Chapter V: Last Stage of All (8)

'Would you have me arrive alone in Palestine?' she interposed impatiently. 'Think of the talk it would make in Jerusalem! And should I even be permitted to land? They say the Sultan's soldiers stand at the landing-place like the angels at the gates of Paradise with swords that turn every way. But Yossel is cunning in the customs of the heathen; he will explain to the soldiers that he is an Austrian subject, and that I am his _Frau_.'

'What! Pass you off as his _Frau_!'

'Who speaks of passing off? He could say I was his sister, as Abraham our Father said of Sarah. But that was a sin in the sight of Heaven, and therefore as our sages explain----'

'It is simpler to be married,' Yossel interrupted.

'Married!' echoed the artist angrily.

'The witnesses are coming to my lodging this afternoon,' Yossel continued calmly. 'Dovidel and Yitzkoly from the _Beth Hamedrash_.'

'They think they are only coming to a farewell glass of brandy,' chuckled the grandmother. 'But they will find themselves at a secret wedding.'

'And to-morrow we shall depart publicly for Trieste,' Yossel wound up calmly.

'But this is too absurd!' the artist broke in. 'I forbid this marriage!'

A violent expression of amazement overspread the ancient dame's face, and the tone of the far-away years came into her voice. 'Silence, Vroomkely, or I'll smack your face. Do you forget you are talking to your grandmother?'

'I think Mr. Mandelstein forgets it,' the artist retorted, turning upon the heroic hunchback. 'Do you mean to say you are going to marry my grandmother?'

'And why not?' asked Yossel. 'Is there a greater lover of God in all Galicia?'

'Hush, Yossel, I am a great sinner.' But her old face was radiant. She turned to her grandson. 'Don't be angry with Yossel--all the fault is mine. He did not ask me to go with him to Palestine; it was I that asked _him_.'

'Do you mean that you asked him to marry you?'

'It is the same thing. There is no other way. How different would it have been had there been any other woman here who wanted to die in Palestine! But the women nowadays have no fear of Heaven; they wear their hair unshorn--they----'

'Yes, yes. So you asked Yossel to marry you.'

'Asked? Prayed, as one prays upon Atonement Day. For two years I prayed to him, but he always refused.'

'Then why----?' began the artist.

'Yossel is so proud. It is his only sin.'

'Oh, Yenta!' protested Yossel flushing, 'I am a very sinful man.'

'Yes, but your sin is all in a lump,' the _Bube_ replied. 'Your iniquity is like your ugliness--some people have it scattered all over, but you have it all heaped up. And the heap is called pride.'

'Never mind his pride,' put in the artist impatiently. 'Why did he not go on refusing you?'

'I am coming to that. Only you were always so impatient, Vroomkely. When I was cutting you a piece of _Kuchen_, you would snatch greedily at the crumbs as they fell. You see Yossel is not made of the same clay as you and I. By an oversight the Almighty sent an angel into the world instead of a man, but seeing His mistake at the last moment, the All-High broke his wings short and left him a hunchback. But when Yossel's father made a match for him with Leah, the rich corn-factor's daughter, the silly girl, when she was introduced to the bridegroom, could see only the hump, and scandalously refused to carry out the contract. And Yossel is so proud that ever since that day he curled himself up into his hump, and nursed a hatred for all women.'

'How can you say that, Yenta?' Yossel broke in again.

'Why else did you refuse my money?' the _Bube_ retorted. 'Twice, ten, twenty times I asked him to go to Palestine with me. But obstinate as a pig he keeps grunting "I can't--I've got no money." Sooner than I should pay his fare he'd have seen us both die here.'

The artist collapsed upon the bundle; astonishment, anger, and self-ridicule made an emotion too strong to stand under. So this was all his Machiavellian scheming had achieved--to bring about the very marriage it was meant to avert! He had dug a pit and fallen into it himself. All this would indeed amuse Rozenoffski and Leopold Barstein. He laughed bitterly.

'Nay, it was no laughing matter,' said the _Bube_ indignantly. 'For I know well how Yossel longed to go with me to die in Jerusalem. And at last the All-High sent him the fare, and he was able to come to me and invite me to go with him.'

Here the artist became aware that Yossel's eyes and lips were signalling silence to him. As if, forsooth, one published one's good deeds! He had yet to learn on whose behalf the hunchback was signalling.

'So! You came into a fortune?' he asked Yossel gravely.

Yossel looked the picture of misery. The _Bube_ unconsciously cut through the situation. 'A wicked man gave it to him,' she explained, 'to pray away his sins in Jerusalem.'

'Indeed!' murmured the artist. 'Anyone you know?'

'Heaven has spared her the pain of knowing him,' ambiguously interpolated her anxious protector.

'I don't even know his name,' added the _Bube_. 'Yossel keeps it hidden.'

'One must not shame a fellow-man,' Yossel urged. 'The sin of that is equal to the sin of shedding blood.'

The grandmother nodded her head approvingly. 'It is enough that the All-High knows his name. But for such an Epicurean much praying will be necessary. It will be a long work. And your first prayer, Yossel, must be that you shall not die very soon, else the labourer will not be worthy of his hire.'

Yossel took her yellow withered hand as in a lover's clasp. 'Be at peace, Yenta! He will be redeemed if only by _your_ merits. Are we not one?'

ELIJAH'S GOBLET

ELIJAH'S GOBLET

I

Aaron Ben Amram removed from the great ritual dish the roasted shankbone of lamb (symbolic residuum of the Paschal Sacrifice) and the roasted egg (representative of the ancient festival-offering in the Temple), and while his wife and children held up the dish, which now contained only the bitter herbs and unleavened cakes, he recited the Chaldaic prelude to the _Seder_--the long domestic ceremonial of the Passover Evening.

