Chapter III: The Garden-Bed (2)

But the busiest of all were the Fruit-Elves. Their greatest care in the spring was the strawberry plant. When the ground softened from the frost, the Fruit-Elves loosened the earth around each strawberry root, that its shoots might push through to the light. They shaped the plant's leaves, and turned its blossoms toward the warm rays of the sun. They trained its runners, and assisted the timid fruit to form. They painted the luscious berry, and bade it ripen. And when the first strawberries blushed on the vines, these guardian Elves protected them from the evil insects that had escaped from the world of darkness underground.

And the old Iroquois grandmother tells, how once, when the fruit first came to earth, the Evil Spirit, Hahgwehdaetgah, stole the strawberry plant, and carried it to his gloomy cave, where he hid it away. And there it lay until a tiny sunbeam pierced the damp mould, and finding the little vine carried it back to its sunny fields. And ever since then the strawberry plant has lived and thrived in the fields and woods. But the Fruit-Elves, fearing lest the Evil One should one day steal the vine again, watch day and night over their favorite. And when the strawberries ripen they give the juicy, fragrant fruit to the Iroquois children as they gather the spring flowers in the woods.

THE CANYON FLOWERS

BY RALPH CONNOR (ADAPTED)

At first there were no canyons, but only the broad, open prairie. One day the Master of the Prairie, walking out over his great lawns, where were only grasses, asked the Prairie: “Where are your flowers?”

And the Prairie said: “Master, I have no seeds.”

Then he spoke to the birds, and they carried seeds of every kind of flower and strewed them far and wide, and soon the Prairie bloomed with crocuses and roses and buffalo beans and the yellow crowfoot and the wild sunflowers and the red lilies, all the summer long.

Then the Master came and was well pleased; but he missed the flowers he loved best of all, and he said to the Prairie: “Where are the clematis and the columbine, the sweet violets and wind-flowers, and all the ferns and flowering shrubs?”

And again the Prairie answered: “Master, I have no seeds.”

And again he spoke to the birds and again they carried all the seeds and strewed them far and wide.

But when next the Master came, he could not find the flowers he loved best of all, and he said: “Where are those, my sweetest flowers?”

And the Prairie cried sorrowfully: “O Master, I cannot keep the flowers, for the winds sweep fiercely, and the sun beats upon my breast, and they wither up and fly away.”

Then the Master spoke to the Lightning, and with one swift blow the Lightning cleft the Prairie to the heart. And the Prairie rocked and groaned in agony, and for many a day moaned bitterly over its black, jagged, gaping wound.

But a little river poured its waters through the cleft, and carried down deep, black mould, and once more the birds carried seeds and strewed them in the canyon. And after a long time the rough rocks were decked out with soft mosses and trailing vines, and all the nooks were hung with clematis and columbine, and great elms lifted their huge tops high up into the sunlight, and down about their feet clustered the low cedars and balsams, and everywhere the violets and wind-flowers and maiden-hair grew and bloomed till the canyon became the Master's place for rest and peace and joy.

CLYTIE, THE HELIOTROPE

BY OVID (ADAPTED)

There was once a Nymph named Clytie, who gazed ever at Apollo as he drove his sun-chariot through the heavens. She watched him as he rose in the east attended by the rosy-fingered Dawn and the dancing Hours. She gazed as he ascended the heavens, urging his steeds still higher in the fierce heat of the noonday. She looked with wonder as at evening he guided his steeds downward to their many-colored pastures under the western sky, where they fed all night on ambrosia.

Apollo saw not Clytie. He had no thought for her, but he shed his brightest beams upon her sister the white Nymph Leucothoe. And when Clytie perceived this she was filled with envy and grief.

Night and day she sat on the bare ground weeping. For nine days and nine nights she never raised herself from the earth, nor did she take food or drink; but ever she turned her weeping eyes toward the sun-god as he moved through the sky.

And her limbs became rooted to the ground. Green leaves enfolded her body. Her beautiful face was concealed by tiny flowers, violet-colored and sweet with perfume. Thus was she changed into a flower and her roots held her fast to the ground; but ever she turned her blossom-covered face toward the sun, following with eager gaze his daily flight. In vain were her sorrow and tears, for Apollo regarded her not.

And so through the ages has the Nymph turned her dew-washed face toward the heavens, and men no longer call her Clytie, but the sun-flower, heliotrope.

