Chapter II: Part 2

High up on the moorland, looking down on one of the most beautiful of its many river valleys, we came on a great stone circle, known to the moor men as the Roundy Pound--a double ring of unhewn, irregular blocks of granite, shaggy with ages' growth of lichens, and with a single thorn tree standing in the midst, mantled from base to crest with grey--a hoary patriarch, like the lone priest of long-forgotten rites. Far below lay the valley of the Teign, winding away into the hills. To the right rose the sad-coloured slopes of the moorland, here darkened with dead bracken, and there brightened by pale sheets of withered grass. On the left was a birch wood, with a rare purple bloom upon its leafless boughs, like the purple of far hills at sunset. Here and there a dead birch stem glimmered white against the dark. And about the feet of the bare trees was a wealth of colour almost more marvellous still--the rich brown, lustrous velvet of mosses and dead leaves, the fiery red of withered brake fern, beaten down by wind and rain. Below the wood, on a little island in the river, was a group of old Scotch firs, with the water gleaming white between the ruddy branches. Over all there stretched away the far-reaching wastes of the moorland, lifeless, desolate, with a fringe of mist along the sky line.

Night closed in grey and wet. As the hours passed, I woke at times to hear the rush of the rain, the growing sounds of multitudinous streams, the deepening voice of the river roaring through its wooded passes. Morning broke on a day of undoubted Dartmoor weather--no gleam of sunshine anywhere; cold, clinging mists on every hand; grey sheets of rain stalking like ghosts across the landscape.

The day was at its very worst when the keeper, who had been at work since daylight rescuing trout that, in struggling up the swollen streams, had got themselves into difficulties in unexpected shallows, came up to the house and stood for a minute in the rain, the water streaming from every outlying point in his figure, and looked inquiringly at the Master of the House. The Master groaned. But he threw on his old shooting-coat, picked up a handful of cartridges, and took his gun from the corner, and the two men sallied out into the rain.

It was, in truth, a dreary morning. There was no sunshine now to light the dripping birch stems. But even under that grey sky there was marvellous beauty in the bare boughs, in the brown oak leaves, in the streaming ferns on the green bank below. Under the bank was a new gleam of silver, where the swollen brook went swirling by under a grey brow of granite. Hour after hour fell the pitiless rain. Every thread of water on the hillside was a headlong torrent. The road below the house was deep under a rushing flood.

It was late when the little shooting party came back, their coming heralded by the screaming of a troop of jays that apparently kept pace with them as they plodded through the underwood. But the birds were not inveighing against the sportsmen. When my friend returned, he told me that as he passed under a pollard oak an owl flew out, almost brushing him with its wings. The jays, who were hanging about among the thickets on the edge of the wood, espied it in a moment. And, raising a hue and cry that was caught up by every finch and tit and blackbird within hearing, they chased the bewildered bird from tree to tree, scolding and storming, and buffeting it with their wings. Earlier in the afternoon a rabbit passed, unnoticed by the dogs, not running, but leaping, across the wood; and close at its heels a weasel, following in hot pursuit.

The rain was slackening a little as we turned into the hut. But a heavy fog was closing in from the moor, blotting out even the near woodland with its wall of grey. Pleasant, indeed, after the mist and the rain was the glow of lamplight. And pleasanter still the glow of roaring oak logs, as we sat that night, each with a terrier on his knee, before the great wood fire. The dogs have taken kindly to the casual stranger, and one of them in particular is fond of sitting by me on a chair at meal times, resting her head on my arm in the most engaging manner. The two are on the best of terms for the most part, but a little attention paid to one is apt to lead to trouble with the other. I am told that there is sometimes a good deal of jealousy shown in the retrieving of a rabbit--a circumstance which, as may readily be guessed, does not tend to improve the condition of the game. And the slippers which we threw to distant corners of the hut for the dogs to bring back to us suffered severely in the bringing.

As we sat by the fire I heard something of the dangers of the moor, and of the reality of getting lost at night or in a Dartmoor fog. The oldest hand, said the Master of the House, would be helpless in such a fog as now lay round the house. A good plan, he added, is to follow a stream if you are fortunate enough to find one. Sooner or later you are sure to come to a house. He himself was on the moor once, with two companions, far away from any path, when a dense mist came on. After long walking, he happened, by great good fortune, on the wall that bounded his own common, and came at length to a familiar gate that he knew was only half a mile from home.

The three wanderers drew a breath of relief. They were all right now. The haunting fear of having to pass a night upon the moor, as many a lost wayfarer has done, was forgotten in a moment. With confident steps they marched through the mist straight down the slope towards this bungalow. But after going steadily for three hours, with a gradually growing conviction that something after all must be wrong, they found themselves back at the same wall, and at the very identical gate. They had been walking in a circle--an experience only too familiar to travellers who have lost their way in the desert. They now followed the wall until it turned abruptly down the hill. My friend then walked close to it, while the others kept abreast of him, at a distance of a hundred yards or so, that they might avoid a bog which skirted the enclosure. In this way, shouting to each other now and then, they reached here in safety, not having seen each other since they parted company.