'This is the bread of affliction which our fathers ate in the land of Egypt. Let all who are hungry come in and eat; let all who require come in and celebrate the Passover. This year here, next year in the land of Israel! This year slaves, next year sons of freedom!'

But the Polish physician showed nothing of the slave. White-bearded, clad in a long white robe and a white skullcap, and throned on white pillows, he made rather a royal figure, indeed for this night of nights conceived of himself as 'King' and his wife as 'Queen.'

But 'Queen' Golda, despite her silk gown and flowery cap, did not share her consort's majestic mood, still less the rosy happiness of the children who sat round this fascinating board. Her heart was full of a whispering fear that not all the brave melodies of the father nor all the quaint family choruses could drown. All very well for the little ones to be unconscious of the hovering shadow, but how could her husband have forgotten the horrors of the Blood Accusation in the very year he had led her under the Canopy?

And surely he knew as well as she that the dreadful legend was gathering again, that the slowly-growing Jew-hatred had reached a point at which it must find expression, that the _Pritzim_ (nobles) in their great houses, and the peasants behind their high palings, alike sulked under the burden of debts. Indeed, had not the Passover Market hummed with the old, old story of a lost Christian child? Not murdered yet, thank God, nor even a corpse. But still, if a boy _should_ be found with signs of violence upon him at this season of the Paschal Sacrifice, when the Greek Church brooded on the Crucifixion! O God of Abraham, guard us from these fiends unchained!

But the first part of the elaborate ritual, pleasantly punctuated with cups of raisin wine, passed peacefully by, and the evening meal, mercifully set in the middle, was reached, to the children's vast content. They made wry, humorous mouths, each jest endeared by annual repetition, over the horseradish that typified the bitterness of the Egyptian bondage, and ecstatic grimaces over the soft, sweet mixture of almonds, raisins, apples, and cinnamon, vaguely suggestive of the bondsmen's mortar; they relished the eggs sliced into salt water, and then--the symbols all duly swallowed--settled down with more prosaic satisfaction to the merely edible meats and fishes, though even to these the special Passover plates and dishes and the purified knives and forks lent a new relish.

By this time Golda was sufficiently cheered up to meditate her annual theft of the _Afkuman_, that segment of Passover cake under Aaron's pillow, morsels of which, distributed to each as the final food to be tasted that night, replaced the final mouthful of the Paschal Lamb in the ancient Palestinian meal.

II

But Elijah's goblet stood in the centre of the table untasted. Every time the ritual cup-drinking came round, the children had glanced at the great silver goblet placed for the Prophet of Redemption. Alas! the brimming raisin wine remained ever at the same level.

They found consolation in the thought that the great moment was still to come--the moment of the third cup, when, mother throwing open the door, father would rise, holding the goblet on high, and sonorously salute an unseen visitor.

True, in other years, though they had almost heard the rush of wings, the great shining cup had remained full, and when it was replaced on the white cloth, a vague resentment as at a spurned hospitality had stirred in each youthful breast. But many reasons could be found to exculpate Elijah--not omitting their own sins--and now, when Ben Amram nodded to his wife to open the door, expectation stood on tip-toe, credulous as ever, and the young hearts beat tattoo.

But the mother's heart was palpitating with another emotion. A faint clamour in the Polish quarter at the back, as she replaced the samovar in the kitchen, had recalled all her alarms, and she merely threw open the door of the room. But Ben Amram was not absent-minded enough to be beguiled by her air of obedient alacrity. Besides, he could see the shut street-door through the strip of passage. He gestured towards it.

Now she feigned laziness. 'Oh, never mind.'

'David, open the street-door.'

The eldest boy sprang up joyously. It would have been too bad of mother to keep Elijah on the doorstep.

'No, no, David!' Golda stopped him. 'It is too heavy; he could not undo the bolts and bars.'

'You have barred it?' Ben Amram asked.

'And why not? In this season you know how the heathen go mad like street-dogs.'

'Pooh! They will not bite us.'

'But, Aaron! You heard about the lost Christian child!'

'I have saved many a Christian child, Golda.'

'They will not remember that.'

'But I must remember the ritual.' And he made a movement.

'No, no, Aaron! Listen!'

The shrill noises seemed to have veered round towards the front of the house. He shrugged his shoulders. 'I hear only the goats bleating.'

She clung to him as he made for the door. 'For the sake of our children!'

'Do not be so childish yourself, my crown!'

'But I am not childish. Hark!'

He smiled calmly. 'The door must be opened.'

Her fears lent her scepticism. 'It is you that are childish. You know no Prophet of Redemption will come through the door.'

He caressed his venerable beard. 'Who knows?'

'I know. It is a Destroyer, not a Redeemer of Israel, who will come. Listen! Ah, God of Abraham! Do you not hear?'

Unmistakably the howl of a riotous mob was approaching, mingled with the reedy strains of an accordion.

'Down with the _Zhits_! Death to the dirty Jews!'

'God in heaven!' She released her husband, and ran towards the children with a gesture as of seeking to gather them all in her arms. Then, hearing the bolts shot back, she turned with a scream. 'Are you mad, Aaron?'

But he, holding her back with his gaze, threw wide the door with his left hand, while his right upheld Elijah's goblet, and over the ululation of the unseen mob and the shrill spasms of music rose his Hebrew welcome to the visitor: '_Baruch habaa!_'

Hardly had the greeting left his lips when a wild flying figure in a rich furred coat dashed round the corner and almost into his arms, half-spilling the wine.

'In God's name, Reb Aaron!' panted the refugee, and fell half-dead across the threshold.

The physician dragged him hastily within, and slammed the door, just as two moujiks--drunken leaders of the chase--lurched past. The mother, who had sprung forward at the sound of the fall, frenziedly shot the bolts, and in another instant the hue and cry tore past the house and dwindled in the distance.

