Chapter XIII: Esther's Narrative (5)
"Now by my faith as belted knight,
And by the name I bear,
And by the red St. Andrew's cross
That waves above us there--
Ay, by a greater, mightier oath,
And oh! that such should be!--
By that dark stream of royal blood
That lies 'twixt you and me--
I have not sought on battle-field
A wreath of such renown,
Nor dared I hope, on my dying day,
To win a martyr's crown!
"There is a chamber far away,
Where sleep the good and brave,
But a better place ye have named for me
Than by my father's grave.
For truth and right 'gainst treason's might,
This hand has always striven,
And ye raise it up for a witness still
In the eye of earth and heaven.
Then raise my head on yonder tower,
Give every town a limb,
And GOD who made, shall gather them;
I go from you to HIM!"
We know of few sublimer deaths than this, in which the poet has taken no liberties with historical facts.
* * * * *
A cunning old fox is Rothschild, the greatest banker in the world. He said, on one occasion, to Sir Thomas Buxton, in England, "My success has always turned upon one maxim. I said, '_I_ can do what _another_ man can;' and so I am a match for all the rest of 'em. Another advantage I had: I was always an off-hand man. I made a bargain at once. When I was settled in London, the East India Company had eight hundred thousand pounds in gold to sell. I went to the sale, and bought the whole of it. I knew the Duke of Wellington _must_ have it. I had bought a great many of his bills at a discount. The Government sent for me, and _said_ they must have it. When they had got it, they didn't know how to get it to Portugal, where they wanted it. I undertook all that, and I sent it through France; and that was the best business I ever did in my life.
"It requires a great deal of boldness and a great deal of caution to make a great fortune, and when you have got it, it requires ten times as much wit to keep it. If I were to listen to one half the projects proposed to me, I should ruin myself very soon.
"One of my neighbors is a very ill-tempered man. He tries to vex me, and has built a great place for swine close to my walk. So when I go out, I hear first, 'Grunt, grunt,' then 'Squeak, squeak.' But this does me no harm. I am always in good-humor. Sometimes, to amuse myself, I give a beggar a guinea. He thinks it is a mistake, and for fear I should find it out, he runs away as hard as he can. I advise you to give a beggar a guinea sometimes--it is very amusing."
* * * * *
Travelers by railroad, who stop at the "eating stations," and are hurried away by the supernatural shriek of the locomotive before they have begun their repast, will appreciate and laugh at the following:
"We have sometimes seen in a pastry-cook's window, the announcement of 'Soups hot till eleven at night,' and we have thought how very hot the said soups must be at ten o'clock in the morning; but we defy any soup to be so red-hot, so scorchingly and so intensely scarifying to the roof of the mouth, as the soup you are allowed just three minutes to swallow at the railway stations. In the course of our perigrinations, a day or two ago, we had occasion to stop at a distant station. A smiling gentleman, with an enormous ladle, said insinuatingly:
"'Soup, sir?'
"'Thank you--yes.'
"Then the gigantic ladle was plunged into a caldron, which hissed with hot fury at the intrusion of the ladle.
"We were put in possession of a plateful of a colored liquid, that actually took the skin off our face by mere steam. Having paid for the soup, we were just about to put a spoonful to our lips when a bell was rung, and the gentleman who had suggested the soup, ladled out the soup, and got the money for the soup, blandly remarked:
"'Sir, the train is just off!'
"We made a desperate thrust of a spoonful into our mouth, but the skin peeled off our lips, tongue, and palate, like the 'jacket' from a hot potato."
Probably the same soup was served out to the passengers by the next train. Meanwhile the "soup-vendor smiled pleasantly, and evidently enjoyed the fun!"
* * * * *
One of the best of the minor things of Thackeray's--thrown off, doubtless before his temporarily-suspended cigar had gone out--is the following. It is a satire upon the circumstance of some fifty deer being penned into the narrow wood of some English nobleman, for Prince ALBERT to "_hunt_" in those confined limits. The lines are by "Jeems, cousin-german on the Scotch side," to "Chawls Yellowplush, Igsquire":
"SONNICK.
"SEJESTED BY PRINCE HALBERT GRATIOUSLY KILLING
THE STAGS AT JACKS COBUG GOTHY.
"Some forty Ed of sleak and hantlered dear,
In Cobug (where such hanimels abound)
Was shot, as by the newspaper I 'ear,
By Halbert, Usband of the British crownd.
Britannia's Queen let fall the pretty tear,
Seeing them butchered in their sylvan prisns;
Igspecially when the keepers standing round,
Came up and cut their pretty innocent whizns.
Suppose, instead of this pore Germing sport,
This Saxon wenison wich he shoots and bags,
Our Prins should take a turn in Capel Court,
And make a massyker of Henglish stags.
Poor stags of Hengland! were the Untsman at you,
What havoc he would make, and what a tremenjus battu.
JEEMS."
* * * * *
What is pleasure? It is an extremely difficult thing to say what "pleasure" means. Pleasure bears a different scale to every person. Pleasure to a country girl may mean a village ball, and "so many partners that she danced till she could scarcely stand." Pleasure to a school-boy means tying a string to his school-fellow's toe when he is asleep, and pulling it till he wakens him. Pleasure to a "man of inquiring mind" means, "a toad inside of a stone," or a beetle running around with his head off. Pleasure to a hard-laboring man means doing nothing; pleasure to a fashionable lady means, "having something to do to drive away the time." Pleasure to an antiquary means, an "illegible inscription." Pleasure to a connoisseur means, a "dark, invisible, very fine picture." Pleasure to the social, the "human face divine." Pleasure to the morose, "Thank Heaven, I shan't see a soul for the next six months!"
