Chapter M: R. W (2)

"I know what I'll do," said the miser to himself; "I'll ask my uncle Fing Fang to take me in his fishing-boat down the great river. It is true that it will make my journey a long one; but then I shall make it for nothing. I'll go to the fisherman Fing Fang, and settle the matter at once."

The business was soon arranged, for Fing Fang would not refuse his rich nephew a seat in his boat. But he, like every one else, was disgusted at Chang Wang's meanness; and as soon as the dealer had left his hovel, thus spoke Fing Fang to his sons, Ko and Jung:--

"Here's a fellow who has scraped up money enough to build a second Porcelain Tower, and he comes here to beg a free passage in a fishing-boat from an uncle whom he has never so much as asked to share a dish of his birds'-nests soup!"

"Birds'-nests soup, indeed!" exclaimed Ko; "why, Chang Wang never indulges in luxuries such as that. If dogs' flesh were not so cheap, he'd grudge himself the paw of a roasted puppy!"

"And what will Chang Wang make of all his money at last?" said Fing Fang, more gravely; "he cannot carry it away with him when he dies."

"O, he's gathering it up for some one who will know how to spend it!" laughed Jung. "Chang Wang is merely fishing for others; what he gathers, they will enjoy."

It was a bright, pleasant day when Chang Wang stepped into the boat of his uncle, to drop slowly down the great Yang-se-kiang. Many a civil word he said to Fing Fang and his sons, for civil words cost nothing. Chang Wang sat in the boat, twisting the ends of his long mustaches, and thinking how much money each row of plants in his tea-fields might bring him. Presently, having finished his calculations, the miser turned to watch his relations, who were pursuing their fishing occupation in the way peculiar to China. Instead of rods, lines, or nets, the Fing Fang family was provided with trained cormorants, which are a kind of bird with a long neck, large appetite, and a particular fancy for fish.

It was curious to watch a bird diving down in the sunny water, and then suddenly come up again with a struggling fish in his bill. The fish was, however, always taken away from the cormorant, and thrown by one of the Fing Fangs into a well at the bottom of the boat.

"Cousin Ko," said the miser, leaning forward to speak, "how is it that your clever cormorants never devour the fish they catch?"

"Cousin Chang Wang," replied the young man, "dost thou not see that each bird has an iron ring round his neck, so that he cannot swallow? He only fishes for others."

"Methinks the cormorant has a hard life of it," observed the miser, smiling. "He must wish his iron ring at the bottom of the Yang-se-kiang."

Fing Fang, who had just let loose two young cormorants from the boat, turned round, and from his narrow slits of Chinese eyes looked keenly upon his nephew.

"Didst thou ever hear of a creature," said he, "that puts an iron ring around his own neck?"

"There is no such creature in all the land that the Great Wall borders," replied Chang Wang.

Fing Fang solemnly shook the pigtail which hung down his back. Like many of the Chinese, he had read a great deal, and was a kind of philosopher in his way.

"Nephew Chang Wang," he observed, "_I_ know of a creature (and he is not far off at this moment) who is always fishing for gain--constantly catching, but never enjoying. Avarice--the love of hoarding--is the iron ring round his neck; and so long as it stays there, he is much like one of our trained cormorants--he may be clever, active, successful, but he is only fishing for others."

I leave my readers to guess whether the sharp dealer understood his uncle's meaning, or whether Chang Wang resolved in future not only to catch, but to enjoy. Fing Fang's moral might be good enough for a heathen, but it does not go nearly far enough for a Christian. If a miser is like a cormorant with an iron ring round his neck, the man or the child who lives for his own pleasure only, what is he but a greedy cormorant with the iron ring? Who would wish to resemble a cormorant at all? The bird knows the enjoyment of _getting_; let us prize the richer enjoyment of _giving_. Let me close with an English proverb, which I prefer to the Chinaman's parable--"Charity is the truest epicure, for she eats with many mouths."

A. L. O. E.

SUMMER.

I'm coming along with a bounding pace
To finish the work that Spring begun;
I've left them all with a brighter face,
The flowers in the vales through which I've run.

