Chapter THE FIFTH: My Revenge on the Skitzlanders (1)

By great good fortune, they had planted their artillery so well, that I was fired up through my hole again, and alighted in my own garden, just a little singed. My first thought was to run to an adjoining bed of vegetable marrows. Thirty vegetable marrows and two pumpkins I rained down to astonish the Skitzlanders, and I fervently hope that one of them may have knocked out the remaining eye of my vindictive enemy, the baron. I then went into the pantry, and obtained a basket full of eggs, and having rained these down upon the Skitzlanders, I left them.

It was after breakfast when I went down to Skitzland, and I came back while the dinner bell was ringing.

[From the People's Journal.]

CHARLOTTE CORDAY.

Perhaps the event that lingers longest in the memory, among all the appalling episodes and startling passages of the French Revolution, is the assassination of the tyrant Marat, by Charlotte Corday. With the blood of old Corneille running in her veins, and possessing something of his stern and masculine love of liberty, this simple child of nature hears in her distant home that her friends, the Girondists, are proscribed, and that a hated triumvirate in Paris, tramples on the feelings and liberties of the people. Full of one idea, she purchases a knife, and, without a single confidant, sets out for the metropolis, where, procuring an interview with Marat, she stabs him to the heart, and with one blow accomplishes her revenge, and what she vainly supposed to be the people's redemption.

In Miss Julia Kavanagh's charming volumes she gives us a pretty faithful memoir of this extraordinary woman. Among the women of the French Revolution, there is one, says the gifted authoress, who stands essentially apart: a solitary episode of the eventful story. She appears for a moment, performs a deed--heroic as to the intention, criminal as to the means--and disappears forever; lost in the shadow of time--an unfathomed mystery.

The greatest portion of the youth of Charlotte Corday--to give her the name by which she is generally known--was spent in the calm obscurity of her convent solitude. Many high visions, many burning dreams and lofty aspirations, already haunted her imaginative and enthusiastic mind, as she slowly paced the silent cloisters, or rested, lost in thought, beneath the shadow of the ancient elms. It is said that, like Madame Roland, she contemplated secluding herself for ever from the world in her monastic retreat; but, affected by the skepticism of the age, which penetrated even beyond convent walls, she gave up the project....

All the austerity and republican enthusiasm of her illustrious ancestor, Pierre Corneille, seemed to have come down to his young descendant. Even Rousseau and Raynal, the apostles of democracy, had no pages that could absorb her so deeply as those of ancient history, with its stirring deeds and immortal recollections. Often, like Manon Philipon in the recess of her father's workshop, might Charlotte Corday be seen in her convent cell, thoughtfully bending over an open volume of Plutarch, that powerful and eloquent historian of all heroic sacrifices.

When the Abbaye aux Dames was closed, in consequence of the Revolution, Charlotte was in her twentieth year, in the prime of life, and of wonderful beauty; and never, perhaps, did a vision of more dazzling loveliness step forth from beneath the dark convent portal into the light of the free and open world. She was rather tall, but admirably proportioned, with a figure full of native grace and dignity: her hands, arms, and shoulders were models of pure sculptural beauty. An expression of singular gentleness and serenity characterized her fair, oval countenance and regular features. Her open forehead, dark and well-arched eyebrows, and eyes of a gray so deep that it was often mistaken for blue, added to her natural grave and meditative appearance; her nose was straight and well formed, her mouth serious but exquisitely beautiful.

On leaving the convent in which she had been educated, Charlotte Corday went to reside with her aunt, Madame Coutellier de Bretteville Gouville, an old royalist lady, who inhabited an ancient-looking house in one of the principal streets of Caen. There the young girl, who had inherited a little property, spent several years, chiefly engaged in watching the progress of the Revolution.

A silent reserve characterized this epoch of Charlotte Corday's life; her enthusiasm was not external but inward; she listened to the discussions which were carried on around her without taking a part in them herself. She seemed to feel instinctively that great thoughts are always better nursed in the heart's solitude: that they can only lose their native depth and intensity by being revealed too freely before the indifferent gaze of the world. Those with whom she then occasionally conversed took little heed of the substance of her discourse, and could remember nothing of it when she afterward became celebrated; but all recollected well her voice, and spoke with strange enthusiasm of its pure, silvery sound.

The fall of the Girondists, on the 31st of May, first suggested to Charlotte Corday the possibility of giving an active shape to her hitherto passive feelings. She watched with intense, though still silent interest, the progress of events, concealing her secret indignation and thoughts of vengeance under her habitually calm aspect. Those feelings were heightened in her soul by the presence of the fugitive Girondists, who had found a refuge in Caen, and were urging the Normans to raise an army to march on Paris. She found a pretense to call upon Barbaroux, then with his friends at the Intendance. She came twice, accompanied by an old servant, and protected by her own modest dignity. Pethion saw her in the hall, where she was waiting for the handsome Girondist, and observed with a smile, "So the beautiful aristocrat is come to see republicans." "Citizen Pethion," she replied, "you now judge me without knowing me, but a time will come when you shall learn who I am." With Barbaroux, Charlotte chiefly conversed of the imprisoned Girondists; of Madame Roland and Marat. The name of this man had long haunted her with a mingled feeling of dread and horror. To Marat she ascribed the proscription of the Girondists, the woes of the Republic, and on him she resolved to avenge her ill-fated country. Charlotte was not aware that Marat was but the tool of Danton and Robespierre. "If such actions could be counseled," afterward said Barbaroux, "it is not Marat whom we would have advised her to strike."

