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Chapter VIII: Introduction: Of the Potato Into France (3)

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I was silent, for I was disturbed; but Julia did not notice either my embarrassment or my silence, and began, in her low, soft voice, to open one of the saddest chapters of life which I had ever heard.

"You do not know that I am going into a convent?" she said; then, without waiting for an answer, she continued: "This is the last month of my worldly life. In four weeks, I shall have put on the white robe of the novitiate, and in due course I trust to be dead forever to this earthly life."

A heavy, thick, choking sensation in my throat, and a burning pain within my eyeballs, warned me to keep silence. My voice would have betrayed me.

"When I was seventeen," continued Julia, "I was engaged to my cousin. We had been brought up together from childhood, and we loved each other perfectly. You must not think, because I speak so calmly now, that I have not suffered in the past. It is only by the grace of resignation and of religion, that I have been brought to my present condition of spiritual peace. I am now five-and-twenty--next week I shall be six-and-twenty: that is just nine years since I was first engaged to Laurence. He was not rich enough, and indeed he was far too young, to marry, for he was only a year older than myself; and if he had had the largest possible amount of income, we could certainly not have married for three years. My father never cordially approved of the engagement, though he did not oppose it. Laurence was taken partner into a large concern here, and a heavy weight of business was immediately laid on him. Youthful as he was, he was made the sole and almost irresponsible agent in a house which counted its capital by millions, and through which gold flowed like water. For some time, he went on well--to a marvel, well. He was punctual, vigilant, careful; but the responsibility was too much for the poor boy: the praises he received, the flattery and obsequiousness which, for the first time, were lavished on the friendless youth, the wealth at his command, all turned his head. For a long time, we heard vague rumors of irregular conduct; but as he was always the same good, affectionate, respectful, happy Laurence, when with us, even my father, who is so strict, and somewhat suspicious, turned a deaf ear to them. I was the earliest to notice a slight change, first in his face, and then in his manners. At last, the rumors ceased to be vague, and became definite. Business neglected; fatal habits visible, even in the early day; the frightful use of horrible words, which once he would have trembled to use; the nights passed at the gaming-table, and the days spent in the society of the worst men on the turf--all these accusations were brought to my father by credible witnesses; and, alas! they were too true to be refuted. My father--heaven and the holy saints bless his gray head!--kept them from me as long as he could. He forgave him again and again, and used every means that love and reason could employ to bring him back into the way of right; but he could do nothing against the force of such fatal habits as those to which my poor Laurence had now become wedded. With every good intention, and with much strong love for me burning sadly amid the wreck of his virtues, he yet would not refrain: the evil one had overcome him; he was his prey here and hereafter. Oh, no--not hereafter!" she added, raising her hands and eyes to heaven, "if prayer, if fasting, patient vigil, incessant striving, may procure him pardon--not forever his prey! Our engagement was broken off; and this step, necessary as it was, completed his ruin. He died...." Here a strong shudder shook her from head to foot and I half rose, in alarm. The next instant she was calm.

"Now, you know my history," continued she. "It is a tragedy of real life, which you will do well, young painter, to compare with your own!" With a kindly pressure of the hand, and a gentle smile--oh! so sweet, so pure and heavenly!--Julia Reay left me; while I sat perfectly awed--that is the only word I can use--with the revelation which she had made both of her history and of her own grand soul.

"Come with me to my study," said Mr. Reay, entering the room; "I have a world to talk to you about. You go to-morrow, you say. I am sorry for it; but I must therefore settle my business with you in good time to-day."

I followed him mechanically, for I was undergoing a mental castigation which rather disturbed me. Indeed, like a young fool--as eager in self-reproach as in self-glorification--I was so occupied in inwardly calling myself hard names, that even when my host gave me a commission for my new picture, "The Return of Columbus," at two hundred and fifty pounds, together with an order to paint himself, Mrs. Reay, and half-a-dozen of their children, I confess it with shame, that I received the news like a leaden block, and felt neither surprise nor joy--not though these few words chased me from the gates of the Fleet, whither I was fast hastening, and secured me both position and daily bread. The words of that beautiful girl were still ringing in my ears, mixed up with the bitterest self-accusations; and these together shut out all other sound, however pleasant. But that was always my way.

I went back to London, humbled and yet strengthened, having learned more of human nature and the value of events, in one short fortnight, than I had ever dreamed of before. The first lessons of youth generally come in hard shape. I had sense enough to feel that I had learned mine gently, and that I had cause to be thankful for the mildness of the teaching. From a boy, I became a man, judging more accurately of humanity than a year's ordinary experience would have enabled me to do. And the moral which I drew was this: that under our most terrible afflictions, we may always gain some spiritual good, if we suffer them to be softening and purifying, rather than hardening influences over us. And also, that while we are suffering the most acutely, we may be sure that others are suffering still more acutely; and if we would but sympathize with them more than with ourselves--live out of our own selves, and in the wide world around us--we would soon be healed while striving to heal others. Of this I am convinced: the secret of life, and of all its good, is in love; and while we preserve this, we can never fail of comfort. The sweet waters will always gush out over the sandiest desert of our lives while we can love; but without it--nay, not the merest weed of comfort or of virtue would grow under the feet of angels. In this was the distinction between Mrs. Arden and Julia Reay. The one had hardened her heart under her trials, and shut it up in itself; the other had opened hers to the purest love of man and love of God; and the result was to be seen in the despair of the one, and in the holy peace of the other.