I have hung festoons from laburnum trees,
And clothed the lilac, the birch and broom;
I've wakened the sound of humming-bees,
And decked all nature in brighter bloom.

I've roused the laugh of the playful child,
And tired it out in the sunny noon;
All nature at my approach hath smiled,
And I've made fond lovers seek the moon.

For this is my life, my glorious reign,
And I'll queen it well in my leafy bower;
All shall be bright in my rich domain;
I'm queen of the leaf, the bud and the flower.

And I'll reign in triumph till autumn-time
Shall conquer my green and verdant pride;
Then I'll hie me to another clime
Till I'm called again as a sunny bride.

CHARLIE'S CHRISTMAS.

Oh how cold and miserable everything is! Hardly a thought to be uppermost on Christmas eve in the mind of a little school-boy; and yet it was that which filled the mind of Charlie Earle on the Christmas eve of which I am going to tell you. Only a few hours before, he had been as happy as any boy could be. Everybody was going home, and everybody was in the highest spirits and full of the most delightful hopes of what the holidays would bring them; and now everybody except Charlie has gone home, and he is left alone in the dreary school-room, knowing that at any rate Christmas day, and maybe many other days, are to be spent away from home, and from all the pleasant doings which he had pictured to himself and others only the very day before.

The coming of the post-bag had been scarcely noticed in the school-room that morning. So when old Bunce, the butler, looked in at the door and said, "Master Earle is wanted in the doctor's room," the boys all wondered, and Charlie's neighbor whispered to him, "Whatever can he want you for, Earle?" The doctor's tale was soon told, and it was one which sent Charlie back to the school-room with a very different face to the one with which he had left it. A letter had come to Doctor West from Charlie's father, and in it a note from his mother to Charlie himself, written the night before, and saying that a summons had come that very morning calling them to Charlie's grandmother, who was very ill, and that they were starting for Scotland that night and would be almost at their journey's end when Charlie got the news. The note said that Laura, Charlie's sister, would go with them, but that they could not wait for Charlie himself, so they had written to Mrs. Lamb, Charlie's old nurse, who lived about ten miles from Dr. West's, and had asked her to take charge of him for a day or two, till more was known of his grandmother's state and some better plan could be made for him. It was sad enough for Charlie to hear of the illness of his kind old grandmother--sad enough to see the merry start of the other boys, while he had to stay behind; but to have to think of Christmas day spent away from father and mother, away from Laura and home, was excuse enough for a few bitter tears. But unpleasant things come to an end as well as pleasant ones, and Charlie's lonely waiting in the school-room came to its end, and he found himself that afternoon snugly packed into the Blackridge coach, and forgetting his own troubles in listening to the cheery chatter of the other passengers, and in looking at what was to be seen as the coach rolled briskly along the snow-covered road. It was quite dark when they reached Blackridge, and Charlie looked out at the people gathered round the door of the "Packhorse Inn," and a sudden fear filled his mind lest there should be no one there to meet him; but he soon saw by the light at the inn door Nurse Lamb herself, with her kind face looking so beaming that it seemed a little bit like _really_ going home.

"Here, father," said Nurse Lamb to her jolly-looking husband; "here's Master Charlie, safe and sound! You bring the luggage in the barrow while I take him home quick, for I am sure he must be cold."

And so nurse bustled Charlie off down a lane and across a meadow, till they came to a wicket-gate, beyond which stood the back of a low, deep-thatched cottage half buried in snow. On getting round to the front the door was opened by a little girl, and nurse called out, "Here, Molly, here we are;" adding, "Molly is my step-daughter, Master Charlie--the one I used to tell you about before I was married, when we were down at Hastings."

When they got into the house, there was the kitchen with its rows of bright pewter plates, its wide hearth and roaring fire, its hams hanging to the beams, all just as they had been described in the days when nurse's new home at Blackridge Farm was a subject of never-ending interest to the two children in Mrs. Earle's nursery.

