Chapter III (1)
Early the next morning, as May sat teaching Willie to read, with a demure face, through which the rebel dimples would peep in spite of her assumed dignity; while Julia, with a look equally demure, was bending over an Italian book; Georgy drawing, and Lizzie hemming a wee bit ’kerchief for her doll—the Earl entered the school-room from the lawn.
Unseen, he paused at the open door to contemplate the lovely tableau within;—the governess in her pretty girlish morning dress, with her long ringlets shadowing half her face and neck, as she bent over the boy, pointing out to him the word;—Willie by her side—one hand holding the book, the other his top, kicking the chair impatiently—first with one foot, then with the other, and looking round every minute to see what his sisters were doing;—Georgy smiling as she drew; Lizzie sitting upright in her little chair, with a doll almost as large as herself on her lap, ever and anon trying the ’kerchief round its neck to see the effect; and the simple, modest Julia, looking even older than May, with her dark hair smoothly parted—raising at times her eyes with looks of loving sympathy to those of the youthful teacher.
It was indeed a sunny scene; but the silence was broken by the voice of Georgy requesting assistance in her drawing. The young governess rose, and taking her offered pencil, retouched the sketch in a few places, at the same time giving the child directions how to finish it. Suddenly the pencil trembled in her hand,—the sweet low voice stopped—went on—faltered—ceased again, and May burst into tears! The Earl had stolen behind them to watch the progress of the drawing. May had felt, rather than heard, his approach,—and confused by his presence, half suspecting her own deficiency in the art, yet afraid to discontinue her directions at once, her face suffused with blushes, she tried in vain to proceed. Little Lizzie saw her tears, and springing from her seat, climbed a chair to caress her, exclaiming, “Don’t cry! papa won’t hurt you! Papa loves you dearly—don’t you, papa?”
Here was a situation! It was now the Earl’s turn to color; but the artless and innocent May, who had as yet known only a father’s and a brother’s love, did not dream of any other in the present case; on the contrary, she was soothed by the affectionate assurances of the child, and, smiling through her tears, looked up confidingly in the Earl’s face. Charmed with the childlike sweetness of her expression he could not resist taking her hand, with almost paternal tenderness, in his, while May, reassured by the gentleness of his manner, ventured to acknowledge her own ignorance, and to request his assistance in the sketch before them. This, to the delight of all, he willingly consented to give, and when, at two o’clock, the nurse came to take the children to dinner, she found May seated alone at the table, intent on a newly commenced drawing—the Earl leaning over her chair and instructing her in its progress—Julia singing “Love’s Young Dream,” and the three children gone no one knew where.
The next day, and the next, the Earl was still to be found in the school-room, sometimes spinning Willie’s top, sometimes reading an Italian author aloud to his daughter and her governess—often sharing the book with the latter, and oftener still, blending his rich and manly voice with hers as she sang to the harp or piano. One day a visiter asked Willie how he liked his new governess? “Oh!” said the boy, “_papa_ is governess now. May is only our sister, and we are all _so_ happy!”
Thus passed a year—Julia and May daily improving under their indulgent and unwearied teacher—and imparting in their turn instruction to the younger branches of the family. May had confided to Julia all her little history. She had written often to her father, and had received many letters in return. From one of them she learned, to her great joy and surprise, that Lionel had received his commission from some unknown friend. At the same time, her father advised her, as she had engaged for a year, to be contented until the expiration of it. “Contented!”
The last day of the year had arrived—May had lately been so happy that she had forgotten to think of being separated from the family she loved so much.
On the morning of the day, the Earl was in his library, Julia making tea, and May on a low ottoman at his feet, reading aloud the morning paper. Suddenly she paused, dropped the paper, and covered her face with her hands. The Earl, alarmed, bent tenderly over her, and Julia was by her side in a moment.
“What is it, dear May?” she said.
“Oh, the paper—look at the paper, Julia!”
The Earl caught it up—“Where—tell me where to look, May?”
“At the date—the date!”
“The date—it is the first of June—and what then?”
“Oh! did I not _come_ the first of June and must I not go to-morrow? I am sure I shall never do for a governess!” and she hid her face on Julia’s shoulder, and wept afresh.
The Earl raised her gently—“Perhaps not; but you will do for something else, sweet May!”
“For what?” she asked earnestly—half wondering whether he could mean _housekeeper_!
“Come into the garden with me, dear, dear May, and I will tell you,” he whispered in her ear.
At once the whole truth flashed upon her heart. “She loved—she was beloved!” She was no longer a child—that moment transformed her; and shrinking instantly from his embrace and blushing till her very temples glowed again—she said in a low and timid voice, “I think I had better go home to-morrow—perhaps to-day: my father will expect me.”
“Julia,” said the Earl, “run into the garden, love, and see to Willie—he is in mischief, I dare say.” His daughter was out of sight in a moment. May stood shrinking and trembling, but unable to move. The Earl gazed, with a feeling bordering upon reverence, at the young girl, as she stood alone in her innocence. He drew slowly towards her—hesitated—again approached, and taking her hand with respectful tenderness, he said—“You know that I love you, May—how fondly—how fervently—time must show for language cannot:—will you—_say_ you will be mine—with your father’s consent, dear May—or say that I may hope!”
Her whole soul was in her eyes as she raised them slowly to his and dropped them instantly again beneath his ardent gaze. “But—papa!” she murmured.
“We will all go together, and ask ‘papa,’ dearest; and now for a turn in the garden. You will not refuse now, love?” And May Evelyn, blushing and smiling, took his offered arm, wondering what “dear papa and Lionel” would say to all this.
