Chapter VII: Book II: Oct. 20 (3)

"Who lie on the heath beside me? Are they my love and my brother? Speak to me, O my friends! To Colma they give no reply. Speak to me: I am alone! My soul is tormented with fears. Ah, they are dead! Their swords are red from the fight. Oh, my brother! my brother! why hast thou slain my Salgar? Why, O Salgar! hast thou slain my brother? Dear were ye both to me! what shall I say in your praise? Thou wert fair on the hill among thousands! he was terrible in fight! Speak to me! hear my voice! hear me, sons of my love! They are silent, silent forever! Cold, cold, are their breasts of clay! Oh, from the rock on the hill, from the top of the windy steep, speak, ye ghosts of the dead! Speak, I will not be afraid! Whither are ye gone to rest? In what cave of the hill shall I find the departed? No feeble voice is on the gale: no answer half drowned in the storm!

"I sit in my grief: I wait for morning in my tears! Rear the tomb, ye friends of the dead. Close it not till Colma come. My life flies away like a dream. Why should I stay behind? Here shall I rest with my friends, by the stream of the sounding rock. When night comes on the hill,--when the loud winds arise, my ghost shall stand in the blast, and mourn the death of my friends. The hunter shall hear from his booth; he shall fear, but love my voice! For sweet shall my voice be for my friends: pleasant were her friends to Colma.

"Such was thy song, Minona, softly blushing daughter of Torman. Our tears descended for Colma, and our souls were sad! Ullin came with his harp; he gave the song of Alpin. The voice of Alpin was pleasant; the soul of Ryno was a beam of fire! But they had rested in the narrow house: their voice had ceased in Selma! Ullin had returned one day from the chase before the heroes fell. He heard their strife on the hill: their song was soft, but sad! They mourned the fall of Morar, first of mortal men! His soul was like the soul of Fingal; his sword like the sword of Oscar. But he fell, and his father mourned; his sister's eyes were full of tears. Minona's eyes were full of tears, the sister of car-borne Morar. She retired from the song of Ullin, like the moon in the west, when she foresees the shower, and hides her fair head in a cloud. I touched the harp with Ullin: the song of mourning rose!

"_Ryno_. The wind and the rain are past; calm is the noon of day. The clouds are divided in heaven. Over the green hills flies the inconstant sun. Red through the stony vale comes down the stream of the hill. Sweet are thy murmurs, O stream! but more sweet is the voice I hear. It is the voice of Alpin, the son of song, mourning for the dead! Bent is his head of age; red his tearful eye. Alpin, thou son of song, why alone on the silent hill? why complainest thou, as a blast in the wood,--as a wave on the lonely shore?

"_Alpin_. My tears, O Ryno! are for the dead,--my voice for those that have passed away. Tall thou art on the hill; fair among the sons of the vale. But thou shall fall like Morar; the mourner shall sit on thy tomb. The hills shall know thee no more; thy bow shall lie in thy hall unstrung!

"Thou wert swift, O Morar! as a roe on the desert; terrible as a meteor of fire. Thy wrath was as the storm; thy sword in battle as lightning in the field. Thy voice was a stream after rain, like thunder on distant bills. Many fell by thy arm: they were consumed in the flames of thy wrath. But when thou didst return from war, how peaceful was thy brow! Thy face was like the sun after rain, like the moon in the silence of night; calm as the breast of the lake when the loud wind is laid.

"Narrow is thy dwelling now! dark the place of thine abode! With three steps I compass thy grave, O thou who wast so great before! Four stones, with their heads of moss, are the only memorial of thee. A tree with scarce a leaf, long grass which whistles in the wind, mark to the hunter's eye the grave of the mighty Morar. Morar! thou art low indeed. Thou hast no mother to mourn thee, no maid with her tears of love. Dead is she that brought thee forth. Fallen is the daughter of Morglan.

"Who on his staff is this? Who is this whose head is white with age, whose eyes are red with tears, who quakes at every step? It is thy father, O Morar! the father of no son but thee. He heard of thy fame in war, he heard of foes dispersed. He heard of Morar's renown; why did he not hear of his wound? Weep, thou father of Morar! Weep, but thy son heareth thee not. Deep is the sleep of the dead,--low their pillow of dust. No more shall he hear thy voice,--no more awake at thy call. When shall it be morn in the grave, to bid the slumberer awake? Farewell, thou bravest of men! thou conqueror in the field! but the field shall see thee no more, nor the dark wood be lightened with the splendour of thy steel. Thou hast left no son. The song shall preserve thy name. Future times shall hear of thee,--they shall hear of the fallen Morar!

"The grief of all arose, but most the bursting sigh of Armin. He remembers the death of his son, who fell in the days of his youth. Carmor was near the hero, the chief of the echoing Galmal. Why burst the sigh of Armin? he said. Is there a cause to mourn? The song comes with its music to melt and please the soul. It is like soft mist that, rising from a lake, pours on the silent vale; the green flowers are filled with dew, but the sun returns in his strength, and the mist is gone. Why art thou sad, O Armin, chief of sea-surrounded Gorma?

