Chapter VII: Part 7

Usually in a courtship it is the male who assumes the bright colours of pretence in order to attract a mate. But Ben Westerveld had been too honest to be anything but himself. He was so honest and fundamentally truthful that he refused at first to allow himself to believe that this slovenly shrew was the fragile and exquisite creature he had married. He had the habit of personal cleanliness, had Ben, in a day when tubbing was a ceremony and in an environment that made bodily nicety difficult. He discovered that Bella almost never washed and that her appearance of fragrant immaculateness, when dressed, was due to a natural clearness of skin and eye, and to the way her blonde hair swept away in a clean line from her forehead. For the rest, she was a slattern, with a vocabulary of invective that would have been a credit to any of the habitués of Old Red Front Huckins's bar.

They had three children, a girl and two boys. Ben Westerveld prospered in spite of his wife. As the years went on he added eighty acres here, eighty acres there, until his land swept down to the very banks of the Mississippi. There is no doubt that she hindered him greatly, but he was too expert a farmer to fail. At threshing time the crew looked forward to working for Ben, the farmer, and dreaded the meals prepared by Bella, his wife. She was notoriously the worst cook and housekeeper in the county. And all through the years, in trouble and in happiness, her plaint was the same: "If I'd thought I was going to stick down on a farm all my life, slavin' for a pack of men folks day and night, I'd rather have died. Might as well be dead as rottin' here."

Her school-teacher English had early reverted. Her speech was as slovenly as her dress. She grew stout, too, and unwieldy, and her skin coarsened from lack of care and overeating. And in her children's ears she continually dinned a hatred of farm life and farming. "You can get away from it," she counselled her daughter, Minnie. "Don't you be a rube like your pa," she cautioned John, the older boy. And they profited by her advice. Minnie went to work at Commercial when she was seventeen, an over-developed girl with an inordinate love of cheap finery. At twenty she married an artisan, a surly fellow with anarchistic tendencies. They moved from town to town. He never stuck long at one job. John, the older boy, was as much his mother's son as Minnie was her mother's daughter. Restless, dissatisfied, empty-headed, he was the despair of his father. He drove the farm horses as if they were racers, lashing them up hill and down dale. He was forever lounging off to the village or wheedling his mother for money to take him to Commercial. It was before the day of the ubiquitous automobile. Given one of those present adjuncts to farm life, John would have ended his career much earlier. As it was, they found him lying by the roadside at dawn one morning after the horses had trotted into the yard with the wreck of the buggy bumping the road behind them. He had stolen the horses out of the barn after the help was asleep, had led them stealthily down the road, and then had whirled off to a rendezvous of his own in town. The fall from the buggy might not have hurt him, but he evidently had been dragged almost a mile before his battered body became somehow disentangled from the splintered wood and the reins.

That horror might have served to bring Ben Westerveld and his wife together, but it did not. It only increased her bitterness and her hatred of the locality and the life.

"I hope you're good an' satisfied now," she repeated in endless reproach. "I hope you're good an' satisfied. You was bound you'd make a farmer out of him, an' now you finished the job. You better try your hand at Dike now for a change."

Dike was young Ben, sixteen; and old Ben had no need to try his hand at him. Young Ben was a born farmer, as was his father. He had come honestly by his nickname. In face, figure, expression, and manner he was a five-hundred-year throwback to his Holland ancestors. Apple-cheeked, stocky, merry of eye, and somewhat phlegmatic. When, at school, they had come to the story of the Dutch boy who saved his town from flood by thrusting his hand into the hole in the dike and holding it there until help came, the class, after one look at the accompanying picture in the reader, dubbed young Ben "Dike" Westerveld. And Dike he remained.

Between Dike and his father there was a strong but unspoken feeling. The boy was crop-wise, as his father had been at his age. On Sundays you might see the two walking about the farm looking at the pigs--great black fellows worth almost their weight in silver; eying the stock; speculating on the winter wheat showing dark green in April with rich patches that were almost black. Young Dike smoked a solemn and judicious pipe, spat expertly, and voiced the opinion that the winter wheat was a fine prospect. Ben Westerveld, listening tolerantly to the boy's opinions, felt a great surge of joy that he did not show. Here, at last, was compensation for all the misery and sordidness and bitter disappointment of his married life.

That married life had endured now for more than thirty years. Ben Westerveld still walked with a light, quick step--for his years. The stocky, broad-shouldered figure was a little shrunken. He was as neat and clean at fifty-five as he had been at twenty-five--a habit that requires much personal courage on a farm and that is fraught with difficulties. The community knew and respected him. He was a man of standing. When he drove into town on a bright winter morning and entered the First National Bank in his big sheepskin coat and his shaggy cap and his great boots, even Shumway, the cashier, would look up from his desk to say: "Hello, Westerveld! Hello! Well, how goes it?"

When Shumway greeted a farmer in that way you knew that there were no unpaid notes to his discredit.

All about Ben Westerveld stretched the fruit of his toil; the work of his hands. Orchards, fields, cattle, barns, silos. All these things were dependent on him for their future well-being--on him and on Dike after him. His days were full and running over. Much of the work was drudgery; most of it was back-breaking and laborious. But it was his place. It was his reason for being. And he felt that the reason was good, though he never put that thought into words, mental or spoken. He only knew that he was part of the great scheme of things and that he was functioning ably. If he had expressed himself at all, he might have said:

"Well, I got my work cut out for me, an' I do it an' do it right."