Full of these thoughts, I sought out my poor lady, determined to do her real benefit if I could. She received me very kindly, for I had taken care to provide myself with a sufficient introduction, so as to set all doubts of my social position at rest: and I knew how far this would go with her. We soon became fast friends. She seemed to rest on me much for sympathy and comfort, and soon grew to regard me with a sort of motherly fondness that of itself brightened her life. I paid her all the attention which a devoted son might pay--humored her whims, soothed her pains; but insensibly I led her mind out from itself---first in kindness to me, and then in love to her grandson.

I asked for him just before the midsummer holidays, and with great difficulty obtained an invitation for him to spend them with her. She resisted my entreaties stoutly, but at last was obliged to yield; not to me, nor to my powers of persuasion, but to the holy truth of which I was then the advocate. The child came, and I was there also to receive him, and to enforce by my presence--which I saw, without vanity, had great influence--a fitting reception. He was a pensive, clever, interesting little fellow; sensitive and affectionate, timid, gifted with wonderful powers, and of great beauty. There was a shy look in his eyes, which made me sure that he inherited much of his loveliness from his mother; and when we were great friends, he showed me a small portrait of "Poor mamma;" and I saw at once the most striking likeness between the two. No human heart could withstand that boy, certainly not my poor friend's. She yielded, fighting desperately against me and him, and all the powers of love, which were subduing her, but yielding while she fought; and in a short time the child had taken his proper place in her affections, which he kept to the end of her life. And she, that desolate mother, even she, with her seared soul and petrified heart, was brought to the knowledge of peace by the glorious power of love.

Prosperous, famous, happy, blessed in home and hearth, this has become my fundamental creed of life, the basis on which all good, whether of art or of morality, is rested: of art especially; for only by a tender, reverent spirit can the true meaning of his vocation be made known to the artist. All the rest is mere imitation of form, not insight into essence. And while I feel that I can live out of myself, and love others--the whole world of man--more than myself, I know that I possess the secret of happiness; ay, though my powers were suddenly blasted as by lightning, my wife and children laid in the cold grave, and my happy home desolated forever. For I would go out into the thronged streets, and gather up the sorrows of others, to relieve them; and I would go out under the quiet sky, and look up to the Father's throne; and I would pluck peace, as green herbs from active benevolence and contemplative adoration. Yes; love can save from the sterility of selfishness, and from the death of despair; but love alone. No other talisman has the power; pride, self-sustainment, coldness, pleasure, nothing--nothing--but that divine word of Life which is life's soul!

THE LITTLE SISTERS.

Almsgiving takes the place of the work-house system, in the economy of a large part of Europe. The giving of alms to the helpless is, moreover, in Catholic countries, a religious office. The voluntary surrender of gifts, each according to his ability, as a means of grace, is more prominently insisted upon than among Protestants; consequently systematic taxation for the poor is not resorted to. Nor is there so great a necessity for it as in England; for few nations have so many paupers to provide for as the English are accustomed to regard as a natural element in society; and thus it happens, that when, about ten years ago, there was in France no asylum but the hospital, for aged and ailing poor, the want of institutions for the infirm but healthy was not so severe as to attract the public eye.

But there was at that time a poor servant-woman, a native of the village of La Croix, in Brittany--Jeanne Sugon was her name--who was moved by the gentleness of her heart, and the fervor of her religion, to pity a certain infirm and destitute neighbor, to take her to her side as a companion, and to devote herself to her support. Other infirm people earned, by their helplessness, a claim on her attention. She went about begging, when she could not work, that she might preserve life as long as Nature would grant it to her infirm charges. Her example spread a desire for the performance of similar good offices. Two pious women, her neighbors, united with Jeanne in her pious office. These women cherished, as they were able, aged and infirm paupers; nursed them in a little house, and begged for them in the vicinity. The three women, who had so devoted themselves, attracted notice, and were presently received into the order of Sisters of Charity, in which they took for themselves the name of "Little Sisters of the Poor"--PETITES S[OE]RS DES PAUVRES.

The first house of the Little Sisters of the Poor was opened at St. Servan, in Brittany. A healthy flower scatters seed around. We saw that forcibly illustrated, in the progress, from an origin equally humble, of the Rauhe Haus, near Hamburgh: we see it now again, in the efforts of the Little Sisters, which flourished and fructified with prompt usefulness. On the tenth anniversary of the establishment at St. Servan, ten similar houses had been founded in ten different French towns.

