Chapter II: Part 2

'Twas the bullock-driver's haven when his team was on the road, And the waggon-wheels were groaning as they ploughed beneath the load; And I mind how weary teamsters struggled on while it was light, Just to camp within a cooey of the Shanty for the night; And I think the very bullocks raised their heads and fixed their eyes On the candle in the window of the Shanty on the Rise.

And the bullock-bells were clanking from the marshes on the flats As we hurried to the Shanty, where we hung our dripping hats; And we took a drop of something that was brought at our desire, As we stood with steaming moleskins in the kitchen by the fire. Oh! it roared upon a fireplace of the good, old-fashioned size, When the rain came down the chimney of the Shanty on the Rise.

They got up a Christmas party in the Shanty long ago, While I camped with Jimmy Nowlett on the riverbank below; Poor old Jim was in his glory -- they'd elected him M.C., For there wasn't such another raving lunatic as he. 'Mr. Nowlett, Mr. Swaller!' shouted Something-in-Disguise, As we walked into the parlour of the Shanty on the Rise.

There is little real pleasure in the city where I am -- There's a swarry round the corner with its mockery and sham; But a fellow can be happy when around the room he whirls In a party up the country with the jolly country girls. Why, at times I almost fancied I was dancing on the skies, When I danced with Mary Carey in the Shanty on the Rise.

Jimmy came to me and whispered, and I muttered, 'Go along!' But he shouted, 'Mr. Swaller will oblige us with a song!' And at first I said I wouldn't, and I shammed a little too, Till the girls began to whisper, 'Mr. Swallow, now, ah, DO!' So I sang a song of something 'bout the love that never dies, And the chorus shook the rafters of the Shanty on the Rise.

Jimmy burst his concertina, and the bullock-drivers went For the corpse of Joe the Fiddler, who was sleeping in his tent; Joe was tired and had lumbago, and he wouldn't come, he said, But the case was very urgent, so they pulled him out of bed; And they fetched him, for the bushmen knew that Something-in-Disguise Had a cure for Joe's lumbago in the Shanty on the Rise.

Jim and I were rather quiet while escorting Mary home, 'Neath the stars that hung in clusters, near and distant, from the dome; And we walked so very silent -- being lost in reverie -- That we heard the settlers'-matches rustle softly on the tree; And I wondered who would win her when she said her sweet good-byes -- But she died at one-and-twenty, and was buried on the Rise.

I suppose the Shanty vanished from the ranges long ago, And the girls are mostly married to the chaps I used to know; My old chums are in the distance -- some have crossed the border-line, But in fancy still their glasses chink against the rim of mine. And, upon the very centre of the greenest spot that lies In my fondest recollection, stands the Shanty on the Rise.

The Vagabond

White handkerchiefs wave from the short black pier
As we glide to the grand old sea --
But the song of my heart is for none to hear
If one of them waves for me.
A roving, roaming life is mine,
Ever by field or flood --
For not far back in my father's line
Was a dash of the Gipsy blood.

Flax and tussock and fern,
Gum and mulga and sand,
Reef and palm -- but my fancies turn
Ever away from land;
Strange wild cities in ancient state,
Range and river and tree,
Snow and ice. But my star of fate
Is ever across the sea.

A god-like ride on a thundering sea,
When all but the stars are blind --
A desperate race from Eternity
With a gale-and-a-half behind.
A jovial spree in the cabin at night,
A song on the rolling deck,
A lark ashore with the ships in sight,
Till -- a wreck goes down with a wreck.

A smoke and a yarn on the deck by day,
When life is a waking dream,
And care and trouble so far away
That out of your life they seem.
A roving spirit in sympathy,
Who has travelled the whole world o'er --
My heart forgets, in a week at sea,
The trouble of years on shore.

A rolling stone! -- 'tis a saw for slaves --
Philosophy false as old --
Wear out or break 'neath the feet of knaves,
Or rot in your bed of mould!
But I'D rather trust to the darkest skies
And the wildest seas that roar,
Or die, where the stars of Nations rise,
In the stormy clouds of war.

Cleave to your country, home, and friends,
Die in a sordid strife --
You can count your friends on your finger ends
In the critical hours of life.
Sacrifice all for the family's sake,
Bow to their selfish rule!
Slave till your big soft heart they break --
The heart of the family fool.

Domestic quarrels, and family spite,
And your Native Land may be
Controlled by custom, but, come what might,
The rest of the world for me.
I'd sail with money, or sail without! --
If your love be forced from home,
And you dare enough, and your heart be stout,
The world is your own to roam.

I've never a love that can sting my pride,
Nor a friend to prove untrue;
For I leave my love ere the turning tide,
And my friends are all too new.
The curse of the Powers on a peace like ours,
With its greed and its treachery --
A stranger's hand, and a stranger land,
And the rest of the world for me!

But why be bitter? The world is cold
To one with a frozen heart;
New friends are often so like the old,
They seem of the past a part --
As a better part of the past appears,
When enemies, parted long,
Are come together in kinder years,
With their better nature strong.