Another man, well known in the district--a man who rather prides himself on his acquaintance with Dartmoor--will not soon be allowed to forget how he set off on horseback one day in the mist, taking a short cut across the moor, by which he expected in half an hour to strike the Princetown road, and how, after an hour and a half of pretty hard riding, he too, found himself at the spot from which he had started.

WYCHANGER: A FAR RETREAT.

On the northern edge of Exmoor, parted from the outer world by a long ridge of wooded hills that die away into a bold headland by the grey sea, there lies a spacious valley--fair even for the West Country, a valley that for its beauty of broad fields and noble trees and old-world villages, may rank among the fairest in all England. The traveller by the well-kept coach road that passes along the foot of the hills, almost from end to end of it, looking across its green meadows and its red corn-lands to the deer-haunted heights of Dunkerry, sees something of its beauty, of its picturesque cottages, its wooded slopes, its rich pasture lands; may even catch a glimpse in passing of that old mill that, with its pointed gables, its rambling outbuildings, its rude bridges, and its

"Dark wheel that toils amid the hurry
And rushing of the flume,"

is like an artist's dream.

He who fares through on foot will know more of its charm, but even he is hardly likely to discover the best of its lovely lanes, deep set under over-arching hedgerows, the oldest and most magnificent of its trees, the most picturesque and retiring of its cottages. While hidden behind a rampart of low hills on the very skirts of Dunkery, the most beautiful village of all, an ideal West Country hamlet, will escape him altogether:--a village in a nest of hills, with brown gables all embowered in green. By the church, whose grey tower rises in the midst, two poplars stand, their young leaves trembling in the sunshine, their tall forms just swaying in the wind.

The old manor house, whose traditions go back beyond the days of the Armada, seems to stand at the very limit of the world. So near the wilderness is it that the creatures of the wild, the birds, the beasts, share with man the possession of its barns and outbuildings. Its lawns, its thick-growing bays and laurels, its broad eaves, the masonry of its old walls are haunted by innumerable birds.

In the early morning, an hour or more before the sunrise, the whole air about the house is filled with sweet sounds, with the sunny ripple of the goldfinch's song, with the mingled chorus of thrush and blackbird, of wrens and robins and warblers, with the call of the cuckoo, the pipe of the wryneck, the croon of doves among the larches on the hill. At times, from far up the moorland comes down even the strange cry of a buzzard, or the croak of a wandering raven. All day the garden is full of pleasant sounds and sweet suggestions of the woodland, of the hushed whispers of swift moorland streams, of the stir of winds among the restless pines.

Even after sundown life is still stirring. Long after the mists of evening have begun to gather on the darkening hills the cuckoo calls. The musical halloo of wandering owls breaks in through the vespers of the blackbird, and the shrill challenge of the black-cock sounds loud on the fringe of the moorland. Instead of the swallows, that all day float singing round the eaves, the bats come out of hiding in old barns and ruinous outbuildings, and flutter on silent wings through vacant windows.

In the twilight even the wild red deer stray down from their fastness to the very precincts of the garden. It is not long since, in the hind-hunting time, the "tufters" broke away after a stag and followed it, in spite of all the efforts of the huntsmen, far across the moor and down into the lowland. And, when at length the hounds were beaten off, two sheep-dogs from the village took up the chase and drove the stag up here to the Manor House. There it stood for hours in a narrow passage near the stables, showing a bold front to its pursuers, and undismayed by the curious villagers who came thronging up to gaze at it--a noble beast, with all its honours. Someone at length opened the door of an empty stable, and the stag walked quietly in. Tired out with the long chase over the slopes of Dunkery, it stayed in its strange asylum two days and nights, entirely unmoved by efforts to dislodge it, but lowering its antlers in a moment if one of its visitors made an attempt to cross the threshold; though when one of the men, thinking it had gone, went into the stable after dark and actually brushed against it, the stag, happily for him, took no notice. The door was left open; the noble beast was free to go when it would. On the third morning the stable was empty; the strange guest had gone. A line of footprints across the lawn to the fence that parts the garden from the paddock, and up the long meadow towards the hanger, showed how it had made its way back unmolested to its haunt upon the moor.

Guests almost as strange are two wild ducks that built a nest in a pool in the field below the house. The eggs were hatched not many days since, and the young brood were caught and given in charge to a hen, who, so far, has proved herself but an indifferent foster-mother. The drake, after the manner of his kind, has another mate, and she is still sitting on her eggs on a small island in another pond near by. And he and the mother of the lost family still linger about the farm. You may see them flying past the windows on their way down from one of the moorland streams, or watch them in the meadow by the empty nest. Or you may even chance upon them among the outbuildings, the drake a little way in advance, walking slowly forward, looking this way and that, pausing now and then at some strange sound; while his sober-tinted mate follows meekly a yard or so behind him. Now they stand doubtful, uncertain whether or no it is safe to enter the precincts. At length they venture in. Now walk quietly after them. There they stand, a gallant pair, he splendid with the rich green velvet of his glossy head, the white ring about his neck, the dark chocolate of his breast, his brilliant orange legs, and all the exquisite shades of grey upon his beautiful back: she with quiet plumage, streaked and mottled with soft tones of brown, looking for all the world like a dry heap of reeds and withered sedges. In a moment they are aware of danger. They move closer together. The drake utters a low warning call, nodding his head, slowly at first, then faster and faster until, with a loud note the two birds spread their beautiful wings, wheel round the house, and sail down to their old haunt by the pool.

