Chapter II
"Now, my dear girls, you must skip over a few years, during which I neither saw nor heard of Mary Dunbar. I returned from a journey which I had been taking, and was glad to feel that Mr. Gardner's house lay in my nearest route home. I longed to see Mary in her new character, now that she had had time to feel and perform her duties, and proposed to be with her for a few days, that I might form my own opinion touching this 'mariage de convenance.'
"Mr. Gardner's house was one of some pretension originally; that is to say, it had been built in the style of country gentlemen in New England forty years ago. A row of white-pine pillars surrounded the house from roof to basement, and formed a piazza-walk very convenient in a dull day. Six chimneys crowned the roof, and the whole arrangement was tasteful and imposing. There was a terrace of green turf all round the house, and the offices and out-buildings were at a short distance from the main building. As the stage-coach wound up the avenue, I noticed in the disposition of the grounds and shrubbery the evident hand of female taste. Fantastic arbors, almost hid behind clematis and honeysuckle; little white arches supporting twining roses of twenty sorts, and trees arranged in picturesque groups, gave a character of beautiful wildness to the scenery.
"I fancied Mary the presiding genius of the place as I last had seen her, white and bright, with a little rose-tint on her cheek, caught from nature and the happy quiet of her life--for I had heard that she rejoiced in an infant, whose beauty and promise I knew must renew all the affectionate sympathies of her woman's heart.
"The stage-coach stopped. A servant opened the door, and to my inquiry for Mrs. Gardner, answered hesitatingly, that 'he believed she did not wish to see company.' How much of apprehension was compressed into that brief moment. What could have happened to her? Much might have happened, and I not know it, for I had been living in great seclusion, and had had no correspondence with Mary. However, I gave my card to the man, and bade him take it to Mrs. Gardner, meanwhile sitting with a throbbing heart in the carriage.
"The man returned in a short time with a message requesting me to stop, and to have my trunks taken off. Not a welcoming voice or face met me--and in silence I followed the servant to the parlor. Mary was sitting there; some fire was in the grate, though it was in July; and she hovered over it as if she sought to warm her heart enough to show proper feeling at the sight of an old friend.
"'Mary Dunbar!' I cried out, with my arms outspread, for the figure before me of hopelessness and gloom gave me a feeling almost heart-breaking.
"The sound of her own maiden name acted like magic on Mary. She sprung to my arms like a frightened bird, and clung to me with such intensity of sad earnestness in her face, that it brought back to me all the old sorrow of that night of suffering at her brother's. Once more I soothed her, smoothed back the dark plumage of her hair, and with soft words and gentle caresses, brought her to quietness.
"'You are ill, my poor Mary,' I said, as I looked at her sunken cheek, and the deep gloom about her eyes. 'Where is Mr. Gardner?'
"'Oh, he is gone most of the time,' said she hastily, and then, for the first time, seeming to recollect her duty as hostess, she added, 'but you are tired and travel-soiled, and hungry, too, I dare say; let me make you comfortable.' She laughed a little as she spoke, but not like her old laugh, it was affected, and died in its birth.
"She rang the bell, gave orders for lunch to be brought in, and a room prepared for me, with something of her old activity, and saying cordially, 'Now you must stay with me; now I have got you here, I cannot spare you again.' She relapsed into thoughtfulness and absence. This strange manner puzzled me not a little.
"I went up stairs. The white dreariness of my room chilled me. Mary did not accompany me as she would once have done, to see that all was comfortable for me. The muslin window-curtains hid the view outside, and the stately high-post bedstead, with its gilded tester, looked as if sleep would be afraid to 'come anear' it. My trunks were brought up, and then a silence like death was in the house. No child was in the house, that was clear--and nobody else it would seem. Well, I must wait. I should know all in good time. I dressed and went down to the parlor. Mary still hovered over the fire, looking, in her white wrapper and whiter face, more like a ghost than any living thing. I had intended to be calmly cheerful, to talk to Mary about old times, and by degrees to lead her to speak of so much of her present life as would give me an insight into the mysterious sorrow that reigned like a presence over the dwelling.
"But as poor Ophelia says, 'we know what we are, but not what we shall be.' So no more did I know how to look at that crouching figure and be cheerful and calm. I lost all presence of mind, and could only sit down and cry heartily. Mary rose at the sound of my weeping and came to me.
