Chapter IX: Conclusion (1)

Now there are two curious circumstances to be observed in this relation of my uncle's, who was, as I have said, a perfectly veracious man.

First--The wax candle which he took from the press in the parlour and burnt at his bedside on that horrible night was unquestionably, according to the testimony of the old deaf servant, who had been fifty years at Wauling, that identical piece of "holy candle" which had stood in the fingers of the poor lady's corpse, and concerning which the old Irish crone, long since dead, had delivered the curious curse I have mentioned against the Captain.

Secondly--Behind the drawer under the looking-glass, he did actually discover a second but secret drawer, in which were concealed the identical papers which he had suspected the attorney of having made away with. There were circumstances, too, afterwards disclosed which convinced my uncle that the old man had deposited them there preparatory to burning them, which he had nearly made up his mind to do.

Now, a very remarkable ingredient in this tale of my Uncle Watson was this, that so far as my father, who had never seen Captain Walshawe in the course of his life, could gather, the phantom had exhibited a horrible and grotesque, but unmistakeable resemblance to that defunct scamp in the various stages of his long life.

Wauling was sold in the year 1837, and the old house shortly after pulled down, and a new one built nearer to the river. I often wonder whether it was rumoured to be haunted, and, if so, what stories were current about it. It was a commodious and stanch old house, and withal rather handsome; and its demolition was certainly suspicious.

THE CHILD THAT WENT WITH THE FAIRIES

Eastward of the old city of Limerick, about ten Irish miles under the range of mountains known as the Slieveelim hills, famous as having afforded Sarsfield a shelter among their rocks and hollows, when he crossed them in his gallant descent upon the cannon and ammunition of King William, on its way to the beleaguering army, there runs a very old and narrow road. It connects the Limerick road to Tipperary with the old road from Limerick to Dublin, and runs by bog and pasture, hill and hollow, straw-thatched village, and roofless castle, not far from twenty miles.

Skirting the healthy mountains of which I have spoken, at one part it becomes singularly lonely. For more than three Irish miles it traverses a deserted country. A wide, black bog, level as a lake, skirted with copse, spreads at the left, as you journey northward, and the long and irregular line of mountain rises at the right, clothed in heath, broken with lines of grey rock that resemble the bold and irregular outlines of fortifications, and riven with many a gully, expanding here and there into rocky and wooded glens, which open as they approach the road.

A scanty pasturage, on which browsed a few scattered sheep or kine, skirts this solitary road for some miles, and under shelter of a hillock, and of two or three great ash-trees, stood, not many years ago, the little thatched cabin of a widow named Mary Ryan.

Poor was this widow in a land of poverty. The thatch had acquired the grey tint and sunken outlines, that show how the alternations of rain and sun have told upon that perishable shelter.

But whatever other dangers threatened, there was one well provided against by the care of other times. Round the cabin stood half a dozen mountain ashes, as the rowans, inimical to witches, are there called. On the worn planks of the door were nailed two horse-shoes, and over the lintel and spreading along the thatch, grew, luxuriant, patches of that ancient cure for many maladies, and prophylactic against the machinations of the evil one, the house-leek. Descending into the doorway, in the _chiaroscuro_ of the interior, when your eye grew sufficiently accustomed to that dim light, you might discover, hanging at the head of the widow's wooden-roofed bed, her beads and a phial of holy water.

Here certainly were defences and bulwarks against the intrusion of that unearthly and evil power, of whose vicinity this solitary family were constantly reminded by the outline of Lisnavoura, that lonely hillhaunt of the "Good people," as the fairies are called euphemistically, whose strangely dome-like summit rose not half a mile away, looking like an outwork of the long line of mountain that sweeps by it.

It was at the fall of the leaf, and an autumnal sunset threw the lengthening shadow of haunted Lisnavoura, close in front of the solitary little cabin, over the undulating slopes and sides of Slieveelim. The birds were singing among the branches in the thinning leaves of the melancholy ash-trees that grew at the roadside in front of the door. The widow's three younger children were playing on the road, and their voices mingled with the evening song of the birds. Their elder sister, Nell, was "within in the house," as their phrase is, seeing after the boiling of the potatoes for supper.