* * * * *
"Why don't you wash and dress yourself when you come into a court of justice?" asked a pompous London judge of a chimney-sweep, who was being examined as a witness. "Dress myself, my lord," said the sweep: "I _am_ dressed as much as your lordship: you are in your _working_-clothes, and so am I!"
* * * * *
A good while ago that inimitable wag, PUNCH had some very amusing "_Legal Maxims_," with comments upon them; a few of which found their way into the "Drawer," and a portion of which we subjoin:
"_A personal action dies with the person._"--This maxim is clear enough; and means that an action brought against a man, when he dies in the middle of it, can not be continued. Thus, though the law sometimes, and very often, pursues a man to the grave, his rest there is not likely to be disturbed by the lawyers. If a soldier dies in action, the action does not necessarily cease, but is often continued with considerable vigor afterward.
"_Things of a higher nature determine things of a lower nature._"--Thus a written agreement determines one in words; although if the words are of a very high nature, they put an end to all kinds of agreement between the parties.
"_The greater contains the less._"--Thus, if a man tenders more money than he ought to pay, he tenders what he owes: for the greater contains the less; but a quart wine-bottle, which is greater than a pint and a half, does not always contain a pint and a half; so that, in this instance, the less is not contained in the greater.
"_Deceit and fraud shall be remedied on all occasions._"--It may be very true, that deceit and fraud _ought_ to be remedied, but whether they _are_, is quite another question. It is much to be feared, that in law, as well as in other matters, _ought_ sometimes stands for nothing.
"_The law compels no one to impossibilities._"--This is extremely considerate on the part of the law; but if it does not compel a man to impossibilities, it sometimes drives him to attempt them. The law, however, occasionally acts upon the principle of two negatives making an affirmative; thus treating two impossibilities as if they amounted to a possibility. As, when a man can not pay a debt, law-expenses are added, which he can not pay either; but the latter being added to the former, it is presumed, perhaps, that the two negatives, or impossibilities may constitute one affirmative or possibility, and the debtor is accordingly thrown into prison, if he fails to accomplish it.
* * * * *
Some country readers of the "Drawer," unacquainted with the dance called the "_Mazurka_," may like to know how to accomplish that elaborate and fashionable species of saltation. Here follows a practical explanation of the figures:
Get a pair of dress-boats, high heels are the best,
And a partner; then stand with six more in a ring;
Skip thrice to the right, take two stamps and a rest,
Hop thrice to the left, give a kick and a fling;
Be careful in stamping some neighbor don't rue it,
Though people with corns had better not do it.
Your partner you next circumnavigate; that
Is, dance all the way round her, unless she's too fat;
Make a very long stride, then two hops for _poussette_;
Lastly, back to your place, if you can, you must get.
A general mêlée here always ensues,
Begun by the loss of a few ladies' shoes;
A faint and a scream--"Oh, dear, I shall fall!"
"How stupid you are!"--"We are all wrong!" and that's all.
Truly to appreciate such a dancing scene as this, one should see it through a closed window, at a fashionable watering-place, without being able to hear a note of the music, the "moving cause" of all the frisking.
CONTRIBUTIONS TO OUR DRAWER.
MISS TREPHINA and MISS TREPHOSA, two ancient ladies of virgin fame, formerly kept a boarding-house in the immediate neighborhood of the Crosby-street Medical College. They _took in_ students, did their washing, and to the best of their abilities mended their shirts and their morals. Miss Trephina, in spite of the numerous landmarks which time had set up upon her person, was still of the sentimental order. She always dressed "_de rigueur_" in cerulean blue, and wore false ringlets, and teeth (_miserabile dictu!_) of exceedingly doubtful _extraction_. Miss Trephosa, her sister, was on the contrary an uncommonly "strong-minded" woman. Her appearance would have been positively majestic, had it not been for an unfortunate squint, which went far to upset the dignified expression of her countenance. She wore a fillet upon her brows "_à la Grecque_," and people _did_ say that her temper was as cross as her eyes. Bob Turner was a whole-souled Kentuckian, for whom his professorial guardian obtained lodgings in the establishment presided over by these two fascinating damsels. Somehow or other, Bob and his hostesses did not keep upon the best of terms very long. Bob had no notion of having his minutest actions submitted to a surveillance as rigid as (in his opinion) it was impertinent. One morning a fellow-student passing by at an early hour, saw the Kentuckian, who was standing upon the steps of the dragons' castle, from which he had just emerged, take from his pocket a slip of paper, and proceed to affix the same, with the aid of wafers, to the street door. The student skulked about the premises until Bob was out of sight, and he could read without observation the inscription placarded upon the panel. It was as follows--we do not vouch for its originality, although we know nothing to the contrary:
"To let or to lease, for the term of her life,
A scolding old maid, in the way of a wife;
She's old and she's ugly--ill-natured and thin;
For further particulars, inquire within!"
An hour afterward the paper had disappeared from the door. Whether Bob was ever detected or not we can not tell, but he changed his lodgings the next term.
* * * * *
The Spaniards have a talent for self-glorification which throws that of all other nations, even our own, into the shade. Some allowance should be made, perhaps, for conventional hyperbolism of style, but vanity has as much to do with it as rhetoric. A traveled friend saw performed at Barcelona a play called "Españoles sobre todos"--"Spaniards before all"--in which the hero, a Spanish knight, and a perfect paladin in prowess, overthrows more English and French knights with his single arm than would constitute the entire regular army of this country. All these absurdities were received by the audience with a grave enthusiasm marvelous enough to witness. The play had a great run in all the cities of Spain, until it reached Madrid, where its first representation scandalized the French embassador to such a degree, that, like a true Gaul as he was, he made it a national question, interfered diplomatically, and the Government suppressed the performance.