The _Petites S[oe]urs_ live with their charges in the most frugal way, upon the scraps and waste meat which they can collect from the surrounding houses. The voluntary contributions by which they support their institution, are truly the crumbs falling from the rich man's table. The nurse fares no better than the objects of her care. She lives upon equal terms with Lazarus, and acts toward him in the spirit of a younger sister.

The establishment at Dinan, over which Jeanne Sugon herself presides, being under repair, and not quite fit for the reception of visitors, we will go over the Sisters' house at Paris, which is conducted on exactly the same plan.

We are ushered into a small parlor, scantily furnished, with some Scripture prints upon the walls. A Sister enters to us with such a bright look of cheerfulness as faces wear when hearts beneath them feel that they are beating to some purpose in the world. She accedes gladly to our desire, and at once leads us into another room of larger size, in which twenty or thirty old women are at this moment finishing their dinner; it being Friday, rice stands on the table in the place of meat. The Sister moves and speaks with the gentleness of a mother among creatures who are in, or are near to the state of second childhood. You see an old dame fumbling eagerly over her snuff-box lid. The poor creatures are not denied luxuries; for, whatever they can earn by their spinning is their own money, and they buy with it any indulgences they please; among which nothing is so highly prized or eagerly coveted as a pinch of snuff.

In the dormitories on the first floor, some lie bed-ridden. Gentler still, if possible, is now the Sister's voice. The rooms throughout the house are airy, with large windows, and those inhabited by the Sisters are distinguished from the rest by no mark of indulgence or superiority.

We descend now into the old men's department; and enter a warm room, with a stove in the centre. One old fellow has his feet upon a little foot-warmer, and thinly pipes out, that he is very comfortable now, for he is always warm. The chills of age, and the chills of the cold pavement remain together in his memory; but he is very comfortable now--very comfortable. An other decrepit man, with white hair and bowed back--who may have been proud, in his youth, of a rich voice for love-song, talks of music to the Sister; and, on being asked to sing, blazes out with joyous gestures, and strikes up a song of Béranger's in a cracked, shaggy voice, which sometimes--like a river given to flow under ground--is lost entirely, and then bubbles up again, quite thick with mud.

We go into a little oratory, where all pray together nightly before they retire to rest. Thence we descend into a garden for the men; and pass thence by a door into the women's court. The chapel-bell invites us to witness the assembly of the Sisters for the repetition of their psalms and litanies. From the chapel we return into the court, and enter a large room, where the women are all busy with their spinning-wheels. One old soul immediately totters to the Sister (not the same Sister with whom we set out), and insists on welcoming her daughter with a kiss. We are informed that it is a delusion of her age to recognize in this Sister really her own child, who is certainly far away, and may possibly be dead. The Sister embraces her affectionately, and does nothing to disturb the pleasant thought.

And now we go into the kitchen. Preparation for coffee is in progress. The dregs of coffee that have been collected from the houses of the affluent in the neighborhood, are stewed for a long time with great care. The Sisters say they produce a very tolerable result; and, at any rate, every inmate is thus enabled to have a cup of coffee every morning, to which love is able to administer the finest Mocha flavor. A Sister enters from her rounds out of doors with two cans full of broken victuals. She is a healthy, and, I think, a handsome woman. Her daily work is to go out with the cans directly after she has had her morning coffee, and to collect food for the ninety old people that are in the house. As fast as she fills her cans, she brings them to the kitchen, and goes out again; continuing in this work daily till four o'clock.

You do not like this begging? What are the advertisements on behalf of our own hospitals? what are the collectors? what are the dinners, the speeches, the charity sermons? A few weak women, strong in heart, without advertisement, or dinners, or charity sermons; without urgent appeals to a sympathizing public; who have no occasion to exercitate charity, by enticing it to balls and to theatrical benefits; patiently collect waste food from house to house, and feed the poor with it, humbly and tenderly.

The cans are now to be emptied; the contents being divided into four compartments, according to their nature--broken meat, vegetables, slices of pudding, fish, &c. Each is afterward submitted to the best cookery that can be contrived. The choicest things are set aside--these, said a Sister, with a look of satisfaction, will be for our poor dear sick.

The number of Sisters altogether in this house engaged in attendance on the ninety infirm paupers, is fourteen. They divide the duties of the house among themselves. Two serve in the kitchen, two in the laundry; one begs, one devotes herself to constant personal attendance on the wants of the old men, and so on with the others, each having her special department. The whole sentiment of the household is that of a very large and very amiable family. To feel that they console the last days of the infirm and aged poor, is all the Little Sisters get for their hard work.

HOW GUNPOWDER IS MADE.--VISIT TO HOUNSLOW MILLS.

Hounslow Gunpowder Mills are not so much like a special "town," as so many other large manufactories appear, but rather have the appearance of an infant colony--a very infant one, inasmuch as it has very few inhabitants. We never met a single man in all our rambles through the plantations, nor heard the sound of a human voice. It is like a strange new settlement, where there is ample space, plenty of wood and water, but with scarcely any colonists, and only here and there a log-hut or a dark shed among the trees.

