Chapter V: Introduction: On the Reading of Poetry (4)

By the rushy-fringed bank,
Where grows the Willow and the Osier dank,
My sliding Chariot stays,
Thick set with agate, and the azure sheen
Of turkis blue, and emerald green,
That in the channel strays;
Whilst from off the waters fleet
Thus I set my printless feet
O'er the Cowslip's Velvet head,
That bends not as I tread;
Gentle swain, at thy request
I am here.

JOHN MILTON.

_From "Comus."_

_Alexander's Feast_

'Twas at the royal feast, for Persia won
By Philip's warlike son:
Aloft in awful state
The godlike hero sate
On his imperial throne:
His valiant peers were placed around;
Their brows with roses and with myrtles bound:
(So should desert in arms be crowned.)
The lovely Thais, by his side,
Sate like a blooming Eastern bride
In flower of youth and beauty's pride.
Happy, happy, happy pair!
None but the brave,
None but the brave,
None but the brave deserves the fair.

_Chorus._

_Happy, happy, happy pair!_
_None but the brave,_
_None but the brave,_
_None but the brave deserves the fair._

Timotheus, placed on high
Amid the tuneful quire,
With flying fingers touched the lyre:
The trembling notes ascend the sky,
And heavenly joys inspire.
The song began from Jove,
Who left his blissful seats above,
(Such is the power of mighty love.)
A dragon's fiery form belied the god:
Sublime on radiant spires he rode.
The listening crowd admire the lofty sound,
A present deity, they shout around;
A present deity, the vaulted roofs rebound:
With ravish'd ears
The monarch hears,
Assumes the god,
Affects to nod,
And seems to shake the spheres.

_Chorus._

_With ravish'd ears_
_The monarch hears,_
_Assumes the god,_
_Affects to nod,_
_And seems to shake the spheres._

JOHN DRYDEN.

_From "Ode on St. Cecilia's Day."_

_Kubla Khan_

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man,
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But O! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift, half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale, the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her sympathy and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! Those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

SAMUEL TAYLOR COLERIDGE.

_The Magic Car Moved On_

The Fairy and the Soul proceeded;
The silver clouds disparted;
And, as the car of magic they ascended,
Again the speechless music swelled,
Again the coursers of the air
Unfurled their azure pennons, and the Queen,
Shaking the beamy reins,
Bade them pursue their way.

The magic car moved on.
The night was fair, and countless stars
Studded heaven's dark-blue vault,--
The eastern wave grew pale
With the first smile of morn.
The magic car moved on.
From the celestial hoofs
The atmosphere in flaming sparkles flew;
And, where the burning wheels
Eddied above the mountain's loftiest peak,
Was traced a line of lightning.
Now far above a rock, the utmost verge
Of the wide earth, it flew--
The rival of the Andes, whose dark brow
Loured o'er the silver sea.

Far far below the chariot's path,
Calm as a slumbering babe,
Tremendous Ocean lay.
The mirror of its stillness showed
The pale and waning stars,
The chariot's fiery track,
And the grey light of morn
Tingeing those fleecy clouds
That cradled in their folds the infant dawn.
The chariot seemed to fly
Through the abyss of an immense concave,
Radiant with million constellations, tinged
With shades of infinite colour,
And semicircled with a belt
Flashing incessant meteors.

The magic car moved on.
As they approached their goal,
The coursers seemed to gather speed.
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere;
The sun's unclouded orb
Rolled through the black concave;
Its rays of rapid light
Parted around the chariot's swifter course,
And fell like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heavens
Whilst round the chariot's way
Innumerable systems rolled,
And countless spheres diffused
An ever-varying glory.
It was a sight of wonder: some
Were horned like the crescent moon;
Some shed a mild and silver beam
Like Hesperus o'er the western sea;
Some dashed athwart with trains of flame,
Like worlds to death and ruin driven;
Some shone like stars, and, as the chariot passed,
Bedimmed all other light.

PERCY BYSSHE SHELLEY.

