Chapter XXII: Contemporary Glass, 356

INDEX, 361

LIST OF ILLUSTRATIONS

I. SYRIAN OR VENETIAN GLASS. Enamelled Beaker of slightly
greenish glass with a few elongated bubbles. (H. 7-1/2 in.)
The Virgin and Child enthroned between conventional lilies;
on either side an angel holding a tall candle; beyond, the
figures of St. Peter and St. Paul. Above, an inscription in
Gothic characters—D[=N]IA MATER REGIS ALTISSIMI ORA P PA.
From the Adrian Hope collection. End of thirteenth century.
British Museum. (_Frontispiece._)

II. UNGUENTARIA OF PRIMITIVE GLASS. British Museum.

(1) From Gurob, near Illahun, Upper Egypt. (H. 4 in.)
Decoration of palm-pattern formed by double drag, on a
sard-coloured translucent ground. Nineteenth Dynasty.

(2) Amphora-shaped vase. (H. 5-3/8 in.) Pattern formed by
simple drag, on opaque red ground. The body apparently turned
on wheel. Handles of green transparent glass. Said to come
from the Ionian Islands.

(3) Small Jug of Oenochoë shape. (H. 5-1/2 in.) Palm pattern
formed by double drag, on dark blue, nearly opaque ground.
_Provenance_ uncertain. From the Slade collection.
(_To face p. 22._)

III. EGYPTIAN GLASS PASTES. British Museum.

(1) Scarab of dark blue paste with white veins
imitating _lapis lazuli_. (L. 3-1/2 in.) From Thebes.
Later Empire.

(2) Vase for cosmetics, in shape of column with papyrus
capital. (H. 3-3/4 in.) Slade collection.

(3) Plaque of ‘fused mosaic.’ (L. 3-1/4 in., about 3/8 in. in
thickness.) From the cemetery at Denderah. Ptolemaic period.
(_To face p. 32._)

IV. (1) Small bottle (‘lachrymatory’). (H. 3 in.) Glass of
various colours arranged in wavy lines, and now in part
iridescent. Probably from a Greco-Roman tomb. Slade
collection.

(2) Bowl of thin white glass, finished on the lathe. (Diam.
3-3/4 in.) Probably from a late Greek tomb.

(3) Spherical vase of pale blue transparent glass. (H.
3-3/8 in.) The mark of the two parts of the mould into which
the glass was blown is visible. Decoration of dolphins,
fishes, etc., on bands. Probably Roman, first century A.D.
Slade collection. 1, 2, and 3, all in British Museum.
(_To face p. 45._)

V. TWO BOWLS OF MILLEFIORI ROMAN GLASS. Probably Roman, first
century A.D. British Museum.

(1) Madrepore pattern, in dark purple ground. (Diam. 5 in.)

(2) Breccia pattern, in purple ground with white scrolls.
From the Durand collection. (Diam. 5-1/4 in.)
(_To face p. 50._)

VI. (1) Beaker with oval bosses, formed by blowing into a mould
with apertures. (H. 5 in.) Clear white glass. Said to have
come from Constantinople. Greco-Roman, first century A.D.

(2) Tall-necked flask of pale green transparent glass. (H.
6-3/4 in.) Maze-like pattern, formed by blowing into mould.
Greco-Roman. From Melos.

(3) Small octagonal pyx, or case for cosmetics. (H.
6-1/4 in.) White opaque glass (but probably originally
transparent); blown into mould. From Sidon. Probably first
century B.C. 1, 2, and 3, all in British Museum.
(_To face p. 56._)

VII. SEPULCHRAL GLASS FROM THE SYRIAN COAST (said to come from
Mount Carmel). Probably about first century B.C. Pale green
glass, with iridescence. British Museum.

(1) Vase for cosmetics in shape of double column. (H.
5-1/4 in.)

(2) Vase with six handles. (H. 4-1/4 in.)

