Chapter VIII: Book III: The Heart of Man (1)

XXIII. DORIS

“A young girl named Doris Scott?”

The station-master looked somewhat sharply at the man he was addressing, and decided to give the direction asked.

“There is but one young girl in town of that name,” he declared, “and she lives in that little house you see just beyond the works. But let me tell you, stranger,” he went on with some precipitation--

But here he was called off, and Sweetwater lost the conclusion of his warning, if warning it was meant to be. This did not trouble the detective. He stood a moment, taking in the prospect; decided that the Works and the Works alone made the town, and started for the house which had been pointed out to him. His way lay through the chief business street, and greatly preoccupied by his errand, he gave but a passing glance to the rows on rows of workmen’s dwellings stretching away to the left in seemingly endless perspective. Yet in that glance he certainly took in the fact that the sidewalks were blocked with people and wondered if it were a holiday. If so, it must be an enforced one, for the faces showed little joy. Possibly a strike was on. The anxiety he everywhere saw pictured on young faces and old, argued some trouble; but if the trouble was that, why were all heads turned indifferently from the Works, and why were the Works themselves in full blast?

These questions he may have asked himself and he may not. His attention was entirely centred on the house he saw before him and on the possible developments awaiting him there. Nothing else mattered. Briskly he stepped out along the sandy road, and after a turn or two which led him quite away from the Works and its surrounding buildings, he came out upon the highway and this house.

It was a low and unpretentious one, and had but one distinguishing feature. The porch which hung well over the doorstep was unique in shape and gave an air of picturesqueness to an otherwise simple exterior; a picturesqueness which was much enhanced in its effect by the background of illimitable forest, which united the foreground of this pleasing picture with the great chain of hills which held the Works and town in its ample basin.

As he approached the doorstep, his mind involuntarily formed an anticipatory image of the child whose first stitches in embroidery were like a fairy’s weaving to the strong man who worked in ore and possibly figured out bridges. That she would prove to be of the anemic type, common among working girls gifted with an imagination they have but scant opportunity to exercise, he had little doubt.

He was therefore greatly taken aback, when at his first step upon the porch, the door before him flew open and he beheld in the dark recess beyond a young woman of such bright and blooming beauty that he hardly noticed her expression of extreme anxiety, till she lifted her hand and laid an admonitory finger softly on her lip:

“Hush!” she whispered, with an earnestness which roused him from his absorption and restored him to the full meaning of this encounter. “There is sickness in the house and we are very anxious. Is your errand an important one? If not--” The faltering break in the fresh, young voice, the look she cast behind her into the darkened interior, were eloquent with the hope that he would recognise her impatience and pass on.

And so he might have done,--so he would have done under all ordinary circumstances. But if this was Doris--and he did not doubt the fact after the first moment of startled surprise--how dare he forego this opportunity of settling the question which had brought him here.

With a slight stammer but otherwise giving no evidence of the effect made upon him by the passionate intensity with which she had urged this plea, he assured her that his errand was important, but one so quickly told that it would delay her but a moment. “But first,” said he, with very natural caution, “let me make sure that it is to Miss Doris Scott I am speaking. My errand is to her and her only.”

Without showing any surprise, perhaps too engrossed in her own thoughts to feel any, she answered with simple directness, “Yes, I am Doris Scott.” Whereupon he became his most persuasive self, and pulling out a folded paper from his pocket, opened it and held it before her, with these words:

“Then will you be so good as to glance at this letter and tell me if the person whose initials you will find at the bottom happens to be in town at the present moment?”

In some astonishment now, she glanced down at the sheet thus boldly thrust before her, and recognising the O and the B of a well-known signature, she flashed a look back at Sweetwater in which he read a confusion of emotions for which he was hardly prepared.

“Ah,” thought he, “it’s coming. In another moment I shall hear what will repay me for the trials and disappointments of all these months.”

But the moment passed and he had heard nothing. Instead, she dropped her hands from the door-jamb and gave such unmistakable evidences of intended flight, that but one alternative remained to him; he became abrupt.

Thrusting the paper still nearer, he said, with an emphasis which could not fail of making an impression, “Read it. Read the whole letter. You will find your name there. This communication was addressed to Miss Challoner, but--”

Oh, now she found words! With a low cry, she put out her hand in quick entreaty, begging him to desist and not speak that name on any pretext or for any purpose. “He may rouse and hear,” she explained, with another quick look behind her. “The doctor says that this is the critical day. He may become conscious any minute. If he should and were to hear that name, it might kill him.”

“He!” Sweetwater perked up his ears. “Who do you mean by he?”

“Mr. Brotherson, my patient, he whose letter--” But here her impatience rose above every other consideration. Without attempting to finish her sentence, or yielding in the least to her curiosity or interest in this man’s errand, she cried out with smothered intensity, “Go! go! I cannot stay another moment from his bedside.”

But a thunderbolt could not have moved Sweetwater after the hearing of that name. “Mr. Brotherson!” he echoed. “Brotherson! Not Orlando?”