Their mother had gone down to the bog, to carry up a hamper of turf on her back. It is, or was at least, a charitable custom--and if not disused, long may it continue--for the wealthier people when cutting their turf and stacking it in the bog, to make a smaller stack for the behoof of the poor, who were welcome to take from it so long as it lasted, and thus the potato pot was kept boiling, and hearth warm that would have been cold enough but for that good-natured bounty, through wintry months.

Moll Ryan trudged up the steep "bohereen" whose banks were overgrown with thorn and brambles, and stooping under her burden, re-entered her door, where her dark-haired daughter Nell met her with a welcome, and relieved her of her hamper.

Moll Ryan looked round with a sigh of relief, and drying her forehead, uttered the Munster ejaculation:

"Eiah, wisha! It's tired I am with it, God bless it. And where's the craythurs, Nell?"

"Playin' out on the road, mother; didn't ye see them and you comin' up?"

"No; there was no one before me on the road," she said, uneasily; "not a soul, Nell; and why didn't ye keep an eye on them?"

"Well, they're in the haggard, playin' there, or round by the back o' the house. Will I call them in?"

"Do so, good girl, in the name o' God. The hens is comin' home, see, and the sun was just down over Knockdoulah, an' I comin' up."

So out ran tall, dark-haired Nell, and standing on the road, looked up and down it; but not a sign of her two little brothers, Con and Bill, or her little sister, Peg, could she see. She called them; but no answer came from the little haggard, fenced with straggling bushes. She listened, but the sound of their voices was missing. Over the stile, and behind the house she ran--but there all was silent and deserted.

She looked down toward the bog, as far as she could see; but they did not appear. Again she listened--but in vain. At first she had felt angry, but now a different feeling overcame her, and she grew pale. With an undefined boding she looked toward the heathy boss of Lisnavoura, now darkening into the deepest purple against the flaming sky of sunset.

Again she listened with a sinking heart, and heard nothing but the farewell twitter and whistle of the birds in the bushes around. How many stories had she listened to by the winter hearth, of children stolen by the fairies, at nightfall, in lonely places! With this fear she knew her mother was haunted.

No one in the country round gathered her little flock about her so early as this frightened widow, and no door "in the seven parishes" was barred so early.

Sufficiently fearful, as all young people in that part of the world are of such dreaded and subtle agents, Nell was even more than usually afraid of them, for her terrors were infected and redoubled by her mother's. She was looking towards Lisnavoura in a trance of fear, and crossed herself again and again, and whispered prayer after prayer. She was interrupted by her mother's voice on the road calling her loudly. She answered, and ran round to the front of the cabin, where she found her standing.

"And where in the world's the craythurs--did ye see sight o' them anywhere?" cried Mrs. Ryan, as the girl came over the stile.

"Arrah! mother, 'tis only what they're run down the road a bit. We'll see them this minute coming back. It's like goats they are, climbin' here and runnin' there; an' if I had them here, in my hand, maybe I wouldn't give them a hiding all round."

"May the Lord forgive you, Nell! the childhers gone. They're took, and not a soul near us, and Father Tom three miles away! And what'll I do, or who's to help us this night? Oh, wirristhru, wirristhru! The craythurs is gone!"

"Whisht, mother, be aisy: don't ye see them comin' up?"

And then she shouted in menacing accents, waving her arm, and beckoning the children, who were seen approaching on the road, which some little way off made a slight dip, which had concealed them. They were approaching from the westward, and from the direction of the dreaded hill of Lisnavoura.

But there were only two of the children, and one of them, the little girl, was crying. Their mother and sister hurried forward to meet them, more alarmed than ever.

"Where is Billy--where is he?" cried the mother, nearly breathless, so soon as she was within hearing.

"He's gone--they took him away; but they said he'll come back again," answered little Con, with the dark brown hair.

"He's gone away with the grand ladies," blubbered the little girl.

"What ladies--where? Oh, Leum, asthora! My darlin', are you gone away at last? Where is he? Who took him? What ladies are you talkin' about? What way did he go?" she cried in distraction.

"I couldn't see where he went, mother; 'twas like as if he was going to Lisnavoura."

With a wild exclamation the distracted woman ran on towards the hill alone, clapping her hands, and crying aloud the name of her lost child.

Scared and horrified, Nell, not daring to follow, gazed after her, and burst into tears; and the other children raised high their lamentations in shrill rivalry.

