Chapter I: Front Matter

Copyright, 1896, by HARPER & BROTHERS. All Rights Reserved.

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PUBLISHED WEEKLY. NEW YORK, TUESDAY, MAY 12, 1896. FIVE CENTS A COPY.

VOL. XVII.--NO. 863. TWO DOLLARS A YEAR.

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A WILD-OLIVE WREATH

BY S. SCOVILLE, JUN.

Thronged to the gates is the little town of Elis on this the night before the Olympic Games. Here are present not only men of every Grecian city and province, but strange wanderers from the uttermost corners of the world have assembled to view the games that honor the Ruler of the Gods.

Far away across the plain--so far that the many-voiced tumult of the crowded city is but an echo--in dark silence stand the sacred olive groves. Against the grayish-green foliage gleam the white tents of the athletes, chosen from all Greece, who are to compete on the morrow. Close to where towers the vast temple of Olympian Zeus, the world-wonder that Lidon made, is a little group of tents that shelter the men of Croton, famed for the might of her athletes. One of all the competitors lies wakeful. Dion, the son of Glaucus, gazes from his couch with wide-open eyes out into the night, sees the glimmer of the stars through the flickering leaves, listens to the whisper of the boughs overhead, and sleeps not. On the morrow he, a youth of eighteen, is to run in the dolichos, the hardest race of the games. His breath comes in gasps and the blood drums in the boy's ears as for the hundredth time in fancy he runs his race. The horrible waiting, the strain of suspense, have unnerved many an athlete more seasoned than Dion. A short hour before, Hippomaches, the grizzled old trainer of Croton, had made a final visit to see that all was well with his charges. Close on his departure came Glaucus, the boy's father, a man well past three score, yet with massive frame seemingly untouched by time as when, forty-four years ago, the mighty Milo of Syracuse had fallen before him under such a deadly cestus-stroke that the "blow of Glaucus" passed into a proverb. Dion, who had inherited the slighter frame and almost girlish beauty of a Thessalian mother, has always felt more of awe than affection for his silent Lacedæmonian father, little knowing what a wealth of love for his latest-born the grim old Spartan concealed under his impassive coldness.

To-night Glaucus stands for long without speaking, gazing down at his son, while the stern, unflinching eyes become very soft. Then, to the amazement of Dion, the hand that for nine Olympiads had won the wreath from the world's mightiest rests on his yellow hair, tenderly as a woman's.

"Dion, my son," and the deep voice trembles a little, "thou knowest how that our blood has ever brought glory to Croton. That the statues of thy grandfather, thy father, and thy two brothers all stand in this grove among the winners of Olympiads. Now thy turn hath come. Oh, my son, my son, for the love thy father bears thee, for the honor of city and blood, win the wreath to-morrow!"--and Glaucus is gone.

Through the black tree-trunks steals a wavering glow from where the lone priestess of Hestia tends the eternal flame that forever burns on the Prytaneum. From either side of Dion's tent he hears the deep, regular breathing of his twin brothers, men of tremendous strength and stature like to their father, who have won fame almost equal to his--one as a wrestler, the other as a boxer. Veterans are they in many a hard-fought contest at the great games--Olympic, Pythian, Nemean, and Isthmian--and, certain of success, rest untroubled by any feverish imaginings.

Dion's thoughts go back to that Olympiad in which his brothers scored a double victory for Croton. Before the silent multitude that day Glaucus blessed his sons for the glory they had brought him.

Every honor was heaped on the winners that Greece had to bestow. World poets and singers gave of their genius to adorn the names of the sons of Glaucus. Phidias himself made them immortal in snowy marble. The journey homeward was one long series of triumphs; and when at last the Olympiad-winners reached distant Croton, a breach was made through the solid masonry of the city wall for their entry, no mere gateway sufficing. Met by the assembled Council of Croton, they were formally installed in the Prytaneum as guests of the city for life.

And Dion, still thrilling at the remembrance of that day, falls asleep.

