Chapter I: Front Matter

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Masterpieces in Colour Edited by--T. Leman Hare

GREUZE

1725-1805

* * * * * *

“MASTERPIECES IN COLOUR” SERIES

ARTIST. AUTHOR.
BELLINI. GEORGE HAY.
BOTTICELLI. HENRY B. BINNS.
BOUCHER. C. HALDANE MACFALL.
BURNE-JONES. A. LYS BALDRY.
CARLO DOLCI. GEORGE HAY.
CHARDIN. PAUL G. KONODY.
CONSTABLE. C. LEWIS HIND.
COROT. SIDNEY ALLNUTT.
DA VINCI. M. W. BROCKWELL.
DELACROIX. PAUL G. KONODY.
DÜRER. H. E. A. FURST.
FRA ANGELICO. JAMES MASON.
FRA FILIPPO LIPPI. PAUL G. KONODY.
FRAGONARD. C. HALDANE MACFALL.
FRANZ HALS. EDGCUMBE STALEY.
GAINSBOROUGH. MAX ROTHSCHILD.
GREUZE. ALYS EYRE MACKLIN.
HOGARTH. C. LEWIS HIND.
HOLBEIN. S. L. BENSUSAN.
HOLMAN HUNT. MARY E. COLERIDGE.
INGRES. A. J. FINBERG.
LAWRENCE. S. L. BENSUSAN.
LE BRUN, VIGÉE. C. HALDANE MACFALL.
LEIGHTON. A. LYS BALDRY.
LUINI. JAMES MASON.
MANTEGNA. MRS. ARTHUR BELL.
MEMLINC. W. H. J. & J. C. WEALE.
MILLAIS. A. LYS BALDRY.
MILLET. PERCY M. TURNER.
MURILLO. S. L. BENSUSAN.
PERUGINO. SELWYN BRINTON.
RAEBURN. JAMES L. CAW.
RAPHAEL. PAUL G. KONODY.
REMBRANDT. JOSEF ISRAELS.
REYNOLDS. S. L. BENSUSAN.
ROMNEY. C. LEWIS HIND.
ROSSETTI. LUCIEN PISSARRO.
RUBENS. S. L. BENSUSAN.
SARGENT. T. MARTIN WOOD.
TINTORETTO. S. L. BENSUSAN.
TITIAN. S. L. BENSUSAN.
TURNER. C. LEWIS HIND.
VAN DYCK. PERCY M. TURNER.
VAN EYCK. J. CYRIL M. WEALE.
VELAZQUEZ. S. L. BENSUSAN.
WATTEAU. C. LEWIS HIND.
WATTS. W. LOFTUS HARE.
WHISTLER. T. MARTIN WOOD.
_Others in Preparation._

* * * * * *

This picture, at first entitled “A Father handing over the Marriage-portion of his Daughter,” then “The Village Bride,” is the best of Greuze’s subject pictures. The scene is more or less naturally arranged, and informed with the tender homely sentiment inspired by the subject; and the bride, with her fresh young face and modest attitude, is a delicious figure. It was exhibited in the Salon of 1761, and now hangs in the Louvre.]

GREUZE

by

ALYS EYRE MACKLIN

Illustrated with Eight Reproductions in Colour

London: T. C. & E. C. Jack New York: Frederick A. Stokes Co.

CONTENTS

Chap. Page

I. Early Days and First Success 11

II. The Times in which Greuze Lived 20

III. Greuze’s Moral Pictures 27

IV. The Pictures by which we know Greuze 35

V. The Vanity of Greuze 44

VI. “The Broken Pitcher” and other well-known Pictures 52

VII. Ruin and Death 62

VIII. The Art of Greuze 71

LIST OF ILLUSTRATIONS

Plate

I. L’Accordée du Village Frontispiece
In the Louvre

Page

II. L’Innocence tenant deux Pigeons 14
In the Wallace Collection

III. La Malédiction paternelle 24
In the Louvre

IV. Portrait d’Homme 34
In the Louvre

V. L’Oiseau Mort 40
In the Louvre

VI. Les Deux Sœurs 50
In the Louvre

VII. La Cruche Cassée 60
In the Louvre

VIII. La Laitière 70
In the Louvre