Chapter VIII: Part 8

"So, Bub, when you think that by breathing on your coat sleeve to kill the whisky you can fool your pa, you are wrong. Your pa in his day ate three carloads of cardamon seeds and cloves and used listerine by the barrel. He knew which was the creaky step on the stairs in his father's house and used to avoid it coming in at night, just as you do now, and he knows just what you are doing. More than that, your pa speaks from the bitterest kind of experience when he pleads with you to quit. It is no goody-goody talk of a mutton-headed old deacon that he is giving you; it has taken him a year to get his courage up to speak to you, and every word that he speaks is boiled out of an agony of bitter memories. He knows where boys that start as you are starting end if they don't turn back. Your pa turned, but he recollects the career of the Blue boys, who are divided between the penitentiary, the poor-house and the southwest corner of hell; he recalls the Winklers--one dead, one a porter in a saloon in Peoria, one crazy; and he looks at you, and it seems to him that he must take you in his arms as he did when you were a little child in the prairie fire, and run to safety with you. And when he talks to you with his bashful, halting speech, you just sit there and grin, and cut his heart to its core, for he knows you do not understand.

"It's rather up to you, Bub. In the next few months you will have to decide whether or not you are going to hell. Of course the 'vilest sinner may return' at any point along the road--but to what? To shattered health; to a mother heart-broken in her grave; to a wife damned to all eternity by your thoughtless brutality; and to children who are always afraid to look up the alley, when they see a group of boys, for fear they may be teasing you--you, drunk and dirty, lying in the stable filth! To that you will 'return,' with your strength spent, and your sportive friends, gone to the devil before you, and your chance in life frittered away.

"Just sit down and figure it out, Bub. Of course there are a lot of good fellows on the road to hell; you will have a good time going; but you'll be a long time there. You'll dance and play cards and chase out nights, and soak your soul in the essence of don't-give-a-dam-tiveness, and you'll wonder, as you go up in the balloon, what fun there is in walking through this sober old earth. Friends--what are they? The love of humanity--what is it? Thoughtfulness to those about you? Gentility--What are these things? Letteroll--letteroll! But as you drop out of the balloon, the earth will look like a serious piece of landscape.

"When you are old, the beer you have swilled will choke your throat; the women you have flirted with will hang round your feet and make you stumble. All the nights you have wasted at poker will dim your eyes. The garden of the days that are gone, wherein you should have planted kindness and consideration and thoughtfulness and manly courage to do right, will be grown up to weeds, that will blossom in your patches and in your rags and in your twisted, gnarly face that no one will love.

"Go it, Bub! don't stop for your pa's sake; you know it all. Your pa is merely an old fogy. Tell him you can paddle your own canoe. But when you were a little boy, a very little boy, with a soft, round body, your pa used to take you in his arms and rub his beard--his rough, stubby, three-days' beard--against your face and pray that God would keep you from the path you are going in.

"And so the sins of the father, Bub--but we won't talk of that."

Three months later, when the Methodists opened their regular winter revival, Mehronay, becoming enraged at what he called the tin-horn clothes of the travelling evangelist conducting the meetings, began to make fun of him in the paper; and, as a revivalist in a church is a sacred person while the meetings are going on, we had to kill Mehronay's items about the revival; whereupon, his professional pride being hurt, Mehronay went forth into the streets, got haughtily drunk, and strutted up and down Main Street scattering sirs and misters and madams about so lavishly that men who did not appreciate his condition thought he had gone mad. That night he went to the revival, and sat upon the back seat alone, muttering his imprecations at the preacher until the singing began, when the heat of the room and the emotional music mellowed his pride, and he drowned out the revivalist's singing partner with a clear, sweet tenor that made the congregation turn to look at him. Mehronay knew the gospel hymns by heart, as he seemed to know his New Testament, and the cunning revivalist kept the song service going for an hour. When Mehronay was thoroughly sober there was a short prayer, and the singer on the platform feelingly sang "There Were Ninety and Nine" with an adagio movement, and Mehronay's face was wet with tears and he rose for prayers.

He came to the office chastened and subdued next morning and wrote an account of the revival so eulogistic that we had to tone it down, and for a week he went about damning, with all the oaths in the pirate's log, Dan Gregg and the College professor who taught evolution. But no one could coax him back to the revival. As spring came we thought that he had forgotten the episode of his regeneration, and perhaps he had forgotten it, but the Saturday before Easter he put on the copy-hook an Easter sermon that made us in the office think that he had added another dream to his world. It was a curious thing for Mehronay to write; indeed, few people in town realised that he did write it; for he had been rollicking over town on his beat every day for months after the revival, and half the pious people in town thought he shammed his emotion the night he came to the church merely to mock them and their revivalist. But we in the office knew that Mehronay's Easter sermon had come as the offering of a contrite heart. It is in so many scrapbooks in the town that it should be reprinted here that the town may know that Mehronay wrote it. It read:

"The celebration of Easter is the celebration of the renewal of life after the death that prevails in winter. People of many faiths observe a spring festival of rejoicing, and of prayer for future bounty. Probably the Easter celebration is like that at Christmas and Thanksgiving--a survival of some ancient pagan rite that men established out of overflowing hearts, rejoicing at the end of a good season and praying for favour at the beginning of a new one.