After he had had a capital tea, Charlie was allowed to go round with the farmer to see that the horses were all right for the night, Charlie carrying the lantern and feeling himself quite a man as he followed the farmer into the stable. There was much coming and going at the farm that evening, for was it not Christmas eve? and nurse was busy sending off gifts to neighbors who were not so thriving as herself, and busy, too, in making preparations for the morrow. Charlie meanwhile sat in the settle and made friends with Molly, who was about his own age and knew much more, though she was only a girl, about dogs and rabbits and tadpoles than London-bred Charlie. By and by they helped to stir the great plum-pudding, and dressed the kitchen and parlor with evergreens, till nurse called them to come and hear the chimes.

And Charlie thought it very beautiful as he stood at the door and listened to the bells. And as they stood there the wind wafted to them also the voices of the choir as they went on their round through the village, singing their carols; and then Charlie went to bed with "Hark, the herald angels sing!" ringing in his ears.

Next morning Charlie, as he ran down stairs, could hardly believe this was really Christmas day, all was so unlike any Christmas he had known before; but in the kitchen he found one thing like the Christmas mornings at home, for he found quite a little pile of parcels beside his plate, containing the pretty gifts prepared by father and mother and Laura, and sent by them to nurse, so that at any rate the little lad should not be robbed of this part of his Christmas pleasures. There was a note, too, from mother, saying that she and father and Laura were safe in Edinburgh, and that grandmother was better, and that she hoped to tell him in her next letter when they and he should meet at home in London. Such a bright beginning was enough to make all the rest of the day bright; and bright it was. Charlie found plenty to do till church-time, as Molly showed him all the nooks and corners about the farm.

The old church, with its high pews and country congregation made Charlie feel that he must be dreaming. Surely it could not be Christmas, but must be the autumn? and he and Laura and everybody had come away from London for the holidays?

No; it was no dream. It was really Christmas; for there, round the pillars, were the holly-wreaths with their red berries, and there, behind the chancel-screen, were the same Christmas texts as in their church in London. When service was over, Charlie and Molly hurried home to help Martha, the farm-girl, to have all in readiness for the Christmas dinner. But after dinner there was not much sitting still--at any rate for Charlie; for who could think of sitting still indoors, when outside there were a pond covered with ice and a farmyard full of horses and dogs?

Nor was the evening after tea without its pleasure. When the snow began to fall, and the doors and windows were tightly closed, then a huge log was piled on the fire; and while Farmer and Mrs. Lamb sat and talked before it in the parlor, Charlie and Molly had a fine game of romps in the big kitchen with Martha; and when they were tired of that, they sat on the hearth and roasted chestnuts, while nurse read a Christmas tale to them.

And here I must leave Charlie finishing his Christmas day, hoping that any who read this story of it may agree with Charlie in thinking, when he laid his head on the pillow that night, that, though it had been spent far from home, it had not been an unhappy day, after all.

MARCELLIN.

Marcellin, a young shepherd boy, who tended his father's flock upon the mountains, having penetrated a deep gorge to search for one of his sheep which was missing, discovered in the thickest of the forest a man lying upon the ground overcome with fatigue, and faint from want of food.

"My poor lad," said the man, "I am dying from hunger and thirst. Two days ago I came upon this mountain to hunt. I lost my way, and I have passed two nights in the woods."

Marcellin drew some bread and cheese from his knapsack, and gave to the stranger.

"Eat," he said, "and then follow me. I will conduct you to an old oak tree, in the trunk of which we shall find some water."

The food satisfied his hunger; then he followed Marcellin, and drank of the water, which he found excellent. Afterwards the boy conducted him down the mountain, and pointed out the way to the city.

Then the hunter said to the shepherd boy, "My good lad, you have saved my life. If I had remained in the mountain another night, I should have died. I will show you my gratitude. Come with me to the city. I am rich; and I will treat you as if you were my own son."

"No, sir," said Marcellin; "I cannot go with you to the city. I have a father and a mother who are poor, but whom I love with all my heart. Were you a king, I would not leave my parents."

"But," said the hunter, "you live here in a miserable cabin with an ugly thatched roof; I live in a palace built of marble, and surrounded with statues. I will give you drink in glasses like crystal, and food upon plates of silver."

