Skip to content

Chapter III: Part 3

Text size

This truism led to M. de Marsy's name being introduced into the conversation. Rougon bent his head and devoted himself to a searching examination of a portfolio, leaving his friends to ease their minds. They spoke of Marsy with all the rageful hostility which politicians show for an adversary. They revelled in the strongest language, bringing all kinds of abominable accusations against him, and so grossly exaggerating such stories which had a foundation of truth that they became mere lies. Du Poizat, who had known Marsy in former days, before the Empire, declared that he was kept at that time by a baroness whose diamonds he had exhausted in three months. M. Kahn asserted that there was not a single shady affair started in any part of Paris without Marsy having a hand in it. They encouraged each other in charges of this kind, and went on from worse to worse. In a mining affair Marsy had received a bribe of fifteen hundred thousand francs; during the previous month he had offered a furnished house to little Florence of the Bouffes Theatre, a trifle for which he had paid six hundred thousand francs, his share of the profits of a speculation in Morocco railway stock; finally, not a week ago, a grand scheme for constructing canals in Egypt, which had been got up by certain tools of his, had scandalously collapsed, the shareholders discovering that not a single shovelful of earth had been turned, although they had been paying out money for a couple of years or so. Then, too, they fell foul of Marsy's physical appearance, tried to depreciate his good looks, and even attacked the collection of pictures which he was getting together.

'He's a brigand in the skin of a vaudevillist,' Du Poizat ended by exclaiming.

Rougon slowly raised his head and fixed his big eyes on the two men. 'You are going it well,' he said. 'Marsy manages his affairs in his own way, as you manage yours in your way. As regards myself and him, we don't get on well together, and if ever I have a chance to crush him I shall avail myself of it without hesitation. But all that you have been saying doesn't prevent Marsy from being a very clever fellow, and, if ever the whim takes him, he will only make a mouthful of you two, I warn you of it.'

Then Rougon, tired of sitting, rose and stretched himself. He gave a great yawn, as he added: 'And he will do it all the more easily, my friends, now that I shall no longer be in a position to interfere.'

'Oh, you can lead Marsy a pretty dance if you like,' said Du Poizat, with a faint smile. 'You have some papers here which he would be glad to pay a big price for. Those yonder, I mean, the papers in the Lardenois matter, in which he played such a singular part. There's a very curious letter from him among them, which I recognise as one that I brought you myself at the time.'

Rougon went up to the grate in order to throw the papers with which he had gradually filled his basket into the fire. The bronze vase was no longer large enough. 'We must deal a stunning blow, and not give a mere scratch,' he replied, shrugging his shoulders disdainfully. 'Every one has foolish letters astray in the possession of other people.'

He then lighted the letter just spoken of at the candle, and used it to set fire to the heap of papers in the grate. He remained squatting for a moment, whilst watching the blazing pile. Some thick official documents turned black, and twisted about like sheets of lead; the letters and memoranda, scrawled over with handwriting, threw up little tongues of bluish flame, while inside the grate, amidst a swarm of sparks, half-consumed fragments still remained quite legible.

At this moment the door was thrown wide open, and a laughing voice was heard exclaiming: 'All right! I will excuse you, Merle. I belong to the house, and if you don't let me come in this way, I shall go round by the Council Chamber.'

It was M. d'Escorailles, for whom some six months previously Rougon had obtained an appointment as auditor at the Council of State. On his arm hung pretty Madame Bouchard, looking delightfully fresh in a bright spring toilette.

'Good heavens!' muttered Rougon, 'we've got women here now.'

He did not immediately leave his place by the grate, but still stooping, grasping the shovel, and pressing down the blazing papers so as to guard against an accident, he raised his big face with an air of displeasure. M. d'Escorailles, however, appeared in no way disconcerted. When he and the young woman had crossed the threshold, they ceased to smile, and assumed an expression more suited to the circumstances.

'My dear master,' said Escorailles, 'I bring a friend of yours, who insists upon coming to express her sorrow. We have seen the _Moniteur_ this morning----'

'Oh, you have seen the _Moniteur_, too,' muttered Rougon, at last rising erect. Then he caught sight of some one whom he had not previously noticed. 'Ah, Monsieur Bouchard also!' he exclaimed, blinking.

It was, indeed, the husband who, silent and dignified, had just entered the room in the wake of his wife's skirts. M. Bouchard was sixty years old: his hair was quite white, his eyes were dim, and his face was worn by twenty-five years of official labour. He did not say a single word, but took Rougon's hand with an appearance of emotion, and gave it three vigorous shakes.

'It is really very kind of you all to come and see me,' said Rougon, 'only you will be terribly in my way. However, come here, will you? Du Poizat, give Madame Bouchard your chair.'

He turned as he spoke, and then saw Colonel Jobelin standing in front of him. 'What! are you here as well, colonel?' he cried.

As a matter of fact, the door had been left open, and Merle had been unable to stop the colonel, who had come up the staircase immediately behind the Bouchards. He was accompanied by his son, a tall lad of fifteen, a pupil at the Louis-le-Grand College. 'I wanted Auguste to see you,' he said. 'It is misfortune that reveals true friends. Auguste, go and give your hand----'

Rougon, however, had sprung towards the ante-room, crying: 'Shut the door, Merle! What are you thinking about? We shall have all Paris in here directly!'

