155, 159, 161.

Richards, Grant, 55, 309, 319, 321.

Robertson, Forbes, 282, 335, 338, 402, 417.

Robertson, John Mackinnon, 45, 114.

Robins, Elizabeth, 372.

Rockefeller, John D., 384.

Rodin, Auguste, 226, 500-1, 504.

Roeckel, August, 247.

Rogers, Professor A. K., 471.

Rook, Clarence, 141, 198, 335.

Roosevelt, Theodore, 384, 484.

Rossetti, D. G., 219, 446.

Rossini, 18.

Rossiter, 115.

Rostand, Edmond, 432.

Rousseau, J. J., 5.

Runciman, James, 214.

Runciman, J. F., 214.

Ruskin, John, 7, 168, 210-11, 253, 271, 434, 451, 457.

Sainte Beuve, Charles A., 251, 297, 474.

Saint Saëns, Camille, 241, 243.

St. Simon, Claude H., Comte de, 178.

Salt, Henry, 48 _et sqq._, 90, 503.

Sanders, W., 184.

Sargent, J. S., 227, 449.

_Saturday Review, The_, 53, 181, 199, 208-9, 212, 220-1, 231, 245,
261 _et sqq._, 266, 269, 272, 275, 279, 288, 364, 421, 427-9, 455.

_Savoy Magazine, The_, 14.

Savoy Theatre, 285, 337, 388.

Scheffer, Ary, 24.

Schiller, Friedrich, 23, 432, 454.

Schiller Theater, 355.

Schopenhauer, 81, 271, 364, 366, 435, 457, 459, 473-4, 476,
480, 483 _et sqq._

Schumann, 23, 240, 243, 252.

Scott and Co., Walter, 53, 179.

Scott, Clement, 279, 299, 302.

Scott, Sir Walter, 61, 67.

Scribner's Sons, Charles, 343.

Sedgwick, Anne D., her _Confounding of Camellia_, 367.

Shakespeare, William, 26, 55, 74, 81, 135, 196, 341, 391,
417, 447, 473, 476;
his plays criticized by Shaw, 262 _et sqq._, 288, 321;
Shaw's preface on, 336.

Shaw, Agnes, 22, 25.

Shaw, Frederick, 10.

