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Chapter III: Part 3

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"Got my fare!" retorted the cabman; "you're a pretty gracious Majesty, you are. You go about rolling in luxury and wealth out of the hard earnings of sich as me, and that's the way you use the money. Bah! The sooner you're done away with altogether the better. What good are you? Why you ain't worth the crown on your head."

The cabman drove away to swear, and the king paused to reflect. It took the king some time to calculate, but he found he cost that cabman, at his present rate of expenditure--he cost that cabman about an eighth of a farthing every ten years.

The king's lips moved, though he breathed no word; but any one who had watched the kind mouth would have seen that he was muttering something about that Liberal Government.

He took out his latch-key and let himself in; he paused in the passage, gently wiped his crown on the sleeve of his robe, and hung it on a hat-peg, and, placing his sceptre in the stand beside his forgotten umbrella--forgetfulness that had cost him a shilling--walked slowly into the parlour.

He sat down to meditate. You have only to read your Shakespeare to know this is the way of kings. He soliloquised somewhat in this fashion:

"It's quite clear the cheaper I get the more useless I appear. While I was surrounded with pomp, the people ran after and applauded me; now I get abused by a low cabman. I was like a grand ruin: while the columns stand, and the broken entablatures lie about in picturesque profusion, it is visited, made pictures of, and admired. But take away the old adornments, clear away the ground, and leave only a little pile of useless earth to mark the spot, and Admiration and Wonder, as they turn their backs on it, will soon find Respect at their heels--I see my fate."

The king grew reckless, and ordered an egg for his tea.

You have only to read your poets, and you will see that these sudden desperate acts foreshadow impending doom.

At the moment that Bibbs was wiping a small spot of egg from his beard, his ministers were holding a cabinet council to determine what should be their next move to keep up their popularity.

There was nothing to cut down but the places of themselves and their friends and relations. That was out of the question. The labourer is worthy of his hire, and they had laboured hard to get into their present position.

How would it be if they determined that the king should no longer receive any help from the State, but earn his own living? A little hard work would be good for the king's constitution.

The idea was a popular one. It was carried out. But poor King Bibbs was too old to work, so it occurred to one of the ministers, who knew a City gentleman who had an ugly daughter that he wanted to marry to a person of rank, that by his influence the poor king might be got into an almshouse.

After some difficulty it was done, and his most gracious Majesty found himself in possession of two small rooms and ten shillings a week.

Any reasonable old monarch, you would think, might have been very comfortable under these circumstances, but wherever he turned he met unfriendly glances. People said almshouses were meant for industrious but unfortunate tradesmen and their wives, and not for bloated old emperors and kings. Here was a monarch not only grinding them down with taxation, but actually taking from them the just reward of virtuous old age.

At last it happened that a shopkeeper died insolvent, and his aged widow was destitute. There was nothing for it but to put her on the parish, which would be an expense, or get her into an almshouse.

The matter touched the pockets of the parishioners, and you may be pretty sure that soon a fine clamour was raised. What had the king done to deserve charity? Nothing. Meetings were held, bundles of letters were sent to the newspapers, and at last the influential City gentleman, who meant to stand for the borough at the next election, was forced to turn out King Bibbs or lose his popularity.

The influential gentleman assured his most gracious Majesty that he turned him out with great reluctance.

What was to be done now? It was pretty clear that the king must go on the parish. But what parish?

It mattered not where he had lived, he had never paid his rates, and not a parish would have him. Vestries met and discussed the matter. It was referred to committees, minutes were brought up and referred back again; meantime poor Bibbs, who would not go in as a casual, was left, like old Lear, to perish.

It is true that on the first night an old Chartist, who was once imprisoned for treason, took pity on him, and gave him a bed, but when the king found out who his benefactor was, his old pride arose within him, and he turned away.

His most gracious Majesty might have been seen feeling with his thumb-nail the edge of his last coin. It was smooth; King Bibbs had but threepence in the world.

At this moment he saw some men with advertising boards on their backs. He looked at them; they were old and feeble. Ah! thought the king, I think I am strong enough to carry boards. He went up to one of the men, and asked him most respectfully where he got his employment.

The man turned round and sneered out,--

"Oh, you want to rob _us_ now, do you? You want to take the crust out of our mouths. You ain't content with grinding _us_ poor working men down with taxes--you ain't content with having every luxury down to almhouses, but you must interfere with _us_. If I catch your most gracious Majesty with _half_ a board on your back, I'll just smash you. There!"

It will be observed that the people had lost nothing of the outward show of respect, and always addressed the king in the proper way.

Poor Bibbs bought a penny biscuit, and with the remaining twopence a piece of card and a bit of string. He wrote on the card,

"PRAY PITY A POOR CONSTITUTIONAL MONARCH."

And with his crown in his hand to get whatever charity would give, he went into the bitter world to beg his way down to the grave.

* * * * *

Things went on merrily with the ministry for years. They filled all the old places and invented new. They put the king's head on the coin, and put the coin in their pockets.

But one fine day a certain Eastern despot with whom they had been intriguing, thought it a politic thing to pay King Bibbs a visit IN STATE. Here was a pretty kettle of fish! What were they to do for a king?

It would never do to tell the Eastern despot they didn't know where their king was, and they did not care; he would have broken with them at once.

They sent in all directions to inquire for the king, but he was not to be found.

They then tried an advertisement:--

IF THIS SHOULD MEET THE EYE OF KING BIBBS,
he is requested to return to his disconsolate ministers, and
all shall be forgiven.

