Chapter XI: Part THE THIRD: Night (6)
It was in her retirement at Navarre that Josephine wept bitterly over the fallen fortunes of Napoleon. The Russian expedition caused her such deep inquietude that her health and spirits visibly declined; she saw in it a disastrous fate for Napoleon, and trembled, too, for the safety of Eugène, a son so dearly and so deservedly beloved, and who was, if possible, rendered still more precious, as the especial favorite of Napoleon, and as having been the means of introducing him to her. Josephine now scarcely joined her ladies, but would remain for the length of the day alone in her chamber, by the large traveling-desk which contained Napoleon's letters. Among these there was one that she was observed to read over and over again, and then to place in her bosom; it was the last that she had received; it was written from Brienne. A passage in it runs thus: "On revisiting this spot, where I passed my youthful days, and contrasting the peaceful condition I then enjoyed with the state of terror and agitation to which my mind is now a prey, often have I addressed myself in these words: I have sought death in numberless engagements, I can no longer dread its approach; I should now hail it as a boon. Nevertheless, I could still wish to see Josephine once more--" He again adds: "Adieu, my dear Josephine; never dismiss from your recollection one who has never forgotten, and never will forget you."
It would be needless to dwell on the rapid events which led to Napoleon's abdication, but it would be impossible, even in this imperfect sketch, not to be struck by the strange coincidences of Josephine's life--twice married--twice escaped from a violent death--twice crowned--both husbands sought for a divorce--one husband was executed--the other banished! One of Napoleon's first cares, in making his conditions when he abdicated, was an ample provision for Josephine; £40,000 per annum was settled on her.
It was after Napoleon's departure from the shores of France, that the Emperor Alexander, touched with admiration of Josephine's character, and with pity for her misfortunes, prevailed on her to return to Malmaison to see him there. The associations so linked with the spot that she had loved to beautify must, indeed, have been overpowering. It was there that Napoleon's passionate attachment to her was formed. How many recollections must have been awakened by the pleasure grounds adorned with the costly shrubs and plants which they had so often admired _together_; how many tears had afterward fallen among them when the hours of separation came. The Emperor Alexander used every effort to console her, and promised his protection to her children, but sorrow had done its part, and the memories of other times had their effect. Josephine fell sick; malignant sore throat was the form which disease took, during the fatal illness of but a few days. Alexander was unremitting in his attentions; he again soothed the dying mother by the renewal of his promise of care for her children, a promise most faithfully kept. It was in the year 1814 that Napoleon left France for Elba, and also that Josephine died. The bells to which they had loved to listen together tolled her funeral knell. Her remains rest in the parish church of Ruel, near Malmaison. They were followed to the place of interment by a great number of illustrious persons who were desirous of paying this parting token of respect to one so much loved and honored. Upward of eight thousand of the neighboring peasantry joined the funeral procession to pay their tribute of affection and veneration to her, who was justly called, "_the mother of the poor and distressed_." The tomb erected by her children marks the spot where she takes her "long last sleep." It bears the simple inscription--
EUGÈNE ET HORTENSE À JOSEPHINE.
Napoleon, too, paid a parting visit to the residence which he had preferred to every other. After his unsuccessful attempt to resume the sovereignty of France, he spent six days at Malmaison to muse over departed power and happiness, and then left the shores of France forever!
WORK AWAY!
Work away!
For the Master's eye is on us,
Never off us, still upon us,
Night and day!
Work away!
Keep the busy fingers plying,
Keep the ceaseless shuttles flying;
See that never thread lie wrong;
Let not clash or clatter round us,
Sound of whirring wheels, confound us;
Steady hand! let woof be strong
And firm, that has to last so long!
Work away!
Keep upon the anvil ringing
Stroke of hammer; on the gloom
Set 'twixt cradle and 'twixt tomb
Shower of fiery sparkles flinging;
Keep the mighty furnace glowing;
Keep the red ore hissing, flowing
Swift within the ready mould;
See that each one than the old
Still be fitter, still be fairer
For the servant's use, and rarer
For the master to behold:
Work away!
Work away!
For the Leader's eye is on us,
Never off us, still upon us,
Night and day!
Wide the trackless prairies round us,
Dark and unsunned woods surround us,
Steep and savage mountains bound us;
Far away
Smile the soft savannas green,
Rivers sweep and roll between:
Work away!
Bring your axes, woodmen true;
Smite the forest till the blue
Of Heaven's sunny eye looks through
Every wild and tangled glade;
Jungled swamp and thicket shade
Give to day!
O'er the torrents fling your bridges,
Pioneers! Upon the ridges
Widen, smooth the rocky stair--
They that follow, far behind
Coming after us, will find
Surer, easier footing there;
Heart to heart, and hand with hand,
From the dawn to dusk o' day,
Work away!
Scouts upon the mountain's peak--
Ye that see the Promised Land,
Hearten us! for ye can speak
Of the country ye have scanned,
Far away!
Work away!
For the Father's eye is on us,
Never off us, still upon us,
Night and Day!
WORK AND PRAY!
Pray! and Work will be completer;
Work! and Prayer will be the sweeter;
Love! and Prayer and Work the fleeter
Will ascend upon their way!
