Chapter III (4)

"And if I should get off," she said, "with one of those quiet gentlemen you allude to, it will be about the height of my expectation."

"Well, you are a queer kind of a girl, any how! But, do you know why I want to make a sensation at Mrs. Walshingham's?"

"No. I would be pleased to hear."

"Then I will just let you into a bit of a secret. I've set my heart on making a conquest of Henry Clarence."

"Indeed!" ejaculated Caroline, with an emphasis that would have attracted Melvina's attention, had her thoughts and feelings not been at the moment too much engaged.

"Yes, I have. He's so calm and cold, and rigidly polite to me whenever we meet, that I am chilled with the frigid temperature of the atmosphere that surrounds him. But as he is a prize worth the trouble of winning, I have set my heart on melting him down, and bringing him to my feet."

Caroline smiled as her friend paused, but did not reply.

"I know half a dozen girls now, who are breaking their hearts after him," continued the maiden. "But I'll disappoint them all, if there is power in a woman's winning ways to conquer. So you see, my lady Gay--Grave it should be--that I have some of the strongest reasons in the world, for wishing to be present at the 'come off' next week. Now you'll go, won't you?"

"Perhaps I will, if it's only to see the effect of your demonstrations on the heart of Henry Clarence. But he is one of your quiet, inoffensive gentlemen, Melvina. How comes it that you set him as a prize?"

"If he is quiet, there is fire in him. I've seen his eye flash, and his countenance brighten with thought too often, not to know of what kind of stuff he is made."

"And if I were to judge of his character, he is not one to be caught by effect," Caroline remarked.

"O, as to that, all men have their weak side. There isn't one, trust me, who can withstand the brilliant attractions of the belle of the ball room, such as, pardon my vanity, I hope to be on next Tuesday evening. I have seen a little of the world in my time, and have always observed, that whoever can eclipse all her fair compeers at one of these brilliant assemblages, possesses, for the time, a power that may be used to advantage. All the beaux flock around her, and vie with each other in kind attentions. If, then, she distinguish some individual of them above the rest, by her marked reciprocation of his attentions, he is won. The grateful fellow will never forsake her."

"Quite a reasoner, upon my word! And so in this way you intend winning Henry Clarence?"

"Of course I do. At least, I shall try hard."

"And you will fail, I am much disposed to think."

"I'm not sure of that. Henry Clarence is but a man."

"Yet he is too close an observer to be deceived into any strong admiration of a ball-room belle."

"You are behind the age, Caroline. Your quiet unobtrusiveness will I fear cause you to be passed by, while some one not half so worthy, will take the place which you should have held in the affections of a good husband."

"Perhaps so. But, I wish to be taken for what I am. I want no man, who has not the good sense and discrimination to judge of my real character."

"You will die an old maid, Caroline."

"That may be. But, in all sincerity, I must say that I hope not."

"You will go to the ball, of course?"

"I think I will, Melvina."

"Well, that settled, what are you going to wear?"

"Something plain and simple, of course. But I have not thought of that."

"O don't Caroline. You will make yourself singular."

"I hope not, for I dislike singularity. But how are you going to dress? Splendid, of course, as you expect to make a sensation."

"I'll try my best, I can assure you?"

"Well, what kind of a dress are you going to appear in?"

"I have ordered a robe of blue tulle, to be worn over blue silk. The robe to be open in front, of course, and confined to the silk-skirt with variegated roses."

"And your head-dress?"

"I shall have my hair ornamented with variegated roses, arranged over the brow like a coronet. Now, how do you like that?"

"Not at all."

"O, of course not. I might have known that your taste was too uneducated for that."

"And I hope it will ever remain so, Melvina."

"But how will _you_ dress, Caroline. Do let me hear, that I may put you right if you fix on any thing _outre_."

"Well, really, Melvina, I have not given the subject a thought. But it never takes me long to choose. Let me see. A plain--"

"Not plain, Caroline, for mercy sake!"

"Yes. A plain white dress, of India muslin."

"Plain white! O, don't Caroline--let me beg of you."

"Yes, white it shall be."

"Plain white! Why nobody will see you!"

"O, yes. Among all you gay butterflies, I will become the observed of all observers," said Caroline, laughing.

"Don't flatter yourself. But you will have some pink trimming, will you not?"

"No, not a flower, nor ribbon, nor cord, nor tassel."

"You will be an object of ridicule."

"Not in a polite company of gentlemen and ladies, I hope!"

"No; but--. And your head-dress, Caroline. That I hope will atone for the rest."

"No, my own dark hair, plain--"

"For mercy sake, Caroline! Not plain."

"Yes, my hair plain."

"And no ornament!"

"O, yes--a very beautiful one."

"Ah, that may help a little. A ray of sunshine on a barren waste."

"A simple sprig of buds and half blown flowers."

"The color?"

"White, of course."

"You are an original, Caroline. But I suppose I can't make you change your taste?"

"I hope not, Melvina."

"I am sorry that I shall be compelled to throw you so far in the shade, my little Quakeress friend. The world will never know half your real worth, Caroline. You are hiding your light.

"Many a gem of purest ray serene,
The deep unfathomed caves of ocean bear--
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air."

And as she repeated these lines, applying them to her friend, Melvina rose to depart.

"You are resolved on trying to make a sensation, then?" said Caroline.