It was a lovely evening in the early part of June, that, while Mr. Evelyn sat dozing in his arm chair and dreaming of his absent children, a light form stole over the threshold, and when he awoke, his gray hair was mingled with the glistening locks of his own beautiful and beloved May—his head resting on her shoulder, and her kiss warm upon his cheek!
“My Lord,” said May, demurely, as she entered, with her father, the drawing-room in which the Earl awaited them—“papa is very glad that I have _given satisfaction_;—he thinks your visit a proof of it—although he could hardly have expected so much from his little ignoramus, as he will persist in calling me.”
“My dear sir,” said the Earl, cordially pressing the offered hand of his host, “she has given _so much satisfaction_, that I wish, with your consent, to retain her as _governess_ for life, not for my children, but myself.”
The reader has already foreseen the conclusion. Mr. Evelyn’s consent was obtained;—Lionel was sent for to be present at the wedding;—the ceremony was quietly performed in the little church of the village;—and for many succeeding seasons in London, the graceful and elegant wife of the Earl of —— was “the observed of all observers,” “the cynosure of neighboring eyes.”
* * * * *
AN EPISTLE TO FANNY.
BY PARK BENJAMIN.
Sweet Fanny, though I know you not,
And I have never seen the splendor
That flashes from your hazel eyes
To make the souls of men surrender;
Though, when they ask me how you look,
I’m forced to say “I never met her,”
I hope you will not deem it wrong
If I address to you a letter.
Here in mine own secluded room,
Forgetful of life’s sober duty,
Lapped in the stillness of repose,
I sit and muse and dream of beauty;
I picture all that’s fair and bright
Which poets sometimes call Elysian,
And, ’mid the shapes that round me throng,
Behold one soft, enchanting vision.
A lady—lovely as the morn
When Night her starry mansion closes,
And gentle winds with fairy feet
Toss the sweet dew from blushing roses—
A lady—to whose lip and cheek
Some twenty summer suns have given
Colors as rich as those that melt
Along the evening clouds of Heaven.
Her stature tall, her tresses dark,
Her brow like light in ambush lying,
Her hand—the very hand I’d give
The world to clasp if I were dying!
Her eyes, the glowing types of love,
Upon the heart they print their meaning—
How mild they shine as o’er them fall
Those lashes long their lustre screening!
Sweet Fanny, can you not divine
The form that floats before my dreaming,
And whose the pictured smiles I see
This moment on my canvass beaming?
You cannot! then I’ve failed indeed,
To paint a single look I cherish—
So, you may cast my lines aside,
And bid them like my memory perish.
My memory! what am I to thee,
Oh purest, gentlest, fairest, dearest!
Yes, _dearest_, though thy glance be cold
When first my humble name thou hearest.
Though I am nothing, thou to me
Art Fancy’s best beloved ideal;
And well I know the form she paints
Is far less charming than the real.
* * * * *
THE DOOM OF THE TRAITRESS.[1]
BY THE AUTHOR OF “CROMWELL,” “THE BROTHERS,” ETC.
A cold and dark northeaster had swept together a host of straggling vapors and thin lowering clouds over the French metropolis—the course of the Seine might be traced easily among the grotesque roofs and gothic towers which at that day adorned its banks, by the gray ghostly mist which seethed up from its sluggish waters—a small fine rain was falling noiselessly and almost imperceptibly, by its own weight as it were, from the surcharged and watery atmosphere—the air was keenly cold and piercing, although the seasons had not crept far as yet beyond the confines of the summer. The trees, for there were many in the streets of Paris and still more in the fauxbourgs and gardens of the haute noblesse, were thickly covered with white rime, as were the manes and frontlets of the horses, the clothes, and hair, and eyebrows of the human beings who ventured forth in spite of the inclement weather. A sadder and more gloomy scene can scarcely be conceived than is presented by the streets of a large city in such a time as that I have attempted to describe. But this peculiar sadness was, on the day of which I write, augmented and exaggerated by the continual tolling of the great bell of St. Germain Auxerrois, replying to the iron din which arose from the gray towers of Notre Dâme. From an early hour of the day the people had been congregating in the streets and about the bridges leading to the precincts of the royal palace, the Chateau des Tournelles, which then stood—long since obliterated almost from the memory of men—upon the Isle de Paris, the greater part of which was covered then with the courts, and terraces, and gardens of that princely pile.
Strong bodies of the household troops were posted here and there about the avenues and gates of the royal demesne, and several large detachments of the archers of the prevôt’s guard—still called so from the arms which they had long since ceased to carry—might be seen every where on duty. Yet there were no symptoms of an émeute among the populace, nor any signs of angry feeling or excitement in the features of the loitering crowd, which was increasing every moment as the day waxed toward noon. Some feeling certainly there was—some dark and earnest interest, as might be judged from the knit brows, clinched hands, and anxious whispers which every where attended the exchange of thought throughout the concourse—but it was by no means of an alarming or an angry character. Grief, wonder, expectation, and a sort of half doubtful pity, as far as might be gathered from the words of the passing speakers, were the more prominent ingredients of the common feeling, which had called out so large a portion of the city’s population on a day so unsuited to any spectacle of interest. For several hours this mob, increasing as it has been described from hour to hour, varied but little in its character, save that as the day wore it became more and more respectable in the appearance of its members. At first it had been composed almost without exception of artisans and shop boys, and mechanics of the lowest order, with not a few of the cheats, bravoes, pickpockets, and similar ruffians, who then as now formed a fraternity of no mean size in the Parisian world. As the morning advanced, however, many of the burghers of the city, and respectable craftsmen, might be seen among the crowd; and a little later many of the secondary gentry and petite noblesse, with well-dressed women and even children, all showing the same symptoms of sad yet eager expectation. Now, when it lacked but a few minutes of noon, long trains of courtiers with their retinues and armed attendants, many a head of a renowned and ancient house, many a warrior famous for valor and for conduct might be seen threading the mazes of the crowded thoroughfares toward the royal palace.