"Sad I am! nor small is my cause of woe! Carmor, thou hast lost no son; thou hast lost no daughter of beauty. Colgar the valiant lives, and Annira, fairest maid. The boughs of thy house ascend, O Carmor! but Armin is the last of his race. Dark is thy bed, O Daura! deep thy sleep in the tomb! When shalt thou wake with thy songs,--with all thy voice of music?

"Arise, winds of autumn, arise; blow along the heath! Streams of the mountains, roar; roar, tempests in the groves of my oaks! Walk through broken clouds, O moon! show thy pale face at intervals; bring to my mind the night when all my children fell.--when Arindal the mighty fell, when Daura the lovely failed. Daura, my daughter, thou wert fair,--fair as the moon on Fura, white as the driven snow, sweet as the breathing gale. Arindal, thy bow was strong, thy spear was swift on the field, thy look was like mist on the wave, thy shield a red cloud in a storm! Armar, renowned in war, came and sought Daura's love. He was not long refused: fair was the hope of their friends.

"Erath, son of Odgal, repined: his brother had been slain by Armar. He came disguised like a son of the sea: fair was his cliff on the wave, white his locks of age, calm his serious brow. Fairest of women, he said, lovely daughter of Armin! a rock not distant in the sea bears a tree on its side: red shines the fruit afar. There Armar waits for Daura. I come to carry his love! She went,--she called on Armar. Naught answered, but the son of the rock. Armar, my love, my love! why tormentest thou me with fear? Hear, son of Arnart, hear! it is Daura who calleth thee. Erath, the traitor, fled laughing to the land. She lifted up her voice,--she called for her brother and her father. Arindal! Armin! none to relieve you, Daura.

"Her voice came over the sea. Arindal, my son, descended from the hill, rough in the spoils of the chase. His arrows rattled by his side: his bow was in his hand, five dark-gray dogs attended his steps. He saw fierce Erath on the shore; he seized and bound him to an oak. Thick wind the thongs of the hide around his limbs; he loads the winds with his groans. Arindal ascends the deep in his boat to bring Daura to land. Armar came in his wrath, and let fly the gray-feathered shaft. It sung, it sunk in thy heart, O Arindal, my son! for Erath the traitor thou diest. The oar is stopped at once: he panted on the rock and expired. What is thy grief, O Daura, when round thy feet is poured thy brother's blood? The boat is broken in twain. Armar plunges into the sea to rescue his Daura, or die. Sudden a blast from a hill came over the waves; he sank, and he rose no more.

"Alone, on the sea-beat rock, my daughter was heard to complain; frequent and loud were her cries. What could her father do? All night I stood on the shore: I saw her by the faint beam of the moon. All night I heard her cries. Loud was the wind; the rain beat hard on the hill. Before morning appeared, her voice was weak; it died away like the evening breeze among the grass of the rocks. Spent with grief, she expired, and left thee, Armin, alone. Gone is my strength in war, fallen my pride among women. When the storms aloft arise, when the north lifts the wave on high, I sit by the sounding shore, and look on the fatal rock.

"Often by the setting moon I see the ghosts of my children; half viewless they walk in mournful conference together."

A torrent of tears which streamed from Charlotte's eyes, and gave relief to her bursting heart, stopped Werther's recitation. He threw down the book, seized her hand, and wept bitterly Charlotte leaned upon her hand, and buried her face in her handkerchief: the agitation of both was excessive. They felt that their own fate was pictured in the misfortunes of Ossian's heroes,--they felt this together, and their tears redoubled. Werther supported his forehead on Charlotte's arm: she trembled, she wished to be gone; but sorrow and sympathy lay like a leaden weight upon her soul. She recovered herself shortly, and begged Werther, with broken sobs, to leave her,--implored him with the utmost earnestness to comply with her request. He trembled; his heart was ready to burst: then taking up the book again, he recommenced reading, in a voice broken by sobs.

"Why dost thou waken me, O Spring. Thy voice woos me, exclaiming, I refresh thee with heavenly dews; but the time of my decay is approaching, the storm is nigh that shall wither my leaves. To-morrow the traveller shall come,--he shall come, who beheld me in beauty: his eye shall seek me in the field around, but he shall not find me."

The whole force of these words fell upon the unfortunate Werther. Full of despair, he threw himself at Charlotte's feet, seized her hands, and pressed them to his eyes and to his forehead. An apprehension of his fatal project now struck her for the first time. Her senses were bewildered: she held his hands, pressed them to her bosom; and, leaning towards him with emotions of the tenderest pity, her warm cheek touched his. They lost sight of everything. The world disappeared from their eyes. He clasped her in his arms, strained her to his bosom, and covered her trembling lips with passionate kisses. "Werther!" she cried with a faint voice, turning herself away; "Werther!" and, with a feeble hand, she pushed him from her. At length, with the firm voice of virtue, she exclaimed, "Werther!" He resisted not, but, tearing himself from her arms, fell on his knees before her. Charlotte rose, and with disordered grief, in mingled tones of love and resentment, she exclaimed, "It is the last time, Werther! You shall never see me any more!" Then, casting one last, tender look upon her unfortunate lover, she rushed into the adjoining room, and locked the door. Werther held out his arms, but did not dare to detain her. He continued on the ground, with his head resting on the sofa, for half an hour, till he heard a noise which brought him to his senses. The servant entered. He then walked up and down the room; and when he was again left alone, he went to Charlotte's door, and, in a low voice, said, "Charlotte, Charlotte! but one word more, one last adieu!" She returned no answer. He stopped, and listened and entreated; but all was silent. At length he tore himself from the place, crying, "Adieu, Charlotte, adieu forever!"