"'Do you know I cannot weep, Susan? These fountains are drained dry. See, there are no tears in my eyes, though God knows my heart is drowned all day and night. It is dreadful to have such a burning head as mine, and no tears to wet it withal.'
"I wiped my eyes and grew calmer when I saw the wild brightness of her eye; and dreading another nervous attack, I did my best to quiet both her and myself. The day passed on without further reference to any present griefs; she showed me her little conservatory, with a few rare flowers in it, which she had reared with much care, and led me over the pleasantest paths in the grounds and groves attached to the house. In one of these groves, at some distance from the house itself, was a little cleared space, and in the centre of that a small, a very small mound.
"I knew at once what it was. There slept the child I had heard of. So had been broken the dearest tie Mary had felt binding her to life. She stood with me a moment, looking at the mound with a steadfast look, and then putting back her hair from her forehead, as if she tried to remember something, she smiled sadly, and said in a broken voice,
"'You see I cannot shed one tear, even on my child's grave.' I led her gently away among the old trees and quiet paths, and we sat in the warm July shadows till the sun went down.
"You may guess how thankful I was to see at last, as we turned homeward, the tears slowly falling over her face and dropping on her dress, as she walked on, evidently unconscious of the blessed relief. 'Like music on my heart' sunk these tears, for I knew that with them would come the coolness, 'like a welcoming' over her burning pulse, and I carefully abstained from saying a word that would interrupt the feelings rather than thoughts which now agitated her. We returned to the house; tea was served silently, for even the domestics hardly spoke above a whisper; and then we sat in the soft moonlight and looked on the sleeping scene before us. The summer sounds of rural life had long died away, and nothing but the untiring chirp of the tree-toad was to be heard. The melancholy monotony of the scene hushed Mary's spirit to a quiet she had not for a long time known, and at last she became conscious of having wept freely.
"'I have wept, thank God! that shows I am human. Now ask me all about what you want to know. I think I can talk about it. Mr. Gardner? Oh, he is gone--he is gone a great deal, you know; his business leads him continually away from home, and that leaves me, of course, very dull--very. Shouldn't you think it ought to, Susan dear?'
"Thus incoherently she began; but the first step taken, and secure of sympathy in her hearer, she went on, and you will believe me when I tell you we talked till midnight, and that then Mary sunk, like a weary child, into my arms in a sound sleep.
"I cannot give you her precise words, but the import of her relation I shall never forget. A few words will suffice to tell you what it took her hours of emotion and tears to reveal.
"You remember I told you she looked determined to do her duty, and be as happy a wife as she could. Did ever a wife succeed in being happy with duty for the material? Perhaps if Mr. Gardner had been an ardent lover, somewhat impulsive, and eager to commend himself to her grateful affection, he would have succeeded in doing so; indeed, I am sure of it, in time it must have been so; but, alas! Mr. Gardner was a calm, gentlemanly, sensible, phlegmatic person, who thought his wife's impulsive and hasty nature should be occasionally checked, and who had no toleration for, nor sympathy with, her excitable spirit. Consequently, she soon learned to have a calm exterior when he was at home, which his frequent absences made it easy to assume. They had been married something like three years, and Mary was the delighted mother of a healthy and lovely daughter. Her heart, which had almost closed in the chilly atmosphere of her husband's manners, expanded and flowered luxuriantly in the warmth of maternity. In her happiness she reflected a part of its exuberance on her husband, and smiled with much of her old gayety. 'I felt my young days coming back to me,' she said.
"One day the post brought a letter for her, which she opened, and then left the room to read. The letter was from young Randolph. The writer apologized for his year's silence to her, by an account of a long illness, &c. He knew of her happiness, of her child; in short, he seemed to be informed of every thing about her. He asked to be permitted to correspond with her. The letter expressed the strongest and deepest interest, but couched in such respectful and friendly terms as were difficult to resist. Mary struggled long with her sense of what was due to herself and her husband; but right at last conquered, and she re-entered the room with the letter in her hand. Tremblingly she gave it to her husband, who read a part of it, and then said, with much kindness of manner,
"'Correspond with any of your friends, male or female, my dear. I have not the slightest objection.'
