Chapter XXV: A Passing Visit to Killala (4)

Those who remember Chapelizod a quarter of a century ago, or more, may possibly recollect the parish sexton. Bob Martin was held much in awe by truant boys who sauntered into the church-yard on Sundays, to read the tombstones, or play leap-frog over them, or climb the ivy in search of bats or sparrows' nests, or peep into the mysterious aperture under the eastern window, which opened a dim perspective of descending steps losing themselves among profounder darkness, where lidless coffins gaped horribly among tattered velvet, bones, and dust, which time and mortality had strewn there. Of such horribly curious, and otherwise enterprising juveniles, Bob was, of course, the special scourge and terror. But terrible as was the official aspect of the sexton, and repugnant as his lank form, clothed in rusty, sable vesture, his small, frosty visage, suspicious, gray eyes, and rusty, brown scratch-wig, might appear to all notions of genial frailty; it was yet true, that Bob Martin's severe morality sometimes nodded, and that Bacchus did not always solicit him in vain.

Bob had a curious mind, a memory well stored with "merry tales," and tales of terror. His profession familiarized him with graves and goblins, and his tastes with weddings, wassail, and sly frolics of all sorts. And as his personal recollections ran back nearly three score years into the perspective of the village history, his fund of local anecdote was copious, accurate, and edifying.

As his ecclesiastical revenues were by no means considerable, he was not unfrequently obliged, for the indulgence of his tastes, to arts which were, at the best, undignified.

He frequently invited himself when his entertainers had forgotten to do so; he dropped in accidentally upon small drinking-parties of his acquaintance in public-houses, and entertained them with stories, queer or terrible, from his inexhaustible reservoir, never scrupling to accept an acknowledgment in the shape of hot whisky-punch, or whatever else was going.

There was at that time a certain atrabilious publican, called Philip Slaney, established in a shop nearly opposite the old turnpike. This man was not, when left to himself, immoderately given to drinking; but being naturally of a saturnine complexion, and his spirits constantly requiring a fillip, he acquired a prodigious liking for Bob Martin's company. The sexton's society, in fact, gradually became the solace of his existence, and he seemed to lose his constitutional melancholy in the fascination of his sly jokes and marvelous stories.

This intimacy did not redound to the prosperity or reputation of the convivial allies. Bob Martin drank a good deal more punch than was good for his health, or consistent with the character of an ecclesiastical functionary. Philip Slaney, too, was drawn into similar indulgences, for it was hard to resist the genial seductions of his gifted companion; and as he was obliged to pay for both, his purse was believed to have suffered even more than his head and liver.

Be this as it may, Bob Martin had the credit of having made a drunkard of "black Phil Slaney"--for by this cognomen was he distinguished; and Phil Slaney had also the reputation of having made the sexton, if possible, a "bigger bliggard" than ever. Under these circumstances, the accounts of the concern opposite the turnpike became somewhat entangled; and it came to pass one drowsy summer morning, the weather being at once sultry and cloudy, that Phil Slaney went into a small back parlor, where he kept his books, and which commanded, through its dirty window-panes, a full view of a dead wall, and having bolted the door, he took a loaded pistol, and clapping the muzzle in his mouth, blew the upper part of his skull through the ceiling.

This horrid catastrophe shocked Bob Martin extremely; and partly on this account, and partly because having been, on several late occasions, found at night in a state of abstraction, bordering on insensibility, upon the high road, he had been threatened with dismissal; and, as some said, partly also because of the difficulty of finding any body to "treat" him as poor Phil Slaney used to do, he for a time forswore alcohol in all its combinations, and became an eminent example of temperance and sobriety.

Bob observed his good resolutions, greatly to the comfort of his wife, and the edification of the neighborhood, with tolerable punctuality. He was seldom tipsy, and never drunk, and was greeted by the better part of society with all the honors of the prodigal son.

Now it happened, about a year after the grisly event we have mentioned, that the curate having received, by the post, due notice of a funeral to be consummated in the church-yard of Chapelizod, with certain instructions respecting the site of the grave, dispatched a summons for Bob Martin, with a view to communicate to that functionary these official details.

It was a lowering autumn night: piles of lurid thunder-clouds, slowly rising from the earth, had loaded the sky with a solemn and boding canopy of storm. The growl of the distant thunder was heard afar off upon the dull, still air, and all nature seemed, as it were, hushed and cowering under the oppressive influence of the approaching tempest.

It was past nine o'clock when Bob, putting on his official coat of seedy black, prepared to attend his professional superior.

"Bobby, darlin'," said his wife, before she delivered the hat she held in her hand to his keeping, "sure you won't, Bobby, darlin'--you won't--you know what."

"I _don't_ know what," he retorted, smartly, grasping at his hat.

"You won't be throwing up the little finger, Bobby, acushla?" she said, evading his grasp.

"Arrah, why would I, woman? there, give me my hat, will you?"

"But won't you promise me, Bobby darlin'--won't you, alanna?"

"Ay, ay, to be sure I will--why not? there, give me my hat, and let me go."

"Ay, but you're not promisin', Bobby mavourneen; you're not promisin' all the time."

"Well, divil carry me if I drink a drop till I come back again," said the sexton, angrily; "will that do you? And _now_ will you give me my hat?"