By the same pool, not fifty yards from the road, there is another nest--a moorhen's; and if you creep quietly up you may see the old bird on her nest of rushes under the bank, her dark figure looking little more than a patch of shadow in the heart of the bramble bush that overhangs her home. Her, too, you may watch in the early mornings wading among the long grass of the meadow, or you may even catch a glimpse of her as she paddles fast across the pool, keeping time with her glossy head to the rapid movement of her feet.

Hood has told us how, in his "Haunted House,"

"A wren had built within the porch, she found
The quiet loneliness so sure and thorough."

It is almost more strange that here a pair of chaffinches have made a sanctuary of this porch, and have built their nest just over the door, within arm's reach of every passer-by. It is an exquisite work of art, whose moss and lichen, felted with cobwebs and fine strands of wool fitted deftly on the curve of a level larch pole, and woven among the young shoots of the climbing rose tree, whose leaves hang down as if to hide it, might have escaped notice altogether were it not that the little builders are busy all day upon the grass before the windows, now taking short flights among the laurels or the branches of the old arbutus, or the great bay tree that overhangs the lawn, scenting all the air with its abundant bloom, and that now and then they fly up to their nest over the doorway.

A far retreat--a spot in which the lover of nature would only too gladly settle down, content, amid this gracious scenery and these pleasant sights and sounds, to end his days in one of the little old-world cottages of "the sweetest village in the world," with their tiny windows, their quaint gables, their roofs of russet thatch. A far retreat, upon whose dreamlike quiet no ripple of unrest could surely enter.

We can hardly realise that it was a lord of this very manor who, though long past his three score years and ten, held a fortress for King Charles until the last extremity, marching out at length with all the honours of war.

It is stranger still that a marble tablet on the chancel wall of the old church records how a rector of this peaceful parish left his charge and followed his master to the war; how he raised a troop of horse for the King's service; how four of his sons were captains in the Royal army; and how he himself, after Worcester's Crowning Fight, went with the second Charles across the sea, giving up all, with a devotion worthy of a better cause, for a prince whom the clearer vision of our time justly brands as "immoral, dishonourable, and contemptible."

LUCCOMBE: TWILIGHT IN THE HOLLOW.

Round the old mill that stands like a drowsy sentinel at the gate of the valley, quiet reigns. Silenced is the plash of the wheel; hushed the low rumble of the rude machinery. Through the rich grass of the meadow by the stream the red cattle are trooping home in answer to the milking call. The sun, already sunk below the fringe of woodland on the hill, shows like a fiery cloud through the dark lattice work of branches. Light still lingers on the steep slope across the glen, on tawny grass and golden furze, and on points of grey rock that here and there break through the short turf. There is sunshine still upon the dark tops of the highest ridge of pines, and there are lines of silver on the branches of a giant oak whose crest towers far above his fellows. But here in the hollow the mist of evening gathers. All along the stream are drawn grey lines of vapour that, in the far recesses of the valley, deepen to a shadowy gloom.

The birds, with whose notes the whole glen was ringing, grow silent one by one. Their brief vesper hour is almost over. The hush of night is settling on the woodland. Far up the slope there still sounds the clear whistle of a blackbird. A thrush, too, is singing, as if moved to rivalry. His is a song less wild and thrilling, less powerful and passionate, yet a masterpiece of melody. Still through the deepening shadows rings the clear treble of the robin, and through all, like a whisper of peace, one hears the slumbrous voices of the doves.

Two cuckoos are still calling; one near at hand, whose loud notes, clear and mellow, seem to linger among the trees, dying slowly, like music in the roof of a cathedral. Another, more distant, answers him. They keep such perfect time that the stronger voice overpowers half the answer, and, for the most part three notes alone are audible, the last one faint and low, and like a soft refrain:

Cuckoo! Cuckoo!
Cuckoo!

The cuckoo's life is like that of no other bird that flies. There are no household cares for him; no nest to build, no eggs to warm, no brood to forage for. His sole business seems but to call his own name all day among the tree tops. It is a beautiful sound. And yet there are times when the cuckoo, as much as any bandit of the air, any crow, or sparrow-hawk, or prowling magpie, breaks the peace of the sylvan solitude. He may call all day if he will, without let or hindrance, or the least attempt at interruption. The birds pay little heed to him, save now and then in an idle moment to mob him and jeer at and hustle him, as they love to do to an owl, who by some mischance has sallied out into the daylight.