Ben Amram raised the white bloody face, and put Elijah's goblet to the lips. The strange visitor drained it to the dregs, the clustered children looking on dazedly. As the head fell back, it caught the light from the festive candles of the Passover board. The face was bare of hair; even the side curls were gone.

'Maimon the _Meshummad_!' cried the mother, shuddering back. 'You have saved the Apostate.'

'Did I not say the door must be opened?' replied Ben Amram gently. Then a smile of humour twitched his lips, and he smoothed his white beard. 'Maimon is the only Jew abroad to-night, and how were the poor drunken peasants to know he was baptized?'

Despite their thrill of horror at the traitor, David and his brothers and sisters were secretly pleased to see Elijah's goblet empty at last.

III

Next morning the Passover liturgy rang jubilantly through the vast, crowded synagogue. No violence had been reported, despite the passage of a noisy mob. The Ghetto, then, was not to be laid waste with fire and sword, and the worshippers within the moss-grown, turreted quadrangle drew free breath, and sent it out in great shouts of rhythmic prayer, as they swayed in their fringed shawls, with quivering hands of supplication. The Ark of the Law at one end of the great building, overbrooded by the Ten Commandments and the perpetual light, stood open to mark a supreme moment of devotion. Ben Amram had been given the honour of uncurtaining the shrine, and its richly clad scrolls of all sizes, with their silver bells and pointers, stood revealed in solemn splendour.

Through the ornate grating of their gallery the gaily-clad women looked down on the rocking figures, while the grace-notes of the cantor on his central daïs, and the harmoniously interjected 'poms' of his male ministrants flew up to their ears, as though they were indeed angels on high. Suddenly, over the blended passion of cantor and congregation, an ominous sound broke from without--the complex clatter of cavalry, the curt ring of military orders. The swaying figures turned suddenly as under another wind, the women's eyes grew astare and ablaze with terror. The great doors flew open, and--oh, awful, incredible sight--a squadron of Cossacks rode slowly in, two abreast, with a heavy thud of hoofs on the sacred floor, and a rattle of ponderous sabres. Their black conical caps and long beards, their great side-buttoned coats, and pockets stuffed with protrusive cartridges, their prancing horses, their leaded knouts, struck a blood-curdling discord amid the prayerful, white-wrapped figures. The rumble of worship ceased, the cantor, suddenly isolated, was heard soaring ecstatically; then he, too, turned his head uneasily and his roulade died in his throat.

'Halt!' the officer cried. The moving column froze. Its bristling length stretched from the central platform, blocking the aisle, and the courtyard echoed with the clanging hoofs of its rear, which backed into the school and the poor-house. The _Shamash_ (beadle) was seen to front the flamboyant invaders.

'Why does your Excellency intrude upon our prayers to God?'

The congregation felt its dignity return. Who would have suspected Red Judah of such courage--such apt speech? Why, the very Rabbi was petrified; the elders of the _Kahal_ stood dumb. Ben Amram himself, their spokesman to the Government, whose praying-shawl was embroidered with a silver band, and whose coat was satin, remained immovable between the pillars of the Ark, staring stonily at the brave beadle.

'First of all, for the boy's blood!'

The words rang out with military precision, and the speaker's horse pawed clangorously, as if impatient for the charge. The men grew death-pale, the women wrung their hands.

'_Ai, vai!_' they moaned. 'Woe! woe!'

'What boy? What blood?' said the _Shamash_, undaunted.

'Don't palter, you rascal! You know well that a Christian child has disappeared.'

The aged Rabbi, stimulated by the _Shamash_, uplifted a quavering voice.

'The child will be found of a surety--if, indeed, it is lost,' he added with bitter sarcasm. 'And surely your Excellency cannot require the boy's blood at our hands ere your Excellency knows it is indeed spilt.'

'You misunderstand me, old dog--or rather you pretend to, old fox. The boy's blood is here--it is kept in this very synagogue--and I have come for it.'

The _Shamash_ laughed explosively. 'Oh, Excellency!'

The synagogue, hysterically tense, caught the contagion of glad relief. It rang with strange laughter.

'There is no blood in this synagogue, Excellency,' said the Rabbi, his eyes a-twinkle, 'save what runs in living veins.'

'We shall see. Produce that bottle beneath the Ark.'

'That!' The _Shamash_ grinned--almost indecorously. 'That is the Consecration wine--red as my beard,' quoth he.

'Ha! ha! the red Consecration wine!' repeated the synagogue in a happy buzz, and from the women's gallery came the same glad murmur of mutual explanation.

'We shall see,' repeated the officer, with iron imperturbability, and the happy hum died into a cold heart-faintness, fraught with an almost incredulous apprehension of some devilish treachery, some mock discovery that would give the Ghetto over to the frenzies of fanatical creditors, nay, to the vengeance of the law.

The officer's voice rose again. 'Let no one leave the synagogue--man, woman, or child. Kill anyone who attempts to escape.'

The screams of fainting women answered him from above, but impassively he urged his horse along the aisle that led to the Ark; its noisy hoofs trampled over every heart. Springing from his saddle he opened the little cupboard beneath the scrolls, and drew out a bottle, hideously red.

'Consecration wine, eh?' he said grimly.

'What else, Excellency?' stoutly replied the _Shamash_, who had followed him.

A savage laugh broke from the officer's lips. 'Drink me a mouthful!'

As the _Shamash_ took the bottle, with a fearless shrug of the shoulders, every eye strained painfully towards him, save in the women's gallery, where many covered their faces with their hands. Every breath was held.

Keeping the same amused incredulous face, Red Judah gulped down a draught. But as the liquid met his palate a horrible distortion overcame his smile, his hands flew heavenwards. Dropping the bottle, and with a hoarse cry, 'Mercy, O God!' he fell before the Ark, foaming at the mouth. The red fluid spread in a vivid pool.