But poor Bibbs had not seen a newspaper for years, and his ministers were left disconsolate.

Then appeared another advertisement:--

LOST, A KING ANSWERING TO THE NAME OF BIBBS.
If any one will take him to the Treasury he will be _liberally_
rewarded.

Now it so happened that a quiet man of business, as he was passing along a country highway, saw a poor old half crazy man eating a few dry crusts. By his side was a bent sceptre, and on his head an old and battered crown, while his robe of royal purple was torn and soiled, and the ermine on it worn nearly bare and black.

As the stranger approached him, the old man took off his crown, and in a feeble voice said, "Pray pity a poor constitutional monarch."

The stranger looked in his face and exclaimed, "Good heaven, poor soul, what has brought you to this?"

The old man brushed a tear away from his sunken eye, and muttered--

"It was all through that Liberal Government!"

* * * * *

A week after a great city was all aglare with flags, and ablare with trumpets. The streets were lined with people, and a procession passed, at the head of which was a grand carriage drawn by eight horses. In the carriage sat a feeble old man in a splendid robe, and with a new crown that he kept taking off as he bowed to the multitude. At his side was the splendid Eastern despot, who bowed too, for the people not only said "Long live King Bibbs!" but they wished the splendid Eastern despot long life as well. Near the palace gates as they returned, the king left off bowing, and some were shocked at his pride and some at his pallor.

A few days after there was a grand and solemn procession.

And again, a few days after that, a grand and glorious procession.

* * * * *

The Government were true to their policy, and the wording of their advertisement. The stranger who had found King Bibbs, after wasting years in applications, received a note to say his affair was under consideration.

(_By permission of the Author._)

MOLLY MULDOON.

ANONYMOUS.

Molly Muldoon was an Irish girl,
And as fine a one
As you'd look upon
In the cot of a peasant or hall of an earl.
Her teeth were white, though not of pearl,--
And dark was her hair, but it did not curl;
Yet few who gazed on her teeth and her hair,
But owned that a power of beauty was there.
Now many a hearty and rattling gorsoon
Whose fancy had charmed his heart into tune,
Would dare to approach fair Molly Muldoon,
But for _that_ in her eye
Which made most of them shy
And look quite ashamed, though they couldn't tell why--
Her eyes were large, dark blue, and clear,
And _heart_ and _mind_ seemed in them blended.
If _intellect_ sent you one look severe
_Love_ instantly leapt in the next to mend it--
Hers was the eye to check the rude,
And hers the eye to stir emotion,
To keep the sense and soul subdued
And calm desire into devotion.

There was Jemmy O'Hare,
As fine a boy as you'd see in a fair,
And wherever Molly was he was there.
His face was round and his build was square,
And he sported as rare
And tight a pair
Of legs, to be sure, as are found anywhere.
And Jemmy would wear
His _caubeen_ and hair
With such a peculiar and rollicking air,
That I'd venture to swear
Not a girl in Kildare
Nor Victoria's self, if she chanced to be there,
Could resist his wild way--called "Devil-may-care."
Not a boy in the parish could match him for fun,
Nor wrestle, nor leap, nor hurl, nor run
With Jemmy--No gorsoon could equal him--None,
At wake, or at wedding, at feast or at fight,
At throwing the sledge with such dext'rous sleight,--
He was the envy of men, and the women's delight.

Now Molly Muldoon liked Jemmy O'Hare,
And in troth Jemmy loved in his heart Miss Muldoon.
I believe in my conscience a purtier pair
Never danced in a tent at a pattern in June,--
To a bagpipe or fiddle
On the rough cabin door
That is placed in the middle--
Ye may talk as ye will
There's a grace in the limbs of the peasantry there
With which people of quality couldn't compare;
And Molly and Jemmy were counted the two
That would keep up the longest and go the best through
All the jigs and the reels
That have occupied heels
Since the days of the Murtaghs and Brian Boru.

It was on a long bright sunny day
They sat on a green knoll side by side,
But neither just then had much to say;
Their hearts were so full that they only tried
To do anything foolish, just to hide
What both of them felt, but what Molly denied.
They plucked the speckled daisies that grew
Close by their arms,--then tore them too;
And the bright little leaves that they broke from the stalk
They threw at each other for want of talk;
While the heart-lit look and the sunny smile
Reflected pure souls without art or guile,
And every time Molly sighed or smiled,
Jem felt himself grow as soft as a child;
And he fancied the sky never looked so bright,
The grass so green, the daisies so white;
Everything looked so gay in his sight
That gladly he'd linger to watch them till night,--
And Molly herself thought each little bird
Whose warbling notes her calm soul stirred,--
Sang only his lay but by her to be heard.

An Irish courtship's short and sweet,
It's sometimes foolish and indiscreet;
But who is wise when his young heart's heat
Whips the pulse to a galloping beat--
Ties up his judgment neck and feet
And makes him the slave of a blind conceit?
Sneer not, therefore, at the loves of the poor,
Though their manners be rude their affections are pure;
They look not by art, and they love not by rule,
For their souls are not tempered in fashion's cold school.
Oh! give me the love that endures no control
But the delicate instinct that springs from the soul,
As the mountain stream gushes its freshness and force,
Yet obedient, wherever it flows to its source.
Yes, give me that but Nature has taught,
By rank unallured and by riches unbought;
Whose very simplicity keeps it secure--
The love that illumines the heart of the poor.