Twilight was deepening. It was long past the time when they were usually barred securely within their habitation. Nell led the younger children into the cabin, and made them sit down by the turf fire, while she stood in the open door, watching in great fear for the return of her mother.

After a long while they did see their mother return. She came in and sat down by the fire, and cried as if her heart would break.

"Will I bar the doore, mother?" asked Nell.

"Ay, do--didn't I lose enough, this night, without lavin' the doore open, for more o' yez to go; but first take an' sprinkle a dust o' the holy waters over ye, acuishla, and bring it here till I throw a taste iv it over myself and the craythurs; an' I wondher, Nell, you'd forget to do the like yourself, lettin' the craythurs out so near nightfall. Come here and sit on my knees, asthora, come to me, mavourneen, and hould me fast, in the name o' God, and I'll hould you fast that none can take yez from me, and tell me all about it, and what it was--the Lord between us and harm--an' how it happened, and who was in it."

And the door being barred, the two children, sometimes speaking together, often interrupting one another, often interrupted by their mother, managed to tell this strange story, which I had better relate connectedly and in my own language.

The Widow Ryan's three children were playing, as I have said, upon the narrow old road in front of her door. Little Bill or Leum, about five years old, with golden hair and large blue eyes, was a very pretty boy, with all the clear tints of healthy childhood, and that gaze of earnest simplicity which belongs not to town children of the same age. His little sister Peg, about a year older, and his brother Con, a little more than a year elder than she, made up the little group.

Under the great old ash-trees, whose last leaves were falling at their feet, in the light of an October sunset, they were playing with the hilarity and eagerness of rustic children, clamouring together, and their faces were turned toward the west and storied hill of Lisnavoura.

Suddenly a startling voice with a screech called to them from behind, ordering them to get out of the way, and turning, they saw a sight, such as they never beheld before. It was a carriage drawn by four horses that were pawing and snorting, in impatience, as it just pulled up. The children were almost under their feet, and scrambled to the side of the road next their own door.

This carriage and all its appointments were old-fashioned and gorgeous, and presented to the children, who had never seen anything finer than a turf car, and once, an old chaise that passed that way from Killaloe, a spectacle perfectly dazzling.

Here was antique splendour. The harness and trappings were scarlet, and blazing with gold. The horses were huge, and snow white, with great manes, that as they tossed and shook them in the air, seemed to stream and float sometimes longer and sometimes shorter, like so much smoke--their tails were long, and tied up in bows of broad scarlet and gold ribbon. The coach itself was glowing with colours, gilded and emblazoned. There were footmen in gay liveries, and three-cocked hats, like the coachman's; but he had a great wig, like a judge's, and their hair was frizzed out and powdered, and a long thick "pigtail," with a bow to it, hung down the back of each.

All these servants were diminutive, and ludicrously out of proportion with the enormous horses of the equipage, and had sharp, sallow features, and small, restless fiery eyes, and faces of cunning and malice that chilled the children. The little coachman was scowling and showing his white fangs under his cocked hat, and his little blazing beads of eyes were quivering with fury in their sockets as he whirled his whip round and round over their heads, till the lash of it looked like a streak of fire in the evening sun, and sounded like the cry of a legion of "fillapoueeks" in the air.

"Stop the princess on the highway!" cried the coachman, in a piercing treble.

"Stop the princess on the highway!" piped each footman in turn, scowling over his shoulder down on the children, and grinding his keen teeth.

The children were so frightened they could only gape and turn white in their panic. But a very sweet voice from the open window of the carriage reassured them, and arrested the attack of the lackeys.

A beautiful and "very grand-looking" lady was smiling from it on them, and they all felt pleased in the strange light of that smile.

"The boy with the golden hair, I think," said the lady, bending her large and wonderfully clear eyes on little Leum.

The upper sides of the carriage were chiefly of glass, so that the children could see another woman inside, whom they did not like so well.

This was a black woman, with a wonderfully long neck, hung round with many strings of large variously-coloured beads, and on her head was a sort of turban of silk striped with all the colours of the rainbow, and fixed in it was a golden star.

This black woman had a face as thin almost as a death's-head, with high cheekbones, and great goggle eyes, the whites of which, as well as her wide range of teeth, showed in brilliant contrast with her skin, as she looked over the beautiful lady's shoulder, and whispered something in her ear.

"Yes; the boy with the golden hair, I think," repeated the lady.