Werther ran to the gate of the town. The guards, who knew him, let him pass in silence. The night was dark and stormy,--it rained and snowed. He reached his own door about eleven. His servant, although seeing him enter the house without his hat, did not venture to say anything; and as he undressed his master, he found that his clothes were wet. His hat was afterwards found on the point of a rock overhanging the valley; and it is inconceivable how he could have climbed to the summit on such a dark, tempestuous night without losing his life.

He retired to bed, and slept to a late hour. The next morning his servant, upon being called to bring his coffee, found him writing. He was adding, to Charlotte, what we here annex.

"For the last, last time, I open these eyes. Alas! they will behold the sun no more. It is covered by a thick, impenetrable cloud. Yes, Nature! put on mourning; your child, your friend, your lover, draws near his end! This thought, Charlotte, is without parallel: and yet it seems like a mysterious dream when I repeat--This is my last day! The last! Charlotte, no word can adequately express this thought. The last! To-day I stand erect in all my strength,--to-morrow, cold and stark, I shall lie extended upon the ground. To die! What is death? We do but dream in our discourse upon it. I have seen many human beings die; but, so straitened is our feeble nature, we have no clear conception of the beginning or the end of our existence. At this moment I am my own,--or rather I am thine, thine, my adored!--and the next we are parted, severed--perhaps forever! No, Charlotte, no! How can I, how can you, be annihilated? We exist. What is annihilation? A mere word, an unmeaning sound, that fixes no impression on the mind. Dead, Charlotte! laid in the cold earth, in the dark and narrow grave! I had a friend once who was everything to me in early youth. She died. I followed her hearse; I stood by her grave when the coffin was lowered; and when I heard the creaking of the cords as they were loosened and drawn up, when the first shovelful of earth was thrown in, and the coffin returned a hollow sound, which grew fainter and fainter till all was completely covered over, I threw myself on the ground; my heart was smitten, grieved, shattered, rent--but I neither knew what had happened nor what was to happen to me. Death! the grave! I understand not the words. Forgive, oh, forgive me! Yesterday--ah, that day should have been the last of my life! Thou angel!--for the first--first time in my existence, I felt rapture glow within my inmost soul. She loves, she loves me! Still burns upon my lips the sacred fire they received from thine. New torrents of delight overwhelm my soul. Forgive me, oh, forgive!

"I knew that I was dear to you; I saw it in your first entrancing look, knew it by the first pressure of your hand; but when I was absent from you, when I saw Albert at your side, my doubts and fears returned.

"Do you remember the flowers you sent me, when at that crowded assembly you could neither speak nor extend your hand to me? Half the night I was on my knees before those flowers, and I regarded them as the pledges of your love; but those impressions grew fainter, and were at length effaced.

"Everything passes away; but a whole eternity could not extinguish the living flame which was yesterday kindled by your lips, and which now burns within me. She loves me! These arms have encircled her waist, these lips have trembled upon hers. She is mine! Yes, Charlotte, you are mine forever!

"And what do they mean by saying Albert is your husband? He may be so for this world; and in this world it is a sin to love you, to wish to tear you from his embrace. Yes, it is a crime; and I suffer the punishment, but I have enjoyed the full delight of my sin. I have inhaled a balm that has revived my soul. From this hour you are mine; yes, Charlotte, you are mine! I go before you. I go to my Father and to your Father. I will pour out my sorrows before him, and he will give me comfort till you arrive. Then will I fly to meet you. I will claim you, and remain in your eternal embrace, in the presence of the Almighty.

"I do not dream, I do not rave. Drawing nearer to the grave, my perceptions become clearer. We shall exist; we shall see each other again; we shall behold your mother; I shall behold her, and expose to her my inmost heart. Your mother--your image!"

About eleven o'clock Werther asked his servant if Albert had returned. He answered, "Yes;" for he had seen him pass on horseback: upon which Werther sent him the following note, unsealed:--

"Be so good as to lend me your pistols for a journey. Adieu."

Charlotte had slept little during the past night. All her apprehensions were realised in a way that she could neither foresee nor avoid. Her blood was boiling in her veins, and a thousand painful sensations rent her pure heart. Was it the ardour of Werther's passionate embraces that she felt within her bosom? Was it anger at his daring? Was it the sad comparison of her present condition with former days of innocence, tranquillity, and self-confidence? How could she approach her husband, and confess a scene which she had no reason to conceal, and which she yet felt, nevertheless, unwilling to avow? They had preserved so long a silence towards each other--and should she be the first to break it by so unexpected a discovery? She feared that the mere statement of Werther's visit would trouble him, and his distress would be heightened by her perfect candour. She wished that he could see her in her true light, and judge her without prejudice; but was she anxious that he should read her inmost soul? On the other hand, could she deceive a being to whom all her thoughts had ever been exposed as clearly as crystal, and from whom no sentiment had ever been concealed? These reflections made her anxious and thoughtful. Her mind still dwelt on Werther, who was now lost to her, but whom she could not bring herself to resign, and for whom she knew nothing was left but despair if she should be lost to him forever.

