Chapter III: Front Matter (3)

Again, when Mr. Bingham was there, it was full, and concentric waves were flowing out and around from its centre. Having carefully observed its movements a while, he threw a stick of wood upon the thin crust of a moving wave where he thought it would bear him, even if it should bend a little, and then stood upon it a few moments. In that position, thrusting his cane down through the cooling tough crust, about half an inch thick, and immediately withdrawing it, forthwith there gushed up, like ooze in a marsh or melted tar under a plank, enough of the viscid lava to form a globular mass, which afterward, as it cooled, he broke off and bore away.

It is not easy for one that has not himself been in a similar position, to sympathize with and pardon the traveler at such a point, for he is unwilling to forbear and leave it till fairly surfeited and seared with heat and admiration, or driven off by some sudden spout and roar, or splash of the caldron. You gaze, and gaze, and gaze in amazement, without conscious thought, like a man in a trance, reluctant to go away, and you want to spend at least a day and night, viewing close at hand its ever-varying phenomena.

Had we only brought with us wrappers, I believe we should have been the first to have slept on the Black Ledge. Now that the edge of curiosity is a little blunted and the judgment cool, we can see that there would be a degree of hazard and temerity in it which is not felt under the excitement of novelty, and in the full tide of discovery. Forced by startling admonitions, of instant danger, I had to quit suddenly the precarious footing I had gained on the caldron's edge, like a hungry man hurried from his repast ere he has snatched a mouthful. But the look I caught there, and the impression of horror, awfulness, and sublimity thence obtained, live and will live in my conscious being forever and ever; and it is this shall help me utter what many have experienced, and have wished to say before the poet said it for them:

"One compact hour of crowded life
Is worth an age without a name."

A moment of being under such circumstances is an epoch in the history of one's mind; and he, perhaps, may be deemed the most highly favored of mortals who has the most of such epochs in remembrance, provided only that the incommunicable thoughts and emotions which, in the moment of that experience, seemed to permeate the very substance of the mind, have given it a moral tone and impulse running through all its subsequent life. It is thus that thoughts are waked "to perish never," being instamped ineffaceably upon the spiritual frame-work and foundation stones of the soul, dignifying and consecrating them to noble uses.

It was not, I trust, without some valuable additions to our stock of impressions in this line, that we reluctantly left that spot. Departing thence, we passed over a tract between the level of the brim of the caldron and the Black Ledge, in order to gain again the latter, most strangely rugged and wild, as if convulsion after convulsion had upheaved, and sunk, and rent, and piled the vast mineral and rocky masses; forming here great hills like the ruins of a hundred towers, and there deep indentations, while every block lay upon its fellow, ready to be dislodged, edge-wise, crosswise, endwise, sidewise, angle-wise, and every-wise, in the wildest confusion and variety possible, as if Typhoean giants had been hurling them at each other in war; or as when the warring angels

"From their foundations loosening to and fro,
Uptore the seated hills, with all their load,
And sent them thundering upon their adversaries.
Then hills amid the air encounter'd hills,
Hurled to and fro with jaculation dire:
Horrid confusion heap'd upon confusion rose."

Rocks, too, in earthquake commotions, have been started from the perpendicular sides of the crater in this part, and have rolled down eight hundred or a thousand feet with a force, one might think, that would almost shake the world.

When we had thus encompassed the crater, and had returned to the point where we first came down upon the Black Ledge, it was getting toward night, and I found myself so excessively heated and feverish, and throbbing with the headache, which most persons there suffer from, as to be unable to go for the castellated and Gothic specimens into some ovens that are found in the sides near by.

Leaving, therefore, my companion and the natives to hunt for them, I proceeded slowly back, and toiled up, with difficulty, the steep side of this stupendous crater, which may be set down at a moderate calculation as not less than twelve miles in circumference, and one thousand feet deep. In the centre of this vast sunken amphitheatre of volcanic fire,

"A dungeon horrible on all sides round,
As one great furnace flaming,"

a man looks up to heaven, and to the seared walls of this great prison, and feels like a pigmy, or the veriest insect, in contrast with so mighty and terrible a work of the Lord God Almighty.

The person who can go down into it, and come up safe from it, with a light mind, unthankful and unawed, is as wanting in some of the best attributes of mental manhood as of piety; and, let me say with Cowper,

"I would not enter on my list of friends,
Though graced with polished manners and fine sense,"

the man who should prove himself so brutishly insensible to the sublime vestiges of Divine power, and to the providential care of Divine goodness.

We spent the night by the volcano. I slept a little at intervals, just raising myself at every awakening to look at Pele's fires, which spouted and played like fountains, and leaped suddenly with a flash from place to place, like electricity on wire in the experiments of the lecture-room.

Once when I arose at midnight and went out a little beyond the range of our screen, to enjoy in silence the august and grand spectacle, the violence of the wind was such as to take off my unguarded hat, and carry it clear over the brink of the crater, where it lodged for the night, but was recovered with little injury in the morning by one of our courageous natives.