Shaw, George Bernard, his birth, 3;
his complex characteristics, 4;
on autobiographies, 5-6;
his parentage and ancestry, 6 _et sqq._;
his early life, 8 _et sqq._, 39;
on church going, 8-9, 11-12 _et sqq._;
enters his uncle's office, 10;
on Moody and Sankey, 10-11, 27, 33;
his dislike of snobbery, 14-5, 21, 35, 41;
his education, 15 _et sqq._;
his great love of music, 18-9, 22 _et sqq._, 36-7, 216;
his early love of art, 19;
enters Mr. Townshend's office, 20;
his original musical technique, 23, 218;
goes to London, 25;
his religious training, 26;
his asceticism, 26-7;
choosing a profession, 31 _et sqq._;
his friendship with Edward McNulty, 33-4;
and Chichester Bell, 34-35, 44;
first introduction to Wagner's music, 35, 234;
his resemblance to his mother, 38-9;
his struggles in London, 39 _et sqq._;
his dress, 40-1, 491-2;
on poverty, 41-2, 46;
on the artistic temperament, 43;
first literary earnings, 43, 47;
his egotism, 44-5;
his _Immaturity_, 46-7;
and land nationalization, 47-8;
makes new friends, 47 _et sqq._;
his vegetarianism, 49, 471;
and the Salts, 48 _et sqq._;
on Shelley and Wagner's principles, 49-50;
and the death of J. L. Joynes, 50-51;
publication
of his novels, 51 _et sqq._;
becomes acquainted with William Morris, 52;
on _Cashel Byron's Profession_, 52;
his _Plays, Pleasant and Unpleasant_, published, 54;
his plays, _Arms and the Man_ and _The Devil's Disciple_,
produced, 54;
on American publishing, 54 _et sqq._;
on novel-writing, 59, 60;
Stevenson on, 61;
and Ibsen, 61-2, 297 _et sqq._, 316, 420 _et sqq._;
his _The Irrational Knot_, 62 _et sqq._;
his _Love Among the Artists_, 65 _et sqq._;
his _Cashel Byron's Profession_, 69, 71 _et sqq._;
on the education of children, 70-1;
his _The Admirable Bashville_, 74 _et sqq._;
his _An Unsocial Socialist_, 77 _et sqq._;
his attitude towards women, 80 _et sqq._;
as a novelist, 83 _et sqq._;
his versatility, 89, 409, 424;
various influences on, 90, 99, 100;
his friendship with Lecky, 90 _et sqq._;
studies phonetics, 91;
joins the Zetetical Society, 92-3;
joins the Dialectical Society, 93;
on Sidney Webb, 93;
practices public speaking, 94;
his admiration for Henry George, 96;
studies Marx, 97-8;
and the Darwinian School, 97;
an enthusiastic Socialist, 98 _et sqq._, 385;
and William Clarke, 100-1;
and the Fabian Society, 102 _et sqq._, 173 _et sqq._, 279-80, 385;
Sidney Webb's great influence on, 106-7, 125-7;
his powers of oratory, 121 _et sqq._, 412, 505-6;
his early training for public speaking, 121 _et sqq._;
and the Hampstead Historic Club, 128 _et sqq._;
his love of debating, 130-1, 135;
and Mr. Haldane, 133-4;
and literary societies, 135;
his strenuous work, 136-7;
and Bradlaugh, 138;
debates with G. W. Foote, 138 _et sqq._;
his independent attitude, 140-1;
his appearance, 145, 338;
his Socialistic philosophy, 151 _et sqq._, 188 _et sqq._;
his letter to Hamlin Garland, 152;
influence of Henry George on, 153 _et sqq._;
studies economics, 155 _et sqq._;
and Wicksteed, Jevons and Marx, 155 _et sqq._;
attends International Socialist Congress at Zurich, 171;
as a Vestryman and Borough
Councillor, 181 _et sqq._;
on municipal trading, 182-3;
invited to stand for Battersea, 184-5;
his career as an art critic, 193 _et sqq._;
his criticism of the _Taming of the Shrew_, 196-7;
and the New Journalism, 199;
compared to Heine and Meredith, 201;
his affected levity, 201 _et sqq._;
compared with Whistler, 204;
his opinion of criticism, 205;
William Morris's influence on, 205, 208, 211;
Morris's appreciation of, 208;
his obituary of Morris, 209 _et sqq._;
his integrity as an art critic, 212-13;
becomes a musical critic, 212;
and Henley, 214 _et sqq._;
his admiration for Michelangelo, 218-9;
and Madox Brown, 219-20;
and the Impressionists, 221;
and the Dutch school, 222;
and photography, 222 _et sqq._;
photographed by A. L. Coburn, 225 _et sqq._;
as a music critic, 231 _et sqq._;
on the staff of the _Star_, 231 _et sqq._;
his _nom-de-plume_ of Corno di Bassetto, 232 _et sqq._;
on Offenbach, 233, 243;
his admiration for Wagner, 235;
on some modern composers, 236 _et sqq._;
on Paderewski, 238;
on Patti and Bispham, 238-9;
on Hollman, Essipoff, Joachim and Ysaye, 239, 240;
on Mozart, 240;
on Saint Saëns and Meyerbeer, 243;
on Beethoven, Mendelssohn, Schumann and Brahms, 243;
his championship of Wagner, 243 _et sqq._;
his Bayreuth criticisms, 244;
on Covent Garden Opera, 244-5;
on Strauss' _Elektra_, 249-50;
his attitude as a critic, 251 _et sqq._;
dramatic critic on the _Saturday Review_, 261 _et sqq._;
his aim as dramatic critic, 262, 427;
on Shakespeare, 263 _et sqq._;
on modern problems, 271;
champions Ibsen, 272 _et sqq._;
on Church and Stage, 276-7;
on comedy, 278 _et sqq._;
leading critics on, 279 _et sqq._;
on Pinero, 282 _et sqq._;
on some modern playwrights, 283;
on Irving and Ellen Terry, 287-8;
his income from journalism, 288;
as a playwright, 293 _et sqq._;
his first play produced, 293 _et sqq._;
Archer's article on, 293 _et sqq._;
and the writing of _Mrs. Warren's Profession_, 305-6;
his new phase as a dramatist, 309 _et sqq._;
and W. S. Gilbert, 316 _et sqq._;
and Cyril Maude, 321-2, 327-8;
and Arnold Daly, 326-7;
and Ellen Terry, 328 _et sqq._, 343;
and Richard Mansfield, 342-3;
Sir Charles Wyndham on, 346;
Dr. Brandes on, 347;
and William Terriss, 354;
William Archer's admiration for, 363, 378;
and the modern drama, 363 _et sqq._, 413 _et sqq._;
his _magnum opus_, 370 _et sqq._;
Walkley's criticism on, 374, 460-1;
and politics at the theatre, 388;
and the plot of the _Doctor's Dilemma_, 391 _et sqq._;
his letter to Tolstoy, 399;
as a technician, 409 _et sqq._;
his world-wide reputation, 409-10;
his prefaces, 413;
his descriptive powers, 414;
and stage directions, 417 _et sqq._;
his defects, 424-5;
a _résumé_ of his plays, 425-6, 448-9;
as a dramatist, 431 _et sqq._;
and the problem play, 433 _et sqq._;
G. K. Chesterton on, 436;
on illusions, 436 _et sqq._;
philosophy of his plays, 439 _et sqq._, 481;
as artist and philosopher, 453 _et sqq._;
on Schopenhauer, 459;
his optimism, 459 _et sqq._;
on self-knowledge, 467 _et sqq._;
and science, 477;
on vivisection, 478-9;
on progress, 480;
his atheism, 482;
his religion, 484;
alleged influences on, 484 _et sqq._;
Sir Francis Galton's anthropometric chart, 492-3;
his characteristics, 494-5, 501 _et sqq._;
as he is to-day, 495;
his prize story, 498-9;
foreign critics on, 500-1;
his marriage, 503;
his energy, 503;
as a conversationist, 504;
his Puritanism, 508-9;
his kindness of heart, 509-10;
on marriage, 511-12.