"Here it is, darlin'," she said, "and God send you safe back."

And with this parting blessing she closed the door upon his retreating figure, for it was now quite dark, and resumed her knitting till his return, very much relieved; for she thought he had of late been oftener tipsy than was consistent with his thorough reformation, and feared the allurements of the half dozen "publics" which he had at that time to pass on his way to the other end of the town.

They were still open, and exhaled a delicious reek of whisky, as Bob glided wistfully by them; but he stuck his hands in his pockets and looked the other way, whistling resolutely, and filling his mind with the image of the curate and anticipations of his coming fee. Thus he steered his morality safely through these rocks of offense, and reached the curate's lodging in safety.

He had, however, an unexpected sick call to attend, and was not at home, so that Bob Martin had to sit in the hall and amuse himself with the devil's tattoo until his return. This, unfortunately, was very long delayed, and it must have been fully twelve o'clock when Bob Martin set out upon his homeward way. By this time the storm had gathered to a pitchy darkness, the bellowing thunder was heard among the rocks and hollows of the Dublin mountains, and the pale, blue lightning shone upon the staring fronts of the houses.

By this time, too, every door was closed; but as Bob trudged homeward, his eye mechanically sought the public-house which had once belonged to Phil Slaney. A faint light was making its way through the shutters and the glass panes over the door-way, which made a sort of dull, foggy halo about the front of the house.

As Bob's eyes had become accustomed to the obscurity by this time, the light in question was quite sufficient to enable him to see a man in a sort of loose riding-coat seated upon a bench which, at that time, was fixed under the window of the house. He wore his hat very much over his eyes, and was smoking a long pipe. The outline of a glass and a quart bottle were also dimly traceable beside him; and a large horse saddled, but faintly discernible, was patiently awaiting his master's leisure.

There was something odd, no doubt, in the appearance of a traveler refreshing himself at such an hour in the open street; but the sexton accounted for it easily by supposing that, on the closing of the house for the night, he had taken what remained of his refection to the place where he was now discussing it _al fresco_.

At another time Bob might have saluted the stranger, as he passed, with a friendly "good-night;" but, somehow, he was out of humor and in no genial mood, and was about passing without any courtesy of the sort, when the stranger, without taking the pipe from his mouth, raised the bottle, and with it beckoned him familiarly, while, with a sort of lurch of the head and shoulders, and at the same time shifting his seat to the end of the bench, he pantomimically invited him to share his seat and his cheer. There was a divine fragrance of whisky about the spot, and Bob half-relented; but he remembered his promise just as he began to waver, and said,

"No, I thank you, sir, I can't stop to-night."

The stranger beckoned with vehement welcome, and pointed to the vacant place on the seat beside him.

"I thank you for your polite offer," said Bob, "but it's what I'm too late as it is, and haven't time to spare, so I wish you a good-night."

The traveler jingled the glass against the neck of the bottle, as if to intimate that he might at least swallow a dram without losing time. Bob was mentally quite of the same opinion; but, though his mouth watered, he remembered his promise, and, shaking his head with incorruptible resolution, walked on.

The stranger, pipe in mouth, rose from his bench, the bottle in one hand, and the glass in the other, and followed at the sexton's heels, his dusky horse keeping close in his wake.

There was something suspicious and unaccountable in this importunity.

Bob quickened his pace, but the stranger followed close. The sexton began to feel queer, and turned about. His pursuer was behind, and still inviting him with impatient gestures to taste his liquor.

"I told you before," said Bob, who was both angry and frightened, "that I would not taste it, and that's enough. I don't want to have any thing to say to you or your bottle; and in God's name," he added, more vehemently, observing that he was approaching still closer, "fall back, and don't be tormenting me this way."

These words, as it seemed, incensed the stranger, for he shook the bottle with violent menace at Bob Martin; but, notwithstanding this gesture of defiance, he suffered the distance between them to increase. Bob, however, beheld him dogging him still in the distance, for his pipe shed a wonderful red glow, which duskily illuminated his entire figure, like a lurid atmosphere of meteor.

"I wish the devil had his own, my boy," muttered the excited sexton, "and I know well enough where you'd be."

The next time he looked over his shoulder, to his dismay he observed the importunate stranger as close as ever upon his track.

"Confound you," cried the man of skulls and shovels, almost beside himself with rage and horror, "what is it you want of me?"

The stranger appeared more confident, and kept wagging his head and extending both glass and bottle toward him as he drew near, and Bob Martin heard the horse snorting as it followed in the dark.

"Keep it to yourself, whatever it is, for there is neither grace nor luck about you," cried Bob Martin, freezing with terror; "leave me alone, will you."

And he fumbled in vain among the seething confusion of his ideas for a prayer or an exorcism. He quickened his pace almost to a run; he was now close to his own door, under the impending bank by the river side.

"Let me in, let me in, for God's sake; Molly, open the door!" he cried, as he ran to the threshold, and leant his back against the plank. His pursuer confronted him upon the road; the pipe was no longer in his mouth, but the dusky red glow still lingered round him. He uttered some inarticulate cavernous sounds, which were wolfish and indescribable, while he seemed employed in pouring out a glass from the bottle.

The sexton kicked with all his force against the door, and cried at the same time with a despairing voice,

"In the name of God Almighty, once for all, leave me alone!"

