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Chapter XIV: Part IV: Furniture and Equipment

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I have mentioned these already under different headings, where they materially affected the size, shape, lighting, or situation of rooms. I shall not go into an enumeration or description of different outfit, because there are so many specialists, so many tastes, so many systems in different libraries, that selection of the latest and best devices offered by dealers accessible to the librarian is very easy. But a few general remarks on one or two articles, may properly be included in a general discussion on planning.

In the first place, never allow the furniture, fixtures or fittings to be chosen primarily for architectural effect, but for special use and fitness in every detail. In material, in shape, in hue, have them harmonize with the surroundings, for in such harmony lies the most effective and the least expensive beauty. Here, the taste of the architect can be of the utmost assistance. But, if possible, bar out what has been called “architectural” furniture, even if money can be spared for it. Heavy show-pieces, hard to move, hard to use, inconvenient, uncomfortable, wasteful of space, are an abomination in any library.

As to proportion of expenditure, Duff-Brown[381] allows eighteen per cent of total cost for fittings and furniture. He suggests, however, that fittings which are fixtures should be counted as part of the permanent structure. Perhaps this qualification explains the different estimate of Champneys,[382] who allows only ten per cent for furniture.

Bostwick[383] also recommends that fixtures be included in the general contract, and movables (which he specifies) be bought separately. He makes an excellent suggestion, that where this is done, a piece of the material to be matched, in its finished form, be sawed in two, and one piece handed to each contractor, so that the furniture and fixtures will match exactly. How important this is will be realized at many libraries, where the tint of fittings meant to match, often “swears.”

Miss Ahern, editor of Public Libraries, writes to me, in answer to an inquiry:—

“I believe in putting technical equipment outside the lines of library building and architecture. A builder cannot make it as well as a specialist in library equipment.”

My experience leads me to endorse her advice most heartily. I would say further, what she probably modestly refrains from saying, on account of her business connections, I would get the catalogues of The Library Bureau, ask and take their advice, and give them the preference where their prices are as low. I say this (I have not even an acquaintance with their present management) because theirs was the first attempt to serve libraries on this line intelligently, and I have understood that many years of altruistic experiment, advised by good librarians, were spent before they even met their expenses; so that their services merit a reward.

Miss Marvin[384] gives a “Typical List of Furniture” for a small building, with prices ruling in her section at the time she wrote. She fears, however, that she may have erred toward too great economy, “cheap furniture being unsightly as well as unprofitable as an investment.”

One matter apparently often forgotten in planning is the matching or contrasts of color, furniture as well as woodwork, shelving, and walls and lamp shades. Not only is the general cheer and comfort of the library secured by harmonious environment, but eyesight is deeply concerned in soft and soothing effects. Here observation and taste may effect wonders in planning for both “utilitas” and “venustas.”

Tables

These deserve a separate chapter; they are used everywhere.

“Good, plain, solid,” epitomizes Champneys.[385]

“Use small tables and light chairs instead of the large heavy tables and ‘artistic’ chairs, conformed to the style of the building, but awkward in use.”—_Fletcher._[386]

“The old style of long tables is now thought cumbersome,” says Bostwick.[387] This I endorse, though architects prefer large tables in large rooms, as more in proportion. He advises small, rectangular or circular tables for not more than six readers each. I doubt the circular in libraries where space is scant. They waste room.

“Should not be too long, or if double not too narrow.”—_Duff-Brown._[388]

“Tables for four give readers a feeling of privacy.”—_Eastman._

For this reason I rather incline to slightly sloping desks for two, like school desks, in reading rooms; all facing one way; all with a low back and sides, with a fillet at the front, to keep books and papers from falling; with extension slides or trough drawers for open books at each side of each reader. This form, it seems to me, combines a minimum of space for desk and passages, with a maximum of convenience and seclusion for readers. In the hours when the room was not thronged, there would be a desk to a reader. If the desks were rightly faced and the windows and lamps well arranged, no reader need have direct rays of light in his eyes, nor dazzling reflection from his paper.

As regards height of tables and space to a reader, see Eastman,[389] Marvin,[390] Bostwick,[391] Champneys,[392] Duff-Brown[393] and Carr.[394] They differ slightly, and each librarian would best experiment and judge for himself.