While this deadly thought was daily strengthening itself in Charlotte's mind, she received several offers of marriage. She declined them, on the plea of wishing to remain free: but strange indeed must have seemed to her, at that moment, those proposals of earthly love. One of those whom her beauty had enamored, M. de Franquelin, a young volunteer in the cause of the Girondists, died of grief on learning her fate; his last request was, that her portrait, and a few letters he had formerly received from her, might be buried with him in his grave.

For several days after her last interview with Barbaroux, Charlotte brooded silently over her great thought; often meditating on the history of Judith. Her aunt subsequently remembered that, on entering her room one morning, she found an old Bible open on her bed: the verse in which it is recorded that "the Lord had gifted Judith with a special beauty and fairness," for the deliverance of Israel, was underlined with a pencil.

On another occasion Madame de Bretteville found her niece weeping alone; she inquired into the cause of her tears. "They flow," replied Charlotte, "for the misfortunes of my country." Heroic and devoted as she was, she then also wept, perchance, over her own youth and beauty, so soon to be sacrificed forever. No personal considerations altered her resolve: she procured a passport, provided herself with money, and paid a farewell visit to her father, to inform him that, considering the unsettled condition of France, she thought it best to retire to England. He approved of her intention, and bade her adieu. On returning to Caen, Charlotte told the same tale to Madame de Bretteville, left a secret provision for an old nurse, and distributed the little property she possessed among her friends.

It was on the morning of the 9th of July, 1793, that she left the house of her aunt, without trusting herself with a last farewell. Her most earnest wish was, when her deed should have been accomplished, to perish, wholly unknown, by the hands of an infuriated multitude. The woman who could contemplate such a fate, and calmly devote herself to it, without one selfish thought of future renown, had indeed the heroic soul of a martyr.

Her journey to Paris was marked by no other event than the unwelcome attentions of some Jacobins with whom she traveled. One of them, struck by her modest and gentle beauty, made her a very serious proposal of marriage: she playfully evaded his request, but promised that he should learn who and what she was at some future period. On entering Paris, she proceeded immediately to the Hotel de la Providence, Rue ties Vieux Augustins, not far from Marat's dwelling. Here she rested for two days before calling on her intended victim. Nothing can mark more forcibly the singular calmness of her mind: she felt no hurry to accomplish the deed for which she had journeyed so far, and over which she had meditated so deeply: her soul remained serene and undaunted to the last. The room which she occupied, and which has often been pointed out to inquiring strangers, was a dark and wretched attic, into which light scarcely ever penetrated. There she read again the volume of Plutarch she had brought with her--unwilling to part from her favorite author, even in her last hours--and probably composed that energetic address to the people which was found upon her after her apprehension.

Charlotte perceived that to call on Marat was the only means by which she might accomplish her purpose. She did so on the morning of the 13th of July, having first purchased a knife in the Palais Royal, and written him a note, in which she requested an interview. She was refused admittance. She then wrote him a second note, more pressing than the first, and in which she represented herself as persecuted for the cause of freedom. Without waiting to see what effect this note might produce, she called again at half-past seven the same evening.

Marat then resided in the Rue des Cordeliers, in a gloomy-looking house, which has since been demolished. His constant fears of assassination were shared by those around him; the porter seeing a strange woman pass by his lodge, without pausing to make any inquiry, ran out and called her back. She did not heed his remonstrance, but swiftly ascended the old stone staircase, until she had reached the door of Marat's apartment. It was cautiously opened by Albertine, a woman with whom Marat cohabited, and who passed for his wife. Recognizing the same young and handsome girl who had already called on her husband, and animated, perhaps by a feeling of jealous mistrust, Albertine refused to admit her; Charlotte insisted with great earnestness. The sound of their altercation reached Marat: he immediately ordered his wife to admit the stranger, whom he recognized as the author of the two letters he had received in the course of the day. Albertine obeyed reluctantly; she allowed Charlotte to enter; and after crossing with her an ante chamber, where she had been occupied with a man named Laurent Basse in folding some numbers of the "Ami du Peuple," she ushered her through two other rooms, until they came to a narrow closet where Marat was then in a bath. He gave a look at Charlotte, and ordered his wife to leave them alone: she complied, but allowed the door of the closet to remain half open, and kept within call.

According to his usual custom, Marat wore a soiled handkerchief bound round his head, increasing his natural hideousness. A coarse covering was thrown across the bath; a board, likewise, placed transversely, supported his papers. Laying down his pen, he asked Charlotte the purport of her visit. The closet was so narrow that she touched the bath near which she stood. She gazed on him with ill-disguised horror and disgust, but answered as composedly as she could, that she had come from Caen, in order to give him correct intelligence concerning the proceedings of the Girondists there. He listened, questioned her eagerly, wrote down the names of the Girondists, then added, with a smile of triumph: "Before a week they shall have perished on the guillotine." "These words," afterward said Charlotte, "sealed his fate." Drawing from beneath the handkerchief which covered her bosom the knife she had kept there all along, she plunged it to the hilt in Marat's heart. He gave one loud, expiring cry for help, and sank back dead, in the bath. By an instinctive impulse, Charlotte had instantly drawn out the knife from the breast of her victim, but she did not strike again; casting it down at his feet, she left the closet, and sat down in the neighboring room, thoughtfully passing her hand across her brow: her task was done.