"Very likely," responded Marcellin; "but our house is not half as miserable as you suppose. If it is not surrounded with statues, it is among fruit trees and trellised vines. We drink water which we get from a neighboring fountain. It is very clear, though we do not drink from crystal cups. We gain by our labor a modest living, but good enough. And if we do not have silver ware in our house, we have plenty of flowers."

"Nonsense, my boy! Come with me," said the hunter; "we have trees and flowers in the city more beautiful than yours. I have magnificent grounds, with broad alleys, with a flower garden filled with the most precious plants. In the middle of it there is a beautiful fountain, the like of which you never saw. The water is thrown upward in small streams, and falls back sparkling into the great white marble basin. You would be quite happy to live there."

"But I am quite happy _here_," replied Marcellin. "The shade of our forests is at least as delicious as that of your superb alleys. Our fields are running over with flowers. You can hardly step without finding them under your feet. There are flowers around our cottage--roses, violets, lilies, pansies. Do you suppose that our fountains are less beautiful than your little jets of water? You should see the merry brooks bounding down over the rocks, and running away through the flowery meadow."

"You don't know what you refuse," rejoined the hunter. "If you go into the city, you will be put to school, where you can study all departments of art and science. There are theatres, where skilful musicians will enchant your ears by harmony. There are rich saloons, to which you will be admitted, to enjoy splendid fetes. And since you so much love the country, you shall pass your summer vacation with me in a superb chateau which I possess."

"Well, I am greatly obliged to you," replied the shepherd boy; "but I think I had better stop with father and mother. I can learn everything useful in our village school. I am taught to fear God, to honor my parents, and to imitate their virtues. I don't wish to learn anything beyond that. Then your musicians, which you tell about, do they sing any better than the nightingale or the golden robin? Then we have our concerts and our fetes. We are right down happy when we are all together on Sunday evening under the trees. My sister sings, while I accompany her upon my flute. Our chants can be heard a long way off, and echo repeats them. And in the evening, when we stay in the house, grandfather is with us. We love him so much because he is so good. No, I will not leave my parents. I will not renounce their home, if it is humble. I cannot go to the city with you."

The hunter saw that it was of no use to argue the point; so he said,--

"What shall I give you, then, to express my gratitude for your services? Take this purse, filled with gold."

"What need have I of it? We are poor, but we want nothing. Besides, if I accept your money, I should _sell_ the little service I have been able to render. That would be wrong; my mother would blame me for such conduct. She tells me that we ought always to assist those who are in trouble and want without expecting pay for it."

"Generous boy! What shall I give you as a mark of my gratitude? You must accept something, or I shall be greatly disappointed."

"Is it so?" asked Marcellin, playfully. "Then give me the cup which is suspended at your side--that one on which is engraved a picture of some dogs pursuing a stag."

The hunter joyfully gave the cup to the happy shepherd boy, who, having once more indicated the way which would lead to the city, bade him good day, and went back to his flock.

And the rich man returned to his splendid dwelling, having learned that it is the proper use of the means we have, rather than wishing for greater, which brings happiness and contentment.

AN ADVENTURE IN THE LIFE OF SALVATOR ROSA.

There is in the museum at Florence a celebrated painting, which calls to mind a thrilling adventure of Salvator Rosa when quite young.

The scene represents a solitude, very rugged and sublime--mountains upon every side, with their tops covered with snow, while through the dark clouds in the sky a few straggling sunbeams find their way to the valley. Upon the border of an immense cliff stands a group of men whose costume denotes them to be brigands of the Apennines. Upon the very edge of the precipice, erect and calm, is a young man, surrounded by the brigands, who are preparing to throw him into the depths below. The chief is a short distance away, and seemingly about to give the fatal signal. A few paces in advance stands a female, of strange beauty, waving her hand menacingly towards the chief as if commanding that the young man's life be spared. Her manner, resolute and imperious, the countenance of the chief, the grateful calmness of the prisoner, all seem to indicate that the woman's order will be obeyed, and that the victim will be saved from the frightful death with which he has been menaced.