HYACINTHUS

BY OVID (ADAPTED)

Once when the golden-beamed Apollo roamed the earth, he made a companion of Hyacinthus, the son of King Amyclas of Lacedaemon; and him he loved with an exceeding great love, for the lad was beautiful beyond compare.

The sun-god threw aside his lyre, and became the daily comrade of Hyacinthus. Often they played games, or climbed the rugged mountain ridges. Together they followed the chase or fished in the quiet and shadowy pools; and the sun-god, unmindful of his dignity, carried the lad's nets and held his dogs.

It happened on a day that the two friends stripped off their garments, rubbed the juice of the olive upon their bodies, and engaged in throwing the quoit. First Apollo poised it and tossed it far. It cleaved the air with its weight and fell heavily to earth. At that moment Hyacinthus ran forwards and hastened to take up the disc, but the hard earth sent it rebounding straight into his face, so that he fell wounded to the ground.

Ah! then, pale and fearful, the sun-god hastened to the side of his fallen friend. He bore up the lad's sinking limbs and strove to stanch his wound with healing herbs. All in vain! Alas! the wound would not close. And as violets and lilies, when their stems are crushed, hang their languid blossoms on their stalks and wither away, so did Hyacinthus droop his beautiful head and die.

Then the sun-god, full of grief, cried aloud in his anguish: “O Beloved! thou fallest in thy early youth, and I alone am the cause of thy destruction! Oh, that I could give my life for thee or with thee! but since Fate will not permit this, thou shalt ever be with me, and thy praise shall dwell on my lips. My lyre struck with my hand, my songs, too, shall celebrate thee! And thou, dear lad, shalt become a new flower, and on thy leaves will I write my lamentations.”

And even as the sun-god spoke, behold! the blood that had flowed from Hyacinthus's wound stained the grass, and a flower, like a lily in shape, sprang up, more bright than Tyrian purple. On its leaves did Apollo inscribe the mournful characters: “ai, ai,” which mean “alas! alas!”

And as oft as the spring drives away the winter, so oft does Hyacinthus blossom in the fresh, green grass.

ECHO AND NARCISSUS

BY OVID (ADAPTED)

Long ago, in the ancient world, there was born to the blue-eyed Nymph Liriope, a beautiful boy, whom she called Narcissus. An oracle foretold at his birth that he should be happy and live to a good old age if he “never saw himself.” As this prophecy seemed ridiculous his mother soon forgot all about it.

Narcissus grew to be a stately, handsome youth. His limbs were firm and straight. Curls clustered about his white brow, and his eyes shone like two stars. He loved to wander among the meadow flowers and in the pathless woodland. But he disdained his playmates, and would not listen to their entreaties to join in their games. His heart was cold, and in it was neither hate nor love. He lived indifferent to youth or maid, to friend or foe.

Now, in the forest near by dwelt a Nymph named Echo. She had been a handmaiden of the goddess Juno. But though the Nymph was beautiful of face, she was not loved. She had a noisy tongue. She told lies and whispered slanders, and encouraged the other Nymphs in many misdoings. So when Juno perceived all this, she ordered the troublesome Nymph away from her court, and banished her to the wildwood, bidding her never speak again except in imitation of other peoples' words. So Echo dwelt in the woods, and forever mocked the words of youths and maidens.

One day as Narcissus was wandering alone in the pathless forest, Echo, peeping from behind a tree, saw his beauty, and as she gazed her heart was filled with love. Stealthily she followed his footsteps, and often she tried to call to him with endearing words, but she could not speak, for she no longer had a voice of her own.

At last Narcissus heard the sound of breaking branches, and he cried out: “Is there any one here?”

And Echo answered softly: “Here!”

Narcissus, amazed, looking about on all sides and seeing no one, cried: “Come!”

And Echo answered: “Come!”

Narcissus cried again: “Who art thou? Whom seekest thou?”

And Echo answered: “Thou!”

Then rushing from among the trees she tried to throw her arms about his neck, but Narcissus fled through the forest, crying: “Away! away! I will die before I love thee!”

And Echo answered mournfully: “I love thee!”

And thus rejected, she hid among the trees, and buried her blushing face in the green leaves. And she pined, and pined, until her body wasted quite away, and nothing but her voice was left. And some say that even to this day her voice lives in lonely caves and answers men's words from afar.

Now, when Narcissus fled from Echo, he came to a clear spring, like silver. Its waters were unsullied, for neither goats feeding upon the mountains nor any other cattle had drunk from it, nor had wild beasts or birds disturbed it, nor had branch or leaf fallen into its calm waters. The trees bent above and shaded it from the hot sun, and the soft, green grass grew on its margin.