One of the early visitors there said that, on coming near the rim, he fell upon his hands and knees awe-struck, and crept cautiously to the rocky brink, unwilling at once to walk up to the giddy verge and look down as from a mast-head upon the fiery gulf at his feet. In a little time, however, like a landsman after a while at sea, he was able to stand very near and gaze unalarmed upon this wonder of the world.

I have myself known seamen that had faced unfearingly all the perils of the deep, and had rushed boldly into battle with its mammoth monsters, to stand appalled on the brink of Kilauea, and depart without daring to try its abyss. Gazing upon it, then, at midnight, so near its brink as we were, was rather venturing upon the edge of safety, as I found to my cost. But woe to the man that should have a fit of somnambulism on the spot where our tent was pitched that last night. Baron Munchausen's seven-leagued boots could hardly save him from a warm bath in flowing lava cherry-red.

Morning broke again upon our open encampment, clear and bracing as upon the Green Mountains of Vermont. With fingers burned and bleeding from the climbing and crystal-digging of yesterday, we made all the dispatch possible in collecting and packing specimens, but it was one o'clock before we were ready to leave. Having at length got off the natives with their burdens, two for Hilo and two for Kau, we kneeled for the last time by that wonderful old furnace, where the hand of God works the bellows and keeps up his vast laboratory of elemental fire. Then we mounted our horses and bade a final good-by, the one for Hilo, and the other for his happy Hawaiian home.

FOOTNOTE:

[18] From "_The Island World_," a new work soon to be issued from
the press of Messrs. Harper and Brothers.

[From Chambers's Edinburgh Journal.]

THE EVERY-DAY YOUNG LADY.

The every-day young lady is neither tall nor short, neither fat nor lean. Her complexion is not fair, but clear, and her color not bright, but healthy. She is not vulgarly well, but has not the least illness in the world. Her face is oval, and her hair, moderate in quantity, is usually of a soft brown. Her features are small and unobtrusive: her nose being what the French passports call _moyen_--that is, neither one thing nor t'other--and her eyes as gray as glass, but clear and gentle. It is not the eyes that give her any little character she has; although, if you have nothing else to do, and happen to look at them for a minute or so, they win upon you. They are not varnished eyes, in which you can see nothing but the brightness; and not deep eyes, into which your soul plunges as into a gulf: they are mere common skylights, winning into them a little bit of heaven, and giving you an inkling of good temper and feminine gentleness. Neither is it her air, nor manner, nor dress, that stamps her individuality, if she has any, for these belong to the class of society in which she moves; but altogether she gives you an idea of young-womanish refinement and amiableness, and you would think of her again when alone, if there were not so many of her friends about her as to divide and dilute, as it were, your impressions.

The every-day young lady is usually dependent upon somebody or other, but sometimes she has a small independence, which is much worse. In the former case she clings like ivy, adorning, by her truth and gentleness, the support she is proud of; while in the other she gives her £30 a year to a relation as an inadequate compensation for her board and clothing, and lives in a state of unheard-of bondage and awful gratitude. Her life is diversified by friendships, in which her own feelings last the longest; by enmities, in which she suffers and forgives; and by loves--though almost always at second-hand. She is a confidant, a go-between, a bridemaid; but if she finds herself on the brink of a serious flirtation, she shrinks into her own foolish little heart in surprise and timidity, and the affair never becomes any thing but a mystery, which she carries with her through life, and which makes her shake her head on occasions, and look conscious and experienced, so as to give people the idea that this young lady has a history. If the affair does go on, it is a public wonder how she came to get actually married. Many persons consider that she must have been playing a part all along for this very purpose; that her timidity and bashfulness were assumed, and her self-denial a _ruse_; and that, in point of fact, she was not by any means what she gave herself out to be--an every-day young lady.

For our part we have known many such young ladies in our day--and so have you, and you, and you: the world of society is full of them. We have a notion of our own, indeed, that they are _the sex_; or, in other words, that they are the class from which are drawn our conventional notions of womankind, and that the rest--that is those women who have what is called character--are counterfeit women. The feminine virtues are all of a retiring kind, which does not mean that they are invisible even to strangers, but that they are seen through a half-transparent vail of feminine timidity and self-postponement. In like manner, the _physique_ of women, truly so called, is not remarkable or obtrusive: their eyes do not flash at you like a pistol, nor their voices arrest suddenly your attention, as if they said "Stand and deliver!" That men in general admire the exceptions rather than the rule, may be true, but that is owing to bad taste, coarseness of mind, or the mere hurry of society, which prevents them from observing more than its salient points. For our part we have always liked every-day young ladies, and sometimes we felt inclined to love a few of them; but somehow it never went beyond inclination. This may have been owing in part to the headlong life one leads in the world, but in part likewise--if we may venture the surmise--to our own sensitiveness preventing us from poking ourselves upon the sensitiveness of other people.

