Chapter II: Section I: of Gally's essay, thoroughly conventional in nature, is

omitted here. In it Gally, following Casaubon,[2] theorizes that the character evolved out of Greek Old Comedy. The Augustans saw a close connection between drama and character-writing. Congreve (Dedication to _The Way of the World_, 1700) thought that the comic dramatist Menander formed his characters on "the observations of Theophrastus, of whom he was a disciple," and Budgell, who termed Theophrastus the father of modern comedy, believed that if some of Theophrastus's characters "were well worked up, and brought upon the British theatre, they could not fail of Success."[3] Gally similarly held that a dramatic character and Theophrastan character differ only in

the different Manner of representing the same Image. The _Drama_
presents to the Eyes of a Spectator an Actor, who speaks and acts as
the Person, whom he represents, is suppos'd to speak and act in real
Life. The _Characteristic_ Writer introduces, in a descriptive manner,
before a Reader, the same Person, as speaking and acting in the same
manner.