There was a tractor now, of course; a phonograph with expensive records, so that Caruso and McCormack and Elman were household words; a sturdy, middle-class automobile, in which Bella lolled red-faced in a lacy and beribboned boudoir cap when they drove into town. On a Saturday afternoon you saw more boudoir caps skimming up and down the main street in Commercial than you might see in a century of French farces.

As Ben Westerveld had prospered his shrewish wife had reaped her benefits. Ben was not the selfish type of farmer who insists on twentieth-century farm implements and medieval household equipment. He had added a bedroom here, a cool summer kitchen there, an ice house, a commodious porch, a washing machine, even a crude bathroom. But Bella remained unplacated. Her face was set toward the city. And slowly, surely, the effect of thirty-odd years of nagging was beginning to tell on Ben Westerveld. He was the finer metal, but she was the heavier, the coarser. She beat him and molded him as iron beats upon gold.

Minnie was living in Chicago now--a good-natured creature, but slack, like her mother. Her surly husband was still talking of his rights and crying down with the rich. They had two children. Minnie wrote of them, and of the delights of city life. Movies every night. Halsted Street just around the corner. The big stores. State Street. The L took you downtown in no time. Something going on all the while. Bella Westerveld, after one of those letters, was more than a chronic shrew; she became a terrible termagant.

* * * * *

When Ben Westerveld decided to concentrate on hogs and wheat he didn't dream that a world would be clamouring for hogs and wheat for four long years. When the time came he had them, and sold them fabulously. But wheat and hogs and markets became negligible things on the day that Dike with seven other farm boys from the district left for the nearest training camp that was to fit them for France and war.

Bella made the real fuss, wailing and mouthing and going into hysterics. Old Ben took it like a stoic. He drove the boy to town that day. When the train pulled out, you might have seen, if you had looked close, how the veins and cords swelled in the lean brown neck above the clean blue shirt. But that was all. As the weeks went on the quick, light step began to lag a little.

He had lost more than a son; his right-hand helper was gone. There were no farm helpers to be had. Old Ben couldn't do it all. A touch of rheumatism that winter half crippled him for eight weeks. Bella's voice seemed never to stop its plaint.

"There ain't no sense in you trying to make out alone. Next thing you'll die on me, and then I'll have the whole shebang on my hands." At that he eyed her dumbly from his chair by the stove. His resistance was wearing down. He knew it. He wasn't dying. He knew that, too. But something in him was. Something that had resisted her all these years. Something that had made him master and superior in spite of everything.

* * * * *

In those days of illness, as he sat by the stove, the memory of Emma Byers came to him often. She had left that district twenty-eight years ago, and had married, and lived in Chicago somewhere, he had heard, and was prosperous. He wasted no time in idle regrets. He had been a fool, and he paid the price of fools. Bella, slamming noisily about the room, never suspected the presence in the untidy place of a third person--a sturdy girl of twenty-two or three, very wholesome to look at, and with honest, intelligent eyes and a serene brow.

"It'll get worse an' worse all the time," Bella's whine went on. "Everybody says the war'll last prob'ly for years an' years. You can't make out alone. Everything's goin' to rack and ruin. You could rent out the farm for a year, on trial. The Burdickers'd take it and glad. They got those three strappin' louts that's all flat-footed or slab-sided or cross-eyed or somethin', and no good for the army. Let them run it on shares. Maybe they'll even buy, if things turn out. Maybe Dike'll never come b--"

But at the look on his face then, and at the low growl of unaccustomed rage that broke from him, even she ceased her clatter.

* * * * *

They moved to Chicago in the early spring. The look that had been on Ben Westerveld's face when he drove Dike to the train that carried him to camp was stamped there again--indelibly this time, it seemed. Calhoun County, in the spring, has much the beauty of California. There is a peculiar golden light about it, and the hills are a purplish haze. Ben Westerveld, walking down his path to the gate, was more poignantly dramatic than any figure in a rural play. He did not turn to look back, though, as they do in a play. He dared not.

They rented a flat in Englewood, Chicago, a block from Minnie's. Bella was almost amiable these days. She took to city life as though the past thirty years had never been. White kid shoes, delicatessen stores, the movies, the haggling with peddlers, the crowds, the crashing noise, the cramped, unnatural mode of living necessitated by a four-room flat--all these urban adjuncts seemed as natural to her as though she had been bred in the midst of them.

She and Minnie used to spend whole days in useless shopping. Theirs was a respectable neighbourhood of well-paid artisans, bookkeepers, and small shopkeepers. The women did their own housework in drab garments and soiled boudoir caps that hid a multitude of unkempt heads. They seemed to find a deal of time for amiable, empty gabbling. Any time from seven to four you might see a pair of boudoir caps leaning from opposite bedroom windows, conversing across back porches, pausing in the task of sweeping front steps, standing at a street corner, laden with grocery bundles. Minnie wasted hours in what she called "running over to ma's for a minute." The two quarrelled a great deal, being so nearly of a nature. But the very qualities that combated each other seemed, by some strange chemical process, to bring them together as well.

"I'm going downtown to-day to do a little shopping," Minnie would say. "Do you want to come along, ma?"