Here Narcissus, fatigued and thirsty after his flight, laid himself down beside the spring to drink. He gazed into the mirror-like water, and saw himself reflected in its tide. He knew not that it was his own image, but thought that he saw a youth living in the spring.

He gazed on two eyes like stars, on graceful slender fingers, on clustering curls worthy of Apollo, on a mouth arched like Cupid's bow, on blushing cheeks and ivory neck. And as he gazed his cold heart grew warm, and love for this beautiful reflection rose up and filled his soul.

He rained kisses on the deceitful stream. He thrust his arms into the water, and strove to grasp the image by the neck, but it fled away. Again he kissed the stream, but the image mocked his love. And all day and all night, lying there without food or drink, he continued to gaze into the water. Then raising himself, he stretched out his arms to the trees about him, and cried:--

“Did ever, O ye woods, one love as much as I! Have ye ever seen a lover thus pine for the sake of unrequited affection?”

Then turning once more, Narcissus addressed his reflection in the limpid stream:--

“Why, dear youth, dost thou flee away from me? Neither a vast sea, nor a long way, nor a great mountain separates us! only a little water keeps us apart! Why, dear lad, dost thou deceive me, and whither dost thou go when I try to grasp thee? Thou encouragest me with friendly looks. When I extend my arms, thou extendest thine; when I smile, thou smilest in return; when I weep, thou weepest; but when I try to clasp thee beneath the stream, thou shunnest me and fleest away! Grief is taking my strength, and my life will soon be over! In my early days am I cut off, nor is Death grievous to me, now that he is about to remove my sorrows!”

Thus mourned Narcissus, lying beside the woodland spring. He disturbed the water with his tears, and made the woods to resound with his sighs. And as the yellow wax is melted by the fire, or the hoar frost is consumed by the heat of the sun, so did Narcissus pine away, his body wasting by degrees.

And often as he sighed: “Alas!” the grieving Echo from the wood answered: “Alas!”

With his last breath he looked into the water and sighed: “Ah, youth beloved, farewell!” and Echo sighed: “Farewell!”

And Narcissus, laying his weary head upon the grass, closed his eyes forever. The Water-Nymphs wept for him, and the Wood-Dryads lamented him, and Echo resounded their mourning. But when they sought his body it had vanished away, and in its stead had grown up by the brink of the stream a little flower, with silver leaves and golden heart,--and thus was born to earth the woodland flower, Narcissus.

MOTHERS' DAY

(SECOND SUNDAY IN MAY)

THE LARK AND ITS YOUNG ONES

A HINDU FABLE

BY P. V. RAMASWAMI RAJU (ADAPTED)

A child went up to a lark and said: “Good lark, have you any young ones?”

“Yes, child, I have,” said the mother lark, “and they are very pretty ones, indeed.” Then she pointed to the little birds and said: “This is Fair Wing, that is Tiny Bill, and that other is Bright Eyes.”

“At home, we are three,” said the child, “myself and two sisters. Mother says that we are pretty children, and she loves us.”

To this the little larks replied: “Oh, yes, OUR mother is fond of us, too.”

“Good mother lark,” said the child, “will you let Tiny Bill go home with me and play?”

Before the mother lark could reply, Bright Eyes said: “Yes, if you will send your little sister to play with us in our nest.”

“Oh, she will be so sorry to leave home,” said the child; “she could not come away from our mother.”

“Tiny Bill will be so sorry to leave our nest,” answered Bright Eyes, “and he will not go away from OUR mother.”

Then the child ran away to her mother, saying: “Ah, every one is fond of home!”

CORNELIA'S JEWELS

BY JAMES BALDWIN [3]

[Footnote 3: From Fifty Famous Stories Retold. Copyright, 1896, by American Book Company.]

It was a bright morning in the old city of Rome many hundred years ago. In a vine-covered summer-house in a beautiful garden, two boys were standing. They were looking at their mother and her friend, who were walking among the flowers and trees.

“Did you ever see so handsome a lady as our mother's friend?” asked the younger boy, holding his tall brother's hand. “She looks like a queen.”

“Yet she is not so beautiful as our mother,” said the elder boy. “She has a fine dress, it is true; but her face is not noble and kind. It is our mother who is like a queen.”

“That is true,” said the other. “There is no woman in Rome so much like a queen as our own dear mother.”