"Of course, and what is more, I will succeed."

"And win Henry Clarence?"

"I hope so. He must be made of sterner stuff than I think him, if I do not."

"Well, we shall see."

"Yes, we will. But good-bye; I must go to the mantua-maker's this morning, to complete my orders."

After Melvina Felton had gone, Caroline Gay's manner changed a good deal. Her cheek, the color of which had heightened during her conversation with her friend, still retained its beautiful glow, but the expression of her usually calm face was changed, and slightly marked by what seemed troubled thoughts. She sat almost motionless for nearly two minutes, and then rose up slowly with a slight sigh, and went to her chamber.

It was early on the same evening that Henry Clarence, the subject of her conversation with Melvina, called in, as he not unfrequently did, to spend an hour in pleasant conversation with Caroline Gay. He found her in the parlor reading.

"At your books, I see," he remarked, in a pleasant tone, as he entered.

"Yes; I find my thoughts need exciting by contact with the thoughts of others. A good book helps us much sometimes."

"You were reading a book then. May I ask its author?"

"Degerando."

"You are right in calling this a good book, Caroline," he said, glancing at the title page, to which she had opened, as she handed him the volume. "Self-education is a most important matter, and with such a guide as Degerando, few can go wrong."

"So I think. He is not so abstract, nor does he border on transcendentalism, like Coleridge, who notwithstanding these peculiarities I am yet fond of reading. Degerando opens for you your own heart, and not only opens it, but gives you the means of self-control at every point of your exploration."

The beautiful countenance of Caroline was lit up by pure thoughts, and Henry Clarence could not help gazing upon her with a lively feeling of admiration.

"I cannot but approve your taste," he said.--"But do you not also read the lighter works of the day?"

"I do not certainly pass all these by. I would lose much were I to do so. But I read only a few, and those emanating from such minds as James, Scott, and especially our own Miss Sedgwick. The latter is particularly my favorite. Her pictures, besides being true to nature, are pictures of home. The life she sketches, is the life that is passing all around us--perhaps in the family, unknown to us, who hold the relation of next door neighbors."

"Your discrimination is just. After reading Miss Sedgwick, our sympathies for our fellow creatures take a more humane range. We are moved by an impulse to do good--to relieve the suffering--to regulate our own action in regard to others by a higher and better rule. You are a reader of the poets, too--and like myself, I believe, are an admirer of Wordsworth's calm and deep sympathy with the better and nobler principles of our nature."

"The simple beauty of Wordsworth has ever charmed me. How much of the good and true, like precious jewels set in gold, are scattered thickly over his pages!"

"And Byron and Shelly--can you not enjoy them?" Clarence asked, with something of lively interest in her reply, expressed in his countenance.

"It were but an affectation to say that I can find nothing in them that is beautiful, nothing to please, nothing to admire. I have read many things in the writings of these men that were exquisitely beautiful. Many portions of Childe Harold's Pilgrimage are not surpassed for grandeur, beauty, and force, in the English language: and the Alastor of Shelly, is full of passages of exquisite tenderness and almost unequalled finish of versification. But I have never laid either of them down with feelings that I wished might remain. They excite the mind to a feverish and unhealthy action. We find little in them to deepen our sympathies with our fellows--little to make better the heart, or wiser the head."

"You discriminate with clearness, Caroline," he said; "I did not know that you looked so narrowly into the merits of the world's favorites. But to change the subject; do you intend going to Mrs. Walsingham's next week?"

"Yes, I think I will be there."

"Are you fond of such assemblages?" the young man asked.

"Not particularly so," Caroline replied. "But I think it right to mingle in society, although all of its forms are not pleasant to me."

"And why do you mingle in it then, if its sphere is uncongenial?"

"I cannot say, Mr. Clarence, that it is altogether uncongenial. Wherever we go, into society, we come in contact with much that is good. Beneath the false glitter, often assumed and worn without the heart's being in it, but from a weak spirit of conformity, lies much that is sound in principle, and healthy in moral life. In mingling, then, in society, we aid to develope and strengthen these good principles in others. We encourage, often, the weak and wavering, and bring back such as are beginning to wander from the simple dignity and truth of nature."

"But is there not danger of our becoming dazzled by the false glitter?"

"There may be. But we need not fear this, if we settle in our minds a right principle of action, and bind ourselves firmly to that principle."

A pause followed this last remark, and then the subject of conversation was again changed to one of a more general nature.

An evening or two after, Henry Clarence called in to see Melvina Fenton. Melvina was what may be called a showy girl. Her countenance, which was really beautiful, when animated, attracted every eye. She had a constant flow of spirits, had dipped into many books, and could make a little knowledge in these matters go a great way. Clarence could not conceal from himself that he admired Melvina, and, although his good sense and discrimination opposed this admiration, he could rarely spend an evening with Miss Fenton, without a strong prepossession in her favor. Still, with her, as with every one, he maintained a consistency of character that annoyed her. He could not be brought to flatter her in any way; and for this she thought him cold, and often felt under restraint in his society. One thing in her which he condemned, was her love of dress. Often he would express a wonder to himself, how a young woman of her good sense and information could be guilty of such a glaring departure from true taste.

On this evening she received him in her very best manner. And she was skilful at acting; so skilful, as even to deceive the keen eye of Henry Clarence. Fully resolved on making a conquest, she studied his character, and tried to adapt herself to it.