A recollection of that mysterious estrangement which had lately subsisted between herself and Albert, and which she could never thoroughly understand, was now beyond measure painful to her. Even the prudent and the good have, before now, hesitated to explain their mutual differences, and have dwelt in silence upon their imaginary grievances, until circumstances have become so entangled that in that critical juncture, when a calm explanation would have saved all parties, an understanding was impossible. And thus if domestic confidence had been earlier established between them, if love and kind forbearance had mutually animated and expanded their hearts, it might not, perhaps, even yet have been too late to save our friend.

But we must not forget one remarkable circumstance. We may observe, from the character of Werther's correspondence, that he had never affected to conceal his anxious desire to quit this world. He had often discussed the subject with Albert; and between the latter and Charlotte it had not unfrequently formed a topic of conversation. Albert was so opposed to the very idea of such an action, that, with a degree of irritation unusual in him, he had more than once given Werther to understand that he doubted the seriousness of his threats, and not only turned them into ridicule, but caused Charlotte to share his feelings of incredulity. Her heart was thus tranquillised when she felt disposed to view the melancholy subject in a serious point of view, though she never communicated to her husband the apprehensions she sometimes experienced.

Albert, upon his return, was received by Charlotte with ill-concealed embarrassment. He was himself out of humour: his business was unfinished; and he had just discovered that the neighbouring official, with whom he had to deal, was an obstinate and narrow-minded personage. Many things had occurred to irritate him.

He inquired whether anything had happened during his absence, and Charlotte hastily answered that Werther had been there on the evening previously. He then inquired for his letters, and was answered that several packages had been left in his study. He thereon retired, leaving Charlotte alone.

The presence of the being she loved and honoured produced a new impression on her heart. The recollection of his generosity, kindness, and affection had calmed her agitation: a secret impulse prompted her to follow him; she took her work and went to his study, as was often her custom. He was busily employed opening and reading his letters. It seemed as if the contents of some were disagreeable. She asked some questions: he gave short answers, and sat down to write.

Several hours passed in this manner, and Charlotte's feelings became more and more melancholy. She felt the extreme difficulty of explaining to her husband, under any circumstances, the weight that lay upon her heart; and her depression became every moment greater, in proportion as she endeavoured to hide her grief and to conceal her tears.

The arrival of Werther's servant occasioned her the greatest embarrassment. He gave Albert a note, which the latter coldly handed to his wife, saying, at the same time, "Give him the pistols. I wish him a pleasant journey," he added, turning to the servant. These words fell upon Charlotte like a thunder-stroke: she rose from her seat half-fainting, and unconscious of what she did. She walked mechanically towards the wall, took down the pistols with a trembling hand, slowly wiped the dust from them, and would have delayed longer, had not Albert hastened her movements by an impatient look. She then delivered the fatal weapons to the servant, without being able to utter a word. As soon as he had departed, she folded up her work, and retired at once to her room, her heart overcome with the most fearful forebodings. She anticipated some dreadful calamity. She was at one moment on the point of going to her husband, throwing herself at his feet, and acquainting him with all that had happened on the previous evening, that she might acknowledge her fault, and explain her apprehension; then she saw that such a step would be useless, as she would certainly be unable to induce Albert to visit Werther. Dinner was served; and a kind friend whom she had persuaded to remain assisted to sustain the conversation, which was carried on by a sort of compulsion, till the events of the morning were forgotten.

When the servant brought the pistols to Werther, the latter received them with transports of delight upon hearing that Charlotte had given them to him with her own hand. He ate some bread, drank some wine, sent his servant to dinner, and then sat down to write as follows:

"They have been in your hands--you wiped the dust from them. I kiss them a thousand times--you have touched them. Yes, Heaven favours my design--and you, Charlotte, provide me with the fatal instruments. It was my desire to receive my death from your hands, and my wish is gratified. I have made inquiries of my servant. You trembled when you gave him the pistols, but you bade me no adieu. Wretched, wretched that I am,--not one farewell! How could you shut your heart against me in that hour which makes you mine forever? Oh, Charlotte, ages cannot efface the impression,--I feel you cannot hate the man who so passionately loves you!"

After dinner he called his servant, desired him to finish the packing up, destroyed many papers, and then went out to pay some trifling debts. He soon returned home, then went out again notwithstanding the rain, walked for some time in the count's garden, and afterwards proceeded farther into the country. Towards evening he came back once more, and resumed his writing.

"Wilhelm, I have for the last time beheld the mountains, the forests, and the sky. Farewell! And you, my dearest mother, forgive me! Console her, Wilhelm. God bless you! I have settled all my affairs! Farewell! We shall meet again, and be happier than ever."

"I have requited you badly, Albeit; but you will forgive me. I have disturbed the peace of your home. I have sowed distrust between you. Farewell! I will end all this wretchedness. And oh that my death may render you happy! Albert, Albert! make that angel happy, and the blessing of Heaven be upon you!"

