Chapter II: Part 2

The night came. The stage was erected at one end of our big study-room (classic-hall, we called it); the audience, consisting of the school and the nuns, for no strangers were admitted on these occasions, sat in serried ranks to witness our performance. Behind the scenes, despite the frenzy of suppressed excitement, there reigned outward order and tranquillity. The splendid precision of our convent training held good in all emergencies. We revolved like spheres in our appointed orbits, and confusion was foreign to our experience. I am inclined to think that the habit of self-restraint induced by this gentle inflexibility of discipline, this exquisite sense of method and proportion, was the most valuable by-product of our education. There was an element of dignity in being even an insignificant part of a harmonious whole.

At the stroke of eight the curtain rose. Ayesha, reclining upon cushions, and wearing all the chains and necklaces the school could boast, listens with rapture to the edifying discourse of Inez, and confesses her readiness to be baptized. Inez gives pious thanks for this conversion, not forgetting to remind the Heavenly powers that it was through her agency it was effected. Into this familiar atmosphere of controversy the sudden return of Zara brings a welcome breath of wickedness and high resolve. Granada is doomed. Her days are numbered. The Spanish army, encamped in splendour, awaits her inevitable fall. Her ruler is weak and vacillating. Her people cry for bread. But Zara's spirit is unbroken. She finds Inez--in whom every virtue and every grace conspire to exasperate--distributing her own portion of food to clamorous beggars, and sweeps her sternly aside: "Dare not again degrade a freeborn Moslem into a recipient of thy Christian charity." She vows that if the city cannot be saved, its fall shall be avenged, and that the proud Queen of Castile shall never enter its gates in triumph.

Dark whispers of assassination fill the air. The plot is touching in its simplicity. Inez, a captive of rank, is to be sent as a peace offering to the Spanish lines. Ayesha and Zoraiya (Elizabeth) accompany her as pledges of good faith. Zara, disguised as a serving woman, goes with them,--her soul inflamed with hate, her dagger hidden in her breast. Ayesha is kept in ignorance of the conspiracy; but Zoraiya knows,--knows that the queen is to be murdered, and that her own life will help to pay the penalty. "Does she consent?" whispers a slave to me; to which I proudly answer: "Consent! Ay, gladly. If it be well for Granada that this Spanish queen should die, then Zara's niece, being of Zara's blood, thinks neither of pity nor precaution. She says she deals with the Castilian's life as with her own, and both are forfeited."

The scene shifts--by the help of our imagination, for scene-shifters we had none--to Santa Fe, that marvellous camp, more like a city than a battlefield, where the Spaniards lie entrenched. It is an hour of triumph for Inez, and, as might be expected, she bears herself with superlative and maddening sanctity. She is all the Cardinal Virtues rolled into one.

To live with the Saints in Heaven
Is untold bliss and glory;
But to live with the saints on earth
Is quite another story.

When I--meanly currying favour--beg her to remember that I have ever stood her friend, she replies with proud humility: "I will remember naught that I have seen, or heard, or suffered in Granada; and therein lies your safety."

The rôle of Isabella of Castile was played by Frances Fenton, a large, fair girl, with a round face, a slow voice, and an enviable placidity of disposition; a girl habitually decorated with all the medals, ribbons, and medallions that the school could bestow for untarnished propriety of behaviour. She wore a white frock of noticeable simplicity ("so great a soul as Isabella," said Madame Rayburn, "could never stoop to vanity"), a blue sash, and a gold crown, which was one of our most valued stage properties. Foremost among the ladies who surrounded her was Marie, otherwise the Marchioness de Moya, mother of Inez, and also--though this has still to be divulged--of the long-lost Ayesha. It is while the marchioness is clasping Inez in her maternal arms, and murmuring thanks to Heaven, and all the other Spanish ladies are clasping their hands, and murmuring thanks to Heaven, that Zara sees her opportunity to stab the unsuspecting queen. She steals cautiously forward (my throbbing heart stood still), and draws the dagger--a mother-of-pearl paper knife--from the folds of her dress. But Ayesha, rendered suspicious by conversion, is watching her closely. Suddenly she divines her purpose, and, when Zara's arm is raised to strike, she springs forward to avert the blow. It pierces her heart, and with a gasp she falls dying at Isabella's feet.

Every word that followed is engraven indelibly upon my memory. I have forgotten much since then, but only with death can this last scene be effaced from my recollection. It was now that Elizabeth was to make her vehement recantation, was to be converted with Shakespearian speed. It was now she was to fall upon her knees, and abjure Mohammedanism forever. She did not fall. She took a step forward, and knelt quietly and decorously by Ayesha's side, as if for night prayers. Her volcanic language contrasted strangely with the imperturbable tranquillity of her demeanour.

_Zoraiya._ Oh! Zara, thou hast slain her, slain the fair flower of Granada. The darling of Hiaya's heart is dead.

_Spanish Lady._ The girl speaks truth. 'Twas Zara's arm that struck.

_Zoraiya_ (conscientiously). From this hour I do renounce the creed whose fatal worship of bad passions has led thee on, step by step, to this blood-guiltiness.

_Zara._ Peace, peace, Zoraiya! Degrade not thyself thus for one not of thy blood nor race.

_Zoraiya._ Thy brother's child not of our blood nor race! Thy crime has made thee mad.

_Zara._ Thou shalt see. I would have word with the Marchioness de Moya.

_Marchioness de Moya_ (springing forward). Why namest thou me, woman? O Queen! why does this Moslem woman call on me?