Fear not lest the busy finger
Weave a net the soul to stay;
Give her wings--she will not linger;
Soaring to the source of day;
Cleaving clouds that still divide us
From the azure depths of rest,
She will come again! beside us,
With the sunshine on her breast,
Sit, and sing to us, while quickest
On their task the fingers move,
While the outward din wars thickest,
Songs that she hath learned above.
Live in Future as in Present;
Work for both while yet the day
Is our own! for Lord and Peasant,
Long and bright as summer's day,
Cometh, yet more sure, more pleasant,
Cometh soon our Holiday;
Work away!
THE USURER'S GIFT.
A few months ago in London an old man sat in a large paneled room in one of the streets near Soho-square. Every thing in the apartment was brown with age and neglect. Nothing more superlatively dingy could well be imagined. The leathern covers of the chairs were white and glossy at the edges; the carpet was almost of a uniform tint, notwithstanding its original gaudy contrasts; there were absurd old engravings upon the walls--relics of the infancy of the art; and curtains to the windows, which the smoke of years had darkened from a delicate fawn to a rusty chocolate color. In the centre of the room, and, as it were, the sun of this dusty system, stood an office-table of more modern manufacture, at which was seated the old man alluded to, sole lord and master of the dismal domicile. He was by profession a money-lender. His age might be from sixty to sixty-five years; his face was long, and his features seemed carved out of box-wood or yellow sand-stone, so destitute were they of mobility; his eyes were of a cold, pale, steel color, but his brows were black and tufted like a grim old owl's; a long aquiline nose, a thin and compressed mouth, and a vast double chin, buried in a voluminous white neckcloth of more than one day's wear, completed the portrait. Nor did the expression of his countenance undergo any perceptible change as, after a timid knock, the door opened, and a young man entered of singularly interesting appearance.
The new-comer was well-dressed, though his clothes were none of the newest, and had the air of a man accustomed to society. His pale brow was marked with those long horizontal lines of which time is rarely the artist. His dark, deep-set gray eyes flashed with a painful brightness; his long chestnut hair, damp with perspiration, clung in narrow strips to his forehead; his whole manner implied the man who had made up his mind to some extraordinary course, from which no wavering or weakness on _his_ part was likely to turn him aside, whatever the opposition of others might compel him to abandon or determine. Bending his tall figure slightly, he addressed the money-lender in a tone of constrained calmness.
"You lend money, I believe?"
"Sometimes--on good security," replied the usurer, indifferently, forming a critical summary of his visitor's costume at a glance.
The stranger hesitated: there was a discouraging sort of coldness in the mode of delivering this answer that seemed to prejudge his proposition. Nevertheless, he resumed with an effort--"I saw your advertisement in the paper." The usurer did not even nod in answer to this prelude. He sat bolt upright in his chair, awaiting further information. "I am, as you will see by these papers, entitled to some property in reversion."
The usurer stretched out his hand for the papers, which he looked over carefully with the same implacable tranquillity, while his visitor entered into explanations as to their substance.
Once only the money-lender peered over the top of a document he was scanning, and said, gruffly: "Your name, sir, is Bernard West?"
"It is," replied the stranger, mechanically taking up a newspaper, in which the first thing which caught his eye was the advertisement alluded to, which ran thus:--"_Money_ to any amount advanced immediately on every description of security, real or personal. Apply between the hours of ten and five to Mr. John Brace, ---- street, Soho-square."
After a brief interval of silence, the usurer methodically rearranged the papers, and returned them to the stranger. "They are of no use," he said, "no use whatever: the reversion is merely contingent. You have no available security to offer?"
"Could you not advance something upon these expectations--not even a small sum?"
"Not a farthing," said the money-lender.
"Is there no way of raising fifty--thirty--even twenty pounds?" said the stranger, anxiously, and with the tenacity of a drowning man grasping at a straw.
"There is a way," said the usurer, carelessly. West in his turn was silent, awaiting the explanation of his companion. "On personal security," continued the latter with a sinister impatience, beginning to arrange his writing materials for a letter.
"I will give any discount," said the young man, eagerly. "My prospects are good: I can--"
"Get a friend to be security for the payment of the interest?"
"Of the interest and principal, you mean?"
"Of the interest only--and the life insurance," added the usurer, with a slight peculiarity of intonation that might have escaped the notice of one whose nerves were less exalted in their sensitive power than those of his visitor's.
"And what sum can I borrow on these terms?" said West, gloomily.
"A hundred pounds: more if you require it. In fact, any amount, if your security be good."
"The interest will doubtless be high?"
"Not at all: four or five per cent. As much is often given for money on mortgage of land."
"And the life insurance?"
"You will insure your life for five hundred pounds, and you will pay the premiums with the interest."
"For _five_ hundred?" said West, hesitating. "That is, if I borrow--"
"_One_ hundred," replied the usurer, sharply. "Men who lend money do not run risks. You may die, and four out of five insurance offices may fail; but the chances are that the fifth would pay."
"But it is not likely--" began Bernard West, amazed at this outrageous display of caution.
"I do not say it is likely," snarled the usurer with a contemptuous sort of pity for his visitor's dullness of apprehension; "I say it is possible; and I like to be on the safe side."