With calm face the usher replied: 'It's all because they caught sight of you, Monsieur le Président.'

Even as he spoke, he was obliged to step back close to the wall, in order to allow the Charbonnels to pass. They came into the room abreast, but not arm-in-arm. They were out of breath, and looked disconsolate and amazed; and they both began to speak at once. 'We have just seen the _Moniteur_! What dreadful news! How distressed your poor mother will be! And what a sad position, too, it puts us in ourselves!'

More guileless than the others, the Charbonnels were about to enter upon their own little affairs at once, but Rougon stopped them. He shot a bolt, hidden beneath the door lock, and remarked that if any people wanted to come in now, they would have to break the door open. Then, observing that none of his visitors showed signs of leaving, he resigned himself, and tried to finish his task in the midst of these nine people who were crowding his room. The whole place was now in a state of chaotic confusion, there being such a litter of portfolios and papers on the floor that when the colonel and M. Bouchard wanted to reach a window-recess, they had to exercise the greatest care in order to avoid trampling upon some important document. All the chairs were covered with bundles of papers, excepting the one on which Madame Bouchard was now seated. She was smiling at the gallant speeches of Du Poizat and M. Kahn; while M. d'Escorailles, unable to find a hassock, pushed a thick blue portfolio, stuffed with letters, under her feet. The drawers of the writing-table, which had been pushed into a corner of the room, afforded the Charbonnels a temporary seat where they could recover their breath, while young Auguste, delighted at finding himself in the bustle of a removal, poked about till he disappeared behind the mountain of pasteboard boxes, amid which Delestang had previously entrenched himself. As the latter threw down the newspapers from the top of the bookcase, he raised considerable dust, which made Madame Bouchard cough slightly.

'I don't advise you to stay here amidst all this dirt,' said Rougon, who was now emptying the boxes which he had asked Delestang to leave unexamined.

The young woman, however, quite rosy from her fit of coughing, assured him that she was very comfortable, and that the dust would not harm her bonnet. Then all the visitors poured forth their condolences. The Emperor, they declared, must care very little about the real interests of the country to allow himself to be influenced by men so unworthy of his confidence. France was suffering a great loss. But it was ever thus, they said; a man of high intelligence always had every mediocrity leagued against him.

'Governments have no gratitude,' declared M. Kahn.

'So much the worse for them!' exclaimed the colonel; 'they strike themselves when they strike those who serve them.'

However, M. Kahn was desirous of having the last word on the subject, so he turned to Rougon, and said: 'When a man like you falls, it is a subject for public mourning.'

This met with the approval of all. 'Yes, yes,' they exclaimed, 'for public mourning, indeed!'

Rougon raised his head upon hearing this fulsome praise. His greyish cheeks flushed slightly, and his whole face was irradiated by a suppressed smile of satisfaction. He was as proud of his ability as a woman is of her beauty, and he liked to receive point-blank compliments. It was becoming evident, however, that his visitors were in each other's way. They repeatedly glanced at one another, resolving to sit one another out, unwilling as they were to say all they desired in the presence of their companions. Now that the great man had fallen, they were anxious to know if he had done anything for them while he yet had the power. The colonel was the first to take an active step. He led Rougon, who, with a portfolio under his arm, readily followed him, into one of the window-recesses.

'Have you given me a thought?' he asked with a pleasant smile.

'Yes, indeed. Your nomination as commander of the Legion of Honour was again promised me four days ago. But, of course, to-day it is impossible for me to say anything with certainty. I confess to you that I am afraid my friends will be made to suffer by my fall.'

The colonel's lips trembled with emotion. He stammered that they must do what they could, and then, turning suddenly round, he called out: 'Auguste!'

The lad was on his hands and knees underneath the desk, trying to decipher the inscriptions on the batches of documents. However, he hastened to his father.

'Here's this lad of mine,' resumed the colonel in an undertone. 'I shall have to find a berth for the young scamp one of these days. I am counting upon you to help me. I haven't made up my mind yet between the law and the public service. Give your good friend your hand, Auguste, so that he may recollect you.'

While this scene was going on, Madame Bouchard, who had begun to bite her gloves impatiently, had risen from her chair and made her way to the window on the left, after giving M. d'Escorailles a look which meant that he was to follow her. Her husband was already there, leaning upon the cross-bar and gazing out upon the view. The leaves of the tall chestnut trees in the Tuileries Garden were languidly waving in the warm sunshine, and the Seine could be seen rolling blue waters, flecked with golden light, between the Royal and Concorde bridges.

Madame Bouchard suddenly turned round and exclaimed: 'Oh! Monsieur Rougon, come and look here.'

Thereupon Rougon hastily quitted the colonel, while Du Poizat, who had followed the young woman, discreetly retired, again joining M. Kahn at the middle window.

'Do you see that barge full of bricks? It nearly foundered just now,' said Madame Bouchard.

Rougon looked and obligingly lingered there in the sunshine till M. d'Escorailles, upon a fresh glance from the young woman, said to him: 'Monsieur Bouchard wants to send in his resignation. We have brought him here in order that you may try to dissuade him.'