_Isabella_ (with uplifted eyes). Pray, pray! my friend. Naught else can help thee in this hour which I see coming. For, oh! this is Heaven-ordained.

_Zara._ Thou hadst a daughter?

_Marchioness de Moya._ I have one.

_Zara._ One lost to thee in infancy, when Hiaya stormed Alhama. If thou wouldst once again embrace her, take in thine arms thy dying child.

_Marchioness de Moya_ (unsteadily). Thy hatred to our race is not unknown. Thou sayest this, seeking to torture me. But know, 'twere not torture, 'twere happiness, to believe thy words were words of truth.

_Zara._ I would not make a Christian happy. But the words are spoken, and cannot be withdrawn. For the rest, Hiaya, whose degenerate wife reared as her own the captive child, will not dispute its truth, now that she is passing equally away from him and thee.

_Spanish Lady._ Oh! hapless mother!

_Marchioness de Moya_ (proudly). Hapless! I would not change my dying child for any living one in Christendom.

And now, alas! that I must tell it, came the burning humiliation of my childhood. Until this moment, as the reader may have noticed, no one had offered to arrest Zara, nor staunch Ayesha's wound, nor call for aid, nor do any of the things that would naturally have been done off the stage. The necessity of explaining the situation had overridden--as it always does in the drama--every other consideration. But now, while the queen was busy embracing the marchioness, and while the Spanish ladies were bending over Ayesha's body, it was my part to pluck Zara's robe, and whisper: "Quick, quick, let us be gone! To linger here is death." To which she scornfully retorts: "They have no thought of thee, slave; and, as for me, I go to meet what fate Allah ordains:" and slowly leaves the stage.

But where _was_ I? Not in our convent schoolroom, not on our convent stage; but in the queen's pavilion, witness to a tragedy which rent my soul in twain. Ayesha (I had a passionate admiration for Julia Reynolds), lying dead and lovely at my feet; Marie's pitiful cry vibrating in my ears; and Zara's splendid scorn and hatred overriding all pity and compunction. Wrapped in the contemplation of these things, I stood speechless and motionless, oblivious of cues, unaware of Zara's meaning glance, unconscious of the long, strained pause, or of Madame Rayburn's loud prompting from behind the scenes. At last, hopeless of any help in my direction, Zara bethought herself to say: "As for me, I go to meet what fate Allah ordains:" and stalked off,--which independent action brought me to my senses with a start. I opened my mouth to speak, but it was too late; and, realizing the horror of my position, I turned and fled,--fled to meet the flood-tide of Mary Orr's reproaches.

"Every one will think that I forgot my lines," she stormed. "Didn't you see me looking straight at you, and waiting for my cue? The whole scene was spoiled by your stupidity."

I glanced miserably at Madame Rayburn. Of all the nuns I loved her best; but I knew her too well to expect any comfort from her lips. Her brown eyes were very cold and bright. "The scene was not spoiled," she said judicially; "it went off remarkably well. But I did think, Agnes, that, although you cannot act, you had too much interest in the play, and too much feeling for the situation, to forget entirely where you were, or what you were about. There, don't cry! It didn't matter much."

Don't cry! As well say to the pent-up dam, "Don't overflow!" or to the heaving lava-bed, "Don't leave your comfortable crater!" Already my tears were raining down over my blue tunic and yellow trousers. How could I--poor, inarticulate child--explain that it was because of my absorbing interest in the play, my passionate feeling for the situation, that I was now humbled to the dust, and that my career as an actress was closed?

In Retreat

We were on the eve of a "spiritual retreat,"--four whole days of silence,--and, in consideration of this fact, were enjoying the unusual indulgence of an hour's recreation after supper. The gravity of the impending change disturbed our spirits, and took away from us--such is the irony of fate--all desire to talk. We were not precisely depressed, although four days of silence, of sermons, of "religious exercises," and examinations of conscience, might seem reasonably depressing. But on the other hand,--happy adjustment of life's burdens,--we should have no lessons to study, no dictations to write, no loathsome arithmetic to fret our peaceful hearts. The absence of French for four whole days was, in itself, enough to sweeten the pious prospect ahead of us. Elizabeth firmly maintained she liked making retreats; but then Elizabeth regarded her soul's perils with a less lively concern than I did. She was not cursed with a speculative temperament.

What we all felt, sitting silent and somewhat apprehensive in the lamplight, was a desire to do something outrageous,--something which should justify the plunge we were about to make into penitence and compunction of heart. It was the stirring of the Carnival spirit within us, the same intensely human impulse which makes the excesses of Shrove Tuesday a prelude to the first solemn services of Lent. The trouble with us was that we did not know what to do. Our range of possible iniquities was at all times painfully limited. When I recall it, I am fain to think of a pleasant conceit I once heard from Mr. Royce, concerning the innocence of baby imps. Thanks to the closeness of our guardianship, and to the pure air we breathed, no little circle of azure-winged cherubim were ever more innocent than we; yet there were impish promptings in every guiltless heart. Is it possible to look at those cheerful, snub-nosed angels that circle around Fra Lippo Lippi's madonnas, without speculating upon the superfluity of naughtiness that must be forgiven them day by day?

"We might blow out the lights," suggested Lilly feebly.

Elizabeth shook her head, and the rest of us offered no response. To blow out the schoolroom lamps was one of those heroic misdeeds which could be attempted only in moments of supreme excitement, when some breathless romping game had raised our spirits to fever pitch. It was utterly out of keeping with our present mood, and besides it was not really wrong,--only forbidden under penalties. We were subtle enough--at least some of us were; nobody expected subtlety from Lilly--to recognize the difference.