And her voice sounded sweet as a silver bell in the children's ears, and her smile beguiled them like the light of an enchanted lamp, as she leaned from the window with a look of ineffable fondness on the golden-haired boy, with the large blue eyes; insomuch that little Billy, looking up, smiled in return with a wondering fondness, and when she stooped down, and stretched her jewelled arms towards him, he stretched his little hands up, and how they touched the other children did not know; but, saying, "Come and give me a kiss, my darling," she raised him, and he seemed to ascend in her small fingers as lightly as a feather, and she held him in her lap and covered him with kisses.

Nothing daunted, the other children would have been only too happy to change places with their favoured little brother. There was only one thing that was unpleasant, and a little frightened them, and that was the black woman, who stood and stretched forward, in the carriage as before. She gathered a rich silk and gold handkerchief that was in her fingers up to her lips, and seemed to thrust ever so much of it, fold after fold, into her capacious mouth, as they thought to smother her laughter, with which she seemed convulsed, for she was shaking and quivering, as it seemed, with suppressed merriment; but her eyes, which remained uncovered, looked angrier than they had ever seen eyes look before.

But the lady was so beautiful they looked on her instead, and she continued to caress and kiss the little boy on her knee; and smiling at the other children she held up a large russet apple in her fingers, and the carriage began to move slowly on, and with a nod inviting them to take the fruit, she dropped it on the road from the window; it rolled some way beside the wheels, they following, and then she dropped another, and then another, and so on. And the same thing happened to all; for just as either of the children who ran beside had caught the rolling apple, somehow it slipt into a hole or ran into a ditch, and looking up they saw the lady drop another from the window, and so the chase was taken up and continued till they got, hardly knowing how far they had gone, to the old cross-road that leads to Owney. It seemed that there the horses' hoofs and carriage wheels rolled up a wonderful dust, which being caught in one of those eddies that whirl the dust up into a column, on the calmest day, enveloped the children for a moment, and passed whirling on towards Lisnavoura, the carriage, as they fancied, driving in the centre of it; but suddenly it subsided, the straws and leaves floated to the ground, the dust dissipated itself, but the white horses and the lackeys, the gilded carriage, the lady and their little golden-haired brother were gone.

At the same moment suddenly the upper rim of the clear setting sun disappeared behind the hill of Knockdoula, and it was twilight. Each child felt the transition like a shock--and the sight of the rounded summit of Lisnavoura, now closely overhanging them, struck them with a new fear.

They screamed their brother's name after him, but their cries were lost in the vacant air. At the same time they thought they heard a hollow voice say, close to them, "Go home."

Looking round and seeing no one, they were scared, and hand in hand--the little girl crying wildly, and the boy white as ashes, from fear, they trotted homeward, at their best speed, to tell, as we have seen, their strange story.

Molly Ryan never more saw her darling. But something of the lost little boy was seen by his former playmates.

Sometimes when their mother was away earning a trifle at haymaking, and Nelly washing the potatoes for their dinner, or "beatling" clothes in the little stream that flows in the hollow close by, they saw the pretty face of little Billy peeping in archly at the door, and smiling silently at them, and as they ran to embrace him, with cries of delight, he drew back, still smiling archly, and when they got out into the open day, he was gone, and they could see no trace of him anywhere.

This happened often, with slight variations in the circumstances of the visit. Sometimes he would peep for a longer time, sometimes for a shorter time, sometimes his little hand would come in, and, with bended finger, beckon them to follow; but always he was smiling with the same arch look and wary silence--and always he was gone when they reached the door. Gradually these visits grew less and less frequent, and in about eight months they ceased altogether, and little Billy, irretrievably lost, took rank in their memories with the dead.

One wintry morning, nearly a year and a half after his disappearance, their mother having set out for Limerick soon after cockcrow, to sell some fowls at the market, the little girl, lying by the side of her elder sister, who was fast asleep, just at the grey of the morning heard the latch lifted softly, and saw little Billy enter and close the door gently after him. There was light enough to see that he was barefoot and ragged, and looked pale and famished. He went straight to the fire, and cowered over the turf embers, and rubbed his hands slowly, and seemed to shiver as he gathered the smouldering turf together.

The little girl clutched her sister in terror and whispered, "Waken, Nelly, waken; here's Billy come back!"