A double ceremony of singular and solemn nature was soon to be enacted there—the interment of a noble soldier, slain lately in an unjust quarrel, and the investiture of an unwilling woman with the robes of a holy sisterhood preparatory to her lifelong interment in that sepulchre of the living body—sepulchre of the pining soul—the convent cloisters. Armand de Laguy!—Marguerite de Vaudreuil!
Many circumstances had united in this matter to call forth much excitement, much grave interest in the minds of all who had heard tell of it!—the singular and wild romance of the story, the furious and cruel combat which had resulted from it—and last not least, the violent, and, as it was generally considered, unnatural resentment of the King toward the guilty victim who survived the ruin she had wrought.
The story was in truth, then, but little understood—a thousand rumors were abroad, and of course no one accurately true—yet in each there was a share of truth, and the amount of the whole was, perhaps, less wide of the mark than is usual in matters of the kind. And thus they ran. Marguerite de Vaudreuil had been betrothed to the youngest of France’s famous warriors, Charles de La-Hirè, who after a time fell—as it was related by his young friend and kinsman, Armand de Laguy—covered with wounds and honor. The body had been found outstretched beneath the surviver, who, himself desperately hurt, had alone witnessed, and in vain endeavored to prevent, his cousin’s slaughter. The face of Charles de La-Hirè, as all men deemed the corpse to be, was mangled and defaced so frightfully as to render recognition by the features utterly hopeless—yet from the emblazoned surcoat which it bore, the well-known armor on the limbs, the signet ring upon the finger, and the accustomed sword clenched in the dead right hand, none doubted the identity of the body, or questioned the truth of Armand’s story.
Armand de Laguy, succeeding by his cousin’s death to all his lands and lordships, returned to the metropolis, mixed in the gayeties of that gay period, when all the court of France was revelling in the celebration of the union of the Dauphin with the lovely Mary Stuart, in after days the hapless queen of Scotland.
He wore no decent and accustomed garb of mourning—he suffered no interval, however brief, due to decorum at least if not to kindly feeling, to elapse before it was announced that Marguerite de Vaudreuil, the dead man’s late betrothed, was instantly to wed his living cousin. Her wondrous beauty, her all-seductive manners, her extreme youth had in vain pleaded against the general censure of the court—the world! Men had frowned on her for awhile, and women sneered and slandered!—but after a little while, as the novelty of the story wore away, the indignation against her inconstancy ceased, and she was once again installed the leader of the court’s unwedded beauties.
Suddenly, on the very eve of her intended nuptials, Charles de La-Hirè returned—ransomed, as it turned out, by Brissac, from the Italian dungeons of the Prince of Parma, and making fearful charges of treason and intended murder against Armand de Laguy. The King had commanded that the truth should be proved by a solemn combat, had sworn to execute upon the felon’s block whichever of the two should yield or confess falsehood, had sworn that the inconstant Marguerite, who, on the return of De La-Hirè, had returned instantly to her former feelings, asserting her perfect confidence in the truth of Charles, the treachery of Armand, should either wed the victor, or live and die the inmate of the most rigorous convent in his realm.
The battle had been fought yesterday!—Armand de Laguy fell, mortally wounded by his wronged cousin’s hand, and with his latest breath declared his treasons, and implored pardon from his King, his kinsman, and his God—happy to perish by a brave man’s sword not by a headsman’s axe. And Marguerite—the victor’s prize—rejected by the man she had betrayed—herself refusing, even if he were willing, to wed with him whom she could but dishonor—had now no option save death or the detested cloister.
And now men pitied—women wept—all frowned and wondered and kept silence. That a young, vain, capricious beauty—the pet and spoiled child from her very cradle of a gay and luxurious court—worshipped for her charms like a second Aphrodite—intoxicated with the love of admiration—that such an one should be inconstant, fickle!—should swerve from her fealty to the dead!—a questionable fealty always!—and be won to a rash second love by the falsehood and treasons of a man, young and brave and handsome—falsehood which had deceived wise men—that such should be the course of events, men said, was neither strange nor monstrous! It was a fault, a lapse of which she had been guilty, which might indeed make her future faith suspected, which would surely justify Charles de La-Hirè in casting back her proffered hand, but which at the worst was venial, and deserving no such doom as the soul-chilling cloister.
She had, they said, in no respect participated in the guilt, or shared the treacheries of Armand—on the contrary—she, the victim of his fraud, had been the first to denounce, to spit at, to defy him.
Moreover it was understood that although de La-Hirè had refused her hand, several of equal and even higher birth than he had offered to redeem her from the cloister by taking her to wife of their free choice—Jarnac had claimed the beauty—and it was whispered that the Duke de Nevers had sued to Henry vainly for the fair hand of the unwilling novice.