_From "Queen Mab."_

_Arethusa_

Arethusa arose
From her couch of snows
In the Acroceraunian mountains,--
From cloud and from crag,
With many a jag,
Shepherding her bright fountains.
She leapt down the rocks
With her rainbow locks
Streaming among the streams;
Her steps paved with green
The downward ravine
Which slopes to the western gleams:
And gliding and springing,
She went, ever singing,
In murmurs as soft as sleep;
The Earth seemed to love her,
And Heaven smiled above her,
As she lingered towards the deep.

Then Alpheus bold,
On his glacier cold,
With his trident the mountains strook
And opened a chasm
In the rocks;--with the spasm
All Erymanthus shook.
And the black south wind
It concealed behind
The urns of the silent snow,
And earthquake and thunder
Did rend in sunder
The bars of the springs below.
The beard and the hair
Of the River-god were
Seen through the torrent's sweep,
As he followed the light
Of the fleet nymph's flight
To the brink of the Dorian deep.

"Oh! save me! Oh! guide me!
And bid the deep hide me!
For he grasps me now by the hair!"
The loud Ocean heard,
To its blue depth stirred,
And divided at her prayer;
And under the water
The Earth's white daughter
Fled like a sunny beam,
Behind her descended,
Her billows unblended
With the brackish Dorian stream.
Like a gloomy stain
On the emerald main,
Alpheus rushed behind,--
As an eagle pursuing
A dove to its ruin
Down the streams of the cloudy wind.
Under the bowers
Where the Ocean Powers
Sit on their pearled thrones;
Through the coral woods
Of the weltering floods;
Over heaps of unvalued stones;
Through the dim beams
Which amid the streams
Weave a network of colored light;
And under the caves
Where the shadowy waves
Are as green as the forest's night;
Outspeeding the shark,
And the swordfish dark,--
Under the ocean foam,
And up through the rifts
Of the mountain clifts,--
They passed to their Dorian home.

And now from their fountains
In Enna's mountains,
Down one vale where the morning basks,
Like friends once parted
Grown single-hearted,
They ply their watery tasks.
At sunrise they leap
From their cradles steep
In the cave of the shelving hill;
At noontide they flow
Through the woods below
And the meadows of asphodel;
And at night they sleep
In the rocking deep
Beneath the Ortygian shore;--
Like the spirits that lie
In the azure sky,
When they love but live no more.

PERCY BYSSHE SHELLEY.

_The Culprit Fay_

(Extracts)

III

_Fairy Dawn_

* * * *

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell--
('Twas made of the white snail's pearly shell)--
"Midnight comes, and all is well!
Hither, hither, wing your way!
'Tis the dawn of the fairy-day."

IV

_The Assembling of the Fays_

They come from beds of lichen green,
They creep from the mullein's velvet screen;
Some on the backs of beetles fly
From the silver tops of moon-touched trees,
Where they swung in their cobweb hammocks high,
And rocked about in the evening breeze;
Some from the humbird's downy nest--
They had driven him out by elfin power,
And, pillowed on plumes of his rainbow breast,
Had slumbered there till the charmed hour;
Some had lain in the scoop of the rock,
With glittering ising-stars inlaid;
And some had opened the four-o'clock,
And stole within its purple shade.
And now they throng the moonlight glade,
Above--below--on every side,
Their little minim forms arrayed,
In the tricksy pomp of fairy pride.

VI

_The Throne of the Lily-King_

The throne was reared upon the grass,
Of spice-wood and of sassafras;
On pillars of mottled tortoise-shell
Hung the burnished canopy--
And over it gorgeous curtains fell
Of the tulip's crimson drapery.
The monarch sat on his judgment-seat,
On his brow the crown imperial shone,
The prisoner Fay was at his feet,
And his peers were ranged around the throne,
He waved his sceptre in the air,
He looked around and calmly spoke;
His brow was grave and his eye severe,
But his voice in a softened accent broke:

VII

_The Fay's Crime_

Fairy! Fairy! list and mark:
Thou hast broke thine elfin chain;
Thy flame-wood lamp is quenched and dark,
And thy wings are dyed with a deadly stain--
Thou hast sullied thine elfin purity
In the glance of a mortal maiden's eye,
Thou hast scorned our dread decree,
And thou shouldst pay the forfeit high,
But well I know her sinless mind
Is pure as the angel forms above,
Gentle and meek, and chaste and kind,
Such as a spirit well might love;
Fairy! had she spot or taint,
Bitter had been thy punishment.