A great many every-day young ladies have been represented in the character of heroines of romance; but there they are called by other names, and made to run about, and get into predicaments, so that one does not know what to make of them. The Countess Isabelle of Croye is an extremely every-day young lady; but look how she runs away, and how she sees a bishop murdered at supper, and how she is going to be married to a Wild Boar, and how at last, after running away again, she gives her hand and immense possessions to a young Scotsman as poor as a church mouse! Who can tell, in such a hurry-skurry, what she is in her individuality, or what she would turn out to be if let alone, or if the author had a turn for bringing out every-day characters? Then we have every-day young ladies set up for heroines without doing any thing for it at all, and who look in the emergencies of life just as if they were eating bread and butter, or crying over a novel at home. Of such is Evelina, who has a sweet look for every person, and every thing, in every possible situation, and who is expected, on the strength of that sole endowment, to pass for a heroine of every-day life. This is obviously improper; for an every-day young lady has a principle of development within her like every body else. If you expose her to circumstances, these circumstances must act upon her in one way or another; they must bring her out; and she must win a husband for herself, not get him by accident, blind contact, or the strong necessity of marrying--a necessity which has no alternative in the case of a heroine but the grave.

Such blunders, however, are now at an end; for a real every-day young lady has come out into public life, and an illumination has been thrown upon the class, which must proceed either from one of themselves or from inspiration.[19] But we are not going to criticise the book; for that would bring us to loggerheads with the critics, not one of whom has the least notion of the nature of the charm they all confess. This charm consists in its painting an every-day young lady to the life, and for the first time; and it by no means consists, as it is said to do, in the plot, which is but indifferently concocted, or in the incidents, that are sometimes destitute both of social and artistical truth. Anne Dysart herself, however, is a masterly portrait. Its living eyes are upon us from first to last, following us like the eyes of those awful pictures in the dining-room of long ago, which we could not escape from in any corner of the room. But Anne's eyes are not awful: they are sweet, calm, gentle. The whole figure is associated with the quieter and better parts of our nature. It comes to us, with its shy looks and half-withdrawn hands, like somebody we knew all our lives, and still know; somebody who walks with us, mellowing, but not interrupting our thoughts; somebody who sits by us when we are writing or reading, and throws a creamy hue upon the paper; somebody whose breath warms us when it is cold, and whose shadow stands between us and the scorching sun; somebody, in short, who gives us assurance, we know not how, of an every-day young lady.

To paint a character which has no salient points demands a first-rate artist; but to see the inner life of a quiet, timid, retiring mind, is the exclusive privilege of a poet. To suppose that there is no inner life in such minds, or none worth observing, is a grand mistake. The crested wave may be a picturesque or striking object in itself; but under the calm, smooth surface of the passionless sea there are beautiful things to behold--painted shells, and corals, and yellow sands, and sea-plants stretching their long waving arms up to the light. How many of us sail on without giving a glance to such things, our eyes fixed on the frowning or inviting headland, or peopling the desert air with phantoms! Just so do we turn away from what seems to us the void of every-day life to grapple with the excitements of the world.

Anne Dysart is not Miss Douglas's Anne Dysart: she is yours, ours, everybody's. She is the very every-day young lady. The author did not invent her: she found her where the Highlandman found the tongs--by the fireside. And that is her true position, where alone she is at home. When she goes into society, unless it be among associates, she is always under some sort of alarm. She is told that there is company in the drawing-room, strangers come to visit--young ladies celebrated for their beauty and accomplishments--and she treads the stairs with a beating heart, feeling awkward and ignorant, and enters with a desperate calmness. The visitors, however, like her, she is so modest and unobtrusive; and the every-day young lady is charmed and even affected by their patronizing kindness. She is reputed by these persons as a "nice girl, rather amiable-looking, but not in the least like the heroine of a novel." When she visits them in return, she is at first oppressed with a feeling of shyness, but at length still more overpowered by the kindness with which she is received, and she walks to the window to conceal her emotion. In this position our Anne--for we deny that Miss Douglas has any special property in her--comes out strong: "As Anne now stood, dressed in deep mourning, the blackness of her garments only relieved by a small white collar and a pair of cuffs, the expression of her countenance very pensive, her eyes shining mildly in the sunlight which was reflected from the crimson curtain upon her at present somewhat pale cheek, Mrs. Grey, as she whispered to Charlotte, 'Really, poor thing, she does look very interesting!' felt the influence of her peculiar charm, without, however, comprehending its source."

Anne attracts the attention of one of the company, a harsh-featured, ungraceful person, under forty, with a large mouth, determined lips, deep-set, thoughtful eyes, and a confused mass of dark hair hanging over a large and full forehead. Whereupon she instantly feels uncomfortable and frightened. But for all that, it is settled that the _bête noir_ walks home with her; and resting the tips of her fingers on his arm, onward they go, these two fated individuals, in solemn silence. The conversation which at length begins consists of unpolite questions on the gentleman's part, and constrained answers on that of the lady; but at length she is saved from replying to a specially disagreeable and impertinent interrogatory by stumbling over a stone.

"_Did you fall on purpose?_" said he. The every-day young lady is both frightened and displeased, and being further urged, feels something actually resembling indignation. When they part, it is with a feeling on her part of inexpressible relief, and she thinks to herself that she had never before met so singular or so disagreeable a man.