"Mary's good spirit was still at her ear, and she said with some difficulty,
"'Mr. Gardner, the writer of this letter was once much interested in me.'
"'And you in him, eh? Well, my love, those things are all gone by; I can fully trust you. So again, I say, correspond with any body you like, provided you don't ask me to read the letters.'
The generous confidence of her husband deeply affected Mary; but, unhappily, it did not induce her to the safe course of declining the correspondence with this fascinating and dangerous friend. The correspondence went on for years, nay, it was continued up to the time of my visit. And now, my dears, I must stop the current of my story for a minute, to utter my protest against this most dangerous and wretched of all theories--_Platonic friendships between a married woman and her male friends._ But for the false notions of safety in such a friendship, Mary Dunbar might now be a loved and loving woman. This you will not believe could have been with Mr. Gardner; but remember, Mary was getting to love Mr. Gardner a good deal, and habit and duty and maternal happiness would have done much; so that _in a sort_, she would have been both loved and loving. The letters from Randolph, which she showed me, were very interesting, and full of fine sensible remarks on education, all so interspersed with gentle and deep interest for herself, that you saw she was never out of his mind and heart for an instant. Just such letters as a happy married woman would never read, and what any woman's instinct protects her from if she listens to it.
"Things had gone on in this way for two years, or thereabouts, when the child, who had been the subject of so many theories, and in whom were garnered all the _conscious_ hopes of Mary, was taken suddenly ill. Her anxiety induced her immediately to summon medical assistance; and she could hardly believe her physician when he said there were no grounds for apprehension. The child had a sore throat; there was a considerable degree of inflammation about the system, and when he left, he directed Mary to have some leeches applied to the neck of the little girl, at the same time pointing to the spot where he wished them to take the blood.
Mary was particular to place them there, but to her great alarm, the blood issued from the punctures in such a quantity as to drench the bed-linen almost immediately. In vain she tried to stop it--it flowed in torrents, and before the horror-struck servants could summon the physician, the life had ebbed from the child--nothing but a blood-stained form remained. The physician said the jugular vein had been pierced, and that it was something like half an inch nearer the ear than he ever saw it before. I believe he was not to blame--far less was the wretched instrument, whose agony I will not attempt to describe.
"But from that hour the nervous spasms and depression of spirits supervened, which I found had become the habit of her mind. I should have premised that through all the distressing circumstances of the child's death Mr. Gardner was absent. Undoubtedly, could he have been at home, his fortitude and calmness would have been of the greatest service to her; but he did not return until long after her maternal agonies had sunk into a sort of stupor of wretchedness, which looked like a resigned grief outwardly. Far enough was her spirit from the enforced composure of her manner. By degrees she came to look upon herself as born only to make others unhappy. That she had caused the death of her own child was too horrible a thought to dwell on voluntarily, yet it obtruded itself always--and she shuddered at the grave of the being dearest to her heart.
"I remained with Mary until her husband's return, and then left her, promising to visit her again in the course of a few weeks. I was pleased to see the manly kindness of Mr. Gardner's manner to his wife. He evidently did not understand her, but he was gentle and quiet in his words to her, and so far as was in his nature to do, sympathized with her. He was frequently called away from home for weeks together, and had no idea of the effect solitude was having on the mind of his wife.
"As soon as I could so arrange my affairs at home as to leave them, I went to my sick-souled friend. I found her in her chamber and lying on her bed. She looked paler than ever, and her eyes were dry and tearless as when I first saw her before. All over the bed, and pressed in her hands, were letters strewn, half open, and which she had evidently been reading. She looked up at me when I entered, but immediately began gathering up the letters with a strange carefulness, placing them one above the other according to their dates, taking no further notice of me. I saw something agitating had occurred, and seated myself without speaking till she should be more composed. I knew they were Randolph's letters; I had seen them before.
"Presently she spoke in a low voice and seemingly exhausted manner.
"'Susan!' I was by her instantly. She gave me a folded manuscript. 'Between you and me there is no need of words. Take this and read it. It is the last death I shall cause. Leave me now, dear Susan; perhaps I may sleep, who knows'
"She put her hands over her eyes--they were burning as coals--and tried to smile, but the lips refused the mockery. I begged her to lie down and try to sleep, closed the curtains, and left the room, not a little anxious to see the contents of the manuscript which I hoped would explain this new grief.