There is a light-house at Cadiz--a very good light-house--but in no respect an extraordinary production of art. There is an inscription carved upon it, well peppered with notes of exclamation, and which translated reads as follows:
"This light-house was erected upon Spanish soil, of Spanish stone, by Spanish hands."
* * * * *
An old farmer from one of the rural districts--we may be allowed to say, from one of the very rural districts--recently came to town to see the sights, leaving his better-half at home, with the cattle and the poultry. Among various little keepsakes which he brought back to his wife, on his return to his Penates, was his own daguerreotype. "Oh! these men, these men! what creturs they are!" exclaimed the old lady, on receiving it; "just to think that he should fetch a picture of himself all the way from York, and be so selfish as not to fetch one of me at the same time!"
* * * * *
The following good story is told of George Hogarth, the author of musical history, biography, and criticism, and of "Memoirs of the Musical Drama." It seems that Mr. Hogarth is an intimate friend of Charles Dickens. Upon one occasion, Mr. Dickens had a party at his house, at which were present, among other notabilities, Miss ----, the famous singer, and her mother, a most worthy lady, but not one of the "illuminated." Mr. Hogarth's engagement as musical critic for some of the leading London Journals kept him busy until quite late in the evening; and to Mrs. ----'s reiterated inquiries as to when Mr. Hogarth might be expected, Mr. Dickens replied that he could not venture to hope that he would come in before eleven o'clock. At about that hour the old gentleman, who is represented as being one of the mildest and most modest of men, entered the rooms, and the excited Mrs. ---- solicited an immediate introduction. When the consecrated words had been spoken by the amused host, fancy the effect of Mrs. ----'s bursting out with the hearty exclamation, "Oh, Mr. Hogarth, how shall I express to you the honor which I feel on making the acquaintance of the author of the 'Rake's Progress!'"
We wish it had been our privilege to see Dickens' face at that moment.
* * * * *
DR. DIONYSIUS LARDNER married an Irish lady, of the city of Dublin, we believe, whose name was Cicily. The Doctor is represented not to have treated her with all conceivable marital tenderness. Among the University wags, he went by the name of "Dionysius, the _Tyrant of Cicily_" (_Sicily._)
* * * * *
The late Pope of Rome, Gregory XVI., was once placed in an extremely awkward dilemma, in consequence of his co-existing authority as temporal and spiritual prince. A child of Jewish parentage was stolen from its home in early infancy. Every possible effort was made to discover the place of its concealment, but for many years without any success. At length, after a long lapse of time, it was accidentally ascertained that the boy, who had now almost grown a man, was residing in a Christian family, in a section of the town far removed from the "Ghetto," or Jews' quarter. The delighted parents eagerly sought to take their child home at once, but his Christian guardians refused to give him up; and the Pope was applied to by both parties, to decide upon the rival claims. On the one hand it was urged, that, as the head of the State, his Holiness could never think of countenancing the kidnapping of a child, and the detaining him from his natural friends. On the other hand it was contended, that, as head of the Church, it was impossible for him to give back to infidelity one who had been brought up a true believer. The case was a most difficult one to pass upon, and what might have been the result it would be hard to tell, had not the voice of habit been stronger than the voice of blood, and the subject of the dispute expressed an earnest desire to cling to the Church rather than be handed over to the Synagogue.
* * * * *
The famous humorist, Horne Tooke, once stood for Parliament in the Liberal interest. His election was contested by a person who had made a large fortune as a public contractor. This gentleman, in his speech from the hustings, exhorted the constituency not to elect a man who had no stake in the country. Mr. Tooke, in reply, said that he must confess, with all humility, that there was, at least, one stake in the country which he did not possess, and that was a _stake taken from the public fence_.
Upon another occasion, the blank form for the income-tax return was sent in to Mr. Tooke to be filled up. He inserted the word "Nil," signed it, and returned it to the board of county magistrates. Shortly afterward he was called before this honorable body of gentlemen to make an explanation. "What do you mean by 'Nil,' sir?" asked the most ponderous of the gentlemen upon the bench. "I mean literally 'Nil,'" answered the wag.
"We perfectly understand the meaning of the Latin word _Nil_--nothing," rejoined the magistrate, with an air of self-congratulation upon his learning. "But do you mean to say, sir, that you live without any income at all--that you live upon nothing?"
"Upon nothing but my brains, gentlemen," was Tooke's answer.
"Upon nothing but his brains!" exclaimed the presiding dignitary to his associates. "It seems to me that this is a novel source of income."
"Ah, gentlemen," retorted the humorist, "it is not every man that _has brains to mortgage_."
* * * * *
In nothing is the irregularity of our orthography shown more than in the pronunciation of certain proper names. The English noble names of Beauchamp, Beauvoir, and Cholmondeley are pronounced respectively Beechum, Beaver, and Chumley.
One of the "Anglo-Saxun" reformers, meeting Lord Cholmondeley one day coming out of his own house, and not being acquainted with his Lordship's person, asked him if Lord Chol-mon-de-ley (pronouncing each syllable distinctly), was at home? "No," replied the Peer, without hesitation, "nor any of his pe-o-ple."