But the King was relentless. “Either the wife of De La-Hirè!—or the bride of God in the cloister!” was his unvarying reply. No farther answer would he give—no disclosure of his motives would he make even to his wisest councillors. Some indeed augured that the good monarch’s anger was but feigned, and that deeming her sufficiently punished already he was desirous still of forcing her to be the bride of him to whom she had been destined, and whom she still, despite her brief inconstancy, unquestionably worshipped in her heart. For all men still supposed that at the last Charles would forgive the hapless girl, and so relieve her from the living tomb that even now seemed yawning to enclose her. But others—and they were those who understood the best mood of France’s second Henry—vowed that the wrath was real; and felt, that, though no man could fathom the cause of his stern ire, he never would forgive the guilty girl, whose frailty, as he swore, had caused such strife and bloodshed.
But now it was high noon, and forth filed from the palace gates a long and glittering train—Henry and all his court, with all the rank and beauty of the realm, knights, nobles, peers and princes, damsels and dames—the pride of France and Europe. But at the monarch’s right walked one, clad in no gay attire—pale, languid, wounded and warworn—Charles de La-Hirè, the victor. A sad deep gloom o’ercast his large dark eye, and threw a shadow over his massy forehead—his lip had forgot to smile! his glance to lighten! yet was there no remorse, no doubt, no wavering in his calm, noble features—only fixed, settled sorrow. His long and waving hair of the darkest chesnut, evenly parted on his crown, fell down on either cheek, and flowed over the broad plain collar of his shirt which, decked with no embroidery lace, was folded back over the cape of a plain black pourpoint, made of fine cloth indeed, but neither laced nor passemented, nor even slashed with velvet—a broad scarf of black taffeta supported his weapon—a heavy double-edged straight broadsword, and served at the same time to support his left arm, the sleeve of which hung open, tied in with points of ribbon. His trunk-hose and his nether stocks of plain black silk, black velvet shoes and a slouched hat, with neither feather nor cockade, completed the suit of melancholy mourning which he wore. In the midst of the train was a yet sadder sight, Marguerite de Vaudreuil, robed in the snow-white vestments of a novice, with all her glorious ringlets flowing in loose redundance over her shoulders and her bosom, soon to be cut close by the fatal scissors—pale as the monumental stone and only not as rigid. A hard-featured gray-headed monk, supported her on either hand—and a long train of priests swept after with crucifix and rosary and censer.
Scarce had this strange procession issued from the great gates of les Tournelles, the death-bells tolling still from every tower and steeple, before another train, gloomier yet and sadder, filed out from the gate of the royal tilt-yard, at the farther end of which stood a superb pavilion. Sixteen black Benedictine monks led the array chanting the mournful _miserere_—next behind these, strange contrast!—strode on the grim gaunt form, clad in his blood-stained tabard, and bearing full displayed his broad two-handed axe—fell emblem of his odious calling!—the public executioner of Paris. Immediately in the rear of this dark functionary, not borne by his bold captains, nor followed by his gallant vassals with arms reversed and signs of martial sorrow, but ignominiously supported by the grim-visaged ministers of the law, came on the bier of Armand, the last Count de Laguy.
Stretched in a coffin of the rudest material and construction, with his pale visage bare, displaying still in its distorted lines and sharpened features the agonies of mind and body which had preceded his untimely dissolution, the bad but haughty noble was borne to his long home in the grave-yard of Notre Dâme. His sword, broken in twain, was laid across his breast, his spurs had been hacked from his heels by the base cleaver of the scullion, and his reversed escutcheon was hung above his head.
Narrowly saved by his wronged kinsman’s intercession from dying by the headsman’s weapon ere yet his mortal wounds should have let out his spirit—he was yet destined to the shame of a dishonored sepulchre—such was the King’s decree, alas! inexorable.
The funeral train proceeded—the King and his court followed. They reached the grave-yard, hard beneath those superb gray towers!—they reached the grave, in a remote and gloomy corner, where, in unconsecrated earth, reposed the executed felon—the priests attended not the corpse beyond the precincts of that unholy spot—their solemn chant died mournfully away—no rites were done, no prayers were said above the senseless clay—but in silence was it lowered into the ready pit—silence disturbed only by the deep hollow sound of the clods that fell fast and heavy on the breast of the guilty noble! For many a day a headstone might be seen—not raised by the kind hands of sorrowing friends nor watered by the tears of kinsmen—but planted there, to tell of his disgraceful doom—amid the nameless graves of the self-slain—and the recorded resting-places of well-known thieves and felons. It was of dark gray free-stone, and it bore these brief words—brief words, but in that situation speaking the voice of volumes.
Ci git Armand
Le Dernier Comte de Laguy.
Three forms stood by the grave—stood till the last clod had been heaped upon its kindred clay, and the dark headstone planted. Henry, the King! and Charles, the Baron De La-Hirè; and Marguerite de Vaudreuil.
And as the last clod was flattened down upon the dead, after the stone was fixed, De La-Hirè crossed the grave to the despairing girl, where she had stood gazing with a fixed rayless eye on the sad ceremony and took her by the hand, and spoke so loud that all might hear his words, while Henry looked on calmly but not without an air of wondering excitement.
“Not that I did not love thee,” he said, “Marguerite! Not that I did not pardon thee thy brief inconstancy, caused as it was by evil arts of which we will say nothing now—since he who plotted them hath suffered even above his merits, and is—we trust—now pardoned! Not for these causes, nor for any of them—have I declined thine hand thus far—but that the King commanded, judging it in his wisdom best for both of us. Now Armand is gone hence—and let all doubt and sorrow go hence with him! Let all your tears, all my suspicions be buried in his grave forever. I take your hand, dear Marguerite—I take you as mine honored and loved bride—I claim you mine forever!”