He spent the rest of the evening in arranging his papers; he tore and burned a great many; others he sealed up, and directed to Wilhelm. They contained some detached thoughts and maxims, some of which I have perused. At ten o'clock he ordered his fire to be made up, and a bottle of wine to be brought to him. He then dismissed his servant, whose room, as well as the apartments of the rest of the family, was situated in another part of the house. The servant lay down without undressing, that he might be the sooner ready for his journey in the morning, his master having informed him that the post-horses would be at the door before six o'clock.

"Past eleven o'clock! All is silent around me, and my soul is calm. I thank thee, O God, that thou bestowest strength and courage upon me in these last moments! I approach the window, my dearest of friends; and through the clouds, which are at this moment driven rapidly along by the impetuous winds, I behold the stars which illumine the eternal heavens. No, you will not fall, celestial bodies: the hand of the Almighty supports both you and me! I have looked for the last time upon the constellation of the Greater Bear: it is my favourite star; for when I bade you farewell at night, Charlotte, and turned my steps from your door, it always shone upon me. With what rapture have I at times beheld it! How often have I implored it with uplifted hands to witness my felicity! and even still--But what object is there, Charlotte, which fails to summon up your image before me? Do you not surround me on all sides? and have I not, like a child, treasured up every trifle which you have consecrated by your touch?

"Your profile, which was so dear to me, I return to you; and I pray you to preserve it. Thousands of kisses have I imprinted upon it, and a thousand times has it gladdened my heart on departing from and returning to my home.

"I have implored your father to protect my remains. At the corner of the churchyard, looking towards the fields, there are two lime-trees,--there I wish to lie. Your father can, and doubtless will, do thus much for his friend. Implore it of him. But perhaps pious Christians will not choose that their bodies should be buried near the corpse of a poor, unhappy wretch like me. Then let me be laid in some remote valley, or near the highway, where the priest and Levite may bless themselves as they pass by my tomb, whilst the Samaritan will shed a tear for my fate.

"See, Charlotte, I do not shudder to take the cold and fatal cup, from which I shall drink the draught of death. Your hand presents it to me, and I do not tremble. All, all is now concluded: the wishes and the hopes of my existence are fulfilled. With cold, unflinching hand I knock at the brazen portals of Death.

"Oh that I had enjoyed the bliss of dying for you! how gladly would I have sacrificed myself for you, Charlotte! And could I but restore peace and joy to your bosom, with what resolution, with what joy, would I not meet my fate! But it is the lot of only a chosen few to shed their blood for their friends, and by their death to augment a thousand times the happiness of those by whom they are beloved.

"I wish, Charlotte, to be buried in the dress I wear at present: it has been rendered sacred by your touch. I have begged this favour of your father. My spirit soars above my sepulchre. I do not wish my pockets to be searched. The knot of pink ribbon which you wore on your bosom the first time I saw you, surrounded by the children--Oh, kiss them a thousand times for me, and tell them the fate of their unhappy friend! I think I see them playing around me. The dear children! How warmly have I been attached to you, Charlotte! Since the first hour I saw you, how impossible have I found it to leave you! This ribbon must be buried with me: it was a present from you on my birthday. How confused it all appears! Little did I then think that I should journey this road! But peace! I pray you, peace!

"They are loaded--the clock strikes twelve. I say amen. Charlotte, Charlotte! farewell, farewell!"

A neighbor saw the flash, and heard the report of the pistol; but as everything remained quiet, he thought no more of it.

In the morning, at six o'clock, the servant went into Werther's room with a candle. He found his master stretched upon the floor, weltering in his blood, and the pistols at his side. He called, he took him in his arms, but received no answer. Life was not yet quite extinct. The servant ran for a surgeon, and then went to fetch Albert. Charlotte heard the ringing of the bell; a cold shudder seized her. She wakened her husband and they both rose. The servant, bathed in tears, faltered forth the dreadful news. Charlotte fell senseless at Albert's feet.

When the surgeon came to the unfortunate Werther, he was still lying on the floor; and his pulse beat, but his limbs were cold. The bullet, entering the forehead over the right eye, had penetrated the skull. A vein was opened in his right arm; the blood came, and he still continued to breathe.

From the blood which flowed from the chair, it could be inferred that he had committed the rash act sitting at his bureau, and that he afterwards fell upon the floor. He was found lying on his back near the window. He was in full-dress costume.

The house, the neighbourhood, and the whole town were immediately in commotion. Albert arrived. They had laid Werther on the bed. His head was bound up, and the paleness of death was upon his face. His limbs were motionless; but he still breathed, at one time strongly, then weaker,--his death was momently expected.

He had drunk only one glass of the wine. "Emilia Galotti" lay open upon his bureau.

I shall say nothing of Albert's distress or of Charlotte's grief.

The old steward hastened to the house immediately upon hearing the news; he embraced his dying friend amid a flood of tears. His eldest boys soon followed him on foot. In speechless sorrow they threw themselves on their knees by the bedside, and kissed his hands and face. The eldest, who was his favourite, hung over him till he expired; and even then he was removed by force. At twelve o'clock Werther breathed his last. The presence of the steward, and the precautions he had adopted, prevented a disturbance; and that night, at the hour of eleven, he caused the body to be interred in the place which Werther had selected for himself.