But the moment his mate is suspected of designs on the nest of some defenceless hedge-sparrow, or robin, or wagtail, with an eye to finding foster parents for her own discarded offspring, the whole neighbourhood is up in arms. A few days since a cuckoo, who had evidently set her heart on a robin's nest in the thick growth of ivy round the chimney of one of the houses in the village, alighted in the top of a tall aspen that overlooked the spot. She settled on the roof of the house to reconnoitre. She even perched on the ledge of the garret window to get a better view. And all the while she was followed by an excited mob of redstarts, wagtails, and robins, scolding, storming, chattering. Sometimes, as if dismayed by their persistent clamour, the cuckoo made a half circuit of the garden, diving in and out among the bushes, swooping down to avoid the attack of some pursuer more importunate than the rest, and uttering now and then a strange, inarticulate cry, as if--which is likely enough--she were carrying in her mouth the egg she wanted to leave in the robin's nest. She gave it up at last, plunging down into a great bay tree, seeking in its thick-growing foliage some respite from pursuit.

The darkness deepens. But there is still light enough to follow the deer-path among the trees, whose thick carpeting of brown dry pine-needles is soft as velvet to the feet. It is not yet too dark to see the black-cock that gets up from the bilberry jungle by the path, or the wood pigeons that, when you pause beneath their roosting place, go crashing out from the branches overhead. You can still watch the two squirrels that chase each other round the stem of a giant ash tree; can follow them, when, startled from their frolic, they take a short cut homeward through the larch-tops. They leap from the firm footing of one tree to the drooping bough beyond, and when it goes down, down beneath them like a blade of grass, they go on, without a moment's pause, towards their nest in the heart of the wood. So few wayfarers disturb the quiet here--or else the brown woodlanders have had such scant experience of the ways of man, of his love of capture and annexation--that the squirrels have not thought it worth while to build their stronghold high among the trees. It is not twenty feet from the ground. It is like a great wren's nest, a ball of moss, thick and closely felted, and marvellously laced round and round with long pliant larch twigs, and with only the least trace of an entrance at the side.

A flock of swifts are careering down the glen, like a troop of noisy revellers; their wild chorus sounding shrill and clear in the deepening hush of night. They wheel, with loud rustle of keen wings, and dash upwards towards the moor. Again that swift career along the grass-grown road; again that wild exultant scream, so fierce, so beautiful. Deride it if you will. Call it hoarse, discordant, savage. It is a victorious pæan, a song of triumph, an exultant chorus proclaiming the empire of the air.

The dark forms vanish; the wild notes die away. It is the last sound of daylight.

"Far away, some belfry chime
Breathes a prayer across the moors."

The last sound of daylight. The children of the night are abroad. White moths, painted boldly on the shadows, flit by like phantoms. Ghost-like, too, is the soundless flutter of a bat that, by the dark archway of the old bridge, chases the insects that hover on the stream. The long, low, monotonous call of the grasshopper-warbler among the furze bushes on the edge of the wood, is a strange sound;--the voice of a cricket, one might think, and not of a bird at all. Strange, too, is the droning note of a nightjar, rising and falling as if the bird, wheeling this way and that, were chasing moths among the trees. The bats have voices, though their flight is soundless, and their faint shrill cries grow in the stillness louder and more clear. At intervals an owl hoots, startling from their half sleep the drowsy birds among the thickets over which he passes, so that one may follow his flight by the clamour he leaves behind him. Among the trees there sounds at times the crash of a belated ring-dove, settling down for the night, followed by a murmur of soft love notes, an answering whisper, and then silence.

Yet the air is full of faint, indistinguishable sounds, the opening of leaves perhaps, the patter of spent petals, the fall of pine needles, and the movements of night-wandering creatures. And to every sound the darkness lends a touch of mystery. Fancy could paint almost anything of strange and startling among the black shadows of the wood. You stop, almost in terror, when a pheasant rises, under your very feet, with a great rush of wings, and vanishes into the gloom. A blackbird, flying over unseen, sounds his loud alarm in passing, ringing, musical, metallic, like the throbbing string of some wild instrument.

There is another sound, the sound as of some large animal moving heavily among the thickets near the stream, with now and then a crash of branches. The noise draws nearer. Some red deer are making their way down to the water. The light wind is blowing straight this way. There is nothing to warn them. The leader pauses, not five yards away, fetlock deep in the soft green morass along one of the small streams that vein the hill. His shape is dark and indistinct, yet there is just light enough to see that he has antlers still. Behind him is a troop of hinds, a mingled mass of stately, slow-moving, shadowy figures, leisurely crashing through the thickets. One strolls idly this way, closer still, pausing to browse on the leaves of the very willow that spreads its long boughs overhead. Another follows, and another. There are ten of them, at least, and not one aware of danger. Like Ajax, one longs for daylight. Yet daylight must have revealed the ambush. They are passing on. Another moment and they will have taken the alarm. Stand up and shout. What headlong rush, what wild stampede, what thunder of swift hoofs, what gallop of flying feet. Away they go, crashing through the underwood, up the slope, into the black, impenetrable shadows--sanctuary as safe as the very densest covert of the forest.