M. Bouchard then explained that he could not endure injustice. 'Yes, Monsieur Rougon,'he continued, 'I began as a copying-clerk in the office of the Minister of the Interior, and reached the position of head clerk without owing either to favour or intrigue. I have been head clerk since 1847. Well, the post of head of department has been vacant five times--four times under the Republic and once under the Empire--and yet the Minister has not once thought of me, though I had hierarchical rights to the place. Now that you will no longer be able to fulfil the promise you gave me I think I had better retire.'

Rougon tried to soothe him. The post, said he, had not yet been bestowed upon any one else, and even if he did not get it this time, it would only be a chance lost; a chance which would certainly present itself again on some future occasion. Then he grasped Madame Bouchard's hands and complimented her in a paternal fashion. Her husband's house had been the first thrown open to him on his arrival in Paris, and it was there that he had met the colonel, who was the head clerk's cousin. Later on, when M. Bouchard had inherited his father's property and had been smitten, at fifty-four years of age, with a sudden desire to get married, Rougon had acted as witness on behalf of Madame Bouchard, then Adèle Desvignes, a well brought up young lady of a respectable family at Rambouillet. The head clerk had been anxious to marry a young lady from the provinces, because he made a point of having a steady wife. However, the fair and adorable little Adèle, with her innocent blue eyes, had in less than four years proved to be a great deal worse than a mere flirt.

'There, now, don't distress yourself,' said Rougon, who was still holding her hands in his big fists. 'You know very well that I will do my best for you.'

Then he took M. d'Escorailles aside, and told him that he had written that morning to his father to tranquillise him. The young auditor must remain quietly in his place. The Escorailles family was one of the oldest in Plassans, where it was treated with the utmost respect; and Rougon, who in former days had often dragged his worn-down boots past the old Marquis's house, took a pride in protecting and assisting the young man. The family retained an enthusiastic devotion for Henri V., though it allowed its heir to serve the Empire. This was one of the inevitable consequences of the wickedness of the times.

Meanwhile, at the middle window, which they had opened to obtain greater privacy, Kahn and Du Poizat were talking together, while gazing out upon the distant roofs of the Tuileries, which looked blue in the haze of the sunlight. They were sounding each other, dropping a few words, and then lapsing into intervals of silence. Rougon, they agreed, was too impulsive. He ought not to have allowed himself to be irritated by that Rodriguez question, which might have been very easily settled. Then M. Kahn, gazing blankly into the distance, murmured as though he were speaking to himself: 'A man knows when he falls, but never knows whether he will rise again.'

Du Poizat pretended not to hear; but, after a long pause, he said: 'Oh! he's a very clever fellow.'

Then the deputy abruptly turned, and, looking the sub-prefect full in the face, spoke to him very rapidly: 'Between ourselves, I am afraid for him. He plays with fire. We are his friends, of course, and there can be no thought of our abandoning him. But I must say that he has thought very little about us in this matter. Take my own case, for instance. I have matters of enormous importance on my hands, and he has placed them in utter jeopardy by this sudden freak of his. He would have no right to complain--would he, now?--if I were to knock at somebody else's door; for, you know, it is not I alone who suffer, there are all the townsfolk as well.'

'Yes, well, go and knock at some other door,' said Du Poizat, with a smile.

At this the deputy, in a sudden outburst of anger, let the truth escape him. 'But is it possible? This confounded fellow spoils you with everybody else. When you belong to his band, every one else fights shy of you.'

Then he calmed down, sighed, and looked out towards the Arc de Triomphe, which could be seen rising in a greyish mass out of the green expanse of the Champs Élysées. 'Well, well,' he continued softly, 'I'm as faithful as a dog myself.'

For the last moment or two the colonel had been standing behind the two men. 'Fidelity is the road to honour,' said he in his military voice. Then, as Du Poizat and Kahn made room for him, he added: 'Rougon is contracting a debt to us to-day. Rougon no longer belongs to himself.'

This remark met with the warmest approval. It was certainly quite true that Rougon no longer belonged to himself. What was more, it was necessary that he should be distinctly told so in order that he might know what it behoved him to do. Then the three friends chatted in whispers, forming plans and fortifying each other with hope. At intervals they turned and cast a glance into the big room to make sure that no one was monopolising the great man for too long a time.

The great man was now gathering up the portfolios, while still talking to Madame Bouchard. The Charbonnels were wrangling in the corner where they had remained silent and ill at ease ever since their arrival. They had twice attempted to get hold of Rougon, but had been anticipated by the colonel and the young woman. Now, at last, M. Charbonnel pushed his wife towards the ex-President.

'This morning,' she stammered, 'we received a letter from your mother----'

Rougon did not allow her to finish, but took her and her husband into the window-recess on the right hand, once more abandoning his portfolios without any great sign of impatience.

'We have received a letter from your mother,' repeated Madame Charbonnel, and she was going to read the letter in question, when Rougon took it from her and glanced over it. Charbonnel was a retired oil merchant of Plassans, and he and his wife had been protected by Madame Félicité, as Rougon's mother was called in her own little town. She had given them a letter of introduction to her son on the occasion of their presenting a petition to the Council of State. A cousin of theirs, one Chevassu, a lawyer at Faverolles, the chief town of a neighbouring department, had died, leaving his fortune of five hundred thousand francs to the Sisters of the Holy Family. Originally the Charbonnels had not expected to inherit his fortune, but having suddenly become his next heirs, owing to his brother's death, they contested the will on the ground of undue influence; and the Sisterhood having petitioned the Council of State to authorise the payment of the bequest to them, they had left their old home at Plassans, hastened to Paris, and taken lodgings at the Hôtel du Périgord in the Rue Jacob in order that they might be on the spot to look after their interests. The matter had been lingering on for the past six months.