'Hear, O Israel!' A raucous cry of horror rose from all around, and was echoed more shrilly from above. Almighty Father! The Jew-haters had worked their fiendish trick. Now the men were become as the women, shrieking, wringing their hands, crying, '_Ai, vai!_' '_Gewalt!_' The Rabbi shook as with palsy. 'Satan! Satan!' chattered through his teeth.

But Ben Amram had moved at last, and was stooping over the scarlet stain.

'A soldier should know blood, Excellency!' the physician said quietly.

The officer's face relaxed into a faint smile.

'A soldier knows wine too,' he said, sniffing. And, indeed, the spicy reek of the Consecration wine was bewildering the nearer bystanders.

'Your Excellency frightened poor Judah into a fit,' said the physician, raising the beadle's head by its long red beard.

His Excellency shrugged his shoulders, sprang to his saddle, and cried a retreat. The Cossacks, unable to turn in the aisle, backed cumbrously with a manifold thudding and rearing and clanking, but ere the congregation had finished rubbing their eyes, the last conical hat and leaded knout had vanished, and only the tarry reek of their boots was left in proof of their actual passage. A deep silence hung for a moment like a heavy cloud, then it broke in a torrent of ejaculations.

But Ben Amram's voice rang through the din. 'Brethren!' He rose from wiping the frothing lips of the stricken creature, and his face had the fiery gloom of a seer's, and the din died under his uplifted palm. 'Brethren, the Lord hath saved us!'

'Blessed be the name of the Lord for ever and ever!' The Rabbi began the phrase, and the congregation caught it up in thunder.

'But hearken how. Last night at the _Seder_, as I opened the door for Elijah, there entered Maimon the _Meshummad_! 'Twas he quaffed Elijah's cup!'

There was a rumble of imprecations.

'A pretty Elijah!' cried the Rabbi.

'Nay, but God sends the Prophet of Redemption in strange guise,' the physician said. 'Listen! Maimon was pursued by a drunken mob, ignorant he was a deserter from our camp. When he found how I had saved him and dressed his bleeding face, when he saw the spread Passover table, his child-soul came back to him, and in a burst of tears he confessed the diabolical plot against our community, hatched through his instrumentality by some desperate debtors; how, having raised the cry of a lost child, they were to have its blood found beneath our Holy Ark as in some mystic atonement. And while you all lolled joyously at the _Seder_ table, a bottle of blood lay here instead of the Consecration wine, like a bomb waiting to burst and destroy us all.'

A shudder of awe traversed the synagogue.

'But the Guardian of Israel, who permits us to sleep on Passover night without night-prayer, neither slumbers nor sleeps. Maimon had bribed the _Shamash_ to let him enter the synagogue and replace the Consecration wine.'

'Red Judah!' It was like the growl of ten thousand tigers. Some even precipitated themselves upon the writhing wretch.

'Back! back!' cried Ben Amram. 'The Almighty has smitten him.'

'"Vengeance is mine, saith the Lord,"' quoted the Rabbi solemnly.

'Hallelujah!' shouted a frenzied female voice, and 'Hallelujah!' the men responded in thunder.

'Red Judah had no true belief in the God of Israel,' the physician went on.

'May he be an atonement for us all!' interrupted the Cantor.

'Amen!' growled the congregation.

'For a hundred roubles and the promise of personal immunity Red Judah allowed Maimon the _Meshummad_ to change the bottles while all Israel sat at the Seder. It was because the mob saw the _Meshummad_ stealing out of the synagogue that they fell upon him for a pious Jew. Behold, brethren, how the Almighty weaves His threads together. After the repentant sinner had confessed all to me, and explained how the Cossacks were to be sent to catch all the community assembled helpless in synagogue, I deemed it best merely to get the bottles changed back again. The false bottle contained only bullock's blood, but it would have sufficed to madden the multitude. Since it is I who have the blessed privilege of supplying the Consecration wine it was easy enough to give Maimon another bottle, and armed with this he roused the _Shamash_ in the dawn, pretending he had now obtained true human blood. A rouble easily procured him the keys again, and when he brought me back the bullock's blood, I awaited the sequel in peace.'

'Praise ye the Lord, for He is good,' sang the Cantor, carried away.

'For His mercy endureth for ever,' replied the congregation instinctively.

'I did not foresee the _Shamash_ would put himself so brazenly forward to hide his guilt, or that he would be asked to drink. But when the _Epikouros_ (atheist) put the bottle to his lips, expecting to taste blood, and found instead good red wine, doubtless he felt at once that the God of Israel was truly in heaven, that He had wrought a miracle and changed the blood back to wine.'

'And such a miracle God wrought verily,' cried the Rabbi, grasping the physician's hand, while the synagogue resounded with cries of 'May thy strength increase,' and the gallery heaved frantically with blessings and congratulations.

'What wonder,' the physician wound up, as he bent again over the ghastly head, with its pious ringlets writhing like red snakes, 'that he fell stricken by dread of the Almighty's wrath!'

And while men were bearing the convulsive form without, the Cantor began to recite the Grace after Redemption. And then the happy hymns rolled out, and the choristers cried 'Pom!' and a breath of jubilant hope passed through the synagogue. The mighty hand and the outstretched arm which had redeemed Israel from the Egyptian bondage were still hovering over them, nor would the Prophet Elijah for ever delay to announce the ultimate Messiah.

THE HIRELINGS

THE HIRELINGS

I

Crowded as was the steamer with cultured Americans invading Europe, few knew that Rozenoffski was on board, or even that Rozenoffski was a pianist. The name, casually seen on the passengers' list, conveyed nothing but a strong Russian and a vaguer Semitic flavour, and the mere outward man, despite a leonine head, was of insignificant port and somewhat shuffling gait, and drew scarcely a second glance.