(3) Vase with handles and stringings of cobalt-blue. (H.
8 in.) (_To face p. 60._)

VIII. BOWL OF OLIVE-GREEN GLASS, carved in high (detached) relief.
Mounted on metal stand and with metal rim. Deep red by
transmitted light. Subject—The Madness of Lycurgus. Probably
Roman, about third or fourth century A.D. From the collection
of Lord Rothschild. (_To face p. 73._)

IX. ROMAN GLASS FROM GRAVES IN BRITAIN. British Museum.

(1) Jug of pale olive glass, with iridescence. (H. 8-3/8 in.)
From Colchester.

(2) Vase of olive-green glass, with two handles, each ending
in quilled attachments. (H. 9 in.) From Bayford, near
Sittingbourne. (_To face p. 86._)

X. GILT GLASS OF THE CEMETERIES. Fifth century A.D. British
Museum.

(1) Part of a bowl, the sides ornamented with small
medallions of gilt glass. Subjects—Adam and Eve, Sacrifice
of Isaac, Jonas, the Three Children, Daniel, etc. (Max.
dimension, 6-1/2 in.) Found near the Church of St. Severinus,
Cologne.

(2) Disc from base of bowl. (Diam. 3-3/4 in.) Below, Christ,
between Timothy and Hippolytus; above, St. Paul, St. Sixtus,
and St. Laurence, standing between torque columns.

(3) Portraits of Bride and Bridegroom—Orfitus and
Constantia; with figure of Hercules and congratulatory
inscription. (Diam. 4 in.) (_To face p. 91._)

XI. BYZANTINE GLASS, from the Treasury of St. Mark’s, Venice.
(Reproduced from Passini, _Tesoro di S. Marco_.)

(1) ‘Balance-pan’ lamp of clear glass for suspension. On the
silver rim, an invocation to St. Pantaleone by the Bishop of
Iberia. (Diam. 10-1/2 in.)

(2) Ellipsoid lamp, for suspension. Common glass, carved in
high relief with shells, fishes, etc. Silver rim, with
cloisons for jewels and sockets for candles. (Chief diam.
8 in.)

(3) Paten, or more likely ‘balance-pan’ lamp. Greenish glass,
incised with a series of concentric rings. (Diam. 7 in.)
(_To face p. 96._)

XII. CANTHARUS-SHAPED VASE of sky-blue, bubbly glass. (H.
6-1/4 in.) Probably a chalice. _Circa_ fifth century A.D.
Found at Amiens. From the Pourtalès collection. British
Museum. (_To face p. 98._)

XIII. BYZANTINE OR EARLY SARACENIC GLASS, from the Treasury of St.
Mark’s, Venice. (Reproduced from Passini, _Tesoro di S.
Marco_.)

Pear-shaped vase, set with ‘false’ metal spout and handle, to
resemble an ampulla. Carved in low relief, in imitation of
rock-crystal—design of two sheep-like animals amid
conventional foliage. (Glass alone 4 in. in H.)
(_To face p. 101._)

XIV. BYZANTINE OR LATE ROMAN GLASS, from the Treasury of St.
Mark’s, Venice. (Reproduced from Passini, _Tesoro di S.
Marco_.)

_Situla_ of greenish glass, carved in high (detached) relief
with a hunting scene. Below, a raised grating, supported on
rods of glass (_diatretum_ work). H. 11 in.
(_To face p. 102._)

XV. GLASS BEADS. British Museum.

(1) Cylindrical beads with white and yellow pellets: (i) Blue
glass with satyr-like mask; (ii) opaque greenish glass.
Probably from Cyprus. Greek or Phœnician.

(2) Two Chevron beads. _Provenance_ uncertain. Slade
collection.

(3) Three chains of beads, from Frankish tombs in the
Rhine-Moselle district. (_To face p. 108._)

XVI. ANGLO-SAXON GLASS. Prunted Beaker of olive-green glass.
(H. 11-1/8 in.) From burial-mound, Taplow. British Museum.
(_To face p. 111._)

XVII. ANGLO-SAXON GLASS. (1) Conical cup of pale green glass, with
applied threadings. (H. 10-1/4 in.) From Kempston,
Bedfordshire. British Museum.