'We are feeling extremely depressed,' sighed Madame Charbonnel, while Rougon was reading the letter. 'I myself was always against bringing this action, but Monsieur Charbonnel said that with you on our side we should certainly get the money, as you had only to say a word to put the five hundred thousand francs into our pocket. Isn't that so, Monsieur Charbonnel?'

The retired oil merchant nodded his head with a hopeless air.

'And for such a sum as that,' continued Madame Charbonnel, 'it did seem worth while to make a change in our old way of life. And it has been nicely changed and disturbed, indeed. Will you believe it, Monsieur Rougon, they actually refused to change our dirty towels at the hotel yesterday? We who have five chests full of linen at home!'

She went on railing at Paris, which she detested. They had originally come thither for a week. Then, as they had always hoped to be able to return home during the following week, they had not thought it worth while to send for anything, and, their case still being unsettled, they doggedly lingered on in their furnished lodgings, eating whatever it pleased the cook to provide, short too of clean linen and almost of clothes. Madame Charbonnel was obliged to dress her hair with a broken comb. Sometimes they sat down on their little valise and wept from very weariness and indignation.

'And the hotel is frequented by such queer characters!' complained M. Charbonnel, with a shocked expression. 'A young man has the room next to ours, and the things we hear----'

But Rougon was folding up the letter. 'My mother,' said he, 'gives you excellent advice in telling you to be patient. I can only suggest to you to take fresh courage. You seem, to me, to have a good case, but now that I have resigned I dare not promise you anything.'

'Then we will leave Paris to-morrow!' cried Madame Charbonnel, in an outburst of despair.

As soon as this cry had escaped her lips, she turned very pale and her husband had to support her. For a moment they both remained speechless, looking at each other with trembling lips and feeling a great desire to burst into tears. They felt faint and dazed as though they had just seen the five hundred thousand francs dashed out of their hands.

'You have had to deal with a powerful opponent,' Rougon continued kindly. 'Monseigneur Rochart, the Bishop of Faverolles, has himself come to Paris to support the claim of the Sisters of the Holy Family. If it had not been for his intervention, you would long ago have gained your cause. Unfortunately the clergy are now very powerful. However, I am leaving friends here behind me, and I hope to bring some influence to bear in your favour, while I myself keep in the background. You have waited so long that if you go away to-morrow----'

'We will remain, we will remain!' Madame Charbonnel hastily gasped. 'Ah, Monsieur Rougon, this inheritance will have cost us very dear!'

Rougon now hastened back to his papers. He cast a glance of satisfaction round the room, delighted that there was no one else to take him off into one of the window-recesses. They had all had their say. And so for a few minutes he made great progress with his task. Then he waxed bitterly jocose and avenged himself on his visitors for the bother they had caused him by attacking them with biting satire. For a quarter of an hour he proved a perfect scourge to those friends of his to whose various stories he had just listened so obligingly. His language and manner to pretty Madame Bouchard became indeed so harsh and cutting that the young woman's eyes filled with tears, though she still continued to smile. All the others laughed, accustomed as they were to Rougon's rough ways. They knew that their prospects were never better than when he was belabouring them in this fashion.

However, all at once, there was a gentle knock at the door. 'No, no!' cried Rougon to Delestang, who was going to see who was there; 'don't open it! Am I never to be left in peace? My head is splitting already.' Then, as the knocking continued with greater energy, he growled between his teeth: 'Ah, if I were going to stay here, I would send Merle about his business!'

The knocking ceased, but suddenly a little door in a corner of the room was thrown back and gave entrance to a huge blue silk skirt, which came in backwards. This skirt, which was very bright and profusely ornamented with bows of ribbon, remained stationary for a moment, half inside the room and half outside, without anything further being visible. However, a soft female voice was heard speaking.

'Monsieur Rougon!' exclaimed the lady, at last showing her face.

It was Madame Correur, wearing a bonnet with a cluster of roses on it. Rougon, who had stepped angrily towards the door, with fists clenched, now bowed and grasped the new-comer's hand.

'I was asking Merle how he liked being here,' she said, casting a tender glance at the big lanky usher, who stood smiling in front of her. 'And you, Monsieur Rougon, are you satisfied with him?'

'Oh, yes, certainly,' replied Rougon pleasantly.

Merle's face still retained its sanctimonious smile, and he kept his eyes fixed upon Madame Correur's plump neck. The latter braced herself up to her full height and then brought her curls over her forehead.

'I am glad to hear that, my man,' she continued. 'When I get any one a place, I am anxious that all parties should be satisfied. If you ever want any advice, Merle, you can come and see me any morning, you know, between eight and nine. Mind you keep steady, now.'

Then she came inside the room, and said to Rougon: 'There are no servants so good as those old soldiers.'