This is unpromising: but it is correct. The every-day young lady _thinks_ of the rough, odd man; and he is struck now and then by a word or a look in her which piques his curiosity or interests his feelings. He at length learns to look into her calm, soft eyes, and sees through the passionless surface of her character some precious things gleaming in its depths. The following quotation will show at what length he arrives: "Anne pondered for a few minutes. She had a rather slow though a sound understanding. There was some truth in what Mr. Bolton said, but so great a want of charity, that she felt from the first as if, some way or other, he could not be quite right. It was some time, however, ere she discovered how he was wrong, and even then perhaps could not have defined it." She answered gravely and modestly, but with less timidity than usual.

"But still, Mr. Bolton, it is possible to be both agreeable and sincere. I know it is possible, because I have seen it; and I think that though there is some truth in what you say, yet, as far as my very limited experience justifies me in forming an opinion, I should say that truth, united with kindness, _is_ appreciated; indeed I am sure some people have been liked who never flattered: I knew one person at least whom every body loved, who would not have told a falsehood for the world, and who _was_ all he _seemed_."

"I suppose you mean your father? Well, without exactly sharing in your filial enthusiasm, I am inclined to believe that he was a superior man."

"Are you indeed? Why, may I ask?" said Anne very timidly, and venturing for the first time to put a question in her turn.

"Why?" he repeated, with a momentary return of the wonderful smile. "Because his daughter has rather more simplicity of mind, rather more purity of heart, rather more intelligence, rather less frivolity, rather less artifice, rather fewer coquettish tricks to flatter the vanity, and entrap the admiration, of silly men--in short, rather more _sincerity_ than one meets every day; I guess she must have had a father somewhat above the average." Mr. Bolton spoke in a low tone, and there was in his voice a depth and a softness that struck his listener's ear as being altogether different from its wont. Whatever this difference might be, however, it was not lasting, for when, after a moment's pause, he spoke again, it was with an exaggeration even of his ordinary harshness both of voice and manner: "But you need not fancy I am paying you a compliment. You are no angel; and even during our short acquaintance, I have discovered in you some faults and follies, and doubtless there are others behind. In some respects you are very childish, or perhaps it would be as correct to say _womanish_." With this rude speech, Mr. Bolton concluded, drawing back with an air of having nothing more to say, and assuming a look which seemed to forbid any one to speak to him.

But this wild man chooses her for a wife, proposes for her hand--and is refused. Why so? Because she was an every-day young lady. He was rich; he had good points--nay, great ones, in his character: but he was an uncomfortable man. She could not love him, and she could not think of marrying a man she could not love. Had it been the young clergyman, the case would have been different. A nice young man was he; and, like all other young ladies of her class, Anne had her dreams of gentle happiness, and congeniality of temper, and poetry, and flowers, and sunsets, and a genteel cottage. But the young clergyman could not afford to think of an almost penniless girl for a wife; and so poor Anne's episode was ended before it was well begun; and the affair would have assumed in her solitary heart the enduring form of a Mystery, if exigencies had not arisen to call forth feelings and resolves that brook no such unsubstantial companions.

This every-day young lady had a brother in Edinburgh, and the brother fell into folly, and misery, and sickness, and desperate poverty. He wanted a friend, a nurse, a servant, and she knew that his bedside was her natural post. The difficulty was to get so far with her poor little funds; but this is accomplished, and instead of the outside of the mail on a wintry night, she has even had the good-fortune to enjoy an inside seat, some gentleman being seized with the caprice of encountering the frost and snow. This gentleman, she discovers afterward, is her discarded lover; and he--how many discoveries does he make! The every-day young lady, thrown into the battle of circumstances, rises with the strife. She who had been accustomed to sit silent, seeming to agree with others in what was untrue, merely from want of courage, now endures without flinching the extremities even of actual want. Now come out, one by one, obvious to the sight, the thousand beautiful things in the depths of her quiet mind; and the eyes of the odd gentleman are dimmed with emotion as he looks at them. Already had she begun to wonder at this man, to call his austerity melancholy, to grieve that he was unhappy, to think what he could be thinking about; and now, when she and her darling brother are saved, protected, held up by his strong hand, the hold he takes of her imagination communicates itself insensibly to her heart. His features lose their harshness; his deep-set eyes become soft; his lips relax; and finally, he cuts his hair. What more needs be said?

But we take leave to disagree with this individual in his idea that Anne Dysart has more simplicity, purity, and quiet intelligence than other every-day young ladies. She is, on the contrary, nothing more than a type of the class; and the fact is proved by the resemblance in her portrait being at once recognized. We do not stand upon the color of her hair, or eyes, or other physical characteristics, for these are mere averages, and may be very different in our Anne and yours; but her shyness, hesitation, and cowardice--her modesty, gentleness, and truth--these are stereotyped traits, and are the same in all. But when such qualities rise, or become metamorphosed, to meet the exigencies of life, how do we recognize them? By intuition. We acknowledge in others the principle of development we feel in ourselves. Our fault is, that we pass over as worthy of no remark, no careful tending, no holy reverence, the slumbering germs of all that is good and beautiful in the female character, and suffer our attention to be engrossed by its affectations and monstrosities. Let us correct this fever of the taste. Let us learn to enjoy the still waters and quiet pastures. When we see an every-day young lady flitting about our rooms, or crossing our paths, or wandering by our side, let us regard her no more as if she were a shadow, or a part of the common atmosphere, necessary, though unheeded; let us look upon her with fondness and respect, and if we would be blessed ourselves, let us say--God bless her!