“No, no; his name is Oswald. He’s the manager of these Works. He’s sick with typhoid. We are caring for him. If you belonged here you would know that much. There! that’s his voice you hear. Go, if you have any mercy.” And she began to push to the door.

But Sweetwater was impervious to all hint. With eager eyes straining into the shadowy depths just visible over her shoulder, he listened eagerly for the disjointed words now plainly to be heard in some near-by but unseen chamber.

“The second O. B.!” he inwardly declared. “And he’s a Brotherson also, and--sick! Miss Scott,” he whisperingly entreated as her hand fell in manifest despair from the door, “don’t send me away yet. I’ve a question of the greatest importance to put you, and one minute more cannot make any difference to him. Listen! those cries are the cries of delirium; he cannot miss you; he’s not even conscious.”

“He’s calling out in his sleep. He’s calling her, just as he has called for the last two weeks. But he will wake conscious--or he will not wake at all.”

The anguish trembling in that latter phrase would have attracted Sweetwater’s earnest, if not pitiful, attention at any other time, but now he had ears only for the cry which at that moment came ringing shrilly from within--

“Edith! Edith!”

The living shouting for the dead! A heart still warm sending forth its longing to the pierced and pulseless one, hidden in a far-off tomb! To Sweetwater, who had seen Miss Challoner buried, this summons of distracted love came with weird force.

Then the present regained its sway. He heard her name again, and this time it sounded less like a call and more like the welcoming cry of meeting spirits. Was death to end this separation? Had he found the true O. B., only to behold another and final seal fall upon this closely folded mystery? In his fear of this possibility, he caught at Doris’ hand as she was about to bound away, and eagerly asked:

“When was Mr. Brotherson taken ill? Tell me, I entreat you; the exact day and, if you can, the exact hour. More depends upon this than you can readily realise.”

She wrenched her hand from his, panting with impatience and a vague alarm. But she answered him distinctly:

“On the Twenty-fifth of last month, just an hour after he was made manager. He fell in a faint at the Works.”

The day--the very day of Miss Challoner’s death!

“Had he heard--did you tell him then or afterwards what happened in New York on that very date?”

“No, no, we have not told him. It would have killed him--and may yet.”

“Edith! Edith!” came again through the hush, a hush so deep that Sweetwater received the impression that the house was empty save for patient and nurse.

This discovery had its effects upon him. Why should he subject this young and loving girl to further pain? He had already learned more than he had expected to. The rest would come with time. But at the first intimation he gave of leaving, she lost her abstracted air and turned with absolute eagerness towards him.

“One moment,” said she. “You are a stranger and I do not know your name or your purpose here. But I cannot let you go without begging you not to mention to any one in this town that Mr. Brotherson has any interest in the lady whose name we must not speak. Do not repeat that delirious cry you have heard or betray in any way our intense and fearful interest in this young lady’s strange death. You have shown me a letter. Do not speak of that letter, I entreat you. Help us to retain our secret a little longer. Only the doctor and myself know what awaits Mr. Brotherson if he lives. I had to tell the doctor, but a doctor reveals nothing. Promise that you will not either, at least till this crisis is passed. It will help my father and it will help me; and we need all the help we can get.”

Sweetwater allowed himself one minute of thought, then he earnestly replied:

“I will keep your secret for to-day, and longer, if possible.”

“Thank you,” she cried; “thank you. I thought I saw kindness in your face.” And she again prepared to close the door.

But Sweetwater had one more question to ask. “Pardon me,” said he, as he stepped down on the walk, “you say that this is a critical day with your patient. Is that why every one whom I have seen so far wears such a look of anxiety?”

“Yes, yes,” she cried, giving him one other glimpse of her lovely, agitated face. “There’s but one feeling in town to-day, but one hope, and, as I believe, but one prayer. That the man whom every one loves and every one trusts may live to run these Works.”

“Edith! Edith!” rose in ceaseless reiteration from within.

But it rang but faintly now in the ears of our detective. The door had fallen to, and Sweetwater’s share in the anxieties of that household was over.

Slowly he moved away. He was in a confused yet elated condition of mind. Here was food for a thousand new thoughts and conjectures. An Orlando Brotherson and an Oswald Brotherson--relatives possibly, strangers possibly; but whether relatives or strangers, both given to signing their letters with their initials simply; and both the acknowledged admirers of the deceased Miss Challoner. But she had loved only one, and that one, Oswald. It not difficult to recognise the object of this high hearted woman’s affections in this man whose struggle with the master-destroyer had awakened the solicitude of a whole town.

XXIV. SUSPENSE

Ten minutes after Sweetwater’s arrival in the village streets, he was at home with the people he found there. His conversation with Doris in the doorway of her home had been observed by the curious and far-sighted, and the questions asked and answered had made him friends at once. Of course, he could tell them nothing, but that did not matter, he had seen and talked with Doris and their idolised young manager was no worse and might possibly soon be better.

Of his own affairs--of his business with Doris and the manager, they asked nothing. All ordinary interests were lost in the stress of their great suspense.

