Chapter II: Introduction
CHAPTER I Misnomers
CHAPTER II The Squire and his Niece
CHAPTER III The Duke's Folly
CHAPTER IV The Forest--A Soliloquy on Hair
CHAPTER V. The Seven Sisters
CHAPTER VI The Rustic Lover
CHAPTER VII The Vicar and his Wife--Families of Love:-- The Newspaper
CHAPTER VIII Pantopragmatics
CHAPTER IX Saint Catharine
CHAPTER X The Thunderstorm
CHAPTER XI Electrical Science--The Death of Philemon
CHAPTER XII The Forest Dell--The Power of Love--The Lottery of Marriage
CHAPTER XIII Lord Curryfin--Siberian Dinners--Social Monotony
CHAPTER XIV Music and Painting--Jack of Dover
CHAPTER XV Expression in Music--The Dappled Palfrey--Love and Age--Competitive Examination
CHAPTER XVI Miss Niphet--The Theatre--The Lake--Divided Attraction --Infallible Safety
CHAPTER XVII Horse-Taming--Love in Dilemma--Injunctions--Sonorous Vases
CHAPTER XVIII Lectures--The Power of Public Opinion--A New Order of Chivalry
CHAPTER XIX A Symposium--Transatlantic Tendencies --After-Dinner Lectures--Education
CHAPTER XX Algernon and Morgana--Opportunity and Repentance --The Forest in Winter
CHAPTER XXI Skating--Pas de deux on the Ice--Congeniality --Flints among Bones
CHAPTER XXII The Seven against Thebes--A Soliloquy on Christmas
CHAPTER XXIII The two Quadrilles--Pope's Ombre--Poetical Truth to Nature--Cleopatra
CHAPTER XXIV Progress of Sympathy--Love's Injunctions--Orlando Innamorato
CHAPTER XXV Harry and Dorothy
CHAPTER XXVI Doubts and Questions
CHAPTER XXVII Love in Memory
CHAPTER XXVIII Aristophanes in London
CHAPTER XXIX The Bald Venus--Inez de Castro--The Unity of Love
CHAPTER XXX A Captive Knight--Richard and Alice
CHAPTER XXXI A Twelfth-Night Ball--Pantopragmatic Cookery --Modern Vandalism--A Bowl of Punch
CHAPTER XXXII Hopes and Fears--Compensations in Life--Athenian Comedy--Madeira and Music--Confidences
CHAPTER XXXIII The Conquest of Thebes
CHAPTER XXXIV Christmas Tales--Classical Tales of Wonder--The Host's Ghost--A Tale of a Shadow--A Tale of a Bogle--The Legend of St. Laura
CHAPTER XXXV Rejected Suitors--Conclusion
GRYLL GRANGE
Opinion governs all mankind,
Like the blind leading of the blind:--
And like the world, men's jobbemoles
Turn round upon their ears the poles,
And what they're confidently told
By no sense else can be controll'd.
In the following pages the New Forest is always mentioned as if it were still unenclosed. This is the only state in which the Author has been acquainted with it. Since its enclosure, he has never seen it, and purposes never to do so.
The mottoes are sometimes specially apposite to the chapters to which they are prefixed; but more frequently to the general scope, or, to borrow a musical term, the _motivo_ of the _operetta_.
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Gryll GrangeChapter II: Introduction
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