VIII

_The Fay's Sentence_

"Thou shalt seek the beach of sand
Where the water bounds the elfin land;
Thou shalt watch the oozy brine
Till the sturgeon leaps in the bright moonshine,
Then dart the glistening arch below,
And catch a drop from his silver bow.
The water-sprites will wield their arms
And dash around, with roar and rave,
And vain are the woodland spirits' charms,
They are the imps that rule the wave.
Yet trust thee in thy single might:
If thy heart be pure and thy spirit right,
Thou shalt win the warlock fight.

IX

"If the spray-bead gem be won,
The stain of thy wing is washed away:
But another errand must be done
Ere thy crime be lost for aye;
Thy flame-wood lamp is quenched and dark,
Thou must reillume its spark.
Mount thy steed and spur him high
To the heaven's blue canopy;
And when thou seest a shooting star,
Follow it fast, and follow it far--
The last faint spark of its burning train
Shall light the elfin lamp again.
Thou hast heard our sentence, Fay;
Hence! to the water-side, away!"

X

_The Fay's Departure_

The goblin marked his monarch well;
He spake not, but he bowed him low,
Then plucked a crimson colen-bell,
And turned him round in act to go.
The way is long, he cannot fly,
His soiled wing has lost its power,
And he winds adown the mountain high,
For many a sore and weary hour.
Through dreary beds of tangled fern,
Through groves of nightshade dark and dern,
Over the grass and through the brake,
Where toils the ant and sleeps the snake;
Now over the violet's azure flush
He skips along in lightsome mood;
And now he thrids the bramble-bush,
Till its points are dyed in fairy blood.
He has leaped the bog, he has pierced the brier,
He has swum the brook, and waded the mire,
Till his spirits sank, and his limbs grew weak,
And the red waxed fainter in his cheek.
He had fallen to the ground outright,
For rugged and dim was his onward track,
But there came a spotted toad in sight,
And he laughed as he jumped upon her back:
He bridled her mouth with a silkweed twist,
He lashed her sides with an osier thong;
And now, through evening's dewy mist,
With leap and spring they bound along,
Till the mountain's magic verge is past,
And the beach of sand is reached at last.

JOSEPH RODMAN DRAKE.

_A Myth_

A floating, a floating
Across the sleeping sea,
All night I heard a singing bird
Upon the topmast tree.

"Oh, came you from the isles of Greece
Or from the banks of Seine?
Or off some tree in forests free
That fringe the western main?"

"I came not off the old world,
Nor yet from off the new;
But I am one of the birds of God
Which sing the whole night through."

"Oh, sing and wake the dawning!
Oh, whistle for the wind!
The night is long, the current strong,
My boat it lags behind."

"The current sweeps the old world,
The current sweeps the new;
The wind will blow, the dawn will glow,
Ere thou hast sailed them through."

CHARLES KINGSLEY.

_The Fairy Folk_

Up the airy mountain,
Down the rushy glen
We daren't go a-hunting,
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather.

Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain-lake,
With frogs for their watch-dogs,
All night awake.

High on the hill-top
The old King sits;
He is now so old and gray
He's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music,
On cold starry nights,
To sup with the Queen
Of the gay Northern Lights.

They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow;
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lakes,
On a bed of flag leaves,
Watching till she wakes.

By the craggy hillside,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
Is any man so daring
As dig one up in spite?
He shall find the thornies set
In his bed at night.

Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather.

WILLIAM ALLINGHAM.