Thus far the girl had listened to him, not blushingly, nor with a melting eye; nor with any sign of renewed hope or rekindled happiness in her pale features—but with cold resolute attention—but now she put away his hand very steadily, and spoke with a firm unfaltering voice.
“Be not so weak!” she said. “Be not so weak, Charles de La-Hirè!—nor fancy me so vain! The weight and wisdom of years have passed above my head since yester morning—then was I a vain, thoughtless girl—now am I a stern wise woman. That I have sinned is very true—that I have betrayed thee—wronged thee! It may be, had you spoke pardon yesterday—it might have been all well! It may be it _had been_ dishonor in you to take me to your arms—but if to do so had been dishonor yesterday, by what is it made honor now? No! no! Charles de La-Hirè—no! no!—I had refused thee yesterday, hadst thou been willing to redeem me, by self-sacrifice, _then_ from the convent walls!—I had refused thee _then_, with love warming my heart toward thee—in all honor! Force me not to reject thee _now_ with scorn and hatred. Nor dare to think that Marguerite de Vaudreuil will owe to man’s compassion, what she owes not to love! Peace! Charles de La-Hirè—I say, peace! my last words to thee have been spoken, and never will I hear more from thee! And now, Sir King, hear thou—may God judge between thee and me, as thou hast judged. If I _was_ frail and fickle, nature and God made woman weak and credulous—but made man _not_ wise, to deceive and ruin her. If I sinned deeply against this Baron De La-Hirè—I sinned not knowingly, nor of premeditation! If I sinned deeply, more deeply was I sinned against—more deeply was I left to suffer!—even hadst thou heaped no more brands upon the burning. If to bear hopeless love—to pine with unavailing sorrow—to repent with continual remorse—to writhe with trampled pride!—if these things be to suffer, then, Sir King, had I enough suffered without thy _just_ interposition!” As she spoke, a bitter sneer curled her lip for a moment; but as she saw Henry again about to speak, a wilder and higher expression flashed over all her features—her form appeared to distend—her bosom heaved—her eye glared—her ringlets seemed to stiffen, as if instinct with life “Nay!” she cried, in a voice clear as the strain of a silver trumpet—“nay! thou _shalt_ hear me out—and thou didst swear yesterday I should live in a cloister cell forever!—and I replied to thy words _then_, ‘not long!’—I have thought better _now_—and _now_ I answer ‘_never_!’ Lo here!—lo here! ye who have marked the doom of Armand—mark now the doom of Marguerite! Ye who have judged the treason, mark the doom of the traitress!” And with the words, before any one could interfere, even had they suspected her intentions, she raised her right hand on high, and all then saw the quick twinkle of a weapon, and struck herself, as it seemed, a quick slight blow immediately under the left bosom! It seemed a quick slight blow! but it had been so accurately studied—so steadily aimed and fatally—that the keen blade, scarcely three inches long and very slender, of the best of Milan steel, with nearly a third of the hilt, was driven home into her very heart—she spoke no syllable again!—nor uttered any cry!—nor did a single spasm contract her pallid features, a single convulsion distort her shapely limbs! but she leaped forward, and fell upon her face, quite dead, at the King’s feet!
Henry smiled not again for many a day thereafter—Charles De La Hirè died very old, a Carthusian monk of the strictest order, having mourned sixty years and prayed in silence for the sorrows and the sins of that most hapless being.
-----
[1] See the Duello, page 85.
* * * * *
THE STRANGER’S FUNERAL.
BY N. C. BROOKS.
A solitary hearse without mourner or friend wheeled by me with
unceremonious speed. It filled my heart with feelings of the
most chilling desolation, which were augmented perhaps by the
peculiar gloom of the evening. I reached the rude grave in which
the corpse was deposited, and learned from the menial who was
performing the last rites that it was a young German of fine
talents, with whom I had travelled a few months before, who, far
from his home and friends, had fallen a victim to the prevailing
epidemic.—Letter of a Friend.
No solemn bell pealed on the air,
No train in sable gloom
Moved slow with the holy man of prayer
To stand around his tomb;
The hearse rolled on without sign of love
To the church, in lonely woe,
Where bent the solemn heavens above
The opened grave below:
But he recked not of the heavens o’ercast,
Or the yawning gulf of death;
For with him Earth’s bitterness had passed,
Ere passed his fleeting breath.
The stranger pressed a lonely bed,
No smiles dispelled the gloom
Of the dark and funeral shades that spread
Around his dying room;
And his heart with grief did melt,
And he wandered in fevered dreams
To the home where the loved of his youth still dwelt,
By the side of his own blue streams:
His heart for their voices yearned,
And the warm tears fell like rain,
As his dying eyes to the home were turned
That he ne’er should see again.
The stranger’s griefs are o’er,
And his body lies alone,
From his friends afar on a foreign shore
Without a funeral stone;
And long shall voices call,
And midnight tapers burn
For him that is bound in death’s cold thrall,
But he shall no more return:
He shall return no more
From his lowly sleep in dust,
’Till the trump announce death’s bondage o’er,
And the “rising of the just.”
* * * * *
THE FIRST STEP.
BY MRS. EMMA C. EMBURY.
“Well met, Harry,” exclaimed Edward Morton, as he encountered his friend Wilford in Broadway, “I have two questions to ask you. In the first place, what do you call that odd-looking vehicle in which I saw you riding yesterday? and in the second, who was that pretty little sister Ruth seated so demurely beside you?”
“My new carriage,” said Harry, laughing, “having been invented by myself, has the honor to bear my name; it is called a Wilford; I will sell it to you cheap, if you like it, for that booby Danforth has ordered one of the same pattern, and I will never sport mine after he comes out with his.”