(2) Drinking-cup of olive-green glass. (H. 8-1/2 in.) From
Faversham, Kent. British Museum (Gibbs Bequest).
(_To face p. 112._)

XVIII. HEDWIG GLASS (so-called). Two views of a cup of nearly
colourless glass (H. about 4 in.), carved in relief with
lion, griffin, and shield. German or Oriental; thirteenth
century, or perhaps earlier. Now mounted on Gothic metal
stand, which is not shown. Germanic Museum, Nuremberg.
(_To face p. 114._)

XIX. MEDIÆVAL GLASS FURNACE. Reproduction of a coloured miniature
from a manuscript, written probably in 1023, of Rabanus Maurus
(_De Originibus Rerum_), preserved in the library at Monte
Cassino. (_To face p. 124._)

XX. GERMAN GLASS, FOURTEENTH AND FIFTEENTH CENTURY. Dark
bluish-green glass, from the Germanic Museum, Nuremberg.

(1) Prunted cup for holding relics.

(2) Wax cover to above, with seal of the Abbey to which it
belonged. (_To face p. 137._)

XXI. Do. do.

(1) Small cup with pap-shaped prunts.

(2) Cup with conical cover, containing relics.
(_To face p. 137._)

XXII. SARACENIC GLASS. Pilgrim bottle; brownish, amber-coloured
thick glass, enamelled and gilt. (H. about 8 in.) On the
flattened back a rose-wheel design. Long preserved at
Würzburg; said to come from Mesopotamia. _Circa_ 1300 A.D.
British Museum. (_To face p. 153._)

XXIII. SARACENIC GLASS. Tall-necked bottle; decorated with enamelled
and gilt medallions, Chinese phœnix, etc. (H. 17-1/2 in.) The
inscription has been read ‘Glory to our Lord the Sultan, the
wise, the just, the warrior King.’ Bought in Cairo. _Circa_
1300 A.D. Victoria and Albert Museum (Myers Bequest).
(_To face p. 154._)

XXIV. SARACENIC GLASS. Victoria and Albert Museum.

(1) Small lamp of clear white glass, a little decayed on
surface. (H. 8-1/4 in.) Enamels of white, red, and yellow
with gold, sparingly applied—horsemen with falcons; gold
frieze on rim and foot. Stated to have come from a Christian
monastery in Syria. Late thirteenth or early fourteenth
century. Myers Bequest.

(2) Vessel for oil. Probably to be suspended in a large
mosque lamp (lantern). (H. 6-1/2 in.) Pale greenish-blue
glass, with remains of the gilding that formerly covered it.
(_To face p. 156._)

XXV. SARACENIC GLASS. Beaker enamelled with frieze of three
polo-players, between two bands with inscription in Arabic,
both in praise of ‘our Lord the Sultan’ (without date or
proper name). About 1300. The silver-gilt foot and cover are
probably Augsburg work of the early sixteenth century. From a
reproduction in water-colours of the original in the _Grüne
Gewölbe_, Dresden. (_To face p. 162._)

XXVI. SARACENIC GLASS. Mosque lamp (H. 16 in.) from Cairo. Clear
white glass with many bubbles. Eight handles for suspension.
Design of lotus-blossom, etc., outlined in opaque red, and
the interstices filled with translucent blue enamel. Early
fourteenth century. Victoria and Albert Museum (Myers
Bequest). (_To face p. 168._)

XXVII. (1) DRINKING-CUP (Diam. 5-1/2 in.) of honey-coloured glass.
In centre, enamelled figure of ‘the angel who serves the wine
to the faithful.’ Angel’s wings and surrounding band, gold
upon a lavender-blue ground. Persian in style, but according
to M. Schefer, possibly made at Ermenas and enamelled at
Aleppo. Probably fifteenth century. British Museum.

(2) HOLLOW SPHERE of honey-coloured enamelled glass.
(Diam. 4 in.) Ornament of chain of mosque lamp. _Provenance_
unknown, but probably from Northern Syria. British Museum.
(_To face p. 172._)

XXVIII. VENETIAN GLASS. The Aldrevandini Beaker. (H. 5-1/8 in.) Thin
clear glass with black specks, enamelled with three shields
bearing the arms of South German towns: (1) Three stag-horns
in fesse, azure; (2) argent, three keys in fesse, gules; (3)
per fesse argent and sable, in chief a bar. Between,
apple-green leaves outlined in white. Some enamelling also
inside. Inscription in Gothic letters. About 1300 A.D.
British Museum. (_To face p. 179._)