A silence followed. Tony's chin was sunk in the palm of her hand. When she lifted her head, her brown eyes shone with a flickering light. An enchanting smile curved her crooked little mouth. "Let's steal the straws from under the Bambino in the corridor," she said.

We rose swiftly and simultaneously to our feet. Here was a crime, indeed; a crime which offered the twofold stimulus of pillage and impiety. The Bambino, a little waxen image we all ardently admired, reposed under a glass case in the wide hall leading to the chapel. He lay with his dimpled arms outstretched on a bed of symmetrically arranged straws; not the common, fuzzy, barnyard straws, but those large, smooth cylinders, through which all children love to suck up lemonade and soda water. Soda water was to us an unknown beverage, and lemonade the rarest of indulgences; but we had always coveted the straws, though the unblessed thought of taking them had never entered any mind before. Now, welcoming the temptation, and adding deceit to all the other sins involved, we put on our black veils, and made demure pretence of going to the chapel to pray. Except to go to the chapel, five little girls would never have been permitted to leave the schoolroom together; and, under ordinary circumstances, this sudden access of piety might have awakened reasonable suspicions in the breast of the Mistress of recreation. But the impending retreat made it seem all right to her (she was no great student of human nature), and her friendly smile, as we curtsied and withdrew, brought a faint throb of shame to my perfidious soul.

Once outside the door, we scuttled swiftly to the chapel hall. It was silent and empty. Tony lifted the heavy glass cover which protected the Bambino,--the pretty, helpless baby we were going to ruthlessly rob. For a moment my inborn reverence conquered, and I stooped to kiss the waxen feet. Then, surging hotly through my heart, came the thought,--a Judas kiss; and with a shudder I pulled myself away. By this time, I didn't want the straws, I didn't want to take them at all; but, when one sins in company, one must respect one's criminal obligations. "Honour among thieves." Hurriedly we collected our spoils,--ten shining tubes, which left horrid gaps in the Bambino's bed. Then the case was lowered, and we stood giggling and whispering in the corridor.

"Let's"--said Tony.

But what new villainy she meditated, we never knew. The chapel door opened,--it was Madame Bouron,--and we fled precipitately back to the schoolroom. As we reached it, the clanging of a bell struck dolorously upon our ears. Our last free hour was over, and silence, the unbroken silence of four days, had fallen like a pall upon the convent. We took off our veils, and slipped limply into line for prayers.

The next morning a new order of things reigned throughout the hushed school. The French conversation, which ordinarily made pretence of enlivening our breakfast hour, was exchanged for a soothing stillness. In place of our English classes, we had a sermon from Father Santarius, some chapters of religious reading, and a quiet hour to devote to any pious exercise we deemed most profitable to our souls. Dinner and supper were always silent meals, and one of the older girls read aloud to us,--a pleasant and profitable custom. Now the travels of Père Huc--a most engaging book--was laid aside in favour of Montalembert's "Life of St. Elizabeth of Hungary,"--which also had its charm. Many deficiencies there were in our educational scheme,--it was so long ago,--but the unpardonable sin of commonplaceness could never be counted its shortcoming. After dinner there was an "instruction" from one of the nuns, and more time for private devotions. Then came our three-o'clock _goûter_, followed by a second instruction, Benediction, and the Rosary. After supper, Father Santarius preached to us again in the dimly lit chapel, and our fagged little souls were once more forcibly aroused to the contemplation of their imminent peril. Death, Judgment, Hell, and Heaven--which the catechism says are "the four last things to be remembered"--were the subjects of the four night sermons. Those were not days when soothing syrup was administered in tranquillizing doses from the pulpit.

A sense of mystery attached itself to Father Santarius, attributable, I think, to his immense size, which must have equalled that of St. Thomas Aquinas. It was said that he had not seen his own feet for twenty years (so vast a bulk intervened), and this interesting legend was a source of endless speculation to little, lean, elastic girls. He was an eloquent and dramatic preacher, versed in all the arts of oratory, and presenting a striking contrast to our dull and gentle chaplain, one of the kindest and most colourless of men, to whose sermons we had long ceased to listen very attentively. We listened to Father Santarius, listened trembling while he thundered his denunciations against worldliness, and infidelity, and pride of place, and many dreadful sins we stood in no immediate danger of committing. The terrors of the Judgment Day were unfurled before our startled eyes with the sympathetic appreciation of a fifteenth-century fresco, and the dead weight of eternity oppressed our infant souls. Father Santarius knew his Hell as well as did Dante, and his Heaven (but we had not yet come to Heaven) a great deal better. Moreover, while Dante's Hell was arranged for the accommodation of those whom he was pleased to put in it, Father Santarius's Hell was prepared for the possible accommodation of _us_,--which made a vast difference in our philosophy. Perhaps a similar sense of liability might have softened the poet's vision. The third night's sermon reduced Annie Churchill to hysterical sobs; Marie was very white, and Elizabeth looked grave and uncomfortable. As for me, my troubled heart must have found expression in my troubled eyes, when I raised them to Madame Rayburn's face as we filed out of the chapel. She was not given to caresses, but she laid her hand gently on my black-veiled head. "Not for you, Agnes," she said, "not for you. Don't be fearful, child!" thus undoing in one glad instant the results of an hour's hard preaching, and sending me comforted to bed.

