Chapter XVIII: Part II: Conclusion (5)

George P. Putnam has published _The Chronicle of the Conquest of Granada_, by WASHINGTON IRVING, forming the fourteenth volume of the beautiful revised edition of Irving's collected works. Since the first publication of this romantic prose-poem, the fictitious dress, in which the inventive fancy of the author had arrayed the story, had been made the subject of somewhat stringent criticism; Fray Antonio Agapida had been found to belong to a Spanish branch of the family of Diedrich Knickerbocker; and doubts were thus cast over the credibility of the whole veracious chronicle. Mr. Irving extricates himself from the dilemma with his usual graceful ingenuity. In a characteristic note to this edition, he explains the circumstances in which the history had its origin, and shows conclusively that whatever dimness may be thrown over the identity of the worthy Fray Antonio, the work itself was constructed from authentic documents, and is faithful in all its essential points to historical fact. While occupied at Madrid in writing the life of Columbus, Mr. Irving was strongly impressed with the rich materials presented by the war of Granada, for a composition which should blend the interest of romance with the fidelity of history. Alive as he always is to picturesque effect, he was struck with the contrast presented by the combatants of Oriental and European creeds, costumes, and manners; with the hairbrained enterprises, chivalric adventures, and wild forays through mountain regions; and with the moss-trooping assaults on cliff-built castles and cragged fortresses, which succeeded each other with dazzling brilliancy and variety. Fortunately in the well-stored libraries of Madrid, he had access to copious and authentic chronicles, often in manuscript, written at the time by eye-witnesses, and in some instances, by persons who had been actually engaged in the scenes described. At a subsequent period, after completing the Life of Columbus, he made an extensive tour in Andalusia, visiting the ruins of the Moorish towns, fortresses, and castles, and the wild mountain passes, which had been the principal theatre of the war, and passing some time in the stately old palace of the Alhambra, the once favorite abode of the Moorish monarchs. With this preparation, he finished the manuscript of which he had already drawn up the general outline, adopting the fiction of a Spanish monk as the chronicler of the history. By this innocent stratagem, Mr. Irving intended to personify in Fray Antonio the monkish zealots who made themselves busy in the campaigns, marring the chivalry of the camp by the bigotry of the cloister, and exulting in every act of intolerance toward the Moors.

This ingenious explanation will give a fresh interest to the present edition. The costume of the garrulous Agapida is still retained, although the narrative is reduced more strictly within historical bounds, and is enriched with new facts that have been recently brought to light by the erudite researches of Alcántara and other diligent explorers of this romantic field. With excellent taste, the publisher has issued this volume in a style of typographical elegance not unworthy the magnificent paragraphs of the golden-mouthed author.

_The Life and Times of General John Lamb_, by ISAAC Q. LEAKE, published at Albany by J. Munsell, is an important contribution to the history of the Revolution, compiled from original documents, many of which possess great interest.

_Progress in the Northwest_ is the title of the Annual Discourse delivered before the Historical Society of Ohio, by the President, WILLIAM D. GALLAGHER, and published by H. W. Derby and Co., Cincinnati. It gives a rapid description of the progress of cultivation and improvement in the Northwestern portion of the United States, showing the giant steps which have been taken, especially, within the last twenty years, on that broad and fertile domain. The conditions of future advancement are also discussed in the spirit of philosophical analysis, and with occasional touches of genuine eloquence.

EDWARD EVERETT'S _Oration at the Celebration of the Battle of Bunker Hill_, published by Redding and Co., Boston, describes some of the leading incidents in that opening scene of the American Revolution, and is distinguished for the rhetorical felicity, the picturesque beauty of expression, and the patriotic enthusiasm which have given a wide celebrity to the anniversary performances of the author. Its flowing melody of style, combined with the impressive tones and graceful manner of the speaker, enables us to imagine the effect which is said to have been produced by its delivery. The ability exhibited in Mr. EVERETT'S expressive and luminous narrative, if devoted to an elaborate historical composition, would leave him with but few rivals in this department of literature.