He would not have had it otherwise, he told himself, as he paced the almost deserted deck after dinner--it was a blessing to escape from the perpetual adulation of music-sick matrons and schoolgirls--but every wounded fibre in him was yearning for consolation after his American failure.

Not that his fellow-passengers were aware of his failure; he had not put himself to the vulgar tests. His American expedition had followed the lines recommended to him by friendly connoisseurs--to come before the great public, if at all, only after being launched by great hostesses at small parties; to which end he had provided himself with unimpeachable introductions to unexceptionable ladies from irresistible personalities--a German Grand Duke, a Bulgarian Ambassador, Countesses, both French and Italian, and even a Belgian princess. But to his boundless amazement--for he had always heard that Americans were wax before titles--not one of the social leaders had been of the faintest assistance to him, not even the owner of the Chicago Palace, to whom he had been recommended by the Belgian princess. He had penetrated through one or two esoteric doors, only to find himself outside them again. Not once had he been asked to play. It was some weeks before it even dawned upon the minor prophet of European music-rooms that he was being shut out, still longer before it permeated to his brain that he had been shut out as a Jew!

Those barbarous Americans, so far behind Europe after all! Had they not even discovered that art levels all ranks and races? Poor bourgeois money-mongers with their mushroom civilization. It was not even as if he were really a Jew. Did they imagine he wore phylacteries or earlocks, or what? His few childish years in the Russian Pale--what were they to the long years of European art and European culture? And even if in Rome or Paris he had foregathered with Jews like Schneemann or Leopold Barstein, it was to the artist in them he had gravitated, not the Jew. Did these Yankee ignoramuses suppose he did not share their aversion from the gaberdine or the three brass balls? Oh the narrow-souled anti-Semites!

The deck-steward stacked the chairs, piled up the forgotten rugs and novels, tidying the deck for the night, but still the embittered musician tramped to and fro under the silent stars. Only from the smoking-room where the amateur auctioneer was still hilariously selling the numbers for a sweepstake, came sounds in discord with the solemnity of sky and sea, and the artist was newly jarred at this vulgar gaiety flung in the face of the spacious and starry mystery of the night. And these jocose, heavy-jowled, smoke-soused gamblers were the Americans whose drawing-rooms he would contaminate! He recalled the only party to which he had been asked--'To meet the Bright Lights'--and which to his amazement turned out to be a quasi-public entertainment with the guests seated in rows in a hall, and himself--with the other Bright Lights--planted on a platform and made to perform without a fee. The mean vulgarians! But perhaps it was better they had left him untainted with their dollars--better, comparatively poor though he was, that America should have meant pure loss to him. He had at least kept the spiritual satisfaction of despising the despiser, the dignity of righteous resentment, the artist's pride in the profitless. And this riot of ugliness and diamonds and third-rate celebrities was the fashionable society to which, forsooth, the Jew could not be permitted access!

The aroma of an expensive cigar wafted towards him, and the face between whose prominent teeth it was stuck loomed vividly in the glare of an electric light. Rozenoffski recognised those teeth. He had seen countless pictures and caricatures of them, for did they not almost hold the globe in their grip? This, then was the notorious multi-millionaire, 'the Napoleon in dollars,' as a wit had summed him up; and the first sight of Andrew P. Wilhammer almost consoled the player for his poverty. Who, even for an imperial income, would bear the burden of those grotesque teeth, protruding like a sample of wares in a dentist's showcase? But as the teeth came nearer and the great rubicund face bore down upon him, the prominence of the notorious incisors affected him less than their carnivorous capacity--he felt himself almost swallowed up by this monstrous beast of prey, so admirably equated to our small day of large things, to that environment in which he, poor degenerate artist, was but a little singing-bird. The long-forgotten word _Rishus_ came suddenly into his mind--was not the man's anti-Semitism as obtruded as his teeth?--_Rishus_, that wicked malice, which to a persecuted people had become almost a synonym for Christianity. He had left the thought behind him, as he had left the Hebrew word, while he went sailing up into the rosy ether of success, and _Rishus_ had sunk into the mere panic-word of the Ghetto's stunted brood, shrinking and quivering before phantasms, sinuously gliding through a misunderstood world, if it was not, indeed, rather a word conveniently cloaking from themselves a multitude of their own sins. But now, as incarnated in this millionaire mammoth, the shadowy word took on a sudden solidity, to which his teeth gave the necessary tearing and rending significance.

Yes, in very sooth--he remembered it suddenly--was it not this man's wife on whom he had built his main hopes? Was she not the leader of musical America, to whom the Belgian princess had given him the scented and crested note of introduction which was to open to him all doors and all ears? Was it not in her marvellous marble music-room--one of the boasts of Chicago--that he had mentally seen himself enthroned as the lord of the feast? And instead of these Olympian visions, lo! a typewritten note to clench his fist over--a note from a secretary regretting that the state of Mrs. Wilhammer's health forbade the pleasure of receiving a maestro with such credentials. _Rishus--Rishus_ indubitable!

II

Turning with morbid interest to look after the retreating millionaire, he found him in converse with a feminine figure at the open door of a deck-cabin. Could this be the great She, the arbitress of art? He moved nearer. Why, this was but a girl--nay, unless his instinct was at fault, a Jewish girl--a glorious young Jewess, of that radiant red-haired type which the Russian Pale occasionally flowered with. What was she doing with this Christian Colossus? He tried vainly to see her left hand; the mere possibility that she might be Mrs. Wilhammer shocked his Semitic instinct. Wilhammer disappeared within--the relation was obviously intimate--but the girl still stood at the door, a brooding magical figure.