Soon Cornelia, their mother, came down the walk to speak with them. She was simply dressed in a plain, white robe. Her arms and feet were bare, as was the custom in those days; and no rings or chains glittered about her hands and neck. For her only crown, long braids of soft brown hair were coiled about her head; and a tender smile lit up her noble face as she looked into her sons' proud eyes.

“Boys,” she said, “I have something to tell you.”

They bowed before her, as Roman lads were taught to do, and said: “What is it, mother?”

“You are to dine with us to-day, here in the garden; and then our friend is going to show us that wonderful casket of jewels of which you have heard so much.”

The brothers looked shyly at their mother's friend. Was it possible that she had still other rings besides those on her fingers? Could she have other gems besides those which sparkled in the chains about her neck?

When the simple outdoor meal was over, a servant brought the casket from the house. The lady opened it. Ah, how those jewels dazzled the eyes of the wondering boys! There were ropes of pearls, white as milk, and smooth as satin; heaps of shining rubies, red as the glowing coals; sapphires as blue as the sky that summer day; and diamonds that flashed and sparkled like the sunlight.

The brothers looked long at the gems. “Ah!” whispered the younger; “if our mother could only have such beautiful things!”

At last, however, the casket was closed and carried carefully away.

“Is it true, Cornelia, that you have no jewels?” asked her friend. “Is it true, as I have heard it whispered, that you are poor?”

“No, I am not poor,” answered Cornelia, and as she spoke she drew her two boys to her side; “for here are my jewels. They are worth more than all your gems.”

The boys never forgot their mother's pride and love and care; and in after years, when they had become great men in Rome, they often thought of this scene in the garden. And the world still likes to hear the story of Cornelia's jewels.

QUEEN MARGARET AND THE ROBBERS

BY ALBERT F. BLAISDELL (ADAPTED)

One day when roses were in bloom, two noblemen came to angry words in the Temple Gardens, by the side of the river Thames. In the midst of their quarrel one of them plucked a white rose from a bush, and, turning to those who were near him, said:--

“He who will stand by me in this quarrel, let him pluck a white rose with me, and wear it in his hat.”

Then the other gentleman tore a red rose from another bush, and said:--

“Let him who will stand by me pluck a red rose, and wear it as his badge.”

Now this quarrel led to a great civil war, which was called “The War of the Roses,” for every soldier wore a white or red rose in his helmet to show to which side he belonged.

The leaders of the “Red Rose” sided with King Henry the Sixth and his wife, Queen Margaret, who were fighting for the English throne. Many great battles were fought, and wicked deeds were done in those dreadful times.

In a battle at a place called Hexham, the king's party was beaten, and Queen Margaret and her little son, the Prince of Wales, had to flee for their lives. They had not gone far before they met a band of robbers, who stopped the queen and stole all her rich jewels, and, holding a drawn sword over her head, threatened to take her life and that of her child.

The poor queen, overcome by terror, fell upon her knees and begged them to spare her only son, the little prince. But the robbers, turning from her, began to fight among themselves as to how they should divide the plunder, and, drawing their weapons, they attacked one another. When the queen saw what was happening she sprang to her feet, and, taking the prince by the hand, made haste to escape.

There was a thick wood close by, and the queen plunged into it, but she was sorely afraid and trembled in every limb, for she knew that this wood was the hiding-place of robbers and outlaws. Every tree seemed to her excited fancy to be an armed man waiting to kill her and her little son.

On and on she went through the dark wood, this way and that, seeking some place of shelter, but not knowing where she was going. At last she saw by the light of the moon a tall, fierce-looking man step out from behind a tree. He came directly toward her, and she knew by his dress that he was an outlaw. But thinking that he might have children of his own, she determined to throw herself and her son upon his mercy.

When he came near she addressed him in a calm voice and with a stately manner.

“Friend,” said she, “I am the queen. Kill me if thou wilt, but spare my son, thy prince. Take him, I will trust him to thee. Keep him safe from those that seek his life, and God will have pity on thee for all thy sins.”

The words of the queen moved the heart of the outlaw. He told her that he had once fought on her side, and was now hiding from the soldiers of the “White Rose.” He then lifted the little prince in his arms, and, bidding the queen follow, led the way to a cave in the rocks. There he gave them food and shelter, and kept them safe for two days, when the queen's friends and attendants, discovering their hiding-place, came and took them far away.