"To the Christian world Easter symbolises a Divine tragedy. The coming of Easter, as it is set forth in the Great Book, is a most powerful story; it is the story of one of the deepest passions that may move the human heart--the passion of father-love.

"Once there lived in the desert a man and his little child--a very little boy, who sometimes was a bad little boy, and who did not do as he was told. On a day when the father was away about his business the child, playing, wandered out on the desert and was lost. From home the desert beckoned the little boy; it seemed fair and fine to adventure in. When the boy had been gone for many hours the father returned and could not find him, and knew that the child was lost. But the father knew the desert; he knew how it lured men on; he knew its parching thirst; he knew its thorns and brambles, and its choking dust and the heat that beats one down.

"And when he saw that the boy was lost his heart was aflame with anguish; he could all but feel the desert fire in the little boy's blood, the cactus barbs in the bleeding little feet, and the great lonesomeness of the desert in the little boy's heart; and as from afar the man heard a wailing little voice in his ears calling, 'Father, father!' like a lost sheep. But it was only a seeming, and the house where the little boy had played was silent.

"Then the father went to the desert, and neither the desert fire murmuring at his brow, nor the sand that filled his mouth, nor the stones and prickles that cut his feet, nor the wild beasts that lurked upon the hillsides, could keep out of his ears the bleat of that little child's voice crying 'Father, father!' When the night fell, still and cold and numbing, the father pressed on, calling to the child in his agony; for he thought it was such a little boy, such a poor, lonesome, terror-stricken little boy out in the desert, lost and in pain, crying for help, with no one to hear.

"And wandering so, the father died, with his heart full of unspeakable woe. But they found the wayward child in the light of another day. And he never knew what his father suffered, nor why his father died, nor did he understand it all till he had grown to a man's stature, and then he knew; and he tried to live his days as his father had lived, and to lay down his life, if need be, for his friend.

"This is the Easter story that should come to every heart. The Christ that came into the desert of this weary life, and walked here foot-sore, heart-broken and athirst, came here for the love that was in His heart. Who put it there--whether the God that gave Shakespeare his brain and Wagner his harmonies, gave Christ His heart--or whether it was the God that paints the lily and moves the mountains in their labours--it matters not. It is one God, the Author and First Cause of all things. It is His heart that moves our own hearts to all their aspirations, to all the benevolence that the wicked world knows; it is His mind that is made manifest in our marvels of civilisation; it is His vast, unknowable plan that is moving the nations of the earth.

"Whether it be spirit or law or tendency or person--what matter?--it is our Father, who went to the desert to find His sheep."

All day Saturday, in order to square himself with the printers who set up his sermon, and to rehabilitate himself in the graces of the others about the office who knew of his weakness, Mehronay turned in the gayest lot of copy that he had ever written. There was an "assessment call of the Widowers' Protective Association to pay the sad wedding loss of Brother P. R. Cullom, of the Bee Hive," whose wedding was announced in the society column; there was a card of thanks from Ben Pore to those who had come with their sympathy and glue to nurse his wooden Indian which had blown down and broken the night before, and resolutions of respect for the same departed brother, in most mocking language, from the Red Men's Lodge. There was an item saying seven different varieties of Joneses and three kinds of Hugheses were in town from Lebo--the Welsh settlement; there was a call for the uniformed rank of head waiters to meet in regalia at Mrs. Larrabee's reception, signed by the three men in town who were known to have evening clothes, and there was a meeting of the anti-kin society announced to discuss the length of time Alphabetical Morrison's new son-in-law should be allowed to visit the Morrisons before the neighbours could ask when he was going to leave. But when the paper was out Mehronay got a dozen copies from the press and sent them away in wrappers which he addressed, and the piece his blue pencil marked was none of these.

For many days after Mehronay wrote his Easter sermon the gentle, low, beelike hum that he kept up while he was at work followed the tunes of gospel hymns, or hymns of an older fashion. We always knew when to expect what he called a "piece" from Mehronay--which meant an article into which he put more than ordinary endeavour--for his bee-song would grow louder, with now and then an intelligible word in it, and if it was to be an exceptional piece Mehronay would whistle. When he began writing the music would die down, but when he was well under sail on his "piece," the steam of his swelling emotions would set his chin to going like the lid of a kettle, and he would drone and jibber the words as he wrote them--half audibly, humming and sputtering in the pauses while he thought. Scores of times we have seen the dear old fellow sitting at his desk when a "piece" was in the pot, and have gathered the men around back of his chair to watch him simmer. When it was finished he would whirl about in his chair, as he gathered up the sheets of paper and shook them together, and say: "I've writ a piece here--a damn good piece!" And then, as he put the copy on the hook and got his hat, he would tell us in most profane language what it was all about--quoting the best sentences and chuckling to himself as he went out onto the street.