“And so because a fool follows your lead you throw up your cards; you will have enough to do if you carry out that rule in all your actions. Thank you for your kind offer; but really I am neither rich nor fashionable enough to drive about town in such a Welsh butter-tub. Now, answer my second question; who is the lady;—has she been named in honor of the vehicle?”
“No, but she will probably bear the name of its inventor in due time.”
“Can it be possible, Harry? have you really determined to turn Benedict before the pleasures of freedom have palled upon your taste? Have you seriously reflected upon all you are about to relinquish? Have you thought upon the pleasant _tête-à-têtes_, the agreeable flirtations, the many delicious ‘love-passages’ which the admired Harry Wilford is privileged to enjoy while he roves at large, but which will hereafter be denied to him who wears the clanking fetters of matrimony?”
“I have thought of every thing, Ned; and, to tell you the truth, I am beginning to get tired of the aimless, profitless life I now lead.”
“And, therefore, you are going to turn merchant and marry; you will have a considerable amount to add to profit and loss by these experiments. Pray who is the enchantress that has woven so wondrous a spell of transformation?”
“She bears the primitive name of Rachel, and was both born and bred in the little village of Westbury, where, as I am told, a fashionably cut coat or one of Leary’s hats would be regarded as a foreign curiosity. She has never stirred beyond the precincts of her native place until this spring, when she accompanied a newly married relative to our gay city. Indeed she has been kept so strictly within the pale of her society, that if her cousin had not fortunately married out of it, the lovely Rachel would probably have walked quietly to meeting with some grave young broad-brim, and contented herself with a drab bonnet all her life.”
“So your inamorata is country bred. By Jupiter I shall begin to believe in the revival of witchcraft. Is she rich, Harry?”
“I see the drift of your question, Ned; but you are mistaken if you think I have looked on her through golden spectacles. She is an orphan with sufficient property to render her independent of relatives, but not enough to entice a fortune-hunter.”
“Well, if any one but yourself had told me that Harry Wilford, with all his advantages of _purse_ and _person_, had made choice of a little rusticated Quakeress to be his bride, I could not have believed it,” said Morton; “pray do you expect this pretty Lady Gravely to preside at the exquisite dinners for which your bachelor’s establishment has long been famous? or do you intend to forego such vulgar enjoyments for the superior pleasures of playing Darby to Mrs. Wilford’s Joan in your chimney corner?”
“No quizzing, Ned,” said Wilford, smiling, “Rachel has been well educated, and the staid decorum of the sect has not destroyed her native elegance of manner.”
“But the _drab bonnet_, Harry:—can _you_, the pride of your tailor and the envy of your less tasteful friends,—_you_, the very prince of Broadway exquisites,—you, the American Brummel, who would as willingly have been caught picking a pocket, as wearing a glove two days, a hat two weeks, or a coat two months,—can you venture to destroy the reputation which you have acquired at such cost, by introducing a drab bonnet to the acquaintance of your be-plumed and be-flowered female friends?”
“Wait awhile, Edward; Rachel has not yet learned to admire the gayeties of our city; her eyes have been too long accustomed to the ‘sober twilight gray,’ and she is rather dazzled than pleased with the splendor of fashionable society, but she has too much of womanly feelings to continue long insensible to womanly vanity.”
“Well, success to you, Harry, but let me beg you to lay an interdict on that ugly bonnet as soon as you have a right to exercise your marital authority.”
Wilford laughed, and the two gentlemen parted; the one to fulfil an engagement with the pretty Quakeress, and the other to smoke a cigar, drink a mint julep, and laugh at his friend’s folly.
Harry Wilford had been so unlucky as to come into possession of a large fortune as soon as he attained his majority. I am not in error, gentle reader, when I say he was _unlucky_, for daily experience bears witness to the fact, that in this country, at least in nine cases out of ten, a large inheritance is a great misfortune. The records of gay life in every large city prove that the most useless, most ignorant, most vicious, and often the most degraded among the youth, are usually the sons of plodding and hoarding parents, who have pawned health and happiness, aye, and sometimes _integrity_—the very life of the soul—to procure the gold which brings the destruction of their children. Wilford had passed through college with the reputation of being one of the most gifted and most indolent of scholars, while his eccentric fits of study, which served to give him the highest rank in his class, only showed how much more he might have done, if industry and perseverance had been allowed to direct his pursuits. Like his career in the university had been his course through life. With much latent energy of character he was too infirm of purpose to become distinguished either for virtue or talent. The curse of Ephraim seemed to have fallen upon the child of prosperity, and the impressive words of the ancient Patriarch: “Unstable as water, thou shalt not excel,” might have shadowed forth his destiny. His fine talents were wasted in empty witticisms; his classical taste only served to direct his lavish expenditure, and his really noble feelings were frittered away in hollow friendship, or in transitory attachments. Handsome, brilliant, and, above all, rich, he became the idol of a coterie, and intoxicated by the incense which smoked before him, he did not perceive that its subtle influence enervated all his nobler faculties. Yet Wilford had escaped the contagion of vice. The dark stain of criminal excess, which too often sullies the cloth of gold more deeply than it does the coat of frieze, had never fallen upon his garments. He could not forget the trembling hand which had been laid upon his infant head when he offered up his innocent prayers at a mother’s knee. He remembered her dying supplication that her child might be kept “unspotted from the world,” and her gentle face, beaming with unutterable purity and love, often interposed itself between his and his tempter, when his heart would have failed from very weakness.