The British Museum has a kind of voting booth for each reader, with 4 feet 2 inches width of desk, high back and side screens for privacy. Cornell has something similar, but most libraries cannot afford so much space or such provisions for privacy.

Polished tops for tables (glass tops are sometimes inset) promote cleanliness, but are apt to give dazzling reflections of light.

One general caution echoed by many authorities warns against bottom cross rails between table legs. The scraping of readers’ feet against them is noisy, drops mud on the floor, and soon wears down the rails.

Many libraries have umbrella racks at the end of the tables, and here the owners can certainly have an eye on them. But if a coat room cannot be provided with an umbrella stand, cannot such a self-locking rack be placed in a lobby, as is seen in many restaurants?

Umbrellas are damp and unsightly as neighbors, and they occupy space readers might use.

“Readers’ tables should invariably have hinged flaps for writing, and slides to be drawn out to enlarge book space.

“There should be standing desks also.”—_Edwards_, Free Town Libraries.[395]

Perhaps there was a demand by readers for standing desks in England forty years ago when Edwards wrote, but few people want to stand now in America while reading or writing. A fixed standing ledge against any vacant stretch of wall near directories, dictionaries or the like, might be a convenience.

Chairs

Chairs are an important element in comfort. Strong enough for rough and constant use they must be. Graceful, or at least not ungainly, they ought to be and in most libraries they cannot be superfluously large. Indeed, there are many places where room can be saved by using stools, even fixed revolving stools. In some places armchairs (simple, not upholstered) will make readers more comfortable. For instance, in places where they can take up a book or magazine while reading and lean on the arms. Where a table is used to lay the book on, armchairs are not necessary, and they always need more room than plain chairs.

For a small library, the simplest kind of strong, bent-wood chairs suffice. Wood “saddle” seats, or rattan, are recommended rather than any upholstery, in larger libraries. To prevent noise, rubber tips to shoe the legs—the kind that screw in rather than slip on, are recommended.

Where there is no special coat room, hat racks underneath and such wire coat racks on the back, as are often used on theatre seats, are conveniences. Mr. Foster has these in the Providence Public Library, but he tells me they are not much used.

Chairs look better if they match each other, the tables, and the shelving, in material, style and color.

In planning it is wise after you have decided how many seats you want in each room, to have the architect sketch a floor plan and draw in shelving, tables and chairs, allotting to all the space which experience has taught is required for each reader in each room, as you intend to run it; and then carefully study the positions of the furniture and the dimensions of all the passages, checking results by examination of plans and visits to libraries which you think are satisfactory, until you are satisfied that you have reached the maximum of convenience with a minimum waste of space. A few hours’ time spent in this apparently trivial matter may mean much in ease of administration for years to come.

Delivery Desks

In the very small library, where every expense must be watched, all the furniture may have to be of common shapes and material, such as can be bought at the nearest furniture store. But as soon as any necessary luxury can be afforded, build or buy a specially designed charging and delivery desk, for this is the center and heart of almost all libraries of any size or any class. Do not have it built by a local carpenter, but wait until you can buy it from an experienced cabinet maker, or better, from a first-class library fittings expert. Study catalogs and plans to see what comes nearest to your needs and methods. If you find within your means a model which entirely suits you, get it. But if using of that or other makes of desks, or trying your own methods, or suggestions of other librarians, have led you to think that some modifications would suit better, it will not cost much more to have them made in the style which otherwise pleases you. Indeed, if your wants are wise, you will find that a dealer may meet them without extra charge, in the hope that his desk will thus commend itself to other librarians. Only by this gradual study put into form by clever librarians, can the ideal desk be gradually evolved.

See articles in the Library Journal, 19, 368; 21, 324; 22 (Conf.).

See dimensions, Carr, 18 L. J. 225, Duff-Brown 105.

From the foregoing remarks on points of contact between library and public it will be seen that many of these are localized at a single point—the loan desk. “This point may be regarded as the heart of a public circulating library.”—_Bostwick._[396]

“_It may happen that the position and size of this desk may determine in conspicuous particulars the character of the whole building._”—_Idem._[397]

Catalog Cases

As the card system has been so universally adopted in America, and worked out to such standards of size that the most convenient makes, dimensions and sizes of cases for every grade of library are kept in the market in all large cities, there is no need of describing them here. But I would make some suggestions as to how they may influence planning.