HORNER WATER.

The man who knows Exmoor only in the pride of its summer beauty, who has, it may be, followed the staghounds over its far-reaching slopes through a splendour of heath and ling and blossomed furze, who has never seen the broad shoulders of Dunkery save when they were wrapped about with royal purple, would find the moorland now in very different mood, would think it even now, far on towards the summer, desolate and sad-coloured and forlorn. The gorse, indeed, is in its prime. Its fragrant gold is as full of beauty as when the mingled mob of horse and foot and carriages gathers, for the first Meet of the season, on the smooth crown of Cloutsham Ball.

The gorse is a flower of the year. It is in bloom even in January. There is an old saw that declares it to be, like kissing, never out of season. But the heather that covers so much of the slopes of Dunkery wears at this moment its very somberest of hues. Standing on the fringe of the moorland, on the brink of one of the deep glens that run into the heart of the hills, and looking up the slope towards the dark summit, one might think that winter was not over even yet. There is a touch of vivid green here and there, round the birthplace of some mountain stream. There is colour on the young birches that one by one are feeling their way up out of the hollow. But in the sober brown of the heather, in the pearl grey of the peat moss, in the dark hue of the gaunt and twisted pines scattered at far intervals in front of the advancing forest, there is no sign of the sweet influences of the spring.

A lonely spot. There is not a house in sight, no farm, no hedgerow, no sign of man's dominion anywhere, beyond faint traces of bridle paths, like dark lines along the heath, or a broader track whose warm red shows a moment as it climbs some rising of the moor. A solitary skylark sings over the brown heather. At times a buzzard wails, as on broad wings he drifts in mighty circles overhead, a dark spot against the pale blue heaven. Sounds like these but deepen the sense of loneliness. But there is charm in the very solitude. There is charm in the dark heath and in the golden furze--in the play of the cloud-shadows that each moment change the tones of brown and green and grey. There is charm in the sweet breath of the gorse, and above all, in the bright, fresh air of the open moorland. And however bare and voiceless these sombre slopes, each hollow that wanders away into the hills is filled to overflowing with a sea of mingled foliage, all astir with life and movement.

The path that leads down from the highland to the hollow looks upon a different world. The steep sides of the glen are green to the very brim, are covered, right up to the brown fringe of heather, with noble oaks in the pride of fresh, young foliage, among whose golden green, all shimmering in a haze of sunlight, shows the shadowy grey of boughs still bare, and in the open spaces are all carpeted with the rich red of dead bracken, or the vivid green of bilberry leaves. From far below, out of the mist of green and grey, rises the song of a swift mountain stream, whose pools and white cascades and brawling rapids gleam among the trees like scattered links of silver.

There is a sudden clatter of stones upon the farther slope. Two stags and four attendant hinds are making their way up from Horner Water. They pause and look this way; the head of the leader lifted, his antlers clear against the foliage behind him. This is Exmoor. Here the red deer are on their native heath. This is their last stronghold south of the Border. And it is in glens like this that they find the sanctuary they love. The noble beasts stand long at gaze. At last the leader turns, and moves slowly up the slope, the others falling into line behind him. They quicken the pace as they gain more easy ground, and breaking into a canter, wind in gallant style across the heath. They pause for a last look as they reach the summit of the ridge, their figures darkly cut against the sky.

The road sinks lower, lower yet, down into the green heart of the glen. Noble trees they are that fill the hollow. Some have long since passed their prime. Their mighty branches are thick with moss and lichen, and fringed with green tongues of fern. In rifts that time and storm have carved in their huge columns, rowan and bramble and young holly trees are rooted. Grey arms of ivy, almost as broad and vigorous as they, are twined with fatal clasp about their sturdy stems. Where the pathway crosses at the ford, there stands a blasted tree: a giant oak, whose top, wrecked and shattered though it is, rises high above its forest brothers. Its bark has all fallen away. Its bare limbs glimmer ghost-like through the green gloom.

The whole glen is full of life. Solitude there may be, but not silence. The air is musical with the ripple of the stream, and with the songs of sweet-voiced warblers. Over the tree tops clamorous daws are passing, and the light wings of homeward-flying doves. Among the boulders that winter floods have heaped along the torrent--that even now, before the patient, eternal, resistless chafing of the water, are moving slowly down the stream--you may startle a heron from his noonday dreaming. Or you may come unaware upon a pair of wild ducks, paddling softly on one of the smooth and sheltered reaches, the mallard still splendid in the nuptial plumage he is so soon to lose. Only a few weeks longer will he wear it. Summer will find him in a quiet-coloured garb, a suit of brown and grey as plain and unpretending as the dress of his sober-tinted mate.