All blushful was Molly, or shy at least
As one week before Lent
Jem procured her consent
To go the next Sunday and spake to the priest,
Shrove-Tuesday was named for the wedding to be,
And it dawned as bright as they'd wish to see.
And Jemmy was up at the day's first peep
For the live-long night, no wink could he sleep;
A bran-new coat, with a bright big button,
He took from a chest, and carefully put on--
And brogues as well _lampblacked_ as ever went foot on
Were greased with the fat of _a quare sort of mutton_!
Then a tidier _gorsoon_ couldn't be seen
Treading the Emerald sod so green--
Light was his step and bright was his eye
As he walked through the _slobbery_ streets of Athy.
And each girl he passed, bid "God bless him," and sighed,
While she wished in her heart that herself was the bride.

Hush! here's the Priest--let not the least
Whisper be heard till the father has ceased.
"Come, bridegroom and bride,
That the knot may be tied
Which no power upon earth can hereafter divide."
Up rose the bride, and the bridegroom too,
And a passage was made for them both to walk through!
And his Rev'rence stood with a sanctified face,
Which spread its infection around the place.
The bridesmaid bustled and whispered the bride,
Who felt so confused that she almost cried,
But at last bore up and walked forward, where
The Father was standing with solemn air;
The bridegroom was following after with pride,
_When his piercing eye something awful espied_!
He stooped and sighed,
Looked round and tried
To tell what he saw, but his tongue denied:
With a spring and a roar,
He jumped to the door,
AND THE BRIDE LAID HER EYES ON THE BRIDEGROOM NO MORE!

Some years sped on
Yet heard no one
Of Jemmy O'Hare, or where he had gone.
But since the night of that widowed feast,
The strength of poor Molly had ever decreased;
Till, at length, from earth's sorrow her soul released,
Fled up to be ranked with the saints at least.

And the morning poor Molly to live had ceased,
Just five years after the widowed feast,
An American letter was brought to the priest,
Telling of Jemmy O'Hare deceased!
Who ere his death,
With his latest breath,
To a spiritual father unburdened his breast
And the cause of his sudden departure confest,--
"Oh! Father," says he, "I've not long to live,
So I'll freely confess, and hope you'll forgive--
That same Molly Muldoon, sure I loved her indeed;
Ay, as well, as the Creed
That was never forsaken by one of my breed;
But I couldn't have married her after I saw"--
"Saw what?" cried the Father desirous to hear--
And the chair that he sat in unconsciously rocking--
"Not in her 'karacter,' yer Rev'rince, a flaw"--
The sick man here dropped a significant tear
And died as he whispered in the clergyman's ear--
"But I saw, God forgive her, A HOLE IN HER STOCKING!"

THE HARMONIOUS LOBSTERS.

ROBERT REECE.

It has always appeared to me as a remarkable fact that the practice of Music does not promote amongst its devotees the harmony which is its own very gist and soul. The "concord of sweet sounds" is not reflected in the good fellowship and friendly cohesion of musicians; and the spiritualising power of the divine art seems too often to evaporate with the notes produced, and leave with its professors the hard _residuum_ of an exact science and a mechanical art.

The rivalry and jealousy so noticeable amongst musical people is peculiar to them; and, though you may with impunity neglect to demand from the actors, poets, painters, sculptors, preachers, physicians, surgeons, or lawyers an exhibition of their skill in their respective arts, you will make a foe for life if you omit to ask the musician to perform.

We all know the "musical people" at parties; how cordially we welcome the production of that fatal waterproof roll, with its diabolical contents of "pieces" and "ballads;" how enthusiastically we press Jones to "give us another song," and how cheerfully and promptly (I might almost say "hastily") Jones obliges us. It is of no use suggesting to Miss Robinson that you "are afraid you are taxing her too far." Miss Robinson has another ballad, or another "piece"--"Tricklings at Eve," or "Wobblings at Noon," ready for you.

I have belonged to several musical clubs in my time, and know something of my subject, especially the amateur section of it. I once officiated at a professional gathering to the great hurt of a very kind man. I was invited by a genial music publisher to join a "professional dinner" which he gave yearly to the principal musicians, his very good friends. The profession mustered very strongly, and did ample justice to excellent fare; on our repairing to the drawing-room, I expected, of course, to be entertained with some really good music, but I found that no one would "start the ball."

In the full glare of professional eyes I opened the piano and the proceedings myself. Before I had played forty bars every "professional" was making for the instrument. I concluded. I had "started the ball," or rather a musical "boomerang," which was to return viciously upon me and my host.

Every man present held the pianoforte in turn, and at half-past two in the morning (_I_ had commenced at ten in the evening), there were still some unwearied musicians insisting on playing their own compositions to unappreciative audiences of rival professors. Perhaps they are still playing. I never did any business with that music publisher again.

Years ago I belonged to an amateur musical society which had its being in a fashionable suburb, and was known by the felicitous title, "The Harmonious Lobsters." To account for this name I may state that the society owed its origin to certain jovial meetings held at a friend's chambers, where these succulent _crustacea_ were discussed (to soft music) at supper, twice a month. As the club grew, the suppers deceased; and, as the society became important and pretentious, so the original joviality evaporated.

"The Harmonious Lobsters" were as pleasant amongst themselves as the genuine uncooked articles are in a fishmonger's basket. Every member struggled to be "top-sawyer;" every artist, down to the little doctor who played the triangle regarded himself as the mainstay, sole prop, and presiding genius of the society.