Shaw, G. B., his works:--
_Cashel Byron's Profession_, 32, 51 _et sqq._, 61, 71 _et sqq._,
205, 304, 381, 451, 478.
_Common Sense of Municipal Trading, The_, 183.
_Dramatic Opinions and Essays_, 208, 276, 285.
_Fabian Essays in Socialism_, 178.
_Immaturity_ (Unpublished), 46-7.
_Irrational Knot, The_, 45, 52, 55, 62 _et sqq._
_Love Among the Artists_, 52, 54, 67 _et sqq._, 85, 235.
_Perfect Wagnerite, The_, 247.
_Quintessence of Ibsenism_, 138, 272-3, 299, 413, 480, 484.
_Unsocial Socialist, An_, 51, 54, 77, 81-2, 206, 222.

Shaw, G. B., Pamphlets, Articles, etc.:--
_Aërial Football_ (_Collier's Weekly_), 498.
_Author to the Dramatic Critics_ (_Widowers' Houses_), 205.
_Author's View, The_ (_Caxton Magazine_), 211.
_Authors of the Court Theatre, The_, 446.
_Blaming the Bard_ (_Saturday Review_), 269.
_Bluffing the Value Theory_, 164-5.
_Censorship of Plays_ (_The Nation_), 287.
_Censorship of the Stage in England_ (_North American Review_), 286-7.
_Class War, The_ (_Clarion_), 167-8.
_Coburn the Camerist_ (_Metropolitan Magazine_), 227.
_Conflict Between Science and Common Sense_, 51, 477.
_Darwin Denounced_ (_Pall Mall Gazette_), 483.
_Das Kapital_ (_National Reformer_), 160.
_Degenerate's View of Nordau, A_, 465, 471.
_De Mortuis_ (_Saturday Review_), 245.
_Diabolonian Ethics, On_ (_Three Plays for Puritans_), 119, 355.
_Does Modern Education Ennoble?_ (_Great Thoughts_), 481.
_Dramatic Realist to His Critics_ (_New Review_), 313, 462.
_Elektra of Strauss and Hoffmansthal_ (_Nation_), 250.
_Ellen Terry_ (_Neue Freie Presse_), 343.
_Exhibitions, The_ (_Amateur Photographer_), 226, 228.
_Fabian Essays_, 109, 116, 136.
_Fabian Society Tracts, The_, 87, 105 _et sqq._,
110, 111, 115, 131, 171, 174, 177, 183, 207-8, 385.
_Failures of Inept Vegetarians_ (_Pall Mall Gazette_), 50.
_Fitzthunder, My Friend_ (_To-Day_), 169.
_Fitzthunder on Himself_ (_To-Day_), 169.
_Giving the Devil His Due_ (_Saturday Review_), 455.
_Haymarket Theatre, The_ (Chap. XIV.), 321.
_Ibsen_ (_The Clarion_), 390, 422.
_Illusions of Socialism, The_, 165, 188.
_Impossibilities of Anarchism, The_, 171.
_In the Days of Our Youth_ (_Star_), 234.
_King Arthur_ (_Saturday Review_), 221.
_Life of Madame Blavatsky, A_ (_Pall Mall Gazette_), 127, 195.
_Madox Brown, Watts and Ibsen_ (_Saturday Review_), 220.
_Marx and Modern Socialism_ (_Pall Mall Gazette_), 165.
_Meredith on Comedy_ (_Saturday Review_), 278-9, 429.
_Morris as Actor and Dramatist_ (_Saturday Review_), 208.
_Music_ (_The World_), 239, 257.
_Notes on the Clarendon Press Rules for Compositors and Readers_
(_The Author_), 91.
_On Going to Church_ (_Savoy Magazine_), 14.
_On Mr. Mallock's Proposed Trumpet Performance_
(_Fortnightly Review_), 60, 187.
_Our Saturday Talk_ (_Westminster Gazette_), 442.
_Phonetic Spelling; a Reply to Some Criticisms_
(_Morning Leader_), 91.
_Plea for Speech Nationalization, A_ (_Morning Leader_), 91.
Prefaces:--
_Author's Apology_ (_Dramatic Opinions and Essays_), 276.
_Author's Apology_ (_Mrs. Warren's Profession_), 286, 309, 435.
_Better than Shakespeare?_ (_Three Plays for Puritans_), 336, 364.
_First Aid to Critics_ (_Major Barbara_), 486.
_Mainly About Myself_ (_Plays, Pleasant and Unpleasant_), 309,
411, 438.
_Problem Play_ (_Humanitarian_), 435.
_Religion of the Pianoforte, The_ (_Fortnightly Review_), 24, 50.
_Sanity of Art, The, An Exposure of the Current Nonsense About Artists
Being Degenerate_, 246, 396.
_Scotland Yard for Spectres, A_ (_Pall Mall Gazette_), 127.
_Shakespeare's Merry Gentlemen_ (_Saturday Review_), 266.
_Shaw, Bernard_, 489.
_Shaw Abashed, Bernard_ (_Daily News_), 75.
_Shaw, George Bernard: A Conversation_ (_The Tatler_), 374.
_Shaw and the Heroic Actor, Bernard_ (_The Play_), 335, 338.
_Shaw as a Clerk, Bernard_ (_The Clerk_), 22.
_Shaw, Letter from Mr. G. Bernard_ (_Tolstoy on Shakespeare_), 268.
_Shaw's Method and Secret, Mr._ (_Daily Chronicle_), 305.
_Shaw's Works of Fiction, Mr. Bernard_ (_Novel Review_), 80.
_Socialism and Republicanism_ (_Saturday Review_), 181.
_Socialism at the International Congress_, 190.
_Socialism for Millionaires_ (_Contemporary Review_), 183, 385.
_Socialists at Home_ (_Pall Mall Gazette_), 165.
_Solution of the Censorship Problem_ (_Academy_), 287.
_Spelling Reform v. Phonetic Spelling_ (_Daily News_), 91.
_Stanley Jevons: His Letters and Journal_ (_Pall Mall Gazette_),
160, 195.
_Sunday on the Surrey Hills_ (_Pall Mall Gazette_), 48.
_Theatrical World_ (_Archer's_), 315.
_Transition to Social Democracy_, 208.
_Valedictory_ (_Saturday Review_), 288.
_Who I Am, and What I Think_ (_Candid Friend_), 42, 60, 98, 147, 202.
_A Word About Stepniak_ (_To-Morrow_), 313.
_A Word More About Verdi_ (_Anglo-Saxon Review_), 241.