Nelly slept soundly on, but the little boy, whose hands were extended close over the coals, turned and looked toward the bed, it seemed to her, in fear, and she saw the glare of the embers reflected on his thin cheek as he turned toward her. He rose and went, on tiptoe, quickly to the door, in silence, and let himself out as softly as he had come in.

After that, the little boy was never seen any more by any one of his kindred.

"Fairy doctors," as the dealers in the preternatural, who in such cases were called in, are termed, did all that in them lay--but in vain. Father Tom came down, and tried what holier rites could do, but equally without result. So little Billy was dead to mother, brother, and sisters; but no grave received him. Others whom affection cherished, lay in holy ground, in the old churchyard of Abington, with headstone to mark the spot over which the survivor might kneel and say a kind prayer for the peace of the departed soul. But there was no landmark to show where little Billy was hidden from their loving eyes, unless it was in the old hill of Lisnavoura, that cast its long shadow at sunset before the cabin-door; or that, white and filmy in the moonlight, in later years, would occupy his brother's gaze as he returned from fair or market, and draw from him a sigh and a prayer for the little brother he had lost so long ago, and was never to see again.

STORIES OF LOUGH GUIR

When the present writer was a boy of twelve or thirteen, he first made the acquaintance of Miss Anne Baily, of Lough Guir, in the county of Limerick. She and her sister were the last representatives at that place, of an extremely good old name in the county. They were both what is termed "old maids," and at that time past sixty. But never were old ladies more hospitable, lively, and kind, especially to young people. They were both remarkably agreeable and clever. Like all old county ladies of their time, they were great genealogists, and could recount the origin, generations, and intermarriages, of every county family of note.

These ladies were visited at their house at Lough Guir by Mr. Crofton Croker; and are, I think, mentioned, by name, in the second series of his fairy legends; the series in which (probably communicated by Miss Anne Baily), he recounts some of the picturesque traditions of those beautiful lakes--lakes, I should no longer say, for the smaller and prettier has since been drained, and gave up from its depths some long lost and very interesting relics.

In their drawing-room stood a curious relic of another sort: old enough, too, though belonging to a much more modern period. It was the ancient stirrup cup of the hospitable house of Lough Guir. Crofton Croker has preserved a sketch of this curious glass. I have often had it in my hand. It had a short stem; and the cup part, having the bottom rounded, rose cylindrically, and, being of a capacity to contain a whole bottle of claret, and almost as narrow as an old-fashioned ale glass, was tall to a degree that filled me with wonder. As it obliged the rider to extend his arm as he raised the glass, it must have tried a tipsy man, sitting in the saddle, pretty severely. The wonder was that the marvellous tall glass had come down to our times without a crack.

There was another glass worthy of remark in the same drawing-room. It was gigantic, and shaped conically, like one of those old-fashioned jelly glasses which used to be seen upon the shelves of confectioners. It was engraved round the rim with the words, "The glorious, pious, and immortal memory"; and on grand occasions, was filled to the brim, and after the manner of a loving cup, made the circuit of the Whig guests, who owed all to the hero whose memory its legend invoked.

It was now but the transparent phantom of those solemn convivialities of a generation, who lived, as it were, within hearing of the cannon and shoutings of those stirring times. When I saw it, this glass had long retired from politics and carousals, and stood peacefully on a little table in the drawing-room, where ladies' hands replenished it with fair water, and crowned it daily with flowers from the garden.

Miss Anne Baily's conversation ran oftener than her sister's upon the legendary and supernatural; she told her stories with the sympathy, the colour, and the mysterious air which contribute so powerfully to effect, and never wearied of answering questions about the old castle, and amusing her young audience with fascinating little glimpses of old adventure and bygone days. My memory retains the picture of my early friend very distinctly. A slim straight figure, above the middle height; a general likeness to the full-length portrait of that delightful Countess d'Aulnois, to whom we all owe our earliest and most brilliant glimpses of fairy-land; something of her gravely-pleasant countenance, plain, but refined and ladylike, with that kindly mystery in her side-long glance and uplifted finger, which indicated the approaching climax of a tale of wonder.

Lough Guir is a kind of centre of the operations of the Munster fairies. When a child is stolen by the "good people," Lough Guir is conjectured to be the place of its unearthly transmutation from the human to the fairy state. And beneath its waters lie enchanted, the grand old castle of the Desmonds, the great earl himself, his beautiful young countess, and all the retinue that surrounded him in the years of his splendour, and at the moment of his catastrophe.