XXIX. VENETIAN GLASS. The Berovieri Cup. (H. c. 8-1/2 in.) _Coppa
Nuziale_ (marriage cup) of deep-blue glass, enamelled and
gilt. The heads of bride and bridegroom in medallions.
Between, (1) a procession of knights and ladies approaching
a fountain; (2) bathing in fountain. Attributed to Angelo
Berovieri. About 1440. Museo Civico, Venice.
(_To face p. 194._)

XXX. VENETIAN GLASS. (1) Lamp for suspension, enamelled with studs
of white on coloured ground. (H. 11 in.) Shield with _stemma_
of Tiepolo family. Early sixteenth century. Museo Civico,
Venice.

(2) Stemless cup of thin clear glass. (H. 5-1/2 in.)
Decorated with scrolls, lions, and birds, in ‘painted’
enamel. About 1450. Dug up while excavating the foundations
of the new Campanile. Museo Civico, Venice.
(_To face p. 199._)

XXXI. VENETIAN GLASS. Flower-vase. (H. 11 in.) Transparent,
colourless glass, slightly greyish, with tendency to
deliquescence on surface: threading and studs of
cobalt-blue. Probably sixteenth century. British Museum.
(Slade, _ex_ Bernal collection.) (_To face p. 200._)

XXXII. VENETIAN GLASS. Spherical vase (H., with ‘made-up’ foot,
9-1/2 in.) of opaque white glass, decorated with gilt scrolls
and bosses and a pair of rudely drawn mermaids. Sixteenth
century. British Museum. (Slade, _ex_ D’Azeglio collection.)
(_To face p. 203._)

XXXIII. VENETIAN GLASS. Pilgrim’s bottle. (H. 6-1/2 in.) Design
(Cupid fishing, and Venus and Anchises) painted in blue on
opaque white (_lattimo_) ground. Early sixteenth century.
Museo Civico, Venice. (_To face p. 204._)

XXXIV. VENETIAN GLASS, enamelled and gilt. Early sixteenth century.
British Museum.

(1) Plate of thin glass. (Diam. 7 in.) In centre a shield
with oak tree, green and gold on blue ground. (? Rovere
arms.) Round margin a ring of delicate pattern in powder
gold. Early sixteenth century. (Slade collection.)

(2) Tazza of thin glass. (Diam. 6 in.) Coat of arms in
lozenge in centre, surrounded by ring with flowers in oval
medallions—apple-green, dull red, blue and yellow enamels.
Powder gold band round margin. (Slade, _ex_ Bernal
collection.) (_To face p. 214._)

XXXV. FRENCH GLASS OF RENAISSANCE. British Museum. (Slade
collection.)

(1) Statuette of Louis XIII. or XIV. (H. 4-1/4 in.) Opaque
white glass with coloured enamels. Probably made at Nevers.
Seventeenth century.

(2) Statuette of man with muff. (H. of figure, 5 in.) Opaque
white, porcelain-like glass, on a copper base. On stand of
white Dresden china, partly gilt.

(3) Small burette (H. 5 in.) of dark greenish-blue
transparent glass; the body and neck splashed with green,
white, and red enamels. Gilt berry-like bosses on body.
Probably sixteenth century. (_To face p. 233._)

XXXVI. SPANISH GLASS. Victoria and Albert Museum.

(1) Vase of pale bottle-green glass; four handles with
quilled edges. (H. 6-1/2 in.) From the South of Spain.
Sixteenth or seventeenth century.

(2) Jug of white transparent glass (H. 8-1/2 in.), made at
S. Ildefonso.