The steward and his sons followed the corpse to the grave. Albert was unable to accompany them. Charlotte's life was despaired of. The body was carried by labourers. No priest attended.

THE BANNER OF THE UPRIGHT
SEVEN

BY
GOTTFRIED KELLER

TRANSLATED BY
MURIEL ALMON

BIOGRAPHICAL NOTE

Gottfried Keller was born in Zurich on July 19, 1819. His father, who was a turner, died when his son was only five; but his energetic and devoted mother contrived to provide Gottfried with a good elementary education. When he was fifteen he was expelled from school for taking part in a boyish conspiracy against a teacher, and he at once set about becoming a painter. Finding it difficult to obtain proper instruction in Zurich, he went in 1840 to Munich; but though the opportunities of the Bavarian capital were important for his general development, he returned home in 1842 without assurance of making a success in his art. The next six years, spent at home with his mother and sister, saw his gradual turning from painting to literature; and in 1846 he issued a volume of poems to which little attention was paid. When he was twenty-nine, the government of the canton gave him a scholarship of eight hundred francs for foreign study, and with this he went to Heidelberg, where, in spite of the confusion of the revolution of 1848, he made friends of men like Henle the pathologist, Hettner the literary historian, and Feuerbach the philosopher, all of whom had a profound effect upon his thinking. From Heidelberg he went to Berlin, where he hoped to equip himself as a dramatist; and there in 1854-5 he published his great autobiographical novel, "Green Henry." This work was appreciated by his friends and brought him some money, though at the time no very wide reputation, and after six years of semi-starvation in the Prussian capital he again went home to his mother's house. "The People of Seldwyla," a collection of admirable short stories, was issued in 1856, but still he made no great popular success.

But at last fortune favored him when, in 1861, he was appointed Clerk of the Canton of Zurich, a position he filled efficiently for fifteen years. In 1872 appeared his "Seven Legends," the whimsical humor and mock realism of which brought general recognition. Five years later came the historical stories called "Zurich Novels"; in 1881 "The Epigram"; in 1883 "Collected Poems," establishing his place as a lyric poet of high rank; and in 1886 "Martin Salander," a novel of contemporary Switzerland. His genius was now generally recognized both at home and abroad; and when he died on July 15, 1890, he stood at the head of German letters. He was never married.

Keller was a writer of great independence, and cannot be classed with any of the schools. The closeness of his observation and his fidelity in rendering both the good and the bad sides of life ally him with the realists; but his imagination was too much alive to allow of his being properly described by their label. He knew the Swiss of his own time intimately, and he has portrayed them in their homely provincialism as well as in their sturdy self-respect and love of freedom.

"The Banner of the Upright Seven," one of the stories from "The People of Seldwyla," is an excellent example of the faculty which made him the greatest of German humorists. The story has genuine sentiment, but sentiment restrained as always in his books; it has sympathy for youthful ambition and youthful love, as well as for the political enthusiasm of the delightful old fellows whose name it bears; but both sentiment and sympathy are overshadowed by the rich humor which pervades the whole. Pure Swiss it no doubt is, but its appeal is to all hearts open to wholesome human affection and aspirations.

W. A. N.

CRITICISMS AND INTERPRETATIONS

I
By John Firman Coar

Schiller has been criticised for letting the Swiss peasants in "William Tell" speak as they do. What peasants, it is asked, would utter such thoughts? The peasants and simple burghers of the life that Keller studied and depicted is the reply. To a German these peasants seem curiously unreal. But Keller was no idealist when he depicted peasant and burgher life. His people speak as they think and they think as they speak, and they do both as Keller knew them to do it in everyday life. Theirs was the inestimable benefit of democratic government and democratic culture. A compact nationality, self-educated to the duties and privileges of citizenship, leaders in the widest possible dissemination of knowledge as the best guaranty of civic progress and justice--could Keller, a Swiss, depict the life of this people as anything else than a civic and intellectual democracy?

This perspective gives to situations, characters, and actions their true proportions. They are supremely real. His individuals are not equal in civic worth and intellectual capacity, but shade off in wonderfully fine lines, thereby enhancing the effect. Paragons and deep-dyed villains do not challenge our credulity, nor are we wearied by the persistent greetings of familiar faces in new garments. One of the triumphs of Keller's art is the ever new form in which humanity presents itself. And this is the glory of his social democracy, that it recognizes the inviolable right of individuality, since it founds state and society upon the achievement of individual worth. Ethic manhood is something that neither state nor society can impart. It lies in the power of the individual to make or unmake his life, and he alone can solve the secret of his personality. Easier it is for him to do so amid surroundings that open his heart to the great glory of life, but still he alone can do so. That is Keller's doctrine.

Keller grew to manhood in surroundings which were as nearly identical with Schiller's philosophic ideal of freedom as human conditions can well be. The Switzerland of his manhood days was the best possible justification of the ideal picture that Schiller drew in "William Tell." Therefore the optimism of Keller is so sturdy, so free from sentimentality, and so thoroughly human. His poetry is the noblest consummation of Heine's gospel of the divine beauty of life.