If you ever go to Hexham Forest, you may see this robber's cave. It is on the bank of a little stream that flows at the foot of a hill, and to this day the people call it “Queen Margaret's Cave.”

THE REVENGE OF CORIOLANUS

BY CHARLES MORRIS (ADAPTED)

Caius Marcius was a noble Roman youth, who fought valiantly, when but seventeen years of age, in the battle of Lake Regillus, and was there crowned with an oaken wreath, the Roman reward for saving the life of a fellow soldier. This he showed with joy to his mother, Volumnia, whom he loved exceedingly, it being his greatest pleasure to receive praise from her lips.

He afterward won many more crowns in battle, and became one of the most famous of Roman soldiers. One of his memorable exploits took place during a war with the Volscians, in which the Romans attacked the city of Corioli. Through Caius's bravery the place was taken, and the Roman general said: “Henceforth, let him be called after the name of this city.” So ever after he was known as Caius Marcius Coriolanus.

Courage was not the only marked quality of Coriolanus. His pride was equally great. He was a noble of the nobles, so haughty in demeanor and so disdainful of the commons that they grew to hate him bitterly.

At length came a time of great scarcity of food. The people were on the verge of famine, to relieve which shiploads of corn were sent from Sicily to Rome. The Senate resolved to distribute this corn among the suffering people, but Coriolanus opposed this, saying: “If they want corn, let them promise to obey the Patricians, as their fathers did. Let them give up their tribunes. If they do this we will let them have corn, and take care of them.”

When the people heard of what the proud noble had said, they broke into a fury, and a mob gathered around the doors of the Senate house, prepared to seize and tear him in pieces when he came out. But the tribunes prevented this, and Coriolanus fled from Rome, exiled from his native land by his pride and disdain of the people.

The exile made his way to the land of the Volscians and became the friend of Rome's great enemy, whom he had formerly helped to conquer. He aroused the Volscians' ire against Rome, to a greater degree than before, and placing himself at the head of a Volscian army greater than the Roman forces, marched against his native city. The army swept victoriously onward, taking city after city, and finally encamping within five miles of Rome.

The approach of this powerful host threw the Romans into dismay. They had been assailed so suddenly that they had made no preparations for defense, and the city seemed to lie at the mercy of its foes. The women ran to the temples to pray for the favor of the gods. The people demanded that the Senate should send deputies to the invading army to treat for peace.

The Senate, no less frightened than the people, obeyed, sending five leading Patricians to the Volscian camp. These deputies were haughtily received by Coriolanus, who offered them such severe terms that they were unable to accept them. They returned and reported the matter, and the Senate was thrown into confusion. The deputies were sent again, instructed to ask for gentler terms, but now Coriolanus refused even to let them enter his camp. This harsh repulse plunged Rome into mortal terror.

All else having failed, the noble women of Rome, with Volumnia, the mother of Coriolanus, at their head, went in procession from the city to the Volscian camp to pray for mercy.

It was a sad and solemn spectacle, as this train of noble ladies, clad in their habiliments of woe, and with bent heads and sorrowful faces, wound through the hostile camp, from which they were not excluded as the deputies had been. Even the Volscian soldiers watched them with pitying eyes, and spoke no scornful word as they moved slowly past.

On reaching the midst of the camp, they saw Coriolanus on the general's seat, with the Volscian chiefs gathered around him. At first he wondered who these women could be; but when they came near, and he saw his mother at the head of the train, his deep love for her welled up so strongly in his heart that he could not restrain himself, but sprang up and ran to meet and kiss her.

The Roman matron stopped him with a dignified gesture. “Ere you kiss me,” she said, “let me know whether I speak to an enemy or to my son; whether I stand here as your prisoner or your mother.”

He stood before her in silence, with bent head, and unable to answer.

“Must it, then, be that if I had never borne a son, Rome would have never seen the camp of an enemy?” said Volumnia, in sorrowful tones.

“But I am too old to endure much longer your shame and my misery. Think not of me, but of your wife and children, whom you would doom to death or to life in bondage.”

Then Virgilia, his wife, and his children, came forward and kissed him, and all the noble ladies in the train burst into tears and bemoaned the peril of their country.

Coriolanus still stood silent, his face working with contending thoughts. At length he cried out in heart-rending accents: “O mother! What have you done to me?”

Then clasping her hand he wrung it vehemently, saying: “Mother, the victory is yours! A happy victory for you and Rome! but shame and ruin for your son.”