Almost a sense of brotherhood moved him to speak to her, but he conquered the abnormal and incorrect impulse, contenting himself to walk past her with a side-glance, while at the end of the deck-promenade, instead of returning on his footsteps, he even arched his path round to the windy side. After some minutes of buffeting he returned chilled to his prior pacing ground. She was still there, but had moved under the same electric light which had illuminated Wilhammer's face, and she was reading a letter. As his walk carried him past her, he was startled to see tears rolling down those radiant cheeks. A slight exclamation came involuntarily from him; the girl, even more startled to be caught thus, relaxed her grip of the letter--a puff of wind hastened to whirl it aloft. Rozenoffski grasped at it desperately, but it eluded him, and then descending sailed sternwards. He gave chase, stumbling over belated chairs and deck-quoits, but at last it was safe in his clutch, and as he handed it to the agitated owner whom he found at his elbow, he noted with a thrill that the characters were cursive Hebrew.

'How can I zank you, sir!' Her Teutonic-touched American gave him the courage to reply gallantly in German:

'By letting me help you more seriously.'

'_Ach, mein Herr_'--she jumped responsively into German--'it was for joy I was crying, not sorrow.' As her American was Germanic, so was her German like the Yiddish of his remote youth, and this, adding to the sweetness of her voice, dissolved the musician's heart within his breast. He noted now with satisfaction that her fingers were bare of rings.

'Then I am rejoiced too,' he ventured to reply.

She smiled pathetically, and began to walk back towards her cabin. 'With us Jews,' she said, 'tears and laughter are very close.'

'Us Jews!' He winced a little. It was so long since he had been thus classed to his face by a stranger. But perhaps he had misinterpreted her phrase; it was her way of referring to _her_ race, not necessarily to _his_.

'It is a beautiful night,' he murmured uneasily. But he only opened wider the flood-gates of race-feeling.

'Yes,' she replied simply, 'and such a heaven of stars is beginning to arise over the night of Israel. Is it not wonderful--the transformation of our people? When I left Russia as a girl--so young,' she interpolated with a sad smile, 'that I had not even been married--I left a priest-ridden, paralysed people, a cringing, cowering, contorted people--I shall never forget the panic in our synagogue when a troop of Cossacks rode in with a bogus blood-accusation. Now it is a people alive with ideas and volitions; the young generation dreams noble dreams, and, what is stranger, dies to execute them. Our _Bund_ is the soul of the Russian revolution; our self-defence bands are bringing back the days of Judas Maccabæus. In the olden times of massacre our people fled to the synagogues to pray; now they march to the fight like men.'

They had arrived at her door, and she ended suddenly. The musician, fascinated, feared she was about to fade away within.

'But Jews can't fight!' he cried, half-incredulous, half to arrest her.

'Not fight!' She held up the Hebrew letter. 'They have scouts, ambulance corps, orderlies, surgeons, everything--my cousin David Ben Amram, who is little more than a boy, was told off to defend a large three-story house inhabited by the families of factory-labourers who were at work when the _pogrom_ broke out. The poor frenzied women and children had barricaded themselves within at the first rumour, and hidden themselves in cellars and attics. My cousin had to climb to their defence over the neighbouring tiles and through a window in the roof. Soon the house was besieged by police, troops, and hooligans in devilish league. With his one Browning revolver David held them all at bay, firing from every window of the house in turn, so as to give the besiegers an impression of a large defensive force. At last his cartridges were exhausted--to procure cartridges is the greatest difficulty of our self-defence corps--they began battering in the big front-door. David, seeing further resistance was useless, calmly drew back the bolts, to the mob's amaze, and, as it poured in, he cried: 'Back! back! They have bombs!' and rushed into the street, as if to escape the explosion. The others followed wildly, and in the panic David ran down a dark alley, and disappeared in search of a new post of defence. Though the door stood open, and the cowering inhabitants were at their mercy, the assailants, afraid to enter, remained for over an hour at a safe distance firing at the house, till it was riddled with bullets. They counted nearly two hundred the next day, embedded in the walls or strewn about the rooms. And not a thing had been stolen--not a hooligan had dared enter. But David is only a type of the young generation--there are hundreds of Davids equally ready to take the field against Goliath. And shall I not rejoice, shall I not exult even unto tears?' Her eyes glowed, and the musician was kindled to equal fire. It seemed to him less a girl who was speaking than Truth and Purity and some dead muse of his own. 'The Pale that I left,' she went on, 'was truly a prison. But now--now it will be the forging-place of a regenerated people! Oh, I am counting the days till I can be back!'

'You are going back to Russia!' he gasped.

He had the sensation of cold steel passing through his heart. The _pogroms_, which had been as remote to him as the squabbles of savages in Central Africa, became suddenly vivid and near. And even vivider and nearer that greater danger--the heroic Cousin David!

'How can I live away from Russia at such a moment?' she answered quietly. 'Who or what needs me in America?'

'But to be massacred!' he cried incoherently.

She smiled radiantly. 'To live and die with my own people.'

The fire in his veins seemed upleaping in a sublime jet; he was like to crying, 'Thy people shall be my people,' but all he found himself saying was, 'You must not, you must not; what can a girl like you do?'

A bell rang sharply from the cabin.

'I must go to my mistress. _Gute Nacht, mein Herr!_'

His flame sank to sudden ashes. Only Mrs. Wilhammer's hireling!

III

The wind freshened towards the middle of the night, and Rozenoffski, rocking in his berth, cursed his encounter with the red-haired romanticist who had stirred up such a pother in his brain that he had not been able to fall asleep while the water was still calm. Not that he suffered physically from the sea; he was merely afraid of it. The shuddering and groaning of the ship found an echo in his soul. He could not shake off the conviction that he was doomed to drown. At intervals, during the tedious night, he found forgetfulness in translating into sound his sense of the mystic, masterless waste in which the continents swim like islands, but music was soon swallowed up in terror.

'No,' he sighed, with a touch of self-mockery. 'When I am safe on shore again, I shall weave my symphony of the sea.'

