Chapter II (2)

So it was removed and hidden away with obloquy in an outhouse; whereupon he sat and cried that he had ruined Gurdit--Gurdit the light of his eyes!

"Heed not the Bengali," they said at last in sheer despair. "He is a fool. Thou shalt come with us to the big Sahib. He will understand, seeing that he is more our race than the other."

That is how it came to pass that Tulsi Ram sat on the stucco steps of an Englishman's house, pointing with a trembling but truthful finger at a white spot among the green, while a circle of bearded Jats informed the Presence that Sri Hunuman himself was not wiser nor better than their _putwari_.

"And how do _you_ account for it? I mean what do _you_ think it is?" asked the foreign voice curiously.

The wrinkles on Tulsi's forehead grew deeper, his bright yet dim eyes looked wistfully at the master of his fate. "'Tis an over-large margin of error, _Huzoor_, owing to lack of control over the plane-table. That is what the book says; that is what Gurdit will say."

"But what do _you_ say? How do _you_ think that bit of land came into your village?"

Tulsi hesitated, gained confidence somehow from the blue eyes: "Unless _Purumeshwar_ sent a bit of another world?" he suggested meekly.

The Englishman stood for a moment looking down on the wizened monkey-like face, the truthful finger, the accusing white spot. "I think he has," he said at last. "Go home, Tulsi, and colour it blue. I'll pass it as a bit of Paradise."

So that year there was a blue patch, like a tank where no tank should be, upon the village map, and the old _putwari's_ conscience found peace in the correct total of the columns of figures which he added together; while the Three-Legged-One, released from durance vile at his special request, stood in the corner garlanded with the marigolds of thanksgiving. Perhaps that was the reason why, next mapping season, the patch of Paradise had shrunk to half its original size; or perhaps it was that he really had more control over the plane-table. At any rate he treated it more as a friend by spreading its legs very wide apart, covering it with his white cotton shawl, and so using it as a tent, when the sun was over hot.

And yet when, on Gurdit's return from college with a first-class surveyor's certificate, Paradise became absorbed in a legitimate margin of error, there was a certain wistful regret in old Tulsi's pride, and he said that, being an ignorant old man, it was time he returned to find Paradise in another way.

"But thou shalt not leave us for the wilderness as before," swore the Jats in council. "Lo! Gurdit is young and hasty, and thou wilt be needed to settle the disputes; so we will give thee a saintly sitting of thy very own in our village."

But Tulsi objected. The fields were the fields, he said, and the houses were the houses; it only led to difficulties to put odd bits of land into a map, and he would be quite satisfied to sit anywhere. In the end, however, he had to give in, for when he died, after many years spent in settling disputes, some one suggested that he really had been Sri Hunuman himself; at any rate, he was a saint. So the white spot marking a shrine reappeared in the map, to show whence the old man had passed to the Better Land.

THE SORROWFUL HOUR

It was one of those blue days which come to the plains of Upper India when the rains of early September have ceased, leaving the heat-weary, dust-soiled world regenerate by baptism.

A light breeze sent westering ripples along the pools of water filling each shallow depression, and stirred the fine fretwork of an acacia set thick with little odorous puffs, sweet as a violet. Despite the ruddy glow of the sinking sun, the shadows, far and near, still kept their marvellous blue--a clear porcelain blue, showing the purity of the rain-washed air. A painter need have used but three colours in reproducing the scene--red and blue and yellow in the sky; russet and blue and gold in the tall battalions of maize and millet half-conquered by the sickle, which stood in shadowed squares or lay in sunlit reaches, right away to the level horizon.

Russet and blue and gold, also, in the dress of a woman who was crouching against the palisade of plaited tiger-grass, which formed two sides of the well-homestead. Seen upon this dull gold diaper, her madder-red veil and blue petticoat, with their corn-coloured embroideries, seemed to blend and be lost in the harvest scene beyond, even the pools of water finding counterpart in the bits of looking-glass gleaming here and there among her ample drapery. She was a woman who in other countries would have been accounted in the prime of life; in India, past it. Yet, as she crouched--her whole body tense in the effort of listening--every line of her strong face and form showed that she was not past the prime of passion.

"_Ari!_ Heart's delight! See, O father! Yon is his fifth step, and still he totters not. What! wouldst crawl again? Oh! fie upon such laziness." The high, girlish voice from within the palisade paused in a gurgle of girlish laughter. "Say, O father! looks he not, thus poised hands and feet, for all the world like the monkey people in Gopal's shop when they would be at the sweets? _Ai!_ my brother! what hast found in the dust? Cry not, heart's life. Mother will give it back to Chujju again. So, that is good! Holy Ganeshji! Naught but a grain of corn! Art so hungry as all that, my little pecking pigeon, my little bird from heaven?"

"Little glutton, thou meanest," chuckled a base voice. "Still, of a truth, O Maya, the boy grows."

"Grows? I tell thee he hath grown. See you not this two-year-old hath turned farmer already? He comes to bargain with thee, having his corn in his hand. Give him a good price, to handsel his luck, O Gurditta Lumberdar."[41]

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[Footnote 41: Head-man of village.]

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"I will pay thee for him, O wife! Sure, hast thou not given me the boy, and shall I not pay my debt? Nay, I am not foolish, as thou sayest. What! Wouldst have me kiss thee also, little rogue? So! Yet do I love mother best--best of all."