And afterwards she took hold of him and made him cross the room, leading him with short steps to the window at the other end. There she scolded him for not having admitted her. If Merle had not allowed her to come in by the little door, she would still have been waiting outside. And it was absolutely necessary that she should see him, she said, for he really could not take himself off in that way without letting her know how her petitions were progressing. Forthwith she drew from her pocket a little memorandum-book, very richly ornamented and bound in rose-coloured watered silk.

'I did not see the _Moniteur_ till after _déjeuner_,' she continued; 'and then I took a cab at once. Tell me, now, how is the matter of Madame Leturc, the captain's widow, who wants a tobacco shop, getting on? I promised her that she should have a definite answer next week. There's also the case of Herminie Billecoq, you remember, who used to be a pupil of Saint Denis. Her seducer, an officer, has consented to marry her if any charitable soul will give her the regulation dowry. We thought about applying to the Empress. Then there are all those ladies, Madame Chardon, Madame Testanière, and Madame Jalaguier, who have been waiting for months.'

Rougon quietly gave her the replies she sought, explained the various causes of the delays that had occurred, and entered into minute details. However, he gave her to understand that she must not reckon so much upon him in the future as she had done in the past. This threw her into great distress. It made her so happy, she said, to be able to be of service to any one. What would become of her with all those ladies? Then she spoke of her own affairs, with which Rougon was fully acquainted. She again reminded him that she was a Martineau, one of the Martineaus of Coulonges, a good family of La Vendée, in which fathers and sons had been notaries without a break over seven successive generations. She never clearly explained how she came to bear the name of Correur. When she was twenty-four years old she had eloped with a young journeyman butcher, and for six months her father had suffered the greatest distress from this disgraceful scandal, about which the neighbourhood still gossiped. Ever since then she had been living in Paris, utterly ignored by her family. She had written fully a dozen times to her brother, who was now at the head of the family practice, but had failed to get any reply from him. His silence, she said, was due to her sister-in-law, a woman who 'carried on with priests, and led that imbecile brother of hers by the nose.' One of her most cherished ambitions, as in Du Poizat's case, was to return to her own neighbourhood as a well-to-do and honoured woman.

'I wrote again a week ago,' she said; 'but I have no doubt she throws my letters into the fire. However, if my brother should die, she would be obliged to let me go to the house, for they have no child, and I should have interests to look after. My brother is fifteen years older than I am, and I hear that he suffers from gout.' Then she suddenly changed her tone, and continued: 'However, don't let us bother about that now. It's for you that we must use all our energies at present, Eugène. We will do our best, you shall see. It is necessary that you should be everything in order that we may be something. You remember '51, don't you, eh?'

Rougon smiled, and as Madame Correur pressed his hands with a maternal air, he bent down and whispered into her ear: 'If you see Gilquin, tell him to be prudent. Only the other week, when he got himself locked up, he took it into his head to give my name, so that I might bail him out.'

Madame Correur promised to speak to Gilquin, one of her tenants at the time when Rougon had lodged at the Hôtel Vanneau, and withal a very useful fellow on certain occasions, though apt to be extremely compromising. 'I have a cab below, and so now I'll be off,' she said aloud with a smile as she stepped into the middle of the room.

Nevertheless, she lingered for a few minutes longer, hoping that the others would take their departure at the same time. In her desire to effect this, she offered to take one of them with her in her cab. The colonel accepted the offer, and it was settled that young Auguste should sit beside the driver. Then general hand-shaking began. Rougon took up a position by the door, which was thrown wide open; and as his visitors passed out, each gave him a parting assurance of sympathy. M. Kahn, Du Poizat, and the colonel stretched out their necks and whispered a few words in his ear, begging him not to forget them. However, when the Charbonnels had already reached the first step of the staircase, and Madame Correur was chatting with Merle at the far end of the ante-room, Madame Bouchard, for whom her husband and M. d'Escorailles waited a few paces away, still lingered smilingly before Rougon, asking him at what time she could see him privately in the Rue Marbeuf, because she felt too stupid, said she, when he had visitors with him. At this the colonel, hearing her, suddenly darted back into the room, and then the others followed, there being a general return.

'We will all come to see you,' the colonel cried.

'You mustn't hide yourself away from every one,' added several voices. But M. Kahn waved his hand to obtain silence. And then he made that famous remark of his: 'You don't belong to yourself; you belong to your friends, and to France.'

At last they all went away, and Rougon was able to close the door. He heaved a great sigh of relief. Delestang, whom he had quite forgotten, now made his appearance from behind the heap of pasteboard boxes, in the shelter of which he had just finished classifying different papers, like a conscientious friend. He was feeling a little proud of his work. He had been acting, while the others had merely been talking; so it was with genuine satisfaction that he received the great man's thanks. It was only he, so the latter said, who could have rendered him this service; he had an orderly mind, and a methodical manner of working which would carry him far. And Rougon made other flattering observations, without it being possible for one to know whether he was really in earnest or only jesting. Then, turning round, and glancing into the different corners, he said: 'There, I think we've finished everything now, thanks to you. There's nothing more to be done, except to tell Merle to have these packets carried to my house.'

He called the usher, and pointed out his private papers. And in reply to all his instructions the usher repeated: 'Yes, Monsieur le Président.'

'Don't call me President any more, you stupid,' Rougon at last exclaimed in irritation; 'I'm one no longer.'