"The first letter was from a clergyman at the South, containing the intelligence of Randolph's death, after a long illness, and transmitting, at his request, the sealed packet to Mrs. Gardner.
"And saddening enough was the recital of the young man's sorrows. He began with saying that he had scrupulously abstained from ever mentioning his attachment to Mary while he had lived, but he could not refrain from asking her pity for him when he could never more disturb or injure her. He inclosed to her his journal, kept from the first day he saw her, when he loved her with all the fervor of his southern nature, and all the confidence of youth. Then followed the shock of hearing from Mr. Dunbar's own lips of his sister's engagement and approaching marriage. Then the farewell note of wounded affection that assumed indifference. Then a long delirious fever; then the news of Mary's marriage; and then the vain attempt to conquer his ill-fated love. His delight in his correspondence with her; it had been the life of his life, all that soothed the downward passage to the grave. To that grave he had gladly come, feeling that happiness was forever denied him, and only begged her to believe in his never-varying love from the moment he met her to this dying hour, when he signed his name to the last words he should address to mortal.
"All that she had lost--all she might have been, and might have enjoyed in a union with this young man, so brilliant, so amiable, so devoted, rushed on my heart, and contrasting with the reality a few paces off, made me weep bitterly. Oh! had they never loved so kindly!
"I sat long with the manuscript, looking at the writing, some of it years old, and written with a firm, flowing hand, then varying through all the vicissitudes of health and feeling, till it trembled and died away in its last farewell. The peculiar tenderness with which we look on the handwriting of the dead, however personally unknown, affected me. This young man I had seen, though seldom; and I easily connected the memoir before me with the memory of his dark, curling hair, his olive complexion, and the graceful dignity of his manner. I saw his bright eye dim, the dew of suffering on his brow, his cheek pale with anguish of heart and body, and the last flicker of his glorious light going out in darkness.
"From these thoughts I was roused by a sudden and deep groan; it seemed near me, and I sprung to my feet. Bells rang; there was a rush on the staircaise--a shriek--another rush--the opening of doors wildly; all this was in a moment--in the moment I ran out of my room toward Mary's where an undefined and terrible fear taught me to look.
"You will guess what met my appalled gaze. Mr. Gardner, who had returned from a journey while I was reading in my own room, hastened up stairs to see Mary. At the moment he entered, she had completed the act which terminated her life. He received in his arms the lifeless body. The suffering soul still hovered unconsciously. We believe that God who made us, alone can try us, and He who knew all the wo that 'wrought like madness in her brain,' can both pity and forgive."
A deep silence followed Madame Stanwood's relation. Alice and Louise were thinking how little such an experience could have been guessed from Mr. Gardner's exterior.
"I wonder," said Louisa at last, "if he ever knew he cause of Mary's death--did you give him the manuscript, grandmother?"
"Well--what _should_ I have done?"
"Oh! I would have given it to him! I would have rejoiced to see him one hour feeling all the agony which poor Mary had felt so long!"
"That is very natural, my child, for you to say; and, I confess, when I saw him first--his clothes covered with his wife's life-blood, and her marble face on his shoulder; when I saw _his_ calmness, his complete self-possession, the directions he gave for the physician, all the time keeping his hand so pressed on the wound, that no more blood should flow; when I saw him hold her till the surgeon closed the wound, and then place his hand on the heart, and watch its beating, if happily life might yet linger there; when I saw this, I longed to say, 'thou cold-hearted being! she is beyond the chill of thine icy love--care not for her! the grave is softer and warmer than thou art!'
"But life had gone out. Not, however, till the loss of blood had so relieved the agonizing pressure on the brain, that reason had evidently returned--for she opened her eyes, with a sweet, sad smile, looked at us all--saw every thing--knew every thing that had passed. She raised her hand to her neck, and then pointed upward, and breathing more and more softly, like the dead child who had gone before her, in its baptism of blood, she slept in peace.
"I thought of all that had passed in the hearts of the two young persons for whom life had so early closed. They had suffered much, but I did not see how any good could occur to the dead or the living by further communication. If Mary had desired it, there had been opportunity enough. She might have left the letters for her husband to read. On the contrary, she had burned them immediately after I had left the room. Her woman had brought her a lamp, and she saw her setting fire to letters--and, in fact, the relics of them were still in the chimney.