The next afternoon I was seated at my desk in the interval between an instruction on "human respect"--which we accounted a heavy failing--and Benediction. We were all of us to go to confession on the following day; and, by way of preparation for this ordeal, I was laboriously examining my conscience, and writing down a list of searching questions, which were supposed to lay bare the hidden iniquities of my life, and to pave the way to those austere heights of virtue I hopefully expected to climb. It was a lengthy process, and threatened to consume most of the afternoon.

"Is my conversation always charitable and edifying?"

"Do I pride myself upon my talents and accomplishments?"

"Have I freed my heart from all inordinate affection for created things?"

"Do I render virtue attractive and pleasing to those who differ from me in religion?"--I wrote slowly in my little, cramped, legible hand.

At this point Elizabeth crossed the schoolroom, and touched me on the shoulder. She carried her coral rosary, which she dangled before my eyes for a minute, and then pointed to the door, an impressive dumb show which meant that we should go somewhere, and say our beads together. There were times when the sign language we used in retreat became as animated as conversation, and a great deal more distracting, because of the difficulty we had in understanding it; but the discipline of those four days demanded above all things that we should not speak an unnecessary word. We became fairly skilled in pantomime by the time the days were over.

On the present occasion, Elizabeth's rosary gave its own message, and I alacritously abandoned my half-tilled conscience for this new field of devotion. We meant to walk up and down the chapel hall (past the de-spoiled Bambino), but at the schoolroom door we encountered Madame Rayburn.

"Where are you going, children?" she asked.

This being an occasion for articulate speech, Elizabeth replied that we were on our way to the corridor to say our beads.

"You had better be out of doors," Madame Rayburn said. "You look as if you needed fresh air. Go into the avenue until the bell rings for Benediction. No farther, remember, or you may be late. You had better take your veils with you to save time."

This _was_ being treated with distinction. Sent out of doors by ourselves, just as if we were First Cours girls,--those privileged creatures whom we had seen for the last three days pacing gravely and silently up and down the pleasant walks. No such liberty had ever been accorded to us before, and I felt a thrill of pride when Julia Reynolds--walking alone in the avenue--raised her eyes from the "Pensées Chrétiennes" of Madame Swetchine (I recognized its crimson cover, having been recently obliged to translate three whole pages of it as a penance), and stared at us with the abstract impersonal gaze of one engrossed in high spiritual concerns. It was a grey day in early June, a soft and windless day, and, as we walked sedately under the big mulberry trees, a sense of exquisite well-being stole into my heart. I was conscious of some faint appreciation of the tranquillity that breathed around me, some dim groping after the mystery of holiness, some recognizable content in the close companionship of my friend. I forgot that I was going to free myself from all inordinate affection for created things, and knew only that it was pleasant to walk by Elizabeth's side.

"Let us contemplate in this second joyful mystery the visitation of the Blessed Virgin Mary to her cousin, St. Elizabeth," she said.

Why, there it was! The Blessed Virgin's cousin was named Elizabeth, too. Of course they were friends; perhaps they were very fond of each other; only St. Elizabeth was so much too old. Could one have a real friend, years older than one's self? My mind was wandering over this aspect of the case while I pattered my responses, and my pearl beads--not half so pretty as Elizabeth's coral ones--slipped quickly through my fingers. When we had finished the five decades, and had said the _De profundis_ for the dead, there was still time on our hands. The chapel bell had not yet rung. We walked for a few minutes in silence, and then I held up my rosary as a suggestion that we should begin the sorrowful mysteries. But Elizabeth shook her head.

"Let's have a little serious conversation," she said.

Not Balaam, when he heard the remonstrance of his ass, not Albertus Magnus, when the brazen head first opened its lips and spoke, was more startled and discomfited than I. Such a proposal shook my moral sense to its foundations. But Elizabeth's light blue eyes--curiously light, by contrast with her dark skin and hair--were raised to mine with perfect candour and good faith. It was plain that she did not hold herself a temptress.

"A little _serious_ conversation," she repeated with emphasis.

For a moment I hesitated. Three speechless days made the suggestion a very agreeable one, and I was in the habit of consenting to whatever Elizabeth proposed. But conversation, even serious conversation, was a daring innovation for a retreat, and I was not by nature an innovator. Then suddenly a happy thought came to me. I had brought along my Ursuline Manual (in those days we went about armed with all our spiritual weapons), and I opened it at a familiar page.

"Let's find out our predominant passions," I said.

Elizabeth consented joyfully. Her own prayer-book was French, a _Paroissien Romain_, and the predominant passions had no place in it. She was evidently flattered by the magnificence of the term, as applied to her modest transgressions. It was something to know--at twelve--that one was possessed of a passion to predominate.

"We'll skip the advice in the beginning?" she said.

I nodded, and Elizabeth, plunging, as was her wont, into the heart of the matter, read with impressive solemnity:--

"The predominant passion of many young people is pride, which never fails to produce such haughtiness of manner and self-sufficiency as to render them equally odious and ridiculous. Incessantly endeavouring to attract admiration, and become the sole objects of attention, they spare no pains to set themselves off, and to outdo their companions. By their conceited airs, their forwardness, their confidence in their own opinions, and neglect or contempt of that timid, gentle, retiring manner, so amiable and attractive in youth, they defeat their own purpose, and become as contemptible as they aim at being important."

There was a pause. The description sounded so little like either of us that I expected Elizabeth to go right on to more promising vices. But she was evidently turning the matter over in her mind.

"I think that's Adelaide Harrison's predominant passion," she said at length.

