Chapter III: Front Matter (3)

Mary sat and waited nearly two hours, while the stately servant went on silently dusting and sweeping, answering the bell every few minutes, but never saying a word to the little visitor. At the end of that time, others came in and sat by her. Pale, wretched, distressed-looking women—some with babes afflicted with sad diseases; while men limped in, almost groaning with pain. Young gentlemen, handsomely dressed, sauntered in, and throwing off cloaks and coats, sat down to books in the adjoining room. They carried on conversation in a low tone, broken by occasional laughs that contrasted strangely with the half-suppressed complainings of the group around her. The doctor at last came hurriedly in. He was a small, spare man, with a gray head, and wrinkled, cross face, that, guarded by a pair of cold blue eyes, looked as unfeeling as the man really was. He passed from patient to patient—scolding this one, abusing that, and treating all as if they were dogs. Having run through his catalogue of poverty-stricken specimens of humanity, he turned abruptly to Mary, and asked—

“What do you want?”

“I wish to see Dudley Fletcher, sir,” was the frightened reply.

The doctor eyed the little visitor with a cold, half-suppressed sneer for a second; and then, making no reply, looked at his watch, and left the house—having thus humanely disposed of his charity patients. As his buggy rattled away, the grim janitor told Mary that Dudley Fletcher was seldom about the office now-a-days—he might be in before dinner, but it was very doubtful. If she would leave a note, he would see that Mr. Fletcher received it. Mary was disposed to wait; but her presence had attracted the attention of the students in the adjoining room, and she noticed they whispered together and stared at her—so writing hastily a note, telling Dudley of her arrival and where she could be found, she sealed and directed it, then with a heavy heart returned to the hotel.

It is difficult to say what the deserted and heart-sickened girl proposed doing when Dudley did see her. She had no definite idea, no realization of aught save fevered suffering; but, if she could only see him once more, hear his voice, feel his arm about her aching form, it seemed as if all would be well again. But time stole slowly on, and no Dudley came: she started at the approach of strangers, expecting the familiar face of her betrayer. She escaped the impertinent stare of servants by going to the window, and looking down the thronged streets until her eyes were dim with tears. The noise of life around fell without a meaning upon her ear—it seemed a continual roar like a senseless rush of waters. She still stood by the window as evening came, and the shades of night fell upon the street, and saw the crowd thin, and the lights twinkle from post and store—still no Dudley came. The servants treated her so rudely, that, at last, she was forced to go; and fearing he might come yet and not find her, for more than an hour she lingered upon the street, in front of the wide flight of steps that led to the hotel.

It was now quite dark, and Mary still hung about the steps, when a man handsomely dressed came down them—passed, looking at her as the lamp-light fell upon her pale face, then turned and asked in a low tone if she wished to see any one. Thinking the questioner might be from Dudley, she answered quickly—

“Yes—I want to see Dudley Fletcher.”

“Ah! yes, yes, you will scarcely find him here.”

“Where can I find him, sir?”

“That is easier asked than answered, my little maiden, unless you know something before hand.”

“I don’t know—I came into town to-day. I wish to see him. Can’t you tell me where to go?”

“I will go with you, little one,” answered the man, looking uneasily at the lights around. “Come, I will take you where you can send for him—come with me.” He walked hastily on, and Mary followed: for some time he continued a few paces before her, but turning down a narrow street in which there were no gas-lamps, he put her arm in his, and said—

“Now, my little girl, tell me all about it. Where did you come from, and what is it about Dudley Fletcher?”

“I came from Un-a-ka, sir—and I wish to see him.”

“A little love-affair now—eh! You’re his little sweetheart?”

To this Mary making no reply, her companion withdrew her arm, and placed his own around her. Frightened at this, she shrunk away, and, as he persisted, she suddenly sunk to the ground, and burst into tears. Had there been sufficient light, a very puzzled expression might have been seen upon the face of the gentleman as he lifted her from the pavement.

“Come,” he said, “don’t cry. I’ll not offend you again—where shall I take you?”

“To Dudley Fletcher,” she sobbed out. “Only show me his house, and then leave me.”

“Why, yes—he lives with his Aunt, Mrs. Hays; but I’ll take you there, so do not cry.”

They moved on in silence, and in a few minutes were in front of the marble mansion, blazing with light.