Merle bowed, and took a step towards the door. Then he stopped and seemed to hesitate. Finally he came back and said: 'There's a lady on horseback down below who wants to see you, sir. She laughed, and said she would come up, horse and all, if the staircase were wide enough. She declared that she only wanted to shake hands with you, sir.'

Rougon clenched his fists, thinking this to be some joke; but Delestang, who had gone to look out of the window on the landing, hastened back, exclaiming, with an expression of emotion: 'Mademoiselle Clorinde!'

Then Rougon said that he would go downstairs; and as he and Delestang took their hats, he looked at his friend, and with a frown and a suspicious air, prompted by the latter's emotion, exclaimed: 'Beware of women!'

When he reached the door, he gave a last glance round the room. The full light of day was streaming through the three open windows, illumining the open pasteboard boxes, the scattered drawers and the packets of papers, tied up and heaped together in the middle of the carpet. The apartment looked very spacious and very mournful. In the grate only a small heap of black ashes was now left of all the handfuls of burnt papers. And as Rougon closed the door behind him, the taper, which had been forgotten on the edge of the writing-table, burnt out, splitting the cut-glass socket of the candlestick to pieces amid the silence of the empty room.

III

MADEMOISELLE CLORINDE

Rougon occasionally went to Countess Balbi's for a few minutes towards four in the afternoon. He walked there in a neighbourly way, for she lived in a small house overlooking the avenue of the Champs Élysées, only a few yards from the Rue Marbeuf. She was seldom at home, and when by chance she did happen to be there she was in bed, and had to send excuses for not making her appearance. This, however, did not prevent the staircase of the little house from being crowded with noisy visitors, or the drawing-room doors from being perpetually on the swing. Her daughter Clorinde was wont to receive her friends in a gallery, something like an artist's studio, with large windows overlooking the avenue.

For nearly three months Rougon, with his blunt distaste for female wiles, had responded very coldly to the advances of these ladies, who had managed to get introduced to him at a ball given by the Minister for Foreign Affairs. He met them everywhere, both of them smiling with the same winning smile--the mother always silent, while the daughter always chattered and looked him straight in the face. However, he still went on avoiding them, lowering his eyes so as not to see them, and refusing the invitations which they sent him. Then as they continued to press him hard and pursued him even to his own house, past which Clorinde used to ride ostentatiously, he made inquiries before at last venturing to call on them.

At the Sardinian Legation the ladies were spoken of in very favourable terms. There had been a real Count Balbi, it appeared; the Countess still kept up relations with persons of high position at Turin, and the daughter, during the preceding year, had been on the point of marrying a petty German prince. But at the Duchess of Sanquirino's, where Rougon made his next inquiries, he heard a different story. There he was told that Clorinde had been born two years after the Count's death, and a very complicated history of the Balbis was retailed to him. The husband and wife had led most adventurous and dissolute lives; they had been divorced in France, but had afterwards become reconciled to each other in Italy, their subsequent cohabitation being an illicit one, in consequence of their previous divorce.

A young attaché, who was thoroughly acquainted with what went on at the court of King Victor Emmanuel, was still more explicit. According to him, whatever influence the Countess still retained in Italy was due to an old connection with a very highly placed personage there, and he hinted that she would not have left Turin had it not been for a terrible scandal into the details of which he would not enter. Rougon, whose interest in the matter was increasing with the extent of his inquiries, now went to the police authorities, but they could give him no precise information. Their entries relating to the two foreigners simply described them as women who kept up a great show without any proof that they were really in possession of a substantial fortune. They asserted that they had property in Piedmont; but, as a matter of fact, there were sudden breaks in their life of luxury, during which they abruptly disappeared, only to reappear shortly afterwards in fresh splendour. Briefly, all that the police could say was that they really knew nothing about them and would prefer to know nothing. At the same time, it was certain that the women associated with the best society, and that their house was looked upon as neutral ground, where Clorinde's eccentricities were tolerated and excused on account of her being a foreigner. And so Rougon at last made up his mind to see the ladies.

By the time he had paid his third visit, the great man's curiosity with respect to them had still further increased. He was of a cold dispassionate nature which was not easily stirred into life. What first attracted him in Clorinde was the mystery surrounding her, the story of a past-away life and the yearning for a new existence which he could read in the depths of her big goddess-like eyes. He had heard disgraceful scandal about her--an early love-affair with a coachman, and a subsequent connection with a banker who had presented her with the little house in the Champs Élysées. However, every now and then she seemed to him so child-like that he doubted the truth of what he had been told, and again and again essayed to find out the secret of this strange girl, who became to him a living enigma, the solution of which interested him as much as some intricate political problem. Until then he had felt a scornful disdain for women, and the first one who excited his interest was certainly as singular and complicated a being as could be imagined.

Upon the morrow of the day when Clorinde had gone on her hired horse to give Rougon a sympathetic shake of the hand at the door of the Council of State, Rougon himself went to pay her a visit. She had made him give a solemn promise to do so. She wanted, she said, to show him something which would brighten his gloomy moods. He laughingly called her his 'pet vice'; forgot his worries when he was with her, and felt cheerful and amused. The more so as she kept his mind on the alert, for he was still seeking the key to her history, and was as yet no nearer a solution than on the first day. As he turned the corner of the Rue Marbeuf, he glanced at the house in the Rue du Colisée tenanted by Delestang, whom he fancied he had several times seen peering through the half open shutters of his study at Clorinde's window across the avenue; but to-day the shutters were closed. Delestang had probably gone off to his model-farm at La Chamade.