Cases for small libraries may not need a special base, but can be used on any table, flat desk or ledge. As the library grows, it needs more cases, and a special base, such as all makers furnish, may be wanted. As cards, like books, are more easily used when they can be seen by the reader without craning or stooping, their increase is better met by broadening than by piling up, until wall space fails. In the first form of base used, it is better to utilize the space under the table, not so much in the cupboards or open spaces suggested in some catalogs, as in the upright or flat shelving of the quartos or folios (such as atlases) not handled so often as to interfere seriously with use of the cards, the primary purpose of the cases. This space beneath should certainly be put to some use wherever space is precious.

One form of catalog case frequently used is double-faced, set in the partition between the delivery room and the cataloguer’s room, the drawers pulling both ways, so that they can be used alternately in either room.

In planning, the first thing is to calculate how many cards, drawers and cases are needed for the number of books now in the library, and the annual increase probable, for at least ten years ahead; better twenty-five years, if there is wall or floor room which will be vacant that long. Then comes the very important decision, vitally affecting the size of the room, perhaps its location, and the disposition of the windows and lights; namely, where is the best possible location for the catalog, considering accessibility, supervision and help? Provision for growth can be lateral or up and down, or both. When the drawers get to be more than three or four in a tier, some provision must be made in front of or beside them for a ledge or narrow table on which they can be laid when taken out for inspection. In small libraries the combined catalog case and atlas rack can be built so that the table will form a ledge on all sides, for this use, without other provision.

Good location and light for the public catalog make one test of the excellence of your plan.

Bulletin Boards

One thing often forgotten in planning is to leave available wall space where necessary bulletins can be hung and easily read,—a practical detail not always seen by the artistic eye. Everyone has seen dome and rotunda libraries, all columns and no wall.

In planning, however, it is not hard to assign opportunities in spaces sufficiently well lighted, but of no use otherwise, for hanging bulletin boards, or so treating walls as to serve that purpose without special boards. Lobbies, vestibules, corridors, stairways, spacious delivery rooms, even railings outside, invite such use. In England, want-lists are cut out from the daily papers, mounted on boards, and thus hung outside the library for inspection by the unemployed.

Places for bulletins should also consider—they do not always—near-sighted people, and the undersized. Even in such unprosaic matters, careful planning in every phase can promote the usefulness of the library. I remember being shown about a new dome library in the west, where the librarian turned in distress and asked, “Do tell me _where_ I can put up my bulletins or lists.” The only thing I could suggest was that she should get her architect to design a Parisian kiosk, to be set in the centre of the useless floor space, under the wasted heights of the dome; and use the exterior of the kiosk for bulletins, the interior for the brooms, for which no closet had been provided.

Miss Marvin[398] suggests spaces over radiators, shelves, periodical cases, and book bins. An ordinary screen, like those used in bar-rooms in any “wide-open” town, placed in the center of vestibule or hall would offer two sides for lists and bulletins posted at any convenient height.

If you have seen how masts going up through the cabins of river boats or coasters are backed with mirrors, you have a hint where to put bulletin boards in buildings on which columns have been inflicted.

Other Fittings

These vary so much with the grades and classes of libraries, they change so much as inventions are made from time to time, that I go into no further details here, but advise librarians who build to examine each item they want to use, in the light of the last improvements and the experience of fellow-librarians.

[Burgoyne gives thirty-two pages, illustrated, to English devices.]

Clocks, thermometers and barometers are especially recommended by Duff-Brown.[399] Clocks (noiseless) will be useful in many rooms, also thermometers, but we do not watch barometers so much in the United States as our English cousins do.

A page in your note book devoted to furniture and gear, when you start out on a reconnoissance among other libraries, will fix many fleeting impressions which may come into use later.

And in your trips may sharp eyes and keen common sense travel with you!

F.

APPENDIX

_In this Appendix are printed quotations from the outlines for planning two of the largest of recent libraries, both public._

F.

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How to plan a library building for library workChapter XIV: Part IV: Furniture and Equipment

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