(3) Vase of transparent glass, slightly greenish. (H. 6 in.)
Two handles with quilled edges. From the South of Spain.
Sixteenth or seventeenth century. (_To face p. 245._)

XXXVII. GERMAN GLASS. Roemer of green glass; berry prunts on waist;
the foot built up of glass stringing. _Circa_ 1600. Germanic
Museum, Nuremberg. (_To face p. 254._)

XXXVIII. GERMAN GLASS FURNACE. Sixteenth century. From Agricola,
_De Re Metallica_, Basle, 1556. (_To face p. 260._)

XXXIX. GERMAN GLASS. _Willkomm Humpen_, enamelled in colours with
the _Reichs-adler_. On the wings, as recorded by an
inscription on the back, the arms of the various members of
the Holy Roman Empire. Dated 1656. Greenish glass; below
margin, a ring of ‘powdered’ gold, between beading of white
and blue enamel. British Museum (Henderson Bequest).
(_To face p. 264._)

XL. GERMAN GLASS. British Museum.

(1) Beaker of clear white glass. (H. 5-1/2 in.) Enamelled
with double eagle, white and blue, with yellow beaks and
claws; at the back a sprig of lily-of-the-valley. Dated 1596.
From the Bernal collection.

(2) Jug of pale purple glass (H. 8 in.) with pewter lid.
Enamelled with a white dog pursuing a red stag and fox. In
addition green, blue, and yellow enamels. Dated 1595. From
the Slade collection. (_To face p. 267._)

XLI. GERMAN GLASS. _Willkomm Humpen._ Enamelled in colours with
hunting scene, the game being driven into net. About 1600.
British Museum. (_To face p. 268._)

XLII. GERMAN GLASS. Covered beaker of clear white glass. (H. with
cover 6-3/4 in.) Engraved with design of _amorini_ dancing
among vines. The metal knob of cover is enamelled and gilt,
and on the interior button are enamelled the arms of the
Archbishop of Trèves, with the following inscription:—Joan
Hugo D.G. Arc. Trev. PR. EL. EP. SP. Early eighteenth century.
(_To face p. 283._)

XLIII. DUTCH GLASS. Beaker in the form of a _roemer_. (H. 9 in.) On
the bowl, in medallions, heads symbolising the four seasons,
scratched with the diamond. The waist, decorated with berry
prunts, showing remains of gilding. On this part is scratched
(in English) ‘August the 18th, 1663,’ and the letters H./W.E.
between bay branches. On the foot a landscape with hunting
scene. British Museum. (_To face p. 296._)

XLIV. ENGLISH WINE-GLASSES. British Museum.

(1) Wine-glass, early eighteenth century. (H. 8-3/4 in.) The
hollow knop of the moulded stem is decorated with prunts and
encloses a sixpence of Queen Anne (dated 1707).

(2) Jacobite wine-glass with opaque twisted stem. (H.
7-3/4 in.) On the bowl is engraved a portrait of the Young
Pretender, inscribed ‘_Cognoscunt me mei_’; at the back are
the words _Premium Virtutis_ under a crown.

(3) Jacobite wine-glass with air-twisted stem. Round the bowl
are engraved the words ‘Immortal Memory’; above, a band of
vine-leaves, and below, fleurs-de-lis and roses. Presented by
Mr. A. Hartshorne. (_To face p. 327._)

XLV. ENGLISH FLINT GLASS. Victoria and Albert Museum.

(1) Standing cup and cover (H. 12 in.) on square, stepped
foot. Carved in relief with gadroons descending spirally. End
of eighteenth century. Presented by Mr. H. B. Lennard.

(2) Bowl standing on square base. (H. 8-1/2 in.) The whole of
the surface facetted; the under surface of the foot cut into
square compartments. End of eighteenth century. Presented by
Mr. H. B. Lennard. (_To face p. 332._)

XLVI. PERSIAN GLASS. Tall-necked vase of colourless glass; body
shaped in a mould; _appliqué_ stringings on foot. Taken from
a tomb at Baku. Vincent Robinson collection.
(_To face p. 338._)

XLVII. PERSIAN GLASS. Victoria and Albert Museum. Seventeenth or
eighteenth century.

(1) Tall-necked, pear-shaped vase, the surface spirally
ribbed, of deep blue transparent glass. (H. 11 in.)

(2) Cruet-shaped vase of clear white glass. (H. 9 in.) From
the Richard collection.