In the gray hour just before dawn Hippomaches rouses the boy from an uneasy slumber, and then with the clear oil rubs out every trace of stiffness from the lithe polished limbs of his charge. The nude youth stands in his manly beauty like a statue to Speed carved in ivory, his white skin crimson-tinged where the friction has brought the warm blood to the surface, while the coiling muscles ripple with every movement across the slim sinewy frame, from which years of training have taken away every ounce of useless fat.

"Ah, my lad," exclaims the old trainer, admiringly, as he gives the white back a farewell pat, "you are fit to-day to run a brave race for old Croton; and forget not all I have taught you!"

Dion dresses, and after a hurried meal proceeds to the temple, there to take the oath of the games--that he is qualified to run, and will use no guile in his race. Thence they go to the Metroön, rich with its treasures of art, to await the triple trumpet-note that shall announce the dolichos. For there are three races to be run this day--two short ones, the aulos and diaulos, and lastly the terrible dolichos, in which the runner covers the course twenty times. During the weary waiting Hippomaches heartens the boy by stories of the performances of his grandfather and father in Olympiads long past. The sun is well up before the first races are over, and the shrill trumpet-tones give the signal for the last of the running events.

At the northwestern corner of the Altis, by the station-entrance that only judges and competitors are privileged to use, the two separate, and Hippomaches hastens away to take his place among the men of Croton, who have their station near the base of the hill Kronion. Dion, with a crowd of other competitors, passes through the vaulted tunnel between long lines of brazen Zanes, and finds himself on the stadion in the full glare of the early sunlight. The heights around are thronged far as the eye can see with a vast crowd. To-day Dion runs before an assembled world. The long straight expanse of the stadion stretches before him. At either end are sunken slabs of white marble. Ten times must a runner touch each block to cover the full twenty courses. High above the stone which marks both start and finish are ranged the ten Hellenodikæ, the judges, while on the opposite side the white-faced priestess of Demeter Chamyrne sits alone--the only woman whose eyes may behold the games.

A great hush has fallen on the multitude as the competitors take the places assigned them by lot. It is broken by the voice of the herald.

"Let him that knows of any stain on the life or blood of a competitor speak now!" it thunders. A moment of tense silence, and then----"Let every runner place his feet on the mark!" echoes along the hill-side.

Each nude figure bends forward; a clear trumpet-note, and they are away, a rushing mass of bodies that gleam in the sunlight.

A little apart from the crowd in the seats of honor sit Glaucus, his twin sons--whose events do not come until late afternoon--and Hippomaches, the trainer.

"'Tis an easy game, this running," remarks one of the twins, the boxer, a little disdainfully.

"I say to you, oh winner with the cestus," Hippomaches responds, sternly, "that the most grievous blows on the palæstra are not to be compared with the suffering of the last five courses of the dolichos!"

But Glaucus hears nothing of this, nothing of the ejaculations and murmurs of excitement, pleasure, and disappointment that sound from all the throng. But for one thing has he eyes--a slim lithe figure far in the rear of the others, yet which moves with a smooth effortless gait like the swoop of a swallow. His iron grip tightens like a vise on the trainer's shoulder. "I know little of contests wherein men trust to their feet," he mutters. "Why lags the boy so far behind? He--he is not losing heart?"

"Watch the first turning, O Glaucus, and thou wilt see why Dion holds back," Hippomaches answers, grimly. "'Tis the bitter stadia that comes last by which thy son's courage will be proven."

Now the crowd of runners are at the end of the first course. The madness of the race is upon most of the novices. Forgetting the long stadia that come after, they strain every muscle to be the first to touch the white stone, and, instantly turning, retrace their course. In the wild jostle that results, Polymnestor, the Platæan runner, is thrown headlong, and though he rises instantly, and limpingly follows the others, never is the lost ground regained. A little group of the older runners, including Dion, who races with all the judgment of a veteran, have held back, and now, avoiding the returning rush, complete the course with no danger of interference, and are soon close upon the heels of the leaders.