It was the same in the bar-room of the one hotel. Without resorting to more than a question or two, he readily learned all that was generally known of Oswald Brotherson. Every one was talking about him, and each had some story to tell illustrative of his kindness, his courage and his quick mind. The Works had never produced a man of such varied capabilities and all round sympathies. To have him for manager meant the greatest good which could befall this little community.

His rise had been rapid. He had come from the east three years before, new to the work. Now, he was the one man there. Of his relationships east, family or otherwise, nothing was said. For them his life began and ended in Derby, and Sweetwater could see, though no actual expression was given to the feeling, that there was but one expectation in regard to him and Doris, to whose uncommon beauty and sweetness they all seemed fully alive. And Sweetwater wondered, as many of us have wondered, at the gulf frequently existing between fancy and fact.

Later there came a small excitement. The doctor was seen riding by on his way to the sick man. From the window where he sat, Sweetwater watched him pass up the street and take the road he had himself so lately traversed. It was so straight a one and led so directly northward that he could follow with his eye the doctor’s whole course, and even get a glimpse of his figure as he stepped from the buggy and proceeded to tie up the horse. There was an energy about him pleasing to Sweetwater. He might have much to do with this doctor. If Oswald Brotherson died--but he was not willing to consider this possibility--yet. His personal sympathies, to say nothing of his professional interest in the mystery to which this man--and this man only--possibly held the key, alike forbade. He would hope, as these others were hoping, and if he did not count the minutes, he at least saw every move of the old horse waiting with drooping head and the resignation of long custom for the re-appearance of his master with his news of life or death.

And so an hour--two hours passed. Others were watching the old horse now. The street showed many an eager figure with head turned northward. From the open door-ways women stepped, looked in the direction of their anxiety and retreated to their work again. Suspense was everywhere; the moments dragged like hours; it became so keen at last that some impatient hearts could no longer stand it. A woman put her baby into another woman’s arms and hurried up the road; another followed, then another; then an old man, bowed with years and of tottering steps, began to go that way, halting a dozen times before he reached the group now collected in the dusty highway, near but not too near that house. As Sweetwater’s own enthusiasm swelled at this sight, he thought of the other Brotherson with his theories and active advocacy for reform, and wondered if men and women would forego their meals and stand for hours in the keen spring wind just to be the first to hear if he were to live or die. He knew that he himself would not. But he had suffered much both in his pride and his purse at the hands of the Brooklyn inventor; and such despoliation is not a reliable basis for sympathy. He was questioning his own judgment in this matter and losing himself in the mazes of past doubts and conjectures when a sudden change took place in the aspect of the street; he saw people running, and in another moment saw why. The doctor had shown himself on the porch which all were watching. Was he coming out? No, he stands quite still, runs his eye over the people waiting quietly in the road, and beckons to one of the smaller boys. The child, with upturned face, stands listening to what he has to say, then starts on a run for the village. He is stopped, pulled about, questioned, and allowed to run on. Many rush forth to meet him. He is panting, but gleeful. Mr. Brotherson has waked up conscious, and the doctor says, HE WILL LIVE.

XXV. THE OVAL HUT

That night Dr. Fenton had a visitor. We know that visitor and we almost know what his questions were, if not the answers of the good doctor. Nevertheless, it may be better to listen to a part at least of their conversation. Sweetwater, who knew when to be frank and open, as well as when to be reserved and ambiguous, made no effort to disguise the nature of his business or his chief cause of interest in Oswald Brotherson. The eye which met his was too penetrating not to detect the smallest attempt at subterfuge; besides, Sweetwater had no need to hide his errand; it was one of peace, and it threatened nobody--“the more’s the pity,” thought he in uneasy comment to himself, as he realised the hopelessness of the whole situation.

His first word, therefore, was a plain announcement.

“Dr. Fenton, my name is Sweetwater. I am from New York, and represent for the nonce, Mr. Challoner, whose name I have simply to mention, for you to understand that my business is with Mr. Brotherson whom I am sorry to find seriously, if not dangerously, ill. Will you tell me how long you think it will be before I can have a talk with him on a subject which I will not disguise from you may prove a very exciting one?”

“Weeks, weeks,” returned the doctor. “Mr. Brotherson has been a very sick man and the only hope I have of his recovery is the fact that he is ignorant of his trouble or that he has any cause for doubt or dread. Were this happy condition of things to be disturbed,--were the faintest rumour of sorrow or disaster to reach him in his present weakened state, I should fear a relapse, with all its attendant dangers. What then, if any intimation should be given him of the horrible tragedy suggested by the name you have mentioned? The man would die before your eyes. Mr. Challoner’s business will have to wait.”

“That I see; but if I knew when I might speak--”

“I can give you no date. Typhoid is a treacherous complaint; he has the best of nurses and the chances are in favour of a quick recovery; but we never can be sure. You had better return to New York. Later, you can write me if you wish, or Mr. Challoner can. You may have confidence in my reply; it will not mislead you.”

Sweetwater muttered his thanks and rose. Then he slowly sat down again.