"I have your favorite here," she remarked, during the evening, lifting a copy of Wordsworth from the centre table.

"Ah, indeed! so you have. Do you ever look into him, Miss Fenton?"

"O yes. I did not know what a treasure was hid in this volume, until, from hearing your admiration of Wordsworth, I procured and read it with delighted interest."

"I am glad that you are not disappointed. If you have a taste for his peculiar style of thinking and writing, you have in that volume an inexhaustible source of pleasure."

"I have discovered that, Mr. Clarence, and must thank you for the delight I have received, and I hope I shall continue to receive."

Nearly two hours were spent by the young man in the company of Miss Fenton, when he went away, more prepossessed in her favor than he had yet been. She had played her part to admiration. The truth was, Wordsworth, except in a few pieces, she had voted a dull book. By tasking herself, she had mastered some passages, to which she referred during the evening, and thus obtained credit for being far more familiar with the poet of nature than she ever was or ever would be. She went upon the principle of making a sensation, and thus carrying hearts, or the heart she wished to assault, by storm.

"I believe that I really love that girl," Henry Clarence said, on the evening before the party at Mrs. Walsingham's to a young friend.

"Who, Melvina Fenton?"

"Yes."

"She is certainly a beautiful girl."

"And interesting and intelligent."

"Yes--I know of no one who, in comparison with her, bears off the palm."

"And still, there is one thing about her that I do not like. She is too fond of dress and display."

"O, that is only a little foible. No one is altogether perfect."

"True--and the fault with me is, in looking after perfection."

"Yes, I think you expect too much."

"She is affectionate, and that will make up for many deficiencies. And what is more, I can see plainly enough that her heart is interested. The brightening of her cheek, the peculiar expression of her eye, not to be mistaken, when certain subjects are glanced at, convince me that I have only to woo to win her."

"What do you think of Caroline Gay?" asked his friend.

"Well, really, I can hardly tell what to think of her. She has intelligence, good sense, and correct views on almost every subject. But she is the antipodes of Melvina in feeling. If she were not so calm and cold, I could love her; but I do not want a stoic for a wife. I want a heart that will leap to my own, and send its emotion to the cheek and eye."

"I am afraid you will not find an angel in this world," his friend said, smiling.

"No, nor do I want an angel. But I want as perfect a woman as I can get."

"You will have to take Melvina, then, for she has three exceeding good qualities, at least, overshadowing all others."

"And what are they?"

"Beauty."

"Well?"

"An affectionate heart."

"Something to be desired above every thing else. And her next good quality?"

"Her father is worth a 'plum.'"

"I would dispense with that, were she less fond of show, and effect, and gay company."

"O, they are only the accompaniments of girlhood. As a woman and a wife, she will lay them all aside."

"I should certainly hope so, were I going to link my lot with hers."

"Why, I thought your mind was made up."

"Not positively. I must look on a little longer, and scan a little closer before I commit myself."

"Well, success to your marrying expedition. I belong yet to the free list."

In due time Mrs. Walshingham's splendid affair came off.

"Isn't she an elegant woman!" exclaimed a young man in an under tone, to a friend, who stood near Henry Clarence, as Melvina swept into the room dressed in a style of elegance and effect that attracted every eye.

"Beautiful!" responded his companion. "I must dance with her to-night. I always make a point to have one round at least with the belle of the ball-room."

The individual who last spoke, was well known to all in that room as the betrayer of innocence. And Henry Clarence felt his cheek burn and his heart bound with an indignant throb as he heard this remark.

"He will be disappointed, or I am mistaken," he said to himself as the two, who had been conversing near him, moved to another part of the room. "But if Melvina Fenton has so little of that sensitive innocence, that shrinks from the presence of guilt as to dance with him, and suffer her hand to be touched by his, my mind is made up. I will never marry her."

"She is the queen of beauty to-night, Clarence," said a friend coming to Henry's side, and speaking in an under tone.

"She is, indeed, very beautiful; but I cannot help thinking a little too showy. Her dress would be very good for the occasion were those variegated roses taken from their blue ground. Flowers never grow on such a soil; and her head dress is by far too conspicuous, and by no means in good taste."

"Why you are critical to-night, Clarence. I thought Melvina one of your favorites?"

"I must confess a little good will towards her, and perhaps that is the reason of my being somewhat particular in my observation of her style of dress. Certainly, she makes a most decided sensation here to-night; for every eye is upon her, and every tongue, that I have yet heard speak is teeming with words of admiration."

"That she does," responded the friend. "Every other girl in the room will be dying of envy or neglect before the evening is over."

"That would speak little for the gallantry of the men or the good sense of the young ladies," was the quiet reply.

Several times the eye of Henry Clarence wandered around the room in search of Caroline--but he did not see her in the gay assemblage.

"She told me she would be here," he mentally said, "and I should really like to mark the contrast between her and the brilliant Miss Fenton. Oh! there she is, as I live, leaning on the arm of her father, the very personification of innocence and beauty. But her face is too calm by half. I fear she is cold."