"I therefore said no more to Mr. Gardner. He had been much shocked with the events of the day, and for some time was depressed. But he recovered the tone of his mind, and to this day, I suppose, has very little comprehension of what was about him and around him for years--of the broken-heart that was so long breaking."
THE PROPHET'S REBUKE
BY MRS. JULIET H. L. CAMPBELL.
In a cedar-ceiled palace, the proud arches rolled,
O'erlaid with vermilion, and blazoned with gold,
While their graceful supporters in colonnade stood,
Like the children of giants, a grand brotherhood:
Around them the lily and pomegranate wreath,
In delicate tracery, while far beneath
The siren-voiced fountains beguile the long day,
And the tessalate pavement is gemmed with their spray.
The East from her treasury joyeth to bring
Her magnificent gifts to a world-renowned king;
Her birds, like to meteors, as brilliant and fleet,
And her rainbow-hued flowers are laid at his feet,
While he, in regality's power and pride,
Sits enthroned with the symbol of pomp by his side.
The beauty is glorious that beams in his face,
His mien is majestic, his movement is grace!
Before him a prophet, with hair long and white
Falling down o'er a mantle as sable as night,
With a glance of stern loftiness, cheek cold and pale,
And a gesture of earnestness, thus told his tale.
"Two men in this city there dwelleth, my lord--
One is blessed in the battle, and blessed by the board:
He hath numberless flocks in the field and the fold,
And the wealth of his coffers remaineth untold.
The other hath naught save one lamb, which he fed
Like a child of his household; it ate of his bread,
It partook of his portion of food and of rest,
It followed his footsteps, it lay on his breast,
It lightened his sorrows with innocent art,
And e'en, as a daughter, was dear to his heart.
A traveler came to the rich man's abode,
And he welcomed the guest in the name of his God;
Bade him tarry awhile, 'mid the fierce noontide heat,
'Neath the vine-tree's broad shadow, to rest him and eat.
Then straightway he hasted, with tenderest care,
To spread forth the board and the banquet prepare,
While he spared of his _own_ to take youngling or dam
But dressed for the stranger his _neighbor's ewe lamb_.
As a breath from the meadow, on wings of the wind,
To the sense that had breathed but the perfume of Ind,
Seemed this tale of simplicity, told to the heart
That had dwelt 'mid the spells of magnificent art.
Spake the king, while fierce anger flashed hot from his eye,
"Now, as the Lord liveth! this robber shall die!
To the victim of wrong let his cattle be told,
Till full restitution be rendered fourfould,
And _cursed_ be forever, with sword and with brand,
The wretch who hath done such foul wrong in our land!"
Then with stern condemnation the prophet replied
To the monarch, who sat in his purple-clad pride,
And his bold voice resounded throughout the broad span
Of the arches above them, "_Thou, thou art the man!_
Saith the Lord, I have raised thee from humble estate,
To rule o'er a nation most favored and great--
I have given thee Judah thy portion to be,
And the honor of Israel centres in thee!
Thy children, like olive boughs, circle thy board,
And the wives of thy master await at thy word,
But insatiate still, thou hast entered the dome
Of thy neighbor, and stolen the wife from her home;
Thou hast slaughtered the husband with treacherous wile,
And the vengeance of Heaven rewardeth thy guile!
The child of thy love from thy arms shall be torn--
And in sackcloth and ashes thy proud head shall mourn--
The wives of thy household thy rivals shall be--
As thou didst unto others, _so be it to thee_!
And the _sword_ thou hast taken, with murderous art,
From thy heaven-doomed lineage _ne'er shall depart_."
A SCENE ON THE SUSQUEHANNA.
HARRISBURG.
BY JOSEPH R. CHANDLER.
The incidents of life around us--of common life--of everyday events, and the common scenes which Nature has prepared on every side, are full of interest, full of means of gratifying a taste formed or cultivated to rational enjoyment. The Hymmalayen mountains may overtop the Andes, and the Amazon bear more water to the sea than the Susquehanna, but it follows not thence that the combination of scenery--points of beauty to be associated with the eye--are less attractive in the latter than in the former; and though thousands may tread, may ride, or may murder on the unfrequented path of the elder world, and give tragic effect to narrative, yet on all sides of us, in our home experience, and our limited wandering, events are every day occurring of as much interest to the participators as are those which constitute the theme of the foreign tourist; and scenes are presenting themselves almost daily within our own observation, that need only the pen of a Radcliffe to describe, or the pencil of a Claude to depict, to fix them on the imperishable canvas of the artist or the immortal page of the gifted poet.