I had a friend, ere my first ship sailed,
A friend that I never deserved --
For the selfish strain in my blood prevailed
As soon as my turn was served.
And the memory haunts my heart with shame --
Or, rather, the pride that's there;
In different guises, but soul the same,
I meet him everywhere.

I had a chum. When the times were tight
We starved in Australian scrubs;
We froze together in parks at night,
And laughed together in pubs.
And I often hear a laugh like his
From a sense of humour keen,
And catch a glimpse in a passing phiz
Of his broad, good-humoured grin.

And I had a love -- 'twas a love to prize --
But I never went back again . . .
I have seen the light of her kind brown eyes
In many a face since then.

. . . . .

The sailors say 'twill be rough to-night,
As they fasten the hatches down,
The south is black, and the bar is white,
And the drifting smoke is brown.
The gold has gone from the western haze,
The sea-birds circle and swarm --
But we shall have plenty of sunny days,
And little enough of storm.

The hill is hiding the short black pier,
As the last white signal's seen;
The points run in, and the houses veer,
And the great bluff stands between.
So darkness swallows each far white speck
On many a wharf and quay.
The night comes down on a restless deck, --
Grim cliffs -- and -- The Open Sea!

Sweeney

It was somewhere in September, and the sun was going down, When I came, in search of 'copy', to a Darling-River town; 'Come-and-have-a-drink' we'll call it -- 'tis a fitting name, I think -- And 'twas raining, for a wonder, up at Come-and-have-a-drink.

'Neath the public-house verandah I was resting on a bunk When a stranger rose before me, and he said that he was drunk; He apologised for speaking; there was no offence, he swore; But he somehow seemed to fancy that he'd seen my face before.

'No erfence,' he said. I told him that he needn't mention it, For I might have met him somewhere; I had travelled round a bit, And I knew a lot of fellows in the bush and in the streets -- But a fellow can't remember all the fellows that he meets.

Very old and thin and dirty were the garments that he wore, Just a shirt and pair of trousers, and a boot, and nothing more; He was wringing-wet, and really in a sad and sinful plight, And his hat was in his left hand, and a bottle in his right.

His brow was broad and roomy, but its lines were somewhat harsh, And a sensual mouth was hidden by a drooping, fair moustache; (His hairy chest was open to what poets call the 'wined', And I would have bet a thousand that his pants were gone behind).

He agreed: 'Yer can't remember all the chaps yer chance to meet,' And he said his name was Sweeney -- people lived in Sussex-street. He was campin' in a stable, but he swore that he was right, 'Only for the blanky horses walkin' over him all night.'

He'd apparently been fighting, for his face was black-and-blue, And he looked as though the horses had been treading on him, too; But an honest, genial twinkle in the eye that wasn't hurt Seemed to hint of something better, spite of drink and rags and dirt.

It appeared that he mistook me for a long-lost mate of his -- One of whom I was the image, both in figure and in phiz -- (He'd have had a letter from him if the chap were living still, For they'd carried swags together from the Gulf to Broken Hill.)

Sweeney yarned awhile and hinted that his folks were doing well, And he told me that his father kept the Southern Cross Hotel; And I wondered if his absence was regarded as a loss When he left the elder Sweeney -- landlord of the Southern Cross.

He was born in Parramatta, and he said, with humour grim, That he'd like to see the city ere the liquor finished him, But he couldn't raise the money. He was damned if he could think What the Government was doing. Here he offered me a drink.

I declined -- 'TWAS self-denial -- and I lectured him on booze, Using all the hackneyed arguments that preachers mostly use; Things I'd heard in temperance lectures (I was young and rather green), And I ended by referring to the man he might have been.

Then a wise expression struggled with the bruises on his face, Though his argument had scarcely any bearing on the case: 'What's the good o' keepin' sober? Fellers rise and fellers fall; What I might have been and wasn't doesn't trouble me at all.'

But he couldn't stay to argue, for his beer was nearly gone. He was glad, he said, to meet me, and he'd see me later on; He guessed he'd have to go and get his bottle filled again, And he gave a lurch and vanished in the darkness and the rain.

. . . . .

And of afternoons in cities, when the rain is on the land, Visions come to me of Sweeney with his bottle in his hand, With the stormy night behind him, and the pub verandah-post -- And I wonder why he haunts me more than any other ghost.

Still I see the shearers drinking at the township in the scrub, And the army praying nightly at the door of every pub, And the girls who flirt and giggle with the bushmen from the west -- But the memory of Sweeney overshadows all the rest.

Well, perhaps, it isn't funny; there were links between us two -- He had memories of cities, he had been a jackeroo; And, perhaps, his face forewarned me of a face that I might see From a bitter cup reflected in the wretched days to be.

. . . . .

I suppose he's tramping somewhere where the bushmen carry swags, Cadging round the wretched stations with his empty tucker-bags; And I fancy that of evenings, when the track is growing dim, What he 'might have been and wasn't' comes along and troubles him.

Middleton's Rouseabout

Tall and freckled and sandy,
Face of a country lout;
This was the picture of Andy,
Middleton's Rouseabout.