The wife of Marat had rushed to his aid on hearing his cry for help. Laurent Basse, seeing that all was over, turned round toward Charlotte, and, with a blow of a chair, felled her to the floor; while the infuriated Albertine trampled her under her feet. The tumult aroused the other tenants of the house; the alarm spread, and a crowd gathered in the apartment, who learned with stupor that Marat, the Friend of the People, had been murdered. Deeper still was their wonder when they gazed on the murderess. She stood there before them with still disordered garments, and her disheveled hair, loosely bound by a broad green ribbon falling around her; but so calm, so serenely lovely, that those who most abhorred her crime gazed on her with involuntary admiration. "Was she then so beautiful?" was the question addressed, many years afterward, to an old man, one of the few remaining witnesses of this scene. "Beautiful!" he echoed, enthusiastically; adding, with the eternal regrets of old age: "Ay, there are none such now!"

On the morning of the 17th, she was led before her judges. She was dressed with care, and had never looked more lovely. Her bearing was so imposing and dignified, that the spectators and the judges seemed to stand arraigned before her. She interrupted the first witness, by declaring that it was she who had killed Marat. "Who inspired you with so much hatred against him?" asked the President.

"I needed not the hatred of others, I had enough of my own," she energetically replied; "besides, we do not execute well that which we have not ourselves conceived."

"What, then, did you hate in Marat?"

"His crimes."

"Do you think that you have assassinated all the Marats?"

"No; but now that he is dead, the rest may fear."

She answered other questions with equal firmness and laconism. Her project, she declared, had been formed since the 31st of May. "She had killed one man to save a hundred thousand She was a republican long before the Revolution, and had never failed in energy."

"What do you understand by energy?" asked the President.

"That feeling," she replied, "which induces us to east aside selfish considerations, and sacrifice ourselves for our country."

Fouquier Tinville here observed, alluding to the sure blow she had given, that she must be well practiced in crime. "The monster takes me for an assassin!" she exclaimed, in a tone thrilling with indignation. This closed the debates, and her defender rose. It was not Doulcet de Pontecoulant--who had not received her letter--but Chauveau de la Garde, chosen by the President. Charlotte gave him an anxious look, as though she feared he might seek to save her at the expense of honor. He spoke, and she perceived that her apprehensions were unfounded. Without excusing her crime, or attributing it to insanity, he pleaded for the fervor of her conviction; which he had the courage to call sublime. The appeal proved unavailing. Charlotte Corday was condemned. Without deigning to answer the President, who asked her if she had aught to object to the penalty of death being carried out against her, she rose, and walking up to her defender, thanked him gracefully. "These gentlemen," said she, pointing to the judges, "have just informed me that the whole of my property is confiscated. I owe something in the prison: as a proof of my friendship and esteem, I request you to pay this little debt."

On returning to the conciergerie, she found an artist, named Hauer, waiting for her, to finish her portrait, which he had begun at the tribunal. They conversed freely together, until the executioner, carrying the red chemise destined for assassins, and the scissors with which he was to cut her hair off, made his appearance. "What, so soon!" exclaimed Charlotte Corday, slightly turning pale; but rallying her courage, she resumed her composure, and presented a look of her hair to M. Hauer, as the only reward in her power to offer. A priest came to offer her his ministry. She thanked him and the persons by whom he had been sent, but declined his spiritual aid. The executioner cut her hair, bound her hands, and threw the red chemise over her. M. Hauer was struck with the almost unearthly loveliness which the crimson hue of this garment imparted to the ill-fated maiden. "This toilet of death, though performed by rude hands, leads to immortality," said Charlotte, with a smile.

A heavy storm broke forth as the car of the condemned left the conciergerie for the Place de la Revolution. An immense crowd lined every street through which Charlotte Corday passed. Hootings and execrations at first rose on her path; but as her pure and serene beauty dawned on the multitude, as the exquisite loveliness of her countenance and the sculptural beauty of her figure became more fully revealed, pity and admiration superseded every other feeling. Her bearing was so admirably calm and dignified, as to rouse sympathy in the breasts of those who detested not only her crime, but the cause for which it had been committed. Many men of every party took off their hats and bowed as the cart passed before them. Among those who waited its approach, was a young German, normed Adam Luz, who stood at the entrance of the Rue Saint Honore, and followed Charlotte to the scaffold. He gazed on the lovely and heroic maiden with all the enthusiasm of his imaginative race. A love, unexampled perhaps in the history of the human heart, took possession of his soul.

Unconscious of the passionate love she had awakened, Charlotte now stood near the guillotine. She turned pale on first beholding it, but soon resumed her serenity. A deep blush suffused her face when the executioner removed the handkerchief that covered her neck and shoulders, but she calmly laid her head upon the block. The executioner touched a spring and the ax came down. One of Samson's assistants immediately stepped forward, and holding up the lifeless head to the gaze of the crowd, struck it on either cheek. The brutal act only excited a feeling of horror; and it is said that--as though even in death her indignant spirit protested against this outrage--an angry and crimson flush passed over the features of Charlotte Corday.

[From Household Words.]

GREENWICH WEATHER-WISDOM.