Sleep came at last, but only to perturb him with a Jewish Joan of Arc who--turned Admiral--recaptured Zion from her battleship, to the sound of Psalms droned by his dead grandfather. And, though he did not see her the next day, and was, indeed, rather glad not to meet a lady's maid in the unromantic daylight, the restlessness she had engendered remained, replacing the settled bitterness which was all he had brought back from America. In the afternoon this restlessness drove him to the piano in the deserted dining-hall, and his fever sought to work itself off in a fury of practice. But the inner turbulence persisted, and the new thoughts clung round the old music. He was playing Schumann's _Fantasiestücke_, but through the stormy passion of _In der Nacht_ he saw the red hair of the heroic Jewess, and into the wistful, questioning _Warum_ insinuated itself not the world-question, but the Jewish question--the sad, unending Jewish question--surging up again and again in every part of the globe, as Schumann's theme in every part of the piano--the same haunting musical figure, never the same notes exactly, yet essentially always the same, the wistful, questioning _Warum_. Why all this ceaseless sorrow, this footsore wandering, this rootless life, this eternal curse?

Suddenly he became aware that he was no longer alone--forms were seated at the tables on the fixed dining-chairs, though there was no meal but his music; and as he played on, with swift side-peeps, other fellow-passengers entered into his consciousness, some standing about, others hovering on the stairs, and still others stealing in on reverent tip-toe and taking favourable seats. His breast filled with bitter satisfaction.

So they had to come, the arrogant Americans; they had to swarm like rats to the pied piper. He could draw them at will, the haughty heathen--draw them by the magic of his finger-touch on pieces of ivory. Lo, they were coming, more and more of them! Through the corner of his eye he espied the figures drifting in from the corridors, peering in spellbound at the doors.

With a great crash on the keys, he shook off his morbid mood, and plunged into Scarlatti's Sonata in A, his fingers frolicking all over the board, bent on a dominating exhibition of technique. As he stopped, there was a storm of hand-clapping. Rozenoffski gave a masterly start of surprise, and turned his leonine head in dazed bewilderment. Was he not then alone? '_Gott im Himmel!_' he murmured, and, furiously banging down the piano-lid, stalked from these presumptuous mortals who had jarred the artist's soliloquy.

But the next afternoon found him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship's compass. Newcomers were warned whisperingly to keep from applause. In vain. An enraptured greenhorn shouted 'Encore!' The musician awoke from his trance, stared dreamily at the Philistines; then, as the presence of listeners registered itself upon his expressive countenance, he rose again--but this time as more in sorrow than in anger--and stalked sublimely up the swarming stairs.

It became a tradition to post guards at the doors to warn all comers as to the habits of the great unknown, who could only beat his music out if he imagined himself unheard. Scouts watched his afternoon advance upon the piano in an empty hall, and the word was passed to the little army of music-lovers. Silently the rats gathered, scurrying in on noiseless paws, stealing into the chairs, swarming about the doorways, pricking up their ears in the corridors. And through the awful hush rose the master's silvery notes in rapturous self-oblivion till the day began to wane, and the stewards to appear with the tea-cups.

And the larger his audience grew, the fiercer grew his resentment against this complacent Christendom which took so much from the Jew and gave so little. 'Shylocks!' he would mutter between his clenched teeth as he played--'Shylocks all!'

IV

With no less punctuality did Rozenoffski pace the silent deck each night in the hope of again meeting the red-haired Jewess. He had soon recovered from her menial office; indeed, the paradox of her position in so anti-Semitic a household quickened his interest in her. He wondered if she ever listened to his playing, or had realized that she had entertained an angel unawares.

But three nights passed without glimpse of her. Nor was her mistress more visible. The Wilhammers kept royally to themselves in their palatial suite, though the husband sometimes deigned to parade his fangs in the smoking-room, where with the luck of the rich he won heavily in the pools. It was not till the penultimate night of the voyage that Rozenoffski caught his second glimpse of his red-haired muse. He had started his nocturnal pacing much earlier than usual, for the inevitable concert on behalf of marine charities had sucked the loungers from their steamer-chairs. He had himself, of course, been approached by the programme-organizer, a bouncing actress from 'Frisco, with an irresistible air, but he had defeated her hopelessly with the mysterious sarcasm: 'To meet the Bright Lights?' And his reward was to have the deck and the heavens almost to himself, and presently to find the stars outgleamed by a girl's hair. Yes, there she was, gazing pensively forth from the cabin window. He guessed the mistress was out for once--presumably at the concert. His heart beat faster as he came to a standstill, yet the reminder that she was a lady's maid brought an involuntary note of condescension into his voice.

'I hope Mrs. Wilhammer hasn't been keeping you too imprisoned?' he said.

She smiled faintly. 'Not so close as Neptune has kept her.'

'Ill?' he said, with a shade of malicious satisfaction.

'It is curious and even consoling to see the limitations of Croesus,' she replied. 'But she is lucky--she just recovered in time.'

'In time for what?'

'Can't you hear?'

Indeed, the shrill notes of an amateur soprano had been rending the air throughout, but they had scarcely penetrated through his exaltation. He now shuddered.

'Do you mean it is she singing?'

The girl laughed outright. 'She sing! No, no, she is a sensitive receiver. She receives; she gives out nothing. She exploits her soul as her husband exploits the globe. There isn't a sensation or an emotion she denies herself--unless it is painful. It was to escape the concert that she has left her couch--and sought refuge in a friend's cabin. You see, here sound travels straight from the dining-hall, and a false note, she says, gives her nerve-ache.'

'Then she can't return till the close of the concert,' he said eagerly. 'Won't you come outside and walk a bit under this beautiful moon?'

She came out without a word, with the simplicity of a comrade.

'Yes, it is a beautiful night,' she said, 'and very soon I shall be in Russia.'