Type of a coming nation,
In the land of cattle and sheep,
Worked on Middleton's station,
'Pound a week and his keep.'

On Middleton's wide dominions
Plied the stockwhip and shears;
Hadn't any opinions,
Hadn't any 'idears'.

Swiftly the years went over,
Liquor and drought prevailed;
Middleton went as a drover,
After his station had failed.

Type of a careless nation,
Men who are soon played out,
Middleton was: -- and his station
Was bought by the Rouseabout.

Flourishing beard and sandy,
Tall and robust and stout;
This is the picture of Andy,
Middleton's Rouseabout.

Now on his own dominions
Works with his overseers;
Hasn't any opinions,
Hasn't any 'idears'.

The Ballad of the Drover

Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.

Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.

Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.

An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.

The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.

Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
'We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'

The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!

When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain --
He'll never pass the stations
In charge of stock again.

The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.

Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.

. . . . .

The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.

Taking His Chance

They stood by the door of the Inn on the Rise; May Carney looked up in the bushranger's eyes: 'Oh! why did you come? -- it was mad of you, Jack; You know that the troopers are out on your track.' A laugh and a shake of his obstinate head -- 'I wanted a dance, and I'll chance it,' he said.

Some twenty-odd bushmen had come to the 'ball', But Jack from his youth had been known to them all, And bushmen are soft where a woman is fair, So the love of May Carney protected him there; And all the short evening -- it seems like romance -- She danced with a bushranger taking his chance.

'Twas midnight -- the dancers stood suddenly still, For hoofs had been heard on the side of the hill! Ben Duggan, the drover, along the hillside Came riding as only a bushman can ride. He sprang from his horse, to the shanty he sped -- 'The troopers are down in the gully!' he said.

Quite close to the homestead the troopers were seen. 'Clear out and ride hard for the ranges, Jack Dean! Be quick!' said May Carney -- her hand on her heart -- 'We'll bluff them awhile, and 'twill give you a start.' He lingered a moment -- to kiss her, of course -- Then ran to the trees where he'd hobbled his horse.

She ran to the gate, and the troopers were there -- The jingle of hobbles came faint on the air -- Then loudly she screamed: it was only to drown The treacherous clatter of slip-rails let down. But troopers are sharp, and she saw at a glance That someone was taking a desperate chance.

They chased, and they shouted, 'Surrender, Jack Dean!' They called him three times in the name of the Queen. Then came from the darkness the clicking of locks; The crack of the rifles was heard in the rocks! A shriek and a shout, and a rush of pale men -- And there lay the bushranger, chancing it then.

The sergeant dismounted and knelt on the sod -- 'Your bushranging's over -- make peace, Jack, with God!' The bushranger laughed -- not a word he replied, But turned to the girl who knelt down by his side. He gazed in her eyes as she lifted his head: 'Just kiss me -- my girl -- and -- I'll -- chance it,' he said.

When the 'Army' Prays for Watty

When the kindly hours of darkness, save for light of moon and star, Hide the picture on the signboard over Doughty's Horse Bazaar; When the last rose-tint is fading on the distant mulga scrub, Then the Army prays for Watty at the entrance of his pub.

Now, I often sit at Watty's when the night is very near, With a head that's full of jingles and the fumes of bottled beer, For I always have a fancy that, if I am over there When the Army prays for Watty, I'm included in the prayer.

Watty lounges in his arm-chair, in its old accustomed place, With a fatherly expression on his round and passive face; And his arms are clasped before him in a calm, contented way, And he nods his head and dozes when he hears the Army pray.

And I wonder does he ponder on the distant years and dim, Or his chances over yonder, when the Army prays for him? Has he not a fear connected with the warm place down below, Where, according to good Christians, all the publicans should go?

But his features give no token of a feeling in his breast, Save of peace that is unbroken and a conscience well at rest; And we guzzle as we guzzled long before the Army came, And the loafers wait for 'shouters' and -- they get there just the same.

It would take a lot of praying -- lots of thumping on the drum -- To prepare our sinful, straying, erring souls for Kingdom Come; But I love my fellow-sinners, and I hope, upon the whole, That the Army gets a hearing when it prays for Watty's soul.

The Wreck of the 'Derry Castle'

Day of ending for beginnings! Ocean hath another innings, Ocean hath another score; And the surges sing his winnings, And the surges shout his winnings, And the surges shriek his winnings, All along the sullen shore.

Sing another dirge in wailing, For another vessel sailing With the shadow-ships at sea; Shadow-ships for ever sinking -- Shadow-ships whose pumps are clinking, And whose thirsty holds are drinking Pledges to Eternity.

Pray for souls of ghastly, sodden Corpses, floating round untrodden Cliffs, where nought but sea-drift strays; Souls of dead men, in whose faces Of humanity no trace is -- Not a mark to show their races -- Floating round for days and days.

. . . . .

Ocean's salty tongues are licking
Round the faces of the drowned,
And a cruel blade seems sticking
Through my heart and turning round.

Heaven! shall HIS ghastly, sodden
Corpse float round for days and days?
Shall it dash 'neath cliffs untrodden,
Rocks where nought but sea-drift strays?