_The Merman_

I

Who would be
A merman bold,
Sitting alone,
Singing alone
Under the sea,
With a crown of gold,
On a throne?

II

I would be a merman bold,
I would sit and sing the whole of the day;
I would fill the sea-halls with a voice of power;
But at night I would roam abroad and play
With the mermaids in and out of the rocks,
Dressing their hair with the white sea-flower;
And holding them back by their flowing locks
I would kiss them often under the sea,
And kiss them again till they kiss'd me
Laughingly, laughingly;
And then we would wander away, away,
To the pale-green sea-groves straight and high,
Chasing each other merrily.

III

There would be neither moon nor star;
But the wave would make music above us afar--
Low thunder and light in the magic night--
Neither moon nor star.
We would call aloud in the dreamy dells,
Call to each other and whoop and cry
All night, merrily, merrily.
They would pelt me with starry spangles and shells,
Laughing and clapping their hands between,
All night, merrily, merrily,
But I would throw to them back in mine
Turkis and agate and almondine;
Then leaping out upon them unseen
I would kiss them often under the sea,
And kiss them again till they kiss'd me
Laughingly, laughingly.
O, what a happy life were mine
Under the hollow-hung ocean green!
Soft are the moss-beds under the sea;
We would live merrily, merrily.

ALFRED, LORD TENNYSON.

_The Mermaid_

I

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I combed I would sing and say,
"Who is it loves me? who loves not me?"
I would comb my hair till my ringlets would fall
Low adown, low adown,
From under my starry sea-bud crown
Low adown and around,
And I should look like a fountain of gold
Springing alone
With a shrill inner sound,
Over the throne
In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III

But at night I would wander away, away,
I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nearest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
From the diamond ledges that jut from the dells;
For I would not be kiss'd by all who would list,
Of the bold merry mermen under the sea;
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, win me, and marry me,
In the branching jaspers under the sea;
Then all the dry pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud from aloft
All things that are forked and horned and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.

ALFRED, LORD TENNYSON.

_Bugle Song_

The splendor falls on castle walls,
And snowy summits old in story;
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying:
Blow, bugle; answer, echoes, dying, dying, dying.

Oh hark! oh hear! how thin and clear,
And thinner, clearer, farther going!
Oh sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O Love, they die in yon rich sky,
They faint on hill, or field, or river:
Our echoes roll from soul to soul,
And grow forever and forever:
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

ALFRED, LORD TENNYSON.

_From "The Princess."_

_The Raven_

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door--
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;--vainly I had sought to borrow
From my books surcease of sorrow--sorrow for the lost Lenore--
For the rare and radiant maiden whom the angels name Lenore--
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me--filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visitor entreating entrance at my chamber door--
Some late visitor entreating entrance at my chamber door;--
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"--here I opened wide the door;----
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore--
Let my heart be still a moment and this mystery explore;--
'Tis the wind, and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door--
Perched upon a bust of Pallas just above my chamber door--
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore--
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning--little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door--
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered--not a feather then he fluttered--
Till I scarcely more than muttered "Other friends have flown before--
On the morrow he will leave me, as my hopes have flown before."
Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore--
Till the dirges of his hope that melancholy burden bore
Of 'Never--nevermore.'"

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore--
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by angels whose faint foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee--by these angels
he hath sent thee
Respite--respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the raven, "Nevermore."

"Prophet," said I, "thing of evil!--prophet still, if bird or devil!--
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted--
On this home by Horror haunted--tell me truly, I implore--
Is there--is there balm in Gilead?--tell me--tell me, I implore!
Quoth the raven, "Nevermore."

"Prophet!" said I, "thing of evil--prophet still, if bird or devil!
By that Heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore--
Clasp a rare and radiant maiden whom the angels name Lenore?"
Quoth the raven, "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas, just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted--nevermore!

EDGAR ALLAN POE.

_The Bells_

I

Hear the sledges with the bells--
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells--
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells--
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells--
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In the clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now--now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells--
Of the bells--
Of the bells, bells, bells, bells,
Bells, bells, bells,--
In the clamor and the clangor of the bells.