_Oration before the Phi Beta Kappa Society_ of Harvard University, by TIMOTHY WALKER, published by James Munroe and Co., Boston, is a temperate discussion of the Reform Spirit of the day, abounding in salutary cautions and judicious discriminations. The style of the Oration savors more of the man of affairs than of the practical writer, and its good sense and moderate tone must have commended it to the cultivated audience before which it was delivered.

_The Poem on the American Legend_, by BAYARD TAYLOR, pronounced on the same occasion, and published by John Bartlett, Cambridge, is a graceful portraiture of the elements of romance and poetry in the traditions of our country, and contains passages of uncommon energy of versification, expressing a high order of moral and patriotic sentiment. His allusion to the special legends of different localities are very felicitous in their tone, and the tribute to the character of the lamented President is a fine instance of the condensation and forcible brevity which Mr. Taylor commands with eminent success.

A useful and seasonable work, entitled _Europe, Past and Present_, by FRANCIS H. UNGEWITTER, LL.D., has been issued by G. P. Putnam, which will be found to contain a mass of information, carefully arranged and digested, of great service to the student of European Geography and History. The author, who is a native German, has published several extensive geographical works in his own country, which have given him the reputation of a sound and accurate scholar in that department of research. He appears to have made a faithful and discriminating use of the abundant materials at his command, and has produced a work which can not fail to do him credit in his adopted land.

_The Architecture of Country Houses_, by A. J. DOWNING, published by D. Appleton and Co., is from the pen of a writer whose former productions entitle him to the rank of a standard authority on the attractive subject of the present volume. Mr. Downing has certainly some uncommon qualifications for the successful accomplishment of his task, which requires no less practical experience and knowledge than a sound and cultivated taste. He is familiar with the best publications of previous authors; his pursuits, have led him to a thorough appreciation of the wants and capabilities of country life; he has been trained by the constant influence of rural scenes; and with an eye keenly susceptible to the effect of proportion and form, he brings the refinements of true culture and the suggestions of a vigilant common-sense to the improvement of Rural Architecture, which he wishes to see in harmony with the grand and beautiful scenery of this country. His remarks in the commencement of the volume, with regard to the general significance of architecture are worthy of profound attention. A due observance of the principles, which he eloquently sets forth, would rescue the fine localities for which nature has done so much from the monstrosities in wood and brick with which they are so often deformed. His discussion of the materials and modes of construction are of great practical value. With the abundance of designs which he presents, for every style of rural building, and the careful estimates of the expense, no one who proposes to erect a house in the country can fail to derive great advantage from consulting his well-written and interesting pages.

Tallis, Willoughby, & Co. are publishing as serials the _Adventures of Don Quixote_, translated by JARVIS, and the _Complete Works of Shakspeare_, edited by JAMES ORCHARD HALLIWELL. The Don Quixote is a cheap edition, embellished with wood cuts by Tony Johannot. The Shakspeare is illustrated with steel engravings by Rogers, Heath, Finden, and Walker, from designs by Henry Warren, Edward Corbould, and other English artists who are favorably known to the public. It is intended that this edition shall contain all the writings ascribed to the immortal dramatist, without distinction, including not only the Poems and well-authenticated Plays, but also the Plays of doubtful origin, or of which Shakspeare is supposed to have been only in part the author.

Herrman J. Meyer, a German publisher in this city, is issuing an edition of MEYER'S _Universum_, a splendid pictorial work, which is to appear in monthly parts, each containing four engravings on steel, and twelve of them making an annual volume with forty-eight plates. They consist of the most celebrated views of natural scenery, and of rare works of art, selected from prominent objects of interest in every part of the globe. The first number contains an engraving of Bunker Hill Monument, the _Ecole Nationale_ at Paris, Rousseau's Hermitage at Montmorency, and the Royal Palace at Munich, besides a well-executed vignette on the title-page and cover. The letter-press descriptions by the author are retained in the original language, which, in a professed American edition, is an injudicious arrangement, serving to limit the circulation of the work, in a great degree, to Germans, and to those familiar with the German language.