Somewhat surprised, I acquiesced. It had not occurred to me to send my thoughts wandering over the rest of the school, or I should, perhaps, have reached some similar conclusion.

"Yes, it's certainly Adelaide Harrison's passion," Elizabeth went on thoughtfully. "You remember how she behaved about that composition of hers, 'The Woods in Autumn,' that Madame Duncan thought so fine. She said she ought to be able to write a good composition when her mother had written a whole volume of poems, and her brother had written something else,--I don't remember what. That's what _I_ call pride."

"She says they are a talented family," I added maliciously. ("Is my conversation always charitable and edifying?") "That she taught herself to read when she was six years old, and that they all speak French when they are together. I don't believe that."

"It must be horrid, if they do," said Elizabeth. "I'm glad I'm not one of them. Vous ne mangez rien, ma chère Adelaide. Est-ce que vous êtes malade?"

"Hélas! oui, mon père. J'ai peur que j'étudie trop. Go on, Elizabeth, I'm afraid the bell will ring."

Thus adjured, Elizabeth continued: "There are many young people whose predominant passion is a certain ill-humour, fretfulness, peevishness, or irritability, which pervades their words, manners, and even looks. It is usually brought into action by such mere trifles that there is no chance of peace for those who live in the house with them. Even their best friends are not always secure from their ill-tempered sallies, their quarrelsome moods. Pettish and perverse, they throw a gloom over the gayest hour, and the most innocent amusement. As this luckless disposition is peculiarly that of women, young girls cannot be too earnestly recommended to combat the tendency in youth, lest they become, when older, the torment of that society they are intended to bless and ornament."

Another pause,--a short one this time. Elizabeth's eyes met mine with an unspoken question, and I nodded acquiescence. "Tony!" we breathed simultaneously.

It was true. Tony's engaging qualities were marred by a most prickly temper. We knew her value well. She played all games so admirably that the certainty of defeat modified our pleasure in playing with her. She was fleet of foot, ready of wit, and had more fun in her little brown head than all the rest of us could muster. She would plunge us into abysses of mischief with one hand, and extricate us miraculously with the other. She was startlingly truthful, and lived nobly up to our wayward but scrupulous standard of schoolgirl honour, to the curious code of ethics by which we regulated our lives. She might have been Elizabeth's vice-regent; she might even have disputed the authority of our constitutional sovereign, and have led us Heaven knows whither, had it not been for her pestilential quarrelsomeness. How often had she and I started out at the recreation hour in closest amity, and had returned, silent and glowering, with the wide gravel walk between us. If she were in a fractious mood, no saint from Paradise could have kept the peace. Therefore, when Elizabeth looked at me, we said "Tony!" and then stopped short. She was our friend, one of the band, and though we granted her derelictions, we would not discuss them. We could be ribald enough at Adelaide Harrison's expense, but not at Tony's.

"Why don't you lend her this book?" said Elizabeth kindly.

I shook my head. I knew why very well. And I rather think Elizabeth did, too.

By this time it looked as if we were going to fit the whole school with predominant passions, and not find any for ourselves; but the next line Elizabeth read struck a chill into my soul, and, as she went on, every word seemed like a barbed arrow aimed unswervingly at me.

"A propensity to extravagant partialities is a fault which frequently predominates in some warm, impetuous characters. These persons are distinguished by a precipitate selection of favourites in every society; by an overflow of marked attentions to the objects of their predilection, whose interests they espouse, whose very faults they attempt to justify, whose opinions they support, whether right or wrong, and whose cause they defend, often at the expense of good sense, charity, moderation, and even common justice. Woe to him who ventures to dissent from them. The friendship or affection of such characters does not deserve to be valued, for it results, not from discernment of merit, but from blind prejudice. Besides, they annoy those whom they think proper to rank among their favourites by expecting to engross their whole attention, and by resenting every mark of kindness they may think proper to show to others. However, as their affections are in general as short-lived as they are ardent, no one person is likely to be long tormented with the title of their friend."

I was conscious of two flaming cheeks as we walked for a moment in silence, and I glanced at Elizabeth out of the tail of my eye to see if she were summing up my case. It wasn't true, it couldn't be true, that extravagant partialities (when they were _my_ partialities) were short-lived. I was preparing to combat this part of the accusation when Elizabeth's cool voice dispelled my groundless fears.

"I think that's silly," she said. "Nobody is like that."

The suddenness of my relief made me laugh outright, and then,--Oh, baseness of the human heart!--I sought to strengthen my own position by denouncing some one else. "Not Annie Churchill?" I asked.

Elizabeth considered. "No, not even Annie Churchill. What makes you think of her?"

It was an awkward question. How could I say that two nights before the retreat, Annie had slipped into my alcove,--a reprehensible habit she had,--and, with an air of mystery, had informed me she was "trying to do something,"--she didn't like to tell me what, because she thought that maybe I was trying to do it, too. Upon my intimating that I was trying to go to bed, and nothing else that I knew of, she had said quite solemnly: "I am trying to gain Elizabeth's affections." As it was impossible for me to adduce this piece of evidence (even an unsought confidence we held sacred), I observed somewhat lamely: "Oh, she does seem to get suddenly fond of people."

"Who's she fond of?" asked the unsuspecting--and ungrammatical--Elizabeth.

"Oh, do go on!" I urged, and, even as I said it, the Benediction bell rang. A score of girls, serious, black-veiled young penitents, appeared, as if by magic, hastening to the chapel. We joined them silently, and filed into rank. Already my conscience was pricking. Had our "serious" conversation been either charitable or edifying? Was it for this that Madame Rayburn had sent us out to walk under the mulberry trees?