The woman behind the palisade stood up suddenly. Tall as she was, the feathery tops of the tiger-grass rose taller; so she could stand, even as she had crouched, unseen. Unseeing also. Other women might have lent eyes to aid their ears, but Saraswati was no spy--no eavesdropper by intent, either. The lacquered spinning-wheel, the wheat-straw basket piled with downy cotton cards which lay on the ground beside her, testified to what her occupation had been, till something--Heaven knows what, for she heard such light-hearted babble every day--in those careless voices roused her pent-up jealousy beyond the dead level of patience. She was not jealous of the child. Ah, no! not of the child. Was it not for the sake of such a one that three years before she had given Maya, his mother, a dignified welcome to the childless home? But Maya? Ah! well was she called Maya--the woman prolific of deceit and illusion, of whom the pundits spoke; woman, not content with being the child-bringer, but seeking---- Saraswati's large, capable hands closed in upon themselves tightly. She did not need to peer through the plaited chinks to know the scene within. She saw it burnt in upon her slow, constant brain. The tall bearded man of her own age--her own type--her kinsman--the patient, kindly husband of her youth; the child--his naked brown limbs dimpled still more by silver circlets on wrists and ankles; those curving, dimpling limbs, which, somehow, made her heart glad; and between them, degrading them both, Maya, with her petty, pretty face, her petty, pretty ways.

Suddenly, as it had come, the passion passed--passed into that curious resignation, that impassive acquiescence, which does more to separate East from West than all the seas which lie between England and India.

"Old Dhunnu said sooth," she muttered, stooping to gather up her wheel and bobbins methodically. "'Tis the child which makes him love her, and I have been a fool to doubt it. I will delay no longer."

Behind the low mud houses, angled so as to form two sides of the square, four or five jujube trees clustered thickly, and beneath them the dark green whips of the jasmine bushes curved to the ground like a fountain set with blossoms. Hence, and from the straggling rose hard by, the women in the early dawn gathered flowers for the chaplets used in the worship of the gods. There were so many occasions requiring such offerings; sorrowful hours and joyful hours, whether they were of birth, or marriage, or death. Who could say, till the end came, whether they were one or the other? Only this was certain, flowers were needed for them all.

Towards this thicket Saraswati, still with the same impassive face, made her way, pausing an instant before the long, low, mud manger where her favourite milch cow stood tethered, to stroke its soft muzzle and give it a few tall stalks of millet from a sheaf resting against the well-wheel. And once more the scene was red and blue and gold, as the broad yellow leaves and blood-streaked stems blent with her dress. There was not a change in her face, as, parting the branches, she disappeared into the thicket, scattering the loose blossoms as she went; not a change, when after a minute or two, she reappeared, carrying a little basket with a domed cover, securely fastened by many strands of raw cotton thread, such as she had been spinning--a basket of wheaten straw festooned with cowries, and tufted with parti-coloured tassels, such as the Jatni women make for the safe keeping of feminine trifles--an innocent-looking basket, suggestive of beads and trinkets. She paused a moment, holding it to her ear, and then for the first time a faint smile flickered about her mouth as she caught a curious rasping noise, half-purr, half-rustle.

"Death hath a long life," she murmured, as she hid the basket in the voluminous folds of her veil and walked over to the homestead. As she entered by a wide gap in the plaited palisade, the scene within was even as she had imagined it; but the barb had struck home before, and the actual sight did not enhance her resentment.

"It grows late, O Maya," she said coldly. "Leave playing with the child and see to the fire for the cooking of our lord's food. Thou hast scarce left an ember aglow beneath the lentils while I was yonder spinning."

The reproof was no more than what might come with dignity from an elder wife; but Gurditta, lounging his long length in well-earned rest on a string bed, rose, murmuring something of seeing to the plough oxen ere supper time. The big man was dimly dissatisfied with affairs; he felt a vague desire to behave better towards the woman who had been his faithful companion for so many years. But for her, he knew well, things would go but ill in the little homestead by the well. Yet Maya was so pretty. What man, still undulled by age, would not do as he did? For all that, the little capricious thing might be more friendly with Saraswati; there was no need for her to snatch Chujju in her arms whenever the latter looked at the child. But then women--and Maya was a thorough woman--were always so fearful of the evil eye. Fancy her calling that straight-limbed, utterly desirable son, Chujju,[42] as if any one would cast such a gift away in the sweeper's pan! As if the gods themselves, far off as they were, could be deceived by such a palpable fraud, or even by that ridiculous smudge of charcoal on the boy's face which only enhanced instead of detracting from its beauty! Gurditta laughed a deep, broad laugh as he strewed the long manger with corn cobs and green stuff cut from the fodder field by the well.

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[Footnote 42: From _chujj_, a sweeper's basket. One of the many opprobrious names given to avert the envious, and therefore evil, eye.]

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Meanwhile, within the house yard, Maya was sullenly blowing away at the embers held in the semicircular mud fireplaces ranged along one of the walls. A grass thatch, supported by two forked sticks, protected this, the kitchen of the house, from possible rain and certain sun; while on the other wall a similar screen did like duty to a triple row of niches or pigeon-holes, wherein the household stores in immediate use were kept out of harm's way. For the rest, was a clean-swept expanse of beaten earth set round, after the fashion in a farmer's house, with implements and hive-like stores of grain. Between the one thatch and the other Saraswati moved restlessly, bringing pickles and spices as they were wanted. And still the basket lay tucked away in the folds of her veil.