Keller believed with all his soul in the self-redemption of society, and used the word society in its broadest signification. And his belief was vitalized by that which he saw in Swiss life. The germs of the past were bearing fruit in the present, and in the present the germs of a future harvest were swelling. He was not one of those complacent optimists who cannot discern with critical eye and whose complacency deadens the best impulses and stands in the way of energetic striving. Swiss life in his stories is by no means a paradise. His words to B. Auerbach (June 25, 1860) betoken the attitude he took toward this life, as they also reveal the genuine democracy of his artistic striving: "Here in Switzerland we have, to be sure, many good qualities, and in respect to public character, evidently at present an honest purpose to acquire respectable and inspiriting forms of living, and the people is proving itself plastic (mobile), happy, and buoyant; but all is not gold that glitters by any means. However, I consider it the duty of a poet not merely to glorify the past, but to strengthen the present, the germs of the future, and beautify it in such a manner that people may still be able to believe: yes, we are like that, and that is the course of our life. If poets do this with a certain measure of kindly irony which deprives their productions of false pathos, then I am convinced that the people will come to be in fact and in appearance what it good-naturedly imagines itself to be and what even now it really is in its inmost disposition."--From "Studies in German Literature" (1903).

II
By Calvin Thomas

Up to a dozen years before his death Keller had received little attention in Germany; to-day there is a library of books about him, and he is universally considered a fixed star of high magnitude. While he was an ardent Swiss republican, and while the life that he depicts is almost exclusively Swiss, the Germans of the empire have pretty generally accepted him as their greatest master of prose fiction since Goethe.

Keller was a romantic realist with the soul of a poet, the eye of a man of science, and the temperament of an artist who loves life in all its manifestations. But this leaves his humour out of the account, and his humour is precisely the best part of him. In a broad sense he is didactic--like Goethe; that is, he felt that it was his mission to comprehend and describe the character of his Swiss countrymen, to the end of furthering them toward higher ideals of communal life. But this attitude never clouds his vision for the facts. He sees at every pore, as Emerson said of Goethe. He does not select ugliness for special or angry scrutiny, any more than he avoids it through excess of daintiness, but takes all things as they come. What he offers is not medicine but food--the nourishment of sane and delightful art. But no one should go to him for an exciting narrative. His spell is not in his plot. In "Green Henry," particularly, his pace is so very leisurely that one sometimes wishes there were not so many little things to be taken note of by the way.--From "A History of German Literature" (1909).

THE BANNER OF THE
UPRIGHT SEVEN

Kaspar Hediger, master tailor of Zurich, had reached the age at which an industrious craftsman begins to allow himself a brief hour of rest after dinner. So it happened that one beautiful March day he was sitting not in his manual but in his mental workshop, a small, separate room which for years he had reserved for himself. He was glad that the weather was warm enough for him to occupy it again. In winter neither the old customs of his class nor his income permitted him to have an extra room heated simply that he might sit there to read. And this was at a time when there were already tailors who went shooting and rode their horses daily, so closely do the gradations of culture dovetail into one another.

Master Hediger, however, might have been proud of the appearance he presented in his neatly kept little back room. He looked almost more like an American settler than a tailor. A strong and intelligent face with heavy whiskers, surmounted by a powerful, bald dome was bending over "The Swiss Republican," while he read the leading article with a critical expression. There were at least twenty-five well-bound folio volumes of this "Republican" in a little walnut bookcase with a glass door, and they contained scarcely anything that Hediger, for twenty-five years, had not lived and fought through. The case also held Rotteck's "Universal History," a Swiss history by Johannes Mueller, and a handful of political brochures and such like; a geographical atlas and a portfolio full of caricatures and pamphlets--mementoes of bitterly passionate days--lay on the lowest shelf. The wall of the little room was adorned with the portraits of Columbus, Zwingli, Hutten, Washington, and Robespierre; for Hediger was not to be trifled with and sanctioned the Reign of Terror, after it was over. Besides these world-famous heroes, there were portraits of several progressive Swiss to which were affixed in their own handwriting highly edifying and discursive inscriptions, regular little essays. Leaning against the bookcase was a well-kept, shining musket with a short side-arm hanging on it and a cartridge-pouch in which, at all times, there were thirty cartridges. That was his fowling-piece with which he went out, not for hares and partridges, but for aristocrats and Jesuits, for breakers of the constitution and traitors to the people. Until now his lucky star had kept him from shedding any blood, owing to lack of opportunity; nevertheless more than once he had seized his musket and hurried to the square. That was at the time of the riots, when he kept the gun standing between the bed and the wardrobe and would not allow it to be moved, "for," he used to say, "no government and no battalions can protect justice and liberty where a citizen is not able to step out of doors and see what is going on."

While the stout-hearted master was absorbed in his article, now nodding approvingly, now shaking his head, his youngest son Karl, a fledgling clerk in a government office, came in.

"What do you want?" asked Master Hediger harshly, for he did not like to be disturbed in his little den.

Karl, somewhat uncertain as to the success of his request, asked whether he might have his father's gun and cartridge-pouch for the afternoon as he had to go to the drill-ground.