We mustered a small orchestra, consisting of two flutes, two cornets, two violins, one viola, one violoncello, a drum, a clarionet, and the triangle above mentioned.

The performances of this "limited band" were more remarkable for their force than their precision; and a want of "tone" and completeness was the result of an endeavour on the part of each performer to make the instrument he played specially conspicuous. It didn't matter so much with the flutes, violins, and clarionet; but the two cornets were a serious nuisance.

Gasper and Puffin (both "first" cornets, of course!) were deadly rivals, implacable foes. Each aspired to be the ruler of the club, each regarded himself as _the_ performer _par excellence_. The flutes were not friendly, and the violoncello was crabbed and unpleasant, but those cornets were insufferable.

We all felt that a crisis was at hand, and we all devoutly wished it; for while Puffin and Gasper asserted themselves, we others were, to a defined extent, hiding our light under a bushel.

The catastrophe was foreshadowed by a stormy meeting convened to arrange the programme of our fourth and last annual concert.

"Of course," premised the First Violin, who was also Secretary and Librarian, "we have all a solo!"

There was no doubt of _that_, except as regarded the "doubles," viz., the two flutes and the two cornets. The first couple had so far coalesced as to submit to the prowess being displayed in a duet, which was destined to be less flute than elaborate flatulence.

"Let's begin at the beginning," said Gasper. "No. 1: that's an overture for _tutti_; say, 'The Caliph of Bagdad.'"

"_I_ don't mind," responded the Secretary. "It's easy enough, and there's lots of show for the violins."

"The question now arises," jerked in Puffin, "who is to be the _first_ soloist? _I_ won't."

"Nor likely to be," sneered Gasper.

"I understand your narrow-mindedness, Gasper," retorted Puffin; "but I shall choose my own place and my own solo."

"So shall _I_," announced Gasper; "go on."

The Secretary proceeded.

"Shall we say: SOLO (_Clarionet_)--Mr. R. Lipsey."

"Anything for a quiet life," said Lipsey. "_I_'m not afraid."

So it went on for four more items, when it became obvious that the "best place," in the first part of the programme was open to competition.

"_My_ solo," said Gasper, "comes in here."

"Thank you," replied Puffin; "I claim it myself."

"_Do_ you?" grinned Gasper; "I stick to this point."

"So do _I_," said the undaunted Puffin.

"No, but really, you know," argued the Secretary, "it must be settled: let _me_ cut the knot. _I_'ll play _my_ solo here."

A howl of opposition now arose. Every performer, exclusive of the Drum and the Triangle, had decided to "go in" for the "show place" in the programme.

"I leave the Society if I do not play my solo here," said Gasper. "I have no more to say!" and he sat down.

"So do _I_," echoed Puffin, "and get on with 'The Caliph' if you can without a second cornet."

This was clinching matters with a vengeance.

"Look here," interposed the Doctor. "_I_ don't play a solo, so I speak impartially, I hope. Let Gasper play his solo in _this_ part, and Puffin _his_ solo in the best place of the _second_ part of the programme. That'll settle it."

There was a tumult immediately; everybody seemed to be multiplied by ten.

"Don't be a fool," whispered the Doctor to Gasper. "Stick to your right place in the first part; all the swells look for _that_. They'll be gone before Puffin gets _his_ turn."

Gasper was quiet in a moment.

The Doctor, winking at me, got hold of the stony but still excited Puffin.

"Let him have his blessed solo _early_, my boy," said the Triangle. "The big people won't have taken their seats by then. You'll have it all your own way."

To this day I believe the Doctor had a professional impulse in this advice.

During a lull Puffin spoke.

"_Let_ Mr. Gasper have his solo in the first part. I flatter myself I can face the inferior position without any fear."

"You are _so_ modest," retorted the delighted Gasper. "Put it down, Basscleff. SOLO (_Cornet_) 'The Wind from the Sea,' _Vulvini_--George Gasper, Esq."

"That's _my_ solo," shouted Puffin; "and I'll play it!"

* * * * *

Spare me the recital of the ensuing scene.

"Listen to _me_," said the Triangle, maliciously. "We must come to hard facts, I plainly see. The truth is, the difference between Mr. Gasper and Mr. Puffin (both admirable performers) has assumed the aspect of direct rivalry; I may go so far as to say, antagonism. Laudable, so far as art is concerned; lamentable for the ill-feeling promoted. I suggest that, for the setting at rest of the unfortunate dispute, and the better spirit of the Society, it be arranged that the two gentlemen _do_ play the same solo at the same concert."

Loud shouts, of varied sentiment, followed this daring speech.

"A moment, please," cried the Doctor; "as Treasurer of this Musical Society I may state that our financial condition is not so satisfactory as it might be: if this competition gets wind--I mean, of course, if people get to know of it, we shall have an enormous house."

After some disputing, it was agreed that there was cogency in the Doctor's suggestion.

Other members were appeased with situations in the programme more or less prominent, but when the twenty-four items had been satisfactorily arranged, and the club separated, the general feeling was that the interest of the concert, and the stake at issue, were the competitive performances of Messrs. Puffin and Gasper.

The evening of the concert arrived: so did Doctor Martel at my rooms: the little man was suffused with delight.