As the spring filled out and became summer we noticed that Mehronay was singing fewer gospel hymns and rather more sentimental songs than usual. And then the horrible report came to the office that Mehronay had been seen by one of the printers walking by night after bed-time under the State Street elms with a woman. Also his items began to indicate a closer knowledge of what was going on in society than Mehronay naturally could have. In the fall we learned through the girls in the Bee Hive that he had bought a white shirt and a pair of celluloid cuffs. This rumour set the office afire with curiosity, but no one dared to tease Mehronay. For no one knew who she was.

Not until late in the fall, when Madame Janauschek came to the opera house to play "Macbeth," did Mehronay uncover his intrigue. Then for the first time in his three years' employment on the paper he asked for two show tickets! The entire office lined up at the opera house--most of us paying our own way, not to see the Macbeths, but to see Mehronay's Romeo and Juliet. The office devil, who was late mailing the papers that night, says that about seven o'clock Mehronay came in singing "Jean, Jean, my Bonnie Jean," and that he went to his trunk, took out his celluloid cuffs, a new sky-blue and shell-pink necktie that none of us had seen before, a clean paper collar--and the boy, who probably was mistaken, swears Mehronay also took his white shirt--in a bundle which he proudly tucked under his arm and toddled out of the office whistling a wedding march. An hour later, dressed in this regalia and a new black suit, buttoned primly and exactly in a fashion unknown to Mehronay, he appeared at the opera house with Miss Columbia Merley, spinster, teacher of Greek and Hellenic philosophy at the College. The office force asked in a gasp of wonder: "Who dressed him?" Miss Merley--late in her forties, steel-eyed, thin-chested, flint-faced and with hair knotted so tightly back from her high stony brow that she had to take out two hairpins to wink--Miss Merley might have done it--but she had no kith or kin who could have done it for her, and certainly the hand that smoothed the coat buttoned the vest, and the hand that buttoned the vest put on the collar and tie, and as for the shirt----

But that was an office mystery. We never have solved it, and no one had the courage to tease Mehronay about it the next morning. After that we knew, and Mehronay knew that we knew, that he and Miss Merley went to church every Sunday evening--the Presbyterian church, mind you, where there is no foolishness--and that after church Mehronay always spent exactly half an hour in the parlour of the house where his divinity roomed. A whole year went by wherein Mehronay was sober, and did not look upon the wine when it was red or brown or yellow or any other colour. Now when he "writ a piece" there was frequently something in it defending women's rights. Also he severed diplomatic relations with the girl clerks in the White Front and the Bee Hive and the Racket, and bought a cane and aspired to some dignity of person. But Mehronay's heart was unchanged. The snows of boreal affection did not wither or fade his eternal spring. The sap still ran sweet in his veins and the bees still sang among the blossoms that sprang up along his path. He was everyone's friend, and spoke cheerily to the dogs and the horses, and was no more courteous to the preachers and the bankers, who are our most worshipful ones in town, than to the men from Red Martin's gambling-room, and even the woman in red, whom all the town knows but whom no one ever mentions, got a kind word from Mehronay as they met upon the street. He always called her sister.

And so another year went by and Mehronay's "pieces" made the circulation grow, and we were prosperous. It became known about town long before we knew it in the office that if Mehronay kept sober for three years she would have him, and when we finally heard it he was on the last half of the third year and was growing sombre. "In the Cottage by the Sea" was his favourite song, and "Put Away the Little Playthings" also was much in his throat when he wrote. We thought, perhaps--and now we know--that he was thinking of a home that was gone. The day before Mehronay's wedding a child died over near the railroad, and on the morning he was to be married we found this on the copy hook when we came down to open the office, after Mehronay had gone to claim his bride:

"A ten-line item appeared in last night's paper, away down in one corner, that brought more hearts together in a common bond--the bond of fear and sympathy and sorrow--than any other item has done for a long time. The item told of the death, by scarlet fever, of little Flossie Yengst. Probably the child was not known outside of her little group of playmates; her father and mother are not of that advertised clique known of men as prominent people; he is an engineer on the Santa Fe, and the mother moves in that small circle of friends and neighbours which circumscribes American motherhood of the best type. And yet last night, when that little ten-line item was read by a thousand firesides in this town, thousands and thousands of hearts turned to that desolate home by the track, and poured upon it the benediction of their sympathies. That home was the meeting-place where rich and poor, great and weak, good and bad, stood equals. For there is something in the death of a little child, something in its infinite pathos, that makes all human creatures mourn. Because in every heart that is not a dead heart, calloused to all joy or sorrow, some little child is enshrined--either dead or living--and so child-love is the one universal emotion of the soul, and child-death is the saddest thing in all the world.