* * * * *
Before commons were abolished at Yale College, it used to be customary for the steward to provide turkeys for the Thanksgiving dinner. As visits of poultry to the "Hall" table were "few and far between," this feast was looked forward to with anxious interest by all the students. The birds, divested of their feathers, were ordinarily deposited over-night in some place of safety--not unfrequently in the Treasurer's office.
Upon one occasion a Vandal-like irruption, by some unknown parties, was made in the dead of night upon the place of deposit. By the next morning the birds had all flown--been spirited away, or carried off--we give the reader his choice. A single venerable specimen of antiquity, the stateliest of the flock, was found tied by the legs to the knocker of the steward's door. And, as if to add insult to injury (or injury to insult, as you please), a paper was pinned upon his breast with the significant motto written upon it: _E pluribus unum_--"One out of many."
* * * * *
At one corner of the Palazzo Braschi, the last monument of Papal nepotism, near the Piazza Navona, in Rome, stands the famous mutilated torso known as the Statue of Pasquin. It is the remains of a work of art of considerable merit, found at this spot in the sixteenth century, and supposed to represent Ajax supporting Menelaus. It derives its modern name, as Murray tells us, from the tailor Pasquin, who kept a shop opposite, which was the rendezvous of all the gossips in the city, and from which their satirical witticisms on the manners and follies of the day obtained a ready circulation. The fame of Pasquin is perpetuated in the term _pasquinade_, and has thus become European; but Rome is the only place in which he flourishes. The statue of Marforio, which stood near the arch of Septimus Severus, in the Forum, was made the vehicle for replying to the attacks of Pasquin; and for many years they kept up an incessant fire of wit and repartee. When Marforio was removed to the Museum of the Capitol, the Pope wished to remove Pasquin also; but the Duke di Braschi, to whom he belongs, would not permit it. Adrian VI. attempted to arrest his career by ordering the statue to be burnt and thrown into the Tiber, but one of the Pope's friends, Ludovico Sussano, saved him, by suggesting that his ashes would turn into frogs, and croak more terribly than before. It is said that his owner is compelled to pay a fine whenever he is found guilty of exhibiting any scandalous placards. The modern Romans seem to regard Pasquin as part of their social system; in the absence of a free press, he has become in some measure the organ of public opinion, and there is scarcely an event upon which he does not pronounce judgment. Some of his sayings are extremely broad for the atmosphere of Rome, but many of them are very witty, and fully maintain the character of his fellow-citizens for satirical epigrams and repartee. When Mezzofante, the great linguist, was made a Cardinal, Pasquin declared that it was a very proper appointment, for there could be no doubt that the "Tower of Babel," "_Il torre di Babel_," required an interpreter. At the time of the first French occupation of Italy, Pasquin gave out the following satirical dialogue:
"I Francesi son tutti ladri,
"Non tutti--ma Buonaparte."
"The French are all robbers.
"Not all, but a _good part_;" or,
"Not all--but Buonaparte."
Another remarkable saying is recorded in connection with the celebrated Bull of Urban VIII., excommunicating all persons who took snuff in the Cathedral of Seville. On the publication of this decree, Pasquin appropriately quoted the beautiful passage in Job--"Wilt thou break a leaf driven to and fro? and wilt thou pursue the dry stubble?"
Literary Notices.
_The Naval Dry Docks of the United States._ By CHARLES B. STUART.--This elegant volume, by the Engineer-in-Chief of the United States Navy, is dedicated with great propriety to President Fillmore. It is an important national work, presenting a forcible illustration of the scientific and industrial resources of this country, and of the successful application of the practical arts to constructions of great public utility. The Dry Docks at the principal Navy Yards in the United States are described in detail--copious notices are given of the labor and expense employed in their building--with a variety of estimates, tables, and plans, affording valuable materials for reference to the contractor and engineer. Gen. Stuart has devoted the toil of many years to the preparation of this volume, which forms the first of a series, intended to give a history and description of the leading public works in the United States. He has accomplished his task with admirable success. Every page bears the marks of fidelity, diligence, and skill. The historical portions are written in a popular style, and as few professional technicalities have been employed as were consistent with scientific precision. In its external appearance, this publication is highly creditable to American typography; a more splendid specimen of the art has rarely, if ever been issued from the press in this country. The type, paper, and binding are all of a superior character, and worthy of the valuable contents of the volume. The scientific descriptions are illustrated by twenty-four fine steel engravings, representing the most prominent features of the Dry Docks at different stages of their construction. We trust that this superb volume, in which every American may well take an honest pride, will not only attract the attention of scientific men, but find its way generally into our public and private libraries.
A unique work on the manners of gentlemen in society has been issued by Harper and Brothers, entitled, _The Principles of Courtesy_. The author, GEORGE WINFRED HERVEY, whom we now meet for the first time in the domain of authorship, seems to have made a specialty of his subject, judging from the completeness of detail and earnestness of tone which he has brought to its elucidation. It is clearly his mission to "catch the living manners as they rise" to submit them to a stringent search for any thing contraband of good feeling or good taste. He is an observer of no common acuteness. While he unfolds with clearness the great principles of courtesy, few trifles of detail are too unimportant to escape his notice. He watches the social bearing of men in almost every imaginable relation of life--detects the slight shades of impropriety which mar the general comfort--points out the thousand little habits which diminish the facility and grace of friendly intercourse--and spares no words to train up the aspirants for decency of behavior in the way they should go. We must own that we have usually little patience with works of this description. The manners of a gentleman are not formed by the study of Chesterfield. A formal adherence to written rules may make dancing-masters, or Sir Charles Grandisons; but the untaught grace of life does not come from previous intent. This volume, however, somewhat modifies our opinion. It is no stupid collection of stereotype precepts, but a bold, lively discussion of the moralities of society, interspersed with frequent dashes of caustic humor, and occasional sketches of character in the style of La Bruyere. Whatever effect it may have in mending the manners of our social circles, it is certainly a shrewd, pungent book, and may be read for amusement as well as edification.