This picture, as will be readily guessed, is the work of SALVATOR ROSA. Born at Arenella, near Naples, in 1615, of poor parents, he was so admirably endowed by nature that, even in his boyhood, he became a spirited painter, a good musician, and an excellent poet. But his tastes led him to give his attention to painting.

Unfortunately, some severe satires which he published in Naples made him many enemies in that city, and he was obliged to fly to Rome, where he took a position at once as a painter. Leaving that city after a while, he went to Florence, and there found a generous encouragement and many friends, and there his talent was appreciated by the world of art.

The environs of Florence afforded him superior advantages in developing his genius. The Apennines, with their dark gorges, their picturesque landscapes, and their snow-clad peaks, pleased his wild imagination. In their vast recesses he found his best inspirations and his most original subjects. Often he wandered for days over the abrupt mountains, infested with bandits, to find work for his ambitious pencil.

One day he had advanced farther than usual into the profound and dangerous solitudes. He sat down near a torrent, and began to sketch a wild landscape before him. All of a sudden he saw, at the summit of a rock near at hand, a man leaning upon his carbine, and apparently watching him with great curiosity. A large hat, with stained and torn brim, covered his sun-burnt visage; a leather belt bound his dark sack to his body, and gave support to a pistol and hunting-knife, invariably carried by the brigands of the mountains. His black beard, thick and untidy, concealed a portion of his face; but there could be no doubt that his dark glance was fixed upon the stranger who came to invade his domain.

For almost any other but our hero, the sudden apparition of that wild and menacing figure would have been good cause of terror. But Salvator was a painter, and a painter in love with his art; and he had in that strange costume, that forbidding look, something so much in harmony with the aspect of nature about him, that he at once made the man a subject of study.

"I mustn't lose him," he said; "he's an inhabitant of the country. He comes just in the nick of time to complete my landscape; and his position is quite fine."

And, drawing tranquilly his pencil, he began to transfer the outlines of the brigand to his album, when the stranger, coming a few paces nearer to him, said, in a rough voice,--

"Who are you, and what are you doing here?"

"Well, my good fellow, I come to take your portrait, if you'll hold still a bit," responded the painter.

"Ah, you jest with me! Have a care," said the other, coming still nearer.

"No," replied Salvator, seriously; "I am a painter; and I wander over these mountains with no other purpose but to admire these beautiful landscapes, and to sketch the most picturesque objects."

"To sketch!" cried the brigand, with evident anger, hardly knowing what the word meant. "Do you not know that these mountains belong to us? Why do you come here to spy us out?"

At these words he gave a shrill whistle, and three other men, clothed like himself, came towards the spot from different directions.

"Seize this man!" he said to his companions; "he comes to observe us."

All resistance was useless. And so, after having tried in vain to prove his innocence, the young man was surrounded and seized.

"March!" cried the man who had first met him. "You must talk with our chief."

The leader of these brigands was a man about forty years of age, named Pietratesta. His great physical strength, his courage, and, more than all the rest, his energy, had made him a favorite among his companions, and given him authority over them. Famous among the mountains for his audacious crimes, condemned many times to an outlaw's death, pursued in vain by the officers of the law, habituated for years to a life of adventure, pillage, and murder, he treated his prisoners without pity or mercy. All who were unable to purchase their liberty by paying whatever ransom he fixed, were put to death. He looked upon civilized people not as men, but as prizes.

As he saw the captive approach, he asked the usual question,--

"Who are you?"

"Salvator Rosa, a Neapolitan painter, now resident of Florence."

"O, a painter! A poor prize, generally. But you are famous, I hear; the prince is your friend. Your pictures sell for very large prices. You must pay us ten thousand ducats."

"Ten thousand ducats, indeed! Where do you suppose I can get so much?"

"Well, as for that, if you haven't got the money, your friends must get it for you."

"But my friends are not rich."

"Ah, excuse me!" said the chief, smiling. "When one has a prince for a protector, he is always rich."

"It is true that the prince is my patron; but he owes me nothing."

"No matter if he don't. He would not be deprived of such an artist as you for a paltry ten thousand ducats."

"He pays me for my pictures; but he will not pay my ransom."