His pursuer furiously flung the contents of the bottle at Bob Martin; but, instead of fluid, it issued out in a stream of flame, which expanded and whirled round them, and for a moment they were both enveloped in a faint blaze; at the same instant a sudden gust whisked off the stranger's hat, and the sexton beheld that his skull was roofless. For an instant he beheld the gaping aperture, black and shattered, and then he fell senseless into his own doorway, which his affrighted wife had just unbarred.

I need hardly give my reader the key to this most intelligible and authentic narrative. The traveler was acknowledged by all to have been the spectre of the suicide, called up by the Evil One to tempt the convivial sexton into a violation of his promise, sealed, as it was, by an imprecation. Had he succeeded, no doubt the dusky steed, which Bob had seen saddled in attendance, was destined to have carried back a double burden to the place from whence he came.

As an attestation of the reality of this visitation, the old thorn-tree which overhung the doorway was found in the morning to have been blasted with the infernal fires which had issued from the bottle, just as if a thunderbolt had scorched it.

The moral of the above tale is upon the surface, apparent, and, so to speak, _self-acting_--a circumstance which happily obviates the necessity of our discussing it together. Taking our leave, therefore, of honest Bob Martin, who now sleeps soundly in the same solemn dormitory where, in his day, he made so many beds for others, I come to a legend of the Royal Irish Artillery, whose head-quarters were for so long a time in the town of Chapelizod. I don't mean to say that I can not tell a great many more stories, equally authentic and marvelous, touching this old town; but as I may possibly have to perform a like office for other localities, and as Anthony Poplar is known, like Atropos, to carry a shears, wherewith to snip across all "yarns" which exceed reasonable bounds, I consider it, on the whole, safer to dispatch the traditions of Chapelizod with one tale more.

Let me, however, first give it a name; for an author can no more dispatch a tale without a title, than an apothecary can deliver his physic without a label. We shall, therefore, call it,

THE SPECTRE LOVERS.

There lived some fifteen years since in a small and ruinous house, little better than a hovel, an old woman who was reported to have considerably exceeded her eightieth year, and who rejoiced in the name of Alice, or popularly, Ally Moran. Her society was not much courted, for she was neither rich, nor, as the reader may suppose, beautiful. In addition to a lean cur and a cat, she had one human companion, her grandson, Peter Brien, whom, with laudable good-nature, she had supported from the period of his orphanage down to that of my story, which finds him in his twentieth year. Peter was a good-natured slob of a fellow, much more addicted to wrestling, dancing, and love-making, than to hard work, and fonder of whisky-punch than good advice. His grandmother had a high opinion of his accomplishments, which, indeed, was but natural, and also of his genius, for Peter had of late years begun to apply his mind to politics; and as it was plain that he had a mortal hatred of honest labor, his grandmother predicted, like a true fortune-teller, that he was born to marry an heiress, and Peter himself (who had no mind to forego his freedom even on such terms), that he was destined to find a pot of gold. Upon one point both were agreed, that, being unfitted by the peculiar bias of his genius for work, he was to acquire the immense fortune to which his merits entitled him by means of a pure run of good luck. This solution of Peter's future had the double effect of reconciling both himself and his grandmother to his idle courses, and also of maintaining that even flow of hilarious spirits which made him every where welcome, and which was, in truth, the natural result of his consciousness of approaching affluence.

It happened one night that Peter had enjoyed himself to a very late hour with two or three choice spirits near Palmerstown. They had talked politics and love, sung songs, and told stories, and, above all, had swallowed, in the chastened disguise of punch, at least a pint of good whisky, every man.

It was considerably past one o'clock when Peter bid his companions good-by, with a sigh and a hiccough, and, lighting his pipe, set forth on his solitary homeward way.

The bridge of Chapelizod was pretty nearly the midway point of his night march, and from one cause or another his progress was rather slow, and it was past two o'clock by the time he found himself leaning over its old battlements, and looking up the river, over whose winding current and wooded banks the soft moonlight was falling.

The cold breeze that blew lightly down the stream was grateful to him. It cooled his throbbing head, and he drank it in at his hot lips. The scene, too, had, without his being well sensible of it, a secret fascination. The village was sunk in the profoundest slumber, not a mortal stirring, not a sound afloat, a soft haze covered it all, and the fairy moonlight hovered over the entire landscape.

In a state between rumination and rapture, Peter continued to lean over the battlements of the old bridge, and as he did so he saw, or fancied he saw, emerging one after another along the river bank in the little gardens and inclosures in the rear of the street of Chapelizod, the queerest little white-washed huts and cabins he had ever seen there before. They had not been there that evening when he passed the bridge on the way to his merry tryst. But the most remarkable thing about it was the odd way in which these quaint little cabins showed themselves. First he saw one or two of them just with the corner of his eye, and when he looked full at them, strange to say, they faded away and disappeared. Then another and another came in view, but all in the same coy way, just appearing and gone again before he could well fix his gaze upon them; in a little while, however, they began to bear a fuller gaze, and he found, as it seemed to himself, that he was able by an effort of attention to fix the vision for a longer and a longer time, and when they waxed faint and nearly vanished, he had the power of recalling them into light and substance, until at last their vacillating indistinctness became less and less, and they assumed a permanent place in the moonlit landscape.