"Well, and how is the affair to be arranged?"
"Your security, who of course must be a person known to have property, will give a bond guaranteeing the regular payment of interest and premiums--that is all."
West reflected for some minutes in silence. The faint expression of hope that had for an instant lighted up his countenance vanished. He understood the money-lender and his proposition. A sufficiently clear remembrance of the tables of life assurance which he had seen, enabled him to perceive that the interest and premiums together would amount to nearly twenty per cent., and that the bond engaged his security to pay an annuity for his (West's) life of that amount. It is true that, full of energy and hope, he felt no doubt of his capacity to meet the payments regularly: it is true that, monstrous as were the terms, he would have accepted eagerly still harder ones, had it simply depended on his own decision. But where find, or how ask, a friend to become his bondsman? He ran over in despair the scanty list of acquaintances whom his poverty had not already caused to forget him. He felt that the thing was impossible. There was not one he could think of who would have even dreamed of entering into such a compact. He turned desperately to the money-lender.
"I have no friend," he said, "of whom I could or would ask such a service. If I had, I should not be here. Are there _no_ terms, however high, on which you can lend me even the most trifling sum, for which I myself alone need be responsible?"
"None," replied the usurer, already commencing his letter.
"I will give thirty per cent.?"
"Impossible."
"Fifty?"
The usurer shook his head impatiently.
"A hundred--cent. per cent.?"
"No!"
The strange seeker of loans at length rose to depart. He reached the door. Suddenly he turned back, his eyes blazing with the sombre radiance of despair. He strode up to the table, and planted himself, with folded arms, immediately in front of the usurer.
"Mark me!" said West, in a tone of deep suppressed passion, like the hollow murmur of the sea before a storm: "It is a question of life or death with me to get money before sunset. Lend me only twenty pounds, and within twelve months I will repay you one hundred. I will give you every power which the law can give one man over another; and I will pledge my honor, which never yet was questioned, to the bargain!"
The usurer almost smiled, so strangely sarcastic was the contraction of his features, as he listened to these words.
"I do not question your honor," he said, icily, "but honor has nothing to do with business. As for the law, there is an old axiom which says, Out of nothing, nothing comes."
Bernard West regarded the cold rocky face and the passionless mouth from which these words proceeded with that stinging wrath a man feels who has humiliated himself in vain. Nevertheless he clung to the old flinty usurer as to the last rock in a deluge, and a sense of savage recklessness came over him when he advanced yet closer to the living cash-box before him, while the latter shrank half-terrified before the burning gaze of his visitor's dilated pupils.
Laying his hand upon the money-lender's shoulder, by a gesture of terrible familiarity that insisted upon and commanded attention to his words, West spoke with a sudden clearness and even musical distinctness of utterance that made his words yet more appalling in their solemn despair--"Old man, I am desperate; I am ruined. It is but a few months since my father died, leaving me not only penniless, but encircled by petty obligations which have cramped every movement I would have made. I have had no time, no quiet, to make an effort such as my position requires. This day I have spent my last shilling. I am too proud to beg, and to borrow is to beg when a man is known to be in _real_ distress. Within one hour from this time I shall be beyond all the tortures of a life which for my own sake I care little to preserve. And yet I have spent my youth in accumulating treasures, which but a brief space might have rendered productive of benefit to man, and of profit to myself. My father's little means and my own have vanished in the pursuit of science, and in the gulf of suffering more immediate than our own. If I die also, with me perish the results of his experiments, his studies, and his sacrifices. There are moments when all ordinary calculations and prudence are empty baubles. Life is the only real possession we have, and death the only certainty. Listen! I will make one last proposal to you. Lend me but _ten_ pounds--that is but _ten_ weeks of life--and I swear to you that if I live, I will repay you for each pound lent not ten or twenty, but one hundred--in all; one thousand pounds! Grant that it be but a chance upon the one hand, yet, upon the other, how small is the risk; and then, to save a human life--- is not that something in the scale?" And the stranger laughed at these last words with a bitter gayety, which caused a strange thrill to creep along the nerves of the usurer.
However, the lender of gold shrugged his shoulders without relaxing his habitual impassibility of manner. He did not speak. Possibly the idea occurred to him that his strange client meditated some act of violence upon himself or his strong box. But this idea speedily vanished, as the stranger, relapsing suddenly into silence and conventional behavior, removed his hand from the usurer's shoulder, and strode rapidly but calmly from the apartment.
The door closed behind the ruined man, and the usurer drew a long breath, while his bushy brows were contracted in a sort of agony of doubt and irresolute purpose.
Meanwhile Bernard West paused for an instant on the threshold of the outer-door, as if undecided which road to take. In truth all roads were much alike to him at that moment. Some cause, too subtle to be seized by the mental analyst, determined his course. He turned to the right, and strode rapidly onward.
He felt already like one of the dead, to join whom he was hurrying headlong. He looked neither to the right nor to the left; and before him was a mist, in which the phantoms of his imagination disported themselves, to the exclusion of all other visible objects. Nothing earthly had any further interest for him. He did not even hear the steps of some one running behind him, nor hear the voice which called after him to stop; but his course was soon more effectually arrested by the firm grasp of a man's hand, which seized him by the arm with the force and the tenacity of a vice.