Shaw, G. B., his plays:--
_Admirable Bashville, The, or Constancy Unrewarded_, 74 _et sqq._
_Arms and the Man_, 54, 142, 311, 313 _et sqq._, 320, 359, 404,
422, 425, 458.
_Cæsar and Cleopatra_, 335 _et sqq._, 340.
_Candida_, 54, 85, 326, 341, 346 _et sqq._, 409-10, 418.
_Captain Brassbound's Conversion_, 91, 288, 320, 328 _et sqq._
_Dark Lady of the Sonnets_, 398.
_Devil's Disciple, The_, 54, 288, 328, 341, 354 et seq., 401, 419,
422-3, 425, 438, 458.
_Doctor's Dilemma, The_, 389 _et sqq._, 422-3, 425.
_Don Juan in Hell_ (_Man and Superman_), 369 _et sqq._
_Getting Married_, 398.
_How He Lied to Her Husband_, 320, 326.
_Interlude at the Playhouse, The_, 327.
_John Bull's Other Island_, 15-16, 34, 370 _et sqq._, 388, 425.
_Major Barbara_, 297, 337, 380, 381, 382, 384 _et sqq._, 401,
425, 486.
_Man and Superman_, 27, 81-2, 152, 363 _et sqq._, 368, 378, 388,
414, 444, 458, 471, 481, 489, 509.
_Man of Destiny, The_, 341 _et sqq._, 374.
_Misalliance_, 398.
_Passion, Poison and Petrifaction; or the Fatal Gazogene_, 327.
_Philanderer, The_, 51, 299 _et sqq._, 422, 425, 478.
_Plays for Puritans_, 27, 119, 193, 328, 333, 336, 364, 407.
_Plays, Pleasant and Unpleasant_, 49, 54, 288, 291, 309, 411.
_Press Cuttings_, 402, 404.
_Showing-up of Blanco Posnet_, 27, 398 _et sqq._
_Warren's Profession, Mrs._, 220, 286, 304 _et sqq._, 341, 363,
380 _et sqq._, 398, 425, 458, 509.
_Widowers' Houses_, 22, 205, 220, 270, 293 _et sqq._, 420, 425, 445.
_You Never Can Tell_, 320, 321 _et sqq._, 404, 414, 425.