In England every body notices the weather, and talks about the weather, and suffers by the weather, yet very few of us _know_ any thing about it. The changes of our climate have given us a constant and an insatiable national disease--consumption; the density of our winter fog has gained an European celebrity; while the general haziness of our atmosphere induces an Italian or an American to doubt whether we are ever indulged with a real blue sky. "Good day" has become the national salutation; umbrellas, water-proof clothes, and cough mixtures are almost necessities of English life; yet, despite these daily and hourly proofs of the importance of the weather to each and all of us, it is only within the last ten years that any effectual steps have been taken in England to watch the weather and the proximate elements which regulate its course and variations.

Yet, in those ten years positive wonders have been done, and good hope established that a continuance of patient inquiry will be rewarded by still further discoveries. To take a single result, it may be mentioned, that a careful study of the thermometer has shown that a descent of the temperature of London from forty-five to thirty-two degrees, generally kills about 300 persons. They may not all die in the very week when the loss of warmth takes place, but the number of deaths is found to increase to that extent over the previous average within a short period after the change. The fall of temperature, in truth, kills them as certainly as a well-aimed cannon-shot. Our changing climate, or deficient food and shelter, has prepared them for the final stroke, but they actually die at last of the weather.

Before 1838, several European states, less apt than ourselves to talk about the weather, had taken it up as a study, and had made various contributions to the general knowledge of the subject; but in that year England began to act. The officials who now and then emerge from the Admiralty under the title of the "Board of Visitors," to see what is in progress at the Greenwich Observatory, were reminded by Mr. Airy, the astronomer royal, that much good might be done by pursuing a course of magnetic and meteorological observations. The officials "listened and believed."

The following year saw a wooden fence pushed out behind the Observatory walls, in the direction of Blackheath, and soon afterward a few low-roofed, unpainted, wooden buildings were dotted over the inclosure. These structures are small enough and humble enough to outward view, yet they contain some most beautifully-constructed instruments, and have been the scene of a series of observations and discoveries of the greatest interest and value. The stray holiday visitor to Greenwich Park, who feels tempted to look over the wooden paling, sees only a series of deal sheds, upon a rough grass-plat; a mast some eighty feet high, steadied by ropes, and having a lantern at the top, and a windlass below; and if he looks closer, he perceives a small inner inclosure, surrounded by a dwarf fence; an upright stand, with a movable top, sheltering a collection of thermometers; and here and there a pile of planks and unused partitioning, that helps to give the place an appearance of temporary expediency, an aspect something between a collection of emigrants' cottages and the yard of a dealer in second-hand building materials. But--as was said when speaking of the Astronomical Observatory--Greenwich is a practical place, and not one prepared for show. Science, like virtue, does not require a palace for a dwelling-place. In this collection of deal houses, during the last ten years, Nature has been constantly watched, and interrogated with the zeal and patience which alone can glean a knowledge of her secrets. And the results of those watches, kept at all hours, and in all weathers, are curious in the extreme; but before we ask what they are, let us cross the barrier, and see with what tools the weather-students work.

The main building is built in the form of a cross, with its chief front to the magnetic north. It is formed of wood, all iron and other metals being carefully excluded; for its purpose is to contain three large magnets, which have to be isolated from all influence likely to interfere with their truthful action. In three arms of the cross these magnets are suspended by bands of unwrought, untwisted silk. In the fourth arm is a sort of double window, filled with apparatus for receiving the electricity collected at the top of the mast which stands close by. Thus, in this wooden shed, we find one portion devoted to; electricity--to the detection and registry of the stray lightning of the atmosphere--and the other three to a set of instruments that feel the influence and register the variations of the magnetic changes in the conditions of the air. "True as the needle to the pole," is the burden of an old song, which now shows how little our forefathers knew about this same needle, which, in truth, has a much steadier character than it deserves. Let all who still have faith in the legend go to the magnet-house, and when they have seen the vagaries there displayed, they will have but a poor idea of Mr. Charles Dibdin's sea-heroes, whose constancy is declared to have been as true as their compasses were to the north.

Upon entering the magnet-house, the first object that attracts attention are the jars to which the electricity is brought down. The fluid is collected, as just stated, by a conductor running from the top of the mast outside. In order that not the slightest portion may be lost in its progress down, a lamp is kept constantly burning near the top of the pole, the light of which keeps warm and dry a body of glass that cuts off all communication between the conductor and the machinery which supports it. Another light, for the purpose of collecting the electricity by its flame, is placed above the top of the pole. This light, burning at night, has given rise to many a strange supposition in the neighborhood. It is too high up to be serviceable as a lantern to those below. Besides, who walks in Greenwich Park after the gates are closed? It can light only the birds or the deer. "Then, surely," says another popular legend, "it is to guide the ships on the river, when on their way up at night; a sort of landmark to tell where-abouts the Observatory is when the moon and stars are clouded, and refuse to show where their watchers are."