"The raw sugar is nigh done," she said, stooping with her back towards Maya to reach the lowest row of niches.

"We must use the candy to-night, till I can open the big store. Luckily I bought some when we took the Diwali[43] sweets from Gopal." Then, ere she replaced the cloth in which the sweetmeats were tied, she held out a sugar horse to the child, who was playing by his mother. "Here, Chujju, wilt have one?"

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[Footnote 43: For the most part, sugar animals, such as are sold at English fairs.]

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Maya was on her feet at once, indignant, vehement.

"Thou shouldst not offer him such things. He shall not take them from thee. I will not have it. Nay, nay, my bird--my heart's delight! Mother will give thee sweets enough. Kick not so, life of my life! Ganesh! how he cries. He will burst: and 'tis thy fault. Hush, hush! See, here is mother's milk. _Ai!_ wicked one! would bite? Ye gods, but 'tis a veritable _Toork_ for temper."

Hushing the child in her arms, she walked up and down, followed by Saraswati's calm, big black eyes.

"Thou art a fool, Maya," she said slowly, putting down the sugar horse. "Gopal's sweets would not have hurt the child so much as thy spitefulness." Then she turned to her work again among the niches. When she rose the basket was in her hand, the threads were broken, and the cover tilted as if something slender and supple had been allowed to slip out. Perhaps it had, for behind the sugar horse, standing in the lowermost niche, two specks of fire gleamed from the shadow. It was growing dark now, but the harvest moon riding high in the heavens and the now flaming fire aided the dying daylight, and a curious radiance, backed by velvety shadows, lay on everything.

"I must sweep out the niches thoroughly tomorrow," she said indifferently. "Methought just now I heard the rustle as of a _jelabi_.[44] They love to hide in such places, and therefore I bid thee but yesterday see to their cleansing, But, sure, what work is done in this house mine must be the hand to do it. See to your lentils, sister; methinks they burn at the bottom."

--------------------- [Footnote 44: _Echis carinata_, the Indian viper. It lies coiled in a true-lover's knot, rustling its scales one against the other. It is the most vicious and irritable of all Indian snakes.]

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Maya, with a petulant shrug of her shoulders, set down the child.

"Such work spoils my hands, and--and--folk like them pretty."

Even she, town born and town bred, did not dare before this grave-eyed peasant woman to name her husband's name in such a connection,[45] but Saraswati understood the allusion, and the simple, straightforward naturalism drawn from ages of rural life which was her heritage, rose up in arms against such depravity. But even as she lashed herself to revenge by the thought, everything that was stable seemed to shift, all that moved to stand still. Her heart ceased beating, the walls span round, the moon quivered, the flames grew rigid. Ah, no! one thing that moved would not pause. Chujju had caught sight of the sugar horse, and was creeping towards it, now on his little fat hands, now tottering on his little fat feet, his glistening eyes fixed on the niche which held those gleaming specks of fire.

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[Footnote 45: A husband's name should never be mentioned by a wife, especially in matters referring to herself.]

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No! nothing was too bad for Maya; and Dhunnu, the wise woman, had been right when she said that the charm lay in the child. It must be so--and death was naught. There! he was close now, one little hand stretched out, the dimples showing--the---- Ah!

A cry, fierce, almost imperative, and Saraswati had him in her arms, while something slim and grey fell from the niche in its spring, and wriggled behind a pile of brushwood.

"I saw its eyes," she gasped, still straining the child to her ample bosom, when Gurditta, brought thither by Maya's screams of "Snake! snake!" stood beside her, his breath coming fast, his manliness stirred to its depths.

Maya saw the danger swiftly. "Give him to me," she clamoured. "O husband, make her give him to me. She would kill him if she could. She put it there--I saw her put it there--I swear it."

Saraswati turned on her in calm contempt. "Thou liest, O Maya; since Time began, spirit of deceit and mother of illusion. Thou didst _not_ see me put it there."

Then, with the same dignity, she turned to the man.

"Master! Take the child. He is safe. This much is true, I saved him."

That night, when the moon still shone in the cloudless sky, Saraswati, her veil wrapped closely round her, stole softly from the homestead. Past the resting oxen, out among the serried battalions of maize and millet, where the tall sheaves, lying prone on the ground, looked like the bodies of those who had fallen in the day's fight; down on the sun-cracked borders of the tank, whence the water was sinking swiftly, now the rain had ceased; by the ghostly peepul trees, shorn of their branches which the camels love, and looking weird and human with great arms stretched skywards; so on to the burning ghat beyond, with its little cones of mud marking the spot of each funeral pyre, and the twinkling lights set here and there by pious survivors. Saraswati drew her veil tighter and sped faster as she passed through the more recent ashes, as yet uncovered, but swept into little heaps; and there--horrible sight!--still scattered, with the uncalcined bones gleaming in the moonlight, and a faint line of smoke still circling upwards, lay the most recent of all. That must be old Anant Ram, the _khuttri_ (merchant) who had died that morning: an evil man, come to his end.