"My dear fellow!" he chuckled, "it'll be the funniest thing you ever saw. I've been running to and fro all the week. Now to Gasper, now to Puffin. 'You should hear Puffin phrase that passage about the 'wind moaning,' said I to Gasper, 'it's tiptop,' and Gasper grinds his teeth. Then I go to Puffin and say, 'Gasper's devoting himself to making a hit, old man; the way he imitates the surge of the wave in the passage 'The wild wave answers the winds,' will 'fetch' them, and no mistake!' and Puffin turns pale."

"What does it all portend?" asked I.

"Wait and see, my lad," said the sly Doctor. "Wait and see."

* * * * *

Eight o'clock! and I meet Puffin as I enter the "Artists' Room." I play the _violino secondo_. I am nobody.

"Well," say I, "how do you feel?"

"Never mind," says the astute Puffin; "I bide my time! _Only_ (mark my words), Gasper won't score as heavily as he expects." With these dark words he vanishes.

The next moment I am face to face with Gasper.

"How do you feel?" I ask of _him_.

"Don't worry about _me_," replies Gasper. "I'm not afraid that Puffin will cover himself with glory, after all." And Gasper retires.

We had a wonderful "house" that night. The "competition" _had_ been noised abroad, and the wily doctor's surmises were fulfilled. There was a Puffin and a Gasper faction ready to do battle for its respective champion when the clarion of defiance rang out from the platform.

I pass the overture, a solo on the clarionet, which reduced the pug-nose of Lipsey to a severe aquiline during its performance; a flute and violin _duo_, and etc. The time had come for "The Wind from the Sea" (_George Gasper Esq._). The favourite performer was hailed with shouts of delight. The Puffin faction smiled silently.

The opening bars of the symphony were played by the pianist.

Gasper advanced with a half-restrained smile of self-satisfaction, and after some singular contortions of his lips began to play the _scena_ for the cornet.

But no sound followed his laboured effort! Again, and again, red in the face, and furious, he essayed to produce a note from his silver instrument. It was dumb!

Not so the Puffin section of the audience; the titter soon became a laugh, the laugh a shout, and finally with a stamp, and a diabolical expression, Mr Gasper gave up the game, and retreated amidst a howl of displeasure.

Meanwhile where was Puffin? Never mind.

Slowly went on the programme, till the item for which Mr. Puffin was "set down" arrived in its place.

More sensation in the audience. Puffin section cock-a-hoop. Similar symphony on the part of the pianist, and the placid Puffin, a foregone victory shaping his lips into a half-concealed smile, put his cornet to his mouth, and----

Well! while the audience was fighting its way out, half hysterical with laughter (for the performance of Mr. Puffin had only reproduced Mr. Gasper's failure), I was the unwilling witness of a "set-to" between the rival cornet-players, who, having discovered that each had, respectively, placed a cork up the principal tube of his opponent's instrument, so far agreed, as to differ as to the justice of the process. From the appearance of their upper lips, I am sure no solos were to be apprehended for weeks to come. But, before our next club meeting, Messrs. Gasper and Puffin had retired.

I don't belong to any musical clubs now.

(_By permission of the Author._)

THE PROVINCIAL LANDLADY.

H. CHANCE NEWTON.

Oh, dear Mister Editor, sir, if you please, they say you're a kind and
humanious gent, sir,
Which listens attentive to troubles and woes sech as worry an
'ard-working woman like me;
I'm worrited dreadful from morning to night with working and toilin'
and sech,--which the rent, sir,
Is not always quite so forthcoming as I, with my fam'ly, would wish
it to be!

Which I keeps a big house in the square, sir, not five minits' walk
from the R'yal Theaytre,
Jest oppersit Muggins's Music-hall, sir, which its "public" is known
as the "Linnet and Lamb"--
But I am a lamb, sir, to stand it as I do, a-working away up till
midnight, or later,
For a lot of purfessional folks, which the best of the bunch, sir, is
nothing but sham!

From them music-hall people as lodges with me is a set which I'm sure,
sir, is simply outragious,
A-rushin' all over the house when I've scrubbed it and cleaned it jest
like a new pin;--
And as for them second-floor folks (which is niggers) believe me their
conduct is something rampagious,
A-larkin' all over the landing, a-spoilin' the paper,--it's really a sin!

And the party wot sings comic songs, sir, goes in and out shouting
whenever he pleases,
And the next floor (the serio-comic)--well, there, she's a stuck-up,
impertinent miss,
Which the last ones as had them apartments wos folks as performed on
the "flyin' trapeeses,"
And went away two pun' thirteen in my debt, and I've never beheld 'em
from that day to this.

Than there's that ventrillikist party, as imitates different voices,
and that, sir,--
He frightens me out of my wits, which I'm sure as I haven't too many
to spare;
And as for that Muggins's chairman, I frequently finds him asleep on
the mat, sir,
Which I characterises behaviour like that as werry disgraceful and
shocking--so there!

Then the Sisters Mac-Jones (them duettists) comes bouncin' all over
the place, quite disdainful,
A fault-findin' day after day, sir, dressed up in their fal-de-rals,
looking like guys;
And the party that sings sentimental goes on in a way as to me, sir,
is painful,
He smokes a long pipe in the garding, which dreadful proceedings I
can't but despise.

Then a troop which I think is called ackribacks, knocks my best parlour
to rack and to ruin,
A-chucking of summersets over my splendid meeogany tables and chairs;
Why to-day they all stood on their heads in the passage: "Good gracious,"
I shouted, "why what are you doin'?"
When they twisted their legs round their necks, sir, made faces, and told
me to toddle downstairs!