"A child's soul is such a small thing, and the world and the systems of worlds, and the infinite stretches of illimitable space, are so wide for a child's soul to wander in, that, sane as we may be, stolid as we may try to be, we think in imagery, and the figure of little feet setting off on the far track to the end of things, hunting God, wrings our heart-strings and makes our throats grip and our eyelids quiver.

"And then a child dying, leaving this good world of ours, seems to have had so small a chance for itself. There is something in all of us struggling against oblivion, striving vainly to make some real impress on the current of time, and a child, dying, can only clutch the hands about it and go down--forever. It seems so merciless, so unfair. Perhaps that is why, all over the world, the little graves are cared for best. It is to the little graves that we turn in our keenest anguish and not to the larger mounds; to the little graves that our hearts are drawn in our hours of triumph. And so the child, though dead, lives its appointed time and dies only in the fullness of its years. The little shoes, the little dresses, the 'little tin soldiers covered with rust,' and the memories sweeter than dreams of a honeymoon, these are life's immortelles that never fade. And though men and women come and go upon the earth, though civilisations may wither and pass, these little images remain; and the sun and the stars, which see men come and go, may see these little idols before which every creature bows, and the sun and stars, knowing no time, may think these children's relics are also eternal.

"It is a desperately lonely home, that Yengst home, with the little girl gone away on a long journey; but how tight and close other fathers and mothers hugged their little ones last night when their hearts came back from the house of sorrow. And the little ones, feeling no fear, unconscious of the pang of terror that was shooting through the souls about them--the children played on, and maybe, before dropping to sleep, wondered a little at anxious looks they saw in grown-up eyes.

"This is the faith of a little child, curious but implicit, in the goodness of those things outside one's self. And 'of such is the Kingdom of Heaven.'"

A day or so after the wedding someone said to him: "Mehronay, sometimes your pieces make me cry," and he replied with all the fine sincerity of his heart showing in his eyes: "Yes--and if you only knew how they make me cry! Sometimes when I have written one like--like that--I go to my bed and sob like a child." He turned and walked away, but he came into the office whistling "The Dutch Company."

After his wedding we made brave, in a sly way, to rail at Mehronay about his love affair, and he took it good-naturedly. He knew the situation just as it was; his sense of humour allowed him no false view of the matter. One afternoon when the paper was out, George Kirwin, the foreman, and one of the reporters and Mehronay were in the back room leaning against the imposing-stones looking over the paper, when Kirwin said: "Say, Mehronay, how did you get yourself screwed up to ask her?"

It was spoken in a joke. The two young men were grinning, but Mehronay looked at the floor in a study as he said:

"Well, to be honest--damfino if I ever did--just exactly." He smiled reflectively in a pause and continued: "Nearest I remember was one night we was sitting with our feet on the base-burner and I looked up and says, 'Hell's afire, Commie'--I called her that for short--'why in the devil don't a fine woman like you get married? She got up and come over to where I was a-sitting and before I could say Lordamighty, she put her hand on my shoulder and says real soft and solemn: 'I'll just be damned if I don't believe I will.'"

He did not smile when he looked up, but sighed contentedly as he added reverently: "And so, by hell, she did!" If Columbia Merley Mehronay had known this language which her husband's innocent inadvertence put into her mouth she would have strangled him--even then.

We did not have Mehronay with us more than a year after his wedding. Mrs. Mehronay knew what he was worth. She asked for twenty-five dollars a week for him, and when we told her the office could not afford it she took him away. They went to New York City, where she peddled his pieces about town until she got him a regular place. There they have lived happily ever after. Mehronay brings his envelope home every Saturday night, and she gives him his carfare and his shaving-money and puts the rest where it will do the most good. When the men from our office go to New York--which they sometimes do--they visit with Mehronay at his office, and sometimes--if there is time for due and proper notice of the function in writing--there is an invitation to dinner. Mehronay fondles his old friends as a child fondles its playmates and he takes eager pleasure in them, but she that was Columbia Merley all but searches their pockets for the tempter.

Mehronay has never broken his word. He knows if he does break it she will tear him limb from limb and eat him raw. So he goes to his work, writes his pieces, hums his gentle bee-song--so that men do not like to room with him at the office--and has learned to keep himself fairly well buttoned up in the great city. But Miss Larrabee that was--who used to edit the society page for our paper, but who now lives in New York--told us when she was home that as she was walking down Fourth Avenue one winter day when the street was empty, she saw Mehronay standing before the window of a liquor store looking intently at the display of bottled goods before him. When he saw her half a block away he turned from her and shuffled rapidly down the street, clicking his cane nervously.