IV

Hear the tolling of the bells--
Iron bells!
What a world of solemn thought their monody
compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.

And the people--ah, the people--
They that dwell up in the steeple,
All alone,
And who tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone--
They are neither man nor woman--
They are neither brute or human--
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances and he yells;
Keeping time, time, time
In a sort of Runic rhyme,
To the paean of the bells--
Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells,
Of the bells, bells, bells,--
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells,--
Of the bells, bells, bells,--
To the tolling of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells,--
To the moaning and the groaning of the bells.

EDGAR ALLAN POE.

INTERLEAVES

_Sports and Pastimes_

In ancient tapestries, centuries old, you sometimes see, wrought in delicate needlework that is faded with the lapse of years, pictures of the sports of the period. There will be quaint scenes showing otter and bear hunting, swans' nesting, hawking, chasing the deer, and the like; in-door scenes, too, depicting pretty pages strumming musical instruments, and lovely ladies at their tambour or 'broidery frames.

The poetry of each passing age preserves pictures of its plays and diversions still more perfectly than worn and tattered tapestry, and the verses we have chosen cover a bewildering variety of pastimes and recreations. The poets have sounded the praises of almost every kind of sport: angling, swimming, skating, bubble-blowing, going a-Maying, walking, riding, whittling, nutting, the country pleasures of "the barefoot boy," the joys of reading, the delights of music, and the exhilarations of cruising and travelling. One poem of the immediate present, Beeching's "Bicycling Song," shows us that the sport of the moment need not of necessity be too commonplace to be wrought into verse. At first thought the amusements of these latter days are so swift and breathless, so complicated with steam, electricity, and other great forces of the new era, that they seem less poetic than the picturesque frolics of milkmaids and shepherds, the games of the old Greeks or the gay sports of the days of chivalry. But after all, as Lowell said, "there is as much poetry in the iron horses that eat fire as in those of Diomed that fed on men. If you cut an apple across, you may trace in it the lines of the blossom that the bee hummed around in May; and so the soul of poetry survives in things prosaic."

VII

SPORTS AND PASTIMES

_Blowing Bubbles_

SEE, the pretty Planet!
Floating sphere!
Faintest breeze will fan it
Far or near;

World as light as feather;
Moonshine rays,
Rainbow tints together,
As it plays;

Drooping, sinking, failing,
Nigh to earth,
Mounting, whirling, sailing,
Full of mirth;

Life there, welling, flowing,
Waving round;
Pictures coming, going,
Without sound.

Quick now, be this airy
Globe repell'd!
Never can the fairy
Star be held.

Touch'd--it in a twinkle
Disappears!
Leaving but a sprinkle,
As of tears.

WILLIAM ALLINGHAM.

_Bicycling Song_

With lifted feet, hands still,
I am poised, and down the hill
Dart, with heedful mind;
The air goes by in a wind.

Swifter and yet more swift,
Till the heart with a mighty lift
Makes the lungs laugh, the throat cry:--
"O bird, see; see, bird, I fly.

"Is this, is this your joy?
O bird, then I, though a boy,
For a golden moment share
Your feathery life in air!"

Say, heart, is there aught like this
In a world that is full of bliss?
'Tis more than skating, bound
Steel-shod to the level ground.

Speed slackens now, I float
Awhile in my airy boat;
Till, when the wheels scarce crawl,
My feet to the treadles fall.

Alas, that the longest hill
Must end in a vale; but still,
Who climbs with toil, wheresoe'er,
Shall find wings waiting there.

HENRY CHARLES BEECHING.

_Going A Maying_

Get up, get up for shame! The blooming morn
Upon her wings presents the god unshorn:
See how Aurora throws her fair
Fresh-quilted colours through the air:
Get up, sweet-slug-a-bed, and see
The dew-bespangled herb and tree!
Each flower has wept and bowed toward the east,
Above an hour since, yet you not drest,
Nay, not so much as out of bed?
When all the birds have matins said,
And sung their thankful hymns, 'tis sin,
Nay, profanation, to keep in,
Whenas a thousand virgins on this day,
Spring, sooner than the lark, to fetch in May.