These works are distributed over some hundred and fifty acres of land, without reckoning the surface of the Colne, which, sometimes broad, sometimes narrow, sometimes in a line, and sometimes coiling, and escaping by a curve out of sight, intersects the whole place. It is, in fact, a great straggling plantation of firs, over swells and declivities of land, with a branch or neck of a river meeting you unexpectedly at almost every turn. The more we have seen of this dismal settlement "in the bush," the more do we revert to our first impression on entering it. The place is like the strange and squalid plantation of some necromancer in Spenser's "Fairy Queen." Many trees are black and shattered, as if by lightning; others distorted, writhing, and partially stripped of their bark; and all of them have a sort of conscious look that this is a very precarious spot for the regular progress of vegetation. You wander up narrow winding paths, and you descend narrow winding paths; you see the broad arm of a river, with little swampy osier islands upon it, and then you enter another plantation, and come upon a narrow winding neck of river, leading up to a great black slanting structure, which you are told is a "blast-wall;" and behind this is the green embankment of a fortification, and further back you come upon one of the black, ominous-looking powder "houses." You advance along other tortuous paths, you cross small bridges, and again you enter a plantation, more or less sombre, and presently emerge upon an open space, where you see a semicircular road of red gravel, with cart-ruts deeply trenched in it; and then another narrower road down to a branch of the river, where there is another little bridge; and beyond this, on the other side, you see a huge water-wheel revolving between two black barn-like houses. You ascend a slope, by a path of mud and slush, and arriving at another larger open space, you find yourself in front of a sheet of water, and in the distance you observe one enormous wheel--the diabolical queen of all the rest--standing, black and immovable, like an antediluvian skeleton, against the dull, gray sky, with a torrent of water running in a long narrow gully from beneath its lower spokes, as if disgorged before its death. This open space is surrounded by trees, above which, high over all, there rises a huge chimney, or rather tower; and again, over all this there float clouds of black smoke, derived from charred wood, if we may judge of the effect upon our noses and eyes.

At distances from each other, varying from thirty or forty to a hundred and fifty yards, over this settlement are distributed, by systematic arrangement of the intervals, and the obstructive character of the intervening ground and plantations, no less than ninety-seven different buildings. By these means, not only is the danger divided, but the loss, by an explosion, reduced to the one "house" in which the accident occurs. Such, at least, is the intention, though certainly not always affording the desired protection. The houses are also, for the most part, constructed of light materials, where the nature of the operation will admit of it; sometimes extremely strong below, but very light above, like a man in armor with a straw hat; so that if a "puff" comes, there will be a free way upward, and they hope to get rid of the fury with no greater loss than a light roof. In some cases the roofs are of concrete, and bomb-proof; in others, the roofs are floated with water in shallow tanks. There are five steam-engines employed, one being a locomotive; and the extraordinary number of twenty-six water-mills, as motive powers for machinery--obviously much safer than any other that could be obtained from the most guarded and covered-in engines requiring furnaces.

In this silent region, amidst whose ninety-seven work-places no human voice ever breaks upon the ear, and where, indeed, no human form is seen except in the isolated house in which his allotted task is performed, there are secreted upward of two hundred and fifty work-people. They are a peculiar race; not, of course, by nature, in most cases, but by the habit of years. The circumstances of momentary destruction in which they live, added to the most stringent and necessary regulations, have subdued their minds and feelings to the conditions of their hire. There is seldom any need to enforce these regulations. Some terrific explosion here, or in works of a similar kind elsewhere, leaves a fixed mark in their memories, and acts as a constant warning. Here no shadow of a practical joke, or caper of animal spirits ever transpires; no witticisms, no oaths, no chaffing, or slang. A laugh is never heard; a smile seldom seen. Even the work is carried on by the men with as few words as possible, and these uttered in a low tone. Not that any body fancies that mere sound will awaken the spirit of combustion, or cause an explosion to take place, but that their feelings are always kept subdued. If one man wishes to communicate any thing to another, or to ask for any thing from somebody at a short distance, he must go there; he is never permitted to shout or call out. There is a particular reason for this last regulation. Amidst all this silence, whenever a shout _does_ occur, every body knows that some imminent danger is expected the next moment, and all rush away headlong from the direction of the shout. As to running toward it to offer any assistance, as common in all other cases, it is thoroughly understood that none can be afforded. An accident here is immediate and beyond remedy. If the shouting be continued for some time (for a man might be drowning in the river), that might cause one or two of the boldest to return; but this would be a very rare occurrence. It is by no means to be inferred that the men are selfish and insensible to the perils of each other; on the contrary, they have the greatest consideration for each other, as well as for their employers, and think of the danger to the lives of others, and of the property at stake at all times, and more especially in all the more dangerous "houses." The proprietors of the various gunpowder mills all display the same consideration for each other, and whenever any improvement tending to lessen danger is discovered by one, it is immediately communicated to all the others. The wages of the men are good, and the hours very short; no artificial lights are ever used in the works. They all wash themselves--black, white, yellow, and bronze--and leave the mills at half-past three in the afternoon, winter and summer.