"What you got to get?"

"Oh, I thought I'd look at a couple of little dresses for Pearlie."

"When I was your age I made every stitch you wore."

"Yeh, I bet they looked like it, too. This ain't the farm. I got all I can do to tend to the house, without sewing."

"I did it. I did the housework and the sewin' and cookin', an' besides--"

"A swell lot of housekeepin' you did. You don't need to tell me."

The bickering grew to a quarrel. But in the end they took the downtown L together. You saw them, flushed of face, with twitching fingers, indulging in a sort of orgy of dime spending in the five-and-ten-cent store on the wrong side of State Street. They pawed over bolts of cheap lace and bins of stuff in the fetid air of the crowded place. They would buy a sack of salted peanuts from the great mound in the glass case, or a bag of the greasy pink candy piled in vile profusion on the counter, and this they would munch as they went.

They came home late, fagged and irritable, and supplemented their hurried dinner with hastily bought and so-called food from the near-by delicatessen.

Thus ran the life of ease for Ben Westerveld, retired farmer. And so we find him lying impatiently in bed, rubbing a nervous forefinger over the edge of the sheet and saying to himself that, well, here was another day. What day was it? Le'see now. Yesterday was--yesterday--a little feeling of panic came over him. He couldn't remember what yesterday had been. He counted back laboriously and decided that to-day must be Thursday. Not that it made any difference.

* * * * *

They had lived in the city almost a year now. But the city had not digested Ben. He was a leathery morsel that could not be assimilated. There he stuck in Chicago's crop, contributing nothing, gaining nothing. A rube in a comic collar ambling aimlessly about Halsted Street, or State downtown. You saw him conversing hungrily with the gritty and taciturn Swede who was janitor for the block of red-brick flats. Ben used to follow him around pathetically, engaging him in the talk of the day. Ben knew no men except the surly Gus, Minnie's husband. Gus, the firebrand, thought Ben hardly worthy of his contempt. If Ben thought, sometimes, of the respect with which he had always been greeted when he clumped down the main street of Commercial, Ill.--if he thought of how the farmers for miles around had come to him for expert advice and opinion--he said nothing.

Sometimes the janitor graciously allowed Ben to attend to the furnace of the building in which he lived. He took out ashes, shovelled coal. He tinkered and rattled and shook things. You heard him shovelling and scraping down there, and smelled the acrid odour of his pipe. It gave him something to do. He would emerge sooty and almost happy.

"You been monkeying with that furnace again!" Bella would scold. "If you want something to do, why don't you plant a garden in the backyard and grow something. You was crazy enough about it on the farm."

His face flushed a slow, dull red at that. He could not explain to her that he lost no dignity in his own eyes in fussing about an inadequate little furnace, but that self-respect would not allow him to stoop to gardening--he who had reigned over six hundred acres of bountiful soil.

On winter afternoons you saw him sometimes at the movies, whiling away one of his many idle hours in the dim, close-smelling atmosphere of the place. Tokyo and Petrograd and Gallipoli came to him. He saw beautiful tiger women twining fair, false arms about the stalwart but yielding forms of young men with cleft chins. He was only mildly interested. He talked to any one who would talk to him, though he was naturally a shy man. He talked to the barber, to the grocer, the druggist, the street-car conductor, the milkman, the iceman. But the price of wheat did not interest these gentlemen. They did not know that the price of wheat was the most vital topic of conversation in the world.

"Well, now," he would say, "you take this year's wheat crop with about 917,000,000 bushels of wheat harvested, why, that's what's going to win the war! Yes, sirree! No wheat, no winning, that's what I say."

"Ya-as, it is!" the city men would scoff. But the queer part of it is that Farmer Ben was right.

Minnie got into the habit of using him as a sort of nursemaid. It gave her many hours of unearned freedom for gadding and gossiping.

"Pa, will you look after Pearlie for a little while this morning? I got to run downtown to match something and she gets so tired and mean-acting if I take her along. Ma's goin' with me."

He loved the feel of Pearlie's, small, velvet-soft hand in his big fist. He called her "little feller," and fed her forbidden dainties. His big brown fingers were miraculously deft at buttoning and unbuttoning her tiny garments, and wiping her soft lips, and performing a hundred tender offices. I think that he was playing a sort of game with himself, and that he pretended this was Dike become a baby again. Once the pair managed to get over to Lincoln Park, where they spent a glorious day looking at the animals, eating popcorn, and riding on the miniature railway.

They returned, tired, dusty, and happy, to a double tirade.

* * * * *

Bella engaged in a great deal of what she called worrying about Dike. Ben spoke of him seldom, but the boy was always present in his thoughts. They had written him of their move, but he had not seemed to get the impression of its permanence. His letters indicated that he thought they were visiting Minnie, or taking a vacation in the city. Dike's letters were few. Ben treasured them, and read and reread them. When the armistice news came, and with it the possibility of Dike's return, Ben tried to fancy him fitting into the life of the city. And his whole being revolted at the thought.

He saw the pimply-faced, sallow youths in their one-button suits and striped shirts standing at the corner of Halsted and Sixty-Third, spitting languidly and handling their limp cigarettes with an amazing labial dexterity. Their conversation was low-voiced, sinister, and terse, and their eyes narrowed as they watched the over-dressed, scarlet-lipped girls go by. A great fear clutched at Ben Westerveld's heart.