Mrs. CROWE'S _Night Side of Nature_, published by J. S. Redfield, is another contribution to the literature of Ghosts and Ghost-Seers, which, like the furniture and costume of the middle ages, seems to be coming into fashion with many curious amateurs of novelties. The reviving taste for this kind of speculation is a singular feature of the age, showing the prevalence of a dissatisfied and restless skepticism, rather than an enlightened and robust faith in spiritual realities. Mrs. Crowe is a decided, though gentle advocate of the preternatural character of the marvelous phenomena, of which probably every country and age presents a more or less extended record. She has collected a large mass of incidents, which have been supposed to bear upon the subject, many of which were communicated to her on personal authority, and were first brought to the notice of the public in her volume. She has pursued her researches, with incredible industry, into the traditions of various nations, making free use of the copious erudition of the Germans in this department, and arranging the facts or legends she has obtained with a certain degree of historical criticism, that gives a value to her work as an illustration of national beliefs, without reference to its character as a _hortus siccus_ of weird and marvelous stories. In point of style, her volume is unexceptionable; its spirit is modest and reverent; it can not be justly accused of superstition, though it betrays a womanly instinct for the supernatural: and without being imbued with any love of dogmas, breathes an unmistakable atmosphere of purity and religious trust. The study of this subject can not be recommended to the weak-minded and timorous, but an omnivorous digestion may find a wholesome exercise of its capacity in Mrs. Crowe's tough revelations.

A volume of Discourses, entitled _Christian Thoughts on Life_, by HENRY GILES, has been published by Ticknor, Reed, and Fields, Boston, consisting of a series of elaborate essays, intended to gather into a compact form some fragments of moral experience, and to give a certain record and order to the author's desultory studies of man's interior life. Among the subjects of which it treats are The Worth of Life, the Continuity of Life, the Discipline of Life, Weariness of Life, and Mystery in Religion and in Life. The views presented by Mr. Giles are evidently the fruit of profound personal reflection; they glow with the vitality of experience; and in their tender and pleading eloquence will doubtless commend themselves to many human sympathies. Mr. Giles has been hitherto most favorably known to the public in this country, as a brilliant rhetorician, and an original and piquant literary critic; in the present volume, he displays a rare mastery of ethical analysis and deduction.

W. Phillips & Co., Cincinnati, have issued an octavo volume of nearly seven hundred pages, composed of _Lectures on the American Eclectic System of Surgery_, by BENJAMIN L. HILL, M.D., with over one hundred illustrative engravings. It is based on the principles of the medical system of which the author is a distinguished practitioner.

The _National Temperance Offering_, edited by S. F. Cary, and published by R. Vandien, is got up in an expensive style, and is intended as a gift-book worthy the patronage of the advocates of the Temperance Reform. In addition to a variety of contributions both in prose and poetry from several able writers, it contains biographical sketches of some distinguished Temperance men, accompanied with their portraits, among whom we notice Rev. Dr. Beecher, Horace Greeley, John H. Hawkins, T. P. Hunt, and others.

Fashions for Early Autumn.

FIG 1. A PROMENADE DRESS of a beautiful lavender _taffetas_, the front of the skirt trimmed with folds of the same, confined at regular distances with seven flutes of lavender gauze ribbon, put on the reverse of the folds; a double fluted frilling, rather narrow, encircles the opening of the body, which is made high at the back, and closed in the front with a fluting of ribbon similar to that on the skirt; _demi-long_ sleeves, cut up in a kind of wave at the back, so as to show the under full sleeve of spotted white muslin. Chemisette of fulled muslin, confined with bands of needlework. Scarf of white China _crape_, beautifully embroidered, and finished with a deep, white, silk fringe. Drawn _capote_ of pink _crape_, adorned in the interior with half-wreaths of green myrtle.