She was trembling ere she reached the hut where Dhun Devi, the wise woman, kept watch and ward over the ashes. It was a miserable shanty, where she found the old woman asleep before a large iron pot, supported on a trivet. Beneath it some cowdung cakes smouldered slowly, yet not so slowly but that every now and again a blood-red bubble showed on the contents of the pot. A flaring oil-lamp, filched, doubtless, from those outside, stood in a smoke-blackened niche, and by its light you could see festoons of dank, blood-red drapery clinging, to a rope, while, with a drip, drip, drip, something fell upon the floor--something which ran in rills right out to the moonlight, and, sinking into the sand, stained it blood-red; a ghastly setting to the wise woman's crouching figure, even though Saraswati knew that Mai Dhunnu was engaged in no more nefarious occupation than dyeing the webs of her ignorant neighbours with madder.

The old crone stood up hastily, then sank to her low stool again when she had peered into her visitor's face. "Thou wilt not tell," she whispered in a hoarse croak, which, coming in reality from a throat affection, vastly enhanced her claims to wisdom in the eyes of the villagers. "Thou art of the old style; not like these apes of to-day, with their dog-eared books and their dyes which fade before a January sun." The chuckle she gave suited her surroundings well; so did the claw-like hand she laid suddenly on Saraswati's firm arm. "Well, daughter! Hast plucked up courage? Hast learnt to trust the wisdom of old Dhun Devi?"

Saraswati shook her head. "Thou must find other wisdom for me, mother," she said briefly. "Such is not for me."

"Obstinate! I tell thee 'tis the glamour of the child."

"'Tis not the child, though the gods know the poison hath bit deeper somehow since he came. Lo! I have tried it, and 'tis not my way. Nor would I kill her. That were too trivial, seeing she is not worth life. I want but my share. It is empty here, emptier than ever, somehow, since the boy was born."

She clasped her strong hands above her heart. The glow of the fire, spreading as the old woman fanned it with the tremulous breath of age, lit up the big black brows knit above the puzzled black eyes.

Dhun Devi straightened her bent back, and looked at her companion critically.

"Life is more than the shadow of a passing bird to such as thou, O Saraswati! 'Tis not wise. For death is naught, and life is naught. The soul of man circles ever, like the potter's wheel, upon its pivot. Have I not seen it? Have I not known it? Did I not go through the night of a thousand dangers myself, and bring five stalwart sons into the day? Where are they? Have they not passed into the dark again? Have not my hands piloted many through the Sorrowful Hour and sent many from it? Lo! the snake would not have harmed the child."

"I care not if thou speakest truth or not, O mother, though thou art learned above women in such thoughts, I know," muttered Saraswati sullenly, with drooping head. "Only this I know, that way is not mine. There must be others. See! I have brought thee my golden armlet. _Dhun_[46] was ever as a sign-post to Dhun Devi. Is't not so?"

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[Footnote 46: Worldly-wealth.]

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The old dame's fingers closed greedily on the bribe, careless of the open sneer which accompanied it. "Ways?" she echoed. "Of a surety there are ways, but none so simple as death."

"Ay," said Saraswati quietly, "I have thought of that. The well is deep, and the little feathery ferns in the crannies look kind. But they would say Saraswati, the Jatni, had been ousted from her own well-land by a stranger, and that is not so. I heed not the girl; deceit is her portion. 'Tis something here." Again she laid her hand on her heart with a puzzled look. "Nor do I want _him_ only. Couldst thou not turn the child's mind to me, so that, seeing his love, Gurditta would hold me dearer also?"

Dhun Devi shook her head, but her keen, bright old eyes were on the other's face.

"There is a way," she whispered, after a pause, "but death lurks in it often with such as thou."

"Whose death?"

"Thine own. Do not all women know how the Sorrowful Hour----"

Saraswati caught the withered wrist in a fierce clasp.

"_Mai!_" she panted; "Mai Dhunnu! Dost speak of the Sorrowful Hour to me--to me--after all these years! Is there hope--hope even yet?"

"If thou art not afraid----"

"Afraid!"

* * * * *

It was sunrise in the homestead, and a new harvest was waiting in battalions for the sickle. The jasmine fountain showered its green stems to the ground, but it was bare of blossoms. They hung in chaplets from the thatch screen beneath which, on that stifling August night, a woman had been passing through her Sorrowful Hour. In the dim dawn the little oil-lamps set about the bed flickered uncertainly in the breeze which heralds the day, and glinted now and again on the lucky knife suspended by the twist of lucky threads above the pillow. In a brazier hard by some pungent spices scattered upon charcoal sent up a clear blue line, like the last faint smoke from a funeral pyre. All that wisdom could do Dhun Devi had done, but a dead girl-baby lay between Saraswati and the harvest visible through the gap in the plaited palisade. The midwife shook her head as she peered into the unconscious face on the pillow.

"Only a girl, after all the fuss," came Maya's high, clear voice, as she sat cuddling Chujju in her soft round arms--Chujju, whom the gods had spared. "To die for a girl--for a dead girl, too--what foolishness! But 'twas her own fault. 'Tis bad enough for us young ones, and dear payment, after all, for the fun; and she had escaped all these years----"

Dhun Devi's claw-like fingers stopped the liquid flow of words.

"Go, infamous!" she whispered fiercely. "Such as thou are not mothers. Thou art Maya, the desire of the flesh. Go, lest I curse the child for thy sake."