All these speculations are idle, for the lights burn when the sun is shining, as well as at night; and the object of the lower one is that no trace of moisture, and no approach of cold, shall give the electricity a chance of slipping down the mast, or the ropes, to the earth, but shall leave it no way of escape from the wise men below, who want it, and will have it, whether it likes or no, in their jars, that they may measure its quantity and its quality, and write both down in their journals. It is thus that electricity comes down the wires into those jars on our right as we enter. If very slight, its presence there is indicated by tiny morsels of pendent gold-leaf; if stronger, the divergence of two straws show it; if stronger still, the third jar holds its greater force, while neighboring instruments measure the length of the electric sparks, or mark the amount of the electric force. At the desk, close by, sits the observer, who jots down the successive indications. In his book he registers from day to day, throughout the year, how much electricity has been in the air, and what was its character, even to such particulars as to whether its sparks were blue, violet, or purple in color. At times, however, he has to exercise great care, and it is not always that he even then escapes receiving severe shocks.

Passing on, we approach the magnets. They are three in number; of large size, and differently suspended, to show the various ways in which such bodies are acted upon. All hang by bands of unwrought silk. If the silk were twisted, it would twist the magnets, and the accuracy of their position would be disturbed. Magnets, like telescopes, must be true in their adjustment to the hundredth part of a hair's breadth. One magnet hangs north and south; another east and west; and a third, like a scale-beam, is balanced on knife-edges and agate planes, so beautifully, that when once adjusted and inclosed in its case, it is opened only once a year, lest one grain of dust, or one small spider, should destroy its truth; for spiders are as troublesome to the weather-student as to the astronomer. These insects like the perfect quiet that reigns about the instruments of the philosopher, and with heroic perseverance persist in spinning their fine threads among his machines. Indeed, spiders occasionally betray the magnetic observer into very odd behavior At times he may be seen bowing in the sunshine, like a Persian fire-worshiper; now stooping in this direction, now dodging in that, but always gazing through the sun's rays up toward that luminary. He seems demented, staring at nothing. At last he lifts his hand; he snatches apparently at vacancy to pull nothing down In truth his eye had at last caught the gleam of light reflected from an almost invisible spider line running from the electrical wire to the neighboring planks. The spider who had ventured on the charged wire paid the penalty of such daring with his life long ago, but he had left his web behind him, and that beautifully minute thread has been carrying off to the earth a portion of the electric fluid, before it had been received, and tested, and registered by the mechanism below. Such facts show the exceeding delicacy of the observations.

For seven years, the magnets suspended in this building were constantly watched every two hours--every even hour--day and night, except on Sundays, the object being that some light might be thrown upon the laws regulating the movements of the mariner's compass; hence, that while men became wiser, navigation might be rendered safer. The chief observer--the _genius loci_--is Mr. Glaisher, whose name figures in the reports of the Register-General. He, with two assistants, from year to year, went on making these tedious examinations of the variations of the magnets, by means of small telescopes, fixed with great precision upon pedestals of masonry or wood fixed on the earth, and unconnected with the floor of the building, occupying a position exactly between the three magnets. This mode of proceeding had continued for some years with almost unerring regularity, and certain large quarto volumes full of figures were the results, when an ingenious medical man, Mr. Brooke, hit upon a photographic plan for removing the necessity for this perpetual watchfulness. Now, in the magnet-house, we see light and chemistry doing the tasks before performed by human labor; and doing them more faithfully than even the most vigilant of human eyes and hands. Around the magnets are cases of zinc, so perfect that they exclude all light from without. Inside those cases, in one place, is a lamp giving a single ray of prepared light, which, falling upon a mirror soldered to the magnet, moves with its motions. This wandering ray, directed toward a sheet of sensitive photographic paper, records the magnet's slightest motion! The paper moves on by clock-work, and once in four-and-twenty hours an assistant, having closed the shutters of the building, lights a lantern of _yellow glass_, opens the magnet-boxes, removes the paper on which the magnets have been enabled to record their own motions, and then, having put in a fresh sheet of sensitive paper, he shuts it securely in, winds up the clock-work, puts out his yellow light, and lets in the sunshine. His lantern glass is yellow, because the yellow rays are the only ones which can be safely allowed to fall upon the photographic paper during its removal from the instrument, to the dish in which its magnetic picture is to be _fixed_ by a further chemical process. It is the blue ray of the light that gives the daguerrotypic likeness--as most persons who have had their heads off, under the hands of M. Claudet, or Mr. Beard, or any of their numerous competitors in the art of preparing sun-pictures, well know.

Since the apparatus of Mr. Brooke for the self-registration of the magnetic changes has been in operation at Greenwich, the time of Mr. Glaisher and his assistants has been more at liberty for other branches of their duties. These are numerous enough. Thermometers and barometers have to be watched as well as magnets. To these instruments the same ingenious photographic contrivance is applied.

The wooden building next to the magnet-house on the southwest contains a modification of Mr. Brooke's ingenious plan, by which the rise and fall of the temperature of the air is self-registered. Outside the building are the bulbs of thermometers freely exposed to the weather. Their shafts run through a zinc case, and as the mercury rises or falls, it moves a float having a projecting arm. Across this arm is thrown the ray of prepared light which falls then upon the sensitive paper. Thus we see the variations of the needle and the variations in heat and cold both recording their own story, within these humble-looking wooden sheds, as completely as the wind and the rain are made to do the same thing, on the top of the towers of the Observatory. The reward given to the inventor of this ingenious mode of self-registration has been recently revealed in a parliamentary paper, thus: "To Mr. Charles Brooke for his invention and establishment at the Royal Observatory, of the apparatus for the self-registration of magnetical and meteorological phenomena, L500." Every year the invention will save fully L500 worth of human toil; and the reward seems small when we see every year millions voted for warlike, sinecure, and other worse than useless purposes.