It was not for him!

XVIII

Sown in Our Weakness

When one comes to know an animal well--say a horse or a cow or a dog--and sees how sensibly it acts, following the rules of conduct laid down by the wisdom of its kind, one cannot help wondering how much happier, and healthier, and better, human beings would be if they used the discretion of the animals. For ages men have been taught what is good for their bodies and their minds and their souls. There has been no question about the wisdom of being temperate and industrious and honest and kind; and the folly of immoderation and laziness and chicanery and meanness is so well known that a geometrical proposition has not been more definitely proved. Yet only a few people in any community observe the rules of life, and of these few no one observes them all; and so misery and pain and poverty and anguish are as a pestilence among men, and they wonder why they are living in such a cruel world. It was Eli Martin who, back in the seventies, won the prize in the Bethel neighbourhood for reciting more chapters of the Old Testament than any other child in Sunday-school; and the old McGuffey's Reader that he used on week-days was filled with moral tales; but someway when it came to applying the rules he had learned, and the moral that the stories pointed, Eli Martin lacked the sense of a dog or a horse. Once, when the paper contained an account of one of Red Martin's police court escapades, George Kirwin recalled that, when we offered a prize during the Christmas season of 1880, for the best essay by a child under twelve, it was Ethelwylde Swaney who won the prize with an essay on the Weakness of Vanity; and she married Eli Martin when she and the whole town knew what he was.

Naturally one would suppose that two persons so full of theoretical wisdom would have applied it, and that in applying it they would have been the happiest and most useful people in all the town; but instead they were probably the most miserable people in town, and Mrs. Martin, whom we knew better than Red, because she once had worked in the office, was forever bemoaning what she called her "lot," though we knew for many years that her "lot" was not the result of the fates against her, but merely the inevitable consequence of her temperament.

Before we put in linotypes and set our type by machinery it was set by girls. Usually we employed half-a-dozen, who came from the town high school. They kept coming and going, as girls do who work in country towns, getting married in their twenties or finding something better than printing, and it is likely that in ten years as many as fifty girls have worked in the office, and be it said to the credit of the girls--which cannot be said of so many of the boys and men who have worked in the shop--that they were girls we were proud of--all but Ethelwylde Swaney.

She that we called the Princess worked in the office less than two years, but the memory of her still lingers, though hardly could one say like "the scent of the roses"; for the Princess was not merely a poor compositor, she was the kind that would make mistakes and blame others for them, and that kind never learns. Though she ran away to marry Red Martin--which was her own mistake--this habit of blaming others for her faults was so strong that she never forgave her mother for making the match. We know in our office that Mrs. Swaney did not dream that the girl was even going with Red Martin until they were married. Yet the Martin neighbours for twenty years have blamed Mrs. Swaney. When the Princess was in the office we found out that the truth wasn't in her; also we discovered that she was lazy and that she cried too easily. Right at the busy hour in the afternoon we used to catch her with a type in her fingers and her hand poised in the air, looking off into space for a minute at a time, and when we spoke to her she would put her head on her case and cry softly; and the foreman would have to apologise before she would go back to work. Even then she would have to take the broken piece of looking-glass that she kept in her capital "K" box and make an elaborate toilet before settling down. Moreover, though she was only seventeen, much of the foreman's time was spent chasing dirty-faced little boys away from her case, and if some boy didn't have his elbow in her quad box, she was off her stool visiting either with some other girl, or standing by the stove drying her hands--she was eternally drying her hands--and talking to one of the men. In all the year and a half that she was in the office the Princess never learned how to help herself. When she had to dump her type, she had to call some man from his work to help her--and then there would be more conversation.

But we kept her and were patient with her on account of her father, John Swaney, a hard-working man who was trying to make something of the Princess, so we put up with her perfumery and her powder rags and her royal airs, and did all we could to teach her the difference between a comma and a period--though she never really learned; and we were still patient with her, even when she deliberately pied a lot of type after being corrected for some piece of carelessness or worse. We made due allowances for the Rutherford temper, which her father warned us not to arouse. Nevertheless, her mother came to the office one winter day in her black straw hat with a veil around it, and with the coat she had worn for ten years, to tell us that she was afraid working in the shop would hurt her daughter's social standing. So the Princess walked out that night in a gust of musk--in her picture hat and sweeping cloak, with bangles tinkling and petticoat swishing--and the office knew her no more forever.