It pricked harder still--this sore little conscience--the next day, when Lilly came to me, looking downcast and miserable. "Madame Duncan said I might speak to you," she whispered, "because it was about something important. It _is_ important, very. Father Santarius is sure to tell us we must put those straws back, and I've broken one of mine."

Straws! I stared at her aghast. Where were my straws? I didn't know. I hadn't the faintest idea. I had lost them both, as I lost everything else, except the empty head so firmly, yet so uselessly fixed upon my shoulders. It was really wonderful that a little girl who had only three places in the world in which to put anything--a desk, a washstand drawer, and a japanned dressing-case (our clothes were all kept for us with exquisite neatness in the vestry)--should not have known where her few possessions were; but I could have lost them all in any of these receptacles, and never have found one of them again. When a mad scramble through my desk had furnished incontestable proof that no straws were there, and Lilly had departed, somewhat comforted by my more desperate case, I sat gloomily facing the complicated problem before me. I must confess my sin, I would be called upon to make restitution, and I had nothing to restore. The more I thought about it, the more hopeless I grew, and the more confused became my sense of proportion. If I had stolen the Bambino himself,--as a peasant woman, it is said, once stole the Baby of Ara-Coeli,--I could not have felt guiltier.

"Agnes," said Madame Rayburn's voice, "you had better go to the chapel now, and prepare for confession."

She was looking down on me, and, as I rose to my feet, a light broke in upon my darkness. I knew where to turn for help.

"If you've taken a thing, and you haven't got it any more to give it back, what can you do?" I asked.

The suddenness with which my query was launched (I always hated roundabout approaches) startled even this seasoned nun. "If you've taken a thing," she echoed. "Do you mean stolen?"

"Yes," I answered stolidly.

She looked astonished for a moment, and then the shadow of a smile passed over her face. "Is it something you have eaten?" she asked, "and that is why you cannot give it back?"

I laughed a little miserable laugh. It was natural that this solution of the problem should present itself to Madame Rayburn's mind, albeit we were not in the fruit season. But then, it had once happened that a collation had been set for the Archbishop and some accompanying priests in the conference room, and that Elizabeth, Lilly, and I, spying through a half-open door the tempting array of sandwiches and cake, had descended like Harpies upon the feast. This discreditable incident lingered, it was plain, in Madame Rayburn's memory, and prompted her question.

"No, it wasn't anything to eat," I said; and then, recognizing the clemency of her mood (she was not always clement), I revealed the sacrilegious nature of my spoliation. "And I've lost them, and can't put them back," I wound up sorrowfully.

Madame Rayburn looked grave. Whether it was because she was shocked, or because she was amused and wanted to conceal her amusement, I cannot say. "Did you do this by yourself?" she said; and then, seeing my face, added hastily: "No, I won't ask you that question. It isn't fair, and besides, I know you won't answer. But if there are any more straws in anybody's possession, I want you to bring them to me to-night. That's all. Now go to confession. Say you've told, and that it's all right."

I was dismissed. With a light heart I sped to the chapel. To see one's way clear through the intricacies of life; to be sure of one's next step, and of a few steps to follow,--at eleven, or at threescore and ten, this is beatitude.

It was Saturday morning when we emerged from retreat, a clear, warm Saturday in June. Mass was over, and we filed down in measureless content to the refectory. Because of our four days' silence, we were permitted to speak our blessed mother tongue at breakfast time. Therefore, instead of the dejected murmur which was the liveliest expression of our Gallic eloquence, there rose upon the startled air a clamorous uproar, a high, shrill, joyous torrent of sound. A hundred girls were talking fast and furiously to make up for lost time. We had hot rolls for breakfast, too, a luxury reserved for such special occasions; and we were all going to the woods in the afternoon, both First and Second Cours,--going for two long, lovely hours, which would give us time to reach the farthest limits of our territory. Elizabeth came and squeezed herself on the bench beside me, to propose a private search for the white violets that grew in the marshy ground beyond the lake, and that bloomed long after the wood violets had gone. Tony shouted across two intervening benches that she didn't see why we could not secure the boat, and have a row,--as if the Second Cours girls were at all likely to get possession of the boat when the First Cours girls were around. "We can, if we try," persisted Tony, in whom four days of peaceful meditation had bred the liveliest inclination for a brawl. As for me, I ate my roll, and looked out of the window at the charming vista stretching down to the woods; and my spirits mounted higher and higher with the rising tide of joy, with the glad return to the life of every day. Heaven, an assured hereafter, had receded comfortably into the dim future. Hell was banished from our apprehensions. But, oh, how beautiful was the world!

Un Congé sans Cloche

We had only two or three of them in the year, and their slow approach stirred us to frenzy. In the dark ages, when I went to school, no one had yet discovered that play is more instructive than work, no one was piling up statistics to prove the educational value of idleness. In the absence of nature studies and athletics, we were not encouraged to spend our lives out of doors. In the absence of nerve specialists, we were not tenderly restrained from studying our lessons too hard. It is wonderful how little apprehension on this score was felt by either mothers or teachers. We had two months' summer holiday,--July and August,--and a week at Christmas time. The rest of the year we spent at school. I have known parents so inhuman as to regret those unenlightened days.