This, too, is the dipper's haunt. Again and again you will meet him on his way up stream, flying swift and straight, with sharp note of warning on spying a stranger near his fishing grounds. Or you may watch him as he stands on some small island in the torrent, his white breast gleaming like a patch of silver in the water under him, bowing and calling, and now breaking off into that sweet, wild song so dear to the soul of the fisherman. The dipper's nest of moss and leaves and withered sedges, hidden deftly in some old stump by the shore, is empty and deserted. His mate and he are out all day on the river with their little mob of dusky children.

It is a pleasant path that winds leisurely along the glen, now wandering with the stream, now passing it by a ford, now loitering among the trees, now fenced on either hand with tall thickets of gorse and briar and hawthorn, now keeping close by the grey willows that overhang the water. It is not a wide stream to cross, for all the rain. The deer, whose fresh footmarks are printed deep in the moist earth all along its banks, can easily leap over it. The squirrels on their airy highway along meeting oak boughs far above it, have no need to think of it at all. But for the rabbits there is no way over but through the stream itself. And here, a few days since, a rabbit, startled from the herbage on the brink, took to the water without a moment's hesitation; a mere baby of a rabbit, so small and slight that it was carried along for yards by the swift current before it could get into shallow water and struggle up the bank.

Suddenly two birds rise soaring from the trees, better seen when they are clear of the valley, and sharply drawn against the sky. One slow-winged and heavy, one quick and active, and deft in every movement. A crow and a sparrow-hawk. They are fighting. Sounds of battle float downwards through the air--the fierce defiance of the hawk, the hoarse answer of his black antagonist. Round and round they go, wheeling, sinking, soaring, now the hawk uppermost, and now the crow. To watch the skilful man[oe]uvres of the hawk, one might think there was little doubt about the issue. How easily he sweeps past his lumbering enemy, how he clutches at him with talons, how he flouts him with his strong wings. Yet the crow, for all his awkwardness, is armed with no mean weapon. The hawk knows well the value of that black dagger of a bill. And so they drift over the rim of the valley to the open moorland, fighting to the last.

ON EXMOOR: WHERE RED DEER HIDE.

High up on the moorland, in a wilderness of dead heather--surely beyond all power of spring-time to call back to life--with dead gorse bushes scattered over it, gaunt and spectral, unlighted by any touch of golden bloom, there stands an ancient grave-mound. It is the merest flaw in the wide landscape. A roadway passes near it. But from elsewhere, unless it chanced to cut the sky line, you might search for it in vain. Looking across the grassy rim of the hollow space within it, a space like the crater of some spent volcano, you see nothing but the pale summer sky above you, and, stretching away on every side, a waste of desolate, far-reaching undulations, to whose wintry hues the scanty patches of grass and the tender tone of the late bilberry plants have hardly, even yet, lent any tinge of green.

This is the very heart of the wilderness. There is not a house in sight. There are no fields, no fences, no horses, no red cattle, not a sheep even; no single moving figure, save of a bird that flits restlessly among the gorse. This is almost as bleak and bare a landscape as the haunt of the "Dead Drummer" upon Salisbury Plain.

Yet it is a beautiful landscape, still and lonely though it be. There is no gold of blossomed gorse, no rich Tyrian of early heather. But there is marvellous wealth of colour even in these sheets of dead ling, whose varied greys and browns are strengthened here to deep shades of purple, and there,--by a carpet of withered brake fern, beaten down by wind and rain, and with stout young fronds but just beginning to uncurl,--are fairly kindled into red. At one point a belt of dry sedges gleams like a grey river. At another a patch of vivid green betrays the birthplace of some moorland stream. Round the old hawthorns, dotted here and there over the waste, a green mist is gathering. But the starved and stunted trees of this high upland country are slow to answer to the sunshine, and there are hardly leaves enough yet to hide the shaggy tufts of lichen, silver grey and golden yellow, that hang so thickly on the boughs. In the thorny depths of these storm-beaten trees, even carrion crows venture to build fastnesses, fearing nothing, though with thresholds not six feet above ground, short of an avenging volley from the keeper's gun.

As the hours go by you grow conscious, by degrees, of companions of your solitude. You hear notes of larks and pipits as they flit here and there among the heather. You catch the faint far call of a wandering cuckoo. A stone-chat settles near, on a tall, dead furze bush, and sings over and over his brief roundelay. There are few dwellers on the heath more smart than he, with his coal-black head, his neat white collar, and his ruddy breast. This, too, is the native heath of yonder curlews, wheeling idly across the sky, sounding now and then that musical, clear call, that is one of the most characteristic voices of the moorland.

The black-cock, the true children of the wilderness, are lying close among the heather. The grey dawn is the time to see them best, when they come down to drink and bathe at favourite points along the streams. Towards nightfall, too, you will hear on all sides, but especially on the fringe of the wooded valleys where they come to feed, their strange, hoarse crying, which it is hard to credit is the note of bird at all. In the twilight each old black-cock will take his stand on some hillock, or even on the level ground, and spreading wide his splendid tail, drooping his wings, and sinking his head, like a stag preparing to give battle, will utter strange, almost weird, sounds, which, as you watch his odd figure, and fantastic attitudes, you would hardly think were meant as notes of challenge to his rivals, intended to be full of defiance and contempt.