About the time that the Princess left the office to improve her social standing, Eli Martin and his big mule team came to town from the Bethel neighbourhood. He was as likely a looking red-headed country boy as you ever saw. We were laying the town waterworks pipes that year, and Eli and his team had work all summer. On the street he towered above the other men several inches in height, and he looked big and muscular and masculine in his striped undershirt and blue overalls, as he worked with his team in the hot sun. Of course, the Princess would not have seen him in those days. Her nose was seeking a higher social level, and the clerks in the White Front dry-goods store formed the pinnacle of her social ideal. But Eli Martin was naturally what in our parlance we call a ladies' man, and he was not long in learning that the wide-brimmed black hat, the ready-made faded green suit and the red string necktie which had swept the girls down before him in the Bethel neighbourhood would accomplish little in town. So when winter came, and work with his team was hard to get, he sold his mules and bedecked himself in fine linen. He had a few hundred dollars saved up, so he lived in the cabbage smells of the Astor House, and fancied that he was enjoying the refinements of a great city. Time hung heavily upon him, and at night he joined the switchmen and certain young men of leisure in the town in a more or less friendly game of poker in the rooms at the head of the dark stairway on South Main Street.

When spring came the young man had no desire and little need to go back to work, for by that time he was known as Lucky Red. In a year the sunburn left him and he grew white and thin. He went to Kansas City for a season, and became known among gamblers as far west as Denver; but he was only a tin-horn gambler in the big cities, while in our town he was at the head of his profession, so he came back and opened a room of his own. He came back in a blaze of glory; to wit: a long grey frock coat with trousers to match, pleated white shirts studded with blinding diamonds, a small white hat dented jauntily on three sides, a matted lump of red hair on the back of his head and a dashing red curl combed extravagantly low on his forehead. Before he left town for his foreign tour Red Martin used to hang about the churches Sunday evenings, peering through the blinds and making eyes at the girls; but upon his return he had risen to another social level. He had acquired a cart with red wheels and a three-minute horse; so he dropped from his social list the girls who "worked out" and made eyes at those young women who lived at home, gadding around town evenings, picking up boys on the street and forever talking about their "latest."

It was the most natural thing in the world that Red and the Princess should find each other, and six months before the elopement we heard that the Princess was riding about the country with him in the red-wheeled cart. For after she left the office in one way and another we had kept track of the girl--sometimes through her father, who, being a carpenter, was frequently called to the office to fix up a door or a window; sometimes through the other girls in the office, and sometimes through Alphabetical Morrison, whose big family of girl school-teachers made him a storage battery of social information.

It seems that the Rutherford temper developed in the Princess as she grew older. Mrs. Swaney was Juanita Sinclair; her father was a mild-mannered little man, who went out of doors to cough, but her mother was a Rutherford--a big, stiff-necked, beer-bottle-shaped woman, who bossed the missionary society until she divided the church. John Swaney, who is not a talkative man, once got in a crowd at Smith's cigar-store where they were telling ghost stories, and his contribution to the horror of the occasion was a relating of how, when they were fooling with tables, trying to make them tip at his house one night at a family reunion, the spirit of Grandma Rutherford appeared, split the table into kindling, dislocated three shoulder-blades and sprained five wrists. It was this Rutherford temper that the Princess wore when she slouched around the house in her mother-hubbard with her hair in papers. The girls in the office used to say that if her mother over-cooked the Princess's egg in the morning she would rise grandly from the breakfast table, tipping over her chair behind her, and rush to her room "to have a good cry," and the whole family had to let the breakfast cool while they coaxed her down. That was the Rutherford temper. Also, when they tried to teach her to cook, it was the Rutherford temper that broke the dishes. Colonel Morrison once told us that when the Princess thought it was time to give a party, the neighbours could see the Rutherford temper begin wig-wagging at the world through the Princess's proud head, and there was nothing for her father to do but to kill the chickens, run errands all day to the grocery store, and sit in the cellar freezing cream, and then go to the barn at night to smoke. It was known in the neighbourhood that the Princess dragged her shoestrings until noon, and that her bed was never in the memory of woman made up in the daytime. We are Yankees in our town, and these things made more talk to the girl's discredit than the story that she was keeping company with Red Martin!

But we at the office saw in the proud creature that passed our window so grandly nothing to indicate her real self. The year that Red Martin came back to town the Princess used to turn into Main Street in an afternoon, wearing the big black hat that cost her father a week's hard work, looking as sweet as a jug of sorghum and as smiling as a basket of chips. Though women sniffed at her, the men on the veranda of the Hotel Metropole craned their necks to watch her out of sight. She jingled with chains and watches and lockets and chatelaines, carried more rings than a cane rack, and walked with the air of the heroine of the society drama at the opera house. When she was on parade she never even glanced toward our office, where she had jeopardised her social position. She barely quivered a recognising eye-brow at the girls who had worked with her, and they had their laugh at her, so matters were about even. But the office girls say that, after the Princess eloped with Red Martin, she was glad to rush up and shake hands with them. For we know in our town that the princess business does not last more than ten days or two weeks after marriage; it is a trade of quick sales, short seasons and small profits. The day that the elopement was the talk of the town, Colonel Alphabetical Morrison was in the office. He said that he remembered Juanita Sinclair when she was a princess and wore Dolly Varden clothes and was the playfullest kitten in the basketful that used to turn out to the platform dances on Fourth of July, and appear as belles of the suppers given for the Silver Cornet Band just after the war. "But," added the Colonel, "this town is full of saffron-coloured old girls with wiry hair and sun-bleached eyes, who at one time or another were in the princess business. Not only has every dog his day, but eventually every kitten becomes a cat."