The lack of exercise and manual labour began to tell on Ben. He did not grow fat from idleness. Instead his skin seemed to sag and hang on his frame, like a garment grown too large for him. He walked a great deal. Perhaps that had something to do with it. He tramped miles of city pavements. He was a very lonely man. And then, one day, quite by accident, he came upon South Water Street. Came upon it, stared at it as a water-crazed traveller in a desert gazes upon the spring in the oasis, and drank from it, thirstily, gratefully.

South Water Street feeds Chicago. Into that close-packed thoroughfare come daily the fruits and vegetables that will supply a million tables. Ben had heard of it, vaguely, but had never attempted to find it. Now he stumbled upon it and standing there felt at home in Chicago for the first time in more than a year. He saw ruddy men walking about in overalls and carrying whips in their hands--wagon whips, actually. He hadn't seen men like that since he left the farm. The sight of them sent a great pang of homesickness through him. His hand reached out and he ran an accustomed finger over the potatoes in a barrel on the walk. His fingers lingered and gripped them, and passed over them lovingly.

At the contact something within him that had been tight and hungry seemed to relax, satisfied. It was his nerves, feeding on those familiar things for which they had been starving.

He walked up one side and down the other. Crates of lettuce, bins of onions, barrels of apples. Such vegetables!

The radishes were scarlet globes. Each carrot was a spear of pure orange. The green and purple of fancy asparagus held his expert eye. The cauliflower was like a great bouquet, fit for a bride; the cabbages glowed like jade.

And the men! He hadn't dreamed there were men like that in this big, shiny-shod, stiffly laundered, white-collared city. Here were rufous men in overalls--worn, shabby, easy-looking overalls and old blue shirts, and mashed hats worn at a careless angle. Men jovial, good-natured, with clear blue eyes and having about them some of the revivifying freshness and wholesomeness of the products they handled.

Ben Westerveld breathed in the strong, pungent smell of onions and garlic and of the good earth that seemed to cling to the vegetables, washed clean though they were. He breathed deeply, gratefully, and felt strangely at peace.

It was a busy street. A hundred times he had to step quickly to avoid hand truck, or dray, or laden wagon. And yet the busy men found time to greet him friendlily: "H'are you!" they said, genially. "H'are you this morning!"

He was market-wise enough to know that some of these busy people were commission men, and some grocers, and some buyers, stewards, clerks. It was a womanless thoroughfare. At the busiest business corner, though, in front of the largest commission house on the street, he saw a woman. Evidently she was transacting business, too, for he saw the men bringing boxes of berries and vegetables for her inspection. A woman in a plain blue skirt and a small black hat.

He caught a glimpse of white-streaked hair beneath the hat. A funny job for a woman. What weren't they mixing into nowadays! He turned sidewise in the narrow, crowded space in order to pass her little group. And one of the men--a red-cheeked, merry-looking young fellow in white apron--laughed and said: "Well, Emma, you win. When it comes to driving a bargain with you, I quit. It can't be did!"

Even then he didn't know her. He did not dream that this straight, slim, tailored, white-haired woman, bargaining so shrewdly with these men, was the Emma Byers of the old days. But he stopped there a moment, in frank curiosity, and the woman looked up. She looked up, and he knew those intelligent eyes and that serene brow. He had carried the picture of them in his mind for more than thirty years, so it was not so surprising. And time deals kindly with women who have intelligent eyes and serene brows.

He did not hesitate. He might have if he had thought a moment, but he acted automatically. He stood before her. "You're Emma Byers, ain't you?"

She did not know him at first. Small blame to her, so completely had the roguish, vigorous boy vanished in this sallow, sad-eyed old man. Then: "Why, Ben!" she said, quietly. And there was pity in her voice, though she did not mean to have it there. She put out one hand--that capable, reassuring hand--and gripped his and held it a moment. It was queer and significant that it should be his hand that lay within hers.

"Well, what in all get-out are you doing around here, Emma?" He tried to be jovial and easy. She turned to the aproned man with whom she had been dealing and smiled.

"What am I doing here, Joe?" she said.

Joe grinned, waggishly. "Nothin'; only beatin' every man on the street at his own game, and makin' so much money that--"

But she stopped him there. "I guess I'll do my own explaining." She turned to Ben again. "And what are you doing here in Chicago?"

Ben passed a faltering hand across his chin. "Me? Well, I'm--we're livin' here, I s'pose. Livin' here."

She glanced at him, sharply. "Left the farm, Ben?"

"Yes."

"Wait a minute." She concluded her business with Joe; finished it briskly and to her own satisfaction. With her bright brown eyes and her alert manner and her quick little movements she made you think of a wren--a business-like little wren--a very early wren that is highly versed in the worm-catching way.

At her next utterance he was startled but game. "Have you had your lunch?"

"Why, no; I--"

"I've been down here since seven, and I'm starved. Let's go and have a bite at the little Greek restaurant around the corner. A cup of coffee and a sandwich, anyway."

Seated at the bare little table, she surveyed him with those intelligent, understanding, kindly eyes, and he felt the years slip from him. They were walking down the country road together, and she was listening quietly and advising him.