Which I don't wish to make a remark, sir, that might be unpleasant, but
while I was at it
I thought as I'd mention the matters that cause me continual worry and
din,
For if you excuse the expression, I ses, as for lettin' of lodgins',--oh,
drat it!
"_If it wasn't for makin' it out of their board_," sir,--by jingers, I'd
never let lodgins' agin!

(_From_ "THE PENNY SHOWMAN," _by permission of the Author and_
MR. SAMUEL FRENCH.)

MY MATRIMONIAL PREDICAMENT.

LEOPOLD WAGNER.

I dare say a great many men in my situation would think themselves highly honoured; but, however this may strike others, I fell bound to confess that I am far from happy. The truth is, I have become so entangled in the meshes of a really romantic love affair, that I can see no possible hope of freeing myself. Let me hasten to explain.

About twelve months ago I engaged myself to a pretty young girl, who, out of sheer fickleness--it could have been nothing else--jilted me. I was much cut up at the time, since I had learnt to grow very fond of her. A little while after, I began to take an interest in another pretty girl whom I came in contact with almost daily; but, as I had no means of getting properly introduced to her, I never spoke. By-and-by she disappeared, and I soon forgot her. Things went on with me in the usual way until, suddenly growing tired of my lonely existence, I advertised for "a nice young girl, thoroughly domesticated, able and willing to make a good-looking young bachelor happy;" adding, "Previous experience not necessary." In this way I actually found one who answered my expectations to the letter. We met, took the usual walks; and in the course of a week or two, I could see she loved me with her whole heart. The arrangments for our wedding were soon made. I procured the ring and keeper; then put up the banns. Now the house I live in is peculiarly situated. When I lie in bed, my head is in Blankshire, while my feet extend over the boundary-line into Chumpshire. This may appear a slight matter enough; and yet, I fancy, that if hard times should ever overtake me, I would have two different parishes to fall back upon. However, I found it necessary to publish the banns in both parishes; added to which my _fiancee_, who is, or rather was, a lady's maid, a mile or two away in another direction, must needs put them up in her own parish also. So that I ought to reckon myself very much married, when it's all over. But here comes my predicament.

I forgot to mention that the girl who jilted me is godmother to my landlady's new baby. This slight relationship enables my landlady to take the liberty of corresponding with her; and the other day, as it transpires, she let slip the news of my approaching marriage. About the same time, I not only met, but had the pleasure of being introduced to, the second pretty girl at a concert. She, too, had heard of my marriage; and presently confessed that she loved me herself; that, in fact, she would never have left the neighbourhood if I had only once spoken to her. This put me about considerably; and I heartily wished my wedding was not so far advanced. Arrived home, I found a letter from the first girl imploring me to pause before it was too late, and begging my forgiveness for her past conduct. I took no notice of it; but the next day brought her over, to stay, invited by my landlady. It was impossible for me to offer any objection, as I was only a lodger myself. Still, the girl's manner was convincing. She threw herself into my arms, and begged I would postpone the ceremony, until she could really prove her devotion to me. This was rather awkward; for, almost on the instant, all my old love came back to me again, and I could not let her go.

The following day I took her about a bit, when I fell in love with her more than ever. In the afternoon I even went so far as to write to her mother, asking her to drop over to tea on Sunday afternoon. That night I also introduced her to the second pretty girl--whom I must now speak of as Miss No. 3. To my great surprise, the two became fast friends. On the Sunday morning, when the little godmother heard my banns called out in church, she fainted right away, and had to be carried outside. For myself, I felt like listening to my own death-warrant. At tea-time the mother came over; so she and my landlady soon settled it between themselves, that the little godmother had the greatest right to me. In the middle of all this, my _fiancee_ turned up, when a lively scene ensued. Eventually I left the house with her, to explain matters. But nothing would satisfy her short of my marrying her, as she had the right to demand. She swore that if I did not go through with the ceremony, she would make away with herself. No; she had no intention of bringing up a breach of promise case, for she loved me too much. Poor girl; I pitied her from the bottom of my heart, and went straight back to my place to give the little godmother her _conge_. But when we reached the house, I found the latter stretched upon the floor in a dead faint; and my courage completely gave way. I could not make up my mind which of the two girls I liked the best, so begged for a little time to decide. My _fiancee_ went into the back parlour to cry, while I, in a frenzy of distraction, rushed first to one girl, then to the other; and at last into the open air, full butt against the third girl, who, brokenhearted, was coming to see me. I thought the best thing I could do would be to go for a walk and try to console her. I did; but this little walk turned out so delightful, that I forgot all about the other two girls, and fell madly in love with _her_! On our way back to my place, we met my _fiancee_ just leaving. I introduced and saw them both home. When I reached home myself, Miss. No. 1 had been put to bed; her mother had gone, while I was left to reflect upon my singular position. In the morning at breakfast, the girl came to me crying; hanging round my neck, and telling me how much she loved me. "Don't marry her, marry me!" she pleaded, as I left the house on business. During the day I redeemed a promise exacted from me by No. 3 to visit her, when she told me the same tale. I also received a letter from my _fiancee_, demanding whether or not I intended to go through the ceremony; failing which she would end her life by poison. This was very dreadful; I went to see her, and begged time for consideration.