How often have we been struck with the clustering beauties of a seashore by Birch, or some landscape by Russell Smith, and while we gazed in admiration at the production so rich in artistic skill, and felt astonishment at the fidelity of the representation, have shrunk away from the picture, ashamed that objects so constantly before our eyes should have remained unadmired till the pencil of the artist had transferred them to canvas--had selected the moment when sunshine had brought out the clustering beauties of some gentle promontory, or shade had deepened the darkness of the dell, and all which to our eyes had been daily spread out in constantly changing hues, had been fixed in beauty to challenge our admiration and create new love for the original.
Events which strike us with astonishment in their record, whether they are real or imaginary, acquire much of their importance from our knowledge of the antecedent circumstances and present condition of the actors. We connect the present with the past, and our sympathies becoming enlisted with the joys or sorrows of others, all that relates to them acquires the exaggerated importance to us which it has with those who are really connected with the occurrences. Every group of immigrants we meet, every wedding party we attend, every funeral train we join, contains in itself a story of deep and thrilling interest; the power of genius only is necessary to collect and combine the incidents, to bring in the feelings and hopes of the parties, and to present to the reader what the unobtrusive actor does, feels, hopes, fears and suffers.
Ungifted to catch the beauties of the landscape and transfer them to canvas, unpracticed in the simplest movement of the artist's duties, I can only stand and admire what Providence has spread around with a profusion of bounty, and as colors deepen or fade, and beauties augment or diminish, I bow with admiration at the object, and increased love to Him whose hand garnished the heavens, and whose goodness is as manifest "in these his lower works" as in the constellated glories of the firmament, whose systems combine to enrich with heatless light worlds of space--and the infinite seems exhausted to gem with starry lustre earth's evening canopy.
Equally unsupplied am I with that genius which seizes on passing incidents, and moulds them to important events, building the interesting and the sublime on the simple and the ordinary. I have not these gifts, but I have the love for the gifts, the sense of their existence in others, and a sort of conception of the time and the place in which they should be employed; and often, as I pass along, I select groups and note incidents that with the child of genius would be seed for a golden harvest. And scenes, too, that escape the general eye, or only excite the exclamation "how beautiful," press upon me till I wish that I had the genius and skill to fix the picture which Nature has drawn, and show that our own land and own vicinity are full of those beauties which true taste admires, which, transferred to canvas, become in turn the stimulant to taste. Yet the scenes which I see, and the occurrences which I note, may be of use to those who know better how to combine and present the materials; and what I saw and heard, others may present in an attractive form.
During the close of August and the first of September last I was, in obedience to an imperative call, engaged in some business in Harrisburg, Pennsylvania. The little borough was crowded with delegates to two conventions then being held, for the purpose of nominating candidates by the opposing parties for the office of Governor of the Commonwealth; a part of the machinery to which our institutions give rise, and those who affect to sneer at these preliminary movements, do not understand the true theory and practice of republicanism, where action, to be effective, must begin in the _will_ of the people, and to be beneficially operative it must continue in concurrence with that will. Notwithstanding the presence of two antagonistic parties there were peace and much social intercourse between the delegates of opposite creeds; nor was this marvelous, the contest had not yet been delivered to the parties; the rivalry and antagonism were between the members of the same party, who should be the candidate--that settled on each side, then the divided fronts of the main divisions would unite, and the hostility be transferred from sections of the same party to the parties themselves. The general field of contest was of course not taken there, so that the elements of political warfare were held in abeyance, and the thronged streets wore a holyday appearance of pleasure and hope.