Shaw, G. B., Books and Articles on:--
Archer, William, _Shaw's Phonetic World-English_, 91;
_About the Theatre_, 390;
_Shaw on Stage Directions_, 419;
Article in _The World_, 295.
Bab, Julius, _Bernard Shaw_, 249.
Bahr, Hermann, _Bernard Shaw_, 424.
Brandes, Georg, _Der Dramatiker Bernard Shaw_, 313.
Chesterton, G. K., _The Meaning of Mr. Bernard Shaw_, 436.
Corbin, John, _Bernard Shaw and His Mannikins_, 373.
Filon, Augustin, _M. Bernard Shaw et son Théâtre_, 300, 445.
Greville, Eden, _Bernard Shaw and His Plays_, 293.
Hale, E. E., Jr., _Dramatists of To-Day_ (_Bernard Shaw_), 426.
Hamon, Auguste, _Un Nouveau Molière_, 439.
Henderson, Archibald, _The Philosophy of Bernard Shaw_, 484.
Huneker, James, _Bernard Shaw and Woman_, 84-5;
_The Truth About Candida_, 351.
Irwin, Will, _Crankidoxology, Being a Mental Attitude from
Bernard Pshaw_, 270.
Jackson, Holbrook, _Bernard Shaw_, 183.
Play, The, _Bernard Shaw and the Heroic Actor_, 335, 338.
Rogers, Professor A. K., _Mr. Bernard Shaw's Philosophy_, 471.
Rook, Clarence, _Mr. Shaw's Future_, 335.
Stead, W. T., _Impressions of the Theatre_ (_Major Barbara_), 386.
Terry, Ellen, _From Lewis Carroll to Bernard Shaw_, 329.
Walkley, A. B., _Mr. Bernard Shaw's Plays_, 319.

Shaw, Mrs. G. B., 388-9, 401, 495.

Shaw, George Carr (G. B. Shaw's father), 6 _et sqq._, 20, 22.

Shaw, Mrs. George Carr (G. B. Shaw's mother), 7, 8, 17;
her musical talent, 17 _et sqq._, 22, 36 _et sqq._

Shaw, Lucy Carr, 22, 26.

Shaw, Sir Robert, 33.

Shelley, P. B., 32, 40, 48 _et sqq._, 90, 92, 152-3, 215, 234,
271, 273, 346, 412, 434, 457, 473, 480, 482, 503.

_Shelley Society_, 135.

Sheridan, Richard B., 3, 40, 433.

Shields, Frederick, 220.

Shorter, Clement K., 232.

_Showing-up of Blanco Posnet._ _See_ G. B. SHAW.

Sims, George R., 43.

Smith, Adam, 155.

Smith, Armitage, 158.

Social Democratic Federation, 96, 102, 108, 110 _et sqq._,
138, 173, 206.

Socialist League, 137-8, 207, 261.

Socialist Society, Hammersmith, 207.

_Sozialistische Monatshefte_, 165.

_Speaker, The_, 107.

_Spectator, The_, 401, 486.

Spencer, Herbert, 92, 94, 96-7, 102, 168, 443, 467;
his _The Coming Slavery_, 189.

_Standard Elocutionist, The_, 34.

_Standard, The_, 393.

Standring, G., 132, 139.

Stanford, Sir Charles V., 237.

Stange, Stanislaus, 72, 315.

Stapleton, 114.

_Star, The_, 113, 171, 231 _et sqq._, 237, 295, 387.

Stead, W. T., 112-3, 215, 386-7.

Steichen, Éduard J., 225.

Stephens, Yorke, 312.

Stevenson, R. L., 85, 241;
letters of, 53, 61, 73, 215-16, 282, 297.

Stirner, Max, his _The Ego and His Own_, 468, 472, 484 _et sqq._

Stone and Co., H. S., 54, 309.

Straus, Oscar, 314, 315.

Strauss, Richard, his _Elektra_, 250.

Strindberg, August, 316, 366, 484 _et sqq._

Stuart-Glennie, J. S., 114, 431, 485-6.

Stümcke, Herr Heinrich, 340, 438.

Sullivan, Sir Arthur, 237.

Sweet, Henry, 91, 331.

Swift, Jonathan, 3, 60, 476.

Swinburne, Algernon C., 266, 447, 455.

Symes, Rev. --, 48.

Symons, Arthur, 237, 240, 473.

Taine, Hippolyte, 266.

_Taming of the Shrew, The_, 196-7.

Tarpey, W. K., 346.

_Tatler, The_, 377.

Tennyson, Alfred, Lord, 8, 24;
his _Charge of the Light Brigade_, 312.

Terriss, William, 354.

Terry, Ellen, 287-8, 328 _et sqq._, 342-3.

Théâtre des Arts, 348-9.

Théâtre Royal du Parc, 353.

Thomas, Agnes, 405.

Thomas, Goring, his _Golden Web_, 237.

Thomson, James, 51.

Thoreau, 50.