Photography, however, can not do all the work. Its records have to be cheeked by independent observations every day, and then both have to be brought to their practical value by comparison with certain tables which test their accuracy, and make them available for disclosing certain scientific results. The preparation of such tables is one of the practical triumphs of Greenwich. Many a quiet country gentleman amuses his leisure by noting day by day the variations of his thermometer and barometer. Heretofore such observations were isolated and of no general value, but now, by the tables completed by Mr. Glaisher, and published by the Royal Society, they may all be converted into scientific values, and be made available for the increase of our weather-wisdom. For nearly seventy years the Royal Society had observations made at Somerset House, but they were a dead letter--mere long columns of figures--till these tables gave them significance. And the same tables now knit into one scientific whole, the observations taken by forty scientific volunteers, who, from day to day, record for the Registrar-General of births and deaths, the temperature, moisture, &c., of their different localities, which vary from Glasgow to Guernsey, and from Cornwall to Norwich.

What the Rosetta stone is to the history of the Pharaohs, these Greenwich tables have been to the weather-hieroglyphics. They have afforded something like a key to the language in which the secrets are written; and it remains for industrious observation and scientific zeal to complete the modern victory over ancient ignorance. Already the results of the Greenwich studies of the weather have given us a number of curious morsels of knowledge. The wholesale destruction of human life induced by a fall in the temperature of London has just been noticed. Besides the manifestation of that fact, we are shown, that instead of a warm summer being followed by a cold winter, the tendency of the law of the weather is to group warm seasons together, and cold seasons together. Mr. Glaisher has made out, that the character of the weather seems to follow certain curves, so to speak, each extending over periods of fifteen years. During the first half of each of these periods, the seasons become warmer and warmer, till they reach their warmest point, and then they sink again, becoming colder and colder, till they reach the lowest point, whence they rise again. His tables range over the last seventy-nine years--from 1771 to 1849. Periods shown to be the coldest, were years memorable for high-priced food, increased mortality, popular discontent, and political changes. In his diagrams, the warm years are tinted brown, and the cold years gray, and as the sheets are turned over and the dates scanned, the fact suggest itself that a gray period saw Lord George Gordon's riots; a gray period was marked by the Reform Bill excitement; and a gray period saw the Corn Laws repealed.

A few more morsels culled from the experience of these weather-seers, and we have done.

Those seasons have been best which have enjoyed an average temperature--not too hot nor too cold.

The indications are that the climate of England is becoming warmer, and, consequently, healthier; a fact to be partly accounted for by the improved drainage and the removal of an excess of timber from the land.

The intensity of cholera was found greatest in those places where the air was stagnant; and, therefore, any means for causing its motion, as lighting fires and improving ventilation, are thus proved to be of the utmost consequence.

Some day near the 20th of January--the lucky guess, in 1838, of Murphy's Weather Almanac--will, upon the average of years, be found to be the coldest of the whole year.

In the middle of May there are generally some days of cold, so severe as to be unexplainable. Humboldt mentions this fact in his Cosmos; and various authors have tried to account for it--at present in vain. The favorite notion, perhaps, is that which attributes this period of cold to the loosening of the icebergs of the north. Another weather eccentricity is the usual advent of some warm days at the beginning of November.

Certain experiments in progress to test the difference between the temperature of the Thames, and of the surrounding atmosphere, are expected to show the cause of the famous London fog. During the night the Thames is often from ten to seventeen degrees warmer, and in the day time from eight to ten degrees colder than the air above it.

If the theory of weather-cycles holds good, we are to have seasons colder than the average from this time till 1853, when warmth will begin again to predominate over cold. A chilly prophecy this to close with, and therefore, rather let an anecdote complete this chapter on the Weather-Watchers of Greenwich.

Among other experiments going on some time ago in the observatory inclosure, were some by which Mr. Glaisher sought to discover how much warmth the earth lost during the hours of night, and how much moisture the air would take up in a day from a given surface. Upon the long grass, within the dwarf fence already mentioned were placed all sorts of odd substances, in little distinct qualities. Ashes wood, leather, linen, cotton, glass, lead, copper and stone, among other things, were there to show how each affected the question of radiation. Close by upon a post was a dish six inches across, in which every day there was punctually poured one ounce of water, and at the same hour next day, as punctually was this fluid remeasured to see what had been lost by evaporation. For three years this latter experiment had been going on, and the results were posted up in a book; but the figures gave most contradictory results. There was either something very irregular in the air, or something very wrong in the apparatus. It was watched for leakage, but none was found, when one day Mr. Glaisher stepped out of the magnet-house, and looking toward the stand, the mystery was revealed. The evaporating dish of the philosopher was being used as a bath by an irreverent bird! a sparrow was scattering from his wings the water left to be drunk by the winds of Heaven. Only one thing remained to be done; and the next minute saw a pen run through the tables that had taken three years to compile. The labor was lost--the work had to be begun again.

DOING.

Oh, friend, whoe'er thou art, who dost rejoice
In the sweet tones of thy melodious voice;
Which to thy fancy are so rich and clear,
Falling like music, on the list'ning ear,
Of thee I ask,
What hast thou done of that thou hast to do?
Art silent? Then I say,
Until thy deeds are many let thy words be few.