He turned fiercely round. He was in no humor for the converse of casual acquaintances. Nor was it any gay convivialist of happier days whose face now greeted him: it was the old money-lender, who in a voice husky with loss of breath, or possibly emotion, said, thrusting couple of twenty-pound bank-notes into West' hand--
"Here! take these notes. Take them, I say!" he repeated, as the young man, dizzy with amazement, stammered out--
"You accept, then, my terms?"
"No!" growled the usurer, "I _give_ them to you. Do you understand me? I say I _give_ them to you. I am an old man; I never gave away a shilling before in my life! Repay me if you will, when and how it please you. I have no security--I ask no acknowledgment; I want none. I do not count upon it. _It is gone!_" and the usurer pronounced the last words with an effort which was heroic, from the evident self-mastery it cost him. "There! go--go!" he resumed, "and take an old man's advice--Make money at all hazards, and never lend except on good security. Remember that!" The old man gently pushed West away, and all hatless and slippered as he was, ran back muttering to his den, leaving the object of his mysterious generosity fixed like a statue of amazement in the centre of the pavement.
About three months had elapsed, when Bernard West once more knocked at the door of the money-lender.
"Is Mr. Brace at home?" he inquired, cheerfully.
"Oh! if you please, sir, they buried him yesterday," replied the servant, with a look of curiously-affected solemnity.
"Buried him!" cried the visitor, with sincere disappointment and grief in his tone.
"Yes, sir; perhaps you would like to see Miss Brace, if it's any thing very particular?"
"I should, indeed," said West; "and when she knows the cause of my visit, I think she will excuse the intrusion."
The servant gave an odd look, whose significance West was unable to divine, as she led the way to her young mistress's drawing-room.
West entered timidly, for he doubted the delicacy of such a proceeding, though his heart was almost bursting with desire of expansion under the shock just received. A beautiful and proud-looking girl of nineteen or twenty years rose to meet him. Her large blue eyes, which bore traces of many and recent tears, worked strangely upon his feelings, already sufficiently excited.
"I came," he said, in his deep musical voice, "to repay a noble service. Will you permit me to share a grief for the loss of one to whom I owe my life--yes, more than my life!" West paused, and strove vainly to master the emotion which checked his utterance.
"My father rendered you a service?" said the young lady, eagerly, regarding with involuntary interest the noble countenance of Bernard, which, though it still bore traces of great suffering, was no longer wild and haggard, as at his interview with the money-lender.
"A most unexpected and generous service," replied West, who, softening down the first portion of the scene we have described, proceeded to recount to the fair orphan the narrative of the great crisis in his destiny.
"I knew it was so!" cried the young lady, almost hysterically affected; "I knew he was not so grasping--so hard-hearted, as they said--as he himself pretended. I knew he had a generous heart beneath all his seeming avarice! Oh, you are not the only one doubtless whom he has thus served!"
West did not discourage the illusion. Nay, the enthusiasm of the charming woman before him was contagious. "Thanks to your father's disinterested liberality," he resumed, "I am now in comparatively prosperous circumstances. I came not merely to discharge a debt; believe me, it is no common gratitude I feel! Doubtless you inherit all your father's wealth--doubtless it is but little service I can ever hope to render you. Yet I venture to entreat you never to forget that you possess one friend of absolute devotion, ready at all times to sacrifice himself in every way to your wishes and to your happiness."
West paused abruptly, for the singular expression of the young lady's features filled him with astonishment.
"You do not know, then--" she began.
"Know what?"
"That I--am a--a natural child!" she completed, with, a crimson blush, turning away her head as she spoke, and covering her face with her hands--"that I am without fortune or relations; that my father died intestate; that the heir-at-law, who lives abroad, and without whose permission nothing can be done--moreover, who is said to be a heartless spendthrift--will take all my father leaves; that I have but one more week given me to vacate this house by the landlord; in short, that I must work if I would not starve: that, in a word, I am a beggar!" And the poor girl sobbed convulsively; while Bernard West, on whom this speech acted as some terrible hurricane upon the trees of a tropical forest, tearing up, as it were, by the roots, all the terrible stoicism of his nature, and rousing hopes and dreams which he had long banished to the deepest and most hopeless abysses of his soul; while Bernard, we repeat, ventured to take her hand in his own, and calm her painful agitation by such suggestions as immediately occurred to his mind.
"In the first place," he said, "my dear Miss Brace, I come to repay to you your father's generous gift."
"It belongs to his legal heirs. I can not receive it with honor," said the money-lender's daughter, firmly.
"Not so," replied West, gravely: "it was a free gift to me. I repay it by a natural, not a legal obligation;" and he laid the two twenty-pound notes upon the table. "Next," he resumed, "I have to pay a debt of gratitude. I owe my life to your father. Thus in a manner I have become his adopted son. Thus," he continued impetuously, "I have a right to say to you, regard me as a brother; share the produce of my labor; render me happy in the thought that I am serving the child of my benefactor! To disdain my gratitude would be a cruel insult."