It is to this little group that the knowing ones look for the winner. There is Philoctetes, the Spartan, a grim, black-bearded man in the prime of life, who won the dolichos at the last Olympiad. Near him are formidable rivals--Listhenes, Athens's speediest runner, who defeated Philoctetes by a desperate effort at the recent Nemean Games, and Antenor of Corinth, the winner of the event at the Pythian Games, is just at his shoulder. Then come two runners from distant provinces in Asia, who are rumored to have done marvellous racing over their native stadia. Back of them all is Dion, with the smouldering flame in his eyes and the long graceful stride. At the end of the second course the same scene of confusion is repeated, and two more runners go down. Stadion after stadion are traversed, and slowly the leaders drop back. By the end of the tenth the six that had brought up the rear are now in the van. Another course, and they begin to draw away from those who have exhausted their strength during the first half of the race. At last there are but five stadia more--the stadia in which the real race is run, the stadia that are the supreme test of a runner's courage and endurance.

Hippomaches tugs at his grizzled beard excitedly. "Fourteen Olympian dolichoi have I seen run in my day," he exclaims to Glaucus, "but never a faster than this. Flesh and blood cannot stand that pace much longer; some one will drop soon, and--the gods send it be not our Dion!"

Philoctetes is in the lead. His teeth are clinched, and the foam lies white on his black beard. A fit embodiment is he of the grim Lacedæmonian spirit which is yet to dominate all Greece. Faster and faster he runs, hoping to exhaust his rival from hated Athens--none other does he fear. A deep-throated roar of encouragement rises from the tiers of stern-faced, impassive Spartans as their champion flashes past them. Shrill cries come from the excitable Greeks of the Asiatic provinces as they cheer on their representatives, who are beginning to waver. But it is vain. Very different is an Olympic dolichos from any race of the provinces, and though struggling desperately, they drop back, unable longer to stand the tremendous strain. One stadion, two stadia, are passed, and the third begun, nor does Philoctetes falter aught in his even, rapid gait. Right at his shoulder glare the eyes of Listhenes, who would gladly give his life this day that Athens might win. There is a great hush as the runners traverse the third course. The supreme moment of the race is drawing nigh. All in a moment Antenor the Corinthian, who has held the third place just ahead of Dion, plunges forward in the very midst of a stride, and falls to the ground with the bright blood gushing from his mouth--his last dolichos run.

"Dion! Dion! See our Dion!" roar the men of Croton; for the boy is gaining. Inch by inch the gap between him and the leaders lessens, and soon Listhenes hears a sobbing breath at his ear, and knows that there is another to dispute the victory with Athens and Sparta.

"'Tis thine own son, O Glaucus!" cried Hippomaches, clinching his hands. And indeed the boy's features have changed. On the white drawn face appears that same intense look of deadly earnestness that made the fiercest boxer fear to stand before Glaucus in the old days. Fatigue, pain, danger, death itself count for naught; the race! the race! and his city's honor! are all that Dion knows. They touch the white stone, and turn back for the last course almost in line.

Back and forth among the hills roll the waves of sound, "Athens!" "Athens!" "Philoctetes for Sparta!" But high over all echoes the cry of, "Croton! Croton! Speed thee, O Croton!" Unhearingly Dion runs. There is a sickening pain in his breast, a taste of blood in his mouth; but the boy's will yet upholds the overtaxed body, dead from the waist downwards, and the gap between him and the leaders widens not.

Far, oh, so terribly far, in the distance is the white stone, the goal of all his life. Above it are the calm uneager faces of the ten Hellenodikæ and the pale priestess, who gazes down at the struggling trio with unseeing eyes from which a thousand sacrifices have seared all of human tenderness. Nearer and nearer the snowy gleam approaches, and still the three runners are almost in line, with Dion a little behind. Suddenly from out of the misty cloud of faces that wavers before the boy's hot unwinking eyes Dion sees his father's, the stern features all convulsed, hears a voice cry brokenly, with a world of anguished pleading in its tone,

"On, Dion! on! Oh, my son--for your city!"