"No use to ask, I won't hear of it!" said Hediger shortly.

"But why not? I won't hurt it," his son continued humbly and still insistently, because he simply had to have a gun if he did not want to be marched off to the detention room. But the old man only repeated in a louder tone:

"Won't hear of it! I can only wonder at the persistence of these gentlemen sons of mine who show so little persistence in other things that not one of them has stuck to the occupation which I allowed him to learn of his own free choice. You know that your three older brothers, one after another, as soon as they had to begin to drill, wanted my gun and that they none of them got it. And yet now here you come slinking along after it. You have your own fair pay, no one to support--get your own weapons, as becomes a man of honor. This gun doesn't leave its place except when I need it myself."

"But it's only for a few times. You surely don't expect me to buy an infantry rifle when I'm going to join the sharpshooters later and shall have to get myself a carbine."

"Sharpshooters! That's good too! I should only like to know why you feel it to be so necessary to join the sharpshooters when you've never yet fired a single shot. In my day a man had to have burnt a good deal of powder before he might make such an application. Nowadays a man turns sharpshooter haphazard, and there are fellows wearing the green coat who couldn't bring down a cat off the roof, but who, to be sure, can smoke cigars and act the gentleman. It's no concern of mine."

"Oh," said the boy almost whimpering, "give it to me just this once. I'll see about getting another to-morrow, but it's impossible for me to do anything today, it's too late."

"I will not give my gun to anyone," replied Master Hediger, "who does not know how to handle it. If you can take the lock off this gun and take it apart properly you can have it, otherwise it stays here."

With that he hunted in a drawer for a screwdriver, handed it to his son and pointed to the gun. In desperation Karl tried his luck and began to loosen the screws in the lock. His father watched him scornfully and it was not long before he cried:

"Don't let the screwdriver slip so; you'll spoil the whole thing. Partly loosen all the screws and then take them out, it's easier that way. There, at last!"

Karl now held the lock in his hand but didn't know what next to do with it, so he laid it down with a sigh, already, in imagination, seeing himself in the detention room. But old Hediger, once interested, now picked up the lock to give his son a lesson, explaining it as he took it apart.

"You see," he said, "first you remove the plunger-spring with this spring-hook--like this; then comes the screw of the sear-spring, you only unscrew that half way, then knock the sear-spring like this so that the pin here comes out of the hole; now you take the screw out entirely. Now the sear-spring, then the sear-pin, the sear; now then, the bridle-screw and here the bridle-hammer; next the tumbler-pin, the trigger, and finally the tumbler; this is the tumbler. Hand me the neat's-foot oil out of the little cupboard there; I'll oil the screws a bit while I have them here."

He had laid all the parts on the newspaper. Karl watched him eagerly and handed him the little bottle, thinking that the atmosphere had cleared. But after his father had wiped off the parts of the lock and oiled them afresh, instead of putting them together again he threw them promiscuously into the cover of a little box and said,

"We'll put the thing together again this evening; now I will finish reading my paper."

Disappointed and savage, Karl went out to complain to his mother. He stood in intense awe of the state authority whose school he was now to enter as a recruit. He had never been punished since he had outgrown school and not during his last years there either, and now the thing was to begin again on a higher plane, merely because he had depended upon his father's gun.

His mother said: "Your father is really quite right. All you four boys earn more than he does, and that thanks to the education he gave you; but not only do you spend all your money on yourselves, you keep on coming all the time to annoy your father by borrowing all sorts of things: his dress-coat, field-glass, drawing instruments, razor, hat, gun, and sabre. The things that he takes such good care of you borrow and bring back ruined. It seems as if the whole year round you are busy thinking up something else to borrow from him; but he, on his part, never asks anything of you, although you owe him your life and everything else. Just this once more I will help you."

Hereupon she went in to Master Hediger and said: "I forgot to tell you that Frymann the carpenter sent a message to say that the Band of Seven would meet this evening to discuss certain matters, something political, I think." He was at once pleasantly affected.

"Is that so?" he said, rose, and began to walk up and down; "I am surprised that Frymann didn't come himself to speak with me first about it, to consult me." After a few minutes he dressed quickly, put on his hat, and left with the words,

"Wife, I am going out now at once, I must find out what it's about. I haven't been out of the house this spring anyway, and it's such a beautiful day to-day. Good-bye!"

"There! Now he won't be home before ten o'clock tonight," said Mrs. Hediger laughing, and she bade Karl take the gun, be careful of it and bring it home early.

"Take it!" lamented her son, "why he's got the lock all apart and I can't put it together again."

"Well, I can," answered his mother and went into the little room with her son. She turned the parts of the lock out of the cover, sorted out the springs and screws and very skilfully began to put them together.

"Where the devil did you learn that, mother?" cried Karl, amazed.

"I learnt it in my father's house," she replied. "My father and my seven brothers used to make me clean all their guns and rifles when they had been shooting. I often cried as I did it, but I was finally able to handle them like a gunsmith's apprentice. The whole village called me 'Gunsmithy,' and I nearly always had dirty hands and a black smudge on the tip of my nose. My brothers shot and drank us out of house and home, so that I, poor child, was glad enough that your father, the tailor, married me."