"Be the hokey," said Peter, lost in amazement, and dropping his pipe into the river unconsciously, "them is the quarist bits iv mud cabins I ever seen, growing up like musharoons in the dew of an evening, and poppin' up here and down again there, and up again in another place, like so many white rabbits in a warren; and there they stand at last as firm and fast as if they were there from the Deluge; bedad it's enough to make a man a'most believe in the fairies."

This latter was a large concession from Peter, who was a bit of a free-thinker, and spoke contemptuously in his ordinary conversation of that class of agencies.

Having treated himself to a long last stare at these mysterious fabrics, Peter prepared to pursue his homeward way; having crossed the bridge and passed the mill, he arrived at the corner of the main-street of the little town, and casting a careless look up the Dublin road, his eye was arrested by a most unexpected spectacle.

This was no other than a column of foot-soldiers, marching with perfect regularity toward the village, and headed by an officer on horseback. They were at the far side of the turnpike, which was closed; but much to his perplexity he perceived that they marched on through it without appearing to sustain the least check from that barrier.

On they came at a slow march; and what was most singular in the matter was, that they were drawing several cannons along with them; some held ropes, others spoked the wheels, and others again marched in front of the guns and behind them, with muskets shouldered, giving a stately character of parade and regularity to this, as it seemed to Peter, most unmilitary procedure.

It was owing either to some temporary defect in Peter's vision, or to some illusion attendant upon mist and moon-light, or perhaps to some other cause, that the whole procession had a certain waving and vapory character which perplexed and tasked his eyes not a little. It was like the pictured pageant of a phantasmagoria reflected upon smoke. It was as if every breath disturbed it; sometimes it was blurred, sometimes obliterated; now here, now there. Sometimes, while the upper part was quite distinct, the legs of the column would nearly fade away or vanish outright, and then again they would come out into clear relief, marching on with measured tread, while the cocked hats and shoulders grew, as it were, transparent, and all but disappeared.

Notwithstanding these strange optical fluctuations, however, the column continued steadily to advance. Peter crossed the street from the corner near the old bridge, running on tip-toe, and with his body stooped to avoid observation, and took up a position upon the raised foot-path in the shadow of the houses, where, as the soldiers kept the middle of the road, he calculated that he might, himself undetected, see them distinctly enough as they passed.

"What the div--, what on airth," he muttered, checking the irreligious ejaculation with which he was about to start, for certain queer misgivings were hovering about his heart, notwithstanding the factitious courage of the whisky-bottle. "What on airth is the mainin' of all this? is it the French that's landed at last to give us a hand and help us in airnest to this blessed repale? If it is not them, I simply ask who the div--, I mane who on airth are they, for such sogers as them I never seen before in my born days?"

By this time the foremost of them were quite near, and truth to say, they were the queerest soldiers he had ever seen in the course of his life. They wore long gaiters and leather breeches, three-cornered hats, bound with silver lace, long blue coats, with scarlet facings and linings, which latter were shown by a fastening which held together the two opposite corners of the skirt behind; and in front the breasts were in like manner connected at a single point, where, and below which, they sloped back, disclosing a long-flapped waistcoat of snowy whiteness; they had very large, long cross-belts, and wore enormous pouches of white leather hung extraordinarily low, and on each of which a little silver star was glittering. But what struck him as most grotesque and outlandish in their costume was their extraordinary display of shirt-frill in front, and of ruffle about their wrists, and the strange manner in which their hair was frizzed out and powdered under their hats, and clubbed up into great rolls behind. But one of the party was mounted. He rode a tall white horse, with high action and arching neck; he had a snow-white feather in his three-cornered hat, and his coat was shimmering all over with a profusion of silver lace. From these circumstances Peter concluded that he must be the commander of the detachment, and examined him as he passed attentively. He was a slight, tall man, whose legs did not half fill his leather breeches, and he appeared to be at the wrong side of sixty. He had a shrunken, weather-beaten, mulberry-colored face, carried a large black patch over one eye, and turned neither to the right nor to the left, but rode right on at the head of his men with grim, military inflexibility.

The countenance of these soldiers, officers as well as men, seemed all full of trouble, and, so to speak, scared and wild. He watched in vain for a single contented or comely face. They had, one and all, a melancholy and hang-dog look; and as they passed by, Peter fancied that the air grew cold and thrilling.

He had seated himself upon a stone bench, from which, staring with all his might, he gazed upon the grotesque and noiseless procession as it filed by him. Noiseless it was; he could neither hear the jingle of accoutrements, the tread of feet, nor the rumble of the wheels; and when the old colonel turned his horse a little, and made as though he were giving the word of command, and a trumpeter, with a swollen blue nose and white feather fringe round his hat, who was walking beside him, turned about and put his bugle to his lips, still Peter heard nothing, although it was plain the sound had reached the soldiers, for they instantly changed their front to three abreast.

"Botheration!" muttered Peter, "is it deaf I'm growing?"

But that could not be, for he heard the sighing of the breeze and the rush of the neighboring Liffey plain enough.

"Well," said he, in the same cautious key, "by the piper, this bangs Banagher fairly! It's either the Frinch army that's in it, come to take the town iv Chapelizod by surprise, an' makin' no noise for feard iv wakenin' the inhabitants; or else it's--it's--what it's--somethin' else. But, tundher-an-ouns, what's gone wid Fitzpatrick's shop across the way?"