"Dion! Dion! for your city!" echoes the mighty voice of thrice ten thousand men--and at the cry the boy's face comes up even with the black beard of Philoctetes, the tense countenance of the Athenian.

Neck by neck, stride for stride the three stagger on, and the finish is but a few steps away. The multitude is mad with excitement. Even the Hellenodikæ forget their stoicism, and lean forward, for who touches the stone first, if by only a hair's-breadth, is the winner. Then above the deep roar of the crowd sounds a voice like a trumpet-peal, the tremendous voice of Hippomaches, wisest of the sons of men in every wile of the stadion.

"The finish! Dion, the finish! Remember!--Now!"

Through the dimness that is slowly clouding Dion's senses the voice pierces. Almost in the last stride of the race the boy, with arms extended, throws himself forward like a diver, and the hands, outstretched, are on the goal-stone a fraction of a second before the feet of the others. And with the feeling of the smooth coolness of the marble at his finger-tips comes a great darkness, and Dion knows nothing more until he finds himself standing in the temple of Zeus on the chryselephantine table that Zeuxis made--the most beautiful in the world. Around him are the strong arms of his father. He hears the pealing chant, "Tenella! Tenella!" "Hail to the victor!" and on his forehead feels the light pressure of the hardly won olive wreath that crowns him before the world the winner of the dolichos.

GRANDFATHER'S ADVENTURES.

BY CAPTAIN HOWARD PATTERSON.

"Grandpop," said Ralph Pell, "a little while ago I asked Sam if he had seen many sharks in his lifetime, and he said that he saw more sharks the night he first joined your vessel than he ever saw before or since. When I asked him to tell me the story he shut up as tight as a clam. Do you know what he means?"

"Yes, Ralph, I know what he refers to, and I'll tell you the yarn. It is a good many years ago since I was made proud by receiving as my first command a fine, tight little bark called the _Northern Light_. I carried out a general cargo to Matanzas, on the north side of Cuba, and loaded sugar for my return voyage.

"The day that I received my clearance papers and was ready to sail, our agent, a Spanish gentleman of the name of Gonzales, invited me to take a farewell dinner.

"The time spent at the table was exceedingly pleasant, and after the dessert had been served we adjourned with the ladies to the veranda for our coffee, which was served by a powerfully built negro who answered to the name of Antonio. I have often thought how different that poor slave's life would have been had I not asked for a second cup.

"As Antonio extended the tray toward me he struck its edge against my chair, and emptied the hot black liquid over my white duck coat and trousers.

"My host jumped to his feet in a passion.

"'You worthless black scoundrel!' he cried, 'I'll cure you of your carelessness." Then he turned to me, and with an air of great politeness said, 'I ask you pardon, Señor Capitan, for my slave's miserable clumsiness.

"Immediately following, two of the plantation overseers, whom he had called, dragged the negro on to the lawn before us, stripped off his jacket and shirt, and produced short cruel-looking whips.

"'Señor,' I said, 'I beg of you to pardon him this time; it was purely an accident, for which I excuse him.'

"'I cannot allow your generosity to be taken advantage of, Señor Capitan,' replied my host. 'You have received an indignity under my roof, and I must render you ample proof of my regret.'

"At a sign from the master, the two plantation hands were about to ply their whips upon the back of the house slave, when, jumping over the railing to the lawn, I interposed between the negro and the overseers, bidding them to hold. My interference angered our agent, for he approached me, and said, haughtily:

"'The Señor Capitan will remember that he is not master here, that this is my slave, and he will oblige me by not concerning himself in the management of my affairs.' Then he added, sneeringly, 'Besides, I understand that Yankee shipmasters are not so humane in the treatment of their crews as to be shocked because a clumsy slave receives a sample of what American captains enjoy to inflict on their own men for little or no provocation!'