"He _must_," said the robber, emphatically; "so no more words. Ask your friends, if you prefer, or whoever you will; but bring me ten thousand ducats, and that within a month; otherwise you must die."

As the chief uttered these words, he walked away, leaving Salvator in the middle of the ground which formed the camp.

During the short conversation two children came from one of the tents, being attracted by the noise. Their little blond heads, curiously turned towards the captive, their faces, tanned by the sun, but animated by the crimson of health and youth, and their picturesque costume had attracted the attention of the painter. When the chief had gone away, he approached them, and smiled. The children drew away abashed; then, reassured by the air of goodness which the young man wore, they came nearer, and permitted him to embrace them.

"Are you going to live with us?" said the eldest, who was about eight years of age.

"I don't know, my little friend."

"O, I wish you would! It is so nice to stop in these mountains. There are plenty of beautiful flowers, and birds' nests, too. I have three already; I will show them to you, and then we will go and find some more. But what is that you have got under your arm?"

"It is my sketch-book."

"A sketch-book? What is a sketch-book?"

"It is what I carry my pictures in."

"Pictures? O, do let me see them!"

"Yes, indeed; here they are."

"What pretty pictures! O, mother, come and see! Here are mountains, and men, and goats. Did you make them all?"

Attracted by the call of the child, a lady came out of the principal tent. She was yet young, tall, and covered with a medley of garments from various costumes. Her face sparkled with energy, and might have been called beautiful. She threw a sad glance at Salvator, and approached him haughtily, as if to give an order. But seeing the two children busily looking over the sketch-book, and observing the familiar way with which both treated their new acquaintance, she appeared to change her manner somewhat, and began to look at the pictures herself, and to admire them. At the end of half an hour the mother and the children seemed like old friends of Salvator Rosa.

The woman was the wife of the chief. A daughter of an honorable family, she married a young man at Pisa, her native city, who proved to be captain of this band of robbers. She could not well leave the company into which she had been betrayed; and so, with a noble self-denial, she became resigned to her hard lot. An unwilling witness of the many crimes of her husband and his companions, she suffered cruelly in her resignation. Yet her fidelity, her virtue,--things rarely known, but sometimes respected among these mountain brigands,--had given her a moral power over the men as well as over her husband. More than once she had used this means to temper their ferocity, and obtain pardon for their unfortunate prisoners.

Just then one of the brigands came and brought to the prisoner the order from the chief that he should write to his friends to obtain money for his ransom. The man was going, under a disguise, to the city of Florence; and he offered to deliver any letters intrusted to his care. He indicated the place where the ten thousand ducats must be left, so that Salvator might inform his correspondent.

Our hero had many devoted friends; but nearly all were artists like himself, and without fortune. Nevertheless, he decided to write to one of them. He gave orders that all the pictures in his studio should be sold. He hoped that the money which they would bring, together with what his friends could advance to him, would amount to the sum demanded by the chief.

This done, Salvator easily persuaded himself that he should soon be set at liberty, and the artist recovered his unconcern, and almost his usual good spirits. The country around him was full of romantic studies for his pencil. He had, besides, found in the society of the children of Pietratesta two charming companions. He instructed them in the elements of his art; and his pupils, to both of whom the study was quite new, seemed never to grow tired of their task.

In a moment of good humor, he drew caricatures of each member of the band, which created a great deal of amusement. Then he drew, with great care, the portraits of the two children. This attention profoundly touched the heart of the mother, and her tender sympathy, almost wasting among these unfeeling men, found a secret pleasure in rendering the captivity of the young painter less unhappy and less hard. She conversed with him familiarly, and it gave her great pleasure to see the care which he took to instruct her children.

So Salvator Rosa, to whom the band gave quite a considerable degree of liberty, never dreamed of taking improper advantage of it. Thanks to his fancy and his recklessness as an artist, he almost forgot that he was the prisoner of a cruel master, and that his life was in peril.

But the ransom, which he had sent for, came not. Whether the letters he had written failed to reach their destination, or whether his friends were deaf to his request for assistance, he received no answer. He wrote repeatedly, but always with the same result.

