How to sing [Meine Gesangskunst]
by OpenStories
Original author: Lilli Lehmann
"How to Sing [Meine Gesangskunst]" by Lilli Lehmann is a treatise on the art and science of singing, written in the late 19th century. Drawing from her extensive experience as an accomplished soprano, Lehmann aims to educate singers about the physiological and technical aspects of vocal production. The work strives to bridge the gap between scientific understanding and the sensations experienced during singing, making it a valuable resource for aspiring vocalists and singing instructors. At the start of the work, Lehmann expresses her purpose in writing: to clarify the complex sensations involved in singing and to dissect the physiological processes that govern them. She reflects on the evolution of singing education, lamenting the industrialization of singing instruction which prioritizes speed over mastery. Lehmann emphasizes the importance of thorough practice and deep understanding of vocal technique, sharing insights from her rich career in singing and teaching to guide her readers toward producing beautiful and powerful voices. This opening section sets the tone for her comprehensive exploration of various aspects of singing that follow.
How to sing [Meine Gesangskunst], by Lilli Lehmann. Republished by OpenStories from Project Gutenberg eBook #19116.
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40 Chapters
- 1.Section XXXIX: In Conclusion 2791,307 words
- 2.Section I: Preliminary Practice1,131 words
- 3.Section II: Of the Breath1,249 words
- 4.Section III: Of the Breath and Whirling Currents1,178 words
- 5.Section IV: The Singer's Physiological Studies1,283 words
- 6.Section V: Equalizing the Voice; Breath; Form1,615 words
- 7.Section VI: The Attack203 words
- 8.Section VII: Nasal. Nasal Singing399 words
- 9.Section VIII: Singing Toward the Nose. Head Voice493 words
- 10.Section IX: The Head Voice1,669 words
- 11.Section X: Sensation and Position of the Tongue349 words
- 12.Section XI: The Sensations of the Palate261 words
- 13.Section XII: The Sensation of the Resonance of the Head Cavities1,016 words
- 14.Section XIII: Singing Covered147 words
- 15.Section XIV: On Vocal Registers764 words
- 16.Section XV: Development and Equalization1,497 words
- 17.Section XVI: White Voices546 words
- 18.Section XVII: Theodor Wachtel492 words
- 19.Section XVIII: The Highest Head Tones797 words
- 20.Section XIX: Extension of the Compass and Equalization of Registers107 words
- 21.Section XX: The Tremolo871 words
- 22.Section XXI: The Cure715 words
- 23.Section XXII: The Tongue990 words
- 24.Section XXIII: Preparation for Singing354 words
- 25.Section XXIV: The Position of the Mouth (contraction of the Muscles of Speech)475 words
- 26.Section XXV: Connection of Vowels1,216 words
- 27.Section XXVI: The Lips245 words
- 28.Section XXVII: The Vowel-Sound Ah778 words
- 29.Section XXVIII: Italian and German1,034 words
- 30.Section XXIX: Auxiliary Vowels374 words
- 31.Section XXX: Resonant Consonants355 words
- 32.Section XXXI: Practical Exercises715 words
- 33.Section XXXII: The Great Scale954 words
- 34.Section XXXIII: Velocity827 words
- 35.Section XXXIV: Trill608 words
- 36.Section XXXV: How to Hold One's Self When Practising1,084 words
- 37.Section XXXVI: Concerning Expression274 words
- 38.Section XXXVII: Before the Public804 words
- 39.Section XXXVIII: Interpretation1,348 words
- 40.Section XXXIX: In Conclusion333 words