"I can not disdain it!" exclaimed the daughter of the usurer with a sudden impulse of that sublime confidence which a noble and generous soul can alone inspire. "Yes--I accept your assistance!"
The face of Bernard brightened up, as if by an electric agent. But how were the two children of sorrow confounded by the discovery that they were no longer alone, and that their conversation had been overheard by an utter stranger, who, leaning against the wall at the further end of the room, near the door, appeared to survey them with an utter indifference to the propriety of such behavior!
He was a man of between forty and fifty years; a great beard and mustache concealed the lower part of a swarthy but handsome countenance of rare dignity and severity of outline. His dress was utterly un-English. A vast mantle, with a hood, fell nearly to the ground, and he wore huge courier's boots, which were still splashed, as if from a journey. His great dark eyes rested with an expression of royal benevolence upon the two young people, toward whom he had advanced with a courteous inclination, that, as if magnetically, repressed Bernard's first indignant impulse.
"I am the heir-at-law," he said, in a mild voice, as if he had been announcing a most agreeable piece of intelligence.
"Then, sir," said Bernard, "I trust--"
"Trust absolutely!" interrupted quickly the foreign-looking heir. "My children, do you know who I am? No? I will tell you. I am a monster, who in his youth preferred beauty to ambition, and glory to gold. For ten years after attaining manhood I struggled on, an outcast from my family, in poverty and humiliation, without friends, and often without bread. At the end of five more years I was a great man, and those who had neglected, and starved, and scorned me, came to bow down and worship. But the beauty I had adored was dust, and the fire of youthful hope quenched in the bitter waters of science. For ten years since I have wandered over the earth. I am rich; I may say my wealth is boundless; for I have but to shake a few fancies from this brain, to trace a few ciphers with this hand, and they become gold at my command. Yet, mark my words, my children! One look of love is, in my esteem, worth more than all the applause of an age, or all the wealth of an empire!" The dark stranger paused for an instant, as if in meditation, then abruptly continued: "_I_ take your inheritance, fair child!--_I_ rob the orphan and the fatherless!"--and the smile of disdainful pride which followed these words said more than whole piles of parchment renunciations as to his intention.
Involuntarily the orphan and Bernard seized each a hand of the mysterious man beside them, who, silently drawing the two hands together, and uniting them in his own, said, gently, "Love one another as you will, my young friends, yet spare at times a kind thought for the old wandering poet! Not a word! I understand you, though you do not understand yourselves. It is as easy to tell a fortune as to give it."
And _was_ the prophecy realized? asks a curious reader. But no answer is needed; for if the prophecy were false, why record it? And, pray, who was the stranger, after all? Too curious reader!--it is one thing to tell stories, and another to commit breaches of confidence.
A FRENCHMAN IN LONDON.
BY JULES DE PREMARY.
One of the principal causes of surprise to me in walking along the streets of London, has been to see myself all at once become a curious animal. I did not think that I had any of the qualities necessary for such a thing, being neither humpbacked nor clubfooted, neither a giant nor a dwarf. Thus, when on the day of my arrival I went along Regent-street, and heard the exclamations and laughter of the crowd on seeing me, I examined myself from head to foot, to ascertain the cause of the unhoped-for success which I obtained in England. I even felt all up my back, thinking that perhaps some facetious boy might have transformed me into a walking placard. There was nothing, however; but I had mustaches and a foreign air! A foreign air! That is one of the little miseries on which you do not count, oh, simple and inexperienced travelers!
At home you may have the dignity and nobleness of the Cid--you may be another Talma: but pass the Channel--show yourself to the English, and in spite of yourself you will become as comic as Arnal. Arnal! do I say? why, he would not make them laugh so much as you do; and they would consider our inimitable comedians, Levassor and Hoffmann, as serious personages. Do not be angry. They would only laugh the more. In this respect the English are wanting in good taste and indulgence. Their astonishment is silly and their mockery puerile. The sight of a pair of mustaches makes them roar with laughter, and they are in an ecstasy of fun at the sight of a rather broad-brimmed hat. A people must be very much bored to seize such occasions of amusing themselves. However, all the _travers_, like all the qualities of the English, arise from the national spirit carried to exaggeration. They consider themselves the _beau ideal_ of human kind. Their stiffness of bearing, their pale faces, their hair, their whiskers cut into the shape of mutton chops, the excessive height of their shirt collars, and the inelegant cut of their coats--all that makes them as proud as Trafalgar and Waterloo.
In our theatres we laugh at them as they laugh at us; and on that score we are quits. But in our great towns they are much better and more seriously received than we Frenchmen are in England.
At Paris nowadays nobody laughs at an Englishman; but at London every body laughs at a Frenchman. We do not make this remark from any feeling of ill-will; in fact, we think that to cause a smile on the thin and pinched-up lips of old England is not a small triumph for our beards and mustaches. After all, too, the astonishment which the Englishman manifests at the sight of a newly disembarked Frenchman (an astonishment which appears singular when we call to mind the frequent communications between the two nations), is less inexplicable than may be thought. Geographically speaking, France and England touch each other; morally, they are at an immeasurable distance. Nothing is done at Calais as at Dover, nothing at London as at Paris. There is as much difference between the two races as between white and black. In France, the Englishman conforms willingly to our customs, and quickly adopts our manner of acting; but in England we are like a stain on a harmonious picture.