And so the months slipped by, and the chief began to grow impatient at the long delay. His wife had more than once calmed his anger, and prevented any catastrophe. At length several weeks went by, in which the expeditions of the band were unfruitful. The provisions were running low, and Pietratesta saw in his captive one unprofitable mouth. Sivora, his wife, felt her influence to be growing weaker and weaker under the increasing destitution and continued delay.

One day Pietratesta encountered his prisoner, and, addressing him in an irritated voice,--

"Well?" he said, as if his question needed no other explanation.

"Nothing yet," responded Salvator Rosa, sadly.

"Ah, this is too much!" cried the brigand. "I begin to think you are playing with me. But do you know the price Pietratesta makes those pay who cross him?"

"Alas! I am far from trying to deceive you. You know that I have done all in my power to obtain my ransom. I have written to various persons; your own men have taken my letters. You see that it is not my fault."

"It is always the fault of prisoners when their ransom is not paid."

"Wait a little longer. I will write again to-day."

"Wait! wait! A whole year, month after month, has gone by, and you repeat the same old story. A year--an age for me--I have waited. Do you think I have been making unmeaning threats? Do you expect to abuse my patience with impunity? It has given out at last--the more so as," added he, now that he felt his anger increasing, "I ought to have settled this affair a long while ago. This is your last day, observe me."

At a sign from their chief, four bandits seized the young man, and bound him. As Salvator was led away, he cast one sad look at the dwelling where he had passed many happy hours, and from which he was going to his death. For a moment he stopped to say farewell to the children, who were standing at the door crying and stretching out their little naked brown arms towards him.

A few moments later, Sivora, who had been gathering flowers in the mountains, returned home. Observing that her husband, as well as Salvator, was absent, and her children in tears, she guessed the painful truth.

"Where is Salvator?" she asked of the eldest.

"They have bound him, and carried him away," responded the child, still crying.

"Which way?"

"Down yonder," was the reply of the child, pointing with its finger in the direction of a rocky cliff already too well known for its horrible scenes.

"Alas, wretched man!" exclaimed Sivora, almost frantically, as she comprehended the new crime her husband was about to commit. She sat down for a moment, covered her face with her hands--a prey to the most unspeakable anxiety. Then, rising suddenly, her eyes flashing with determination,--

"Come!" she said, resolutely; "come, my children. Perhaps we may yet be in time."

And, taking the hands of her little ones, who followed her with difficulty, but yet eagerly, she darted away at a rapid pace in the direction taken by the brigands.

While the men were hurrying Salvator along, the chief maintained a profound silence. His band followed him as dumb as slaves who go to execute the will of their master, which they know is law. They soon arrived at the summit of a cliff, which overhung a yawning abyss beneath. After having taken one look over the precipice, and examined the neighborhood rapidly, Pietratesta cried, "Halt!" and the whole body came to a rest.

"There is just a quarter of an hour for you to live," he said, turning to his prisoner. "You have time to die like a Christian. Make your prayer."

The young man hesitated for a moment, threw his agitated eyes around, then, kneeling on the rock, he prayed earnestly. The men stood unmoved, as if they had been statues cut from stone.

Salvator rose, with a calm demeanor, and said, addressing the chief in a firm tone,--

"My life is in your hands, I know. You are going to kill me without any cause. I have prayed," he added, with a voice full of authority, "for the salvation of my soul, and repentance for thine. God will judge us both. I am ready."

Immediately the brigands seized the young man, and hurried him towards the precipice. Already they waited but the signal of their chief, already Pietratesta had given the fatal command, when a cry was heard not many paces distant, which suspended the preparations.

"Stop!" exclaimed a harsh voice.

The bandits, astonished at the interruption, turned to see whence it came. A woman ran towards them, her hair in disorder, her countenance pale and agitated, her dark eyes flashing with determination. She held by their hands two children, who, with weeping eyes, were hastening, with all the speed their young limbs could carry them, towards the precipice.

It was Sivora.

As she came forward the chief uttered an exclamation of disappointment and anger.

"Why do you come here?" he asked, in an irritated voice.