(3) Perfume sprinkler, with curved neck and barnacle-shaped
lip. Blue transparent glass, the surface spirally ribbed.
(H. 12 in.) (_To face p. 340._)

XLVIII. INDIAN GLASS. Indian Museum. Vase or basin with
wide-spreading lip. (H. 5-3/4 in.) Milky, semi-transparent
glass; the ground gilt, surrounding white flowers, with
pistils of red enamel. _Provenance_ unknown. (Delhi
district?) (_To face p. 343._)

XLIX. CHINESE GLASS. Victoria and Albert Museum.

(1) Bowl of mottled green glass with purple markings,
imitating jade. (H. 2-7/8 in.) Eighteenth century. From the
Bernal collection.

(2) Spindle-shaped vase of orange, ‘tortoise-shell’ glass.
(H. 7-1/2 in.) The stopper of silver, inlaid with Chinese
characters; the base European.

(3) Small tripod vase of mottled yellow glass, in form of
incense-burner. (H. 3-3/4 in.) Eighteenth century.
(_To face p. 350._)

SELECTED BIBLIOGRAPHY OF WORKS ON GLASS

AGRICOLA (GEORG): _De Re Metallica_ (last chapter of work). Basle, 1556.

APPERT (L.) ET HENRIVAUX: _Verre et Verrerie_. Paris, 1894.

APPERT (L.): _Notes sur les verres des Vitraux Anciens_. Paris, 1896.

BAPST (A.): _Chinesische Glasarbeiten; Zeitschrift für Bildende Kunst_,
1885.

BATE (PERCY): _English Table-Glass_. No date. (1904?)

BIRINGUCCIO (V.): _De la Pirotechnia_. Venice, 1540.

BLANCOURT (HAUDICQUER DE): _L’Art de la Verrerie_. Paris, 1697.

BONTEMPS (G.):—

_Guide du Verrier_. Paris, 1868.

_Exposé des moyens employés pour la fabrication des Verres
Filigranés_. 1845.

BORDONI: _L’Arte Vetraria in Altare_. Savona, 1884.

BOSC D’ANTIC (P.): _Mémoires sur l’Art de la Verrerie_. Paris, 1780.

BOUTELLIER (L’ABBÉ): _Histoire des Gentilshommes Verriers de Nevers_.

BRENT (JOHN): ‘On Chevron Beads.’ _Archæologia_, vol. xlv.

BRINCKMANN (JUSTUS): Various Catalogues, etc., of the Hamburg Museum.

BUCHER (B.): _Die Glassammlung des K.K. Oesterreich. Museum_. Vienna,
1888.

BUSHELL (S. W.):—

_Oriental Ceramic Art_. New York, 1899.

_Chinese Art_, vol. ii. (South Kensington Art Handbooks). 1906.

BUSSELIN (D.): _Les Célèbres Verreries de Venise_. Venice, 1846.

CECCHETTI:—

_Delle Origini dell’ Arte Vetraria Muranese_. R. Institute Veneto,
1872.

_Monographie dell’ Arte Vetraria._ Venice, 1874.

CZIHAK (E. VON): _Schlesische Gläser_. Breslau, 1891.

DALTON (O. M.):—

_Catalogue of Early Christian Antiquities in the British
Museum—Cemetery Glasses_. 1901.

‘Gilded Glass of Catacombs.’ _Archæological Journal_, 1901.

DEVILLE (A.): _Histoire de l’Art de la Verrerie dans l’Antiquité_.
Paris, 1873.

DOBBS (H. C.): ‘Glass-blowers of North-west Provinces.’ _Journal of
Indian Art_, vol. vii.

ERACLIUS: _see_ HERACLIUS.

FILLON (B.): _L’Art de Terre chez les Poitevins_. Niort, 1864.

FIORAVANTI (L.): _Dello Specchio di Scienza Universale_, Bk. vii. cap.
29. Venice, 1567.

FOURCAUD (L. DE): _Émile Gallé_. Paris, 1903.

FOWLER (J.): ‘On the Process of Decay in Glass.’ _Archæologia_, vol.
xlvi.

FRANKS (SIR A. W.):—

_Guide to Glass Room in British Museum_, 1888.

_Art Treasures of United Kingdom. Vitreous Art._ 1858.

FRIEDRICH (C.): _Die Altdeutschen Gläser_. Nürnberg, 1884.

FROEHNER (W.): _La Verrerie Antique_. _Collection Charvet_, 1879.