“Dr. Fenton,” he began, “you are a man to be trusted. I’m in a devil of a fix, and there is just a possibility that you may be able to help me out. It is the general opinion in New York, as you may know, that Miss Challoner committed suicide. But the circumstances do not fully bear out this theory, nor can Mr. Challoner be made to accept it. Indeed, he is so convinced of its falsehood, that he stands ready to do anything, pay anything, suffer anything, to have this distressing blight removed from his daughter’s good name. Mr. Brotherson was her dearest friend, and as such may have the clew to this mystery, but Mr. Brotherson may not be in a condition to speak for several weeks. Meanwhile, Mr. Challoner must suffer from great suspense unless--” a pause during which he searched the doctor’s face with a perfectly frank and inquiring expression--“unless some one else can help us out. Dr. Fenton, can you?”

The doctor did not need to speak; his expression conveyed his answer.

“No more than another,” said he. “Except for what Doris felt compelled to tell me, I know as little as yourself. Mr. Brotherson’s delirium took the form of calling continually upon one name. I did not know this name, but Doris did, also the danger lurking in the fact that he had yet to hear of the tragedy which had robbed him of this woman to whom he was so deeply attached. So she told me just this much. That the Edith whose name rung so continuously in our ears was no other than the Miss Challoner of New York of whose death and its tragic circumstances the papers have been full; that their engagement was a secret one unshared so far as she knew by any one but herself. That she begged me to preserve this secret and to give her all the help I could when the time came for him to ask questions. Especially did she entreat me to be with her at the crisis. I was, but his waking was quite natural. He did not ask for Miss Challoner; he only inquired how long he had been ill and whether Doris had received a letter during that time. She had not received one, a fact which seemed to disappoint him; but she carried it off so gaily (she is a wonderful girl, Mr. Sweetwater--the darling of all our hearts), saying that he must not be so egotistical as to think that the news of his illness had gone beyond Derby, that he soon recovered his spirits and became a very promising convalescent. That is all I know about the matter; little more, I take it, than you know yourself.”

Sweetwater nodded; he had expected nothing from the doctor, and was not disappointed at his failure. There were two strings to his bow, and the one proving valueless, he proceeded to test the other.

“You have mentioned Miss Scott, as the confidante--and only confidante of this unhappy pair,” said he. “Would it be possible--can you make it possible for me to see her?”

It was a daring proposition; he understood this at once from the doctor’s expression; and, fearing a hasty rebuff, he proceeded to supplement his request with a few added arguments, urged with such unexpected address and show of reason that Dr. Fenton’s aspect visibly softened and in the end he found himself ready to promise that he would do what he could to secure his visitor the interview he desired if he would come to the house the next day at the time of his own morning visit.

This was as much as the young detective could expect, and having expressed his thanks, he took his leave in anything but a discontented frame of mind. With so powerful an advocate as the doctor, he felt confident that he should soon be able to conquer this young girl’s reticence and learn all that was to be learned from any one but Mr. Brotherson himself. In the time which must elapse between that happy hour and the present, he would circulate and learn what he could about the prospective manager. But he soon found that he could not enter the Works without a permit, and this he was hardly in a position to demand; so he strolled about the village instead, and later wandered away into the forest.

Struck by the inviting aspect of a narrow and little used road opening from the highway shortly above the house where his interests were just then centred, he strolled into the heart of the spring woods till he came to a depression where a surprise awaited him, in the shape of a peculiar structure rising from its midst where it just fitted, or so nearly fitted that one could hardly walk about it without brushing the surrounding tree trunks. Of an oval shape, with its door facing the approach, it nestled there, a wonder to the eye and the occasion of considerable speculation to his inquiring mind. It had not been long built, as was shown very plainly by the fresh appearance of the unpainted boards of which it was constructed; and while it boasted of a door, as I’ve already said, there were no evidences visible of any other break in the smooth, neatly finished walls. A wooden ellipse with a roof but no windows; such it appeared and such it proved to be. A mystery to Sweetwater’s eyes, and like all mysteries, interesting. For what purpose had it been built and why this isolation? It was too flimsy for a reservoir and too expensive for the wild freak of a crank.

A nearer view increased his curiosity. In the projection of the roof over the curving sides he found fresh food for inquiry. As he examined it in the walk he made around the whole structure, he came to a place where something like a hinge became visible and further on another. The roof was not simply a roof; it was also a lid capable of being raised for the air and light which the lack of windows necessitated. This was an odd discovery indeed, giving to the uncanny structure the appearance of a huge box, the cover of which could be raised or lowered at pleasure. And again he asked himself for what it could be intended? What enterprise, even of the great Works, could demand a secrecy so absolute that such pains as these should be taken to shut out all possibility of a prying eye. Nothing in his experience supplied him with an answer.

He was still looking up at these hinges, with a glance which took in at the same time the nearness and extreme height of the trees by which this sylvan mystery was surrounded, when a sound from the road on the opposite side of the hollow brought his conjectures to a standstill and sent him hurrying on to the nearest point from which that road became visible.