She interrogated him, gently. But something of his old masterfulness came back to him. "No, I want to know about you first. I can't get the rights of it, you being here on South Water, tradin' and all."

So she told him, briefly. She was in the commission business. Successful. She bought, too, for such hotels as the Blackstone and the Congress, and for half a dozen big restaurants. She gave him bare facts, but he was shrewd enough and sufficiently versed in business to know that here was a woman of wealth and established commercial position.

"But how does it happen you're keepin' it up, Emma, all this time? Why, you must be anyway--it ain't that you look it--but--" He floundered, stopped.

She laughed. "That's all right, Ben. I couldn't fool you on that. And I'm working because it keeps me happy. I want to work till I die. My children keep telling me to stop, but I know better than that. I'm not going to rust out. I want to wear out." Then, at an unspoken question in his eyes: "He's dead. These twenty years. It was hard at first when the children were small. But I knew garden stuff if I didn't know anything else. It came natural to me. That's all."

So then she got his story from him bit by bit. He spoke of the farm and of Dike, and there was a great pride in his voice. He spoke of Bella, and the son who had been killed, and of Minnie. And the words came falteringly. He was trying to hide something, and he was not made for deception. When he had finished:

"Now, listen, Ben. You go back to your farm."

"I can't. She--I can't."

She leaned forward, earnestly. "You go back to the farm."

He turned up his palms with a little gesture of defeat. "I can't."

"You can't stay here. It's killing you. It's poisoning you. Did you ever hear of toxins? That means poisons, and you're poisoning yourself. You'll die of it. You've got another twenty years of work in you. What's ailing you? You go back to your wheat and your apples and your hogs. There isn't a bigger job in the world than that."

For a moment his face took on a glow from the warmth of her own inspiring personality. But it died again. When they rose to go his shoulders drooped again, his muscles sagged. At the doorway he paused a moment, awkward in farewell. He blushed a little, stammered.

"Emma--I always wanted to tell you. God knows it was luck for you the way it turned out--but I always wanted to--"

She took his hand again in her firm grip at that, and her kindly, bright brown eyes were on him. "I never held it against you, Ben. I had to live a long time to understand it. But I never held a grudge. It just wasn't to be, I suppose. But listen to me, Ben. You do as I tell you. You go back to your wheat and your apples and your hogs. There isn't a bigger man-size job in the world. It's where you belong."

Unconsciously his shoulders straightened again. Again they sagged. And so they parted, the two.

* * * * *

He must have walked almost all the long way home, through miles and miles of city streets. He must have lost his way, too, for when he looked up at a corner street sign it was an unfamiliar one.

So he floundered about, asked his way, was misdirected. He took the right street car at last and got off at his own corner at seven o'clock, or later. He was in for a scolding, he knew.

But when he came to his own doorway he knew that even his tardiness could not justify the bedlam of sound that came from within. High-pitched voices. Bella's above all the rest, of course, but there was Minnie's, too, and Gus's growl, and Pearlie's treble, and the boy Ed's, and--

At the other voice his hand trembled so that the key rattled in the lock, and he could not turn it. But finally he did turn it, and stumbled in, breathing hard. And that other voice was Dike's.

He must just have arrived. The flurry of explanation was still in progress. Dike's knapsack was still on his back, and his canteen at his hip, his helmet slung over his shoulder. A brown, hard, glowing Dike, strangely tall and handsome and older, too. Older.

All this he saw in less than one electric second. Then he had the boy's two shoulders in his hands, and Dike was saying: "Hello, pop."

Of the roomful, Dike and old Ben were the only quiet ones. The others were taking up the explanation and going over it again and again, and marvelling, and asking questions.

"He come in to--what's that place, Dike?--Hoboken--yesterday only. An' he sent a dispatch to the farm. Can't you read our letters, Dike, that you didn't know we was here now? And then he's only got an hour more here. They got to go to Camp Grant to be, now, demobilized. He come out to Minnie's on a chance. Ain't he big!"

But Dike and his father were looking at each other quietly. Then Dike spoke. His speech was not phlegmatic, as of old. He had a new clipped way of uttering his words:

"Say, pop, you ought to see the way the Frenchies farm! They got about an acre each, and, say, they use every inch of it. If they's a little dirt blows into the crotch of a tree, they plant a crop in there. I never see nothin' like it. Say, we waste enough stuff over here to keep that whole country in food for a hundred years. Yessir. And tools! Outta the ark, believe me. If they ever saw our tractor, they'd think it was the Germans comin' back. But they're smart at that. I picked up a lot of new ideas over there. And you ought to see the old birds--womenfolks and men about eighty years old--runnin' everything on the farm. They had to. I learned somethin' off of them about farmin'."

"Forget the farm," said Minnie.

"Yeh," echoed Gus, "forget the farm stuff. I can get you a job here out at the works for four a day, and six when you learn it right."

Dike looked from one to the other, alarm and unbelief on his face. "What d'you mean, a job? Who wants a job! What you all--"

Bella laughed, jovially. "F'r Heaven's sakes, Dike, wake up! We're livin' here. This is our place. We ain't rubes no more."

Dike turned to his father. A little stunned look crept into his face. A stricken, pitiful look. There was something about it that suddenly made old Ben think of Pearlie when she had been slapped by her quick-tempered mother.