After several unsuccessful attempts to effect an entrance into one of the mysterious manufactories--attributable solely to the dangers of utter destruction that momentarily hover over all works of this kind, and not in the least from any want of courtesy in the proprietors--we eventually obtained permission to inspect these mills owned by the Messrs. Curtis, which are among the largest works of the kind in Europe. It was a very wet day, but that circumstance was rather favorable than otherwise, as our obliging companion, Mr. Ashbee, the manager of the works, considerately informed us. After visiting successively the mills where the charcoal, saltpetre, and brimstone, are separately prepared, we plash our way over the wet path to the "incorporation mill"--a sufficiently dangerous place. Having exchanged our boots for India rubber over-shoes, we enter and find the machinery--consisting of two ponderous, upright millstones, rolling round like wagon-wheels, in a small circle. In the bed beneath these huge rolling stones lies, not one, but the _three_ terrible ingredients of powdered charcoal, saltpetre, and sulphur, which are thus incorporated. The bed upon which the stones roll is of iron; from it the stones would inevitably strike sparks--and "there an end of all"--if they came in contact in any part. But between the stones and the iron bed lies the incorporating powder--forty pounds of it giving a bed of intermediate powder, of two or three inches deep; so that the explosive material is absolutely the only protection. So long as the powder lies in this bed with no part of the iron left bare, all is considered to be safe. To keep it within the bed, therefore--while the rolling twist of the stones is continually displacing it, and rubbing it outward and inward--several mechanical contrivances are adopted, which act like guides, and scoops, and scrapers; and thus restore, with regularity, the powder to its proper place, beneath the stones. A water-wheel keeps this mill in action. No workmen remain here; but the time required for the incorporating process being known, the bed of powder is laid down, the mill set in motion, and then shut up and left to itself--as it ought to be, in case of any little oversight or "hitch" on the part of the guides, scoops, or scrapers. The machinery of these mills, as may be readily credited, is always kept in the finest order. "And yet," says Mr. Ashbee, in a whisper; "and yet, five of them--just such mills as these--_went off_ at Faversham, the other day, one after the other. Nobody knew how." This seasonable piece of information naturally increases the peculiar interest we feel in the objects we are now examining, as they proceed with their work.

The next house we visit, Mr. Ashbee assures us, is a very interesting process. To be sure, it is one of the most dangerous; and what makes this worse, is the fact that the process is of that kind which requires the constant presence of the men. They can not set the machinery to work, and leave it for a given time; they must always remain on the spot. It is the "Corning House" sometimes called "Graining," as it is the process which reduces the cakes and hard knobs, into which the gunpowder has been forced by hydraulic pressure, into grains--a very nice, and, it would appear, a sufficiently alarming operation.

Ascending by a rising pathway, we pass over a mound covered with a plantation of firs, and descending to a path by the river side, we arrive at a structure of black timber, some five-and-twenty feet high, set up in the shape of an acute angle. This is a "blast-wall," intended to offer some resistance to a rush of air in case of an explosion near at hand. There is also a similar blast-wall on the opposite side of the river. Passing this structure, we arrive at a green embankment thrown up as in fortified places, and behind and beneath this stands the "Corning House."

It is a low-roofed, black edifice, like the rest, although, if possible, with a still more dismal appearance. We know not what causes the impression, but we could fancy it some place of torture, devoted to the service of the darkest pagan superstitions, or those of the Holy Inquisition. A little black vestibule, or out-house, stands on the side nearest us. The whole structure is planted on the river's edge, to which the platform in front extends. We enter the little vestibule, and here we go through the ceremony of the over-shoes. We are then permitted to advance upon the sacred platform, and we then approach the entrance. If we have received a strange and unaccountable impression of a place of torture, from the external appearance and surrounding circumstances, this is considerably borne out by the interior. The first thing that seems to justify this is a dry, strangulated, shrieking cry which continues at intervals. We discover that it is the cry of a wooden screw in torment, which in some sort reconciles us. But the sound lingers, and the impression too. The flooring is all covered with leather and hides, all perfectly black with the dust of gunpowder, and on this occasion all perfectly dry. We do not much like that: the wet sliding about was more amusing; perhaps, also, a trifle safer.