A team was approaching. He could hear the heavy tread of horses working their laborious way through trees whose obstructing branches swished before and behind them. They were bringing in a load for this shed, whose uses he would consequently soon understand. Grateful for his good luck--for his was a curiosity which could not stand defeat--he took a few steps into the wood, and from the vantage point of a concealing cluster of bushes, fixed his eyes upon the spot where the road opened into the hollow.

Something blue moved there, and in another moment, to his great amazement, there stepped into view the spirited form of Doris Scott, who if he had given the matter a thought he would have supposed to be sitting just then by the bedside of her patient, a half mile back on the road.

She was dressed for the woods in a blue skirt and jacket and moved like a leader in front of a heavily laden wagon now coming to a standstill before the closely shut shed--if such we may call it.

“I have a key,” so she called out to the driver who had paused for orders. “When I swing the doors wide, drive straight in.”

Sweetwater took a look at the wagon. It was piled high with large wooden boxes on more than one of which he could see scrawled the words: O. Brotherson, Derby, Pa.

This explained her presence, but the boxes told nothing. They were of all sizes and shapes, and some of them so large that the assistance of another man was needed to handle them. Sweetwater was about to offer his services when a second man appeared from somewhere in the rear, and the detective’s attention being thus released from the load out of which he could make nothing, he allowed it to concentrate upon the young girl who had it in charge and who, for many reasons, was the one person of supreme importance to him.

She had swung open the two wide doors, and now stood waiting for horse and wagon to enter. With locks flying free--she wore no bonnet--she presented a picture of ever increasing interest to Sweetwater. Truly she was a very beautiful girl, buoyant, healthy and sweet; as unlike as possible his preconceived notions of Miss Challoner’s humble little protegee. Her brown hair of a rich chestnut hue, was in itself a wonder. On no head, even in the great city he had just left, had he seen such abundance, held in such modest restraint. Nature had been partial to this little working girl and given her the chevelure of a queen.

But this was nothing. No one saw this aureole when once the eye had rested on her features and caught the full nobility of their expression and the lurking sweetness underlying her every look. She herself made the charm and whether placed high or placed low, must ever attract the eye and afterwards lure the heart, by an individuality which hardly needed perfect features in which to express itself.

Young yet, but gifted, as girls of her class often are, with the nicest instincts and purest aspirations, she showed the elevation of her thoughts both in her glance and the poise with which she awaited events. Sweetwater watched her with admiration as she superintended the unloading of the wagon and the disposal of the various boxes on the floor within; but as nothing she said during the process was calculated to afford the least enlightenment in regard to their contents, he presently wearied of his inaction and turned back towards the highway, comforting himself with the reflection that in a few short hours he would have her to himself when nothing but a blunder on his part should hinder him from sounding her young mind and getting such answers to his questions as the affair in which he was so deeply interested, demanded.

XXVI. SWEETWATER RETURNS

“You see me again, Miss Scott. I hope that yesterday’s intrusion has not prejudiced you against me.”

“I have no prejudices,” was her simple but firm reply. “I am only hurried and very anxious. The doctor is with Mr. Brotherson just now; but he has several other equally sick patients to visit and I dare not keep him here too long.”

“Then you will welcome my abruptness. Miss Scott, here is a letter from Mr. Challoner. It will explain my position. As you will see, his only desire is to establish the fact that his daughter did not commit suicide. She was all he had in the world, and the thought that she could, for any reason, take her own life is unbearable to him. Indeed, he will not believe she did so, evidence or no evidence. May I ask if you agree with him? You have seen Miss Challoner, I believe. Do you think she was the woman to plunge a dagger in her heart in a place as public as a hotel reception room?”

“No, Mr. Sweetwater. I’m a poor working girl, with very little education and almost no knowledge of the world and such ladies as she. But something tells me for all that, that she was too nice to do this. I saw her once and it made me want to be quiet and kind and beautiful like her. I never shall think she did anything so horrible. Nor will Mr. Brotherson ever believe it. He could not and live. You see, I am talking to you as if you knew him,--the kind of man he is and just how he feels towards Miss Challoner. He is--” Her voice trailed off and a look, uncommon and almost elevated, illumined her face. “I will not tell you what he is; you will know, if you ever see him.”

“If the favourable opinion of a whole town makes a good fellow, he ought to be of the best,” returned Sweetwater, with his most honest smile. “I hear but one story of him wherever I turn.”

“There is but one story to tell,” she smiled, and her head drooped softly, but with no air of self-consciousness.

Sweetwater watched her for a moment, and then remarked: “I’m going to take one thing for granted; that you are as anxious as we are to clear Miss Challoner’s memory.”

“O yes, O yes.”

“More than that, that you are ready and eager to help us. Your very looks show that.”

“You are right; I would do anything to help you. But what can a girl like me do? Nothing; nothing. I know too little. Mr. Challoner must see that when you tell him I’m only the daughter of a foreman.”

“And a friend of Mr. Brotherson,” supplemented Sweetwater.

“Yes,” she smiled, “he would want me to say so. But that’s his goodness. I don’t deserve the honour.”