GARNIER (E.):—

_Histoire de la Verrerie et de l’Émaillerie_. Tours, 1886.

_Spitzer Catalogue_, vol. iii. ‘La Verrerie.’

GARRUCCI (P. R.):—

_Storia dell’ Arte Christiana_, vol. iii. 1876.

_Vetri ornati di Figure in Oro._ 1858 and 1864.

GARZONI (T.): _Piazza Universale di tutte le professioni del Mondo_.
Discorso lxiv. Venice, 1585.

GERSPACH: _L’Art de la Verrerie_. Paris, 1885.

GRIFFITH (F.): _Egypt Exploration Fund_. Tanis, Part ii. 1888.

HALLEN (REV. A.): ‘Glass-making in Sussex, etc.’ _Scottish Antiquary_,
1893.

HARTSHORNE (ALBERT): _Old English Glasses_. 1897.

HAVARD (H.): _Les Arts de l’Ameublement_. _La Verrerie._ Paris, 1894.

HERACLIUS or ERACLIUS: _De Artibus et Coloribus Romanorum_. Eitelberger
von Edelberg: _Quellenschriften für Kunstgeschichte_, vol. iv.

HIRTH (F.): _Chinesische Studien_; _Zur Geschichte des Glases in
China_. Leipsic, 1890. And other papers.

D’HOLBACH (BARON)?: _Art de la Verrerie, de Neri, Merret et Kunckel_.
Paris, 1752.

D’HONDT (P.): _L’Art de la Verrerie_. Liége, 1891.

HOUDOY (J.): _Verrerie à la façon de Venise_. Paris, 1873.

KUNCKEL (J.): _Ars Vitraria Experimentalis_. 1679.

LABARTE (J.):—

_La Collection Debruge Duménil_. Paris, 1847.

_Histoire des Arts Industriels_, vol. iv. Paris, 1866.

LACROIX (P.): _Les Arts au Moyen Âge et à l’Époque de la Renaissance_.
Paris, 1869.

LANE-POOLE (S.):—

_The Art of the Saracens in Egypt_. London, 1886.

_Arabic Glass Weights in British Museum_. 1891.

LAYARD (SIR A. H.): _Nineveh and its Remains_. 1853.

LAZARI (V.): _Notizia delle Opere d’Arte della Raccolta Correr_.
Venice, 1859.

LOBMEYR (L.): _Die Glas-industrie_. Stuttgart, 1874.

LOYSEL (C.): _Essai sur la Verrerie_. Paris, 1800. (Written earlier.)

MATHESIUS: _Sarepta oder Bergpostil_ (Sermon xv.). Nürnberg, 1562.

MERRET (C.): _The Art of Glass of Neri translated into English_.
London, 1662.

MILANESI (G.): _Tre Trattatelli dell’ Arte del Vetro per Mosaici_.
(Fifteenth century MSS.) 1864.

MINUTOLI (H. DE): _Ueber der Anfertigung der farbigen Gläser bei den
Römern_. Berlin, 1836.

MOLINIER (E.): _La Peinture sous Verre_. _Spitzer Catalogue_, vol. iii.

NAPLES: _Description of Museo Borbonico_. _Glass_, vols. v., xi., and
xv.

NERI (A.): _L’Arte Vetraria_. 1612.

NESBITT (A.):—

_Catalogue of Slade Collection of Glass_. Privately printed, 1871.

_Catalogue of Glass Vessels in South Kensington Museum_, 1878.

_Glass_ (South Kensington Art Handbooks), 1875.

‘Opus Sectile in Glass.’ _Archæologia_, vol. xlv.

_Encyclopædia Britannica_, article ‘Glass.’ 1879.

OWEN (H.): _Ceramic Art in Bristol_ (chapter on Bristol Glass). 1873.

PASSINI (A.): _Il Tesoro di San Marco_. Venice, 1886.

PELIGOT (M. E.): _La Verre, Histoire et Fabrication_. 1876.

PELLAT (APSLEY):—

_Curiosities of Glass-making_. London, 1849.

_Memoir on the Origin, etc., of Glass-making_. London, 1821.

PELLETIER: _Les Verriers du Lyonnais_. 1887.