Thereupon he embraced her with yearning heart, and afterward clasped his wife and children to his breast, bidding them return with their tale of conquest to Rome. As for himself, he said, only exile and shame remained.

Before the women reached home, the army of the Volscians was on its homeward march. Coriolanus never led it against Rome again. He lived and died in exile, far from his wife and children.

The Romans, to honor Volumnia, and those who had gone with her to the Volscian camp, built a temple to “Woman's Fortune,” on the spot where Coriolanus had yielded to his mother's entreaties.

THE WIDOW AND HER THREE SONS

(ADAPTED)

One day a poor woman approached Mr. Lincoln for an interview. She was somewhat advanced in years and plainly clad, wearing a faded shawl and worn hood.

“Well, my good woman,” said Mr. Lincoln, “what can I do for you this morning?”

“Mr. President,” answered she, “my husband and three sons all went into the army. My husband was killed in the battle of----. I get along very badly since then living all alone, and I thought that I would come and ask you to release to me my eldest son.”

Mr. Lincoln looked in her face for a moment, and then replied kindly:--

“Certainly! Certainly! If you have given us ALL, and your prop has been taken away, you are justly entitled to one of your boys.”

He then made out an order discharging the young man, which the woman took away, thanking him gratefully.

She went to the front herself with the President's order, and found that her son had been mortally wounded in a recent battle, and taken to the hospital.

She hastened to the hospital. But she was too late, the boy died, and she saw him laid in a soldier's grave.

She then returned to the President with his order, on the back of which the attendant surgeon had stated the sad facts concerning the young man it was intended to discharge.

Mr. Lincoln was much moved by her story, and said: “I know what you wish me to do now, and I shall do it without your asking. I shall release to you your second son.”

Taking up his pen he began to write the order, while the grief-stricken woman stood at his side and passed her hand softly over his head, and stroked his rough hair as she would have stroked her boy's.

When he had finished he handed her the paper, saying tenderly, his eyes full of tears:--

“Now you have one of the two left, and I have one, that is no more than right.”

She took the order and reverently placing her hand upon his head, said:--

“The Lord bless you, Mr. President. May you live a thousand years, and may you always be the head of this great nation.”

MEMORIAL DAY

(APRIL OR MAY)

FLAG DAY

(JUNE 14)

BETSY ROSS AND THE FLAG

BY HARRY PRINGLE FORD (ADAPTED)

On the 14th day of June, 1777, the Continental Congress passed the following resolution: “RESOLVED, That the flag of the thirteen United States be thirteen stripes alternate red and white; that the Union be thirteen stars, white in a blue field, representing a new constellation.”

We are told that previous to this, in 1776, a committee was appointed to look after the matter, and together with General Washington they called at the house of Betsy Ross, 239 Arch Street, Philadelphia.

Betsy Ross was a young widow of twenty-four heroically supporting herself by continuing the upholstery business of her late husband, young John Ross, a patriot who had died in the service of his country. Betsy was noted for her exquisite needlework, and was engaged in the flag-making business.

The committee asked her if she thought she could make a flag from a design, a rough drawing of which General Washington showed her. She replied, with diffidence, that she did not know whether she could or not, but would try. She noticed, however, that the star as drawn had six points, and informed the committee that the correct star had but five. They answered that as a great number of stars would be required, the more regular form with six points could be more easily made than one with five.

She responded in a practical way by deftly folding a scrap of paper; then with a single clip of her scissors she displayed a true, symmetrical, five-pointed star.

This decided the committee in her favor. A rough design was left for her use, but she was permitted to make a sample flag according to her own ideas of the arrangement of the stars and the proportions of the stripes and the general form of the whole.

Sometime after its completion it was presented to Congress, and the committee had the pleasure of informing Betsy Ross that her flag was accepted as the Nation's standard.

THE STAR-SPANGLED BANNER

BY EVA MARCH TAPPAN (ADAPTED)

In 1814, while the War of 1812 was still going on, the people of Maryland were in great trouble, for a British fleet began to attack Baltimore. The enemy bombarded the forts, including Fort McHenry. For twenty-four hours the terrific bombardment went on.

“If Fort McHenry only stands, the city is safe,” said Francis Scott Key to a friend, and they gazed anxiously through the smoke to see if the flag was still flying.

These two men were in the strangest place that could be imagined. They were in a little American vessel fast moored to the side of the British admiral's flagship. A Maryland doctor had been seized as a prisoner by the British, and the President had given permission for them to go out under a flag of truce, to ask for his release. The British commander finally decided that the prisoner might be set free; but he had no idea of allowing the two men to go back to the city and carry any information. “Until the attack on Baltimore is ended, you and your boat must remain here,” he said.