“His friend and therefore his confidante,” Sweetwater continued. “He has talked to you about Miss Challoner?”

“He had to. There was nobody else to whom he could talk; and then, I had seen her and could understand.”

“Where did you see her?”

“In New York. I was there once with father, who took me to see her. I think she had asked Mr. Brotherson to send his little friend to her hotel if ever we came to New York.”

“That was some time ago?”

“We were there in June.”

“And you have corresponded ever since with Miss Challoner?”

“She has been good enough to write, and I have ventured at times to answer her.”

The suspicion which might have come to some men found no harbour in Sweetwater’s mind. This young girl was beautiful, there was no denying that, beautiful in a somewhat startling and quite unusual way; but there was nothing in her bearing, nothing in Miss Challoner’s letters to indicate that she had been a cause for jealousy in the New York lady’s mind. He, therefore, ignored this possibility, pursuing his inquiry along the direct lines he had already laid out for himself. Smiling a little, but in a very earnest fashion, he pointed to the letter she still held and quietly said:

“Remember that I’m not speaking for myself, Miss Scott, when I seem a little too persistent and inquiring. You have corresponded with Miss Challoner; you have been told the fact of her secret engagement to Mr. Brotherson and you have been witness to his conduct and manner for the whole time he has been separated from her. Do you, when you think of it carefully, recall anything in the whole story of this romance which would throw light upon the cruel tragedy which has so unexpectedly ended it? Anything, Miss Scott? Straws show which way the stream flows.”

She was vehement, instantly vehement, in her disclaimer.

“I can answer at once,” said she, “because I have thought of nothing else for all these weeks. Here all was well. Mr. Brotherson was hopeful and happy and believed in her happiness and willingness to wait for his success. And this success was coming so fast! Oh, how can we ever tell him! How can we ever answer his questions even, or keep him satisfied and calm until he is strong enough to hear the truth. I’ve had to acknowledge already that I have had no letter from her for weeks. She never wrote to him directly, you know, and she never sent him messages, but he knew that a letter to me, was also a letter to him and I can see that he is troubled by this long silence, though he says I was right not to let her know of his illness and that I must continue to keep her in ignorance of it till he is quite well again and can write to her himself. It is hard to hear him talk like this and not look sad or frightened.”

Sweetwater remembered Miss Challoner’s last letter, and wished he had it here to give her. In default of this, he said:

“Perhaps this not hearing may act in the way of a preparation for the shock which must come to him sooner or later. Let us hope so, Miss Scott.”

Her eyes filled.

“Nothing can prepare him,” said she. Then added, with a yearning accent, “I wish I were older or had more experience. I should not feel so helpless. But the gratitude I owe him will give me strength when I need it most. Only I wish the suffering might be mine rather than his.”

Unconscious of any self-betrayal, she lifted her eyes, startling Sweetwater by the beauty of her look. “I don’t think I’m so sorry for Oswald Brotherson,” he murmured to himself as he left her. “He’s a more fortunate man than he knows, however deeply he may feel the loss of his first sweetheart.”

That evening the disappointed Sweetwater took the train for New York. He had failed to advance the case in hand one whit, yet the countenance he showed Mr. Gryce at their first interview was not a wholly gloomy one.

“Fifty dollars to the bad!” was his first laconic greeting. “All I have learned is comprised in these two statements. The second O. B. is a fine fellow; and not intentionally the cause of our tragedy. He does not even know about it. He’s down with the fever at present and they haven’t told him. When he’s better we may hear something; but I doubt even that.”

“Tell me about it.”

Sweetwater complied; and such is the unconsciousness with which we often encounter the pivotal circumstance upon which our future or the future of our most cherished undertaking hangs, he omitted from his story, the sole discovery which was of any real importance in the unravelling of the mystery in which they were so deeply concerned. He said nothing of his walk in the woods or of what he saw there.

“A meagre haul,” he remarked at the close.

“But that’s as it should be, if you and I are right in our impressions and the clew to this mystery lies here in the character and daring of Orlando Brotherson. That’s why I’m not down in the mouth. Which goes to show what a grip my prejudices have on me.”

“As prejudiced as a bulldog.”

“Exactly. By the way, what news of the gentleman I’ve just mentioned? Is he as serene in my absence as when under my eye?”

“More so; he looks like a man on the verge of triumph. But I fear the triumph he anticipates has nothing to do with our affairs. All his time and thought is taken up with his invention.”

“You discourage me, sir. And now to see Mr. Challoner. Small comfort can I carry him.”

XXVII. THE IMAGE OF DREAD

In the comfortable little sitting-room of the Scott cottage Doris stood, looking eagerly from the window which gave upon the road. Behind her on the other side of the room, could be seen through a partly opened door, a neatly spread bed, with a hand lying quietly on the patched coverlet. It was a strong looking hand which, even when quiescent, conveyed the idea of purpose and vitality. As Doris said, the fingers never curled up languidly, but always with the hint of a clench. Several weeks had passed since the departure of Sweetwater and the invalid was fast gaining strength. To-morrow, he would be up.