_An Exposition of some of the Laws of the Latin Grammar_, by GESSNER HARRISON, M.D. (Published by Harper and Brothers.) This is a treatise on several nice topics of Latin philology, which are discussed with great sagacity and analytic skill. It is not intended to take the place of any of the practical grammars now in use, but aims rather to supply some of their deficiencies, by presenting a philosophical explanation of the inflections and syntax of the language. Although the subtle distinctions set forth by the author may prove too strong meat for the digestion of the beginner, we can assure the adept in verbal analogies, that he will find in this volume a treasure of rare learning and profound suggestion. While professedly devoted to the Latin language, it abounds with instructive hints and conclusions on general philology. It is one of those books which, under a difficult exterior, conceals a sweet and wholesome nutriment. Whoever will crack the nut, will find good meat.
An excellent aid in the acquisition of the French language may be found in Professor FASQUELLE'S _New Method_, published by Newman and Ivison. It is on the plan of Woodbury's admirable German Grammar, and for simplicity, copiousness, clearness, and accuracy, is not surpassed by any manual with which we are acquainted.
_The Two Families_ is the title of a new novel by the author of "Rose Douglas," republished by Harper and Brothers. Pervaded by a spirit of refined gentleness and pathos, the story is devoted to the description of humble domestic life in Scotland, perpetually appealing to the heart by its sweet and natural simplicity. The moral tendency of this admirable tale is pure and elevated, while the style is a model of unpretending beauty.
_A Greek Reader_, by Professor JOHN J. OWEN (published by Leavitt and Allen), is another valuable contribution of the Editor to the interests of classical education. It comprises selections from the fables of Æsop, the Jests of Hierocles, the Apophthegms of Plutarch, the Dialogues of Lucian, Xenophon's Anabasis and Cyropædia, Homer's Iliad and Odyssey, and the Odes of Anacreon. With the brief Lexicon and judicious Notes by the Editor, it forms a highly convenient text-book for the use of beginners.
The Second Volume of LAMARTINE'S _History of the Restoration_ (issued by Harper and Brothers), continues the narrative of events from the departure of Napoleon from Fontainebleau to his escape from Elba, his defeat at Waterloo, and his final abdication. The tone of this volume is more chaste and subdued, than that of the previous portions of the work. The waning fortunes of the Emperor are described with calmness and general impartiality, though the author's want of sympathy with the fallen conqueror can not be concealed. Many fine portraitures of character occur in these pages. In this department of composition, Lamartine is always graphic and felicitous. We do not admit the charge that he sacrifices accuracy of delineation to his love of effect. His sketches will bear the test of examination. Among others, Murat, Talleyrand, and Benjamin Constant are hit off with masterly boldness of touch. In fact, whatever criticisms may be passed upon this work as a history, no one can deny its singular fascinations as a picture-gallery.
_Clifton_, by ARTHUR TOWNLEY (published by A. Hart, Philadelphia), is an American novel, chiefly remarkable for its lively portraitures of fashionable and political life in this country. The plot has no special interest, and is in fact subservient to the taste for dissertation, in which the writer freely indulges. His sketches of manoeuvres and intrigues in society and politics are often quite piquant, betraying a sharp observer and a nimble satirist. We do not know the position of the author, but he is evidently familiar with the sinuosities of Washington and New York society.
The Fourth Volume of _Cosmos_ by HUMBOLDT (republished by Harper and Brothers), continues the Uranological portion of the Physical Description of the Universe, completing the subject of Fixed Stars, and presenting a thorough survey of the Solar Region, including the Sun as the central body, the planets, the comets, the ring of the zodiacal light, shooting stars, fireballs, and meteoric stones. This volume, like those already published, is distinguished for its profuse detail of physical facts and phenomena, its lucid exhibition of scientific laws, and the breadth and profoundness of view with which the unitary principles of the Universe are detected in the midst of its vast and bewildering variety. Nor is Humboldt less remarkable for the impressive eloquence of his style, than for the extent of his researches, and the systematic accuracy of his knowledge. The sublime facts of physical science are inspired with a fresh vitality as they are presented in his glowing pages. He awakens new conceptions of the grandeur of the Universe and the glories of the Creator. No one can pursue the study of his luminous and fruitful generalizations, without a deep sense of the wonderful laws of the divine harmony, and hence, his writings are no less admirable in a moral point of view, than they are for the boldness and magnificence of their scientific expositions.
_Dollars and Cents_, by AMY LOTHROP (published by G. P. Putnam), is a new novel of the "Queechy" school, in many respects bearing such a marked resemblance to those productions, that it might almost be ascribed to the same pen. Like the writings of Miss Wetherell, its principal merit consists in its faithful descriptions of nature, and its insight into the workings of the human heart in common life. The dialogue is drawn out to a wearisome tenuity, while the general character of the plot is also fatiguing by its monotonous and sombre cast. The story hinges on the reverses of fortune in a wealthy family, by whom all sorts of possible and impossible perplexities are endured in their low estate, till finally the prevailing darkness is relieved by a ray of light, when the curtain rather abruptly falls. In the progress of the narrative, the writer frequently displays an uncommon power of expression; brief, pointed sentences flash along the page; but the construction of the plot, as a whole, is awkward; and the repeated introduction of improbable scenes betrays a want of invention, which finally marks the work as a failure in spite of the talent which it occasionally reveals.