Truly was she as Henry Clarence had said, the personification of innocence and beauty. Her dress of snowy whiteness, made perfectly plain, and fitting well a figure that was rather delicate, but of exquisite symmetry, contrasted beautifully with the gay and flaunting attire of those around her. Her head could boast but a single ornament, besides her own tastefully arranged hair, and that was a sprig of buds and half-blown flowers as white as the dress she had chosen for the evening. Her calm sweet face looked sweeter and more innocent than ever, for the contrast of the whole scene relieved her peculiar beauty admirably.

"An angel?" ejaculated a young man by the side of Clarence, moving over towards the part of the room where Caroline stood, still leaning on the arm of her father.

"We wanted but you to make our tableau complete," he said, with a graceful bow. "Let me relieve you, Mr. Gay, of the care of this young lady," he added offering his arm to Caroline--and in the next minute he had joined the promenade with the sweetest creature in the room by his side.

The beautiful contrast that was evident to all, between Caroline, the plainest-dressed maiden in the room, and Melvina the gayest and most imposing, soon drew all eyes upon the former, and Melvina had the discrimination to perceive that she had a rival near the throne, in one whom she little dreamed of fearing; and whose innocent heart she knew too well to accuse of design.

Soon cotillion parties were formed, and among the first to offer his hand to Melvina, was a young man named Sheldon, the same alluded to as declaring that he would dance with her, as he always did with the belle of the ball room. Melvina knew his character well, and Henry Clarence was aware that she possessed this knowledge. His eye was upon her, and she knew it. But she did not know of the determination that he formed or else she would have hesitated.

"The most splendid man in the room, and the most graceful dancer," were the thoughts that glanced through her mind, as she smiled an assent to his invitation to become his partner. "I shall not yet lose my power."

And now all eyes were again upon the brilliant beauty threading the mazy circles, with glowing cheek and sparkling eye. And few thought of blaming her for dancing with Sheldon, whose character ought to have banished him from virtuous society. But there was one whose heart sickened as he looked on, and that one was Henry Clarence. He lingered near the group of dancers but a few minutes, and then wandered away to another room.

"Permit me to transfer my company, Mr. Clarence," said the young man who had thus far monopolized the society of Caroline Gay. "I will not be selfish; and besides, I fear I am becoming too dull for my fair friend here."

With a bow and a smile, Clarence received on his arm the fair girl. He felt for her a tenderer regard than had heretofore warmed his heart, as he strolled through the rooms and listened to her sweet, penetrating voice. And whenever he turned and looked her in the face, he saw that in the expression of her eyes which he had never marked before--something of tenderness that made his own heart beat with a quicker motion. As they drew near the dancers, they observed Sheldon with Melvina leaning on his arm, and two or three others, engaged in making up another cotillion.

"We want but one more couple, and here they are," said Sheldon, as Clarence and Caroline came up.

"Will you join this set?" asked Clarence, in a low tone.

"Not _this_ one," she replied.

"Miss Gay does not wish to dance now," her companion said, and they moved away.

But the cotillion was speedily formed without them, and the dance proceeded.

Half an hour after, while Henry Clarence and Caroline were sitting on a lounge, engaged in close conversation, Sheldon came up, and bowing in his most graceful manner, and, with his blandest smile, said,

"Can I have the pleasure of dancing with Miss Gay, this evening?"

"No, sir," was the quiet, firm reply of the maiden, while she looked him steadily in the face.

Sheldon turned hurriedly away, for he understood the rebuke, the first he had yet met with in the refined, fashionable, virtuous society of one of the largest of the Atlantic cities.

The heart of Henry Clarence blessed the maiden by his side.

"You are not averse to dancing, Caroline?" he said.

"O no. But I do not dance with _every_ one."

"In that you are right, and I honor your decision and independence of character."

During the remainder of the evening, she danced several times, more frequently with Henry than with any other, but never in a cotillion of which Sheldon was one of the partners. Much to the pain and alarm of Melvina, Clarence did not offer to dance with her once; and long before the gay assemblage broke up, her appearance had failed to produce any sensation. The eye tired of viewing her gaudy trapping, and turned away unsatisfied. But let Caroline go where she would, she was admired by all. None wearied of her chaste, simple and beautiful attire; none looked upon her mild, innocent face, without an expression, tacit or aloud, of admiration. Even the rebuked, and for a time angered, Sheldon, could not help ever and anon seeking her out amid the crowd, and gazing upon her with a feeling of respect that he tried in vain to subdue.

Melvina had sought to produce a "sensation" by gay and imposing attire, and after a brief and partial success, lost her power. But Caroline, with no wish to be noticed, much less to be the reigning belle of the evening, consulting her own pure taste, went in simple garments, and won the spontaneous admiration of all, and, what was more, the heart of Henry Clarence. He never, after that evening, could feel any thing of his former tenderness towards Melvina Felton. The veil had fallen from his eyes. He saw the difference between the desire of admiration, and a simple love of truth and honor, too plainly, to cause him to hesitate a moment longer in his choice between two so opposite in their characters. And yet, to the eye of an inattentive observer nothing occurred during the progress of Mrs. Walshingham's party more than ordinarily takes place on such occasions. All seemed pleased and happy, and Melvina the happiest of the whole. And yet she had signally failed in her well-laid scheme to take the heart of Henry Clarence--while Caroline, with no such design, and in simply following the promptings of a pure heart and a right taste, had won his affectionate regard.