"But I been countin' on the farm," he said, miserably. "I just been livin' on the idea of comin' back to it. Why, I--The streets here, they're all narrow and choked up. I been countin' on the farm. I want to go back and be a farmer. I want--"

And then Ben Westerveld spoke. A new Ben Westerveld--no, not a new, but the old Ben Westerveld. Ben Westerveld, the farmer, the monarch over six hundred acres of bounteous bottomland.

"That's all right, Dike," he said. "You're going back. So'm I. I've got another twenty years of work in me. We're going back to the farm."

Bella turned on him, a wildcat. "We ain't! Not me! We ain't! I'm not agoin' back to the farm."

But Ben Westerveld was master again in his own house. "You're goin' back, Bella," he said, quietly. "An' things are goin' to be different. You're goin' to run the house the way I say, or I'll know why. If you can't do it, I'll get them in that can. An' me and Dike, we're goin' back to our wheat and our apples and our hogs. Yessir! There ain't a bigger man-size job in the world."

THE DANCING GIRLS

When, on opening a magazine, you see a picture of a young man in uniform with a background of assorted star-shells in full flower; a young man in uniform gazing into the eyes of a young lady (in uniform); a young man in uniform crouching in a trench, dugout, or shell-hole, this happens:

You skip lightly past the story of the young man in uniform; you jump hurriedly over the picture; and you plunge into the next story, noting that it is called "The Crimson Emerald" and that, judging from the pictures, all the characters in it wear evening clothes all the time.

Chug Scaritt took his dose of war with the best of them, but this is of Chug before and after taking. If, inadvertently, there should sound a faintly martial note it shall be stifled at once with a series of those stylish dots ... indicative of what the early Victorian writers conveniently called a drawn veil.

Nothing could be fairer than that.

Chug Scaritt was (and is) the proprietor and sole owner of the Elite Garage, and he pronounced it with a long i. Automobile parties, touring Wisconsin, used to mistake him for a handy man about the place and would call to him, "Heh, boy! Come here and take a look at this engine. She ain't hitting." When Chug finished with her she was hitting, all right. A medium-sized young fellow in the early twenties with a serious mouth, laughing eyes, and a muscular grace pretty well concealed by the grease-grimed grotesquerie of overalls. Out of the overalls and in his tight-fitting, belted green suit and long-visored green cap and flat russet shoes he looked too young and insouciant to be the sole owner--much less the proprietor--of anything so successful and established as the Elite Garage.

In a town like Chippewa, Wisconsin--or in any other sort of town, for that matter--a prosperous garage knows more about the scandals of the community than does a barber-shop, a dressmaker-by-the-day, or a pool-room habitue. It conceals more skeletons than the catacombs. Chug Scaritt, had he cared to open his lips and speak, might have poured forth such chronicles as to make Spoon River sound a pæan of sweetness and light. He knew how much Old Man Hatton's chauffeur knocked down on gas and repairs; he knew just how much the Tillotsons had gone into debt for their twin-six, and why Emil Sauter drove to Oshkosh so often on business, and who supplied the flowers for Mrs. Gurnee's electric. Chug didn't encourage gossip in his garage. Whenever possible he put his foot down on its ugly head in a vain attempt to crush it. But there was something about the very atmosphere of the place that caused it to thrive and flourish. It was like a combination newspaper office and Pullman car smoker. Chug tried to keep the thing down but there might generally be seen lounging about the doorway or perched on the running board of an idle car a little group of slim, flat-heeled, low-voiced young men in form-fitting, high-waisted suits of that peculiarly virulent shade of green which makes its wearer look as if he had been picked before he was ripe.

They were a lean, slim-flanked crew with a feline sort of grace about them; terse of speech, quick of eye, engine-wise, and, generally, nursing a boil just above the collar of their soft shirt. Not vicious. Not even tough. Rather bored, though they didn't know it. In their boredom resorting to the only sort of solace afforded boys of their class in a town of Chippewa's size: cheap amusements, cheap girls, cheap talk. This last unless the topic chanced to be of games or of things mechanical. Baseball, or a sweet-running engine brought out the best that was in them. At their worst, perhaps, they stood well back in the dim, cool shade of the garage doorway to watch how, when the girls went by in their thin summer dresses, the strong sunlight made a transparency of their skirts. At supper time they would growl to their surprised sisters:

"Put on some petticoats, you. Way you girls run around it's enough to make a person sick."

Chug Scaritt escaped being one of these by a double margin. There was his business responsibility on one side; his very early history on the other. Once you learn the derivation of Chug's nickname you have that history from the age of five to twenty-five, inclusive.

Chug had been christened Floyd (she had got it out of a book) but it was an appendix rather then an appellation. No one ever dreamed of addressing him by that misnomer, unless you except his school teachers. Once or twice the boys had tried to use his name as a weapon, shrieking in a shrill falsetto and making two syllables of it. He put a stop to that soon enough with fists and feet. His virility could have triumphed over a name twice as puerile. For that matter, I once knew a young husky named Fayette who--but that's another story.

The Scaritts lived the other side of the tracks. If you know Chippewa, or its equivalent, you get the significance of that. Nobodys. Not only did they live the other side of the tracks; they lived so close to them that the rush and rumble of the passing trains shook the two-story frame cottage and rattled the crockery on the pantry shelves. The first intelligible sound the boy made was a chesty chug-chug-chug in imitation of a panting engine tugging its freight load up the incline toward the Junction. When Chug ran away--which was on an average of twice daily--he was invariably to be found at the switchman's shanty or roaming about the freight yards. It got so that Stumpy Gans, the one-legged switchman, would hoist a signal to let Mrs. Scaritt know that Chug was safe.