Thorpe, Courtenay, 354.

Thorwaldsen, Bertel, 221.

_Times, The_, 94, 187, 232, 287, 400, 486.

Titian, 200.

Tochatti, 114.

_To-Day_, 51 _et sqq._, 114, 155-6, 158, 165, 206.

Tolstoy, Leo, 145, 168, 173, 268, 398-9, 401, 413, 464, 473.

Tourneur, Cyril, 264.

Townshend, Uniacke, 10, 20, 33-4.

Traill, H. D., 199.

Trebitsch, Herr Siegfried, 420.

Tree, Sir H. Beerbohm, 282, 288, 398.

Treherne and Co., A., 327.

_Tribune, The_, 390, 391.

Trollope, Anthony, 39, 41.

_Trovatore, Il_, 18, 24.

_Truth_, 195.

Tucker, Benjamin R., 189, 245-6, 396, 468.

Turner, J. M. W., 210-11, 473.

Twain, Mark, 10, 38, 413, 440, 456, 508.

Tyndall, Professor, 35, 44, 94, 96, 153.

_Unsocial Socialist, The._ _See_ G. B. SHAW.

Unwin, T. Fisher, 104.

Vandervelde, Émile, 186, 486.

Van Uhde, 222.

Vasa-Theater, 326.

_Vaudeville Magazine_, 11.

Vedrenne, J. E., 371-2, 398, 446.

Velásquez, 200, 224, 227, 393.

Verdi, 18, 23, 241, 245.

Victoria, Queen, 312.

Vieuxtemps, Henri, 254.

Vizetelly, Henry, 202.

Voltaire, 144, 183-4, 449, 459, 477.

Vorst, Mrs. John van, 501.

Wagner, Richard, 24, 69, 73, 81, 90, 198, 214, 241, 257, 271, 447,
457, 473, 481, 502;
his _Tannhäuser_, 23, 234, 245;
Shaw's first acquaintance with music of, 35, 234;
his ascetic temperament, 49;
his _Tristan und Isolde_, 97, 244, 293;
Shaw's admiration for, 218, 243;
Shaw studies music of, 235;
Shaw's defence of, 237;
Shaw's criticisms on, 244 _et sqq._, 252-3;
his _Die Meistersinger_, 244;
his _Die Walküre_, 245;
his _Das Rheingold_, 245, 250;
his _Ring of the Niblungs_, 247, 460;
his _Lohengrin_, 248;
his _Parsifal_, 250;
his _Götterdämmerung_, 377;
his story, _An End in Paris_, 393;
his philosophy, 434.

Walkley, Arthur Bingham, 20, 121, 203, 232, 279, 324, 333, 363, 364,
374, 387, 412, 444, 460, 489;
his _Frames of Mind_, 319.

Wallace, Alfred Russel, 94;
his work on _Land Nationalization_, 95.

Wallace, Vincent, 24.

Wallas, Graham, 99, 100, 113, 128-9, 158, 174, 178, 503;
his _Life of Francis Place_, 100;
his _An Economic Eirenicon_, 164-5.

_Warren's Profession, Mrs._ _See_ G. B. SHAW.

Washington, George, 477.

Webb, Sidney, 90-1, 93, 99, 102, 105 _et sqq._, 114, 116-7,
125 _et sqq._, 133, 152, 157, 174-5, 178, 225, 314.

Weber, his _Der Freischütz_, 234.

Webster, John, 264.

Wedmore, Frederick, 299.

Wesley College, Dublin, 15-6, 34.

_Wesley College Quarterly_, 16.

_Westermann's Monatshefte_, 337.

Whibley, Charles, 215.

Whistler, J. McNeill, 204, 222-3, 413-4.

Whitcroft, Ellen, 7.

Whitman, Walt, 50, 243, 268.

Whitney, F. C., 315.

Wicksteed, Philip H., 155 _et sqq._, 160 _et sqq._;
his _Alphabet of Economics_, 158.

_Widowers' Houses._ _See_ G. B. SHAW.

Wilde, Oscar, 3, 227, 282, 284, 366, 394, 412, 426, 442, 460, 502.

Williams, 112.

Willis's Rooms, 131.

Wilshire, Gaylord, 186.

_Wilshire's Magazine_, 159.

Wilson, Mrs., 108, 114-5.

Winter, William, 343.

Wollstonecraft, Mary, 419, 469.

Wolseley, Lord, 312.

_World, The_, 98, 135-6, 195, 231, 237, 239, 244-5, 255, 257, 261, 295.

Wright, Charles, 158.

Wyndham, Sir Charles, 342, 345-6, 442.

Yates, Edmund, 195, 212, 261.

Yeats, W. B., 371, 378, 400.

_You Never Can Tell._ _See_ G. B. SHAW.

Ysaye, Eugen, 240.

_Zeit, Die_, 431.