God in heaven! hide the floating,
Falling, rising, face from me;
God in heaven! stay the gloating,
Mocking singing of the sea!

Ben Duggan

Jack Denver died on Talbragar when Christmas Eve began, And there was sorrow round the place, for Denver was a man; Jack Denver's wife bowed down her head -- her daughter's grief was wild, And big Ben Duggan by the bed stood sobbing like a child. But big Ben Duggan saddled up, and galloped fast and far, To raise the longest funeral ever seen on Talbragar.

_By station home
And shearing shed
Ben Duggan cried, 'Jack Denver's dead!
Roll up at Talbragar!'_

He borrowed horses here and there, and rode all Christmas Eve, And scarcely paused a moment's time the mournful news to leave; He rode by lonely huts and farms, and when the day was done He turned his panting horse's head and rode to Ross's Run. No bushman in a single day had ridden half so far Since Johnson brought the doctor to his wife at Talbragar.

_By diggers' camps
Ben Duggan sped --
At each he cried, 'Jack Denver's dead!
Roll up at Talbragar!'_

That night he passed the humpies of the splitters on the ridge, And roused the bullock-drivers camped at Belinfante's Bridge; And as he climbed the ridge again the moon shone on the rise; The soft white moonbeams glistened in the tears that filled his eyes; He dashed the rebel drops away -- for blinding things they are -- But 'twas his best and truest friend who died on Talbragar.

_At Blackman's Run
Before the dawn,
Ben Duggan cried, 'Poor Denver's gone!
Roll up at Talbragar!'_

At all the shanties round the place they'd heard his horse's tramp, He took the track to Wilson's Luck, and told the diggers' camp; But in the gorge by Deadman's Gap the mountain shades were black, And there a newly-fallen tree was lying on the track -- He saw too late, and then he heard the swift hoof's sudden jar, And big Ben Duggan ne'er again rode home to Talbragar.

_'The wretch is drunk,
And Denver's dead --
A burning shame!' the people said
Next day at Talbragar._

For thirty miles round Talbragar the boys rolled up in strength, And Denver had a funeral a good long mile in length; Round Denver's grave that Christmas day rough bushmen's eyes were dim -- The western bushmen knew the way to bury dead like him; But some returning homeward found, by light of moon and star, Ben Duggan dying in the rocks, five miles from Talbragar.

_They knelt around,
He raised his head
And faintly gasped, 'Jack Denver's dead,
Roll up at Talbragar!'_

But one short hour before he died he woke to understand, They told him, when he asked them, that the funeral was 'grand'; And then there came into his eyes a strange victorious light, He smiled on them in triumph, and his great soul took its flight. And still the careless bushmen tell by tent and shanty bar How Duggan raised a funeral years back on Talbragar.

_And far and wide
When Duggan died,
The bushmen of the western side
Rode in to Talbragar._

The Star of Australasia

We boast no more of our bloodless flag, that rose from a nation's slime; Better a shred of a deep-dyed rag from the storms of the olden time. From grander clouds in our 'peaceful skies' than ever were there before I tell you the Star of the South shall rise -- in the lurid clouds of war. It ever must be while blood is warm and the sons of men increase; For ever the nations rose in storm, to rot in a deadly peace. There comes a point that we will not yield, no matter if right or wrong, And man will fight on the battle-field while passion and pride are strong -- So long as he will not kiss the rod, and his stubborn spirit sours, And the scorn of Nature and curse of God are heavy on peace like ours.

. . . . .

There are boys out there by the western creeks, who hurry away from school To climb the sides of the breezy peaks or dive in the shaded pool, Who'll stick to their guns when the mountains quake to the tread of a mighty war, And fight for Right or a Grand Mistake as men never fought before; When the peaks are scarred and the sea-walls crack till the furthest hills vibrate, And the world for a while goes rolling back in a storm of love and hate.

. . . . .

There are boys to-day in the city slum and the home of wealth and pride Who'll have one home when the storm is come, and fight for it side by side, Who'll hold the cliffs 'gainst the armoured hells that batter a coastal town, Or grimly die in a hail of shells when the walls come crashing down. And many a pink-white baby girl, the queen of her home to-day, Shall see the wings of the tempest whirl the mist of our dawn away -- Shall live to shudder and stop her ears to the thud of the distant gun, And know the sorrow that has no tears when a battle is lost and won, -- As a mother or wife in the years to come, will kneel, wild-eyed and white, And pray to God in her darkened home for the 'men in the fort to-night'.

. . . . .

But, oh! if the cavalry charge again as they did when the world was wide, 'Twill be grand in the ranks of a thousand men in that glorious race to ride And strike for all that is true and strong, for all that is grand and brave, And all that ever shall be, so long as man has a soul to save. He must lift the saddle, and close his 'wings', and shut his angels out, And steel his heart for the end of things, who'd ride with a stockman scout, When the race they ride on the battle track, and the waning distance hums, And the shelled sky shrieks or the rifles crack like stockwhip amongst the gums -- And the 'straight' is reached and the field is 'gapped' and the hoof-torn sward grows red With the blood of those who are handicapped with iron and steel and lead; And the gaps are filled, though unseen by eyes, with the spirit and with the shades Of the world-wide rebel dead who'll rise and rush with the Bush Brigades.