“Here,” said her companion, “is the house. Mrs. Col. Hays gives a party to-night. Go up those steps, ring the bell, and ask for Mr. Fletcher. I cannot accompany you farther.”

Scarcely stopping to thank her conductor, Mary staggered up the marble steps, while he turned hastily away, as if shunning a denouement. She paused at the door, weak, frightened and doubting, when a carriage stopped, and from it a party ran up the steps. Mary shrank from sight behind a pillar as they came. A gentleman rang the bell, and had scarcely touched the silver knob before the door swung noiselessly open and the party entered. Not daring to follow their example she still hesitated. From the door by which she stood ran a narrow porch of ornamented iron-work, and along this she stole to where the high window came to the floor and looked in. For a second she was dazzled. The magnificent rooms blazed with light from cut-glass chandeliers, the soft light fell upon delicate furniture of the most costly kind—upon pictures rare and beautiful—upon soft carpets over which fairy forms moved so exquisitely, while strains of delicious music came up from some distant room, that to the unexperienced eye of Mary all seemed a fairy scene—a creation of the imagination.

As the poor girl stood shivering in the cold, the snow began to fall, and shrinking closer to the warmth she could not feel, the whole scene presented a realization of Barry Cornwall’s exquisite poem of “Without and Within.” With only that diamond-pane between—a world wide contrast had existence. Upon one side was a piece of God’s exquisite workmanship, shivering, suffering, half-crazed, trampled upon and outcast—while upon the other, wanton luxury rolled in sin. Ah! who comes here, pacing so proudly, while bright eyes turn admiringly—what exceeding loveliness is led by the arm. The blood rushes to the pale face, the little heart throbs aloud, she presses closer to the pane, for it is him—it is Dudley. She of the bright complexion, large, soft eyes and mass of ringlets, is seated near that fated window, and he bends over her. She hears him speak—no, his low voice cannot come through the heavy pane, but she knows too well—ah! too well—the persuasive words that are falling from his lips, for she has learned to read his looks—the lessons have been burned into her heart.

The lights shine on. To strains of witching music forms pass to and fro in the mazes of the dance—jest and song, laughter and wine, flash and ring out for unheeded hours and hours—but she is gone. The pale wretch that pressed shivering against the window pane is gone. Down the dark thoroughfare, with the cold snow beating in her face, maddened, sobbing, sick to death, she flies. Oh! where? What demon leads her on? Why down that silent, deserted street? On, on, past quiet homes where the night-lamp yet gleams on peace and happiness—past shops where low drunkenness revels in late hours—on she unheeded flies. And now she stumbles over loose stones, and the air blows keener. Down the steep bank she reels—poor little Mary—she pauses for a moment. A mighty river, shrouded in darkness, sweeps on before her. Boats, tied to the bank, rub against each other, making a moaning noise, while the waves flap under their bows—this is all she hears, for the great stream sweeps on in silence. From the opposite shore a furnace glares, that glittering out red, sends a long line over the waves and lights her way to death. She steps along the plank to the deck of a boat—over that to the very edge—and then disappears. Disappears in the dark flood silently as the snow-flakes. The mighty river moves on like fate to eternity. Into its deep bosom it took what God had made and man cast out. For many hours after the music still sounded in the marble palace, and dancers gracefully answered the strains, for the silent street had no tale—the great river no revelation for the heartless throng.

A party of medical students were lounging round a billiard-table in a celebrated restaurant, the evening after the event just narrated. They were smoking, drinking, laughing, and at intervals knocking idly the ivory balls over the table. Their light sacks, or black velvet coats, with fancy caps, variously fashioned and tasseled, showed them to be youths whose fathers could pay for something beside the improvement of their brains.

“Will you be at class to-night, Tom?” asked one, of his comrade, as he rattled down his empty glass.

“To be sure, I don’t intend to miss a muscle of Crosstree. We had too much trouble in getting the infernal rascal.”

“We had that, and Cross. is a beauty, besides having been hung.”

“I want to see him carefully dissected,” said a handsome, light-haired youth, joining the group.

“Why, Ned, do you expect ever to undergo the innocent operation of being hung?”

“Can’t say. No telling what a fellow may come to in such a crowd as this. If Strong ever sings another sentimental song in my presence I’ll murder him—now mind.”