FOOTNOTE:

[19] Anne Dysart, a Tale of Every-day Life. 3 vols. London:
Colburn. 1850.

[From Dickens's Household Words.]

HISTORY AND ANECDOTES OF BANK NOTE FORGERIES.

Viotti's division of violin-playing into two great classes--good playing and bad playing--is applicable to Bank note making. The processes employed in manufacturing good Bank notes have been often described; we shall now cover a few pages with a faint outline of the various arts, stratagems, and contrivances employed in concocting bad Bank notes. The picture can not be drawn with very distinct or strong markings. The tableaux from which it is copied are so intertwisted and complicated with clever, slippery, ingenious scoundrelism, that a finished chart of it would be worse than morally displeasing: it would be tedious.

All arts require time and experience for their development. When any thing great is to be done, first attempts are nearly always failures. The first Bank note forgery was no exception to this rule, and its story has a spice of romance in it. The affair has never been circumstantially told; but some research enables us to detail it:

In the month of August, 1757, a gentleman living in the neighborhood of Lincoln's Inn Fields, named Bliss, advertised for a clerk. There were, as was usual even at that time, many applicants; but the successful one was a young man of twenty-six, named Richard William Vaughan. His manners were so winning, and his demeanor so much that of a gentleman (he belonged indeed to a good county family in Staffordshire, and had been a student at Pembroke Hall, Oxford), that Mr. Bliss at once engaged him. Nor had he occasion, during the time the new clerk served him, to repent the step. Vaughan was so diligent, intelligent, and steady, that not even when it transpired that he was, commercially speaking, "under a cloud," did his master lessen confidence in him. Some inquiry into his antecedents showed that he had, while at College, been extravagant; that his friends had removed him thence; set him up in Stafford as a wholesale linen-draper, with a branch establishment in Aldersgate-street, London; that he had failed, and that there was some difficulty about his certificate. But so well did he excuse his early failings, and account for his misfortunes, that his employer did not check the regard he felt growing toward him. Their intercourse was not merely that of master and servant. Vaughan was a frequent guest at Bliss's table; by-and-by a daily visitor to his wife, and--to his ward.

Miss Bliss was a young lady of some attractions, not the smallest of which was a handsome fortune. Young Vaughan made the most of his opportunities. He was well-looking, well-informed, dressed well, and evidently made love well, for he won the young lady's heart. The guardian was not flinty-hearted, and acted like a sensible man of the world. "It was not," he said on a subsequent and painful occasion, "till I learned from the servants, and observed by the girl's behavior, that she greatly approved Richard Vaughan, that I consented; but on condition that he should make it appear that he could maintain her. I had no doubt of his character as a servant, and I knew his family were respectable. His brother is an eminent attorney." Vaughan boasted that his mother (his father was dead) was willing to re-instate him in business with a thousand pounds; five hundred of which was to be settled upon Miss Bliss for her separate use.

So far all went on prosperously. Providing Richard Vaughan could attain a position satisfactory to the Blisses, the marriage was to take place on the Easter Monday following, which, the Calendar tells us, happened early in April, 1758. With this understanding, he left Mr. Bliss's service, to push his fortune.

Months passed on, and Vaughan appears to have made no way in the world. He had not even obtained his bankrupt's certificate. His visits to his affianced were frequent, and his protestations passionate; but he had effected nothing substantial toward a happy union. Miss Bliss's guardian grew impatient; and, although there is no evidence to prove that the young lady's affection for Vaughan was otherwise than deep and sincere, yet even she began to lose confidence in him. His excuses were evidently evasive, and not always true. The time fixed for the wedding was fast approaching; and Vaughan saw that something must be done to restore the young lady's confidence.

About three weeks before the appointed Easter Tuesday, Vaughan went to his mistress in high spirits. All was right: his certificate was to be granted in a day or two; his family had come forward with the money, and he was to continue the Aldersgate business he had previously carried on as a branch of the Stafford trade. The capital he had waited so long for, was at length forthcoming. In fact, here were two hundred and forty pounds of the five hundred he was to settle on his beloved. Vaughan then produced twelve twenty-pound notes; Miss Bliss could scarcely believe her eyes. She examined them. The paper she remarked seemed rather thicker than usual. "Oh," said Bliss, "all Bank bills are not alike." The girl was naturally much pleased. She would hasten to apprize Mistress Bliss of the good news.

Not for the world! So far from letting any living soul know he had placed so much money in her hands, Vaughan exacted an oath of secresy from her, and sealed the notes up in a parcel with his own seal; making her swear that she would on no account open it till after their marriage.