He took his first mechanical toy apart, piece by piece. "Wait till your pa comes home!" his mother had said, with terrible significance. Chug, deep in the toy's wreckage, seemed undismayed, so Mrs. Scaritt gave him a light promissory slap and went on about her housework. That night, before supper, Len Scaritt addressed his son with a sternness quite at variance with his easy-going nature.

"Come here to me! Now, then, what's this about your smashing up good toys? Huh? Whatdya mean! Christmas not two days back and here you go smashing--"

The culprit trotted over to a corner and returned with the red-painted tin thing in his hand. It was as good as new. There may even have been some barely noticeable improvement in its locomotive powers. Chug had merely taken it apart in order to put it together again, and he had been too absorbed to pause long enough to tell his mother so. After that, nothing that bore wheels, internally or externally, was safe from his investigating fingers.

It was his first velocipede that really gave him his name. As he rode up and down, his short legs working like piston-rods gone mad, pedestrians would scatter in terror. His onrush was as relentless as that of an engine on a track, and his hoarse, "Chug-chug! Da-r-r-n-ng! Da-r-r-n-ng!" as he bore down upon a passerby caused that one to sidestep precipitously into the gutter (and none too soon).

Chug earned his first real bicycle carrying a paper route for the Chippewa _Eagle_. It took him two years. By the time he had acquired it he knew so much about bicycles, from ball-bearings to handle-bars, that its possession roused very little thrill in him. It was as when a lover has had to wait over-long for his bride. As Chug whizzed about Chippewa's streets, ringing an unnecessarily insistent bell, you sensed that a motorcycle was already looming large in his mechanism-loving mind. By the time he was seventeen Chug's motorcycle was spitting its way venomously down Elm Street. And the sequence of the seasons was not more inevitable than that an automobile should follow the motorcycle. True, he practically built it himself, out of what appeared to be an old wash-boiler, some wire, and an engine made up of parts that embraced every known car from Ford to Fiat. He painted it an undeniable red, hooded it like a demon racer, and shifted to first. The thing went.

He was a natural mechanic. He couldn't spend a day with a piece of mechanism without having speeded it up, or in some way done something to its belt, gears, wheels, motor. He was almost never separated from a monkey-wrench or pliers, and he was always turning a nut or bolt or screw in his grease-grimed fingers.

Right here it should be understood that Chug never became a Steinmetz or a Wright. He remained just average-plus to the end, with something more than a knack at things mechanical; a good deal of grease beneath his nails; and, generally, a smudge under one eye or a swipe of black across a cheek that gave him a misleadingly sinister and piratical look. There's nothing very magnificent, surely, in being the proprietor of a garage, even if it is the best-paying garage in Chippewa, where six out of ten families own a car, and summer tourists are as locusts turned beneficent.

Some time between Chug's motorcycle and the home-made automobile Len Scaritt died. The loss to the household was social more than economic. Len had been one of those good-natured, voluble, walrus-moustached men who make such poor providers. A carpenter by trade, he had always been a spasmodic worker and a steady talker. His high, hollow voice went on endlessly above the fusillade of hammers at work and the clatter of dishes at home. Politics, unions, world events, local happenings, neighbourhood gossip, all fed the endless stream of his loquacity.

"Well, now, looka here. Take, f'rins'ance, one these here big concerns--"

After he was gone Mrs. Scaritt used to find herself listening to the silence. His ceaseless talk had often rasped her nerves to the point of hysteria, but now she missed it as we miss a dull ache to which we have grown accustomed.

Chug was in his second year at the Chippewa high school. He had always earned some money, afternoons and Saturdays. Now he quit to go to work in earnest. His mother took it hard.

"I wanted you to have an education," she said. "Not just schooling. An education." Mittie Scaritt had always had ambition and a fierce sort of pride. She had needed them to combat Len's shiftlessness and slack good nature. They had kept the two-story frame cottage painted and tidy, had her pride and ambition; they had managed a Sunday suit, always, for Chug; money for the contribution box; pork roast on Sundays; and a sitting room, chill but elegant, with its plump pyramids of pillows, embroidered with impossible daisies and carnations and violets, filling every corner.

Mrs. Scaritt had had to fight for Chug's two years of high school. "He don't need no high school," Len Scaritt had argued, in one of the rare quarrels between the two. "I never had none."

The retort to this was so obvious that his wife refrained from uttering it. Len continued: "He don't go with none of my money. His age I was working 'n' had been for three years and more. You'll be fixing to send him to college, next."

"Well, if I do? Then what?"

"Then you're crazy," said Len, without heat, as one would state a self-evident fact.

That afternoon Mrs. Scaritt went down to the office of the _Eagle_ and inserted a neat ad.

LACE CURTAINS DONE UP LIKE NEW. 25
CENTS A PR. MRS. SCARITT, 639 OUTAGAMIE ST.