"'Señor Gonzales,' I answered, hotly, 'your brutality is only equalled by the discourtesy and contempt that you show to me as your guest. I demand an immediate apology for your language in the presence of these overseers and this slave, before whom you have insulted me!'

"As I ended he snatched a whip from one of the men, and raised it as though to strike me, but changing his mind, he half turned and slashed it across the naked shoulders of the negro.

"Before they could seize him, Antonio lurched forward, struck his master a stinging blow with his fist, and the next instant had scaled the garden wall and plunged into the cane-fields close by.

"Disgusted with the way in which my visit had ended, and scorning, under the circumstances, to make use of a conveyance belonging to the plantation, I left the grounds without seeing the señora and her daughters, and made my way to the plaza in the city. Later on I made my way to the wharf where I had ordered the bark's boat to meet me.

"Several times, as the men pulled easily toward the ship through the hot night, I thought I heard, between the intervals of the strokes, a sound like that of labored breathing and the noise of broken water just astern; but in the darkness that prevailed I could see nothing, and thinking perhaps that it was caused by the sharks which abounded in the harbor, I paid no further heed to it.

"We had run alongside the bark, and I had stood up in the stern-sheets to leave the boat, when a black hand reached out of the water and seized the gunwale of the boat; then as one of the sailors uttered a note of alarm and raised his oar threateningly, an agonized negro's face was lifted above the rail, and a pitiful voice cried in Spanish, 'Save Antonio, master!'

"I didn't like the idea of stealing another man's property, but I trembled to think of his fate should he be caught, so I took the poor fellow on board the _Northern Light_, and when morning came I lifted anchor and carried him away from cruelty and slavery forever. To cut him adrift from the past I rechristened him 'Sam.'"

PRACTICAL GOLF.

BY W. G. _van_ TASSEL SUTPHEN.

(_In Five Papers._)

III.--THROUGH THE GREEN, AND BUNKER PLAY.

The "green" is used generically to designate the whole course, specifically it is the putting green. Now we know that after the tee-shot we must "address" and play the ball _as we find it_. We are not permitted to tee it again, nor must we touch it with anything except a club, under penalty of one stroke. The choice of club naturally depends upon the distance from the hole, but more especially upon the "lie" of the ball. Should it be resting cleanly on close firm turf, we may be able to use the driver again; but, generally speaking, our American courses are too rough and cuppy to permit the employment of so fragile an instrument as the wooden driver. On some of the English "greens," and notably Westward Ho, the lies are so good that one's ball seems to be always teed, and proficiency with the wooden club is consequently at a premium. But on ordinary courses the "lie" is pretty sure to be more or less bad, and the play-club, as the driver is sometimes called, must be laid aside in favor of a coarser and more effective weapon. Speaking roughly, the brassy is first choice, followed by cleek, medium iron, lofter, mashie, and niblick, the last being used only in the most desperate of straits, and where nothing more is expected than to get the ball upon the course again.

The fascination of golf lies in its variety and difficulty. If it were only a question of holing balls, one long hole laid out over a smooth meadow would be all that would be necessary. But it would be very monotonous and uninteresting kind of work, and certainly not golf. Given six or nine or eighteen holes of different lengths, and the task at once becomes interesting through the introduction of the element of variety.

But a simple variation in distance is not enough; the game is still too easy. We must have difficulties to avoid or overcome, and these difficulties, lumped under the general name of "hazards," may be either natural or artificial. The idea is that these hazards should be so placed as to punish only poor strokes, and that with perfect play we may avoid them altogether. But for present purposes we may ignore their existence, and assume that the way is clear, and that our only difficulty is the particular position, or "lie," of the ball.