“Crosstree is a magnificent subject. I was looking at him to-day—old S. says he never saw a finer.”

“Class B has a finer, they say—a girl. They gave two hundred for her.”

“They wont be outdone. But I believe in the rope yet. Come, fellows—it’s getting late—let’s be off.”

“Where’s Dudley?”

“Drunk as usual.”

“Come, old boy,” said the first speaker, approaching our hero, who, stretched upon a sofa, was looking in the fire with a drunken stare. “Come, we’ll be too late.”

Dudley mechanically started to his feet, drank a quantity of brandy, and rushing forward, was caught by two of his brother students, and the whole party left the house together, laughing, chatting, whistling and singing, they wended their way toward the medical college. Dudley Fletcher, as his comrades afterward remarked, was unusually silent and even morose. Arriving at the college, the party mounted long fights of dark stairs ending in a door, that one of them unlocked and threw open, and all entered the dissecting-room. The janitor had left a bright coal-fire sputtering in the stove, and save this no other light fell upon the ghastly gloom. The large, square windows were open, as gusts of wind making the fire roar indicated, but in spite of this a dreadful, sickening odor of decay filled the room. Several lamps were lighted, and then the frightful reality became apparent.

Upon either side of a large room were placed narrow tables, on each of which lay a specimen of the desecrated dead; over the floor were scattered limbs strangely mutilated, bones with particles of flesh yet hanging to them, snow-white skeletons and grinning skulls. Upon the table nearer the fire was the body of a man lately hung. The frame was heavy and muscular, but the head presented the most awful sight the heart of man ever shuddered over. It was one swollen mass of purple blood, while around the neck lay a red line where the cruel cord had sunk in and disappeared from the force of the struggling weight. He had been found guilty of a fiendish murder, yet no heart could look on this and not shudder at the punishment. Why do the students leave this table and crowd around the next? Why hold up their lights and gaze in breathless awe? Do youth and innocence carry admiration and respect with them to the charnel-house? They whisper as they gaze upon the gentle form, so beautiful and still, that with wild hair disheveled seems to sleep upon the rude couch of death. Where is Dudley—why does he not gaze and whisper too? Upon entering the room he threw himself upon a low seat behind the stove, and falling from that to the floor, sleeps soundly in his drunkenness.

Star-eyed Science walks unmoved among the dead. The students are busy about the table of the murderer. Nothing is heard save the voice of the instructor, or noise of his instruments as he lays bare the hidden mysteries of life. Dudley sleeps on.

The fire burns down—the candles, flickering in the wind, are dim—the lesson is over. Putting out their lights, the students gather their coats and cloaks about them and leave. The last one is gone. The janitor, casting a hasty look at the fire, goes with them. The great bolt is shot into its place—the door is locked, and Dudley, forgotten and alone, sleeps on!

Hour after hour steals by. The fire, dimmer and dimmer, at length goes out, and darkness fills the room. The storm, with its sky of heavy clouds, sweeps away, and now the full moon comes up in silvery brightness. Cold, clear and cheerless the flood of light poured in at the open windows, lighting up like the ghost of day that chamber of death. Chilled through and through, Dudley awakes.

For a moment he gazed in startled wonder at the strange scene around him. Then a dim recollection of the night stole over his now sobered brain, and seizing his cap he strode toward the door—to find it locked! In vain he pulled and knocked, the echoes that rung through the silent room were his only answers. The stout door resisted all attempts to break it open. Foiled and disheartened he returned to the stove. Dudley shook with the cold that had numbed his limbs while sleeping, and now seemed to be penetrating to his very heart. Stooping, he raked among the ashes and found one live coal. Taking this gently up he made many efforts to kindle it to a blaze, but this last spark died out in the midst of his exertions. Nothing daunted, he looked to find some covering to shield him—nothing could be seen save the sheets thrown carelessly over the dead. These he proceeded to gather. Pulling the frail covering from form after form, leaving exposed the emaciated remnants of consumption, the half-destroyed remains of quick disease, without a shudder—why starts he at this over which the moonlight falls so brightly—why gasp for breath and stare so wildly?