Beyond the white cart-track, that just shows for a moment before it sinks behind a rising in the heath, runs a deep valley--a great hollow filled almost to the brim with oaks and beeches and tall larch trees;--they, at least, are in the full pride of their magnificent young beauty, with long branches thickly hung with tufts of fragrant green. It is a valley of streams, that, drawn in silver threads from every hill-slope near, set all along with alder and willow, with ferns and rushes, and cool water plants, go plunging through at last out of the narrow gateway of the glen, to widen farther down into a broad, smooth flood, that sweeps in silence among the worn stepping-stones of a village way.

The valley is full of life; full as the moorland here is bare of it. In the great bank that skirts the wood badgers have their holt. Hard by it is a famous "earth," to which every hunted fox for miles round flees for sanctuary. The woodmen have been busy here. The ground is strewn with red larch chips, whose sweet, resinous fragrance hangs heavy on the air. And from the welcome rest of some new-felled tree, whose shorn plumes lie heaped about it in well-ordered faggots, you may listen to the pleasant voices of the doves, and the blithe notes of warblers in the boughs above you. You may watch the pheasants stalking solemnly among the underwood, may see the brown squirrels romping on the grass, or playing follow the leader up and down the smooth-stemmed beech trees. A charméd spot. A spot such as the poet sang of, who

"... heard the cushies croon
Through the gowden afternoon,
And the Quhair burn singing on its way down to the Tweed."

The red deer love this quiet glen. You may see their sharp footprints along every woodman's path, and by the oozy marge of every stream. Their hour is not yet. Like the fox and the badger, they are lovers of the twilight. It is not till evening darkens that they leave their lairs in the cool depths of the larch copse or the shadowy heart of the oak plantation, and cross the high dyke that parts the farm lands from the cover, and sally out to raid the young corn and the turnips in outlying fields. This is the Red Deer Country. Empty as the landscape is at noon, there are times when this wild heath is all alive with moving figures, horse and hound, and all the bravery of the shouting chase. Many a time has the hunt swept past this solitary tumulus, the gallant stag seen for a moment, perhaps, upon the sky line, as

"With anxious eye he wandered o'er
Mountain and meadow, moss and moor."

There is no hamlet for miles around but has its legends, old and new, of a sport that is dear to all the country side. In one of the moorland churches it is recorded how, some six hundred years since, a villager slew one of the King's deer; how the culprit was "not found," and how, in the end, four neighbouring parishes paid fine to the royal foresters. It is but a mile as the crow flies to a hamlet, lying deep in a hollow of the hills, where last year, when the chase went thundering through the quiet street, the stag, in his despair, sought refuge in the inn, and was pulled down by the hounds within the doorway of the hostelry. It is the most picturesque of inns, with its rambling buildings, its thatched roofs, mossed and lichen stained, its tiny dormer windows, and a sign that has puzzled many an idler on the village green;--uncertain whether, as some would have it, the figure in scarlet is meant for a woman seated on a stile; whether it is a nabob mounted on an elephant; or whether, as the words that run above it would suggest, it is a Roundhead trooper drawing rein under the oak of Boscobel.

TORR STEPS: A MOORLAND RIVER.

Down a deep valley in the West Country winds a swift moorland stream. Mile after mile of sombre, heath-clad solitudes stretch away on either side of it, broken with gorse and bracken, and with here and there a few stunted and storm-beaten trees. Well-ordered farm lands slope down to it. At far intervals it roars under the ancient bridges of solitary hamlets. Here, in the heart of the great hills, it runs between wooded slopes, covered with thick growth of sturdy oak trees--leafless still, but with purple of fast opening blossoms that, with the rich red brown of dead leaves and withered fern about their feet, lends to the whole glen a glow of warmth and colour.

Here the red deer steal out after sundown over the ruinous wall and through the untended hedgerow to the broad meadow that for a space divides the river from the wood. Here in the twilight the otters play, rolling over and over in the water like great grey cats. The beautiful moorland sheep that lift their horned heads to watch the solitary wayfarer, with half-curious, half-supercilious gaze, seem hardly less the true creatures of the wild than the grey rabbit that you startle from his noonday dreaming among the long grass by the hedgerow, or than the brown squirrel, coming down for a frolic on the soft, green turf.