With a little shriek of dismay, half-real, half-pretended, the girl gathered the sleeping child in her arms and disappeared into the huts.

"The wheel slackens on its pivot," muttered the old woman, stooping again over the still form on the bed. "I must get her to Mother Earth, as a seed to the soil, ere it stops."

She stood at the gap and called. The fine fretwork of the acacia branches showed against the growing blue of the sky. The little golden puffs sent their violet perfume into the air. A bird sat among them, chirruping to its mate.

"Come," she said, and the tall bearded man followed her meekly. Together--he at the head, she at the feet--they laid Saraswati on the ground with the dead child, half-hidden in her veil, still between her and the great stretch of harvest beyond.

Suddenly, roused by the movement, she stirred slightly, and the big black eyes opened. Dhun Devi gripped the man's hand as if to detain him.

"The child--is it well with the child?" came in a faint voice.

Dhun Devi's clasp gripped firmer; a look recalling long past years came to her face.

"_Yea, mother, it is well; thy son sleeps in thine arms_."

Then, craning up from her crooked old age to reach his ear, she whispered swiftly:

"Say 'tis so if thou art a man, and bid her God-speed on her journey."

So, with her husband's hand in hers, a child in her arms, and a smile on her face, came the end of Saraswati's Sorrowful Hour.

A DANGER SIGNAL

They were an odd couple. The very trains as they sped past level crossing Number 57 gave a low whistle as if the oddities struck them afresh each time, and Craddock always went to the side of the cab, whence he could see those two motionless figures on either side of the regulation barrier which stood so causelessly in the middle of the sandy waste.

There must have been a road somewhere, of course, else there would have been no level crossing, but it was not visible to the passing eye. Perhaps the drifting sand had covered it up; perhaps no traffic ever did come that way, and there really was no need for old Dhunnu and his granddaughter to stand like ill-matched heraldic supporters displaying a safety signal. But they did.

They had done so ever since Dhunni--for the name had descended to her in the feminine gender--was steady enough on her feet to stand alone, and before that, even, she had given "line clear" from her grandfather's arms. For it was always "line clear." No train ever stopped at level crossing Number 57 of the desert section. Why should they? There was nothing to be seen far or near save sand, and the little square concrete-roofed, red-hot furnace of a place, suggestive of a crematorium, which happened on that particular railway to be the approved pattern for a gatekeeper's shelter.

It was very hot in summer, very cold in winter, and that was perhaps the reason why old Dhunnu suffered so much from malarial fever in the autumn months; those months which might otherwise have been so pleasant in the returning cool of their nights, and their promise of another harvest. The old man used to resent this fever in a dull sort of way, because it was so unnecessary in that rainless tract. To quiver and shake in a quartian ague when the battalions of maize are pluming themselves on their own growth, and the millet-seeds, tired of cuddling close to each other, are beginning to start on lengthening stemlets to see the world, was legitimate; but it was quite another thing to find a difficulty in keeping a signal steady when there was not a drop of moisture for miles and miles, save in the little round well which had been dug for the gatekeeper's use.

Dhunnu, however, had served the _Sirkar_ for long years in the malarial tracts under the hills before he came as a pensioner to level crossing 57, and when once the marsh-monarch lays firm hold of a man he claims him as a subject for all time. It was this difficulty, no doubt, in keeping a signal steady which, joined to the intense pleasure it gave to the child, had first led to little Dhunni holding the green flag, while Dhunnu on the other side of the gate kept the furled red one in his shaking hand ready for emergencies. Then the train would sweep past like a great caterpillar with red and green eyes, and red and green lights in its tail, and Craddock would look out of the cab, and say to himself that time must be passing, since the child was shooting up into a girl. And still it was always the green flag; always "line clear."

It became monotonous even to Dhunni who had been brought up to it, and while her chubby hand clutched the baton firmly she would look resentfully across at the furled red flag in her grandfather's shaking hand.

"Lo! _nanna_," she said spitefully, "some day it will shake so that the cloth will shake itself out, and then----"

He interrupted her with dignity, but in the tone in which a tit-mouse might reproach a tiger-cat; for Dhunni, as he knew to his cost, had a temper.

"By God's blessing, oh Dhun devi, that will never be, since east and west is there no cause sufficient to check progress; and as that is by order the green flag, so the green flag it will be."

Dhunni made no reply in words. She simply flung the safety signal in the dust and danced on it with a certain pompous vigour which made the whity-brown rag of a petticoat she wore as sole garment, cease even its pretensions to be called a covering. For they were very poor, these two; that was evident from the lack of colour in their clothing, which made them mere dusty brown shadows on the background of brownish dust.

"It shall be the red one some day, _nanna!_ Yea! some day it shall be the red flag, and then the train will stop, and then--and then," she gave one vindictive stamp to clinch the matter and walked off with her head in the air. The old man watched her retreating figure with shocked admiration, then picked up the dishonoured flag, dusted it, and rolled it up laboriously.

"Lo!" he muttered as a half-gratified smile claimed his haggard face, "she is of the very worst sort of woman that the Lord makes. A virtuous man need be prepared for such as she, so 'tis well she is betrothed to a decent house. Meanwhile in the wilderness she can come to no harm."