The firing went on. As long as daylight lasted they could catch glimpses of the Stars and Stripes whenever the wind swayed the clouds of smoke. When night came they could still see the banner now and then by the blaze of the cannon. A little after midnight the firing stopped. The two men paced up and down the deck, straining their eyes to see if the flag was still flying. “Can the fort have surrendered?” they questioned. “Oh, if morning would only come!”

At last the faint gray of dawn appeared. They could see that some flag was flying, but it was too dark to tell which. More and more eagerly they gazed. It grew lighter, a sudden breath of wind caught the flag, and it floated out on the breeze. It was no English flag, it was their own Stars and Stripes. The fort had stood, the city was safe. Then it was that Key took from his pocket an old letter and on the back of it he wrote the poem, “The Star-Spangled Banner.”

The British departed, and the little American boat went back to the city. Mr. Key gave a copy of the poem to his uncle, who had been helping to defend the fort. The uncle sent it to the printer, and had it struck off on some handbills. Before the ink was dry the printer caught up one and hurried away to a restaurant, where many patriots were assembled. Waving the paper, he cried, “Listen to this!” and he read:--

“O say, can you see, by the dawn's early light,
What so proudly we hailed at the twilight's last gleaming,
Whose broad stripes and bright stars, through the perilous
fight,
O'er the ramparts we watch'd were so gallantly streaming?
And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there.
O say, does the star-spangled banner yet wave
O'er the land of the free and the home of the brave?”

“Sing it! sing it!” cried the whole company. Charles Durang mounted a chair and then for the first time “The Star-Spangled Banner” was sung. The tune was “To Anacreon in Heaven,” an air which had long been a favorite. Halls, theaters, and private houses rang with its strains.

The fleet was out of sight even before the poem was printed. In the middle of the night the admiral had sent to the British soldiers this message, “I can do nothing more,” and they hurried on board the vessels. It was not long before they left Chesapeake Bay altogether,--perhaps with the new song ringing in their ears as they went.

THE LITTLE DRUMMER-BOY

BY ALBERT BUSHNELL HART (ADAPTED)

A few days before a certain regiment received orders to join General Lyon, on his march to Wilson's Creek, the drummer-boy of the regiment was taken sick, and carried to the hospital.

Shortly after this there appeared before the captain's quarters, during the beating of the reveille, a good-looking, middle-aged woman, dressed in deep mourning, leading by the hand a sharp, sprightly looking boy, apparently about twelve or thirteen years of age.

Her story was soon told. She was from East Tennessee, where her husband had been killed by the Confederates, and all her property destroyed. Being destitute, she thought that if she could procure a situation for her boy as drummer, she could find employment for herself.

While she told her story, the little fellow kept his eyes intently fixed upon the countenance of the captain. And just as the latter was about to say that he could not take so small a boy, the lad spoke out:--

“Don't be afraid, Captain,” said he, “I can drum.”

This was spoken with so much confidence that the captain smiled and said to the sergeant:--

“Well, well, bring the drum, and order our fifer to come here.”

In a few moments a drum was produced and the fifer, a round-shouldered, good-natured fellow, who stood six feet tall, made his appearance. Upon being introduced to the lad, he stooped down, resting his hands on his knees, and, after peering into the little fellow's face for a moment, said:--

“My little man, can you drum?”

“Yes, sir,” answered the boy promptly. “I drummed for Captain Hill in Tennessee.”

The fifer immediately straightened himself, and, placing his fife to his lips, played the “Flowers of Edinburgh,” one of the most difficult things to follow with the drum. And nobly did the little fellow follow him, showing himself to be master of the drum.

When the music ceased the captain turned to the mother and observed:--

“Madam, I will take the boy. What is his name?”

“Edward Lee,” she replied. Then placing her hand upon the captain's arm, she continued in a choking voice, “If he is not killed!--Captain,--you will bring him back to me?”

“Yes, yes,” he replied, “we shall be certain to bring him back to you. We shall be discharged in six weeks.”

An hour after, the company led the regiment out of camp, the drum and fife playing “The Girl I left behind me.”

Eddie, as the soldiers called him, soon became a great favorite with all the men of the company. When any of the boys returned from foraging, Eddie's share of the peaches, melons, and other good things was meted out first. During the heavy and fatiguing marches, the long-legged fifer often waded through the mud with the little drummer mounted on his back, and in the same fashion he carried Eddie when fording streams.