This cannot be—this is a hideous dream. He strikes his forehead, wrings his hands, staggers forward. No, no, he cannot look again. A chill horror curdles about his heart and he reels toward the door. He had one look—but one—yet that is frozen into his very soul. How long in dreadful agony he stood gazing down the hall, peopled with the dead. He dared not turn to where she lay—the poor little timid girl—she who so confidingly had trusted him, and now rested among thieves, murderers, and cast-out poverty—claimed by Decay alone. He dared not look again—over her innocent form stood fearful Retribution—silent as the grave—terrible as Death. His eyes wandered from table to table, one by one, slower and slower, until they rested upon that long, grinning monument of consumption, upon which the moonlight fell, silvering the hard and bony points, that seemed like a skeleton covered with yellow parchment.

Oh! how he longed for liberty and life—for some power to lift the awful punishment from his soul. A confused thought of escape crept in—of the dark well running the length of the house down to vaults where the refuse flesh was cast. How deep and dark to his mind it seemed—deeper and deeper, miles and miles into the earth. The hall seems to lengthen out—how huge it is? Again he turns to the body that consumption owns—he tries to look from that to her—in vain. His eyes are fixed, they see no farther. Did that hand move?—it seemed to move. It did—the body turns—it raises and points its long, skinny arm at her—and shakes its horribly mutilated head. Another and another—and all raise slowly up and point at her. And now they speak—what confused blasphemy—what groans and cries! Hark! that well-known, once-loved voice, hear it—hear its gentle tones and die—

“Oh! Dudley, come to me.”

He sees no more, he hears no more—gasping he falls, striking heavily against the oak door.

Early next morning the janitor found him lying senseless where he had fallen. He was carried to his room, and all that medical science could do was done. Slowly he returned to sense, but not health. The cold had perfected its work—his limbs were without life, and after many days he was carried back to his father’s house helpless as a child. So he yet remains, humble, sad and repentant.

In the little church-yard, not far from his home, is a green mound, where the soft falling snow of winter and the wild birds of spring see no name—no marble tomb, but where the long grass whispers in the summer winds, Dudley Fletcher may be frequently seen reading or musing silently, having been carried there, his only haunt from home.

* * * * *

=THE DEAD AT THERMOPYLÆ.=

=FROM THE GREEK OF SIMONIDES.=

=BY HENRY WILLIAM HERBERT.=

Bright was their fortune and sublime their doom,
Who perished at Thermopylæ—their tomb
An altar of their sons—their dirge, renown.

Their epitaph not rust shall e’er efface,
Nor Time, who changes all things else, debase,
Nor later ages insolent disown.

Their tomb contains, enshrined beside the dead,
A mightier inmate, her for whom they bled,
Glory—their country’s unforgotten fame.

Witness the royal Spartan, who in death
Did win high Valor’s, more than Pythian, wreath,
A crown immortal, an unfading name.

* * * * *

=THE OPIUM EATER’S DREAM:=

=OR THE MODERN FORTUNATUS.=

=FROM THE GERMAN OF GEORGE DÖRING.=

I passed some time, a few months ago, in the seven-hilled city of the Bosphorus—in beautiful, but muddy Constantinople. I had seen and admired every thing that was to be seen and admired, as far as the Turks allow to a Christian dog. Often had I stood at the portal of the mosque of St. Sophia, and gazed with longing sighs upon the imperial seraglio just opposite, in the vain hope that some veiled beauty would appear at one of the balconies, observe me, and then raise her veil, that I might at home, in my native place—Gelnhaus—describe a Turkish Sultana; for my susceptible heart had been trained in every way, by repeated journeys to large towns and capitals. One evening, however, I remarked that several black slaves eyed me attentively and suspiciously: I imagined also something threatening and dangerous in their gestures; and as, at the same time, several shots were heard from the interior of the seraglio—which seemed to intimate that capital punishment was being inflicted upon criminals, whose crimes were, perhaps, nothing worse than a few longing sighs, wafted to the imprisoned fair ones—a panic seized me, which drove me from the spot in tempestuous haste, whilst I inwardly swore a solemn oath never again to venture within a hundred yards of the sultan’s palace.