Standing early one morning at the door of the hotel, before the customary hour of rising, I was struck with a little procession from the canal toward the centre of the place. A stern woman led the company, in which were four men, two of whom, and the youngest, each carried a child; and in the rear was a very tall man, bearing also a younger child, wrapped about with parts of a ragged female dress. The man by his height and measured tread drew attention particularly to himself. The appearance of the whole was that of poor immigrants; Germans probably; though the stateliness of the march of its principal man was that of some one who had a spirit of independence, and felt that whatever might be his appearance, he was, for a time at least, above the influence of outward circumstances. The company passed me, and for some time I lost sight of them, and indeed nothing but the peculiar look of the woman and the remarkable tread of the man would have kept them in my memory. It was not long, however, before I saw a gathering in front of a public building, and loving to hear the remarks of those who speak out unrestrainedly, I joined the little company. Its centre was the band of immigrants. It was evident that some movements toward effective sympathy had been suggested. What they were or by what suggested I could not tell. The strangers could speak little or no English, and for a time their appearance only appealed to the kindly feelings of the multitude. I had pressed in close to the strong man, who was still bearing the little child in the same position in which it rested when he passed me at the door of the hotel. The same fixed look of independence was in his face and his position. There was much of sternness on the face of the woman, but it was marked by pain, referable perhaps to her situation, and to the marks of recent grief. Something was to be done, but what I could not yet determine. As I pressed nearer to the man the company crowded closer.
"You need help," said I to the strange man.
He intimated plainly that he could not understand me.
"You want _bread_," said I.
"_Das brod_," exclaimed he, shaking his head. "_Nein--das grab!_"
And he threw the clothes from the face of the child on his arm, and the pale, quiet features of the little one were cold in death.
One low, agonizing cry went up from the depth of the woman's heart. One proud look around was given by the father, but that look was exchanged for one of anguish as he turned his eye downward toward the burthen which his arm sustained.
The company had come up, not to solicit charity, that they might eat and drink before they should die--but that they might obtain a burying-place for the little one of their flock, whom death had released from its parents' troubles.
It was a pretty child; the blue eyes were visible beneath the half divided lids, and the long lashes hung over them like gentle palls, defending them from the rudeness of earth's winds. The fine light hair lay smoothly over the marble forehead, and a few white teeth shone out from between the lips that were shrinking away from each other in the coldness of death.
It was a _grave_ the parents needed.
The contributions were liberal, and a grave was provided. It would seem that in the wilderness of unreclaimed lands which lie along the public works of Pennsylvania, there might be found a resting-place for an infant stranger, without the eleemosynary aid which had been sought--but, alas! who does not desire when they "bury their dead out of their sight," that it may be in a place which memory may cherish.
We cannot comprehend the unconsciousness of the grave. We hedge it about, we make the last house as if comforts were to be enjoyed therein, and we love to place our dead side by side with others, as if there were fellowship with the mouldering clay. It is of no use to argue against this--it is better perhaps to encourage the feelings, and assist in their gratification. They refine the mind, they elevate views, they meliorate passions and keep alive affections. Let the resting-place of the dead be sanctified to all, it is the home of the temple of God. It is the Moriah of the Christian dispensation.
I cannot leave Harrisburg at any season of the year, but especially in the early part of Autumn, without seeking the shore of the Susquehanna at sunset. All day long the river is beautiful, the quiet stream as it goes shining down to the ocean is full of loveliness, and all upon it or near it, partakes of its character. But it is exquisitely rich and attractive near the close of the day. I went alone to enjoy the scene. And placing myself upon the bold bank between the town and the river I looked westward for the sight that had so often been enjoyed. It was there; no change comes over such beauties; they are immortal, they are without mutation. In the bosom of the broad river--glowing with the golden beams of the retiring sun--sat the islands that break the unity of the stream and augment its beauties. So rich, so full was the sunlight upon the river, that these islands seemed to be floating in the gorgeous light. Some shot out prominent angles into the water, and presented salient points to break the uniformity, while others sat swan-like down, their rounded edge touching the stream, as if they had been dressed by art to present the perfection of symmetry; the dark green of the shrubbery that sprung up in the moisture of the islands was mingled with the golden hues of the sun, and here and there the gentle current, by passing over some obstructing object, broke into a ripple, that danced like liquid gold in the sunlight.
It was a rich and lovely sight, one to which frequency of enjoyment can bring no satiety, and he who sits down to such a scene finds the impressions of unfriendly association passing away--the resolutions of revenge, which unprovoked rudeness excited, melting into the better determinations of the heart--and all of bitterness and animosity which unchastened pride encourages, are neutralized and lost in the deep emotions of love which such a view of God's works and such a sense of man's enjoyment necessarily promote.