But can the glorified little children whose lives seem now to be one vast and happy playtime, can the privileged schoolgirls who are permitted to come to town for a matinée,--which sounds to me as fairy-like as Cinderella's ball,--ever know the real value of a holiday? As well expect an infant millionaire to know the real value of a quarter. We to whom the routine of life was as inevitable as the progress of the seasons, we to whom Saturdays were as Mondays, and who grappled with Church history and Christian doctrine on pleasant Sunday mornings, _we_ knew the mad tumultuous joy that thrilled through hours of freedom. The very name which from time immemorial had been given to our convent holidays illustrated the fulness of their beatitude. When one lives under the dominion of bells, every hour rung in and out with relentless precision, _sans cloche_ means glorious saturnalia. Once a nervous young nun, anxious at the wild scattering of her flock, ventured, on a _congé_, to ring them back to bounds; whereupon her bell was promptly, though not unkindly, taken away from her by two of the older girls. And when the case was brought to court, the Mistress General upheld their action. A law was a law, as binding upon its officers as upon the smallest subject in the realm.

The occasions for a _congé sans cloche_ were as august as they were rare. "Mother's Feast," by which we meant the saint's day of the Superioress, could always be reckoned upon. The feast of St. Joseph was also kept in this auspicious fashion,--which gave us a great "devotion" to so kind a mediator. Once or twice in the year the Archbishop came to the convent, and in return for our addresses, our curtsies, our baskets of flowers, and songs of welcome, always bravely insisted that we should have a holiday. "Be sure and tell me, if you don't get it," he used to say, which sounded charmingly confidential, though we well knew that we should never have an opportunity to tell him anything of the kind, and that we should never dare to do it, if we had.

In the year of grace which I now chronicle, the Archbishop was going to Rome, and had promised to say good-by to us before he sailed. Those were troubled times for Rome. Even we knew that something was wrong, though our information did not reach far beyond this point. Like the little girl who couldn't tell where Glasgow was, because she had not finished studying Asia Minor, we were still wandering belated in the third Crusade,--a far cry from united Italy. When Elizabeth, who had read the address, said she wondered why the Pope was called "God's great martyr saint," we could offer her very little enlightenment. I understand that children now interest themselves in current events, and ask intelligent questions about things they read in the newspapers. For us, the Wars of the Roses were as yesterday, and the Crusades were still matters for deep concern. Berengaria of Navarre had been the "leading lady" of our day's lesson, and I had written in my "Compendium of History"--majestic phrase--this interesting and comprehensive statement: "Berengaria led a blameless life, and, after her husband's death, retired to a monastery, where she passed the remainder of her days."

It was the middle of May when the Archbishop came, and, as the weather was warm, we wore our white frocks for the occasion. Very immaculate we looked, ranged in a deep, shining semicircle, a blue ribbon around every neck, and gloves on every folded hand. It would have been considered the height of impropriety to receive, ungloved, a distinguished visitor. As the prelate entered, accompanied by the Superioress and the Mistress General, we swept him a deep curtsy,--oh, the hours of bitter practice it took to limber my stiff little knees for those curtsies!--and then broke at once into our chorus of welcome:--

"With happy hearts we now repair
All in this joyous scene to share."

There were five verses. When we had finished, we curtsied again and sat down, while Mary Rawdon and Eleanor Hale played a nervous duet upon the piano.

The Archbishop looked at us benignantly. It was said of him that he dearly loved children, but that he was apt to be bored by adults. He had not what are called "social gifts," and seldom went beyond the common civilities of intercourse. But he would play jackstraws all evening with half a dozen children, and apparently find himself much refreshed by the entertainment. His eyes wandered during the duet to the ends of the semicircle, where sat the very little girls, as rigidly still as cataleptics. Wriggling was not then deemed the prescriptive right of childhood. An acute observer might perhaps have thought that the Archbishop, seated majestically on his dais, and flanked by Reverend Mother and Madame Bouron, glanced wistfully at these motionless little figures. We were, in truth, as remote from him as if we had been on another continent. Easy familiarity with our superiors was a thing undreamed of in our philosophy. The standards of good behaviour raised an impassable barrier between us.

Frances Fenton made the address. It was an honour once accorded to Elizabeth, but usually reserved as a reward for superhuman virtue. Not on _that_ score had Elizabeth ever enjoyed it. Frances was first blue ribbon, first medallion, and head of the Children of Mary. There was nothing left for her but beatification. She stepped slowly, and with what was called a "modest grace," into the middle of the room, curtsied, and began:--

"Your children's simple hearts would speak,
But cannot find the words they seek.
These tones no music's spell can lend;
And eloquence would vainly come
To greet our Father, Guide, and Friend.
Let hearts now speak, and lips be dumb!"

"Then why isn't she dumb?" whispered Tony aggressively, but without changing a muscle of her attentive face.

I pretended not to hear her. I had little enough discretion, Heaven knows, but even I felt the ripe unwisdom of whispering at such a time. It was Mary Rawdon's absence, at the piano, I may observe, that placed me in this perilous proximity.

"Our reverence fond and hopeful prayer
Will deck with light one empty place,
And fill with love one vacant chair."

"What chair?" asked Tony, and again I pretended not to hear.

"For e'en regret can wear a softened grace,
And smiling hope in whispers low
Will oft this cherished thought bestow:
Within the Eternal City's sacred wall,
He who has blest us in our Convent hall
Can now to us earth's holiest blessing bring
From God's great martyr saint, Rome's pontiff king."