During the fight at Wilson's Creek, a part of the company was stationed on the right of Totten's battery, while the balance of the company was ordered down into a deep ravine, at the left, in which it was known a party of Confederates was concealed.

An engagement took place. The contest in the ravine continued some time. Totten suddenly wheeled his battery upon the enemy in that quarter, and they soon retreated to high ground behind their lines.

In less than twenty minutes after Totten had driven the Confederates from the ravine, the word passed from man to man throughout the army, “Lyon is killed!” And soon after, hostilities having ceased upon both sides, the order came for the main part of the Federal force to fall back upon Springfield, while the lesser part was to camp upon the ground, and cover the retreat.

That night a corporal was detailed for guard duty. His post was upon a high eminence that overlooked the deep ravine in which the men had engaged the enemy. It was a dreary, lonesome beat. The hours passed slowly away, and at length the morning light began to streak along the western sky, making surrounding objects visible.

Presently the corporal heard a drum beating up the morning call. At first he thought it came from the camp of the Confederates across the creek, but as he listened he found that it came from the deep ravine. For a few moments the sound stopped, then began again. The corporal listened closely. The notes of the drum were familiar to him,--and then he knew that it was the drummer-boy from Tennessee playing the morning call.

Just then the corporal was relieved from guard duty, and, asking permission, went at once to Eddie's assistance. He started down the hill, through the thick underbrush, and upon reaching the bottom of the ravine, he followed the sound of the drum, and soon found the lad seated upon the ground, his back leaning against a fallen tree, while his drum hung upon a bush in front of him.

As soon as the boy saw his rescuer he dropped his drumsticks, and exclaimed:--

“O Corporal! I am so glad to see you! Give me a drink.”

The soldier took his empty canteen, and immediately turned to bring some water from the brook that he could hear rippling through the bushes near by, when, Eddie, thinking that he was about to leave him, cried out:--

“Don't leave me, Corporal, I can't walk.”

The corporal was soon back with the water, when he discovered that both the lad's feet had been shot away by a cannon-ball.

After satisfying his thirst, Eddie looked up into the corporal's face and said:--

“You don't think I shall die, do you? This man said I should not,--he said the surgeon could cure my feet.”

The corporal now looked about him and discovered a man lying in the grass near by. By his dress he knew him to belong to the Confederate army. It appeared that he had been shot and had fallen near Eddie. Knowing that he could not live, and seeing the condition of the drummer-boy, he had crawled to him, taken off his buckskin suspenders, and had corded the little fellow's legs below the knees, and then he had laid himself down and died.

While Eddie was telling the corporal these particulars, they heard the tramp of cavalry coming down the ravine, and in a moment a scout of the enemy was upon them, and took them both prisoners.

The corporal requested the officer in charge to take Eddie up in front of him, and he did so, carrying the lad with great tenderness and care. When they reached the Confederate camp the little fellow was dead.

A FLAG INCIDENT

BY M. M. THOMAS (ADAPTED)

When marching to Chattanooga the corps had reached a little wooded valley between the mountains. The colonel, with others, rode ahead, and, striking into a bypath, suddenly came upon a secluded little cabin surrounded by a patch of cultivated ground.

At the door an old woman, eighty years of age, was supporting herself on a crutch. As they rode up she asked if they were “Yankees,” and upon their replying that they were, she said: “Have you got the Stars and Stripes with you? My father fought the Tories in the Revolution, and my old eyes ache for a sight of the true flag before I die.”

To gratify her the colonel sent to have the colors brought that way. When they were unfurled and planted before her door, she passed her trembling hands over them and held them close to her eyes that she might view the stars once more. When the band gave her “Yankee Doodle,” and the “'Star-Spangled Banner,” she sobbed like a child, as did her daughter, a woman of fifty, while her three little grandchildren gazed in wonder.

They were Eastern people, who had gone to New Orleans to try to improve their condition. Not being successful, they had moved from place to place to better themselves, until finally they had settled on this spot, the husband having taken several acres of land here for a debt.

Then the war burst upon them. The man fled to the mountains to avoid the conscription, and they knew not whether he was alive or dead. They had managed to support life, but were so retired that they saw very few people.

Leaving them food and supplies, the colonel and the corps passed on.

TWO HERO-STORIES OF THE CIVIL WAR

BY BEN LA BREE (ADAPTED)