From the night of the charivari when Red Martin handed the boys twenty dollars--the largest sum ever contributed to a similar purpose in the town's history--he and the Princess began to slump. The sloughing off of the veneer of civilisation was not rapid, but it was sure. The first pair of shoes that Red bought after his wedding were not patent leather, and, though the porter of his gambling place blacked them every morning, still they were common leather, and the boy noticed it. Likewise, the Princess had her hat retrimmed with her old plumes the fall after her wedding, bought no new clothes, and wore her giddy spring jacket, thin as it was, all winter, and after the second baby came no human being ever saw her in anything but a wrapper, except when she was on Main Street.

The neighbours said she wore a wrapper so that she could have free use of her lungs, for when Red and the Princess opened a family debate, the neighbours had to shut the doors and windows and call in the children. Notwithstanding all the names that she called him in their lung-testing events, there was no question about her love for the man. For, after the first year of her marriage, though she lost interest in her clothes and ceased calling for the "fashion leaf" at the dress-goods counter in the White Front, and let her hair go stringy, we around our office knew that the Princess was only a child, who some way had lost interest in her old toys. When God gives babies to children, the children forget their other dolls, and the Princess, when the babies came, put away her other dolls, and played with the toys that came alive. And she spanked them and fondled them and scolded them with the same empty-headed vanity that she used to devote to her clothes.

Red Martin was one of the Princess's dearest dolls, and she and the babies were his toys; but, being a boy, he did not care for them so much with the paint rubbed off, yet he did not neglect them. Instead, he neglected himself. When the babies began to put grease spots on his clothes, he did not clean them, and about the time his wife quit powdering, when she came to Main Street, he stopped wearing collars. She grew fat and frowsy, and her chief interest in life seemed to be to over-dress her children, and sometimes Red Martin encouraged her by bringing home the most extravagant suits for the boys, and sometimes he abused her when the bills came in for things which she had bought for the children, and asked why she did not buy something half-way respectable-looking to wear herself. After each of their furious quarrels she would go over the neighbourhood the next day and tell the neighbours that her mother had married her to a gambler, and ask them what a gambler's wife could expect. If any neighbour woman agreed with Mrs. Martin about her husband or her position Mrs. Martin would become angry and flounce out of the house, but if the women spoke kindly of her husband she would berate him and weep, and assure them that she had refused the banker, or the proprietor of the Bee Hive, or anyone else who seemed to make her story possible.

By the time that the third baby was old enough to carry his baby sister and the fifth baby was in the crib, Red Martin's face had begun to grow purple. He lost the gambling-room which was once his pride; it was operated by a youth with a curly black moustache, whose clothes recalled the days of Red's triumph. Red was only a dealer, and his trousers were frayed at the bottom and he shaved but once a week. Then the Princess used to come slinking up Main Street at night carrying a pistol under her coat to use if she found the woman with him. Who the woman was the neighbours never knew, but the Princess gave them to understand that they would be surprised if she told them. It was her vanity to pretend that the woman was a society leader, as she called her, but the boys around the poker-dive knew that Red Martin's days as a heart-breaker were gone. For what whisky and cocaine and absinthe could do for Red to hurry his end they were doing, but a man is a strong beast, and it takes many years to kill him. Also, the Lord saves men like Red for horrible examples, letting them live long that He may not have to waste others; but women seem to have God's pity and He takes them out of their misery more quickly than He takes men. With the coming of the seventh baby the Princess died. When the news came to the office that she was gone we were not sorry, for life had held little for her. Her looks were gone; her health was gone; her dreams were smudged out--pitiful and wretched and sordid as they were, even at the best. Yet for all that George Kirwin took down to the funeral a wreath which the office force bought for her.

To know George Kirwin casually one would say he never saw anything but the types and machinery in the back room of our office. When he went among strangers he seemed to be looking always at his hands or studying his knees, and his responses to those whom he did not know were "yea, yea," and "nay, nay"; but that night he told us more about the funeral of the Princess than all the reporters on the paper would have learned. He told us how the pitiful little parlour with its advertising chromos and its soap-prize lamp was filled with the women who always come to funerals in our town--funerals being their only diversion; how they sat in the undertaker's chairs with their handkerchiefs carefully folded and in their hands during the first part of the service, waiting for Brother Hopper to tell about his mother's death, which he never fails to do at funerals, though the elders have spoken to him about it, as all the town knows; how Red Martin, shaved for the occasion, and, in a borrowed suit of clothes, stood out by the well and did not come into the house during the services; how only the elder children sat in the front room with the other mourners, and how the prattle of the little ones in the kitchen ran through the parson's prayer with heart-breaking insistence.