Zetetical Society, The, 91 _et sqq._, 122, 144, 271.

Zola, Émile, 40, 59, 84, 146, 202, 297, 432, 440, 457;
his _La Débâcle_, 312.

REVIEWS,
from Foreign Journals of Opinion, of
“George Bernard Shaw: His Life and Works”

By
ARCHIBALD HENDERSON, M.A., Ph.D.,
of The University of North Carolina

“The book is a most remarkable achievement.”--George Bernard
Shaw, in the _Morning Post_ (London), May 3, 1911.

“Mr. Shaw is explored from every point of view.... Newspaper
files have been ransacked, forgotten controversies between
dramatic critics or different kinds of Socialists have
been unearthed, profound researches made into contemporary
literature suggesting parallels and illustrations, stray
thoughts gathered up and traced in their development from
childhood to middle age....

“We cannot praise Mr. Henderson too highly. We know of nothing
in the literature of biography that is so exhaustively
complete.”--_Westminster Gazette_ (London), April 22, 1911.

“Its comprehensiveness gives it the importance of an historical
document.... It is something more than a chronicle of the life
of Mr. Bernard Shaw, it is a remarkable chronicle of English
revolutionary movements during the last twenty-five years....
In the sixteen chapters of his book, Dr. Henderson tells the
history of the idea movements of the last quarter of a century
_apropos_ of Bernard Shaw.... The reader who cannot find
instruction and entertainment within its covers lacks the art
of reading.”--Holbrook Jackson, in the _Bookman_ (London), May,
1911.

“Dr. Henderson's authorized and critical biography ... is
indispensable.... The fullest, the best informed, and the most
carefully studied account of Bernard Shaw that has yet been
published.... The book will rank immediately after Mr. Shaw's
own works as material for students of the advanced tendencies
of which in this country the author of John Bull's Other Island
is the most conspicuous representative....”--_The Scotsman_
(Edinburgh), April 13, 1911.

“A biography that could scarcely be bettered.... It is
full, minute, and exact. Biographer and autobiographer have
joined forces, and the result is a masterly study of the
most complicated personality of our time.... The author has
spared no pains in verifying his references and arranging
his materials. Here you have Shaw in his quiddity.... Dr.
Henderson out-Boswells Boswell in his enormous pertinacity,
his prodigious fidelity. He has not left a crumb for other
biographers.”--James Douglas, in the _Star_ (London), April 15,
1911.

“It would be hard to find anyone perfectly equipped for the
task (of writing Shaw's biography). Mr. Granville Barker ...
would have shown a more intelligent sympathy in Mr. Shaw's
ideals. But we should have had as much Barker as Shaw. Our
lily would have been painted. Mr. Archer might have seized the
opportunity to set up that guillotine for which he once sighed.
Mr. Webb would have been unreliable once inside the theatre. We
might have had a score of articles from various writers, each
qualified to speak on one aspect of Mr. Shaw, but we should
then have been like children with the pieces of a puzzle,
unable to fit them together. No, Professor Henderson is not
easily dethroned....

“The book is almost a history of the last quarter of
the nineteenth century, and ... it has not a dull
moment.”--_Evening Standard and St. James's Gazette_ (London),
April 11, 1911.

“At length comes the really big thing, ... and following
precedent, it comes from the home of big things, America. Dr.
Henderson ... is not only elaborate in his interpretation of
our leading dramatist and controversialist, but comprehensive
as well. His book is ... a mine in which all future students
of George Bernard Shaw will be forced to dig and delve....
Nothing is impossible to this amazingly energetic American
professor.... Professor Henderson is an interpreter of modern
ideas. He feels that we are in the midst of a remarkable
intellectual awakening, and he is impelled ... to give his
complex and multiplex period a coherent voice....

“Professor Archibald Henderson is the modern counterpart of
the old chronicler; they saw the romance and significance of
events, he sees the romance and significance of ideas; he is
a Hakluyt of ideas, of personalities.... His interests and
his enthusiasms embrace the hemispheres.”--_Black and White_
(London), April 22, 1911.

“Ce livre n'est pas seulement une étude magistrale sur la
personnalité la plus compliquée de notre temps, il est aussi
un exposé fort complet des divers mouvements d'idées qui ont
agité l'Angleterre en ces derniers vingt-cinq ans.... Mr.
Henderson mérite qu'on lui sache gré des six ans de labeur
qu'il a consacrés à ce livre, qui restera un document des
plus précieux.”--Henry D. Davray, in the _Mercure de France_
(Paris), June 16, 1911.