It was some three or four months after the party at Mrs. Walshingham's, that Melvina Fenton and Caroline Gay were alone in the chamber of the latter, in close and interested conversation.

"I have expected as much," the former said, in answer to some communication made to her by the latter.

"Then you are not surprised?"

"Not at all."

"And I hope not pained by the intelligence?"

"No, Caroline, not now," her friend said, smiling; "though two or three months ago it would have almost killed me. I, too, have been wooed and won."

"Indeed! That is news. And who is it, Melvina? I am eager to know."

"Martin Colburn."

"A gentleman, and every way worthy of your hand. But how in the world comes it that so quiet and modest a young man as Martin has now the dashing belle?"

"It has occurred quite naturally, Caroline. The dashing belle has gained a little more good sense than she had a few months ago. She has not forgotten the party at Mrs. Walshingham's. And by the bye, Caroline, how completely you out-generalled me on that occasion. I had a great mind for a while never to forgive you."

"You are altogether mistaken, Melvina," Caroline said, with a serious air. "I did not act a part on that occasion. I went but in my true character, and exhibited no other."

"It was nature, then, eclipsing art; truth of character outshining the glitter of false assumption. But all that is past, and I am wiser and better for it, I hope. You will be happy, I know, with Henry Clarence, for he is worthy of you, and can appreciate your real excellence; and I shall be happy, I trust, with the man of my choice."

"No doubt of it, Melvina. And by the way," Caroline said, laughing, "we shall make another 'sensation,' and then we must be content to retire into peaceful domestic obscurity. You will have a brilliant time, I suppose?"

"O yes. I must try my hand at creating one more sensation, the last and most imposing; and, as my wedding comes the first, you must be my bridesmaid. You will not refuse?"

"Not if we can agree as to how we are to dress. We ought to be alike in this, and yet I can never consent to appear in any thing but what is plain, and beautiful for its simplicity."

"You shall arrange all these. You beat me the last time in creating a sensation, and now I will give up to your better taste."

And rarely has a bride looked sweeter than did Melvina Fenton on her wedding-day. Still, she was eclipsed by Caroline, whose native grace accorded so well with her simple attire, that whoever looked upon her, looked again, and to admire. The "sensation" they created was not soon forgotten.

Caroline was married in a week after, and then the fair heroines of our story passed from the notice of the fashionable world, and were lost with the thousands who thus yearly desert the gay circles, and enter the quiet sphere and sweet obscurity of domestic life.

SOMETHING FOR A COLD.

"Henry," said Mr. Green to his little son Henry, a lad in his eighth year, "I want you to go to the store for me."

Mr. Green was a working-man, who lived in a comfortable cottage, which he had built from money earned from honest industry. He was, moreover, a sober, kind-hearted man, well liked by all his neighbors, and beloved by his own family.

"I'm ready, father," said Henry, who left his play, and went to look for his cap, the moment he was asked to go on an errand.

"Look in the cupboard, and get the pint flask. It's on the lower shelf."

Henry did as desired, and then asked--"What shall I get, father?"

"Tell Mr. Brady to send me a pint of good Irish whiskey."

The boy tripped lightly away, singing as he went. He was always pleased to do an errand for his father.

"This cold of mine gets worse," remarked Mr. Green to his wife, as Henry left the house. "I believe I'll try old Mr. Vandeusen's remedy--a bowl of hot whiskey-punch. He says it always cures him; it throws him into a free perspiration, and the next morning he feels as clear as a bell."

"It is not always good," remarked Mrs. Green, "to have the pores open. We are more liable to take cold."

"Very true. It is necessary to be careful how we expose ourselves afterwards."

"I think I can make you some herb-tea, that would do you as much good as the whiskey punch," said Mrs. Green.

"Perhaps you could," returned her husband, "but I don't like your bitter stuff. It never was to my fancy."

Mrs. Green smiled, and said no more.

"A few moments afterwards, the door opened, and Henry came in, looking pale and frightened.

"Oh, father!" he cried, panting, "Mr. Brooks is killing Margaret!"

"What!" Mr. Green started to his feet.

"Oh!" exclaimed the child, "he's killing her! he's killing her! I saw him strike her on the head with his fist." And tears rolled over the boy's cheeks.

Knowing Brooks to be a violent man when intoxicated, Mr. Green lost not a moment in hesitation or reflection, but left his house hurriedly, and ran to the dwelling of his neighbor, which was near at hand. On entering the house, a sad scene presented itself. The oldest daughter of Brooks, a girl in her seventeenth year, was lying upon a bed, insensible, while a large bruised and bloody spot on the side of her face showed where the iron fist of her brutal father had done its fearful if not fatal work. Her mother bent over her, weeping; while two little girls were shrinking with frightened looks into a corner of the room.

Mr. Green looked around for the wretched man, who, in the insanity of drunkenness, had done this dreadful deed; but he was not to be seen.

"Where is Mr. Brooks?" he asked.

"He has gone for the doctor," was replied.

And in a few minutes he came in with a physician. He was partially sobered, and his countenance had a troubled expression. His eyes shrunk beneath the steady, rebuking gaze of his neighbors.

"Did you say your daughter had fallen down stairs?" said the doctor, as he leaned over Margaret, and examined the dreadful bruise on her cheek.

"Yes--yes," stammered the guilty father, adding this falsehood to the evil act.