Our fashion of sauntering along the streets, smiling at the pretty girls we meet, looking at the shops, or stopping to chat with a friend, fills the English with stupefaction. They always walk straight before them like mad dogs. In conversation there is the same difference. In England, it is always solemn. Left alone after dinner, the men adopt a subject of conversation, which never varies during all the rest of the evening. Each one is allowed to develop his argument without interruption. Perhaps he is not understood, but he is listened to. When he has ended, it becomes the turn of another, who is heard with the same respect. The thing resembles a quiet sitting of the parliament. But in France, conversation is a veritable _mêlée_; it is the contrary excess. A subject is left and taken up twenty times, amidst joyous and unforeseen interruptions. We throw words at each other's heads without doing ourselves any harm; smart sallies break forth, and _bons mots_ roll under the table. In short, the Englishman reflects before speaking; the Frenchman speaks first and reflects afterward--if he has time. The Frenchman converses, the Englishman talks: and it is the same with respect to pleasure. Place a Frenchman, who feels _ennui_, by the side of an Englishman who amuses himself, and it will be the former who will have the gayest air. From love the Englishman only demands its brutal joys; whereas the Frenchman pays court to a woman. The Englishman, at table, drinks to repletion; the Frenchman never exceeds intoxication.
A difference equally striking exists between the females of the two countries. I do not now speak of the beauty of the type of the one, or the elegance and good taste of the others; but I will notice one or two great contrasts. In France a young girl is reserved, is timid, and, as it were, hidden under the shade of the family: but the married woman has every liberty, and many husbands can tell you that she does not always use it with extreme moderation! In England you are surprised at the confident bearing of young girls, and the chaste reserve of married women. The former not only willingly listen to gallant compliments, but even excite them; while the latter, by the simple propriety of their bearing, impose on the boldest.
The boldness of young girls in England was explained to me, by the great emigration of young men--in other words, by the scarcity of husbands. The French girl who wants a husband is ordinarily rather disdainful; the English girl is by no means difficult.
A Frenchwoman walks negligently leaning on our arm, and we regulate our steps by the timidity and uncertainty of hers; the Englishwoman walks with the head erect, and takes large strides like a soldier charging. An accident made me acquainted with the secret of the strange way of walking which Englishwomen have. I was lately on a visit to the family of a merchant, whose three daughters are receiving a costly education. The French master, the drawing master, and the music master, had each given his lesson, when I saw a sergeant of the Grenadiers of the Guard arrive. He went into the garden, and was followed by the young ladies.
"Ah! mon Dieu!" I cried to the father; "these young ladies are surely not going to learn the military exercise!"
"No," said he, with a smile.
"What, then, has this professor in a red coat come for?"
"He is the _master of grace_!"
"What! that grenadier who is as long as the column in Trafalgar-square?"
"Yes, or rather he is the _walking master_."
I looked out of the window and saw the three young ladies drawn up and immovable as soldiers, and presently they began to march to the step of the grenadier. They formed a charming platoon, and trod the military step with a precision worthy of admiration. I asked for an explanation of such a strange thing.
"We, in England," said my host, "understand better the duty of women than you Frenchmen do. We can not regulate our manner of walking on that of a being subjected to us. Our dignity forbids it. It is the woman's duty to follow us; consequently she must walk as we do--we can't walk as she does."
"_Ma foi!_" said I, "I must admit that in progress you are decidedly our masters. In France the law, it is true, commands the wife to follow her husband; but it does not, I confess, say that she must do so at the rate of _quick march_!"
The contrasts between the two countries are in truth inexhaustible. Indeed I defy the most patient observer to find any point of resemblance between them. In France, houses are gay in appearance; in London, with the exception of some streets in the centre, such as Regent-street or Oxford-street, they are as dark and dismal as prisons. Our windows open from the left to the right; windows in England open from top to bottom. At Paris, to ring or knock too loud is vulgar and ill-bred; at London, if you don't execute a tattoo with the knocker or a symphony with the bell, you are considered a poor wretch, and are left an hour at the door. Our hack cabs take their stand on one side of the street; in England they occupy the middle. Our coachmen get up in front of their vehicles; in England they go behind. In Paris Englishmen are charming; at home they are--Englishmen. One thing astonishes me greatly--that the English don't walk on their hands, since we walk on our feet.
I do not know from experience the Scottish hospitality which M. Scribe has lauded in one of his _vaudevilles_. But I know what to think of that of the county of Middlesex capital--London. Here I can assure you it is never given, but always sold. London is the town of closed doors. You feel yourself more a foreigner here than in any other country. On strolling along the spacious squares and magnificent streets in which civilization displays all its marvels, you seek in vain for some fissure by which to introduce yourself into English society, which is thickly steeped in individualism. With letters of recommendation, if of high authority, you may, it is true, gain access to a family of the middle class; and, once received, you will be well treated. But what conditions you must fulfill to gain that! You must lead a life like that of the cloister, and sacrifice all your dearest habits. The Englishman, though he invented the word eccentric, does not tolerate eccentricity in a foreigner. And, on the whole, the _bourgeoise_ hospitality is not worth the sacrifices it costs.