So far as the displaying of danger signals went, Dhunni herself was forced to admit the truth of this proposition, for even when the old man lay quivering and quaking, he kept the key of the box in which the red flag was locked, safely stowed away in his waistcloth. Once she tried to steal it, and when discovered in the act, took advantage of his prostration to argue the matter out at length,--her position being that the train itself must be as tired of going on, as she was of watching it. Whereupon he explained to her with feverish vividness the terrible consequences which followed on the unrighteous stopping of trains, to all of which she acquiesced with the greatest zest, even suggesting additional horrors, until it became a sort of game of brag between them as whose imagination would go the furthest.

Finally, as she brought him a cup of water from the well, she consoled both herself and him with the reflection that some day he must die of the fever, and then of course it would not matter to him if the train stopped or not, while she could satisfy herself as to whether those funny white people who looked out of the windows were real, or only stuffed dolls.

"_Arin budzart!_" he whimpered as he lay prostrate and perspiring. "Have I not told thee dozens of times they are _sahib logues?_ have I not seen them? have I----"

"_Trra_," replied Dhunni derisively, "that may be. I have not, but I mean to some day."

Then the old man, adding tears of weakness to the general dissolution, begged her, if a train must be stopped, to stop a "goods," or even a "mixed." She argued this point also at length, till the fever fiend leaving him, Dhunnu resumed his authority and threatened to whack her, whereupon she ran away, like a wild thing, into the desert.

It was a certain method of escape from the slow retribution of the old man, but as often as not she would return ere his anger had evaporated sooner than miss any one of the four caterpillars with the red and green eyes and the green and red lights in their tails. They had a fascination for her which she could not resist, so she would take her whacking and then stand, bruised and sore, but brimful of curiosity, to give "line clear," as it were, to a whole world of which she knew nothing. Even that was better than having nothing to do with it at all.

And then, as her grandfather grew older and feebler, and required a longer time to fetch the week's supply from the distant hamlet far over the edge of the sandy horizon, there came at last a day when she stood all alone in the very centre of the closed gate holding out the green flag and salaaming obsequiously, for that was what grandfather had done on one or two occasions when, owing to inconceivable wickedness, she had been made to watch the passing of civilisation while tied to a distant bed leg.

Craddock from his cab noticed the grave mimicry and smiled, whereupon Dhunni smiled back brilliantly. And then something happened which curiously enough changed her whole estimate of civilisation, and left her with such an expression on her face that when her grandfather returned half an hour afterwards, his first thought was for the red flag. The key was safe in his waistcloth, yet still he began hurriedly:

"Thou didst not----"

"Nay," she burst out in fury, "I did naught. But they!--_nanna_, I hate them! I hate them!"

Then it turned out that the white dolls had flung a stone at her--a hard stone--yes, the pink and white child-dolls had flung a stone at her just because she had smiled. So with hands trembling with rage she produced in evidence a large chunk of chocolate.

Dhunnu looked at it in superior wisdom, for there had been white children sometimes in that surveying camp below the hills.

"'Tis no stone," he said; "'tis a foreign sweetmeat. They meant well, being ignorant that we eat not such things. When they first come across the black water they will even fling bread."

As he spoke he threw the offending morsel into the desert and spat piously. Dhunni looked after it with doubt and regret in her eyes.

"I deemed it a stone," she said at last. "Think you it would have been sweet, like our sweetmeats?"

"_Ari budzart!_" cried the old man again. "Lakshmi be praised thou didst take bread for a stone, else wouldst thou have eaten it and have been a lost soul."

"I would have tried if I liked it, anyhow," said Dhunni shamelessly. And that night, while her grandfather slept in the red-hot furnace to avoid the dullness of dawn, the moon found something else on the wide waste of sand, beside the crematorium and the regulation barrier, to yield her the tribute of a shadow. It was Dhunni on all fours seeking high and low for the chunk of chocolate, and when she found it she sat up with it in her little brown paws and nibbled away at it for all the world like a squirrel. The result of which experiment being that she smiled brilliantly at every train from that time forth, perhaps in hopes of more chocolate, perhaps from gratitude for past chocolate, perhaps because she really was beginning to be more sensible.

"It is being born to her in lavish manner," said old Dhunnu boastfully to an emissary of the future mother-in-law, who came as far as the village to inquire of the future bride's growth and health. "Go, tell them she gives 'line clear' as well as I do, but that she is not yet of an age for the married state."

In his heart of hearts, however, he knew very well that the time could not be far distant when he could no longer delay parting with the girl, who was fast shooting up into a tall slip of a thing. And then what should he do, for the fever fiend had a fast grip on him now--a firmer hold than he had upon life. Sometimes for days and days he could scarcely creep to the gate when the mail train passed, while, as for the "goods" and "mixed," these low-caste trains he left entirely to Dhunni's mercy; and safely, since the desire for the danger signal seemed to have passed with the possession of responsibility--and chocolate!

Thus Dhunni, far from the eyes of the world, which would have sent her remorselessly into the slavery of mother-in-law, grew tall and slender, and even in her old dust-coloured skirt and bodice caused Craddock the engine-driver, as he sped by, an occasional pang of regret as he remembered another tall girl with velvety eyes.