The door of the Balbis' house was always wide open. At the foot of the staircase Rougon met a little dark-complexioned woman, with untidy hair and a tattered yellow dress. She was biting at an orange as though it were an apple.

'Is your mistress at home, Antonia?' he asked her.

Her mouth was too full to allow her to reply, so she nodded her head energetically and smiled. Her lips were streaming with orange juice, and her little eyes, as she screwed them up, looked like drops of ink upon her dark skin.

Rougon was already accustomed to the irregular ways of the Balbis' servants, so without more ado he went up the stairs. On his way he met a big lanky man-servant, with a face like a brigand's and a long black beard, who coolly stared at him without giving him the balustrade-side. When he reached the first floor, he found himself confronted by three open doors, but saw no one about. The door on his left hand was that of Clorinde's bedroom. Curiosity prompted him to peep inside. Although it was four o'clock in the afternoon, the bed had not been made or the room tidied. Upon a screen standing in front of the bed and half concealing the tumbled coverlets, some splashed petticoats which the girl had worn on the previous day had been hung to dry, while a wash-basin, full of soapy water, stood on the floor in front of the window, and the cat of the house, a grey one, slept, comfortably curled, in the midst of a heap of garments.

It was, however, upon the second floor that Clorinde was generally to be found, in the gallery which she had successively turned into a studio, a smoking-room, a hot-house, and a summer drawing-room. As Rougon ascended upwards he heard a growing uproar of voices, shrill laughter and a noise as of furniture being overturned; and when he reached the door he could distinguish the notes of a consumptive piano and sounds of singing. He knocked at the door twice without receiving any answer, and then determined to enter.

'Ah! bravo, bravo, here he is!' cried Clorinde, clapping her hands.

Rougon, whom it was generally so difficult to put out of countenance, for a moment remained timidly on the threshold. Chevalier Rusconi, the Sardinian Minister, a handsome dark-complexioned man, who, under other circumstances, was a grave diplomatist, sat in front of the piano, the keys of which he was striking furiously so as to extract a fuller sound from the instrument. In the middle of the room deputy La Rouquette was waltzing with a chair, the back of which he amorously encircled with his arms, and he was so absorbed in his amusement that he had littered the carpet with other chairs which he had overturned. Then, in the bright light of one of the window-recesses, Clorinde stood upon the centre of a table, posing, with perfect unconcern, as the huntress Diana, in front of a young man who was sketching her with charcoal upon white canvas. Finally, on a couch, three serious-looking men with their legs crossed were silently smoking big cigars and looking at Clorinde.

'Wait a moment! don't move!' cried Chevalier Rusconi to Clorinde, who was about to jump off the table. 'I am going to make the presentations.'

Then, followed by Rougon, he said playfully, as he went past M. La Rouquette, who had dropped breathless into an easy chair: 'Monsieur La Rouquette whom you know; a future minister.' And going up to the artist, he continued: 'Signor Luigi Pozzo, my secretary; diplomatist, painter, musician, and lover.'

He had overlooked the three men on the couch, but catching sight of them as he turned round, he dropped his playful tones, bowed towards them and said in a ceremonious voice: 'Signor Brambilla, Signor Staderino, Signor Viscardi, all three political refugees.'

The three Venetians bowed without removing their cigars from their lips. Chevalier Rusconi was returning to the piano when Clorinde briskly called him back and reproached him with being a very careless master of the ceremonies. Then, motioning towards Rougon, she just said, though in a very significant and flattering tone: 'Monsieur Eugène Rougon.'

Every one bowed again; and Rougon, who for a moment had been rather afraid of some compromising pleasantry, felt surprised at the unexpected tact and dignity shown by this girl, so scantily clad in gauze. He took a seat and inquired after the Contessa Balbi, as was his custom. He even pretended every time he came that his visit was intended for the mother, as this seemed more consonant with strict propriety.

'I should have been very glad to have paid my respects to her,' he said, using the formula which he always employed under the circumstances.

'But mother is there!' exclaimed Clorinde, pointing to a corner of the room with her bow of gilded wood.

The Countess was indeed there, reclining in a deep easy chair behind a variety of other furniture. This discovery came quite as a surprise. The three political refugees had evidently been unaware of her presence, for they at once rose from their couch and bowed. Rougon went up and shook hands with her, standing while she, still lying back in her chair, answered him in monosyllables with that perpetual smile of hers which never left her, even when she was ill. Then she relapsed into listless silence, glancing every now and then into the avenue along which a stream of carriages was passing. She had probably taken up her position there in order to watch the people. And so Rougon soon left her.

Chevalier Rusconi, having again taken his seat at the piano, was trying to recall a tune, gently striking the keys and humming some Italian words in a low voice. La Rouquette, meantime, was fanning himself with his handkerchief; Clorinde was again seriously impersonating Diana, and Rougon, in the sudden calm which had come upon the room, took short steps up and down while looking at the walls. The gallery was crowded with an extraordinary collection of articles; a secrétaire, a chest, and several chairs and tables, all pushed into the middle of the apartment and forming a labyrinth of narrow passages. At one end of the room some hot-house plants, crowded together and neglected, were drooping and dying, their long, pendent leaves already turning yellow; and at the other end there was a great heap of dried sculptor's clay, in which one could still recognise the crumbling arms and legs of a statue which Clorinde had roughly moulded one day when seized with the whim of becoming an artist. Although the gallery was very large, there was only one unencumbered spot in it, a patch in front of one of the windows, a small square, which had been turned into a kind of little drawing-room, furnished with a couch and three odd easy chairs.