"You know well enough," responded Sivora, without any sign of intimidation. "What are you about to do? What is the crime of this young man? What is the wrong he has committed? You know he is innocent, and that it is not his fault that the price of his ransom has not been paid. Why commit a useless crime? You have too many on your soul already," she added, in a low, sad voice. "Since it is not too late, let the young man go. His ransom is not absolutely necessary. If it was, would his death bring it to you? Remember with what care and solicitude he has treated your children! with what patience he has instructed them in his art! See, they weep, as if their hearts would break, at the wrong you would do their friend! It is they--it is I--who ask clemency. You will not kill Salvator; you will pardon him for the love you bear your children."

As she said these words she pushed the two little blond heads into the arms of their father.

The brigands, hesitating, touched, without knowing why, struck with an involuntary respect for the woman, remained immovable, with their eyes fixed upon their chief, as if waiting to ascertain his wishes. He stood, brooding, nervous, his eyes bent upon the ground, hardly daring to look upon Sivora, at once his suppliant and accuser, a prey to violent emotions. The authority of that respected voice, and the irritation at being deprived of his revenge,--the invincible love he had for the woman, and the shame of giving way before his men,--all these warring considerations, the effects of which were plainly to be seen on his swarthy face, spoke of the severe contest going on within.

At length his evil genius got the control.

"What do I care for his solicitude and his tenderness?" he said, in a coarse voice. "He would forget all as soon as he should get out of our hands; and he would, no doubt, send the police after us if we should let him go. I know what the promises of captives are worth. Besides, _I_ command here, I alone, and I will be obeyed. Take away these children; and you, comrades, despatch your your prisoner."

"Ah! is it so?" exclaimed Sivora, in a piercing voice, throwing herself before the bandits, who were pushing their victim towards the chasm. "Then I will beg no more; I _command_ now. Listen to me well, for these are my last words. You know with what devotion, with what resignation, I have supported this bitter life which you brought me to among these mountains. The isolation, the sorrow, the shame, I have endured for thee. I have never complained. I hoped, after such sacrifices, you would at length listen to my words, and renounce your bad life. But since you do not care for my devotion, since I am nothing to you, listen well to my words, Pietratesta. If you dare to commit this odious crime, look for a mother for your children, for, with your victim, you will slay your wife!"

So saying, she advanced close to the brink of the cliff, over which she could spring at the signal from her husband.

Salvator, motionless and rooted to the spot, in silence, full of anxiety, observed this strange scene. The robbers, hardened by crime, for the first time hesitated at the command of their chief, and fixed their eyes upon the beautiful woman to whom despair added a new charm. They quailed before her authority, and stood as motionless as statues.

Pietratesta, overwhelmed by the recollections which the woman's words awakened, alarmed at her threats and her resolution, hung his head, like a guilty wretch before a just judge, while Sivora, with wild countenance, piercing voice, and imperial manner, her long black hair loosely falling upon her shoulders, with her arms extended towards the abyss, almost resembled an ancient goddess, who suddenly appears at the moment of crime, arrests the homicidal arm, and subjects the criminal to punishment. There was in her figure an imposing grandeur, before which the rude men, for an instant recalled to themselves, felt humiliated and condemned.

Astounded by that firmness and devotion, ashamed of his violence towards the woman who was living a life of outrage, the chief, after some moments of moody silence, said, in an altered voice,--

"You wish it! He is free!"

Salvator threw himself upon his knees before his preserver, covered her hand with kisses and tears, and pressed, with transport, the two children in his arms. Completely wild with happiness and gratitude, he abandoned himself to the buoyancy of his generous nature, when Sivora said to him, in a whisper,--

"Go! go quickly! The tiger is only sleeping!"

They put a bandage over the eyes of the young man, so that he might not see the path by which he descended from the mountains, and two of the brigands then conducted him to the highway which led to the city.

Hardly had he entered Florence, yet sad from the recollection of the scene in which he came near being a victim, when the young painter hastily sketched the principal details; and, some time after, the picture of which we have spoken was composed, and hangs this day in the museum at Naples, admired and pointed out to all visitors.