The first object that seizes upon our attention is a black square frame-work, apparently suspended from the ceiling. Its ugly perpendicular beams, and equally uncouth horizontal limbs would be just the thing to hang the dead bodies of tortured victims in. We can not help following up our first impression. The men here, who stand in silence looking intently at us, all wear black masks. On the left there is reared a structure of black wood reaching to within two or three feet of the roof. It is built up in several stages, descending like broad steps. Each of these broad steps contains a sieve made of closely woven wire, which becomes finer as the steps get lower and lower. In this machine we noticed iron axles for the wheels, but our attention was directed to the rollers, which were of zinc. Thus the friction does not induce sparks, the action being also guarded against external blows. At present the machine is not in motion; and the men at work here observe their usual silence and depressing gravity. We conjecture that the machine, when put in motion, shakes and sifts the gunpowder in a slow and most cautious manner, corresponding to the seriousness of the human workers, and with an almost equal sense of the consequences of iron mistaking for once the nature of copper and brass. "Put _on_ the house!" says Mr. Ashbee, in the calm voice always used here, and nodding at the same time to the head corning-man. A rumbling sound is heard--the wheels begin to turn--the black sieves bestir themselves, moving from side to side; the wheels turn faster--the sieves shake and shuffle faster. We trust there is no mistake. They all get faster still. We do not wish them to put themselves to any inconvenience on our account. The full speed is laid on! The wheels whirl and buzz--iron teeth play into brass teeth--copper winks at iron--the black sieves shake their infernal sides into fury--the whole machine seems bent upon its own destruction--the destruction of us all! Now--one small spark--and in an instant the whole of this house, with all in it, would be instantly swept away! Nobody seems to think of this. And see!--how the gunpowder rashes from side to side of the sieves, and pours down from one stage to the other. We feel sure that all this must be much faster than usual. We do not wish it. Why should pride prevent our requesting that this horror should cease? We hear, also, an extraordinary noise behind us. Turning hastily round, we see the previously immovable black frame-work for the dead whirling round and round in the air with frightful rapidity, while two men with wooden shovels are shoveling up showers of gunpowder, as if to smother and suffocate its madness. Nothing but shame--nothing but shame and an anguish of self-command, prevents our instantly darting out of the house--across the platform--and headlong into the river.

What a house--what a workshop! It is quiet again. We have not sprung into the river. But had we been alone here, under such circumstances for the first time, we should have had no subsequent respect for our own instincts and promptitude of action if we had done any thing else. As it was, the thing is a sensation for life. We find that the whirling frame-work also contains sieves--that the invisible moving power is by a water-wheel under the flooring, which acts by a crank. But we are very much obliged already--we have had enough of "corning."

We take our departure over the platform--have our over-shoes taken off--and finding that there is something more to see, we rally and recover our breath, and are again on the path by the water's edge. A man is coming down the river with a small covered barge, carrying powder from one house to another. We remark that boating must be one of the safest positions, not only as unconducive to explosion, but even in case of its occurring elsewhere. Mr. Ashbee coincides in this opinion, although, he adds, that some time ago, a man coming down the river in a boat--just as that one is now doing--had his right arm blown off. We see that, in truth, _no_ position is safe. One may be "blown off" any where, at any moment. Thus pleasantly conversing as we walk, we arrive at the "Glazing-House."

The process of glazing consists in mixing black-lead with gunpowder in large grains, and glazing, or giving it a fine glossy texture. For this purpose four barrels containing the grains are ranged on an axle. They are made to revolve during four hours, to render them smooth; black-lead is then added, and they revolve four hours more. There is iron in this machinery; but it works upon brass or copper wheels, so that friction generates heat, but not fire. The process continues from eight to twenty-four hours, according to the fineness of polish required; and the revolution of the barrels sometimes causes the heat of the gunpowder within to rise to one hundred and twenty degrees--even to charring the wood of the interior of the barrels by the heat and friction. We inquire what degree of heat they may be in at the present moment? It is rather high, we learn; and the head-glazer politely informs us that we may put our hand and arm into the barrels and feel the heat. He opens it at the top for the purpose. We take his word for it. However, as he inserts one hand and arm by way of example, we feel in some sort called upon, for the honor of "Household Words," to do the same. It is extremely hot, and a most agreeable sensation. The faces of the men here, being all black from the powder, and shining with the addition of the black lead, have the appearance of grim masks of demons in a pantomime, or rather of real demons in a mine. Their eyes look out upon us with a strange intelligence. They know the figure they present. So do we. This, added to their subdued voice, and whispering, and mute gesticulation, and noiseless moving and creeping about, renders the scene quite unique; and a little of it goes a great way.

Our time being now short--our hours, in fact, being "numbered"--we move quickly on to the next house, some hundred yards distant. It is the "Stoving-house." We approach the door. Mr. Ashbee is so good as to say there is no need for us to enter, as the process may be seen from the door-way. We are permitted to stand upon the little platform outside, in our boots, dispensing with the over-shoes. This house is heated by pipes. The powder is spread upon numerous wooden trays, and slid into shelves on stands, or racks. The heat is raised to one hundred and twenty-five degrees. We salute the head stove-man, and depart. But turning round to give a "longing, lingering look behind," we see a large mop protruded from the door-way. Its round head seems to inspect the place where we stood in our boots on the platform. It evidently discovers a few grains of gravel or grit, and descends upon them immediately, to expurgate the evil communication which may corrupt the good manners of the house. A great watering-pot is next advanced, and then a stern head--not unlike an old medallion we have seen of Diogenes--looks round the door-post after us.

The furnace, with its tall chimney, by means of which the stove-pipes of the house we have just visited, are heated, is at a considerable distance, the pipes being carried under-ground to the house.