'You are at liberty to smoke,' said Clorinde to Rougon. He thanked her, but told her that he never smoked. Then, without turning round, the girl cried out: 'Chevalier, make me a cigarette. The tobacco is in front of you, on the piano.'

While the Chevalier was making the cigarette there was another interval of silence. Rougon, vexed at finding all these people present, felt inclined to take up his hat; however, he turned round and walked up to Clorinde; then raising his head, he said with a smile: 'Didn't you ask me to call because you had something to show me?'

She did not immediately reply, but maintained her serious pose; so he continued: 'What is it that you want to show me?'

'Myself,' she answered.

She spoke this word in a majestic tone, not moving a limb as she stood there on the table in her goddess-like posture. Rougon, in his turn becoming grave, took a step backward and scrutinised her. She was truly a superb creature, with her pure perfect profile, her slender neck, and admirable classic figure. She rested one hand upon her bow, and preserved all the antique huntress's expression of serene strength, regardless of the scantiness of her attire, contemptuous of the love of man, at once cold, haughty, and immortal.

'Charming, charming!' exclaimed Rougon, not knowing what else to say.

As a matter of fact he found her statuesque immobility rather disturbing. She looked so triumphant, so convinced of her classical beauty, that, if he had dared to express his thoughts, he would have criticised her like some marble statue, certain details of which displeased his unæsthetic eyes.

'Have you looked enough?' asked Clorinde, still serious and earnest. 'Wait a moment and you shall see something else.'

Then, of a sudden, she was no longer Diana. She dropped her bow and assumed another, and more syren-like posture. Her hands were thrown behind her head and clasped together in her hair; her bust bent slightly backwards, and, as she half-opened her lips and smiled, a stream of sunshine lighted up her face. And standing thus she looked like the very goddess of love.

Signor Brambilla, Signor Staderino, and Signor Viscardi broke into applause in all seriousness, never casting off their gloomy conspirator-like mien.

'Brava! brava! brava!'

On his side M. La Rouquette was quite frantic with enthusiasm, and Chevalier Rusconi, who had stepped up to the table to hand the girl the cigarette which he had made for her, remained transfixed there, gazing at her with ecstatic eyes and slightly jogging his head as though beating time to his admiration.

Rougon said nothing, but clasped his hands so tightly together that their joints cracked. A subtle tremor had just sped through him. He no longer thought of going away, but dropped into a chair. Clorinde had already resumed her easy, natural pose, and was laughing and smoking her cigarette with a proud twist of her lips. It would have delighted her, said she, to be an actress. She could personate anger, tenderness, modesty, fright, and with a turn of her features or an attitude hit off all sorts of different people.

'Monsieur Rougon,' she asked abruptly, 'would you like to see me imitate you when you are addressing the Chamber?' And thereupon she drew herself up to her full height, puffed herself out and thrust her fists in front of her with such droll, yet truthful, mimicry, that they all nearly killed themselves with laughing. Rougon roared like a boy. He found Clorinde adorable, indeed exquisite, but also very disturbing.

'Clorinde, Clorinde!' cried Luigi, gently tapping his easel.

She was moving about so restlessly that he was obliged to desist from his work. He had now laid his charcoal aside and was putting colour on the canvas with an earnest air. He himself remained quite serious amidst all the laughter, raising his glistening eyes to the young girl and then glancing fiercely at the men with whom she was joking. It was his own idea to paint her in the character of Diana, in a costume which had been the talk of all Paris ever since the ball at the embassy. He claimed to be her cousin, as they had both been born in the same street in Florence.

'Clorinde!' he repeated almost angrily.

'Luigi is right,' she then exclaimed, 'you are not behaving properly, gentlemen. What a noise you are making! Come, let us get on with our work.'

Then she once more assumed her Olympian attitude, again presenting the semblance of a beautiful marble image. The men remained where they were, keeping perfectly still, as though rooted to the floor. La Rouquette alone ventured to beat a gentle tattoo with his finger-tips on the arms of his chair. Rougon, for his part, sat back and gazed at Clorinde, and gradually fell into a dreamy state in which the girl seemed to him to expand into gigantic proportions. A woman was certainly a wonderful piece of mechanism, he reflected. It was a matter that he had never before thought of studying; but now he began to have vague mental glimpses of extraordinary intricacies. For a moment he was filled with a distinct consciousness of the power of those bare shoulders, which seemed strong enough to shake a world. All swam before him, and Clorinde's figure seemed to grow larger and larger till it appeared gigantic, and entirely hid the window from his sight. But he blinked his eyes sharply, and then he again saw her clearly, standing upon the table and much smaller than himself. At this his face broke into a smile, and he felt surprised that he could have entertained a moment's fear of her.

Comments

Log in to leave a comment.

His Excellency [Son Exc. Eugène Rougon]Chapter III: Part 3

0%37 min left in chapter