Harry Wilford had completed his thirtieth summer and yet he was a bachelor. The artillery of bright eyes and brighter smiles had been levelled at him in vain; the gentler weapons of sweet words and soft glances had been equally ineffectual. His heart had been captured again and again, but it was a far easier task to _gain_ than to _keep_ it. Indeed it was like an ill-garrisoned border fortress, and generally surrendered at discretion to the first enemy that sat down before it, who was sure to be soon driven out in turn by another victorious assailant. He was too universal a lover, and until, like Apelles, he could unite in one woman the charms which he admired in twenty, there seemed little probability of his ever being won to wear the chain. The truth was, that of the many who courted the attentions of the handsome Mr. Wilford, there was none that seemed to have discovered the fine gold which lay beneath the surface of his character. The very exuberance of flowers and fruit which the soil produced, prevented one from expecting any hidden treasure, for it is not often that the precious things of earth are found beneath its gay adornments. We look for the diamond, not under the bank of violets but in the rugged bosom of the mountain, and thus Wilford’s friends, content with the beautiful blossoms of fancy and wit which he lavishly flung around, suspected not the noble gifts of intellect which he possessed.
Wilford had frequently imagined himself in love, but something had always occurred to undeceive him and to resolve his pleasant fancies with very disagreeable facts. He had learned that the demon of selfishness often lurks under the form of an angel of light, and he began to distrust many of the fair beings who bestowed upon him their gentle smiles. He had received more than one severe lesson in human nature, and it was very soon after officiating as groomsman at the bridal of a lovely girl whose faith had once been pledged to him, that he first met the young and guileless Quakeress. There was something so pure and vestal-like in the delicate complexion, soft blue eye, and simply braided hair of the gentle Rachel, that Wilford was instantly charmed. His eye, so long dazzled with the gorgeous draperies, glittering jewels, and well-displayed beauties of fashionable belles, rested with a sense of relief on the sober French gray silk, and transparent lawn neckerchief which so carefully shaded the charms of the fair rustic. He saw the prettiest of tiny feet peeping from beneath a robe of far more decorous length than the laws of fashion then allowed—the whitest of white hands were unadorned by a single jewel—and the most snowy of necks was only discovered by the swan-like grace which rendered it visible above its envious screen of muslin. Even in the society of Friends, where a beautiful complexion is almost as common to the females as a pair of eyes to each face, Rachel was remarkable for the peculiar delicacy of hers. It was not of that waxy, creamy tint, so often considered the true fashionable and aristocratic complexion, because supposed to be an evidence that the “winds of heaven” have never visited the face except through the blinds of a carriage; nor was it the flake-white and carmine-red which often claims for its possessor the reputation of a brilliant tincture of the skin. Even the old and worn-out similes of the lily and the rose, would have failed to give an idea of the delicate hues which added such a charm to Rachel’s countenance, for the changing glow of her soft cheek, and the tracery of blue veins which adorned her snowy brow could never be imaged by a flower of the field. Harry Wilford thought he had never seen anything so exquisitely lovely, so purely fair, as that sweet face when in perfect repose, or so vividly bright as it seemed when lighted by the blush of modesty. There are some faces which require shadows to perfect their beauty; the eye, though bright, must flash beneath jetty lashes; the brow, though white, must gleam amid raven tresses or half the effect is lost. But Rachel’s face, like that of joyous childhood, was all light. Her hair was silky and soft as an infant’s, her eyes blue as the summer heaven, her lips like an opening rose-bud—it was a face like spring sunshine, all brightness and all beauty.
Rachel had been left an orphan in her infancy, and the relatives to whom she was indebted for her early nurture were among the straitest of a strait sect, consequently she had imbibed their rigid ideas of dress and manners. Indeed she had never wasted a thought upon the pomps and vanities of the ‘world’s people,’ until she visited the gay metropolis. The sneers which her plain dress occasioned in the circle where she now moved, and the merry jibes which young and thoughtless companions cast upon her peculiar tenets of faith, aroused all the latent pride of her nature, until she actually felt a degree of triumph in exhibiting her quaint costume in society.
If Wilford had been charmed with her beauty, he was in raptures with her unsophisticated character. After ringing the changes on _sentiment_ until his feelings were ‘like sweet bells jangled out of tune,’ it was absolutely refreshing to find a damsel who had never hung enraptured over the passionate pages of Byron, nor breathed the voluptuous songs of Moore, but who, in the simplicity of her heart, admired and quoted the gentle Cowper, as the prince of poets. “She has much to learn in the heart’s lore,” said Wilford to himself, “and what pleasure it will be to develop her innocent affections.” So he offered his hand to the pretty Quakeress, and she, little versed in the arts of coquetry, modestly accepted the gift.
One morning Rachel sat by the window, looking out upon the gay throng in Broadway, when her cousin entered with a small packet in her hand.
“Here is something for you, Rachel, a love token I suppose,” said Mrs. Hadley. Rachel blushed as she opened the envelope, but her color deepened to an almost angry hue when she unclosed a morocco box, and beheld an exquisite set of pearls.
“Beautiful!” exclaimed Mrs. Hadley.
“I shall not keep them,” said Rachel quietly.
“Not keep them! pray why?” asked her cousin.
“Because I should never wear them, and because Mr. Wilford has not kept his word with me. He promised never to interfere with what he called my style of dress, and I told him I would never lay aside my plain costume, though I was willing to modify it a little for his sake.”
“Here he comes to answer for himself,” said Mrs. Hadley as Wilford entered. “You are just in time,” she continued, “for Rachel is very angry with you.”