. . . . .

All creeds and trades will have soldiers there -- give every class its due -- And there'll be many a clerk to spare for the pride of the jackeroo. They'll fight for honour and fight for love, and a few will fight for gold, For the devil below and for God above, as our fathers fought of old; And some half-blind with exultant tears, and some stiff-lipped, stern-eyed, For the pride of a thousand after-years and the old eternal pride; The soul of the world they will feel and see in the chase and the grim retreat -- They'll know the glory of victory -- and the grandeur of defeat.

The South will wake to a mighty change ere a hundred years are done With arsenals west of the mountain range and every spur its gun. And many a rickety son of a gun, on the tides of the future tossed, Will tell how battles were really won that History says were lost, Will trace the field with his pipe, and shirk the facts that are hard to explain, As grey old mates of the diggings work the old ground over again -- How 'this was our centre, and this a redoubt, and that was a scrub in the rear, And this was the point where the guards held out, and the enemy's lines were here.'

. . . . .

They'll tell the tales of the nights before and the tales of the ship and fort Till the sons of Australia take to war as their fathers took to sport, Their breath come deep and their eyes grow bright at the tales of our chivalry, And every boy will want to fight, no matter what cause it be -- When the children run to the doors and cry: 'Oh, mother, the troops are come!' And every heart in the town leaps high at the first loud thud of the drum. They'll know, apart from its mystic charm, what music is at last, When, proud as a boy with a broken arm, the regiment marches past. And the veriest wreck in the drink-fiend's clutch, no matter how low or mean, Will feel, when he hears the march, a touch of the man that he might have been. And fools, when the fiends of war are out and the city skies aflame, Will have something better to talk about than an absent woman's shame, Will have something nobler to do by far than jest at a friend's expense, Or blacken a name in a public bar or over a backyard fence. And this you learn from the libelled past, though its methods were somewhat rude -- A nation's born where the shells fall fast, or its lease of life renewed. We in part atone for the ghoulish strife, and the crimes of the peace we boast, And the better part of a people's life in the storm comes uppermost.

The self-same spirit that drives the man to the depths of drink and crime Will do the deeds in the heroes' van that live till the end of time. The living death in the lonely bush, the greed of the selfish town, And even the creed of the outlawed push is chivalry -- upside down. 'Twill be while ever our blood is hot, while ever the world goes wrong, The nations rise in a war, to rot in a peace that lasts too long. And southern nation and southern state, aroused from their dream of ease, Must sign in the Book of Eternal Fate their stormy histories.

The Great Grey Plain

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead gleam whitest,
And the sun on a desert glows --
Yet within the selfish kingdom
Where man starves man for gain,
Where white men tramp for existence --
Wide lies the Great Grey Plain.

No break in its awful horizon,
No blur in the dazzling haze,
Save where by the bordering timber
The fierce, white heat-waves blaze,
And out where the tank-heap rises
Or looms when the sunlights wane,
Till it seems like a distant mountain
Low down on the Great Grey Plain.

No sign of a stream or fountain,
No spring on its dry, hot breast,
No shade from the blazing noontide
Where a weary man might rest.
Whole years go by when the glowing
Sky never clouds for rain --
Only the shrubs of the desert
Grow on the Great Grey Plain.

From the camp, while the rich man's dreaming,
Come the 'traveller' and his mate,
In the ghastly dawnlight seeming
Like a swagman's ghost out late;
And the horseman blurs in the distance,
While still the stars remain,
A low, faint dust-cloud haunting
His track on the Great Grey Plain.

And all day long from before them
The mirage smokes away --
That daylight ghost of an ocean
Creeps close behind all day
With an evil, snake-like motion,
As the waves of a madman's brain:
'Tis a phantom NOT like water
Out there on the Great Grey Plain.

There's a run on the Western limit
Where a man lives like a beast,
And a shanty in the mulga
That stretches to the East;
And the hopeless men who carry
Their swags and tramp in pain --
The footmen must not tarry
Out there on the Great Grey Plain.

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead seem whitest,
And the sun on a desert glows --
Out back in the hungry distance
That brave hearts dare in vain --
Where beggars tramp for existence --
There lies the Great Grey Plain.

'Tis a desert not more barren
Than the Great Grey Plain of years,
Where a fierce fire burns the hearts of men --
Dries up the fount of tears:
Where the victims of a greed insane
Are crushed in a hell-born strife --
Where the souls of a race are murdered
On the Great Grey Plain of Life!

The Song of Old Joe Swallow

When I was up the country in the rough and early days, I used to work along ov Jimmy Nowlett's bullick-drays; Then the reelroad wasn't heered on, an' the bush was wild an' strange, An' we useter draw the timber from the saw-pits in the range -- Load provisions for the stations, an' we'd travel far and slow Through the plains an' 'cross the ranges in the days of long ago.

_Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago._

Once me and Jimmy Nowlett loaded timber for the town, But we hadn't gone a dozen mile before the rain come down, An' me an' Jimmy Nowlett an' the bullicks an' the dray Was cut off on some risin' ground while floods around us lay; An' we soon run short of tucker an' terbacca, which was bad, An' pertaters dipped in honey was the only tuck we had.

An' half our bullicks perished when the drought was on the land, An' the burnin' heat that dazzles as it dances on the sand; When the sun-baked clay an' gravel paves for miles the burnin' creeks, An' at ev'ry step yer travel there a rottin' carcase reeks -- But we pulled ourselves together, for we never used ter know What a feather bed was good for in those days o' long ago.

But in spite ov barren ridges an' in spite ov mud an' heat, An' dust that browned the bushes when it rose from bullicks' feet, An' in spite ov cold and chilblains when the bush was white with frost, An' in spite of muddy water where the burnin' plain was crossed, An' in spite of modern progress, and in spite of all their blow, 'Twas a better land to live in, in the days o' long ago.

When the frosty moon was shinin' o'er the ranges like a lamp, An' a lot of bullick-drivers was a-campin' on the camp, When the fire was blazin' cheery an' the pipes was drawin' well, Then our songs we useter chorus an' our yarns we useter tell; An' we'd talk ov lands we come from, and ov chaps we useter know, For there always was behind us OTHER days o' long ago.

Ah, them early days was ended when the reelroad crossed the plain, But in dreams I often tramp beside the bullick-team again: Still we pauses at the shanty just to have a drop er cheer, Still I feels a kind ov pleasure when the campin'-ground is near; Still I smells the old tarpaulin me an' Jimmy useter throw O'er the timber-truck for shelter in the days ov long ago.

I have been a-driftin' back'ards with the changes ov the land, An' if I spoke ter bullicks now they wouldn't understand, But when Mary wakes me sudden in the night I'll often say: 'Come here, Spot, an' stan' up, Bally, blank an' blank an' come-eer-way.' An' she says that, when I'm sleepin', oft my elerquince 'ill flow In the bullick-drivin' language ov the days o' long ago.

Well, the pub will soon be closin', so I'll give the thing a rest; But if you should drop on Nowlett in the far an' distant west -- An' if Jimmy uses doubleyou instead of ar an' vee, An' if he drops his aitches, then you're sure to know it's he. An' yer won't forgit to arsk him if he still remembers Joe As knowed him up the country in the days o' long ago.

_Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago._

Corny Bill

His old clay pipe stuck in his mouth,
His hat pushed from his brow,
His dress best fitted for the South --
I think I see him now;
And when the city streets are still,
And sleep upon me comes,
I often dream that me an' Bill
Are humpin' of our drums.

I mind the time when first I came
A stranger to the land;
And I was stumped, an' sick, an' lame
When Bill took me in hand.
Old Bill was what a chap would call
A friend in poverty,
And he was very kind to all,
And very good to me.

We'd camp beneath the lonely trees
And sit beside the blaze,
A-nursin' of our wearied knees,
A-smokin' of our clays.
Or when we'd journeyed damp an' far,
An' clouds were in the skies,
We'd camp in some old shanty bar,
And sit a-tellin' lies.

Though time had writ upon his brow
And rubbed away his curls,
He always was -- an' may be now --
A favourite with the girls;
I've heard bush-wimmin scream an' squall --
I've see'd 'em laugh until
They could not do their work at all,
Because of Corny Bill.

He was the jolliest old pup
As ever you did see,
And often at some bush kick-up
They'd make old Bill M.C.
He'd make them dance and sing all night,
He'd make the music hum,
But he'd be gone at mornin' light
A-humpin' of his drum.

Though joys of which the poet rhymes
Was not for Bill an' me,
I think we had some good old times
Out on the wallaby.
I took a wife and left off rum,
An' camped beneath a roof;
But Bill preferred to hump his drum
A-paddin' of the hoof.

The lazy, idle loafers what
In toney houses camp
Would call old Bill a drunken sot,
A loafer, or a tramp;
But if the dead should ever dance --
As poets say they will --
I think I'd rather take my chance
Along of Corny Bill.

His long life's-day is nearly o'er,
Its shades begin to fall;
He soon must mount his bluey for
The last long tramp of all;
I trust that when, in bush an' town,
He's lived and learnt his fill,
They'll let the golden slip-rails down
For poor old Corny Bill.

Cherry-Tree Inn

The rafters are open to sun, moon, and star, Thistles and nettles grow high in the bar -- The chimneys are crumbling, the log fires are dead, And green mosses spring from the hearthstone instead. The voices are silent, the bustle and din, For the railroad hath ruined the Cherry-tree Inn.

Save the glimmer of stars, or the moon's pallid streams, And the sounds of the 'possums that camp on the beams, The bar-room is dark and the stable is still, For the coach comes no more over Cherry-tree Hill. No riders push on through the darkness to win The rest and the comfort of Cherry-tree Inn.