The brown, dingy stone building at the opposite side of the street looked newer and cleaner than he had been used to see it; the front door of it stood open, and a sentry, in the same grotesque uniform, with shouldered musket, was pacing noiselessly to and fro before it. At the angle of this building, in like manner, a wide gate (of which Peter had no recollection whatever) stood open, before which, also, a similar sentry was gliding, and into this gateway the whole column gradually passed, and Peter finally lost sight of it.

"I'm not asleep; I'm not dhramin'," said he, rubbing his eyes, and stamping slightly on the pavement, to assure himself that he was wide awake. "It is a quare business, whatever it is; an' it's not alone that, but every thing about the town looks strange to me. There's Tresham's house new painted, bedad, an' them flowers in the windies! An' Delany's house, too, that had not a whole pane of glass in it this morning, and scarce a slate on the roof of it! It is not possible it's what it's dhrunk I am. Sure there's the big tree, and not a leaf of it changed since I passed, and the stars overhead, all right. I don't think it is in my eyes it is."

And so looking about him, and every moment finding or fancying new food for wonder, he walked along the pavement, intending, without further delay, to make his way home.

But his adventures for the night were not concluded. He had nearly reached the angle of the short lane that leads up to the church, when for the first time he perceived that an officer, in the uniform he had just seen, was walking before, only a few yards in advance of him.

The officer was walking along at an easy, swinging gait, and carried his sword under his arm, and was looking down on the pavement with an air of reverie.

In the very fact that he seemed unconscious of Peter's presence, and disposed to keep his reflections to himself, there was something reassuring. Besides, the reader must please to remember that our hero had a _quantum sufficit_ of good punch before his adventure commenced, and was thus fortified against those qualms and terrors under which, in a more reasonable state of mind, he might not impossibly have sunk.

The idea of the French invasion revived in full power in Peter's fuddled imagination, as he pursued the nonchalant swagger of the officer.

"Be the powers iv Moll Kelly, I'll ax him what it is," said Peter, with a sudden accession of rashness. "He may tell me or not, as he plases, but he can't be offinded, anyhow."

With this reflection having inspired himself, Peter cleared his voice, and began,

"Captain," said he, "I ax your pardon, captain, an' maybe you'd be so condescendin' to my ignorance as to tell me, if it's plaisin' to yer honor, whether your honor is not a Frinchman, if it's plaisin' to you."

This he asked, not thinking that, had it been as he suspected, not one word of his question, in all probability, would have been intelligible to the person he addressed. He was, however, understood, for the officer answered him in English, at the same time slackening his pace, and moving a little to the side of the pathway, as if to invite his interrogator to take his place beside him.

"No; I am an Irishman," he answered.

"I humbly thank your honor," said Peter, drawing nearer--for the affability and the nativity of the officer encouraged him--"but maybe your honor is in the _sarvice_ of the King of France?"

"I serve the same king as you do," he answered, with a sorrowful significance which Peter did not comprehend at the time; and, interrogating in turn, he asked, "But what calls you forth at this hour of the day?"

"The _day_, your honor!--the night, you mane."

"It was always our way to turn night into day, and we keep to it still," remarked the soldier. "But, no matter, come up here to my house; I have a job for you, if you wish to earn some money easily. I live here."

As he said this, he beckoned authoritatively to Peter, who followed almost mechanically at his heels, and they turned up a little lane near the old Roman Catholic chapel, at the end of which stood, in Peter's time, the ruins of a tall, stone-built house.

Like every thing else in the town, it had suffered a metamorphosis. The stained and ragged walls were now erect, perfect, and covered with pebble-dash; window-panes glittered coldly in every window; the green hall-door had a bright brass knocker on it. Peter did not know whether to believe his previous or his present impressions; seeing is believing, and Peter could not dispute the reality of the scene. All the records of his memory seemed but the images of a tipsy dream. In a trance of astonishment and perplexity, therefore, he submitted himself to the chances of his adventure.

The door opened, the officer beckoned with a melancholy air of authority to Peter, and entered. Our hero followed into a sort of hall, which was very dark, but he was guided by the steps of the soldier, and in silence they ascended the stairs. The moonlight, which shone in at the lobbies, showed an old, dark wainscoting, and a heavy, oak bannister. They passed by closed doors at different landing-places, but all was dark and silent as, indeed, became that late hour of the night.

Now they ascended to the topmost floor. The captain paused for a minute at the nearest door, and, with a heavy groan, pushing it open, entered the room. Peter remained at the threshold. A slight female form in a sort of loose, white robe, and with a great deal of dark hair hanging loosely about her, was standing in the middle of the floor, with her back toward them.

The soldier stopped short before he reached her, and said, in a voice of great anguish, "Still the same, sweet bird--sweet bird! still the same." Whereupon, she turned suddenly, and threw her arms about the neck of the officer, with a gesture of fondness and despair, and her frame was agitated as if by a burst of sobs. He held her close to his breast in silence; and honest Peter felt a strange terror creep over him, as he witnessed these mysterious sorrows and endearments.

"To-night, to-night--and then ten years more--ten long years--another ten years."