For years afterward you never passed the Scaritt place without seeing the long skeleton frames of wooden curtain stretchers propped up against the back porch in the sun. Mrs. Scaritt became famous for her curtains as an artist is known for his middle distances, his woodland green, or his flesh tones. In time even the Hattons, who had always heretofore sent their fine curtains to Milwaukee to be cleaned, trusted their lacy treasures to Mrs. Scaritt's expert hands.

Chug went to high school on those lace curtains. He used to call for and deliver them. He rigged up a shelf-like device on his bicycle handlebars. On this the freshly laundered curtains reposed in their neat paper wrappings as unwrinkled as when they had come from the stretching frame.

At seventeen he went to work in the Elite Garage. He hadn't been there a month before the owner was saying, "Say, Chug, take a look at this here bus, will you? She don't run right but I can't find out what's got into her."

Chug would put his ear to the heart of the car, and tap its vitals, and count its pulse-beats as a doctor sounds you with his stethoscope. The look on his face was that of a violinist who tries his G-string.

For the rest, he filled gas tanks, changed and pumped up tires, tested batteries, oiled tappets. But the thing that fascinated him was the engine. An oily, blue-eyed boy in spattered overalls, he was always just emerging from beneath a car, or crawling under it. When a new car came in, en route--a proud, glittering affair--he always managed to get a chance at it somehow, though the owner or chauffeur guarded it ever so jealously. The only thing on wheels that he really despised was an electric brougham. Chippewa's well-paved streets made these vehicles possible. Your true garage man's feeling for electrics is unprintable. The least that they called them was juice-boxes.

At home Chug was forever rigging up labour-saving devices for his mother. The Scaritt's window-shades always rolled; their doorbell always rang with a satisfactory zing; their suction-pump never stuck. By the time he was twenty Chug was manager of the garage and his mother was saying, "You're around that garage sixteen hours a day. When you're home you're everlastingly reading those engineering papers and things. Your pa at your age had a girl for every night in the week and two on Sundays."

"Another year or so and I can buy out old Behnke and own the place. Soon's I do I'm going to come home in the speediest boat in the barn, and I'm going to bust up those curtain frames into kindling wood, over my knee, and pile 'em in the backyard and make a bonfire out of 'em."

"They've been pretty good friends to us, Chug--those curtain frames."

"Um." He glanced at her parboiled fingers. "Just the same, it'll be nix with the lace curtains for you."

Glancing back on what has been told of Chug he sounds, somehow, so much like a modern Rollo, with a dash of Alger, that unless something is told of his social side he may be misunderstood.

Chug was a natural born dancer. There are young men who, after the music has struck up, can start out incredibly enough by saying: "What is this, anyway--waltz or fox trot?" This was inconceivable to Chug. He had never had a dancing lesson in his life, but he had a sense of rhythm that was infallible. He could no more have danced out of time than he could have started a car on high, or confused a flivver with a Twelve. He didn't look particularly swanlike as he danced, having large, sensible feet, but they were expert at not being where someone else's feet happened to be, and he could time a beat to the fraction of a second.

When you have practically spent your entire day sprawled under a balky car, with a piece of dirty mat between you and the cement floor, your view limited to crank-case, transmission, universal, fly-wheel, differential, pan, and brake-rods you can do with a bit of colour in the evening. And just here was where Chippewa failed Chug.

He had a grave problem confronting him in his search for an evening's amusement. Chippewa, Wisconsin, was proud of its paved streets, its thirty thousand population, its lighting system, and the Greek temple that was the new First National Bank. It boasted of its interurban lines, its neat houses set well back among old elms, its paper mills, its plough works, and its prosperity. If you had told Chippewa that it was criminally ignoring Chug's crying need it would have put you down as mad.

Boiled down, Chug Scaritt's crying need was girls. At twenty-two or three you must have girls in your life if you're normal. Chug was, but Chippewa wasn't. It had too many millionaires at one end and too many labourers at the other for a town of thirty thousand. Its millionaires had their golf club, their high-powered cars, their smart social functions. They were always running down to Chicago to hear Galli-Curci; and when it came to costume--diamond bracelet, daring decolletage, large feather fans, and brilliant-buckled slippers--you couldn't tell their women from the city dwellers. There is much money in paper mills and plough works.

The mill hands and their families were well-paid, thrifty, clannish Swedes, most of them, with a liberal sprinkling of Belgians and Slavs. They belonged to all sorts of societies and lodges to which they paid infinitesimal dues and swore lifelong allegiance.

Chug Scaritt and boys of his kind were left high and dry. So, then, when Chug went out with a girl it was likely to be by way of someone's kitchen; or with one of those who worked in the rag room at the paper and pulp mill. They were the very girls who switched up and down in front of the garage evenings and Saturday afternoons. Many of them had been farm girls in Michigan or northern Wisconsin or even Minnesota. In Chippewa they did housework. Big, robust girls they were, miraculously well dressed in good shoes and suits and hats. They had bad teeth, for the most part, with a scum over them; over-fond of coffee; and were rather dull company. But they were good-natured, and hearty, and generous.

The paper-mill girls were quite another type. Theirs was a grayish pallor due to lungs dust-choked from work in the rag room. That same pallor promised ill for future generations in Chippewa. But they had a rather appealing, wistful fragility. Their eyes generally looked too big for their faces. They possessed, though, a certain vivacity and diablerie that the big, slower-witted Swede girls lacked.