Some days after, that is, "on the twenty-second of March," (1758)--we are describing the scene in Mr. Bliss's own words--"I was sitting with my wife by the fireside. The prisoner and the girl were sitting in the same room--which was a small one--and, although they whispered, I could distinguish that Vaughan was very urgent to have something returned which he had previously given to her. She refused, and Vaughan went away in an angry mood. I then studied the girl's face, and saw that it expressed much dissatisfaction. Presently a tear broke out. I then spoke, and insisted on knowing the dispute. She refused to tell, and I told her that, until she did, I would not see her. The next day I asked the same question of Vaughan; he hesitated. 'Oh!' I said, 'I dare say it is some ten or twelve pound matter--something to buy a wedding bauble with.' He answered that it was much more than that--it was near three hundred pounds! 'But why all this secresy?' I said; and he answered it was not proper for people to know he had so much money till his certificate was signed. I then asked him to what intent he had left the notes with the young lady? He said, as I had of late suspected him, he designed to give her a proof of his affection and truth. I said, 'You have demanded them in such a way that it must be construed as an abatement of your affection toward her.'" Vaughan was again exceedingly urgent in asking back the packet; but Bliss, remembering his many evasions, and supposing that this was a trick, declined advising his niece to restore the parcel without proper consideration. The very next day it was discovered that the notes were counterfeit.

This occasioned stricter inquiries into Vaughan's previous career. It turned out that he bore the character in his native place of a dissipated, and not very scrupulous person. The intention of his mother to assist him was an entire fabrication, and he had given Miss Bliss the forged notes solely for the purpose of deceiving her on that matter. Meanwhile the forgeries became known to the authorities, and he was arrested. By what means, does not clearly appear. The "Annual Register" says that one of the engravers gave information; but we find nothing in the newspapers of the time to support that statement; neither was it corroborated at Vaughan's trial.

When Vaughan was arrested he thrust a piece of paper into his mouth, and began to chew it violently. It was, however, rescued, and proved to be one of the forged notes; fourteen of them were found on his person, and when his lodgings were searched twenty more were discovered.

Vaughan was tried at the Old Bailey, on the seventh of April, before Lord Mansfield. The manner of the forgery was detailed minutely at the trial: On the first of March (about a week before he gave the twelve notes to the young lady), Vaughan called on Mr. John Corbould, an engraver, and gave an order for a promissory note to be engraved with these words:

"No. ----.

"I promise to pay to ----, or Bearer, ----, London ----."

There was to be a Britannia in the corner. When it was done, Mr. Sneed (for that was the _alias_ Vaughan adopted), came again, but objected to the execution of the work. The Britannia was not good, and the words "I promise" were too near the edge of the plate. Another was in consequence engraved, and on the fourth of March, Vaughan took it away. He immediately repaired to a printer, and had forty-eight impressions taken on thin paper, provided by himself. Meanwhile, he had ordered, on the same morning, of Mr. Charles Fourdrinier, another engraver, a second plate, with what he called "a direction," in the words, "For the Governor and Company of the Bank of England." This was done, and about a week later he brought some paper, each sheet "folded up," said the witness, "very curiously, so that I could not see what was in them. I was going to take the papers from him, but he said he must go up-stairs with me, and see them worked off himself. I took him up-stairs; he would not let me have them out of his hands. I took a sponge and wetted them, and put them one by one on the plate in order for printing them. After my boy had done two or three of them, I went down-stairs, and my boy worked the rest off, and the prisoner came down and paid me."

Here the court pertinently asked, "What imagination had you when a man thus came to you to print on secret paper, 'the Governor and Company of the Bank of England?'"

The engraver's reply was: "I then did not suspect any thing. But I shall take care for the future." As this was the first Bank of England note forgery that was ever perpetrated, the engraver was held excused.

It may be mentioned as an evidence of the delicacy of the reporters, that, in their account of the trial, Miss Bliss's name is not mentioned. Her designation is "a young lady." We subjoin the notes of her evidence:

"A young lady (sworn). The prisoner delivered me some bills; these are the same (producing twelve counterfeit bank notes sealed up in a cover, for twenty pounds each), said that they were Bank bills. I said they were thicker paper--he said all bills are not alike. I was to keep them till after we were married. He put them into my hands to show he put confidence in me, and desired me not to show them to any body; sealed them up with his own seal, and obliged me by an oath not to discover them to any body. And I did not till he had discovered them himself. He was to settle so much in stock on me."

Vaughan urged in his defense, that his sole object was to deceive his affianced, and that he intended to destroy all the notes after his marriage. But it had been proved that the prisoner had asked one John Ballingar to change first one, and then twenty of the notes; but which that person was unable to do. Besides, had his sole object been to dazzle Miss Bliss with his fictitious wealth, he would, most probably, have intrusted more, if not all the notes, to her keeping.

He was found guilty, and passed the day that had been fixed for his wedding, as a condemned criminal.

On the 11th of May, 1758, Richard William Vaughan was executed at Tyburn. By his side, on the same gallows, there was another forger: William Boodgere, a military officer, who had forged a draught on an army agent named Calcroft, and expiated the offense with the first forger of Bank of England notes.

