Chapter V: Vasari's opinion of tarsia, 17

Veneering, operation of, 108

Veneers for marquetry, thickness of, 109, 110

Venice, Sacristy of S. Elena, 57, 58

Venice, tarsia in Sacristy of S. Mark's, 67, 68, 69

Verona, Sacristy of S. Anastasia, 10

Volthurn Castle, near Brixen, 90

Von Soest, Albert, 86

Vordt, 92

Vriese, Vriedemann, 86

W

Wallace Collection, Cabinet by Claude Charles Saunier, 95

Wallace Collection, Cabinets by Oeben and Riesener, 99, 100

Wallace Collection, jewel box by Conrad Cornier, 88

Webb, Stephen, paper at the Society of Arts, 128

Wegener, Adam, figure cutter, 87

Weiskopf, Wolf, 84

Winkler, Simon, 85

Wood, exceptional scantlings used by the ancients, 6, 7

Woods, combinations of, for marquetry, 111

Woods in use in England for marquetry, 112
---- used by the marqueteurs of Nice, 115
---- used by Riesener, 101
---- used in Barili's panel, 38
---- used in the best period, 106
---- used in stalls, Cathedral, Orvieto, 10
---- used on the Continent for veneers, 111

Z

Zambelli, of Bergamo, Stefano di Antoniuolo de, 46, 73

Zampiero da Padova, 73

Zanetto da Bergamo, 72, 73

_Willam Hodge & Co., Glasgow and Edinburgh_

End of Project Gutenberg's Intarsia and Marquetry, by F. Hamilton Jackson