I drift from my theme, for my memory strays To the carrying, digging, and bushranging days -- Far back to the seasons that I love the best, When a stream of wild diggers rushed into the west, But the 'rushes' grew feeble, and sluggish, and thin, Till scarcely a swagman passed Cherry-tree Inn.

Do you think, my old mate (if it's thinking you be), Of the days when you tramped to the goldfields with me? Do you think of the day of our thirty-mile tramp, When never a fire could we light on the camp, And, weary and footsore and drenched to the skin, We tramped through the darkness to Cherry-tree Inn?

Then I had a sweetheart and you had a wife, And Johnny was more to his mother than life; But we solemnly swore, ere that evening was done, That we'd never return till our fortunes were won. Next morning to harvests of folly and sin We tramped o'er the ranges from Cherry-tree Inn.

. . . . .

The years have gone over with many a change, And there comes an old swagman from over the range, And faint 'neath the weight of his rain-sodden load, He suddenly thinks of the inn by the road. He tramps through the darkness the shelter to win, And reaches the ruins of Cherry-tree Inn.

Up the Country

I am back from up the country -- very sorry that I went -- Seeking for the Southern poets' land whereon to pitch my tent; I have lost a lot of idols, which were broken on the track, Burnt a lot of fancy verses, and I'm glad that I am back. Further out may be the pleasant scenes of which our poets boast, But I think the country's rather more inviting round the coast. Anyway, I'll stay at present at a boarding-house in town, Drinking beer and lemon-squashes, taking baths and cooling down.

'Sunny plains'! Great Scott! -- those burning wastes of barren soil and sand With their everlasting fences stretching out across the land! Desolation where the crow is! Desert where the eagle flies, Paddocks where the luny bullock starts and stares with reddened eyes; Where, in clouds of dust enveloped, roasted bullock-drivers creep Slowly past the sun-dried shepherd dragged behind his crawling sheep. Stunted peak of granite gleaming, glaring like a molten mass Turned from some infernal furnace on a plain devoid of grass.

Miles and miles of thirsty gutters -- strings of muddy water-holes In the place of 'shining rivers' -- 'walled by cliffs and forest boles.' Barren ridges, gullies, ridges! where the ever-madd'ning flies -- Fiercer than the plagues of Egypt -- swarm about your blighted eyes! Bush! where there is no horizon! where the buried bushman sees Nothing -- Nothing! but the sameness of the ragged, stunted trees! Lonely hut where drought's eternal, suffocating atmosphere Where the God-forgotten hatter dreams of city life and beer.

Treacherous tracks that trap the stranger, endless roads that gleam and glare, Dark and evil-looking gullies, hiding secrets here and there! Dull dumb flats and stony rises, where the toiling bullocks bake, And the sinister 'gohanna', and the lizard, and the snake. Land of day and night -- no morning freshness, and no afternoon, When the great white sun in rising bringeth summer heat in June. Dismal country for the exile, when the shades begin to fall From the sad heart-breaking sunset, to the new-chum worst of all.

Dreary land in rainy weather, with the endless clouds that drift O'er the bushman like a blanket that the Lord will never lift -- Dismal land when it is raining -- growl of floods, and, oh! the woosh Of the rain and wind together on the dark bed of the bush -- Ghastly fires in lonely humpies where the granite rocks are piled In the rain-swept wildernesses that are wildest of the wild.

Land where gaunt and haggard women live alone and work like men, Till their husbands, gone a-droving, will return to them again: Homes of men! if home had ever such a God-forgotten place, Where the wild selector's children fly before a stranger's face. Home of tragedy applauded by the dingoes' dismal yell, Heaven of the shanty-keeper -- fitting fiend for such a hell -- And the wallaroos and wombats, and, of course, the curlew's call -- And the lone sundowner tramping ever onward through it all!

I am back from up the country, up the country where I went Seeking for the Southern poets' land whereon to pitch my tent; I have shattered many idols out along the dusty track, Burnt a lot of fancy verses -- and I'm glad that I am back. I believe the Southern poets' dream will not be realised Till the plains are irrigated and the land is humanised. I intend to stay at present, as I said before, in town Drinking beer and lemon-squashes, taking baths and cooling down.

Knocked Up

I'm lyin' on the barren ground that's baked and cracked with drought, And dunno if my legs or back or heart is most wore out; I've got no spirits left to rise and smooth me achin' brow -- I'm too knocked up to light a fire and bile the billy now.

_Oh it's trampin', trampin', tra-a-mpin', in flies an' dust an' heat,
Or it's trampin' trampin' tra-a-a-mpin'
through mud and slush 'n sleet;
It's tramp an' tramp for tucker -- one everlastin' strife,
An' wearin' out yer boots an' heart in the wastin' of yer life._

They whine o' lost an' wasted lives in idleness and crime -- I've wasted mine for twenty years, and grafted all the time And never drunk the stuff I earned, nor gambled when I shore -- But somehow when yer on the track yer life seems wasted more.

A long dry stretch of thirty miles I've tramped this broilin' day, All for the off-chance of a job a hundred miles away; There's twenty hungry beggars wild for any job this year, An' fifty might be at the shed while I am lyin' here.