Rise, and put on your foliage, and be seen
To come forth, like the Spring-time fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night.
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth! Wash, dress, be brief in praying:
Few beads are best, when once we go a Maying.

Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park,
Made green, and trimmed with trees! see how
Devotion gives each house a bough
Or branch! each porch, each door, ere this,
An ark, a tabernacle is,
Made up of white-thorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street,
And open fields, and we not see't?
Come, we'll abroad: and let's obey
The proclamation made for May.
And sin no more, as we have done, by staying,
But, my Corinna, come, let's go a Maying.

There's not a budding boy or girl, this day,
But is got up, and gone to bring in May.
A deal of youth, ere this is come
Back and with white-thorn laden home.
Some have despatched their cakes and cream,
Before that we have left to dream:
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even:
Many a glance, too, has been sent
From out the eye, love's firmament:
Many a jest told of the keys betraying
This night, and locks picked: yet we're not a Maying.

Come, let us go, while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun.
And as a vapour, or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight,
Lies drowned with us in endless night.
Then, while time serves, and we are but decaying,
Come, my Corinna, come, let's go a Maying.

ROBERT HERRICK.

_Jog On, Jog On_[12]

Jog on, jog on the foot path-way,
And merrily hent the stile-a,
Your merry heart goes all the day,
Your sad tires in a mile-a.

Your paltry money-bags of gold--
What need have we to stare for,
When little or nothing soon is told,
And we have the less to care for.

Then cast away care, let sorrow cease,
A fig for melancholy;
Let's laugh and sing, or, if you please,
We'll frolic with sweet Dolly.

_From The Winter's Tale._

[Footnote 12: _First stanza by William Shakespeare. Last two stanzas by unknown author in "Antidote Against Melancholy," 1661._]

_A Vagabond Song_

There is something in the Autumn that is native to my blood--
Touch of manner, hint of mood;
And my heart is like a rhyme,
With the yellow and the purple and the crimson keeping time.

The scarlet of the maples can shake me like a cry
Of bugles going by.
And my lonely spirit thrills
To see the frosty asters like smoke upon the hills.

There is something in October sets the gipsy blood astir;
We must rise and follow her,
When from every hill of flame
She calls and calls each vagabond by name.

BLISS CARMAN.

_Swimming_

And mightier grew the joy to meet full-faced
Each wave, and mount with upward plunge, and taste
The rapture of its rolling strength, and cross
Its flickering crown of snows that flash and toss
Like plumes in battle's blithest charge, and thence
To match the next with yet more strenuous sense;
Till on his eyes the light beat hard and bade
His face turn west and shoreward through the glad
Swift revel of the waters golden-clad,
And back with light reluctant heart he bore
Across the broad-backed rollers in to shore.

ALGERNON C. SWINBURNE.

_From "Tristram of Lyonesse."_

_Swimming_

How many a time have I
Cloven, with arm still lustier, breast more daring,
The wave all roughened; with a swimmer's stroke
Flinging the billows back from my drenched hair,
And laughing from my lip the audacious brine,
Which kissed it like a wine-cup, rising o'er
The waves as they arose, and prouder still
The loftier they uplifted me; and oft,
In wantonness of spirit, plunging down
Into their green and glassy gulfs, and making
My way to shells and seaweed, all unseen
By those above, till they waxed fearful; then
Returning with my grasp full of such tokens
As showed that I had searched the deep; exulting,
With a far-dashing stroke, and drawing deep
The long suspended breath, again I spurned
The foam which broke around me, and pursued
My track like a sea-bird.--I was a boy then.

GEORGE GORDON, LORD BYRON.

_From "The Two Foscari."_

_The Angler's Reveille_[13]

What time the rose of dawn is laid across the lips of night,
And all the drowsy little stars have fallen asleep in light;
'Tis then a wandering wind awakes, and runs from tree to tree,
And borrows words from all the birds to sound the reveille.