PETRIE (FLINDERS):—

_Burlington Fine Arts Club; Introduction to Catalogue of Egyptian
Exhibition_, 1895.

_Tell-el-Amarna_. _Egypt Exploration Fund_. 1894.

PINCHART (A.): _Les Fabriques des Verres de Venise, d’Anvers et de
Bruxelles au XVI^e. et au XVII^e. siècles_. _Bulletins des
Commissions Royales_. Bruxelles, 1882.

PLINIUS SECUNDUS (CAIUS): _Historia Naturalis_, Bk. xxxvi. caps. 44-47.

PORTER (G. R.): ‘Glass and Porcelain.’ _Lardner’s Cabinet
Encyclopædia_. London, 1832.

POWELL (H. J.):—

_Principles of Glass-making_. London, 1883.

_Encyclopædia Britannica_, article ‘Glass.’ 1902.

READ (C. H.):—

‘Glass in South Saxon Graves.’ _Archæologia_, vol. lv.

‘On a Saracenic Goblet of Enamelled Glass.’ _Archæologia_, vol. lviii.

RIAÑO (J. F.): _Industrial Arts in Spain_, Part ii. (South Kensington
Handbooks). 1879.

SANTI (M.): _Origini dell’ Arte Vetraria in Venezia e Murano_.

SAUZAY (A.):—

_La Verrerie depuis les Temps les plus reculés_. Paris, 1868.

SAUZAY (A.):—

_Marvels of Glass-making_. (Translation of above.) London, 1870.

SCHEBEK (E.): _Böhmens Glasindustrie und Glashandel_. Prague, 1878.

SCHMORANZ (G.): _Old Oriental Gilt and Enamelled Vessels_. German and
English Editions. Vienna and London, 1899.

SCHUERMANS (H.): _The Wanderings of the Muranese and Altarist
Glass-workers. Eleven Letters_. _Bulletins des Commissions Royales_.
Bruxelles, 1883-1891.

_Spitzer Catalogue_. _See_ GARNIER and MOLINIER.

THEOPHILUS: _Diversarum Artium Schedula_. Eitelberger von Edelberg.
_Quellenschriften für Kunstgeschichte_, vol. viii. Vienna, 1874.

URE (A.): _Dictionary of Arts_, article ‘Glass.’ 1853.

VOPEL (H.): _Die Altchristlichen Goldgläser_. Freiberg, 1899.

ZANETTI (V.):—

_Monographia della Vetraria Veneziana_. Venice, 1873.

_Museo Civico di Murano_; _Guida di Murano_. Venice, 1866.

KEY TO THE PRECEDING LIST

_Egyptian_, _etc._ Griffith, Layard, Petrie.

_Greco-Roman and Roman._ Deville, Froehner, Fowler, Minutoli, Naples
Museum, Nesbitt, Pliny.

_Early Christian_, _Byzantine_, _Anglo-Saxon_, _etc._ Brent, Dalton,
Garrucci, Heraclius, Passini, Read, Theophilus, Vopel.

_Saracenic and Perso-Indian._ Lane-Poole, Dobbs, Read, Schmoranz.

_Venetian_ (Murano and Altare). Biringuccio, Bontemps, Bordoni,
Busselin, Cecchetti, Fioravanti, Garzoni, Houdoy, Labarte, Lazari,
Neri, Pinchart, Santi, Schuermans, Zanetti.

_French and Spanish._ Boutellier, Fillon, Fourcaud, Gamier, Gerspach,
Pelletier, Riaño.

_German._ Agricola, Brinckmann, Von Czihak, Friedrich, Kunckel,
Lobmeyr, Mathesius, Schebek.

_English._ Bate, Hallen, Hartshorne, Merret, Owen, Pellat.

_Chinese._ Bapst, Bushell, Hirth.

_Technical._ Appert, Blancourt, Bontemps, Bosc d’Antic, D’Holbach,
Kunckel, Lobmeyr, Loysel, Merret, Neri, Peligot, Pellat, Porter,
Powell, Ure.

_General and historical._ Brinckmann, Franks, Garnier, Gerspach,
Havard, Labarte, Lacroix, Nesbitt, Sauzay.

GLASS