Oh, man, whoe'er thou art, within whose breast
The glowing thoughts disdain ignoble rest;
Whose soul is laboring with a monstrous birth
Of winged words, to scatter through the earth
Of thee I ask,
What hast thou done of that thou hast to do?
Art silent? Then I say,
Until thy deeds are many let thy words be few.

Oh, brother mine, who would'st reform mankind
Purging the dross, and leaving all refined;
Preaching of sinless love, sobriety,
Of goodness, endless peace, and charity,
Of thee I ask,
What hast thou done of that thou hast to do?
Art silent? Then I say,
Until thy deeds are many let thy words be few.

Speech without action is a moral dearth,
And to advance the world is little worth:
Let us think much, say little, and much do,
If to ourselves and God we will be true;
And ask within,
What have I done of that I have to do?
Is conscience silent--say,
Oh! let my deeds be many and my words be few.

J. G. L. BULLEID.

[From Household Words.]

YOUNG RUSSIA.

Certain social theorists have, of late years, proclaimed themselves to the puzzled public under the name and signification of "Young." Young France, Young Germany, and Young England have had their day, and having now grown older, and by consequence wiser, are comparatively mute. In accordance with what seems a natural law, it is only when a fashion is being forgotten where it originated--in the west--that is reaches Russia, which rigidly keeps a century or so behind the rest of the Continent. It is only recently, therefore, that we hear of "Young Russia."

The main principles of all these national youths are alike. They are pleasingly picturesque--simperingly amiable; with a pretty and piquant dash of paradox. What they propose is not new birth, or dashing out into new systems, and taking advantage of new ideas; but reverting to old systems, and furbishing them up so as to look as good as new. Re-juvenescence is their aim; the middle ages their motto. Young England, to wit, desires to replace things as they were in the days of the pack-horse, the thumb-screw, the monastery, the ducking-stool, the knight errant, trial by battle, and the donjon-keep. To these he wishes to apply all possible modern improvements, to adapt them to present ideas, and to present events. Though he would have no objection to his mailed knight traveling per first-class railway, he would abolish luggage-trains to encourage intestine trade and the breed of that noble animal the pack-horse. He has, indeed, done something in this monastic line; but his efforts for the dissemination of superstition, and his denunciations of a certain sort of witchcraft, have signally failed. In truth, the task he has set himself--that of re-constructing society anew out of old materials--though highly archaeological, historical, and poetic, has the fatal disadvantage of being simply impossible. It is telling the people of the nineteenth century to carry their minds, habits, and sentiments back, so as to become people of the thirteenth century; it is trying to make new muslin out of mummy cloth, or razors out of rusty nails.

"Young Russia" is an equal absurdity, but from a precisely opposite cause; for, indeed, this sort of youth out of age is a series of paradoxes. The Russian of the present day _is_ the Russian of past ages. He exists by rule--the rule of despotism--which is as old as the Medes and Persians; and which forces him into an iron mould that shapes his appearance, his mind, and his actions to one pattern, from one generation to another Hence every thing that lives and breathes in Russia being antique, there is no appreciable antiquity. The new school, therefore--even if amateur politics were allowable in Russia, which they are not, as a large population of exiles in Siberia can testify--has no materials to work upon. Stagnation is the political law, and "Young Russia" dies in its babyhood for want of sustenance. What goes by the name of civilization, is no advance in wealth, morals, or social happiness. It is merely a tinsel coating over the rottenness and rust with which Russian life is "sicklied o'er." It has nothing to do with a single soul below the rank of a noble; and with him it means Champagne, bad pictures, Parisian tailors, operas, gaming, and other expenses and elegancies imported from the West. Hundreds of provincial noblemen are ruined every year in St. Petersburg, in undergoing this process of civilization. The fortunes thus wasted are enormous; yet there is only one railroad now in operation throughout the whole empire, and that belongs to the Emperor, and leads to one of his palaces a few miles from the capital. Such is Russian civilization. What then is "Young Russia" to do? Ask one of its youngest apostles, Ivan Vassilievitsch.

This young gentleman--for an introduction to whom we are indebted to Count Sollogub--was, not long ago, parading the Iverskoy boulevard--one of the thirteen which half encircle Moscow--when he met a neighbor from the province of Kazan. Ivan had lately returned from abroad. He was a perfect specimen of the new school, inside and out. Within, he had imbibed all the ideas of the juvenile or verdant schools of Germany, France, and England. Without, he displayed a London macintosh; his coat and trowsers had been designed and executed by Parisian artists; his hair was cut in the style of the middle ages; and his chin showed the remnants of a Vandyke beard. He also resembled the new school in another respect: he had spent all his money, yet he was separated from home by the distance of a long--a Russian--journey.

To meet with a neighbor--which he did--who traveled in his own carriage, in which he offered a seat, was the height of good fortune. The more so, as Ivan wished to see as much of Russian life on the road as possible, and to note down his _impressions_ in a journal, whose white leaves were as yet unsullied with ink. From the information he intended to collect, he intended to commence helping to re-construct Russian society after the order of the new Russiaites.

The vehicle in which this great mission was to be performed, was a humble family affair called a _Tarantas_. After a series of adventures--but which did not furnish Ivan a single _impression_ for his note-book--they arrive at Vladimir, the capital of a province or "government." Here the younger traveler meets with a friend, to whom he confides his intention of visiting all the other Government towns for "Young Russia" purposes. His friend's reply is dispiriting to the last degree.