Be it known to the world that I am the traveling agent for the house of Messrs. Steinlein & Son, wine-merchants of Frankfort on the Main. I myself am called Gabriel Mostert, born in the town which, on account of the old legend, I call the Barbarossa town; and which deserves quite as wide a reputation as the town of Pisa, in Italy, for it contains just such a leaning tower. My countenance is round and ruddy, my eyes are lively and intellectual, my form powerful and muscular—five-feet-three. I am possessed by a spirit of speculation. I am determined to establish a famous house—not what they call famous in Frankfort, Leipzig, or Hamburg—no, I will establish the firm only for my Barbarossa town, and my little Kate, whose father gives her to me only upon condition that I settle down respectably in Gelnhaus, as a dealer in dry goods, in _Drap_ _de Zephire_, in _Crêpe de Chine_, and in veritable _eau de Cologne_. On this account, I persuaded my honored principals to a Constantinople speculation, which offered a fair profit. I had, in fact, read in the best papers of the day, that the present sultan was busy in placing every thing upon a European footing. There can be no European footing without a European head; and what is a European head without the inspiration of Champagne, Burgundy, and Johannisburg? My principals agreed to every thing: I sailed from Trieste with casks and bottles, anchored in the Bosphorus, and the next day was employed in preparations to attract the worshipers of Islam to my European inspiration.

The thing succeeded; my wines disappeared with charming celerity. Even the Mufti honored me with a visit, and assured me—while he tried my costly Johannisburg, of 1822, with the smack of a connoisseur—that his friend, the Abbot of Fulda, had done well to exalt this wine to his closet—it did indeed deserve to be drank in solitude, when not a breath, not a word could disturb the full enjoyment of the liquid gold. He tried a couple of bottles, and the European inspiration began then to beam so brilliantly from his eyes, that I verily believe, had any cunning missionary been at hand, he would have embraced Christianity.

My affairs then were prosperous, and yet not so; for although the wines had found purchasers, the money for them was not forthcoming. From time to time I paid a visit to my Turkish debtors. I was kindly received with pipes and coffee, but of my money—not a word. I look care never rudely to remind them of it, having been assured by some Armenian friends that the Moslems could bear no dunning, and that unpleasant hints were often rewarded with a most unpleasant bastinado. I was sure of my money in the end, for I had already heard that it was the custom of all distinguished Turks to pay off all their debts on a certain day of the year, just before the Ramazan. The Ramazan was not very distant, and until then I had to wait with patience. It is a dreadful thing for a fiery young merchant, whose fancy revels in interest and commission, to have to parade up and down the streets of Constantinople in useless, idle patience.

Thus, one beautiful afternoon, I sauntered toward Bujukdìre, the summer residence of the European ambassadors. Here their many beautiful daughters dwelt, but now my heart was filled with thoughts of Kate, and the future establishment for the sale of fancy articles and _eau de_ _Cologne_. Nevertheless, I trembled with excitement; for my eye rested upon the dome of St. Sophia, and involuntarily the oft-recalled wish stirred in my soul—“Wert thou only, O dearly loved Gabriel Mostert, as prosperous a house as this venerable church, which receives, according to well-accredited testimony, an income of ten thousand guilders daily.”

Ten thousand guilders! What a sublime thought! Shakspeare, Schiller, and Goethe had had great thoughts, and Bethman and Rothschild have carried the poesy of trade to a wonderful extent—but this mosque of St. Sophia—I must control myself—I must clip the wings of my speculative fancy, or it will carry me too far—to Golconda or Potosi. Return to thy home, to the old town, where bloomed for Barbarossa the fair Gela, and where blooms now the burgomaster’s daughter, thy violet, and beside her, a shop stocked with all fancy articles, and with the delicious perfume of _Karl Maria Farina of Cöln_.

With such reflections I was obliged to moderate my lively imagination while I approached Bujukdìre, when I was awakened from my dreams of home, and brought back to reality upon the Bosphorus by a hearty slap upon my shoulder.

“_Salam, aleìkum!_” I cried; and warding off the Turkish greeting, I sprang aside. I was too well acquainted with the proofs of esteem with which the Turks honor us poor Christians, when they find us in their way, not to immediately suppose that the slave of some noble Turk had chosen this means of informing me of his master’s presence. A loud laugh in my ears corrected this false idea. As I turned round, I saw my two worthy friends, Mynheer Jan von Delpt—the Dutch Ambassador’s cook, and Monsieur Fleury—the French Ambassador’s butler. We were right good friends, and had passed many a jovial evening together. They came now just at the right time; they would serve to divert me, and we could enjoy a social hour, for this evening they were, as they assured me, free; their masters had accepted an invitation from the Reis-Effendi.