Below the wooded slope runs the river, here foaming over great blocks of stone lying prostrate in its bed, there eddying round a jutting bar of rock, now loitering in quiet backwaters, where dead leaves and tufts of grass and all the smaller flotsam of the stream spin slowly on the tranquil surface. At one point it roars through a narrow channel between two ponderous stones, which lie calm and unmoved in all the headlong rush; at another it pauses, silent, in a deep, dark pool. Now it is broken all across in a tumultuous cataract, and now again it widens to a broad sheet of waving glass. At a bend in the river bank--a little hollow worn by the floods of many winters--three alders overhang. And at their feet, close to the margin of the stream, sheltered by a screen of strong young branches growing upward from the base of the trees, is a pleasant resting-place from which to watch unseen the life and movement of this bird-haunted hollow--the warblers that throng the thickets by the shore, the dippers that on swift wings pass and repass along the watery highway, the graceful wagtails that with dainty steps run up and down upon the strips of sand.

Looking down from the edge of the slope at the far end of the meadow, framed by the broad arms of giant trees, show the buildings of a farm, that with its wide eaves and crested gables, its deep-sunk dormer windows, its rows of hives, and its ruinous sheds, is a picture in itself. Close by it one of the moorland highways, a narrow country lane, slopes steeply down, crossing the river by a ford. And by the road, its grey masonry clearly drawn against the shadowy spires of thick-growing alder trees, is an old stone bridge--so old that no clue remains, no legend even, to its history or its builders. Two thousand years, perhaps, has the river run beneath these ponderous slabs of stone, laid flat across rude, unmortared piers.

Beyond the bridge, through a purple mist of branches, show silver glimpses of the river, then a broad stretch of meadow with dark pine woods above it, among which the young larch foliage floats in feathery clouds of green, and above these again, the brown and desolate moorland. Near the bridge a little party of wanderers have made their camp. The blue smoke of their fire drifts slowly this way, with the pleasant scent of burning pine wood, the pleasanter voices of girls and the shouts of children. It is a perfect day for camping in the open; with warm air, and blue sky, and soft white clouds sailing slowly over,--a day of clear shining after rain.

The air over the stream is full of insect life, of flies of many shapes and various hues, of browns, and drakes, and duns, so dear to the brown river trout; and, in counterfeit presentment at any rate, almost dearer to the soul of the trout-fisher. And as you watch the myriad wingèd things that sail along the water, that settle on the warm stones, or on the alder boughs, or even on your hand, you will think it small ground for wonder that the thickets by the stream should be so full of birds.

One might think that the roar of the river would be enough to drown all other sounds. But, clear above it rise the notes of tits and finches and warblers. The breezy chatter of the swallows, the call of the dipper, the woodwren's hasty little stave of song, the whistle of the blackbird, the mellow call of the cuckoo, are as plain as if the great voice of the river were not heard at all. In the next tree two finches have alighted; their restless movements and sharp challenge of alarm betraying only too plainly what they are so anxious to conceal, that their nest is somewhere near. Two beautiful birds they are; one with the red flush on his breast, the broad bar of white in either wing, the slate-blue feathers of his lifted crest. The other, hardly less charming, with all her colours pitched in soberer key. With anxious and persistent iteration of their one shrill note of protest, they flit from branch to branch; and when you rise, and peer into the tangle of ivy-mantled boughs above you, the birds grow more clamorous still. There is the nest, its mossy cup woven deftly among the slender twigs, studded all over with lichen points of silver--as ever, a miracle of beauty.

There are many birds preparing for the great event of the year. It is not for nothing, you may be sure, that that old blackbird has stayed out at the same corner of the hedge every day for a week past; there is some good reason for his stealing towards it now across the wood, a moving shadow, quiet for once. We can read the signs of the times in the notes of the birds no less than in the heightened colours of their plumage. It is a love-song pure and simple that yonder hedge sparrow, poised on a straying spray of bramble, is singing so softly to himself. The ringing call of an oxeye overhead never was more clear, and blithe, and musical. But the soft notes of a flock of long-tailed tits, not yet disbanded, have a still softer tone to-day. Their light-hearted gossip seems subdued and low, as if they knew the days were near when every woodlander will go about his work with all the stealth he may. There is a gold-crest rummaging among the ivy that clings about an old elm hard by, almost within arm's length, so near that the touch of vivid yellow on his crown gleams like very gold.

Smoke is still rising from the white ashes of the fire, but it is proof enough that the little group has moved away, and that no one is visible from the highway of the river, when a kingfisher flashes across the bridge, straight up the stream, a swift gleam of azure through the sunlit air. As you follow its flight to the bend where the river vanishes behind its fringing alders, you are aware of a moving point of light on one of the great boulders far out from shore. Then the shape of a dipper shows clearly on the top of the stone. A moment later it dives straight down into the water, reappearing some yards nearer this way, pausing on another great block of sandstone, to bow and curtsey, uttering now and then a loud, clear note, its white gorget glowing like a star, whiter even than the very foam of the river. Now it swims lightly across a smooth backwater. Now it works its way sidelong across a rapid rush of the current, stooping now and then to pick some dainty morsel from among the stones, and all the while moving slowly with the stream, until at last it stands on a stone in mid-channel, not thirty yards away--a graceful, charming, dainty little figure, the very naiad of the mountain stream.