I sat absorbed in the scene until the sun began to drop below the hills, and the warmth of the coloring upon the water was yielding to the neutral and colder tints of evening, but upward along the sides of the hills the gorgeousness of the sunlight was in its fullness. Casting my eyes away to the right, I noticed a gathering on the upland: and on looking closer I could discover the forms of those who had composed the morning procession. They had made a grave for the little one of their flock, and had gathered around it to do the last offices to the inanimate form. They all bowed together, as if taking a last look, and when they raised their heads, I thought I caught a little of the wild cry of the anguished mother--but I must have been deceived, the distance was too great, but the signs of grief were _visible_, and I saw the father sustaining with his arm the afflicted wife, and the other members of the group cast their eyes toward their afflicted female companion. The air was full of dust, the consequence of a long drought, and as the floating particles reflected the sunbeams, the funeral gathering seemed for a moment, bathed in the glorious light of the setting sun, transfigured on their mount of sorrow--transfigured from the poor mendicant wanderers they had appeared in the morning, to children of light.
That glorious sunset on the islands and waters of the Susquehanna cannot soon fade from my memory--nor shall I easily forget the blaze of glory shed around the infant's grave. Strange that the richness of sunlight should spring from the impure particles by which it is reflected--but in this world of ours what but errors and impurities of the human kind make visible and beautiful the grace of Him in whose light and heat "we live and move and have our being?"
PEDRO AND INEZ.
BY ELIZABETH J. EAMES.
[It is a well known fact that the hapless Inez de
Castro, the young and beautiful bride of Pedro of
Portugal, was murdered, while he was absent on a
hunting excursion.]
Softly broke the light of morning, through a pictured window's gloom,
Blandly strayed the zephyr's winglet 'mid rich plants of Eastern bloom,
Shedding a strong spicy fragrance round that gorgeous room,
Lightly on her couch of purple slumbered Pedro's new-made bride,
In her young unshadowed beauty, with no other thought beside
That which his deep love had poured o'er her spirit's tide.
Softly had Prince Pedro risen from his nuptial couch that morn,
Lightly donned his hunting vesture, at the call of hound and horn:
Yet he bends enamored o'er that face of Beauty born.
One more love-glance, yet another, on the sleeping face he cast;
Soft he stoops to meet that red lip--one light kiss--the last!
"God and our Lady bless thee, love!"--and so Prince Pedro passed.
Softly faded into twilight gorgeous gleams of gold and red,
Valley, stream, and purple mountain lay in mellow glory spread.
And the lemon's snowy blossom dewy odors shed.
Homeward through eve's tender shadows speeds Prince Pedro with his band,
While with love almost paternal his fond eye drinks in the land,
Over which he soon may govern with a kingly hand.
Now the mellow horn he soundeth through the leafy olive groves,
Far and wide the clear notes echo, but they bring not her he loves--
"Inez? is it thou, sweet Inez, where yon shadow moves?"
Never more shall Inez answer to that fond familiar call--
Of the lovely bride left sleeping, bleeding clay is all--
Of a fiendish hate the victim lies she, wrapt in gory pall.
Never more from that dread hour was Prince Pedro seen to smile!
Never more did chase or revel his still agony beguile--
But he walked in the shadow of dark thoughts the while!
With her martyred form forever graven on his memory,
He became a scourge and terror from whom all men sought to flee,
Tortured were his victims, but he smiled in mockery!
Such the change, and such the monarch whose reft hand made discord ring
Like a clarion through the country that had gladly hailed him king.
Darkly, like the tempest, rode he on the avenger's wing!
And when midnight drew her curtain round the land, that hour
In her blood-stained chamber did he stand with fearful power,
And renew the fatal vow to avenge his martyred flower!
A LEGEND OF CLARE.
THE TRICKS UPON TRICKS, AND THE TWISTS UPON TWISTS;
OR KHUR ENEIN KHUR, AGUS KHAOUN ENEIN KHAOUN.
BY J. GERAHTY M'TEAGUE.
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Graham's Magazine Vol XXXIII No. 5 November 1848Chapter II
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