“Come,” I said, as I seized both by the arm, and stopped them, “we’ll contrive quite a charming supper together. In wine you shall have free choice. You, Van Delpt, like something heavy—Port wine, or genuine Madeira. It shall not be wanting, and we will drink to the health of your Margery von Minderhout, in Amsterdam. You, M. Fleury, shall have Champagne from Sillery, and vive Demoiselle Manon Larochière, rue Montmartre. I stand by the true German. O, ye honored grapes of Rudesheim, with what shall I compare you, if not with little Kate of Castle street, Barbarossa town; your sweet flower, with the flower of her beauty—your animating fire, with the fire that gleams in her eyes. Come, friends, let us bring down the high ideal to actual life. The trio of our loves shall sound in Madeira, Champagne, and Rudesheim; and inspired fancy shall present to our raptured gaze the gracious forms of our beloved ones.”

I had, I thought, outshone myself in the poetry of this invitation. I wished to touch and win them—but my friends seemed neither touched by my resemblance of their loved ones, nor won by the picture of the costly wines that awaited them at my lodgings. They looked thoughtfully at each other, shook their heads, and withstood all my attempts to lead them back to the city. Then Van Delpt shook himself loose from me, and taking me by the shoulders, turned me round as the wind would a weathercock, and said, pointing to a little wooden house, upon the top of which floated a red silk flag—

“Do you see that booth, and do you know what you can obtain there for a mere nothing?”

I answered in the negative.

“Then I will take the cover off the dish for you,” continued the cook; “you shall learn how we can enjoy Mahomet’s seventh heaven here on earth. Yes, Mynheer, there, in that unpretending booth the bliss of earth and heaven can be enjoyed for a few paras.”

I was perplexed. Van Delpt was usually a quiet matter-of-fact person. He did not seem to have taken more than his usual allowance of Genivee, the old Dutch phlegm had not vanished in the least from his features, only there was to be seen there an inspired expression, not before observable, which beamed forth very brilliantly as he looked at the little red house.

“Yes, monsieur,” chimed in the Frenchman, “you will not take it ill of us if we refuse your invitation. With you we should only intoxicate ourselves, there we shall be entranced! It is a delight which we have enjoyed once a year since we arrived in Stamboul. To-day, the Reis-Effendi has procured us this opportunity—who knows when it will come again? Come with us, M. Mostert, and inhale rapture, bliss, enchantment. Yes, M. Mostert, no champagne can procure for us that bliss to which I now invite you. I am a butler, and you know how much what I say must mean. I surely know all the joys which the grapes of Constantinople, Canary, or Vesuvius can yield. But what are they to the rapture that awaits us? Does empire please you—a kingdom is yours the instant you think of it. Would you be Grand Vizier, Kapudin Pacha, or minister plenipotentiary—in a flash it is as you wish. Come with us, and you will thank your friends, the fat cook and the lean butler, for procuring for you an unknown, but incomparable delight. I have determined to-day to be Henry the Fourth, but only until the moment when the rascal Ravaillac murders the excellent monarch; then I change myself into the Count St. Germain, who, it is well known, was three hundred years old when he visited the royal court of Versailles, and probably is still living somewhere, under a feigned name, in the fullness of youth and strength. _Vive_, Henri Quatre,” cried M. Fleury, while my brain whirled, and I allowed myself to be drawn toward the house with the red flag.

I knew Fleury, and could rely upon what he said. I might be a king, a sultan, or a Rothschild. There I paused—it was a grand idea—a poetical excitement made my heart beat faster in my breast. But prosaically enough came the change of faith between me and my wishes.

“No,” I said, “I must always remain a good Christian, according to the Augsburg confession; a different happiness awaits me in the little red house—money, plenty of money, and little Kate, in Gelnhaus.”