George seemed to think that the poverty-stricken little makeshifts to bring beauty into the miserable home and keep up the appearance of a kind of gentility--perhaps for the children--was the best thing he ever knew about the Princess, and he said that he was glad that he went to the funeral for the geraniums in the crepe paper covered tomato cans, the cheap lace curtains at the windows, and the hair-wreath inheritance from the Swaneys, made him think that the best of the Princess might have survived all the rack and calamity of the years.

When the funeral left the house the neighbour women came and put it in order, and there was a better supper waiting for the father and the children than they had eaten for many years. And then, after the dishes were put away, the neighbours left; and for what he tried to do and be for the motherless brood just that one night, God will put down a good mark for Eli Martin--even though the man failed most sadly.

When he went back to the gambling-room the next night, where he was porter; men tried not to swear while he was in earshot, and the next day they swore only mild oaths around him, out of respect for his grief, but the day after they forgot their compunctions, and, within a week, Red Martin seemed to have forgotten, too. In time, the family was scattered over the earth--divided among kin, and adopted out, and as the town grew older its conscience quickened and the gambling-room was closed, whereupon Red Martin went to Huddleston's livery stable, where he worked for enough to keep him in whisky and laudanum, and ate only when someone gave him food.

He grew dirty, unkempt, and dull-witted. Disease bent and twisted him hideously. When he was too sick to work, he went to the poor-house, and came back weak and pale to sit much in the sun on the south side of the building like a sick dog. When he is lying about the street drunk, little boys poke sticks at him and flee with terror before him when he wakes to blind rage and stumbles after them. It is hard to realise that this disgusting, inhuman-looking creature is the Red Martin of twenty years ago, who, in his long grey frock coat, patent leather shoes, white hat and black tie, walked serenely up the steps of the bank the day it failed, tapped on the door-pane with his revolver barrel, and, when a man came to answer, made him open, and backed out with his revolver in one hand and his diamonds and money in the other. He does not recall in any vague way the Red Martin who gave the town a month's smile when he said, after losing all his money on election, that he had learned never to bet on anything that could talk, or had less than four legs. That Red Martin has been dead these many years; perhaps he was no more worthy than this one who hangs on to life, and bears the name and the disgrace that his dead youth made inevitable.

How strange it is that a man should wreck himself, and blight those of his own blood as this man has done! He knew what we all know about life and its rules. He had been told, as we all are told in a thousand ways, that bad conduct brings sorrow to the world, and that pain and wretchedness are the only rewards of that behaviour which men call sin. And yet there he is, sitting on his hunkers near the stable, with God's stamp of failure all over his broken, battered body--put there by Red Martin's own hands. But George Kirwin, who often thinks with a kindlier spirit than others, says we are Red Martin's partners in iniquity, for we all lived here with him, maintaining a town that tolerated gambling and debauchery, and that, in some way, we shall each of us suffer as Red has suffered, insomuch as each has had his share in a neighbour's shame.

We tell George that he is getting old, though he is still on the bright side of forty, because he likes to come down town of evenings and hold a parliament with Henry Larmy and Dan Gregg and Colonel Morrison. Sometimes they hold it in the office and settle important affairs. A month ago they settled the immortality of the soul, and the other night, returning to their former subject, the question came up: "What will become of Red Martin when he goes to Heaven?" Dan contended that the poor fellow is carrying around his own little blowpipe hell as he goes through life. George Kirwin maintained that Red Martin will enter the next world with the soul that died when his body began to live in wickedness; that there must have been some imperishable good in him as a boy, and that Heaven, or whatever we decide to call the next world, must be full of men and women like Red Martin--some more respectable than he--whose hell will be the unmasking of their real selves in the world where we "shall know as we are known." While we were sitting in judgment on poor Red Martin, in toddled Simon Mehronay, who is visiting in town from New York in the company of the vestal virgin who had, as he expressed it, snatched him as a brand from the burning. Mehronay has been gone from town nearly twenty years, and until they told him he did not know how Red Martin had fallen. When he heard it, Mehronay sighed and tears came into his dear old eyes, as he put his hand on Colonel Morrison's arm and said:

"Poor Red! Poor Red! A decent, brave, big-hearted chap! Why, he's taken whisky away from me a dozen times! He's won my money from me to keep it over Saturday night. Why, I'm no better than he is! Only they've caught Red, and they haven't caught me. And when we stand before the judgment-seat, I can tell a damnsight more good things about Red than he can about me. I'm going out to find him and get him a square meal."