The officer and the lady seemed to speak these words together; her voice mingled with his in a musical and fearful wail, like a distant summer wind, in the dead hour of night, wandering through ruins. Then he heard the officer say, alone, in a voice of anguish,

"Upon me be it all, forever, sweet birdie, upon me."

And again they seemed to mourn together in the same soft and desolate wail, like sounds of grief heard from a great distance.

Peter was thrilled with horror, but he was also under a strange fascination; and an intense and dreadful curiosity held him fast.

The moon was shining obliquely into the room, and through the window Peter saw the familiar slopes of the Park, sleeping mistily under its shimmer. He could also see the furniture of the room with tolerable distinctness--the old balloon-backed chairs, a four-post bed in a sort of recess, and a rack against the wall, from which hung some military clothes and accoutrements; and the sight of all these homely objects reassured him somewhat, and he could not help feeling unspeakably curious to see the face of the girl whose long hair was streaming over the officer's epaulet.

Peter, accordingly, coughed, at first slightly, and afterward more loudly, to recall her from her reverie of grief; and, apparently, he succeeded; for she turned round, as did her companion, and both, standing hand-in-hand, looked upon him fixedly. He thought he had never seen such large, strange eyes in all his life; and their gaze seemed to chill the very air around him, and arrest the pulses of his heart. An eternity of misery and remorse was in the shadowy faces that looked upon him.

If Peter had taken less whisky by a single thimbleful, it is probable that he would have lost heart altogether before these figures, which seemed every moment to assume a more marked and fearful, though hardly definable contrast to ordinary human shapes.

"What is it you want with me?" he stammered.

"To bring my lost treasure to the church-yard," replied the lady, in a silvery voice of more than mortal desolation.

The word "treasure" revived the resolution of Peter, although a cold sweat was covering him, and his hair was bristling with horror; he believed, however, that he was on the brink of fortune, if he could but command nerve to brave the interview to its close.

"And where," he gasped, "is it hid--where will I find it?"

They both pointed to the sill of the window, through which the moon was shining at the far end of the room, and the soldier said:

"Under that stone."

Peter drew a long breath, and wiped the cold dew from his face, preparatory to passing to the window, where he expected to secure the reward of his protracted terrors. But looking steadfastly at the window, he saw the faint image of a new-born child sitting upon the sill in the moonlight with its little arms stretched toward him, and a smile so heavenly as he never beheld before.

At sight of this, strange to say, his heart entirely failed him, he looked on the figures that stood near, and beheld them gazing on the infantine form with a smile so guilty and distorted, that he felt as if he were entering alive among the scenery of hell, and shuddering, he cried in an irrepressible agony of horror:

"I'll have nothing to say with you, and nothing to do with you; I don't know what yez are or what yez want iv me, but let me go this minute, every one of yez, in the name of God."

With these words there came a strange rumbling and sighing about Peter's ears; he lost sight of every thing, and felt that peculiar and not unpleasant sensation of falling softly, that sometimes supervenes in sleep, ending in a dull shock. After that he had neither dream nor consciousness till he wakened, chill and stiff, stretched between two piles of old rubbish, among the black and roofless walls of the ruined house.

We need hardly mention that the village had put on its wonted air of neglect and decay, or that Peter looked around him in vain for traces of those novelties which had so puzzled and distracted him upon the previous night.

"Ay, ay," said his old mother, removing her pipe, as he ended his description of the view from the bridge, "sure enough I remember myself, when I was a slip of a girl, these little white cabins among the gardens by the river side. The artillery sogers that was married, or had not room in the barracks, used to be in them, but they're all gone long ago."

"The Lord be marciful to us!" she resumed, when he had described the military procession, "it's often I seen the regiment marchin' into the town, jist as you saw it last night, acushla. Oh, voch, but it makes my heart sore to think iv them days; they were pleasant times, sure enough; but is not it terrible, avick, to think it's what it was, the ghost of the rigiment you seen? The Lord betune us an' harm, for it was nothing else, as sure as I'm sittin' here."

When he mentioned the peculiar physiognomy and figure of the old officer who rode at the head of the regiment--

"_That_," said the old crone, dogmatically, "was ould Colonel Grimshaw, the Lord presarve us! he's buried in the church-yard iv Chapelizod, and well I remember him, when I was a young thing, an' a cross ould floggin' fellow he was wid the men, an' a devil's boy among the girls--rest his soul!"

"Amen!" said Peter; "it's often I read his tombstone myself; but he's a long time dead."

"Sure, I tell you he died when I was no more nor a slip iv a girl--the Lord betune us and harm!"

"I'm afeard it is what I'm not long for this world myself, afther seeing such a sight as that," said Peter, fearfully.

"Nonsinse, avourneen," retorted his grandmother, indignantly, though she had herself misgivings on the subject; "sure there was Phil Doolan, the ferryman, that seen black Ann Scanlan in his own boat, and what harm ever kem of it?"

Peter proceeded with his narrative, but when he came to the description of the house, in which his adventure had had so sinister a conclusion, the old woman was at fault.

"I know the house and the ould walls well, an' I can remember the time there was a roof on it, and the doors an' windows in it, but it had a bad name about being haunted, but by who, or for what, I forget intirely."

"Did you ever hear was there gold or silver there?" he inquired.