We next go to look at the "Packing-house," where the powder is placed in barrels, bags, tin cases, paper cases, canisters, &c. On entering this place, a man runs swiftly before each of us, laying down a mat for each foot to step upon as we advance, thus leaving rows of mats in our wake, over which we are required to pass on returning. We considered it a mark of great attention--a kind of Oriental compliment.

The last of our visits is to a "Charge-House." There are several of these, where the powder is kept in store. We approach it by a path through a plantation. It lies deep among the trees--a most lonely, dismal sarcophagus. It is roofed with water--that is, the roof is composed of water-tanks, which are filled by the rain; and in dry weather they are filled by means of a pump arranged for that purpose. The platform at the entrance is of water--that is to say, it is a broad wooden trough two inches deep, full of water, through which we are required to walk. We do so, and with far more satisfaction than some things we have done here to-day. We enter the house alone; the others waiting outside. All silent and dusky as an Egyptian tomb. The tubs of powder, dimly seen in the uncertain light, are ranged along the walls, like mummies--all giving the impression of a secret life within. But a secret life, how different! "Ah! there's the rub." We retire with a mental obeisance, and a respectful air--the influence remaining with us, so that we bow slightly on rejoining our friends outside, who bow in return, looking from us to the open door-way of the "house!"

With thoughtful brows, and not in any very high state of hilarity, after the duties of the day--not to speak of being wet through to the skin, for the second time--we move through the fir groves on our way back. We notice a strange appearance in many trees, some of which are curiously distorted, others with their heads cut off; and, in some places, there are large and upright gaps in a plantation. Mr. Ashbee, after deliberating inwardly a little while, informs us that a very dreadful accident happened here last year. "Was there an explosion?" we inquire. He says there was. "And a serious one?"--"Yes."--"Any lives lost?"--"Yes."--"Two or three?"--"More than that."--"Five or six?" He says more than that. He gradually drops into the narrative, with a subdued tone of voice. There was an explosion last year. Six different houses blew up. It began with a "Separating House,"--a place for sizing, or sorting, the different grains through sieves. Then the explosion went to a "Granulating-House," one hundred yards off. How it was carried such distances, except by a general combustion of the air, he can not imagine. Thence, it went to a "Press House," where the powder lies in hard cakes. Thence, it went in two ways--on one side to a "Composition Mixing-House," and, on the other, to a "Glazing-House;" and thence to another "Granulating-House." Each of these buildings were fully one hundred yards from another; each was intercepted by plantations of fir and forest trees as a protection; and the whole took place within forty seconds. There was no tracing how it had occurred.

This, then, accounts for the different gaps--some of them extending fifty or sixty yards--in the plantations and groves? Mr. Ashbee nods a grave assent. He adds, that one large tree was torn up by the roots, and its trunk was found deposited at such a distance, that they never could really ascertain where it came from. It was just found lying there. An iron water-wheel, of thirty feet in circumference, belonging to one of the mills, was blown to a distance of fifty yards through the air, cutting through the heads of all the trees in its way, and finally lodging between the upper boughs of a large tree, where it stuck fast, like a boy's kite. The poor fellows who were killed--(our informant here drops his voice to a whisper, and speaks in short detached fragments; there is nobody near us, but he feels as a man should feel in speaking of such things)--the poor fellows who were killed were horribly mutilated--more than mutilated, some of them--their different members distributed hither and thither, could not be buried with their proper owners, to any certainty. One man escaped out of a house, before it blew up, in time to run at least forty yards. He was seen running, when suddenly he fell. But when he was picked up, he was found to be quite dead. The concussion of the air had killed him. One man coming down the river in a boat was mutilated. Some men who were missing, were never found--blown all to nothing. The place where some of the "houses" had stood, did not retain so much as a piece of timber, or a brick. All had been swept away, leaving nothing but the torn-up ground, a little rubbish, and a black hash of bits of stick, to show the place where they had been erected.

We turn our eyes once more toward the immense gaps in the fir groves, gaps which here and there amount to wide intervals, in which all the trees are reduced to about half their height, having been cut away near the middle. Some trees, near at hand, we observe to have been flayed of their bark all down one side; others have strips of bark hanging dry and black. Several trees are strangely distorted, and the entire trunk of one large fir has been literally twisted like a corkscrew, from top to bottom, requiring an amount of force scarcely to be estimated by any known means of mechanical power. Amid all this quietness, how dreadful a visitation! It is visible on all sides, and fills the scene with a solemn, melancholy weight.

But we will linger here no longer. We take a parting glance around, at the plantations of firs, some of them prematurely old, and shaking their heads, while the air wafts by, as though conscious of their defeated youth, and all its once-bright hopes. The dead leaves lie thick beneath, in various sombre colors of decay, and through the thin bare woods we see the gray light fading into the advancing evening. Here, where the voice of man is never heard, we pause, to listen to the sound of rustling boughs, and the sullen rush and murmur of water-wheels and mill-streams; and, over all, the song of a thrush, even while uttering blithe notes, gives a touching sadness to this isolated scene of human labors--labors, the end of which, is a destruction of numbers of our species, which may, or may not, be necessary to the progress of civilization, and the liberty of mankind.