Here, too, are historic associations. The huge square tower that rises at one side of the stable-yard close to the old house, to a height that amazed my young eyes, though robbed of its battlements and one story, was a stronghold of the last rebellious Earl of Desmond, and is specially mentioned in that delightful old folio, the _Hibernia Pacata_, as having, with its Irish garrison on the battlements, defied the army of the lord deputy, then marching by upon the summits of the overhanging hills. The house, built under shelter of this stronghold of the once proud and turbulent Desmonds, is old, but snug, with a multitude of small low rooms, such as I have seen in houses of the same age in Shropshire and the neighbouring English counties.

The hills that overhang the lakes appeared to me, in my young days (and I have not seen them since), to be clothed with a short soft verdure, of a hue so dark and vivid as I had never seen before.

In one of the lakes is a small island, rocky and wooded, which is believed by the peasantry to represent the top of the highest tower of the castle which sank, under a spell, to the bottom. In certain states of the atmosphere, I have heard educated people say, when in a boat you have reached a certain distance, the island appears to rise some feet from the water, its rocks assume the appearance of masonry, and the whole circuit presents very much the effect of the battlements of a castle rising above the surface of the lake.

This was Miss Anne Baily's story of the submersion of this lost castle:

_The Magician Earl_

It is well known that the great Earl of Desmond, though history pretends to dispose of him differently, lives to this hour enchanted in his castle, with all his household, at the bottom of the lake.

There was not, in his day, in all the world, so accomplished a magician as he. His fairest castle stood upon an island in the lake, and to this he brought his young and beautiful bride, whom he loved but too well; for she prevailed upon his folly to risk all to gratify her imperious caprice.

They had not been long in this beautiful castle, when she one day presented herself in the chamber in which her husband studied his forbidden art, and there implored him to exhibit before her some of the wonders of his evil science. He resisted long; but her entreaties, tears, and wheedlings were at length too much for him and he consented.

But before beginning those astonishing transformations with which he was about to amaze her, he explained to her the awful conditions and dangers of the experiment.

Alone in this vast apartment, the walls of which were lapped, far below, by the lake whose dark waters lay waiting to swallow them, she must witness a certain series of frightful phenomena, which once commenced, he could neither abridge nor mitigate; and if throughout their ghastly succession she spoke one word, or uttered one exclamation, the castle and all that it contained would in one instant subside to the bottom of the lake, there to remain, under the servitude of a strong spell, for ages.

The dauntless curiosity of the lady having prevailed, and the oaken door of the study being locked and barred, the fatal experiments commenced.

Muttering a spell, as he stood before her, feathers sprouted thickly over him, his face became contracted and hooked, a cadaverous smell filled the air, and, with heavy winnowing wings, a gigantic vulture rose in his stead, and swept round and round the room, as if on the point of pouncing upon her.

The lady commanded herself through this trial, and instantly another began.

The bird alighted near the door, and in less than a minute changed, she saw not how, into a horribly deformed and dwarfish hag: who, with yellow skin hanging about her face and enormous eyes, swung herself on crutches toward the lady, her mouth foaming with fury, and her grimaces and contortions becoming more and more hideous every moment, till she rolled with a yell on the floor, in a horrible convulsion, at the lady's feet, and then changed into a huge serpent, with crest erect, and quivering tongue. Suddenly, as it seemed on the point of darting at her, she saw her husband in its stead, standing pale before her, and, with his finger on his lip, enforcing the continued necessity of silence. He then placed himself at his length on the floor, and began to stretch himself out and out, longer and longer, until his head nearly reached to one end of the vast room, and his feet to the other.

This horror overcame her. The ill-starred lady uttered a wild scream, whereupon the castle and all that was within it, sank in a moment to the bottom of the lake.

But, once in every seven years, by night, the Earl of Desmond and his retinue emerge, and cross the lake, in shadowy cavalcade. His white horse is shod with silver. On that one night, the earl may ride till daybreak, and it behoves him to make good use of his time; for, until the silver shoes of his steed be worn through, the spell that holds him and his beneath the lake, will retain its power.

When I (Miss Anne Baily) was a child, there was still living a man named Teigue O'Neill, who had a strange story to tell.