“The reader's astonishment when the book is laid down is not
at its length but at its brevity.... Here things regain their
true proportions, and much of our astonishment and admiration
for the book, its author, and its hero are due to this....
Nowhere does Dr. Henderson's critical faculty show to greater
advantage than in his deductions as to the general aim of the
plays.... Dr. Henderson is a critic before he is a biographer.
There is nothing of the attitude of a Boswell in his work....
There remains the possibility that others may gauge the results
of Shaw's secret with more acumen than he himself. There is
no probability, however, that this will ever be done with
more discretion, discernment, and distinction than by Mr.
Henderson.”--_Manchester Courier_ (England), April 11, 1911.

“An elaborate and detailed history of Bernard Shaw and
his effects as a dramatist, Socialist, and general
revolutionary.... George Bernard Shaw is looked at, sounded,
discussed, examined, and appraised from every point of view....
It is a well into which all future students of Bernard Shaw
will have to dip their buckets.... The biographical chapters
are brimming over with lively anecdote.... In the three
chapters devoted to Shaw as a dramatist, Mr. Henderson gives
a critical analysis of the plays of G. B. S. which is as
penetrating as it is painstaking, and will easily give him a
front seat among Bernard Shaw's commentators.... Shaw's ...
biographer has succeeded, and it is no small praise to say
that throughout the whole of his book you feel that you are in
the presence of a living personality....”--_T. P.'s Weekly_
(London), April 21, 1911.

“This notable book ... is a long one, but we have noticed very
few faults either in fact or of taste in reading it.... Nothing
in it is so salutary as the final impression it leaves of the
power to which a man can attain through the old-fashioned
virtues of energy, industry, and determination.... As critic,
political thinker, and dramatist, Mr. Shaw has managed to do
a great deal of splendid work ...; and Dr. Henderson gives us
a capital picture of it all.”--_Pall Mall Gazette_ (London),
April 11, 1911.

“A record which, in completeness, is unique among the _Men of
Our Time_. What would we not give to know as much of some of
the mighty intellects of the past!”--_Daily Graphic_ (London),
April 11, 1911.

“Acknowledgment should be made of Dr. Henderson's critical
sanity.... A most interesting and weighty book. It is the
nearest thing to that ideal autobiography which Mr. Shaw will
never write, and is a worthy tribute to a man of whom this
country ought to be proud.”--George Sampson, in the _Daily
Chronicle_ (London), April 11, 1911.

“The large and exceedingly handsome volume ... deals with
its distinguished subject in every variety of aspect,
while managing to remain itself both interesting and
entertaining.”--_Punch_ (London), May 10, 1911.

“Mr. Henderson's book is full of good things.... He analyses
and explains, watches and reports, exploits the whys and
retails the wherefores.... He is a searchlight....”--_Sketch_
(London), May 3, 1911.

“Mr. Henderson's criticism of the plays of George Bernard
Shaw is, indeed, acute and painstaking to an extraordinary
degree.”--_Lloyd's Weekly_ (Liverpool), April 30, 1911.

“Mr. Henderson's illuminating Life.... His task has been
carried out with remarkable thoroughness.”--_Globe_ (London),
April 12, 1911.

“Dr. Henderson has done his work with the Boswellian
thoroughness and assiduity. He has tracked Mr. Shaw down
through the files of remote and forgotten newspapers; he has
ransacked libraries; he has unearthed and pumped Mr. Shaw's
friends and critics in all countries; he has zealously studied
the social movements in which his hero was involved, and got
the atmosphere of the London intellectual cliques as if he had
lived his life among them instead of being a Professor in an
American University. Finally, he has compelled Mr. Shaw himself
to take an interest in the work, to contribute to it, criticise
it, and thoroughly overhaul it, so much so indeed as to lead
to the suggestion that it should be called a biography and
autobiography.... If he (Dr. Henderson) has not given us the
verdict which history will pronounce on his subject ..., he has
pronounced the verdict of the clever people of to-day.”--R. A.
Scott-James, in the _Daily News_ (London), April 11, 1911.

“A document of value. Immense pains have been taken by the
author and by Mr. Shaw to bring together within its covers
as many of the facts about Mr. Shaw's life and character and
opinion as Mr. Shaw wishes to be generally known.... Best
of all the chapters is that called 'The Cart and Trumpet,'
the record of the days when his personal force was in full
flood.”--_Outlook_ (London), April 22, 1911.

“The chapters which tell of the rise of the Socialistic spirit
in London, dating as it does from about 1880, of the genesis of
the Fabian Society, and of various controversies upon economic
matters, are capital reading and form valuable contributions to
the history of the period.... Another excellent feature is the
portion of the book dealing with the brilliant Vedrenne-Barker
seasons at the Court Theatre--seasons which made theatrical
history rapidly and forced both the critics and the public
to sit up and look around.”--_Wilfred L. Randall_, in the
_Academy_ (London), April 29, 1911.

“We are agreeably surprised to find a critic who can consider
the Shavian drama without going to extremes of laudation or
disapproval. Mr. Henderson has found the golden mean.”--_Irish
Times_ (Dublin), May 12, 1911.