The _Study of Words_ by RICHARD CHENEVIX TRENCH (Published by Redfield.) A reprint of a curious, but not very profound English work on the derivation of words. The author presents a variety of specimens of ingenious verbal analysis; always suggestive; but not seldom fanciful; relying on subtle hypotheses, rather than on sound authority. Still his book is not without a certain utility. It enforces the importance of a nice use of language as an instrument of thought. The hidden meaning wrapped up in the derivation of terms is shown to be more significant than is usually supposed; and the numerous instances of cunning etymology which it brings forward tend to create a habit of tracing words to their origin, which directed by good sense, rather than fancy, can not fail to exert a wholesome influence in the pursuit of truth.
_Life and Correspondence of Lord Jeffrey_, by Lord COCKBURN. (Published by Lippincott, Grambo, and Co.) The best part of this book is that in which Jeffrey is made to speak for himself. Except on the ground of intimate friendship, Lord Cockburn had no special vocation for the present task. He exhibits little skill in the arrangement of his materials, and none of the graces of composition. His narrative is extremely inartificial, and fails to present the subject in its most commanding and attractive aspects. He often dwells upon trifles with a zeal quite disproportioned to their importance. These defects, however, are in some degree compensated by the thorough sincerity and earnestness of the whole performance. It is altogether free from pretension and exaggeration. Lord Cockburn writes like a plain, hard-headed, common-sense Scotchman. He tells a straightforward story, leaving it to produce its own effect, without superfluous embellishment. His relations with Jeffrey were of the most familiar character. Their friendship commenced early in life, and was continued without interruption to the last hour. The difference in their pursuits seemed only to cement their intimacy. Hence, on the whole, the biography was placed in the right hands. We thus have a more transparent record of the character of Jeffrey, than if the work had been prepared in a more ambitious literary spirit. In fact, his letters reveal to us the best parts of his nature, far more than could have been done by any labored eulogy. The light they throw on his affections is a perpetual surprise. His reputation in literature depends so much on the keenness and severity of his critical judgments, that we have learned to identify them with the personal character of the writer. We think of him almost as a wild beast, lurking in the jungles of literature, eager, with blood-thirsty appetite, to pounce upon his prey. He seems to roll the most poignant satire "as a sweet morsel under his tongue." But, in truth, this was not his innate disposition. When prompted by a sense of critical justice to slay the unhappy victim, "dividing asunder the joints and the marrow," he does not spare the steel. No compunctuous visitings of nature are permitted to stay the hand, when raised to strike. But, really, there never was a kinder, a more truly soft-hearted man. He often displays a woman's gentleness and wealth of feeling. The contrast between this and his sharp, alert, positive, intellectual nature is truly admirable. With his confidential friends, he lays aside all reserve. He unbosoms himself with the frank artlessness of a child. His letters to Charles Dickens are among the most remarkable in these volumes. He early detected the genius of the young aspirant to literary distinction. His passion for the writings of Dickens soon ripened into a devoted friendship for the author, which was cordially returned. Never was more enthusiastic attachment expressed by one man for another than is found in this correspondence. It speaks well for the head and heart of both parties. Incidental notices of the progress of English literature during the last half-century are, of course, profusely scattered throughout these volumes. The exceeding interest of that period, the variety and splendor of its intellectual productions, and the personal traits of its celebrities, furnish materials of rare value for an attractive work. With all its defects of execution, we must welcome this as one of the most delightful publications of the season.
_Eleven Weeks in Europe_, by JAMES FREEMAN CLARKE. (Boston: Ticknor, Reed, and Fields.) We never should be surfeited with books of travels, if they all evinced the frankness, intelligence, and cultivated taste which characterize this readable volume. Mr. Clarke shows how much can be done in a short time on a European tour. His book is valuable as a guide to the selection of objects, no less than for its excellent descriptions and criticisms. Without claiming any great degree of novelty, it has an original air from the freedom with which the author uses his own eyes and forms his own judgments. He speaks altogether from personal impressions, and does not aim to echo the opinions of others, however wise or well-informed. His volume is, accordingly, a rarity in these days, when every body travels, and all copy.
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Messrs. Lippincott, Grambo, and Co., of Philadelphia, are now publishing a library edition of the WAVERLEY NOVELS, to be complete in 12 monthly volumes, neatly bound in cloth, with illustrations, at one dollar per volume. They also issue the work in semi-monthly parts, at fifty cents, each part embracing a complete novel. The above will take the place of the edition recently proposed by Harper and Brothers.