“You are, and always will be an enthusiast, Fleury,” replied Van Delpt to the Frenchman’s invitation. “You are, in spite of your employment for so many years in the diplomatic line, a true Frenchman, devoted to the fair. For my part I hold a middle course. I must have something solid. I will to-day be no happier than my renowned countryman, William Benkels, after he had discovered the salting of the herring. I aspire to the delight only of one moment, but that moment shall last—the great moment in which William Benkels stood before the first cask of successfully-salted herrings. It was in the year 1416. Imagine the man to yourselves, when he stood at last before the completed work, over which his mind had brooded for so many years, and which brought such a blessing upon his Fatherland. He foresaw in this moment, a thousand inventions to which this one must give birth; soused fish, pickles, sardines—every thing which can gain immortality through salt. He saw, by means of his invention, tons of gold pouring into the coffers of his Fatherland, and he heard his name lauded by posterity. Yes, thou immortal William Benkels, to-day I will be thou, and enjoy the rapture of that moment, when, standing before that cask, thine own greatness and the happy future thou hadst prepared for thy country was revealed to thee.”

These representations were not without their effect. My curiosity was excited. We now stood before the little house with the red flag. I saw some Turks staggering out, pale, hollow-eyed, and trembling in every limb. “Are those the devotees of your temple of bliss?” said, I to my companions. “They seem to me far more like the inmates of a hospital than men who have just succeeded in a speculation in rapture.”

Van Delpt pushed me in, and Fleury pressed forward eagerly. “Those are stupid Turks,” he said, “who wish to be always happy, and when one bliss ends they desire always another, which is contrary to the whole order of nature. But forward, Gabriel Mostert! you shall learn every thing within; light shall spring up for you there like the conflagration of Moscow. _Vive Henri Quatre_,” he shouted, and pushed me on.

“William Benkels forever!” cried the cook, who passed his arm around me and swung me into the little house. I stood, giddy from the sudden movement, in a large, darkened room. Although without it was perfectly light, here all illumination proceeded from a dimly burning lamp, hung in the middle of the apartment. Windows I could see none, and a strange, bewildering perfume filled the room. My friends bore me on, and before I could observe distinctly the objects which surrounded me, I felt myself seated upon a cushion, and Van Delpt and Fleury took their places beside me. I could not collect my ideas, I only saw a grinning Turk, dressed in red, who stepped forth from the darkness and approached with a silver plate, upon which were a number of little, reddish-brown balls, while a crystal goblet of water stood in the middle of it. My friends seized the balls and swallowed several of them.

“Now eat, Gabriel,” cried Van Delpt, while his left arm encircled me powerfully. “Feast upon delight. _It is opium_—the manna of immortality.”

His eyes started from his head—I seemed to gaze upon a madman. I tried to extricate myself from him but in vain. He endeavored, in the meanwhile, with his right hand to slip some opium balls into my mouth, but I set my teeth firmly, and shook my head.

“_Bon appetit, Monsieur_,” said the Frenchman, who seized me upon the other side. Two hands with the horrible little balls, hovered before my eyes ready to force me to partake. “You must eat like us, you must be blessed as we shall be. _Vive Henri Quatre!_”

“I will not,” I cried with horror. “If you don’t release me I’ll complain of you to your masters, and foreswear your friendship forever. What would my little Kate say were she to learn that I had taken opium—had dreamed like a Musselman, and been happy in such an unchristian way. Away with the balls of Satan. The Evil One with horns and hoofs has prepared them.”

“He must eat them,” cried the Dutchman and Frenchman in chorus, and the Turk grinned more frightfully. In the struggle, for a moment, my senses left me. A shout of triumph from my tormentors called me back to life.

“He has swallowed them!” cried they, and released me. In the same moment I saw them sink back upon their cushions, their eyes were fixed, a happy smile expanded their features; they were enjoying the happiness of the theriake, or opium-eater.

“He has not swallowed them!” cried I raging, and sprang up. “I closed my mouth and your cursed pills fell into the cushion beside me.” I ran out like one possessed. The Turk laughed scornfully after me, and I heard the Frenchman murmur in his sleep—“_Vive Henri Quatre!_” and the Dutchman groan out his “William Benkels forever!”

In the air without I recovered myself. I seemed open to all blissful influences—I was again happy and light-hearted. With what an exquisite display of colors did the sun mirror itself in the Bosphorus! how the domes of the mosques sparkled, as if composed of diamonds and rubies! How brilliant were the streets through which I walked—no, through which I floated. And at this moment I felt myself richer than the richest houses of which I had ever heard. Thus I arrived at a shady forest of dates. Here I sat me down in the overhanging shade of a palm, and gazed toward the west where the sun was setting, and where was the Barbarossa town, with its leaning tower and my charming Kate.