Now there are many kinds of bad lies, but the one oftenest encountered is the "cupped" ball. Here the ball is lying in a shallow hole or depression, making it very difficult to get the club well under it. If the cup be not too deep we may take a brassy, but the stroke will differ slightly from the regular full drive. It should be what is called a "jerked" shot, although the "jerk" has nothing to do with the swing proper. That must be as smooth and regular as possible, but it may be permissible to keep the arms in a trifle, and thereby bring the club up straighter. The principal difference is that the club head cuts into the ground instead of sweeping cleanly over it. The ball is struck in precisely the same manner, and the jerk is simply the after impact of the club head upon the turf. This stroke is particularly effective with the iron clubs, and indeed many players use it for all their iron shots. It certainly drives the ball almost if not quite so far as the clean swing; but the author of the _Art of Golf_ thinks that its constant use tends to unsteadiness at the tee. Nevertheless, it is the only effective treatment for a cupped ball, and it must be learned. When playing the stroke do not think about the jerk. Swing down so as to nip in between the lip of the cup and the ball, and let the club head make its own explanations to the ground. Should the ball be badly cupped you may have to take the mashie or even the niblick to get it out; but the cleek will generally do the work if you hit accurately.

A hanging ball is one that is lying upon a slope that runs down in the direction of the proposed drive. It looks hard to handle, but the difficulty is purely imaginary. The brassy, or any other club whose face is laid back, will easily raise it into the air if you swing properly and trust to the club to do the work. The beginner is apt to think that he must make an extra turn with his wrists to get the ball up, but he is mistaken. Place the club so that it rests naturally on the slope behind the ball, and swing precisely as though you were at the tee, and the "spoon" of the club will do the rest.

Balls lying on a side hill, whether above or below you, are best played with an easy swing, and with the grip of the right hand comparatively loose. Long grass is very annoying because it interferes with the swing. You will have to take the lofter or mashie, and play with a firm grip. But do not "press" or try to strike extra hard. Generally speaking, the worse the lie the more particular you should be to swing and not to hit. Accuracy and not strength is the essential thing. And get well under the ball.

Coming now to hazards and bunkers, it may be said that bunkers are, properly speaking, sand-pits; while a hazard is any permanent feature of the course, such as briar-islands, roads, water, trees, or fences. Of course you will try to avoid these difficulties, but to be successful in doing so you must be reasonably sure of always getting your ball well into the air. A ball trundling along the ground may often make more yards of distance than a nicety lofted one, but then the "green" must be comparatively smooth and clear. If there is a brook or a fence in the way, it must be cleared on the fly, or you will find yourself in trouble. Now the lofter and mashie, from their shape of head, tend to raise the ball higher in the air than the straighter-faced clubs, and the novice should especially cultivate the use of the first-named. If the ball be struck clean and true, it may be lofted higher than is absolutely necessary, but that is better than too low. There is a particular stroke, called the high loft, but that need not concern us now. Use the regular driving swing, and get well under the ball.

Being fairly in a bunker or hazard is a painful situation, and the one thing to do is to get out with all possible expedition. If you are in a bunker proper, or sand-pit, you will have to take the niblick or mashie, and you must remember that you are not allowed to "sole" the club--that is, rest it on the ground as in the ordinary address. The idea is that the mark made on the sand by the club head is an unfair guide for the eye, and therefore if you touch sand you lose a stroke. It is often effective in a sand-bunker to aim at a point a little behind the ball, rather than at the "gutty" itself. The club cuts into the yielding sand, and, as it were, explodes the ball into the air and out of danger. An experiment or two will make this clear to you.

With the ball in an ordinary hazard, play to get it back on the course, rather than to make any extra distance by a little extra effort. If you "press," you will probably leave yourself worse off than before. In a "score" game a player has the option of lifting his ball out of a difficulty of any description and teeing it _behind_ the same, the penalty being two strokes. Of course you must use your judgment as to when this course is the part of wisdom.

In match play, where the scoring is by holes, a lost ball means the loss of the hole. In medal or score play the player must return as nearly as possible to the point where the ball was struck, and tee a new one, the penalty being one stroke.