"No, no, avick, don't be thinking about the likes; take a fool's advice, and never go next or near them ugly black walls again the longest day you have to live; an' I'd take my davy, it's what it's the same word the priest himself 'ud be afther sayin' to you if you wor to ax his riverence consarnin' it, for it's plain to be seen it was nothing good you seen there, and there's neither luck nor grace about it."

Peter's adventure made no little noise in the neighborhood, as the reader may well suppose; and a few evenings after it, being on an errand to old Major Vandeleur, who lived in a snug old-fashioned house, close by the river, under a perfect bower of ancient trees, he was called on to relate the story in the parlor.

The major was, as I have said, an old man; he was small, lean, and upright, with a mahogany complexion, and a wooden inflexibility of face; he was a man, besides, of few words, and if _he_ was old, it follows plainly that his mother was older still. Nobody could guess or tell _how_ old, but it was admitted that her own generation had long passed away, and that she had not a competitor left. She had French blood in her veins, and although she did not retain her charms quite so well as Ninon de l'Enclos, she was in full possession of all her mental activity, and talked quite enough for herself and the major.

"So, Peter," she said, "you have seen the dear, old Royal Irish again in the streets of Chapelizod. Make him a tumbler of punch, Frank; and Peter, sit down, and while you take it let us have the story."

Peter accordingly, seated near the door, with a tumbler of the nectarian stimulant steaming beside him, proceeded with marvelous courage, considering they had no light but the uncertain glare of the fire, to relate with minute particularity his awful adventure. The old lady listened at first with a smile of good-natured incredulity; her cross-examination touching the drinking-bout at Palmerstown had been teasing, but as the narrative proceeded she became attentive, and at length absorbed, and once or twice she uttered ejaculations of pity or awe. When it was over, the old lady looked with a somewhat sad and stern abstraction on the table, patting her cat assiduously meanwhile, and then suddenly looking upon her son, the major, she said,

"Frank, as sure as I live he has seen the wicked Captain Devereux."

The major uttered an inarticulate expression of wonder.

"The house was precisely that he has described. I have told you the story often, as I heard it from your dear grandmother, about the poor young lady he ruined, and the dreadful suspicion about the little baby. _She_, poor thing, died in that house heart-broken, and you know he was shot shortly after in a duel."

This was the only light that Peter ever received respecting his adventure. It was supposed, however, that he still clung to the hope that treasure of some sort was hidden about the old house, for he was often seen lurking about its walls, and at last his fate overtook him, poor fellow, in the pursuit; for climbing near the summit one day, his holding gave way, and he fell upon the hard uneven ground, fracturing a leg and a rib, and after a short interval died, and he, like the other heroes of these true tales, lies buried in the little church-yard of Chapelizod.

A MORNING WITH MORITZ RETZSCH.

BY MRS. S.C. HALL.

At Dresden we enjoyed the advantage of friendly intercourse with one who is honored as much for his virtues as his talents, and whom it is a gratification to name--Professor Vogel von Vogelstein, whose latest work decorates a new church at Leipzig, designed by the estimable and highly gifted Professor Heidelhoff of Nuremberg. The simplicity of life of the great German masters, is very striking; they care nothing for display, except that upon their canvas, or their walls. One of the great secrets of their success is their earnestness of purpose. Professor Vogel seldom leaves his studio except to render courtesy to friend or stranger: and it is happy for those who have the privilege of his acquaintance, to know that such labors of love draw him frequently forth. As yet, years have not diminished the ardor with which he works--respected and beloved by all who know him. It was a true pleasure to sit in his studio, and converse with him; not only about Art, but about England; where he spent some time in communion with Wilkie, and Callcott, and Lawrence, and others, who, though passed away, have left immortalities behind them.

While conversing with Professor Vogel one morning we expressed an earnest wish to see Moritz Retzsch--who had so wonderfully embodied the conceptions of Goethe, of Shakspeare, and of Schiller; his extraordinary powers of invention and description, with a few strokes of his pencil, had rendered him an object of the deepest interest to us, many years ago when an artist friend, now dead and gone, first made him known to us; and although he resided we had been told, "a long way out of Dresden," we resolved, if we could, to visit him at his home. It was therefore very pleasant when Professor Vogel offered to accompany us himself, and present us to the great artist. In the evening, as we stood on the noble bridge that spans the rapid Elbe, a summer-house crowning one of the distant vine-clad hills, was pointed out to us as belonging to him whom we so much desired to know.