The fact is, I could not--nor can I yet--make up my mind which I like best. I love them all, and am convinced they each love me. Position has nothing whatever to do with it, for I am only a poor man. Had I money, I might perhaps square the difficulty with the mothers; but the girls themselves are above mercenary ideas. I am sure, nay, _positive_ that they love me for myself alone. They are not even unfriendly disposed towards each other, which is the most awkward part of the business. If they would only consent to be locked up in a room together and fight it out amongst themselves, I might be able to marry whichever one was left alive. But no such thing. Each swears she will not stand in the others' way, yet vows suicide if I do not individually marry _her_. The other morning, because I would not give her a decided "Yes," No. 1 ran out of the house to drown herself, and I arrived on the scene just in the nick of time to pull her back at the water's edge, by the bustle. A day or so afterwards, No. 3 put the same question to me, and noticing my hesitation, had well-nigh leapt upon the railway metals before I could prevent her. I didn't see my _fiancee_ that night: but at six o'clock the next morning, my landlady knocked me up to say that according to a message left with her late at night Miss No. 2 had poisoned herself. For an hour or so I was completely stunned; but after that time I dressed and ran to the house, to find that the whole affair was a hoax. I intend to be even with the fellow who played it on me, yet.

This kind of thing has been going on for more than a week, and I feel worried to death. The latest is that, in addition to No. 1, both the other girls have taken up their residence with my landlady. I would fly if I could, but my business compels me to remain on the spot. The three girls follow me about everywhere. I never have a minute's peace. Though the greatest of friends, they are at the same time jealous of trusting each other alone with me, lest I should commit myself to any rash promise. I suppose I am one of those susceptible fellows who falls in love with any girl who may encourage him. It must be so. Yet these girls are every bit as nice as they are loving and _different_. No. 1 is very young and pretty; my _fiancee_ has a splendid figure, and is thoroughly domesticated; No. 3 is my counterpart in everything. I love them all, and can't for the life of me tell which I like the best. Whatever I do, it will be a case of suicide for two of them, or a couple of breach of promise actions for me. I ought to have stated before that the mothers have taken lodgings in the house as well, so that I am in for a nice thing! I would marry all three if the law allowed me; but though the girls themselves might not object, yet the prospect of _three_ mothers-in-law is too much for one man to contemplate. The most sensible arrangement would be, I think, not to marry anybody, but to go on loving all three in a perfectly platonic manner until something happened to make two of them throw the game up. I dare say the girls would be willing enough--one of them even suggested it herself yesterday; but the mothers won't hear of such a thing, their purpose being to bring me to the point at once. I am a great favourite with the mothers too; and their solicitations that I should marry their respective daughters are almost as pressing as are those of the girls themselves. Really I am in a most uncomfortable position. Out of doors, as I walk along followed by these three young creatures, I am regarded as a noted character, and the people everywhere whisper, "There goes the young man with his three wives!" I shouldn't mind this in the least if only the mothers would pack up their traps and go about their business. But they won't; here they stick at my very elbow, calmly waiting for me to say whose daughter I really mean to marry. So long as I refuse to give an answer to all three, I am safe; but the business is getting just a little bit tiresome, and I should heartily like to see my way out of it.

Was there ever anybody in such a predicament before! What shall I do? What can I do? Is there any charitably-disposed person here who can advise me? No? Then I am a doomed man, and must meet my fate resignedly. However, I vow and declare that if by any chance I _should_ get over this, I'll not repeat the experiment as long as I live.

(_Copyright of the Author._)

ETIQUETTE.

W. S. GILBERT.

The _Ballyshannon_ foundered off the coast of Cariboo,
And down in fathoms many went the captain and the crew;
Down went the owners--greedy men whom hope of gain allured:
Oh, dry the starting tear, for they were heavily insured.

Besides the captain and the mate, the owners and the crew,
The passengers were also drowned excepting only two:
Young PETER GRAY, who tasted teas for BARBER, CROOP, AND CO.,
And SOMERS, who from Eastern shores imported indigo.

These passengers, by reason of their clinging to a mast,
Upon a desert island were eventually cast.
They hunted for their meals, as ALEXANDER SELKIRK used,
But they couldn't chat together--they had not been introduced.

For PETER GRAY, and SOMERS too, though certainly in trade,
Were properly particular about the friends they made;
And somehow thus they settled it without a word of mouth--
That GRAY should take the northern half, while SOMERS took the south.

On PETER'S portion oysters grew--a delicacy rare,
But oysters were a delicacy PETER couldn't bear.
On SOMERS' side was turtle, on the shingle lying thick,
Which SOMERS couldn't eat, because it always made him sick.

GRAY gnashed his teeth with envy as he saw a mighty store
Of turtle unmolested on his fellow-creature's shore.
The oysters at his feet aside impatiently he shoved,
For turtle and his mother were the only things he loved.

And SOMERS sighed in sorrow as he settled in the south,
For the thought of PETER'S oysters brought the water to his mouth.
He longed to lay him down upon the shelly bed, and stuff;
He had often eaten oysters, but had never had enough.

How they wished an introduction to each other they had had
When on board the _Ballyshannon_! And it drove them nearly mad,
To think how very friendly with each other they might get,
If it wasn't for the arbitrary rule of etiquette!

One day when out hunting for the _mus ridiculus_,
GRAY overheard his fellow-man soliloquising thus:
"I wonder how the playmates of my youth are getting on,
MCCONNELL, S. B. WALTERS, PADDY BYLES, and ROBINSON?"

These simple words made PETER as delighted as could be,
Old chummies at the Charterhouse were ROBINSON and he!
He walked straight up to SOMERS, then he turned extremely red,
Hesitated, hummed and hawed a bit, then cleared his throat, and said:

"I beg your pardon--pray forgive me if I seem too bold,
But you have breathed a name I knew familiarly of old.
You spoke aloud of ROBINSON--I happened to be by.
You know him?" "Yes, extremely well." "Allow me, so do I."