This is the carol the Robin throws
Over the edge of the valley;
Listen how boldly it flows,
Sally on sally:

Tirra-lirra,
Down the river,
Laughing water
All a-quiver.
Day is near,
Clear, clear.
Fish are breaking,
Time for waking.
Tup, tup, tup!
Do you hear?
All clear--
Wake up!

The phantom flood of dreams has ebbed and vanished with the dark,
And like a dove the heart forsakes the prison of the ark;
Now forth she fares through friendly woods and diamond-fields of dew,
While every voice cries out "Rejoice!" as if the world were new.

This is the ballad the Bluebird sings,
Unto his mate replying,
Shaking the tune from his wings
While he is flying:

Surely, surely, surely,
Life is dear
Even here.
Blue above,
You to love,
Purely, purely, purely.

There's wild azalea on the hill, and roses down the dell,
And just one spray of lilac still abloom beside the well;
The columbine adorns the rocks, the laurel buds grow pink,
Along the stream white arums gleam, and violets bend to drink.

This is the song of the Yellowthroat,
Fluttering gaily beside you;
Hear how each voluble note
Offers to guide you:

Which way, sir?
I say, sir,
Let me teach you,
I beseech you!
Are you wishing
Jolly fishing?
This way, sir!
I'll teach you.

Then come, my friend, forget your foes, and leave your fears behind,
And wander forth to try your luck, with cheerful, quiet mind;
For be your fortune great or small, you'll take what God may give,
And all the day your heart shall say, "'Tis luck enough to live."

This is the song the Brown Thrush flings,
Out of his thicket of roses;
Hark how it warbles and rings,
Mark how it closes:

Luck, luck,
What luck?
Good enough for me!
I'm alive, you see.
Sun shining,
No repining;
Never borrow
Idle sorrow;
Drop it!
Cover it up!
Hold your cup!
Joy will fill it,
Don't spill it,
Steady, be ready,
Good luck!

HENRY VAN DYKE.

[Footnote 13: _From "The Toiling of Felix." By permission of Charles Scribner's Sons._]

_The Angler's Invitation_

Come when the leaf comes, angle with me,
Come when the bee hums over the lea,
Come with the wild flowers--
Come with the wild showers--
Come when the singing bird calleth for thee!

Then to the stream side, gladly we'll hie,
Where the grey trout glide silently by,
Or in some still place
Over the hill face
Hurrying onward, drop the light fly.

Then, when the dew falls, homeward we'll speed
To our own loved walls down on the mead,
There, by the bright hearth,
Holding our night mirth,
We'll drink to sweet friendship in need and in deed.

THOMAS TOD STODDART.

_Skating_

And in the frosty season, when the sun
Was set, and, visible, for many a mile,
The cottage-windows through the twilight blazed,
I heeded not the summons. Happy time
It was indeed for all of us: for me
It was a time of rapture! Clear and loud
The village clock tolled six. I wheeled about,
Proud and exulting, like an untired horse
That cares not for its home.
All shod with steel,
We hissed along the polished ice, in games
Confederate, imitative of the chase
And woodland pleasures,--the resounding horn,
The pack loud bellowing, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle.
With the din
Meanwhile the precipices rang aloud.
The leafless trees and every icy crag
Tinkled like iron; while the distant hills
Into the tumult sent an alien sound
Of melancholy, not unnoticed; while the stars
Eastward were sparkling clear, and in the west
The orange sky of evening died away.

Not seldom from the uproar I retired
Into a silent bay; or sportively
Glanced sideways, leaving the tumultuous throng,
To cut across the reflex of a star,--
Image, that, flying still before me, gleamed
Upon the glassy plain. And oftentimes,
When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me, even as if the earth had rolled
With visible motion her diurnal round.
Behind me did they stretch in solemn train,
Feebler and feebler; and I stood and watched
Till all was tranquil as a summer sea.