So time passed until, as luck would have it, a wedding-party from the village where the future mother-in-law resided chose to try a short cut over the desert, and actually crossed the line at level crossing Number 57. The result being that Dhunni's readiness for the married state became known, and a fortnight or so afterwards she sat looking at the new suit of clothes and some jewels which had been sent to her, with an intimation that the bridal procession would come for her in a week's time.

The presents were poor enough in themselves, but then Dhunni had never seen anything so bright before; except, of course, the red flag. And though the little round mirror set in the bridal thumb-ring does not allow of much being seen at a time, Dhunni saw enough to make her eyes still more velvety, her smile still more bewitching.

"Favour is deceitful and beauty is vain," grumbled her grandfather in equivalent Hindu, but it had no effect on the girl. All that day she went about with an odd half-dazed look on her face, and when the women who had brought the presents left in the afternoon, she went and sat down by the gate, feeling vaguely that it was some one else and not the old Dhunnu who was sitting there. The mail train had passed an hour before, and the "goods" was not due till midnight, so there was no chance of anything to interrupt the level monotony she knew so well, and yet, as she sat leaning against the gate-post with the green flag beside her, she was waiting for something; for what she did not know. But the certainty that life held something new was thrilling to her very finger tips.

It was a yellow sunset, full of light and peace. Then out of it came suddenly a faint roll, as of distant thunder. She was on her feet in an instant, listening, waiting. Ah! this was new, certainly. This she had never seen before. An engine with a single carriage coming full speed out of the golden west. Was she to give "line clear" to this? or----

The sound of a girl's laugh rang out into the light, and a scarlet veil, deftly twisted round a baton, hung clear into the line.

"What in the world's the matter?" asked an English boy, as Craddock and the Westinghouse brake combined brought the final quiver to the great shining fly-wheel. He was a tall boy, fair-haired, blue-eyed, imperious. The girl had given a little gasp at the look on his face as he had leapt from the still moving train to come towards her, though she now stood looking at him boldly, the improvised signal still in her hand.

"What is it, Craddock? Ask her. You understand their lingo, I don't."

Craddock, leaning over the side of the cab, surveyed the picture with a magisterial air. "Sorry I brought 'er up, sir, tho' seein' a red rag it's kind o' second natur' when your 'and's within reach o' a brake, sir. And then she never done it before--not all these years."

"But what is it? I don't understand----"

"Saving your presence, sir," replied Craddock cheerfully, "there ain't no reason you shouldn't, for it don't take any knowledge o' the lingo, sir; no more o' any kind o' knowledge but what you're up to, sir, being, as the sayin' is, born o' Adam--o' Adam _an_' Eve. It's mischief, sir, that's what it is--mischief, and there ain't much difference in the colour o' that, so far as I see, sir."

The boy's face showed nothing but angry, almost incredulous, surprise for an instant, then something else crept into it, softening it. "By George! Craddock," he said argumentatively, "I'd no notion they could look--er--like that. She is really quite a pretty girl." He could not help a smile somehow; whereat, to his surprise, she smiled back at him, the deliberately bewitching smile born of that chunk of chocolate. It recalled him to a sense of injured importance.

"This is most annoying, and when so much depends on my catching up the mail," he continued. "She will be stopping the next train too, I suppose; but it can't be allowed, and she ought to be punished. I'll take her along and leave her at the first station for inquiry, they can easily send another signaller by the down train. Tell her, Craddock."

"Better _pukro_ 'er '_ath_,[47] sir," remarked the latter sagely as he prepared to descend, "else she might 'oof it into the wilderness like one of them ravine deer. Just you _pukro_ 'er '_ath_, sir, while I _samjhao_[48] her."

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[Footnote 47: Take her hand.]

[Footnote 48: Explain.]

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Dhunni, however, did not attempt to run, she only shrank a little when the boy's white hand closed on hers. After that she stood listening to Craddock's violent recriminations quite calmly. In truth she expected them, for in those old games of brag with _nanna_ they had gone further than words, up to hanging in fact. Yet still not so far as this queer tremor of half-fearful, half-joyful expectation. That was new, but pleasant, and filled her eyes with such light that Craddock stroked his corn-coloured beard and shook his head mournfully.

"She's a deal 'arder than I took 'er for, seein' her always as it were, sir, from a different sp'eer. A deal worse. If I'd a pair o' bracelets ready they might give 'er a turn, but I've told 'er she'll go to 'ell in every lingo I know, for fear she mightn't understand, and I'm blest if she care a hang."

The boy gave a resentful laugh.

"I'll make her care before I've done with her. There! you there!--what's your name?--stick her with you into the cook room. No; shove her into my carriage and I'll do _chowkidar_[49] till I can hand her over. Now, Craddock, on with the steam or I shall miss my connection. Confound the girl!"

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[Footnote 49: Watchman.]

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It was easy to confound her in the abstract; easy also to glower at the offender crouched in the off corner before you threw yourself into the arm-chair in the other and began to read the last number of a magazine by the waning light. But what was to be done when it was gradually being borne in on you that a pair of velvety eyes, wild as a young deer's, were watching you fearlessly. She was a good plucked one, at any rate. Craddock had said she was as hard as nails and a bad lot. Well, he ought to know; but she did not look bad, not at all. The eyes were good eyes, full of straightforward curiosity, nothing more. There she was bending down to try the texture of the carpet with her finger, as if nothing had occurred--the little monkey--and what white teeth she had when she met his involuntary smile with another.