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The third volume of DOUGLAS JERROLD'S writings contains some of his most popular and remarkable pieces. The "Curtain Lectures, as suffered by the late Job Caudle," and "The Story of a Feather" appeared originally in _Punch_--and they have since been repeatedly reprinted, the former in several editions. The thousands of readers who have profited by the lectures of Mrs. Caudle may be glad to learn Mr. Jerrold's characteristic account of the manner in which that household oracle first addressed herself to his own mind. "It was a thick, black wintry afternoon, when the writer stopt in the front of the play-ground of a suburban school. The ground swarmed with boys full of the Saturday's holiday. The earth seemed roofed with the oldest lead; and the wind came, sharp as Shylock's knife, from the Minories. But those happy boys ran and jumped, and hopped, and shouted, and--unconscious men in miniature!--in their own world of frolic, had no thought of the full-length men they would some day become; drawn out into grave citizenship; formal, respectable, responsible. To them the sky was of any or all colors; and for that keen east-wind--if it was called the east-wind--cutting the shoulder-blades of old, old men of forty--they in their immortality of boyhood had the redder faces, and the nimbler blood for it. And the writer, looking dreamily into that play-ground, still mused on the robust jollity of those little fellows, to whom the tax-gatherer was as yet a rarer animal than baby hippopotamus. Heroic boyhood, so ignorant of the future in the knowing enjoyment of the present! And the writer, still dreaming and musing, and still following no distinct line of thought, there struck upon him, like notes of sudden household music, these words--CURTAIN LECTURES. One moment there was no living object save those racing, shouting boys; and the next, as though a white dove had alighted on the pen-hand of the writer, there was--MRS. CAUDLE. Ladies of the jury, are there not, then, some subjects of letters that mysteriously assert an effect without any discoverable cause? Otherwise, wherefore should the thought of CURTAIN LECTURES grow from a school-ground?--wherefore, among a crowd of holiday schoolboys should appear MRS. CAUDLE? For the LECTURES themselves, it is feared they must be given up as a farcical desecration of a solemn time-honored privilege; it may be exercised once in a life-time--and that once having the effect of a hundred repetitions; as Job lectured his wife. And Job's wife, a certain Mohammedan writer delivers, having committed a fault in her love to her husband, he swore that on his recovery he would deal her a hundred stripes. Job got well, and his heart was touched and taught by the tenderness to keep his vow, and still to chastise his helpmate; for he smote her once with a palm-branch having a hundred leaves." To the "Curtain Lectures" and the "Story of a Feather" Mr. Jerrold has added a very beautiful and characteristic "tale of faëry," entitled, "The Sick Giant and the Doctor Dwarf."
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A new edition of Professor ANTHON'S _Anabasis of Xenophon_, with English notes, is published in London, under the revision of Dr. John Doran. "Dr. Anthon," says the _Athenæum_, "has edited, and elucidated by notes, several of the ancient classics, and whatever he has undertaken he has performed in a scholarly style. At the same time his books are entirely free from pedantry, and the notes and comments are so plain and useful, that they are as popular with boys as they are convenient for teachers."
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The same Journal has rather a left-handed compliment to American literature in general, to which, however, it is half inclined to make our popular IK. MARVEL an exception.
"There is no very startling vitality in any other of Mr. Marvel's 'daydreams.' Still, at the present period, when the writers of American _belles-lettres_, biography and criticism, show such a tendency to mould themselves into those affected forms by which vagueness of thought and short-sightedness of view are disguised, and to use a jargon which is neither English nor German--a writer unpretending in his manner and simple in his matter is not to be dismissed without a kind word; and therefore we have advisedly loitered for a page or two with Ik. Marvel."
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At a meeting of the Edinburgh Town Council, the following letter, addressed to the Lord Provost, magistrates, and council, was read from Professor Wilson, resigning the Professorship of Moral Philosophy in the University: "My Lord and Gentlemen--When the kindness of the patrons, on occasion of my sudden and severe illness in September last, induced, and the great goodness of the learned Principal Lee enabled them to grant me leave of absence till the close of the ensuing session now about to terminate, the benefit to my health from that arrangement was so great as to seem to justify my humble hopes of its entire and speedy restoration; but, as the year advances, these hopes decay, and I feel that it is now my duty to resign the chair which I have occupied for so long a period, that the patrons may have ample time for the election of my successor."
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Among the candidates for the chair of Moral Philosophy in Edinburgh, vacant by the resignation of Professor Wilson, are Professor Ferrier, of St. Andrews; Professor Macdougall, of New College, Edinburgh; Professor M'Cosh, of Belfast; Mr. J. D. Morell; Mr. George Ramsay, late of Trin. Col., Cam., now of Rugby; and Dr. W. L. Alexander, of Edinburgh.
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Dr. MACLURE, one of the masters of the Edinburgh Academy, has been appointed by the Crown to the Professorship of Humanity in Marischal College, Aberdeen, vacant by the translation of Mr. Blackie to the Greek chair at Edinburgh.
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The motion for abolishing tests in regard to the non-theological chairs of the Scottish universities has been thrown out, on the second reading in the House of Commons, by 172 to 157.
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Mr. W. JERDAN, late editor of _The Literary Gazette_, is to become editor of "_The London Weekly Paper_," an "organ of the middle classes."
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The department of MSS. in the British Museum has been lately enriched with a document of peculiar interest to English literature--namely, the original covenant of indenture between John Milton, gent., and Samuel Symons, printer, for the sale and publication of _Paradise Lost_, dated the 27th of April, 1667. By the terms of agreement, Milton was to receive £5 at once, and an additional £5 after the sale of 1300 copies of each of the first, the second, and the third "impressions" or editions--making in all the sum of £20 to be received for the copy of the work and the sale of 3900 copies.
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The _Athenæum_ thus notices the death of a late traveler in this country. "The world of literature has to mourn the untimely closing of a career full of promise--and which, short as it has been, was not without the illustration of performance. Mr. ALEXANDER MACKAY, known to our readers as the author of 'The Western World,' has been snatched from life at the early age of thirty-two. Besides the work which bears his name before the world, Mr. Mackay had already performed much of that kind of labor which, known for the time only to the scientific few, lays the ground for future publicity and distinction. Connected as a special correspondent with the _Morning Chronicle_ he had been employed by that journal in those collections of facts and figures on the aggregate and comparison of which many of the great social and statist questions of the day are made to depend. In 1850 Mr. Mackay was commissioned by the Manchester Chamber of Commerce to visit India for the purpose of ascertaining by minute inquiries on the spot what obstacles exist to prevent an ample supply of good cotton being obtained from its fields, and devising the means of extending the growth of that important plant in our Eastern empire."