"Had the injury been a few inches farther up, she would ere this have breathed her last," said the doctor--looking steadily at Brooks, until the eyes of the latter sunk to the floor.

Just then there were signs of returning life in the poor girl, and the doctor turned towards her all his attention. In a little while, she began to moan, and moved her arms about, and soon opened her eyes.

After she was fully restored again to conscious life, Mr. Green returned to his home, where he was met with eager questions from his wife.--After describing all he had seen, he made this remark--

"There are few better men than Thomas Brooks when he it sober; but when he is drunk he acts like a demon."

"He must be a demon to strike with his hard fist, a delicate creature like his daughter Margaret. And she is so good a girl. Ah, me! to what dreadful consequences does this drinking lead!"

"It takes away a man's reason," said Mr. Green, "and when this is gone, he becomes the passive subject of evil influences. He is, in fact, no longer a man."

Mrs. Green sighed deeply.

"His poor wife!" she murmured; "how my heart aches for her, and his poor children! If the husband and father changes, from a guardian and provider for his family, into their brutal assailant, to whom can they look for protection? Oh, it is sad! sad!"

"It is dreadful! dreadful!" said Mr. Green.--

"It is only a few years ago," he added, "since Brooks began to show that he was drinking too freely. He always liked his glass, but he knew how to control himself, and never drowned his reason in his cups. Of late, however, he seems to have lost all control over himself. I never saw a man abandon himself so suddenly."

"All effects of this kind can be traced back to very small beginnings," remarked Mrs. Green.

"Yes. A man does not become a drunkard in a day. The habit is one of very gradual formation."

"But when once formed," said Mrs. Green, "hardly any power seems strong enough to break it. It clings to a man as if it were a part of himself."

"And we might almost say that it was a part of himself," replied Mr. Green: "for whatever we do from a confirmed habit, fixes in the mind an inclination thereto, that carries us away as a vessel is borne upon the current of a river."

"How careful, then, should every one be, not to put himself in the way of forming so dangerous a habit. Well do I remember when Mr. Brooks was married. A more promising young man could not be found--nor one with a kinder heart. The last evil I feared for him and his gentle wife was that of drunkenness. Alas! that this calamity should have fallen upon their household.--What evil, short of crime, is greater than this?"

"It is so hopeless," remarked Mr. Green. "I have talked with Brooks a good many times, but it has done no good. He promises amendment, but does not keep his promise a day."

"Touch not, taste not, handle not. This is the only safe rule," said Mrs. Green.

"Yes, I believe it," returned her husband.--"The man who never drinks is in no danger of becoming a drunkard."

For some time, Mr. and Mrs. Green continued to converse about the sad incident which had just transpired in the family of their neighbor, while their little son, upon whose mind the fearful sight he had witnessed was still painfully vivid, sat and listened to all they were saying, with a clear comprehension of the meaning of the whole.

After awhile the subject was dropped. There had been a silence of some minutes, when the attention of Mr. Green was again called to certain unpleasant bodily sensations, and he said--

"I declare! this cold of mine is very bad. I must do something to break it before it gets worse. Henry, did you get that Irish whiskey I sent for?"

"No, sir," replied the child, "I was so frightened when I saw Mr. Brooks strike Margaret, that I ran back."

"Oh, well, I don't wonder! It was dreadful. Mr. Brooks was very wicked to do so. But take the flask and run over to the store. Tell Brady that I want a pint of good Irish whiskey."

Henry turned from his father, and went to the table on which he had placed the flask. He did not move with his usual alacrity.

"It was whiskey, wasn't it," said the child, as he took the bottle in his hand, "that made Mr. Brooks strike Margaret?" And he looked so earnestly into his father's face, and with so strange an expression, that the man felt disturbed, while he yet wondered at the manner of the lad.

"Yes," replied Mr. Green, "it was the whiskey. Mr. Brooks, if he had been sober, would not have hurt a hair of her head."

Henry looked at the bottle, then at his father, in so strange a way, that Mr. Green, who did not at first comprehend what was in the child's thoughts wondered still more. All was soon understood, for Harry, bursting into tears, laid down the flask, and, throwing his arms around his father's neck, said--

"Oh, father! don't get any whiskey!"

Mr. Green deeply touched by the incident, hugged his boy tightly to his bosom. He said--

"I only wanted it for medicine, dear. But, never mind. I won't let such dangerous stuff come into my house. Mother shall make me some of her herb-tea, and that will do as well."

Henry looked up, after a while, timidly.--"You're not angry with me, father?" came from his innocent lips.

"Oh, no, my child! Why should I be angry?" replied Mr. Green, kissing the cheek of his boy. Then the sunshine came back again to Henry's heart, and he was happy as before.

Mrs. Green made the herb-tea for her husband, and it proved quite as good for him as the whiskey-punch. A glass or two of cold water, on going to bed, would probably have been of more real advantage in the case, than either of these doubtful remedies.

THE PORTRAIT.

"BLESS the happy art!" ejaculated Mrs. Morton, wiping the moisture from her eyes. "Could anything be more perfect than that likeness of his sweet, innocent face? Dear little Willie! I fear I love him too much."

"It is indeed perfect," said Mr. Morton, after viewing the picture in many lights. "My favourite painter has surpassed himself. What could be more like life, than that gentle, half-pensive face looking so quiet and thoughtful, and yet so full of childhood's most innocent, happy expression?"