It was enough: they felt they could more pleasantly get on,
For (ah, the magic of the fact!) they each knew ROBINSON!
And MR. SOMERS' turtle was at PETER'S service quite,
And MR. SOMERS punished PETER'S oyster-beds all night.

They soon became like brothers from community of wrongs:
They wrote each other little odes and sang each other songs;
They told each other anecdotes disparaging their wives;
On several occasions, too, they saved each other's lives.

They felt quite melancholy when they parted for the night,
And got up in the morning soon as ever it was light;
Each other's pleasant company they reckoned so upon,
And all because it happened that they both knew ROBINSON!

They lived for many years on that inhospitable shore,
And day by day they learned to love each other more and more.
At last, to their astonishment, on getting up one day,
They saw a frigate anchored in the offing of the bay.

To PETER an idea occurred, "Suppose we cross the main?
So good an opportunity may not be found again."
And SOMERS thought a minute, then ejaculated, "Done!
I wonder how my business in the City's getting on?"

"But stay," said MR. PETER: "when in England, as you know,
I earned a living tasting teas for BARBER, CROOP, AND CO.,
I may be superseded--my employers think me dead!"
"Then come with me," said SOMERS, "and taste indigo instead."

But all their plans were scattered in a moment when they found,
The vessel was a convict ship from Portland outward bound;
When a boat came off to fetch them, though they felt it very kind,
To go on board they firmly but respectfully declined.

As both the happy settlers roared with laughter at the joke,
They recognised a gentlemanly fellow pulling stroke:
'Twas ROBINSON--a convict, in an unbecoming frock!
Condemned to seven years for misappropriating stock!!!

They laughed no more, for SOMERS thought he had been rather rash
In knowing one whose friend had misappropriated cash;
And PETER thought a foolish tack he must have gone upon
In making the acquaintance of a friend of ROBINSON.

At first they didn't quarrel very openly, I've heard;
They nodded when they met, and now and then exchanged a word:
The word grew rare, and rarer still the nodding of the head,
And when they meet each other now, they cut each other dead.

To allocate the island they agreed by word of mouth,
And PETER takes the north again, and SOMERS takes the south;
And PETER has the oysters, which he hates in layers thick,
And SOMERS has the turtle--turtle always makes him sick.

(_By permission of the Author._)

A LOST SHEPHERD.

FRANK BARRETT.

Winklehaven was once a very bad place. Roads, trade, drainage--everything was as bad as it could be. The fishermen were bad, and beat their wives, and their wives were bad and deserved all the beating they got, and more. The fish caught there was bad before it went to market. The very parson was bad, and preached the excisemen to sleep whilst Red Robert and Black Bill ran their cargo of smuggled bad brandy.

Families who should have been respectable were not. Parents whipped their children into rebellion and then cut them off with shillings--bad ones, of course. Wards defied their guardians, and invariably fell in love contrary to the arrangements of their seniors. All the young men ran away with all the eligible young women.

The natural result was that after a dozen years from the time when Winklehaven stood at its worst, the population of the town consisted of infirm old people suffering from remorse, gout, and other afflictions proceeding from the excesses of youth, and such spinsters as were rejected by the young rakes of the preceding era. The moral aspect of the place changed in those years; it was no longer unholy, but, indeed, the most virtuous of human settlements.

The fishermen were too old and weak to beat their wives, and their failing memories could supply them with no oaths suitable to express their feelings. The wicked parson and the smugglers were no more; there wasn't a young man in the place, and the ladies who called themselves young were irreproachable.

It might strike the unthinking as an extraordinary peculiarity that a place so very, very good should require a curate in addition to a deaf rector. Nevertheless such was the case--a curate was wanted, and wanted very much by the congregation of St. Tickleimpit's--the unblemished spinsters, who called themselves young. They would have a curate, and Mr. Lillywhite Lambe, B.A., they had.

Now as the snow falls like a veil of purity over the face of the earth, only to melt and besmirch it before the lasting season of blossoming sweetness, so Mr. Lillywhite Lambe, B.A., came to Winklehaven and passed away before it attained to its present buttercup-and-daisy condition of virtue; and the manner of his going this pen shall tell.

Mr. Lillywhite Lambe, B.A., was a curate of the deepest dye. He had not so much principle as a bankrupt, and he came to Winklehaven with the settled purpose of marrying the richest and least objectionable of his congregation. The difficulties in his way were few. In personal appearance and demeanour he was so simple and sweet that even the rector was mistaken and thought him a fool, and what more could a girl of five-and-forty desire?

It was not a question which he _could_ marry from amongst the eighteen or twenty tempting creatures around him, but rather which he should reject. They surrounded him like a glory wherever he went, waiting for him at his coming out and never leaving him until his going in. Seldom less than half-a-dozen spinsters accompanied him; they liked him too much and each other too little to trust him with one alone. And they wrote letters to him marked "private," containing the burning thoughts they dared not express in the presence of their sisters. Each was tantamount to an offer of marriage; but he was yet undecided in his selection, and replied to all with touching yet ambiguous texts. At this time he suffered somewhat from bile, for his most active exercise was wool-winding, and the ladies buttered his toast on both sides and the edges.

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Humorous Readings and Recitations, in Prose and VerseChapter III: Part 3

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