The gallows may seem hard measure to have meted out to Vaughan, when it is considered that none of his notes were negotiated, and no person suffered by his fraud. Not one of the forty-eight notes, except the twelve delivered to Miss Bliss, had been out of his possession; indeed, the imitation must have been very clumsily executed, and detection would have instantly followed any attempt to pass the counterfeits. There was no endeavor to copy the style of engraving on a real bank note. That was left to the engraver; and as each sheet passed through the press twice, the words added at the second printing, "For the Governor and Company of the Bank of England," could have fallen into their proper place on any one of the sheets, only by a miracle. But what would have made the forgery clear to even a superficial observer, was the singular omission, of the second "n" in the word England.[20]

The criticism on Vaughan's note of a bank clerk examined on the trial was: "There is some resemblance, to be sure; but this note" (that upon which the prisoner was tried) "is numbered thirteen thousand eight hundred and forty, and we never reach so high a number." Besides there was no water-mark in the paper. The note of which a fac-simile appeared in our eighteenth number, and dated so early as 1699, has a regular design in the texture of the paper; showing that the water-mark is as old as the bank notes themselves.

Vaughan was greatly commiserated. But despite the unskillfulness of the forgery, and the insignificant consequences which followed it, the crime was considered of too dangerous a character not to be marked, from its very novelty, with exemplary punishment. Hanging created at that time no remorse in the public mind, and it was thought necessary to set up Vaughan as a warning to all future bank-note forgers. The crime was too dangerous not to be marked with the severest penalties. Forgery differs from other crimes not less in the magnitude of the spoil it may obtain, and of the injury it inflicts, than in the facilities attending its accomplishment. The common thief finds a limit to his depredations in the bulkiness of his booty, which is generally confined to such property as he can carry about his person; the swindler raises insuperable and defeating obstacles to his frauds if the amount he seeks to obtain is so considerable as to awaken close vigilance or inquiry. To carry their projects to any very profitable extent, these criminals are reduced to the hazardous necessity of acting in concert, and thus infinitely increasing the risks of detection. But the forger need have no accomplice; he is burdened with no bulky and suspicious property; he needs no receiver to assist his contrivances. The skill of his own individual right hand can command thousands; often with the certainty of not being detected, and oftener with such rapidity as to enable him to baffle the pursuit of justice.

It was a long time before Vaughan's rude attempt was improved upon: but in the same year (1758), another department of the crime was commenced with perfect success; namely, an ingenious alteration, for fraudulent purposes, of real bank notes. A few months after Vaughan's execution, one of the northern mails was stopped and robbed by a highwayman; several bank notes were comprised in the spoil, and the robber, setting up with these as a gentleman, went boldly to the Hatfield Post-office, ordered a chaise and four, rattled away down the road, and changed a note at every change of horses. The robbery was, of course, soon made known, and the numbers and dates of the stolen notes were advertised as having been stopped at the bank. To the genius of a highwayman this offered but a small obstacle, and the gentleman-thief changed all the figures "1" he could find into "4's." These notes passed currently enough; but, on reaching the bank, the alteration was detected, and the last holder was refused payment. As that person had given a valuable consideration for the note, he brought an action for the recovery of the amount; and at the trial it was ruled by the Lord Chief Justice, that "any person paying a valuable consideration for a bank note, payable to bearer, in a fair course of business, has an understood right to receive the money of the bank."

It took a quarter of a century to bring the art of forging bank notes to perfection. In 1779, this was nearly attained by an ingenious gentleman, named Mathison, a watchmaker from the matrimonial village of Gretna Green. Having learned the arts of engraving and of simulating signatures, he tried his hand at the notes of the Darlington Bank; but, with the confidence of skill, was not cautious in passing them, was suspected, and absconded to Edinburgh. Scorning to let his talent be wasted, he favored the Scottish public with many spurious Royal Bank of Scotland notes, and regularly forged his way by their aid to London. At the end of February he took handsome lodgings in the Strand, opposite Arundel-street. His industry was remarkable: for, by the 12th of March, he had planed and polished rough pieces of copper, engraved them, forged the water-mark, printed and negotiated several impressions. His plan was to travel and to purchase articles in shops. He bought a pair of shoe-buckles at Coventry with a forged note, which was eventually detected at the Bank of England. He had got so bold that he paid such frequent visits in Threadneedle-street, that the bank clerks became familiar with his person. He was continually changing notes of one, for another denomination. These were his originals, which he procured to make spurious copies of. One day seven thousand pounds came in from the Stamp Office. There was a dispute about one of the notes. Mathison, who was present, though at some distance, declared, oracularly, that the note was a good one. How could he know so well? A dawn of suspicion arose in the minds of the clerks; one trail led into another, and Mathison was finally apprehended. So well were his notes forged that, on the trial, an experienced bank clerk declared, he could not tell whether the note handed him to examine was forged or not. Mathison offered to reveal his secret of forging the water-mark, if mercy were shown to him; this was refused, and he suffered the penalty of his crime.