Mr. Morton, here introduced to the reader, was a wealthy merchant of Philadelphia, and a liberal patron of the arts. He had, already, obtained several pictures from Sully, who was, with him, as an artist, a great favourite. The last order had just been sent home. It was a portrait of his youngest, and favourite child--a sweet little boy, upon whose head three summers had not yet smiled.

"I would not take the world for it!" said Mrs. Morton after looking at it long and steadily for the hundredth time. "Dear little fellow! A year from now, and how changed he will be. And every year he will be changing and changing; but this cannot alter, and even from the period of manhood, we may look back and see our Willie's face when but a child."

"Every one who is able," remarked Mr. Morton, "should have the portraits of his children taken. What better legacy could a father leave to his child, than the image of his own innocent face! Surely, it were enough to drive away thoughts of evil, and call up old and innocent affections, for any man, even the man of crime, to look for but a moment upon the image of what he was in childhood."

"And yet there are some," added Mrs. Morton, "who call portraits, and indeed, all paintings, mere luxuries--meaning, thereby, something that is utterly useless."

"Yes, there are such, but even they, it seems to me, might perceive their use in preserving the innocent features of their children. The good impressions made in infancy and childhood, are rarely if ever lost; they come back upon every one at times, and are, frequently, all-powerful in the influence they exert against evil. How like a spell to call back those innocent thoughts and affections, would be the image of a man's face in childhood! No one, it seems to me, could resist its influence."

One, two, and three years passed away, and every one wrought some change upon "little Willie," but each change seemed to the fond parents an improvement,--yet, did they not look back to earlier years, as they glanced at his picture, with less of tender emotion, and heart-stirring delight. But now a sad change, the saddest of all changes that occur, took place. Disease fastened upon the child, and ere the parents, and fond sisters of a younger and only brother, were fully sensible of danger, the spirit of the child had fled. We will not linger to pain the reader with any minute description of the deep and abiding grief that fell, like a shadow from an evil wing overspreading them, upon the household of Mr. Morton, but pass on to scenes more exciting, if not less moving to the heart.

For many weeks, Mrs. Morton could not trust herself to look up to the picture that still hung in its place, the picture of her lost one. But after time had, in some degree, mellowed the grief that weighed down her spirits, she found a melancholy delight in gazing intently upon the beautiful face that was still fresh and unchanged--that still looked the impersonation of innocence.

"He was too pure and too lovely for the earth," she said, one day, to her husband, about two months after his death, leaning her head upon his shoulder--"and so the angels took him."

"Then do not grieve for him," Mr. Morton replied in a soothing tone. "We know that he is with the angels, and where they are, is neither evil, nor sorrow, nor pain. Much as I loved him, much as I grieved for his loss, I would not recall him if I could. But, our picture cannot die. And though it is mute and inanimate, yet it is something to awaken remembrances, that, even though sad, we delight to cherish. It is something to remind us, that we have a child in heaven."

But the loss of their child seemed but the beginning of sorrows to Mr. Morton and his family. An unexpected series of failures in business so fatally involved him, that extrication became impossible. He was an honest man, and therefore, this sudden disastrous aspect of affairs was doubly painful, for he knew no other course but the honourable giving up of everything. On learning the whole truth in relation to his business, he came home, and after opening the sad news to his wife, he called his family around him.

"My dear children," he said, "I have painful news to break to you; but you cannot know it too soon. Owing to a succession of heavy failures, my business has become embarrassed beyond hope. I must give up all,--even our comfortable and elegant home must be changed for one less expensive, and less comfortable. Can you, my children, bear with cheerfulness and contentment such a changed condition?"

The heart of each one had already been subdued and chastened by the affliction that removed the little playmate of all so suddenly away, and now the news of a painful and unlooked-for reverse came with a shock that, for a few moments, bewildered and alarmed.

"Are not my children willing to share the good and evil of life with their father?" Mr. Morton resumed after the gush of tears that followed the announcement of his changed fortunes had in a degree subsided.

"Yes, dear father! be they what they may," Constance, the eldest, a young lady in her seventeenth year, said, looking up affectionately through her tears.

Mary, next in years, pressed up to her father's side, and twining an arm around his neck, kissed his forehead tenderly. She did not speak; for her heart was too full; but it needed no words to assure him that her love was as true as the needle to the pole.

Eliza, but twelve, and like an unfolding bud half revealing the loveliness and beauty within, could not fully comprehend the whole matter. But enough she did understand, to know that her father was in trouble, and this brought her also to his side.

"Do not think of us, dear father!" Constance said, after the pause of a few oppressive moments. "Let the change be what it may, it cannot take from us our father's love, and our father's honourable principles. Nor can it change the true affection of his children. I feel as if I could say, With my father I could go unto prison or to death."

The father was much moved. "That trial, my dear children, I trust you may never be called upon to meet. The whole extent of the painful one into which you are about to enter, you cannot now possibly realize, and I earnestly hope that your hearts may not fail you while passing through the deep waters. But one thought may strengthen; think that by your patience and cheerfulness, your father's burdens will be lightened. He cannot see you pained without suffering a double pang himself."