"His dwelling," said our friend, "is directly below that hill, and he resides on his paternal acres; his father's vineyards are as green as ever; and the artist's love of nature, is fostered amid its beauties." Nothing could be more charming than the scene. We had left the Bruhl Terrace crowded with company, driven away from its music and society by the clouds of tobacco smoke which wrap the Germans in an elysium peculiarly "their own;" but the music was softened by distance, into sweeter harmony. The sun was setting, warming the pale green of the vineyards into autumnal richness, and casting delicious tints upon the undulating waters; the atmosphere was so pure, so free from what sad experience teaches us to consider the natural vapors of city life, that the spires and public buildings looked as if carved in ivory; the mighty river swept freely on, its strong current hopelessly contending with the massive masonry of the bridge; one or two steamers were puffing their way from some of the distant villages; and a party near the shore were moving their oars, rather than rowing, singing what sounded to us like a round and chorus, in that perfect tune and time, where the voices seem as one; twilight came down without any haze, so that the range of hills was still visible, and still we fancied we saw the Pavilion of Moritz Retzsch. Our friend told us he was born at Dresden in 1779, and had never visited the distant schools, nor wandered far from his native city; in early childhood he manifested a talent for Art; modeling in clay, carving in wood, and exercising his imitative, as well as his imaginative powers, by drawing with any thing, or upon any thing, whatever he saw or fancied. He never intended to become an artist; he had not received what is called "an artistic education." He looked at and loved whatever was beautiful in nature, and copied it without an effort. At that period, the profession of Art would have been all too tranquil a dream for his boyhood to enjoy; nay, his "hot youth," ardent and desiring excitement, full of visions of adventure and liberty, had, at one time, nearly induced him to become a huntsman, or forester--(one of the jägers made familiar to us on the stage, in green hunting dress and buckskin, with belt and bugle)--in the Royal service; a little consideration, a few speaking facts, however, taught him that this project would not have secured him the freedom he coveted so much; and, most fortunately, when he entered his twentieth year, he determined on the course which has given both to himself and to the world, such delicious pleasure. He abandoned himself to Art, and has ever since exercised it with a devotion and enthusiasm, a sacred freedom, that, despite his excitable temperament, has rendered him happy. Such was our friend's information concerning the author of those wonderful "OUTLINES" which have been the admiration of the world for nearly half a century, and are scarcely better known in Germany than they are in England.

"Nothing," he added, "could surpass the ardor with which the young artist labored. His soul was animated by the grand conceptions of Goethe and Schiller; his ears drank in the beauty and sublimity of their poetry; and he lived in the mingled communion of great men, and the lovely and softened beauty of Saxon fatherland." In 1828, he was nominated Professor of Painting in the Dresden Royal Academy; but fame, much as he sought and loved it, did not fill his soul. The older he grew, the more his great heart yearned for that continuous sympathy with some object to comprehend and appreciate his noble pursuit, and to value him, as he believed he deserved. He coveted affection as much as fame.

One of the dwellers near his father's vineyard was rich in the possession of a little daughter of extraordinary grace and beauty. She inspired the artist with some of his brightest conceptions of that peculiar infantine loveliness which his pencil has rendered with such eloquent fidelity.

The child crept into his heart--the young girl took possession of it. The poet-painter made no effort to dispossess her; on the contrary, he increased her power by giving her an excellent education; and when she had arrived at the age of womanhood, he made her his wife. Their married years have numbered many. One may be considered old, the other is no longer young; but their happiness has been, as far as it can be, without a shadow. Although they have no children, they do not seem to have desired them. Some gallant husbands pen a sonnet to a wife on her birth-day, or the anniversary of her marriage, but Moritz Retzsch _sketches_ his birthday ode, in which the beauty and worth of his cherished wife, his own tenderness and happiness, their mingled hopes and prayers, are penciled in forms the most poetic and expressive. From year to year these designs have enriched the album of Madame Retzsch; and never was a more noble tribute laid at the feet of any lady-love, even in the times of old romance!

Professor Vogel had promised that Moritz Retzsch should show us his drawings; and we were full of hope that we should also have the privilege of seeing this Album. The sunset had given promise of--

"A goodly day to-morrow."

And it was with no small delight that, on our return to our hotel, we found an hour had been fixed for our visit to the village, or Weinberg, and that Professor Vogel would be ready to accompany us at the time appointed.

We were prepared to expect allegorical designs; and Mrs. Jameson has long since converted us to a belief in the great power and benefit of symbolic painting, particularly on the minds and imaginations of the young. "To address the moral faculties through the medium of the imagination," says this distinguished lady, "for any permanent or beneficial purpose, is the last thing thought of by our legislators and educators. Fable, except as a mere nomenclature of heathen gods and goddesses, is banished from the nursery, and allegory in Poetry and the Fine Arts is out of fashion;" and then she mingles her ink with gall, and adds, "it is deemed the child's play of the intellect, fit only for the days of Dante, or Spenser, or Michael Angelo."

Wearied with pleasure, we slept; but what we had seen and what we anticipated rendered _repose_ impossible. The morning was bright, and warm, and sunny; and when our kind friend entered the carriage, we felt assured of a day's enjoyment. We soon skirted the city, and found ourselves rolling in sight of the river; the road was overshadowed by trees, which had not yielded a leaf to the insidious advances of autumn; the villas--not certainly with shaven lawns and carefully-tended gardens, were picturesque and charming from the novelty of their construction, and not the less striking because the foliage was left to twine about them in unconstrained luxuriance. We had become accustomed to the wicker wagons, and the heavy oxen, and slow paces of men and horses; but there is something always to admire in the broad faces of the well-built Saxons, and the frank and kindly expression of their clear blue eyes.

We soon reached the narrow roads that wound along the base of the vine-clad hills, rising so abruptly as to form terrace after terrace, until they achieved the topmost height. Nothing can be more delightful than the situation of the houses at the foot of these hills, commanding, as they do, the whole of the rich valley in which Dresden is placed. "They call it Paradise," said our kind companion; "and truly it deserves the name."