We must not, however, be angry with the English for being so little communicative with foreigners, since they scarcely communicate among themselves. The extent of distances and the fatigue of serious affairs are the principal causes of this. It is almost only in the evening you can visit them, and in the evening they are overwhelmed with fatigue. Besides this, all the usages of the English show that they are not naturally sociable. The cellular system of taverns, in which every person is confined in a sort of box without a lid; the silent clubs, in which some write while others read the papers, and only interrupt themselves to make a sign of "good evening" with the hand--all that sort of thing constitutes an existence which the French have the irreverence to call selfish.
Among the high aristocracy, hospitality is a great and noble thing; but it is more accessible to the wealthy tallow chandler than to a writer or an artist of genius. In England, with the exception of Dickens and Bulwer, the literary man is less considered than the comedian was in France a century ago. In France, it is admirable to witness the fusion of the aristocracies of family, money, and intelligence. Artists and poets are invited to all the _fêtes_ of high society. As soon as a writer has raised himself somewhat above the vulgar, he perceives that the great ones of this world occupy themselves with him, show him protection and sympathy. But what is a man of intelligence here in London? He is an animal less considered than the lowest coal-dealer in the city. And what is the consequence of this neglect of arts and literature? That England is almost reduced to the necessity of robbing our artists and writers. The theatres in particular pirate from us with unexampled effrontery.
But to return to the want of hospitality of the English to the foreign bards who have come over to sing the marvels of the Great Exhibition. You may meet in London at this moment a dozen literary phantoms who drag the shroud of their _ennui_ and discouragement along Piccadilly. These shadows, when they recognize each other, shake hands and relate their disappointments. They are French journalists. Separated one from the other, and not knowing on what chord of their lyres to celebrate the virtues of a people who laugh in their faces, and who seem to be ignorant of the men whose names are most known and admired at Paris, these French journalists ask each other the same question--"Do you amuse yourself at London?" And they all make the same reply, "I am bored at the rate of twenty shillings a day!" To which they all exclaim in chorus, "That's very dear!"
A year ago, when the Friends of Peace, those generous Utopian dreamers, came to London, they were received at the station by the most celebrated English economists, carried in triumph to the residences prepared for them, taken to visit all that is curious in England--in a word, treated as princes. But then they were the friends of the great Cobden! whereas England cares not a straw for the mob of simple literary men, writers of imagination! She would not even send their _confrères_ to bid them welcome. Let them manage them as they can; let them lodge in bad hotels, and dine ill; let them content themselves with seeing London on the outside, for neither the docks of the Thames nor the museums of the great nobles will be opened to them!
But what matters, after all, that we are at London without any guides but ourselves? My opinion is, that we must put a good face on it, and see the marvels of the monster town in spite of itself.
LONDON SPARROWS.
BY CHARLES DICKENS.
How extremely plain--not to say ugly--street-children often are! Their hard life and the characters of their parents, cause it. This child, who is now staring in at the window upon a print of Sir Robert Peel, and flattening his nose against the glass, has a forehead "villainous low," with dark eyes, and short dark hair, and his diminutive face, both in features and expression, is uncommonly like one end of a cocoa-nut. What a sad lot for these children to be left thus--perhaps even turned adrift by their parents, to wander about the streets, and pick up, here and there, a precarious crumb! And now, as I turn round, I see three others, apparently in the same wretched outcast condition--two boys and a girl. The elder boy seems not to care much about it; he has, no doubt, become more accustomed to his lot. He is between twelve and thirteen. His voice is hoarse, cracked, and discordant; perhaps by some street-cry. He has a large projecting nose, red pulpy lips, a long chin, and a long throat, uncovered. No collar--indeed, now, I look again, no shirt! and he wears a greasy jacket and trowsers, both much too small for him; so that his large red hands and wrists swollen with chilblains hang listlessly far below the end of his sleeves; and his long, thin ankles, and large unshapely feet are so far below the end of his trowsers, as to give the appearance of the legs and feet of a bird. He is whistling a sort of jig tune, and beating time with one of his heels. Poor boy!--I dare say he would be very glad to work if he had an opportunity. A girl, of about twelve, stands on one side of him. She is so scantily clad as to be scarcely decent. Her shoulder-blades stick up, she is so meagre, and she shivers with the cold. But I do not like the expression of her face; for, though I pity her eager, hungry look, and evidently bad state of health, I can not help seeing that she has very much the look of a sickly rat. On the other side of the elder boy, stands a younger one--of some ten years of age. He is very pale, and has fair hair, a rueful mouth, rather dropping at the corners, large sad eyes, with very long lashes, and an expression at once timid yet indifferent--innocent and guilty. Guilty?--of what can such a child be guilty? They slowly walk away, all three--perhaps in consequence of my observing them so attentively. They quicken their pace as they turn the corner. Why was I so tardy to relieve them? It would have become me, as a Christian, to have thought of relieving their necessities, even for the night, far better than to have speculated upon their physiognomies as a philosopher. But it is time for me to return home. Sad addition to my experience. My wife waiting tea for--bless my so--where? it can't be? yes, it can--my watch is gone! Slipt down through my pocket--no doubt--there's a hole in it--no--or it fell out while I was stooping to fasten my gaiter button in Pall Mall. Most vexatious. A family watch! Gold chain and seals, too! Well--it can't be helped. In these cases a pinch of snuff often--often--pshaw!--often relieves--relieves one--hillo! have I been relieved of that, also! Perhaps it's in my side pocket, with my purse--purse! why, my purse is gone; I really begin to think I must have been robbed!