"Trust us, father," was the calm, earnest, affectionate reply of Constance; and it was plain, by the deep resolution expressed in the faces of her sisters, that she spoke for them as well as herself.

And now, the shadow that was obscuring their earthly prospects, began to fall thicker upon them. At the meeting of his creditors which was called, he gave a full statement of his affairs.

"And now," he said, "I am here to assign everything. In consequence of heavy, and you all must see, unavoidable, losses, this assignment will include all my property, and still leave a small deficiency. Beyond that, I can only hope for success in my future exertions, and pledge that success in anticipation. Can I do more?"

"We could not ask for more certainly," was the cold response of a single individual, made in a tone of voice implying no sympathy with the debtor's misfortunes, but rather indicating disappointment that the whole amount of his claim could not be made out of the assets.

Some degree of sympathy, some kind consideration for his painful condition Mr. Morton naturally looked for, but nearly every kind emotion for him was stifled by the sordid disappointment which each one of his former business friends felt in losing what they valued, as their feelings indicated, above everything else--their money.

"When will the assignment be made?" was the next remark.

"Appoint your trustees, and I am ready at any moment."

Trustees were accordingly appointed, and these had a private conference with, and received their instructions from the creditors. In a week they commenced their work of appraisement. After a thorough and careful examination into accounts, deeds, mortgages, and documents of various kinds, and becoming satisfied that every thing was as Mr. Morton had stated it, it was found that the property represented by these would cover ninety cents in the dollar.

"Your furniture and plate comes next," said one of the trustees.

Mr. Morton bowed and said, while his heart sunk in his bosom--

"To-morrow I will be ready for that."

"But why not to-day?" inquired one of the trustees. "We are anxious to get through with this unpleasant business."

"I said to-morrow," Mr. Morton replied, while a red spot burned upon his cheek.

The trustees looked at each other, and hesitated.

"Surely," said the debtor, "you cannot hesitate to let me have a single day in which to prepare my family for so painful a duty as that which is required of me."

"We should suppose," remarked one of the trustees, in reply, "that your family were already prepared for that."

The debtor looked the last speaker searchingly in the face for some moments, and then said, as if satisfied with the examination--

"Then you are afraid that I will make way, in the mean time, with some of my plate!"

"I did not say so, Mr. Morton. But, you know we are under oath to protect the interest of the creditors."

An indignant reply trembled on the lips of Morton, but he curbed his feelings with a strong effort.

"I am ready now," he said, after a few moments of hurried self-communion. "The sooner it is over the better."

Half an hour after he entered his house with the trustees, and sworn appraiser. He left them in the parlour below, while he held a brief but painful interview with his family.

"Do not distress yourself, dear father!" Constance said, laying her hand upon his shoulder. "We expected this, and have fully nerved ourselves for the trial."

"May he who watches over, and regards us all, bless you, my children!" the father said with emotion, and hurriedly left them.

A careful inventory of the costly furniture that adorned the parlours was first taken. The plate was then displayed, rich and beautiful, and valued; and then the trustees lifted their eyes to the wall--they were connoisseurs in the fine arts; at least one of them was, but a taste for the arts had, in his case, failed to soften his feelings. He looked at a picture much as a dealer in precious stones looks at a diamond, to determine its money-value.

"That is from Guido," he said, looking admiringly at a sweet picture, which had always been a favourite of Mr. Morton's, "and it is worth a hundred dollars."

"Shall I put it down at that?" asked the appraiser, who had little experience in valuing pictures.

"Yes; put it down at one hundred. It will bring that under the hammer, any day," replied the connoisseur. "Ah, what have we here? A copy from Murillo's 'Good Shepherd.' Isn't that a lovely picture? Worth a hundred and fifty, every cent. And here is 'Our Saviour,' from Da Vinci's celebrated picture of the Last Supper; and a 'Magdalen' from Correggio. You are a judge of pictures, I see, Mr. Morton! But what is this?" he said, eyeing closely a large engraving, richly framed.

"A proof, as I live! from the only plate worth looking at of Raphael's Madonna of St. Sixtus. I'll give fifty dollars for that, myself."

The pictures named were all entered up by the appraiser, and then the group continued their examination.

"Here is a Sully," remarked the trustee above alluded to, pausing before Willie's portrait.

"But that is a portrait," Mr. Morton said, advancing, while his heart leaped with a new and sudden fear.

"If it is, Mr. Morton, it is a valuable picture, worth every cent of two hundred dollars. We cannot pass that, Sir."

"What!" exclaimed Mr. Morton, "take my Willie's portrait? O no, you cannot do that!"

"It is no doubt a hard case, Mr. Morton," said one of the trustees. "But we must do our duty, however painful. That picture is a most beautiful one, and by a favourite artist, and will bring at least two hundred dollars. It is not a necessary article of household furniture, and is not covered by the law. We should be censured, and justly too, if we were to pass it."

For a few moments, Mr. Morton's thoughts were so bewildered and his feelings so benumbed by the sudden and unexpected shock, that he could not rally his mind enough to decide what to say or how to act. To have the unfeeling hands of creditors, under the sanction of the law, seize upon his lost Willie's portrait, was to him so unexpected and sacrilegious a thing, that he could scarcely realize it, and he stood wrapt in painful, dreamy abstraction, until roused by the direction,

"Put it down at a hundred and fifty," given to the appraiser, by one of the trustees.