Rachel could not repress a feeling of pride and pleasure as she looked on the graceful form of her lover, who, taking a seat beside her, whispered, “Are you indeed displeased with me, dearest? Pray what is my offence?”
She replied by placing in his hand the box of pearls.
“Do you then reject so simple an offering of affection, Rachel?” said Harry, “you should regard these gems not as the vain ornaments of fashion, but as the most delicate and beautiful productions of the wonderful world of ocean. Look, can any thing be more emblematical of purity?” and as he spoke he placed a pearl rose upon the soft golden hair which was folded above her white forehead.
Rachel did look, and, as the large mirror reflected her beautiful face, she was conscious of an impulse, (almost her very first) of womanly vanity.
“I cannot wear them, Harry,” said she, “necklace and bracelets would be very useless to one who never unveils either neck or arms, and such costly head-gear would be ill suited to my plain silk dress, and lawn cape.”
Wilford had too much tact to press the subject. The box was consigned to his pocket, and the offence was forgiven.
“_Ce n’est que le premier pas qui coute_,” said he, as he walked home, “my fifteen hundred dollars has been thrown away for the present; I must proceed more cautiously in my work of reform.”
The morning fixed for the marriage at length arrived. Rachel was in her apartment, surrounded by her friends, and had just commenced her toilet, when a small parcel, accompanied by a delicate rose-colored note, was placed in her hands. She, of course, opened the note first; it was as follows:
“Forgive me, my sweet Rachel, if on this morning I venture to suggest a single addition to your simple dress. There are always idle persons standing about the church door on such an occasion as a wedding, and I am foolish enough to be unwilling that the careless eye of every indifferent spectator should scan the exquisite beauty of your face to-day. There is something extremely painful to me in the thought that the blushing cheek of my fair bride should be the subject of cold remark. Will you not, for my sake, dearest, veil the rich treasure of your loveliness for one brief hour? I know I am selfish in making the request, but for once forgive my jealousy, and shade your brightness from the stranger’s gaze.”
The parcel contained a Brussels lace veil of surpassing richness, so delicate in its texture, so magnificent in its pattern that Rachel could not repress an exclamation of pleasure at the sight.
Her toilet was at length completed. A dress of plain white satin, finished at the neck by a chemisette of simple lace, her hair folded plainly around her small head and plaited in a single braid behind:—such was the bridal attire of the rigid little Quakeress.
“And the veil, Rachel,” whispered her cousin.
“Why, rather than shock Harry’s delicacy,” said she, half smiling, “I believe I will wear it, but I shall look very ridiculous in it.”
The veil fell in rich folds nearly to her feet, and nothing could be imagined more beautiful than her whole appearance in this plain but magnificent costume.
“You want a pearl comb, or something of the kind, to fasten this veil properly,” said one of the bridesmaids.
“What a pity you had not kept the box,” whispered her cousin. Rachel smiled as she replied, “if I had ever dreamed of wearing such an unusual appendage as this perhaps I might have retained the rose at least.”
Rachel had taken the _first_ step when she consented to adopt the veil, the second would have cost her less trouble.
Immediately after the ceremony, Mr. and Mrs. Wilford set off for the Springs. A servant had preceded them with their baggage, and Rachel soon found herself in the midst of a more brilliant circle than she had yet seen. The day after their arrival she was preparing for a ride, and a crowd had collected on the piazza to admire Wilford’s elegant equipage and fine blood-horses. But an unforeseen annoyance had occurred to disturb the bride’s feelings. Attired in a dress of dark lavender-colored silk, she folded her white cashmere around her shoulders, and opened the band-box which contained her bridal hat. This had only been sent home on the morning of her marriage, and having been instantly forwarded with the other baggage, she had not yet seen it. How was she startled therefore to find, instead of the close cottage hat which she had ordered, as the nearest possible approach to her Quaker bonnet, a gay-looking French affair, trimmed with a wreath of lilies of the valley. What was to be done? it was impossible to procure another, and to despoil the bonnet of its flowers gave it an unfinished and slovenly appearance. Harry affected to condole with her, and finally persuaded her to wear it rather than expose herself to the charge of affectation by assuming her travelling calash.
“_Ce n’est que le premier pas qui coute_,” said he, to himself, as he saw the blush mantle her lovely cheek when she contemplated her reflection in the mirror.
“What shall I do?” exclaimed Rachel, “it does not half cover my head; I never wore such a flaunting, flaring thing in my life: I wish I had my veil, for I am actually ashamed of myself: ah, here it is, coz must have put it into the box, and I dare say it is she who has played me this trick about my bonnet.”
So, throwing on her splendid veil to hide her unwonted finery, Rachel took her husband’s arm and entered the carriage, leaving the gentlemen to admire her beauty and the ladies to talk about her magnificent Brussels.
Six months after her marriage Mrs. Wilford was dressing for a party; Monsieur Frisette had arranged her beautiful hair in superb ringlets and braids, and was just completing his task when the maid accidentally removing her embroidered handkerchief from the dressing-table discovered beneath it the box of pearls.
“Ah voilà Madame, de very ting—dat leetle rose vill just do for fix dese curl,” said Monsieur.
As she continued her toilet she found that Madame M*** had trimmed the corsage of her dress in such a manner as to preclude the possibility of wearing either cape or scarf according to her usual habit. She could not appear with her neck quite bare, and nothing remained but to cover it with the massy medallions of her pearl necklace. In short, when fully dressed for the party, some good reason had been found for adopting every ornament which the box contained.
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Graham's Magazine, Vol. XX, No. 3, March 1842Chapter III (1)
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