After that, under cover of his book, he watched her furtively. It was what is called an inspection carriage, a regular room on wheels, and the boy, new to the honour and glory of such a thing, had hung pictures on its walls, curtains to its windows. There was even a vase of flowers beside the newly lit lamp on the centre table. The lamp had a pink shade too, which threw a rosy light on everything, above all on that slender figure crouching in the far corner. And outside the golden sunset was fast fading into cold greys.

"You want to know what _that_ is," he said suddenly, in English, laying down his book and pointing in the direction where her eyes had been fixed. An expectant look came to them, and he stood for a moment irresolute. Then he rose with an impatient shrug of his shoulders, crossed to the small harmonium which lay open, set his foot to the pedal and struck a single note. She drew back from the sound just, he thought, as she had drawn back from his hand, and then looked at him as she had looked at him then. By Jove! she had eyes!

Still looking at her he sat down to the instrument and played a chord or two out of sheer curiosity. Her finger went up to her lip, she leaned forward, a picture of glad surprise. And then a sudden fancy seized him. He had a tenor voice, and there was a song upon the desk. Singing in a train, even in a single carriage on a smooth line, was a poor performance, but it would be fun to try.

"The Devout Lover," of all songs in the world! The humour, the bitter irony of it struck him keenly and decided him. And as he sang he felt with a certain anger that he had never sung it better--might never sing it so well again.

When he turned to her again it struck him that she recognised this also, for she was leaning forward half on her knees, her hands stretched out over the seat. No one could have listened more eagerly.

In sudden petulance he rose and went to the window. There was only a bar of gold now on the horizon, and, thank Heaven! they had come faster than he thought--or he wasted more time in tomfoolery--for they were already entering the broken ground. That must be the first ravine, dark as a ditch; so ere long he would be able to get rid of those curious eyes. Powers above! Was fate against him? Was he never to arrive at his destination? And what did Craddock mean by putting the brake hard on again when they were miles away even from a level crossing? He was out on the footboard as they slackened, shouting angry inquiries long before Craddock's voice could possibly come back to him through the lessening rattle.

"Danger signal comin' down the line. On a trolly, I think, sir. Somethin's wrong."

Apparently there was, and yet the English voice which sang out of the darkness had a joyful ring of triumph in it, and the friendly hand which followed the voice, after a minute or two, shook the boy's hand amid warm congratulations on the narrowest escape; for no one had thought it could possibly be done, or that warning could possibly be given in time. It was the veriest piece of luck! Briefly, just after the mail had passed, a big culvert had given not two miles further down the line. They had telegraphed the information both ways of course, though, as no train was due for hours, there was plenty of time for repairs. Then had come the return wire, telling of the boy's start to overtake the mail on urgent business. Every one had said it was too late; and, after all, it had been a matter of five minutes or less. The veriest luck indeed! If they had been five minutes earlier ...

The boy looked solemnly at Craddock, and the light of the red lamp, dim as it was, showed a certain emotion in both faces.

"That's about it, sir," said Craddock, a trifle huskily. "An' I tellin' her she'd go to 'ell! Lordy! ain't it like a woman to have the last word?"

He said no more then, but when it had been decided to return the way they had come, and take a branch line farther down, and when the trolly with its red signal had slipped back silently into the night, he came and stood at the carriage door for a moment. And as he looked at the figure crouching contentedly in the corner, he stroked his beard thoughtfully again, and went on as if no interval had come between his last words and his present ones.

"But she saved our lives, sir, by stoppin' us, that's what she done, sure as my name's Nathaniel James, and when a girl done that, a man's got nothin' left but, as the sayin' is, to act fair an' square by her--fair an' square."

"Just so, Craddock," replied the boy, with a queer stiffness in his voice. "We'll drop her at the gate again, and--and it shall be just--just as if it--as if it hadn't happened." Then he added in a lower voice, "Spin along as fast as you can, man, and let's have done with it."

"I won't leave her a _h_ounce for a whistle, sir," said Craddock laconically.

So the carriage with the rosy light streaming through the windows shot forth into the darkness in front, and the sparks from the engine drifted into the darkness behind, and the roar and the rush drowned all other sounds. Perhaps Craddock whistled in the cab to make up for not being able to whistle on his engine. Perhaps the boy sang songs again in the carriage because he could not speak to the girl. Anyhow, they were both silent when the fly-wheel quivered into rest once more beside level crossing Number 57.

"Stop a bit," said a rather unsteady voice as a girl's figure paused against the rosy light of the open door. "It's too long a step. I'll lift you down."

Craddock, looking over the side, turned away and gave a sympathising little cough as if to cover some slighter sound. Perhaps he knew what would have happened if he had been in the boy's place.

The next instant, some one sprang into the cab and turned the steam hard on, some one with a half-pained, half-glad look on his face.

"Now then, Craddock, right we are!"

And Craddock, as he bent to look at the indicator, answered, "Right it is, sir; fair and square. Full pressure and no mischief come of it."

"I hope not," said the boy softly; "but it is a bit hard to know--to know what is fair and square--with--with some people."

Perhaps he was right; for Dhunni stood gazing after the red and green lights with a dazed look on her face. The danger signal had come into her life--the train had stopped, and then--and?

AMOR VINCIT OMNIA