'But is Mrs. Wilhammer going to Russia, then?' he asked, with a sudden thought, wondering that it had never occurred to him before.

'Of course not! I only joined her for this voyage. I have to work my passage, you see, and Providence, on the eve of sailing, robbed Mrs. Wilhammer of her maid.'

'Oh!' he murmured in relief. His red-haired muse was going back to her social pedestal. 'But you must have found it humiliating,' he said.

'Humiliating?' She laughed cheerfully. 'Why more than manicuring her?'

The muse shivered again on the pedestal.

'Manicuring?' he echoed in dismay.

'Sure!' she laughed in American. 'When, after a course of starvation and medicine at Berne University, I found I had to get a new degree for America....'

'You are a doctor?' he interrupted.

'And, therefore, peculiarly serviceable as a ship-maid.'

She smiled again, and her smile in the moonlight reminded him of a rippling passage of Chopin. Prosaic enough, however, was what she went on to tell him of her struggle for life by day and for learning by night. 'Of course, I could only attend the night medical school. I lived by lining cloaks with fur; my bed was the corner of a room inhabited by a whole family. A would-be graduate could not be seen with bundles; for fetching and carrying the work my good landlady extorted twenty cents to the dollar. When the fur season was slack I cooked in a restaurant, worked a typewriter, became a "hello girl"--at a telephone, you know--reported murder cases--anything, everything.'

'Manicuring,' he recalled tenderly.

'Manicuring,' she repeated smilingly. 'And you ask me if it is humiliating to wait upon an artistic sea-sick lady!'

'Artistic!' he sneered. His heart was full of pity and indignation.

'As surely as sea-sick!' she rejoined laughingly. 'Why are you prejudiced against her?'

He flushed. 'Prej-prejudiced?' he stammered. 'Why should I be prejudiced? From all I hear it's she that's prejudiced. It's a wonder she took a Jewess into her service.'

'Where's the wonder? Don't the Southerners have negro servants?' she asked quietly.

His flush deepened. 'You compare Jews to negroes!'

'I apologize to the negroes. The blacks have at least Liberia. There is a black President, a black Parliament. We have nothing, nothing!'

'We!' Again that ambiguous plural. But he still instinctively evaded co-classification.

'Nothing?' he retorted. 'I should have said everything. Every gift of genius that Nature can shower from her cornucopia.'

'Jewish geniuses!' Her voice had a stinging inflection. 'Don't talk to me of our geniuses; it is they that have betrayed us. Every other people has its great men; but our great men--they belong to every other people. The world absorbs our sap, and damns us for our putrid remains. Our best must pipe alien tunes and dance to the measures of the heathen. They build and paint; they write and legislate. But never a song of Israel do they fashion, nor a picture of Israel, nor a law of Israel, nor a temple of Israel. Bah! What are they but hirelings?'

Again the passion of her patriotism uplifted and enkindled him. Yes, it was true. He, too, was but a hireling. But he would become a Master; he would go back--back to the Ghetto, and this noble Jewess should be his mate. Thank God he had kept himself free for her. But ere he could pour out his soul, the bouncing San Franciscan actress appeared suddenly at his elbow, risking a last desperate assault, discharging a pathetic tale of a comedian with a cold. Rozenoffski repelled the attack savagely, but before he could exhaust the enemy's volubility his red-haired companion had given him a friendly nod and smile, and retreated into her shrine of duty.

V

He spent a sleepless but happy night, planning out their future together; her redemption from her hireling status, their joint work for their people. He was no longer afraid of the sea. He was afraid of nothing--not even of the _pogroms_ that awaited them in Russia. Russia itself became dear to him again--the beautiful land of his boyhood, whose birds and whispering leaves and waters had made his earliest music.

But dearer than all resurged his Jewish memories. When he went almost mechanically to the piano on the last afternoon, all these slumbering forces wakened in him found vent in a rhapsody of synagogue melody to which he abandoned himself, for once forgetting his audience. When gradually he became aware of the incongruity, it did but intensify his inspiration. Let the heathen rats wallow in Hebrew music! But soon all self-consciousness passed away again, drowned in his deeper self.

It was a strange fantasia that poured itself through his obedient fingers; it held the wistful chants of ancient ritual, the festival roulades and plaintive yearnings of melodious cantors, the sing-song augmentation of Talmud-students oscillating in airless study-houses, the long, melancholy drone of Psalm-singers in darkening Sabbath twilights, the rustle of palm-branches and sobbings of penitence, the long-drawn notes of the ram's horn pealing through the Terrible Days, the passionate proclamation of the Unity, storming the gates of heaven. And fused with these merely physical memories, there flowed into the music the peace of Sabbath evenings and shining candles, the love and wonder of childhood's faith, the fantasy of Rabbinic legend, the weirdness of penitential prayers in raw winter dawns, the holy joy of the promised Zion, when God would wipe away the tears from all faces.

There were tears to be wiped from his own face when he ended, and he wiped them brazenly, unresentful of the frenzied approval of the audience, which now let itself go, out of stored-up gratitude, and because this must be the last performance. All his vanity, his artistic posing, was swallowed up in utter sincerity. He did not shut the piano; he sat brooding a moment or two in tender reverie. Suddenly he perceived his red-haired muse at his side. Ah, she had discovered him at last, knew him simultaneously for the genius and the patriot, was come to pour out her soul at his feet. But why was she mute? Why was she tendering this scented letter? Was it because she could not trust herself to speak before the crowd? He tore open the delicate envelope. _Himmel!_ what was this? Would the maestro honour Mrs. Wilhammer by taking tea in her cabin?

He stared dazedly at the girl, who remained respectful and silent.

'Did you not hear what I was playing?' he murmured.

'Oh yes--a synagogue medley,' she replied quietly. 'They publish it on the East Side, _nicht wahr_?'