He was a smith, and his forge stood on the brow of the hill, overlooking the lake, on a lonely part of the road to Cahir Conlish. One bright moonlight night, he was working very late, and quite alone. The clink of his hammer, and the wavering glow reflected through the open door on the bushes at the other side of the narrow road, were the only tokens that told of life and vigil for miles around.

In one of the pauses of his work, he heard the ring of many hoofs ascending the steep road that passed his forge, and, standing in this doorway, he was just in time to see a gentleman, on a white horse, who was dressed in a fashion the like of which the smith had never seen before. This man was accompanied and followed by a mounted retinue, as strangely dressed as he.

They seemed, by the clang and clatter that announced their approach, to be riding up the hill at a hard hurry-scurry gallop; but the pace abated as they drew near, and the rider of the white horse who, from his grave and lordly air, he assumed to be a man of rank, and accustomed to command, drew bridle and came to a halt before the smith's door.

He did not speak, and all his train were silent, but he beckoned to the smith, and pointed down to one of his horse's hoofs.

Teigue stooped and raised it, and held it just long enough to see that it was shod with a silver shoe; which, in one place, he said, was worn as thin as a shilling. Instantaneously, his situation was made apparent to him by this sign, and he recoiled with a terrified prayer. The lordly rider, with a look of pain and fury, struck at him suddenly, with something that whistled in the air like a whip; and an icy streak seemed to traverse his body as if he had been cut through with a leaf of steel. But he was without scathe or scar, as he afterwards found. At the same moment he saw the whole cavalcade break into a gallop and disappear down the hill, with a momentary hurtling in the air, like the flight of a volley of cannon shot.

Here had been the earl himself. He had tried one of his accustomed stratagems to lead the smith to speak to him. For it is well known that either for the purpose of abridging or of mitigating his period of enchantment, he seeks to lead people to accost him. But what, in the event of his succeeding, would befall the person whom he had thus ensnared, no one knows.

_Moll Rial's Adventure_

When Miss Anne Baily was a child, Moll Rial was an old woman. She had lived all her days with the Bailys of Lough Guir; in and about whose house, as was the Irish custom of those days, were a troop of bare-footed country girls, scullery maids, or laundresses, or employed about the poultry yard, or running of errands.

Among these was Moll Rial, then a stout good-humoured lass, with little to think of, and nothing to fret about. She was once washing clothes by the process known universally in Munster as beetling. The washer stands up to her ankles in water, in which she has immersed the clothes, which she lays in that state on a great flat stone, and smacks with lusty strokes of an instrument which bears a rude resemblance to a cricket bat, only shorter, broader, and light enough to be wielded freely with one hand. Thus, they smack the dripping clothes, turning them over and over, sousing them in the water, and replacing them on the same stone, to undergo a repetition of the process, until they are thoroughly washed.

Moll Rial was plying her "beetle" at the margin of the lake, close under the old house and castle. It was between eight and nine o'clock on a fine summer morning, everything looked bright and beautiful. Though quite alone, and though she could not see even the windows of the house (hidden from her view by the irregular ascent and some interposing bushes), her loneliness was not depressing.

Standing up from her work, she saw a gentleman walking slowly down the slope toward her. He was a "grand-looking" gentleman, arrayed in a flowered silk dressing-gown, with a cap of velvet on his head; and as he stepped toward her, in his slippered feet, he showed a very handsome leg. He was smiling graciously as he approached, and drawing a ring from his finger with an air of gracious meaning, which seemed to imply that he wished to make her a present, he raised it in his fingers with a pleased look, and placed it on the flat stones beside the clothes she had been beetling so industriously.

He drew back a little, and continued to look at her with an encouraging smile, which seemed to say: "You have earned your reward; you must not be afraid to take it."

The girl fancied that this was some gentleman who had arrived, as often happened in those hospitable and haphazard times, late and unexpectedly the night before, and who was now taking a little indolent ramble before breakfast.

Moll Rial was a little shy, and more so at having been discovered by so grand a gentleman with her petticoats gathered a little high about her bare shins. She looked down, therefore, upon the water at her feet, and then she saw a ripple of blood, and then another, ring after ring, coming and going to and from her feet. She cried out the sacred name in horror, and, lifting her eyes, the courtly gentleman was gone, but the blood-rings about her feet spread with the speed of light over the surface of the lake, which for a moment glowed like one vast estuary of blood.