AN INSANE PHILOSOPHER.

A visitor to the Hanwell Insane Asylum, in England, will have his attention directed to one of the inmates who is at once the "pet," the peer, the philosopher, and the poet of that vast community. No one can long enjoy the privilege of his company without perceiving that he has received a first-rate classical education. His mind is remarkably clear-visioned, acute, severe, logical, and accomplished. His manners usually display the refinement, polish, and urbanity of a well-bred gentleman, though at times, it is said, they are tinged with a degree of aristocratic pride, austerity, and hauteur, especially when brought into contact with the ignorant and vulgar. In conversation, though impeded by a slight hesitation of utterance, he displays clearness and breadth of intelligence in all his views, and pours forth freely from the treasures of a well-stored memory abundance of information, anecdote, and fact. His physiognomy and physical structure are well adapted to enshrine a mind of such a calibre. In stature he is tall, rather slender, but firmly knit. The muscular development of the frame denotes considerable strength--a quality which he claims to possess in a pre-eminent degree. He boasts, probably with considerable truth, of having no equal, in this respect, in the asylum. His head, beautifully formed, after a fine intellectual type, is partially bald--the few surviving locks of hair that fringe its sides being nearly gray. The keen, twinkling, gray eye; the prominent classic brow; the boldly-chiseled aquiline nose; the thin cheeks, "sicklied o'er with the pale cast of thought;" the sharp features, together with the small, firmly-compressed mouth, plainly bespeak him a man of reflection, and strong purpose. In age, he appears to have weathered about fifty stormy winters. The term of his residence in this rendezvous of afflicted strangers is somewhere about six years. His _real_ name, his early history, his human kindred, his former social status--in fact, all the antecedents of his life, previous to his admission to the asylum--are utterly unknown. On all these matters he preserves the silence of a sphinx. No remarks, so far as we know, have ever escaped his lips, calculated to afford any certain clew for the elucidation of the mystery that enshrouds him. Surmise and conjecture have of course been busy with their guesses as to his probable extraction; and the organ of wonder has been sorely taxed in an effort to account for the marvelous fact, that a gentleman of such apparent distinction, it may be of noble birth and fortune, should have been lost to his friends for a space of six years, and no earnest inquiries been made to discover his fate. That he is of aristocratic descent, appears to be the general impression among the officers and inmates of the asylum--an impression justified by his elegant manners, his superior attainments, his extensive acquaintance with noble families, and many significant allusions found in his painted chamber, upon the walls of which he has faithfully daguerreotyped the images, the feelings, the recollections, and the cherished sentiments of his inner man. The _fictitious_ name by which he is known at present is that of Mr. Chiswick--a name commemorative of the _scene_ of that sad event which has overshadowed the afternoon, and which threatens to darken the evening, of his earthly existence. But the reader will be anxious to learn under what strange conjunction of circumstances this mysterious being--without father or mother, brothers or sisters, kinsfolk or acquaintances, and without even a local habitation or a name--obtained an introduction to this strange home. We will at once state such facts as we have been able to collect.

On one Sabbath-day, about six years ago, a congregation had gathered together, as was their wont, for the celebration of divine worship, in the small country church of Turnham Green, near Chiswick. The officiating clergyman and the worshiping assembly had jointly gone through the liturgical services without the occurrence of any unusual event. As soon as the robed minister had ascended the sacred desk, and commenced his discourse, however, the eyes of a portion of the audience were attracted toward a gentleman occupying a somewhat conspicuous position in the church, whose strange and restless movements, wild and excited air, and occasional audible exclamations, indicated the presence of either a fanatic or a lunatic. These symptoms continued to increase, until, at length, as if irritated beyond endurance by some sentiment that fell from the lips of the preacher, he gave way to a perfect paroxysm of frenzy, under the influence of which he seized his hat, and flung it at the head of the minister. Of course, the service was suspended until the offender was expelled. It was soon discovered that the unhappy author of this untoward disturbance was suffering under a violent fit of mania. When borne from the church, no person could recognize or identify him. He was a total stranger to all residing in the neighborhood, so that no clew could be obtained that would enable them to restore him to the custody and surveillance of his friends. Under these circumstances, he was taken to the adjoining work-house at Isleworth, where he was detained for some weeks under medical care, during which period the most diligent inquiries were instituted with the view of unraveling the mystery of the stranger's kinship. But without avail. No one claimed him; and even when pressed himself to impart some information on the subject, he either could not or would not divulge the secret. Finding, at length, that all efforts to identify the great Incognito were ineffectual, he was removed to Hanwell, the asylum of the county to which he had thus suddenly become chargeable, and where he has ever since remained.

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Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.Chapter VIII: Introduction: Of the Potato Into France (3)

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