Mathison was a genius in his criminal way, but a greater than he appeared in 1786. In that year perfection seemed to have been reached. So considerable was the circulation of spurious paper-money, that it appeared as if some unknown power had set up a bank of its own. Notes were issued from it, and readily passed current, in hundreds and thousands. They were not to be distinguished from the genuine paper of Threadneedle-street. Indeed, when one was presented there, in due course, so complete were all its parts; so masterly the engraving; so correct the signatures; so skillful the water-mark, that it was promptly paid; and only discovered to be a forgery when it reached a particular department. From that period forged paper continued to be presented, especially at the time of lottery drawing. Consultations were held with the police. Plans were laid to help detection. Every effort was made to trace the forger. Clarke, the best detective of his day, went, like a sluth-hound, on the track; for in those days the expressive word "blood-money" was known. Up to a certain point there was little difficulty; but, beyond that, consummate art defied the ingenuity of the officer. In whatever way the notes came, the train of discovery always paused at the lottery-offices. Advertisements offering large rewards were circulated; but the unknown forger baffled detection.

While this base paper was in full currency, there appeared an advertisement in the Daily Advertiser for a servant. The successful applicant was a young man, in the employment of a musical-instrument maker; who, some time after, was called upon by a coachman, and informed that the advertiser was waiting in a coach to see him. The young man was desired to enter the conveyance, where he beheld a person with something of the appearance of a foreigner, sixty or seventy years old, apparently troubled with the gout. A camlet surtout was buttoned round his mouth; a large patch was placed over his left eye; and nearly every part of his face was concealed. He affected much infirmity. He had a faint hectic cough; and invariably presented the patched side to the view of the servant. After some conversation--in the course of which he represented himself as guardian to a young nobleman of great fortune--the interview concluded with the engagement of the applicant; and the new servant was directed to call on Mr. Brank, at 29, Titchfield-street, Oxford-street. At this interview, Brank inveighed against his whimsical ward for his love of speculating in lottery tickets; and told the servant that his principal duty would be to purchase them. After one or two meetings, at each of which Brank kept his face muffled, he handed a forty and twenty pound bank note; told the servant to be very careful not to lose them; and directed him to buy lottery-tickets at separate offices. The young man fulfilled his instructions, and at the moment he was returning, was suddenly called by his employer from the other side of the street, congratulated on his rapidity, and then told to go to various other offices in the neighborhood of the Royal Exchange, and to purchase more shares. Four hundred pounds in Bank of England notes were handed him, and the wishes of the mysterious Mr. Brank were satisfactorily effected. These scenes were continually enacted. Notes to a large amount were thus circulated; lottery-tickets purchased; and Mr. Brank--always in a coach, with his face studiously concealed--was ever ready on the spot to receive them. The surprise of the servant was somewhat excited; but had he known that from the period he left his master to purchase the tickets, one female figure accompanied all his movements; that when he entered the offices, it waited at the door, peered cautiously in at the window, hovered around him like a second shadow, watched him carefully, and never left him until once more he was in the company of his employer--that surprise would have been greatly increased.[21] Again and again were these extraordinary scenes rehearsed. At last the Bank obtained a clew, and the servant was taken into custody. The directors imagined that they had secured the actor of so many parts; that the flood of forged notes which had inundated that establishment would at length be dammed up at its source. Their hopes proved fallacious, and it was found that "Old Patch" (as the mysterious forger was, from the servant's description, nick-named) had been sufficiently clever to baffle the Bank directors. The house in Titchfield-street was searched; but Mr. Brank had deserted it, and not a trace of a single implement of forgery was to be seen.

All that could be obtained was some little knowledge of "Old Patch's" proceedings. It appeared that he carried on his paper coining entirely by himself. His only confidant was his mistress. He was his own engraver. He even made his own ink. He manufactured his own paper. With a private press he worked his own notes; and counterfeited the signatures of the cashiers, completely. But these discoveries had no effect; for it became evident that Mr. Patch had set up a press elsewhere. Although his secret continued as impenetrable, his notes became as plentiful as ever. Five years of unbounded prosperity ought to have satisfied him; but it did not. Success seemed to pall him. His genius was of that insatiable order which demands new excitements, and a constant succession of new flights. The following paragraph from a newspaper of 1786 relates to the same individual:

"On the 17th of December, ten pounds were paid into the Bank, for which the clerk, as usual, gave a ticket to receive a Bank note of equal value. This ticket ought to have been carried immediately to the cashier, instead of which the bearer took it home, and curiously added an 0 to the original sum, and returning, presented it so altered to the cashier, for which he received a note of one hundred pounds. In the evening, the clerks found a deficiency in the accounts; and on examining the tickets of the day, not only that but two others were discovered to have been obtained in the same manner. In the one, the figure 1 was altered to 4, and in another to 5, by which the artist received, upon the whole, nearly one thousand pounds."

To that princely felony, Old Patch, as will be seen in the sequel, added smaller misdemeanors which one would think were far beneath his notice; except to convince himself and his mistress of the unbounded facility of his genius for fraud.