At this point, Tony, maddened by my unresponsiveness, shot out a dexterous little leg (I don't see how she dared to do it, when our skirts were so short), and, with lightning speed, kicked me viciously on the shins. The anguish was acute, but my sense of self-preservation saved me from so much as a grimace. Madame Bouron's lynx-like gaze was travelling down our ranks, and, as it rested on me for an instant, I felt that she must see the smart. Tony's expression was one of rapt and reverent interest. By the time I had mastered my emotions, and collected my thoughts, the address was over, and the Archbishop was saying a few words about his coming voyage, and about the Holy Father, for whom he bade us pray. Then, with commendable promptness, he broached the important subject of the _congé_. There was the usual smiling demur on Reverend Mother's part. The children had so many holidays ("I like that!" snorted Tony), so many interruptions to their work. It was so hard to bring them back again to quiet and orderly ways. If she granted this indulgence, we must promise to study with double diligence for the approaching examinations. Finally she yielded, as became a dutiful daughter of the Church; the first of June, ten days off, was fixed as the date; and we gave a hearty round of applause, in token of our gratitude and relief. After this, we rather expected our august visitor to go away; but his eyes had strayed again to the motionless little girls at the horns of the semicircle; and, as if they afforded him an inspiration, he said something in low, rather urgent tones to Reverend Mother,--something to which she listened graciously.

"They will be only too proud and happy," we heard her murmur; and then she raised her voice.

"Children," she said impressively, "his Grace is good enough to ask that you should escort him to the woods this afternoon. Put on your hats and go."

This _was_ an innovation! Put on our hats at four o'clock--the hour for French class--and walk to the woods with the Archbishop. It was delightful, of course, but a trifle awesome. If, in his ignorance, he fancied we should gambol around him like silly lambs, he was soon to discover his mistake. Our line of march more closely resembled that of a well-drilled army. Madame Bouron walked on his right hand, and Madame Duncan on his left. The ribbons, the graduates, and a few sedate girls from the first class closed into a decorous group, half of them walking backwards,--a convent custom in which we were wonderfully expert. The flanks of the army were composed of younger and less distinguished girls, while the small fry hovered on its borders, out of sight and hearing. We moved slowly, without scattering, and without obvious exhilaration. I was occupied in freeing my mind in many bitter words to Tony, who defended her conduct on the score of my "setting up for sainthood,"--an accusation the novelty of which ought to have made it agreeable.

When we reached the lake, a tiny sheet of water with a Lilliputian island, we came to a halt. The Archbishop had evidently expressed some desire, or at least some readiness, to trust himself upon the waves. The boat was unmoored, and Frances Fenton and Ella Holrook rowed him carefully around the island, while the rest of us were drawn up on shore to witness the performance. We made, no doubt, a very nice picture in our white frocks and blue neck ribbons; but we were spectators merely, still far remote from any sense of companionship. When the boat was close to shore, the Archbishop refused to land. He sat in the stern, looking at us with a curious smile. He was strikingly handsome,--a long, lean, noble-looking old man,--and he had a voice of wonderful sweetness and power. It was said that, even at sixty-five, he sang the Mass more beautifully than any priest in his diocese. Therefore it was a little alarming when he suddenly asked:--

"My children, do you know any pretty songs?"

"Oh, yes, your Grace," answered Madame Bouron.

"Then sing me something now," said the Archbishop, still with that inscrutable smile.

There was a moment's hesitation, a moment's embarrassment, and then, acting under instruction, we sang (or, at least, some of us did; there was no music in my soul) the "Canadian Boat-Song," and "Star of the Sea,"--appropriate, both of them, to the watery expanse before us.

"_Ave Maria_, we lift our eyes to thee;
_Ora pro nobis_; 'tis night far o'er the sea."

The Archbishop listened attentively, and with an evident pleasure that must have been wholly disassociated from any musical sense. Then his smile deepened. "Would you like me to sing for you?" he said.

"Oh, yes, if you please," we shrilled; and Madame Bouron gave us a warning glance. "Be very still, children," she admonished. "His Grace is going to sing."

His Grace settled himself comfortably in the boat. His amused glance travelled over our expectant faces, and sought as usual the little girls, now close to the water's edge. Then he cleared his throat, and, as I am a Christian gentlewoman, and a veracious chronicler, _this_ is the song he sang:--

"In King Arthur's reign, a merry reign,
Three children were sent from their homes,
Were sent from their homes, were sent from their homes,
And they never went back again.

"The first, he was a miller,
The second, he was a weaver,
The third, he was a little tailor boy,
Three big rogues together."

"Can't you join in the chorus, children?" interrupted the Archbishop. "Come! the last two lines of every verse."

"The third, he was a little tailor boy,
Three big rogues together."

Our voices rose in a quavering accompaniment to his mellifluous notes. We were petrified; but, even in a state of petrification, we did as we were bidden.

"The miller, he stole corn,
The weaver, he stole yarn,
And the little tailor boy, he stole broadcloth,
To keep these three rogues warm."

"Chorus!" commanded the Archbishop; and this time our voices were louder and more assured.

"And the little tailor boy, he stole broadcloth,
To keep these three rogues warm."

"The miller was drowned in his dam,
The weaver was hung by his yarn,
But the Devil ran away with the little tailor boy,
With the broadcloth under his arm."

There was a joyous shout from our ranks. We understood it all now. The Archbishop was misbehaving himself, was flaunting his misbehaviour in Madame Bouron's face. We knew very well what would be said to us, if we sang a song like that, without the Archiepiscopal sanction, and there was a delicious sense of impunity in our hearts, as we vociferated the unhallowed lines:--

"But the Devil ran away with the little tailor boy,
With the broadcloth under his arm."