"There is no difference between our government towns. See one, and you'll know them all!"

"Is it possible?"

"It is so, I assure you. Every one has a High-street one principal shop, where the country gentlemen buy silks for their wives, and Champagne for themselves; then there are the Courts of Justice, the assembly-rooms, an apothecary's shop, a river, a square, a bazaar, two or three street-lamps, sentry-boxes for the watchmen, and the governor's house."

"The society, however, in the government towns must be different?"

"On the contrary. The society is still more uniform than the buildings."

"You astonish me: how is that?"

"Listen. There is, of course, in every government town a governor. These do not always resemble each other; but as soon as any one of them appears, police and secretaries immediately become active, merchants and tradesmen bow, and the gentry draw themselves up, with, however, some little awe. Wherever the governor goes, he is sure to find Champagne, the wine so much patronized in the province, and every body drinks a bumper to the health of the '_father of the province_.' Governors generally are well-bred, and sometimes very proud. They like to give dinner-parties, and benevolently condescend to play a game of whist with rich brandy-contractors and landowners."

"That's a common thing," remarked Ivan Vassilievitsch.

"Do not interrupt me. Besides the governor, there is in nearly every government town the governor's lady. She is rather a peculiar personage; generally brought up in one of the two capitals, and spoiled with the cringing attentions of her company. On her husband's first entry into office, she is polite and affable; later, she begins to feel weary of the ordinary provincial intrigues and gossips; she gets accustomed to the slavish attentions she receives, and lays claim to them. At this period she surrounds herself with a parasitical suite; she quarrels with the lady of the vice-governor; she brags of St. Petersburg; speaks with disdain of her provincial circle, and finally draws upon herself the utmost universal ill-feeling, which is kept up till the day of her departure, when all goes into oblivion, every thing is pardoned, and every body bids her farewell with tears."

"Two persons do not form the whole society of a town," interrupted again Ivan Vassilievitsch.

"Patience, brother, patience! Certainly there are other persons besides the two I have just spoken of: there is the vice-governor and his lady; several presidents, with their respective ladies, and an innumerable crowd of functionaries serving under their leadership. The ladies are ever quarreling in words, while their husbands do the same thing upon foolscap. The presidents, for the most part, are men of advanced age and business-like habits, with great crosses hanging from their necks, and are, during the day time, to be seen out of their courts only on holidays. The government attorney is generally a single man, and an enviable match. The superior officer of the _gens-d'armes_ is a 'good fellow.' The nobility-marshal a great sportsman. Besides the government and the local officers, there live in a government town stingy landowners, or those who have squandered away their property; they gamble from evening to morning, nay, from morning to evening too, without getting the least bit tired of their exercise."

"Now, about their mode of living?" asked Ivan Vassilievitsch.

"The mode of living is a very dull one. At exchange of ceremonious visits. Intrigues, cards--cards, intrigues. Now and then, perchance, you may meet with a kind, hospitable family, but such a case is very rare; you much oftener find a ludicrous affectation to imitate the manners of an imaginary high life. There are no public amusements in a government town. During winter a series of balls are announced to take place at the Assembly-rooms; however from an absurd primness, these balls are little frequented, because no one wants to be the first in the room. The '_bon genre_' remains at home and plays whist. In general, I have remarked, that on arriving in a government town, it seems as if you were too early or too late for some extraordinary event. You are ever welcomed: 'What a pity you were not here yesterday!' or, 'You should stay here till to-morrow.'"

In process of time Ivan Vassilievitsch and his good-natured fat companion, Vassily Ivanovitsch, reach a borough town, where the Tarantas breaks down. There is a tavern, and here is a description of it.

"The tavern was like any other tavern--a large wooden hut, with the usual out-buildings. At the entrance stood an empty cart. The staircase was crooked and shaky, and at the top of it, like a moving candelabrum, stood a waiter with a tallow candle in his hand. To the right was the tap-room, painted from time immemorial to imitate a grove. Tumblers, tea-pots, decanters, three silver and a great number of pewter spoons, adorned the shelves of a cup-board; a couple of lads in chintz shirts, with dirty napkins over their shoulders, busied themselves at the bar. Through an open door you saw in the next room a billiard-table, and a hen gravely promenading upon it.

"Our travelers were conducted into the principal room of this elegant establishment, where they found, seated round a boiling tea-urn, three merchants--one gray-haired, one red-haired, and one dark-haired. Each of these was armed with a steaming tumbler; each of them sipped, smacked his lips, stroked his beard, and sipped again the fragrant beverage.

"The red-haired man was saying,

"'I made, last summer, a splendid bargain. I had bought from a company of Samara-Tartars, some five hundred bags of prime quality, which I purchased from a nobleman who was in want of money, but such dreadful stuff it was, that if it had not been for the very low price, I would never have thought of looking at it. What did I do? I mixed these two cargoes and sold the whole lot to a brandy-contractor at Ribna, for prime quality.'

"'It was a clever speculation,' remarked the dark-haired.

"'A commercial trick!' added the gray-haired.

"While this conversation was proceeding, Vassily Ivanovitsch and Ivan Vassilievitsch had taken seats at a separate little table; they had ordered their tea, and were listening to what the three merchants were saying.