WILLIAM WORDSWORTH.

_From "The Prelude._"

_Reading_

... We get no good
By being ungenerous, even to a book,
And calculating profits ... so much help
By so much reading. It is rather when
We gloriously forget ourselves and plunge
Soul-forward, headlong, into a book's profound,
Impassioned for its beauty and salt of truth--
'Tis then we get the right good from a book.

ELIZABETH B. BROWNING.

_From "Aurora Leigh."_

_On First Looking Into Chapman's Homer_

Much have I travelled in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold;
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific--and all his men
Looked at each other with a wild surmise--
Silent, upon a peak in Darien.

JOHN KEATS.

_Music's Silver Sound_

When griping grief the heart doth wound,
And doleful dump the mind oppress,
Then music, with her silver sound,
With speedy help doth lend redress.

WILLIAM SHAKESPEARE.

_From "Romeo and Juliet."_

_The Power of Music_

For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze,
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since naught so stockish, hard, and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus:
Let no such man be trusted.

WILLIAM SHAKESPEARE.

_From "The Merchant of Venice."_

_Descend, Ye Nine_

Descend, ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly pleasing strain,
Let the warbling lute complain:
Let the loud trumpet sound,
Till the roofs all around
The shrill echoes rebound;
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers soft and clear
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
By music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or, when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouses from his bed,
Sloth unfolds her arms and wakes,
Listening Envy drops her snakes;
Intestine war no more our passions wage,
And giddy factions bear away their rage.

ALEXANDER POPE.

_From "Ode on St. Cecilia's Day."_

_Old Song_

'Tis a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, O sighing!

When such a time cometh
I do retire
Into an old room
Beside a bright fire:
O, pile a bright fire!

And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings--
O, drearily sings!

I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!

But close at the hearth,
Like a cricket, sit I
Reading of summer
And chivalry--
Gallant chivalry!

* * * *

Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!

I jump up like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!

EDWARD FITZGERALD.

_The Barefoot Boy_

Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy upturned pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy,--
I was once a barefoot boy!
Prince thou art,--the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye,--
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!

O for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the groundnut trails its vine,
Where the wood-grape's clusters shine:
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!--
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy,--
Blessings on the barefoot boy!

O for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!

O for festal dainties spread,
Like my bowl of milk and bread,--
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me like a regal tent,
Cloudy ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!

Cheerily, then, my little man,
Live and laugh as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!

JOHN GREENLEAF WHITTIER.

_Leolin and Edith_

These had been together from the first,
Leolin's first nurse was, five years after, hers;
So much the boy foreran: but when his date
Doubled her own, for want of playmates he

* * * *

Had tost his ball and flown his kite, and roll'd
His hoop to pleasure Edith, with her dipt
Against the rush of the air in the prone swing,
Made blossom-ball or daisy-chain, arranged
Her garden, sow'd her name and kept it green
In living letters, told her fairy-tales,
Show'd her the fairy footings on the grass,
The little dells of cowslip, fairy palms,
The petty marestail forest, fairy pines,
Or from the tiny pitted target blew
What looked a flight of fairy arrows aim'd
All at one mark, all hitting: make-believes
For Edith and himself.

ALFRED, LORD TENNYSON.

_From "Aylmer's Field."_

_Going A-Nutting_

No clouds are in the morning sky,
The vapors hug the stream,--
Who says that life and love can die
In all this northern gleam?
At every turn the maples burn,
The quail is whistling free,
The partridge whirs, and the frosted burs
Are dropping for you and me.
Ho! hilly ho! heigh O!
Hilly ho!
In the clear October morning.

Along our path the woods are bold,
And glow with ripe desire;
The yellow chestnut showers its gold,
The sumachs spread their fire;
The breezes feel as crisp as steel,
The buckwheat tops are red:
Then down the lane, love, scurry again,
And over the stubble tread!
Ho! hilly ho! heigh O!
Hilly ho!
In the clear October morning.

EDMUND CLARENCE STEDMAN.

_Whittling_