The sinews in my legs seem drawn, red-hot -- 'n that's the truth; I seem to weigh a ton, and ache like one tremendous tooth; I'm stung between my shoulder-blades -- my blessed back seems broke; I'm too knocked out to eat a bite -- I'm too knocked up to smoke.

The blessed rain is comin' too -- there's oceans in the sky, An' I suppose I must get up and rig the blessed fly; The heat is bad, the water's bad, the flies a crimson curse, The grub is bad, mosquitoes damned -- but rheumatism's worse.

I wonder why poor blokes like me will stick so fast ter breath, Though Shakespeare says it is the fear of somethin' after death; But though Eternity be cursed with God's almighty curse -- What ever that same somethin' is I swear it can't be worse.

_For it's trampin', trampin', tra-a-mpin' thro' hell across the plain,
And it's trampin' trampin' tra-a-mpin' thro' slush 'n mud 'n rain --
A livin' worse than any dog -- without a home 'n wife,
A-wearin' out yer heart 'n soul in the wastin' of yer life._

The Blue Mountains

Above the ashes straight and tall,
Through ferns with moisture dripping,
I climb beneath the sandstone wall,
My feet on mosses slipping.

Like ramparts round the valley's edge
The tinted cliffs are standing,
With many a broken wall and ledge,
And many a rocky landing.

And round about their rugged feet
Deep ferny dells are hidden
In shadowed depths, whence dust and heat
Are banished and forbidden.

The stream that, crooning to itself,
Comes down a tireless rover,
Flows calmly to the rocky shelf,
And there leaps bravely over.

Now pouring down, now lost in spray
When mountain breezes sally,
The water strikes the rock midway,
And leaps into the valley.

Now in the west the colours change,
The blue with crimson blending;
Behind the far Dividing Range,
The sun is fast descending.

And mellowed day comes o'er the place,
And softens ragged edges;
The rising moon's great placid face
Looks gravely o'er the ledges.

The City Bushman

It was pleasant up the country, City Bushman, where you went, For you sought the greener patches and you travelled like a gent; And you curse the trams and buses and the turmoil and the push, Though you know the squalid city needn't keep you from the bush; But we lately heard you singing of the 'plains where shade is not', And you mentioned it was dusty -- 'all was dry and all was hot'.

True, the bush 'hath moods and changes' -- and the bushman hath 'em, too, For he's not a poet's dummy -- he's a man, the same as you; But his back is growing rounder -- slaving for the absentee -- And his toiling wife is thinner than a country wife should be. For we noticed that the faces of the folks we chanced to meet Should have made a greater contrast to the faces in the street; And, in short, we think the bushman's being driven to the wall, And it's doubtful if his spirit will be 'loyal thro' it all'.

Though the bush has been romantic and it's nice to sing about, There's a lot of patriotism that the land could do without -- Sort of BRITISH WORKMAN nonsense that shall perish in the scorn Of the drover who is driven and the shearer who is shorn, Of the struggling western farmers who have little time for rest, And are ruined on selections in the sheep-infested West; Droving songs are very pretty, but they merit little thanks From the people of a country in possession of the Banks.

And the 'rise and fall of seasons' suits the rise and fall of rhyme, But we know that western seasons do not run on schedule time; For the drought will go on drying while there's anything to dry, Then it rains until you'd fancy it would bleach the sunny sky -- Then it pelters out of reason, for the downpour day and night Nearly sweeps the population to the Great Australian Bight. It is up in Northern Queensland that the seasons do their best, But it's doubtful if you ever saw a season in the West; There are years without an autumn or a winter or a spring, There are broiling Junes, and summers when it rains like anything.

In the bush my ears were opened to the singing of the bird, But the 'carol of the magpie' was a thing I never heard. Once the beggar roused my slumbers in a shanty, it is true, But I only heard him asking, 'Who the blanky blank are you?' And the bell-bird in the ranges -- but his 'silver chime' is harsh When it's heard beside the solo of the curlew in the marsh.

Yes, I heard the shearers singing 'William Riley', out of tune, Saw 'em fighting round a shanty on a Sunday afternoon, But the bushman isn't always 'trapping brumbies in the night', Nor is he for ever riding when 'the morn is fresh and bright', And he isn't always singing in the humpies on the run -- And the camp-fire's 'cheery blazes' are a trifle overdone; We have grumbled with the bushmen round the fire on rainy days, When the smoke would blind a bullock and there wasn't any blaze, Save the blazes of our language, for we cursed the fire in turn Till the atmosphere was heated and the wood began to burn. Then we had to wring our blueys which were rotting in the swags, And we saw the sugar leaking through the bottoms of the bags, And we couldn't raise a chorus, for the toothache and the cramp, While we spent the hours of darkness draining puddles round the camp.

Would you like to change with Clancy -- go a-droving? tell us true, For we rather think that Clancy would be glad to change with you, And be something in the city; but 'twould give your muse a shock To be losing time and money through the foot-rot in the flock, And you wouldn't mind the beauties underneath the starry dome If you had a wife and children and a lot of bills at home.