Was Doris thinking of him? Undoubtedly, for her eyes often flashed his way; but her main attention was fixed upon the road, though no one was in sight at the moment. Some one had passed for whose return she looked; some one whom, if she had been asked to describe, she would have called a tall, fine-looking man of middle age, of a cultivated appearance seldom seen in this small manufacturing town; seldom seen, possibly, in any town. He had glanced up at the window as he went by, in a manner too marked not to excite her curiosity. Would he look up again when he came back? She was waiting there to see. Why, she did not know. She was not used to indulging in petty suppositions of this kind; her life was too busy, her anxieties too keen. The great dread looming ever before her,--the dread of that hour when she must speak,--left her very little heart for anything dissociated with this coming event. For a girl of seventeen she was unusually thoughtful. Life had been hard in this little cottage since her mother died, or rather she had felt its responsibilities keenly.

Life itself could not be hard where Oswald Brotherson lived; neither to man, nor woman. The cheer of some natures possesses a divine faculty. If it can help no other way, it does so by the aid of its own light. Such was the character of this man’s temperament. The cottage was a happy place; only--she never fathomed the depths of that only. If in these days she essayed at times to do so, she gave full credit to the Dread which rose ever before her--rose like a ghost! She, Doris, led by inscrutable Fate, was waiting to hurt him who hurt nobody; whose mere presence was a blessing.

But her interest had been caught to-day, caught by this stranger, and when during her eager watch the small messenger from the Works came to the door with the usual daily supply of books and magazines for the patient, she stepped out on the porch to speak to him and to point out the gentleman who was now rapidly returning from his stroll up the road.

“Who is that, Johnny?” she asked. “You know everybody who comes to town. What is the name of the gentleman you see coming?”

The boy looked, searched his memory, not without some show of misgiving.

“A queer name,” he admitted at last. “I never heard the likes of it here before. Shally something. Shally--Shally--”

“Challoner?”

“Yes, that’s it. How could you guess? He’s from New York. Nobody knows why he’s here. Don’t seem to have no business.”

“Well, never mind. Run on, Johnny. And don’t forget to come earlier to-morrow; Mr. Brotherson gets tired waiting.”

“Does he? I’ll come quick then; quick as I can run.” And he sped off at a pace which promised well for the morrow.

Challoner! There was but one Challoner in the world for Doris Scott,--Edith’s father. Was this he? It must be, or why this haunting sense of something half remembered as she caught a glimpse of his face. Edith’s father! and he was approaching, approaching rapidly, on his way back to town. Would he stop this time? As the possibility struck her, she trembled and drew back, entering the house, but pausing in the hall with her ear turned to the road. She had not closed the door; something within--a hope or a dread--had prevented that. Would he take it as an invitation to come in? No, no; she was not ready for such an encounter yet. He might speak Edith’s name; Oswald might hear and--with a gasp she recognised the closeness of his step; heard it lag, almost halt just where the path to the house ran into the roadside. But it passed on. He was not going to force an interview yet. She could hear him retreating further and further away. The event was not for this day, thank God! She would have one night at least in which to prepare herself.

With a sense of relief so great that she realised, for one shocked moment, the full extent of her fears, she hastened back into the sitting-room, with her collection of books and pamphlets. A low voice greeted her. It came from the adjoining room.

“Doris, come here, sweet child. I want you.”

How she would have bounded joyously at the summons, had not that Dread raised its bony finger in every call from that dearly loved voice. As it was, her feet moved slowly, lingering at the sound. But they carried her to his side at last, and once there, she smiled.

“See what an armful,” she cried in joyous greeting, as she held out the bundle she had brought. “You will be amused all day. Only, do not tire yourself.”

“I do not want the papers, Doris; not yet. There’s something else which must come first. Doris, I have decided to let you write to her. I’m so much better now, she will not feel alarmed. I must--must get a word from her. I’m starving for it. I lie here and can think of nothing else. A message--one little message of six short words would set me on my feet again. So get your paper and pen, dear child, and write her one of your prettiest letters.”

Had he loved her, he would have perceived the chill which shook her whole body, as he spoke. But his first thought, his penetrating thought, was not for her and he saw only the answering glance, the patient smile. She had not expected him to see more. She knew that she was quite safe from the divining look; otherwise, he would have known her secret long ago.

“I’m ready,” said she. But she did not lay down her bundle. She was not ready for her task, poor child. She quailed before it. She quailed so much that she feared to stir lest he should see that she had no command over her movements.

The man who watched without seeing wondered that she stood so still and spoke so briefly. But only for a moment. He thought he understood her hesitation, and a look of great earnestness replaced his former one of grave decision.

“I know that in doing this I am going beyond my sacred compact with Miss Challoner,” he said. “I never thought of illness,--at least, of illness on my part. I never dreamt that I, always so well, always so full of life, could know such feebleness as this, feebleness which is all of the body, Doris, leaving the mind free to dream and long. Talk of her, child. Tell me all over again just how she looked and spoke that day you saw her in New York.”