There are several other contingencies noted in the rules of the game; it is worth while to procure a copy of these and study them carefully.

It is to be remembered that all of the foregoing refers to play through the green when the hole is at an indefinite distance away, and we are simply trying to drive the ball the greatest distance possible. But in playing out of a hazard it is often advisable to use what is called, in approaching the hole, a half or a three-quarter swing. Roughly speaking, if the full distance covered by your regular drive be not desirable, make the _length_ of your swing shorter in proportion, but do not try to hit a little more easily. Distance is measured by the length of the swing and not by the force applied. Let the left wrist be taut; and, finally, _Keep your eye on the ball_.

UNDER THE GREEN-WOOD TREE.

BY EMMA J. GRAY.

"Not going to the country, did you say, mamma?" and sorrowing faces accompanied the words.

"Not this summer, my dears."

"Then if we are _not_ going, I know just what to do."

"What's your plan, my son?"

"Simply to _make_ country for ourselves here at home."

"How, Jack? I don't quite understand," said his sister.

"Divide our big yard. You take both the side beds, and plant in them whichever flowers you would most miss by staying home, and I will take the back bed and surprise you with it."

"Oh, that will be fun! I'll plant one side full of daisies, and the other just as full of buttercups. Then I can make all the daisy wreaths I please, and find out who loves butter and who don't, just the same as when we are up in the mountains."

John was a tree lover. It was his greatest joy to lie off with a favorite book under wide-spreading branches. So he instantly began devising what could be arranged to take a tree's place. He measured his plot, and then set about collecting old brooms. When he had eighteen he cut off the handles close to the brush, and then he sank them one foot in the ground. From the top of each handle he drew stout cord to the back fence, where, having driven some nails, he firmly fastened each cord.

Then he raked the earth down about half a foot, and sowed in a straight line from base to base of the handles a package of Japanese hops. His mother had told him this had most luxuriant foliage and was fine for trellises. Nothing hurt it--neither heat, drought, nor insects. However, John carefully watched the seeds' growth and watered the tender shoots frequently.

While the vines were growing, as he was somewhat of a carpenter, he made a low divan on which to throw a rug and pine pillows for the use of visitors who did not care to lie on the soft tan-bark, which served as carpet for his cool restful greenroom, and which throughout all the hot sultry summer gave thorough satisfaction.

Entrance was made at the extreme right, space for which was allowed at time of building. This part was kept well sodded, as the effect was prettier when viewed from the house. It also was in pleasing contrast to the dark brown of the tan-bark, and made the whole more effective in every way.

As for John's sister, she rarely missed the country, for she so very much enjoyed the freedom of gardening on her own account--weeding, watering, making wreaths and bouquets for her friends and herself.

But, as often happens to older gardeners, she met with disappointment in regard to her buttercup bed. Beyond the first few weeks they refused to bloom, so one day they were all dug up and verbena roots planted instead. These fairly ran riot, and the fantastic gay coloring had the veriest kaleidoscopic effect until frost came and out-of-door gardening was over.

THREE OF US KNOW.

BY MARIE L. VAN VORST.

Who are my playfellows?
Wait, you shall see;
Sometimes a little bird,
Sometimes a bee.
All through the summer world
Gayly we go.
Where is the greenest close,
Where is the sweetest rose,
Three of us know.

Bee seeks the rose's heart,
Bird seeks the tree,
I seek a little brook
Clear as can be.
It singeth all day long
Sweetly and low,
Ballad of sun and star.
What its song-secrets are
Three of us know.

Bee takes the honey home
To the Queen bee;
Bird seeks a nest that hides
High in the tree;
I seek a little house
Where sweet vines grow.
What in God's world is best--
Trees, flowers, home and rest--
Three of us know.

AN "OLD-FIELD" SCHOOL-GIRL.[1]

[1] Begun in HARPER'S ROUND TABLE No. 857.

BY MARION HARLAND