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GRANIER DE CASSAGNAC, long known to France as an impudent, unveracious, reckless journalist and critic, has published some critical Essays, written in his obscurer days. He calls them _Oeuvres Litéraires_. The volume contains articles on Chateaubriand, Lamennais, Lacordaire, Corneille, Racine, Dumas, Hugo, &c.
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The readers of the _Débats_ will remember a series of violent, bigoted, conceited, but not unimportant articles in the _feuilleton_, signed CUVILLIER FLEURY, devoted principally to the men and books of the Revolutions of '89 and '48. Written with asperity and passion, they have the force and vivacity of passion, although their intense conceit and personality very much abates the reader's pleasure. M. FLEURY has collected them in two volumes, under the title, _Portraits Politiques et Révolutionnaires_. Politicians will be attracted toward the articles on Louis-Philippe, Guizot, the Duchess of Orleans, the Revolution of 1848, &c.; men of letters will turn to the articles on Lamartine, Sue, Louis Blanc, Daniel Stern, Proudhon, and Victor Hugo, or to those on Rousseau, St. Just, Barère, and Camille Desmoulins.
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Baron de WALKAENER, Perpetual Secretary of the Academy of Inscriptions et Belles Lettres, of Paris, died April 27. In addition to eminence in what the French call the Moral and Political Sciences, he was a very laborious _homme de lettres_, and has given to the world interesting biographies of La Fontaine and other French writers, together with correct editions of their works. He was a member of the Institute, and was one of the principals of the Bibliothèque Nationale.
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The first number of JACOB and WILHELM GRIMM'S _German Dictionary_ is just out. It would be premature to criticise the work in its present stage; it seems, however, to be most carefully and accurately compiled. It is printed in large octavo form, in double columns, on good paper, and in a clear print. Some idea may be formed of the labor which has been expended on this work, from the fact that all the leisure time of a learned professor has been devoted for the last three years to reading through the works of Goethe alone in connection with it. The first number consists of one hundred and twenty pages, and contains about half the letter A. It is announced to us that 7000 copies had been subscribed for up to the 20th of April. This is a result almost unparalleled in the German book-trade, and not often surpassed in England.
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The library of the convent at Gaesdorf, in Germany, is in possession of a most interesting MS. of REMPEN'S _De Successione Christi_. It contains the whole of the four books, and its completion dates from the year 1427. This MS. is therefore the oldest one extant of this work, for the copy in the library of the Jesuits at Antwerp, which has generally been mistaken for the oldest MS., is of the year 1440. The publication of this circumstance also settles the question as to the age of the fourth book of Rempen's work, which some erroneously assumed had not been written previous to 1440.
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The new Catalogue of the Leipzig Easter Book-Fair contains, according to the German papers, 700 titles more than the previous Catalogue for the half year ending with the Fair of St. Michael. The latter included 3860 titles of published books, and 1130 of forthcoming publications. The present Catalogue enumerates 4527 published works and 1163 in preparation. These 5690 books represent 903 publishers. A single house in Vienna contributes 113 publications. That of Brockhaus figures for 95.
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From Kiel it is stated that Germany has lost one of her most celebrated natural philosophers in the person of Dr. PFAFF, senior of the Professors of the Royal University of Kiel--who has died at the age of seventy-nine. M. Pfaff is the author of a variety of well-known scientific works--and of others on Greek and Latin archæology. Since his death, his correspondence with Cuvier, Volta, Kielmayer, and and other celebrated men, has been found among his papers.
Comicalities, Original and Selected.
"'Tis true, there is a slight difference in our ages, but with hearts that love, such considerations become frivolous. The world! Pshaw! Did you but love as I do, you would care but little for its opinion. Oh! say, beautiful being, will you be mine?"]
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RULES FOR HEALTH.
BY A SCOTCH PHILOSOPHER WHO HAS TRIED THEM ALL.
Never drink any thing but water.
Never eat any thing but oatmeal.
Wear the thickest boots.
Walk fifteen miles regularly every day.
Avoid all excitement; consequently it is best to remain single, for then you will be free from all household cares and matrimonial troubles, and you will have no children to worry you.
The same rule applies to smoking, taking snuff, playing at cards, and arguing with an Irishman. They are all strong excitements, which must be rigidly avoided, if you value in the least your health.
By attending carefully to the above rules, there is every probability that you may live to a hundred years, and that you will enjoy your hundredth year fully as much as your twenty-first.
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FINANCE FOR YOUNG LADIES.
Taxes on knowledge are objected to, and taxes on food are objected to; in fact, there is so much objection to every species of taxation, that it is very difficult to determine what to tax. The least unpopular of imposts, it has been suggested, would be a tax on vanity and folly, and accordingly a proposition has been made to lay a tax upon stays; but this is opposed by political economists on the ground that such a duty would have a tendency to check consumption.
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The following letter has been sent to our office, evidently in mistake:
"_Matrimonial Office, Union Court, Love Lane._
"(STRICTLY PRIVATE AND CONFIDENTIAL.)
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Harper's New Monthly Magazine, No. XXVI, July 1852, Vol. VChapter XIII: Esther's Narrative (5)
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