FIG. 2. COSTUME FOR A YOUNG LADY.--A dress of white _barège_ trimmed with three deep vandyked flounces put on close to each other; high body, formed of worked inlet, finished with a stand-up row round the throat; the sleeves descend as low as the elbow, where they are finished with two deep frillings, vandyked similar to the flounces. Half-long gloves of straw-colored kid, surmounted with a bracelet of black velvet. Drawn _capote_ of white _crape_, adorned with clusters of the _rose de mott_ both in the interior and exterior. _Pardessus_ of pink _glacé_ silk, trimmed with three frillings of the same, edged with a narrow silk fringe, which also forms a heading to the same; over each hip is a trimming _en tablier_ formed of the fringe; short sleeves, trimmed with one fulling edged with fringe; these sleeves are of the same piece as the cape, not cut separate; the trimming over the top of the arms being similar to that under, and formed also of fringe; this _pardessus_ is perfectly round in its form, and only closes just upon the front of the waist.

MORNING CAPS which are slightly ornamented, vary more in the way in which they are trimmed, than in the positive form; some being trimmed with _chicorées_, wreaths of gauze ribbon, or knobs of ribbon edged with a festooned open-work encircling a simple round of _tulle_, or what is perhaps prettier, a cluster of lace. A pretty form, differing a little from the monotonous round, is composed of a round forming a star, the points being cut off; these points are brought close together, and are encircled with a narrow _bavolet_, the front part being formed so as to descend just below the ears, approaching somewhat to the appearance of the front of a capote. A pretty style of morning cap are those made of India muslin, _à petit papillon_, flat, edged with a choice Mechlin lace, and having three _ricochets_ and a bunch of fancy ribbon placed upon each side, from which depend the _brides_ or strings. Others are extremely pretty, made of the _appliqué_ lace, rich Mechlin, or needlework, and are sometimes ornamented with flowers, giving a lightness to their appearance.

FIG. 4. MORNING COSTUME.--Dress and pardessus of printed cambric muslin, the pattern consisting of wreaths and bouquets of flowers. Jupon of plain, white cambric muslin, edged with a border of rich open needlework. The sleeves of the pardessus are gathered up in front of the arm. The white under-sleeves, which do not descend to the wrists, are finished by two rows of vandyked needlework. A small needlework collar. Lace cap of the round form, placed very backward on the head, and trimmed with full coques of pink and green ribbon at each ear.

TRANSCRIBER'S NOTE

Minor errors in punctuation have been corrected without note.

The following typographical errors have been corrected:

Page Corrected Text Original had
435 fine view of the Firth of Forth Frith
439 when the curtains of the evening curttains
456 so I couldn't sleep comfortable could'nt
465 splendid creature on which he is mounted spendid
486 ancient hilarity of the English peasant peasaat
496 I shall not readily forget, readi-
497 "They didn't think so at Enghein." did'nt
507 Andrew to be out so late to to
522 I was no sooner in bed was was
524 Were murmuring to the moon! to to
532 heavy frames, hung round the walls roung
549 he is justly punished for his offenses punnished
549 publisher gives £500 gives gives
565 Progress of the World of of
566 be very rich in gold be be
567 published is WORDSWORTH'S posthumous WORDSWORT'S

The following words with questionable spellings have been retained: auspicies, dacent, dacency, Elizabethean, vleys. Variant spellings of dillettanti and dilettanti have been retained. Inconsistent hyphenation is as per the original.

The following errors which can not be corrected were noted:

On page 520, it appears that one or more lines may be missing from the original here:

"sulphur mixed with it--and they said,
Indeed it was putting a great affront on the"

On page 560, in the paragraph starting "A communication from M. Trémaux..." the protagonist is later referred to as M. Trévaux.