“Would it not be better for me to write my letter first? Papa will be coming soon and Truda can never cook your bird as you like it.”

Surprised now by something not quite natural in her manner, he caught at her hand and held her as she was moving away.

“You are tired,” said he. “I’ve wearied you with my commission and complaints. Forgive me, dear child, and--”

“You are mistaken,” she interrupted softly. “I am not tired; I only wished to do the important thing first. Shall I get my desk? Do you really wish me to write?”

“Yes,” said he, softly dropping her hand. “I wish you to write. It will ensure me good sleep, and sleep will make me strong. A few words, Doris; just a few words.”

She nodded; turning quickly away to hide her tears. His smile had gone to her very soul. It was always a beautiful one, his chief personal attraction, but at this moment it seemed to concentrate within it the unspoken fervours and the boundless expectations of a great love, and she who was the aim and cause of all this sweetness lay in unresponsive silence in a distant tomb!

But Doris’ own smile was not lacking in encouragement and beauty when she came back a few minutes later and sat down by his side to write. His melted before it, leaving his eyes very earnest as he watched her bending figure and the hard-worked little hand at its unaccustomed task.

“I must give her daily exercises,” he decided within himself. “That look of pain shows how difficult this work is for her. It must be made easy at any cost to my time. Such beauty calls for accomplishment. I must not neglect so plain a duty.”

Meantime, she was struggling to find words in face of that great Dread. She had written Dear Miss Challoner and was staring in horror at the soulless words. Only her sense of duty upheld her. Gladly would she have torn the sheet in two and rushed away. How could she add sentences to this hollow phrase, the mere employment of which seemed a sacrilege. Dear Miss Challoner. Oh, she was dear, but--

Unconsciously the young head drooped, and the pen slid from her hand.

“I cannot,” she murmured, “I cannot think what to say.”

“Shall I help you?” came softly from the bed. “I’ll try and not forget that it is Doris writing.”

“If you will be so good,” she answered, with renewed courage. “I can put the words down if you will only find them for me.”

“Write then. ‘Dear Miss Challoner!”

“I have already written that.”

“Why do you shudder?”

“I’m cold. I’ve been cold all day. But never mind that, Mr. Brotherson. Tell me how to begin my letter.”

“This way. ‘I’ve not been able to answer your kind letter, because I have had to play nurse for some three or four weeks to a very fretful and exacting patient.’ Have you written that?”

“No,” said Doris, bending over her desk till her curls fell in a tangle over her white cheeks. “I do not like to,” she protested at last, with an attempt at naivete which seemed real enough to him.

“Well, leave out the fretful if you must, but keep in the exacting. I have been exacting, you know.”

Silence, broken only by the scratching of the stubborn, illy-directed pen.

“It’s down,” she whispered. She said, afterward, that it was like writing with a ghost looking over one’s shoulder.

“Then add, ‘Mr. Brotherson has had a slight attack of fever, but he is getting well fast, and will soon--, Do I run on too quickly?”

“No, no, I can follow.”

“But not without losing breath; eh, Doris?”

As he laughed, she smiled. There was a heroism in that smile, Oswald Brotherson, of which you knew nothing.

“You might speak a little more slowly,” she admitted.

Quietly he repeated the last phrase. “‘But he is getting well fast and will soon be ready to take up the management of the Works which was given him just before he was taken ill.’ That will show her that I am working up,” he brightly remarked as Doris carefully penned the last word. “Of myself you need say nothing more, unless--” he paused and his face took on a wistful look which Doris dared not meet; “unless--but no, no, she must think it has been only a passing indisposition. If she knew I had been really ill, she would suffer, and perhaps act imprudently or suffer and not dare to act at all, which might be sadder for her still. Leave it where it is and begin about yourself. Write a good deal about yourself, so that she will see that you are not worried and that all is well with us here. Cannot you do that without assistance? Surely you can tell her about that last piece of embroidery you showed me. She will be glad to hear--why, Doris!”

“Oh, Mr. Brotherson,” the poor child burst out, “you must let me cry! I’m so glad to see you better and interested in all sorts of things. These are not tears of grief. I--I--but I’m forgetting what the doctor told me. You are growing excited, and I was to see that you were calm, always calm. I will take my desk away. I will write the rest in the other room, while you look at the magazines.”

“But bring your letter back for me to seal. I want to see it in its envelope. Oh, Doris, you are a good little girl!”

She shook her head, and hastened to hide herself from him in the other room; and it was a long time before she came back with the letter folded and in its envelope. When she did, her face was composed and her manner natural. She had quite made up her mind what her duty was and how she was going to perform it.

“Here is the letter,” said she, laying it in his outstretched hand. Then she turned her back. She knew, with a woman’s unerring instinct why he wished to handle it before it went. She felt that kiss he folded away in it, in every fibre of her aroused and sympathetic heart, but the hardest part of the ordeal was over and her eyes beamed softly when she turned again to take it from his hand and affix the stamp.

“You will mail it yourself?” he asked. “I should like to have you put it into the box with your own hand.”

“I will put it in to-night, after supper,” she promised him.