CONCERNING THE ECLIPSES IN THE MONTH OF JULY, 1851.
BY CHARLES COLBY.
In the month of July, 1851, there will occur two eclipses; one of the moon and one of the sun.
The former will occur after midnight, Sunday morning, July 13th; and the latter on the morning of Monday, July 28th.
Unless clouds prevent, both will be visible throughout the United States; and if visible will (the solar eclipse especially) attract general observation.
As here represented, there are formed complete shadows, called _umbras_; and partial shadows, called _penumbras_.
When an eclipse of the sun occurs, it appears totally eclipsed to those persons who are within the moon's umbra, and partially eclipsed, to those situated within the penumbra.
When an eclipse of the moon occurs, it appears totally eclipsed, if entirely within the earth's umbra, and partially eclipsed, if partially within it.
The length of the moon's umbra is usually greater than the distance of the moon from the earth.
The moon, therefore, crosses the sun's path twice in each revolution.
If, at new moon, it always crossed exactly in that part where the sun is, there would evidently be an eclipse of the sun; and it would recross in the opposite part and pass through the earth's umbra.
But the moon does not always cross the ecliptic where the sun is, nor uniformly in the same part.
Its crossing-place is different at each succeeding revolution.
Since the limits of this article will not allow an extended explanation of the manner of mathematically predicting eclipses, we will apply the foregoing statements in showing that there will occur an eclipse of the sun in July, 1851.
The first diagram on page 240 represents the relative positions of the sun and moon at the time of new moon in June, July, and August, 1851, calculated for Greenwich.
It is probable that there will be but few among the millions who may thus behold these wonderful phenomena who will not understand their causes.
However, an article explaining the manner of predicting these eclipses with diagrams illustrating the path of the moon's shadow in the solar eclipse across the United States and upon the whole earth, may not be acceptable.
Since the earth and moon are solid opaque bodies, they intercept the light passing from the sun through the heavens; or, in other words, they cause the existence of shadows.
Hence, if the moon, in its revolution pass directly between the sun and the earth its umbra will fall upon the earth, and cause a total eclipse of the sun.
If the moon passed through the heavens in exactly the same path as the sun, there would result eclipses of both sun and moon at each revolution; for it would pass directly over the disc of the sun, and through the centre of the earth's umbra.
But it was long since discovered that the path of the moon is inclined to the sun's path, or the ecliptic, about 5° (5° 8' 48").
This results from the fact that these crossing-places (which for convenience and according to astronomical usage we shall call the _nodes_), are in motion upon the ecliptic, from east to west.
Therefore, the moon may cross the ecliptic at such a distance from the sun, that when it passes between the sun and the earth, it will appear to pass above or below the disc of the sun; also, in the opposite part of its orbit, it may cross at so great distance from the earth's umbra, that it will pass above or below the umbra, as represented in the following diagram.
In June, the moon is seen below the sun, passing upward to the ascending node, and beyond the limits within which eclipses can occur.
While the moon is completing another revolution around the earth, the sun continues to move eastward, and when it again comes to A the sun is near B. The moon, moving much faster than the sun, passes upward in its orbit, and is in conjunction with the sun at B, within the limits of eclipses.
At this time the moon's umbra will fall upon the earth, and cause an eclipse, which will be total at all places over which the umbra will move; and partial at those places over which the penumbra will move.
In this, as in all solar eclipses, only a part of the earth is covered by the shadows.
In August, at new moon, the sun has passed eastward to C, and the moon is seen above the sun, beyond the limit of eclipses.
The following engraving is a projection of the shadows of the moon upon the earth, exhibiting that portion where a total eclipse will be visible; and those portions where a partial eclipse will be visible.
As shown in the first cut, the shadows of the moon are of a conical form, and, if the total eclipse existed but an instant, its projection upon the earth would be of a circular form.
But, since the earth revolves upon its axis, different parts are brought into the shadows; and this chart, to represent all that portion of the earth where any eclipse will be visible, has an oblong form.
Also, since the sun appears to rise in one portion of the earth at the same instant when in another portion of the earth it appears to set, this projection exhibits those parts of the earth where the eclipse commences at the instant of sunrise and sunset.
The next engraving is an enlarged representation of a part of the preceding; embracing a large portion of the United States, where a partial eclipse will be visible.
As exhibited in both charts, the southern line of simple contact of the disks of the sun and moon, passes through Florida.
To express the extent of a partial eclipse of either sun or moon, the diameters of each are divided into twelve equal parts, called digits; and the extent of an eclipse at any place upon the earth is said to be a certain number of these digits.
THE DESERTED HOUSE.
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Harper's New Monthly Magazine, Vol. 3, July, 1851Chapter XI: Part THE THIRD: Night (6)
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