Here was the earl once again, and Moll Rial declared that if it had not been for that frightful transformation of the water she would have spoken to him next minute, and would thus have passed under a spell, perhaps as direful as his own.

_The Banshee_

So old a Munster family as the Bailys, of Lough Guir, could not fail to have their attendant banshee. Everyone attached to the family knew this well, and could cite evidences of that unearthly distinction. I heard Miss Baily relate the only experience she had personally had of that wild spiritual sympathy.

She said that, being then young, she and Miss Susan undertook a long attendance upon the sick bed of their sister, Miss Kitty, whom I have heard remembered among her contemporaries as the merriest and most entertaining of human beings. This light-hearted young lady was dying of consumption. The sad duties of such attendance being divided among many sisters, as there then were, the night watches devolved upon the two ladies I have named: I think, as being the eldest.

It is not improbable that these long and melancholy vigils, lowering the spirits and exciting the nervous system, prepared them for illusions. At all events, one night at dead of night, Miss Baily and her sister, sitting in the dying lady's room, heard such sweet and melancholy music as they had never heard before. It seemed to them like distant cathedral music. The room of the dying girl had its windows toward the yard, and the old castle stood near, and full in sight. The music was not in the house, but seemed to come from the yard, or beyond it. Miss Anne Baily took a candle, and went down the back stairs. She opened the back door, and, standing there, heard the same faint but solemn harmony, and could not tell whether it most resembled the distant music of instruments, or a choir of voices. It seemed to come through the windows of the old castle, high in the air. But when she approached the tower, the music, she thought, came from above the house, at the other side of the yard; and thus perplexed, and at last frightened, she returned.

This aerial music both she and her sister, Miss Susan Baily, avowed that they distinctly heard, and for a long time. Of the fact she was clear, and she spoke of it with great awe.

_The Governess's Dream_

This lady, one morning, with a grave countenance that indicated something weighty upon her mind, told her pupils that she had, on the night before, had a very remarkable dream.

The first room you enter in the old castle, having reached the foot of the spiral stone stair, is a large hall, dim and lofty, having only a small window or two, set high in deep recesses in the wall. When I saw the castle many years ago, a portion of this capacious chamber was used as a store for the turf laid in to last the year.

Her dream placed her, alone, in this room, and there entered a grave-looking man, having something very remarkable in his countenance: which impressed her, as a fine portrait sometimes will, with a haunting sense of character and individuality.

In his hand this man carried a wand, about the length of an ordinary walking cane. He told her to observe and remember its length, and to mark well the measurements he was about to make, the result of which she was to communicate to Mr. Baily of Lough Guir.

From a certain point in the wall, with this wand, he measured along the floor, at right angles with the wall, a certain number of its lengths, which he counted aloud; and then, in the same way, from the adjoining wall he measured a certain number of its lengths, which he also counted distinctly. He then told her that at the point where these two lines met, at a depth of a certain number of feet which he also told her, treasure lay buried. And so the dream broke up, and her remarkable visitant vanished.

She took the girls with her to the old castle, where, having cut a switch to the length represented to her in her dream, she measured the distances, and ascertained, as she supposed, the point on the floor beneath which the treasure lay. The same day she related her dream to Mr. Baily. But he treated it laughingly, and took no step in consequence.

Some time after this, she again saw, in a dream, the same remarkable-looking man, who repeated his message, and appeared displeased. But the dream was treated by Mr. Baily as before.

The same dream occurred again, and the children became so clamorous to have the castle floor explored, with pick and shovel, at the point indicated by the thrice-seen messenger, that at length Mr. Baily consented, and the floor was opened, and a trench was sunk at the spot which the governess had pointed out.

Miss Anne Baily, and nearly all the members of the family, her father included, were present at this operation. As the workmen approached the depth described in the vision, the interest and suspense of all increased; and when the iron implements met the solid resistance of a broad flagstone, which returned a cavernous sound to the stroke, the excitement of all present rose to its acme.

With some difficulty the flag was raised, and a chamber of stone work, large enough to receive a moderately-sized crock or pit, was disclosed. Alas! it was empty. But in the earth at the bottom of it, Miss Baily said, she herself saw, as every other bystander plainly did, the circular impression of a vessel: which had stood there, as the mark seemed to indicate, for a very long time.

Both the Miss Bailys were strong in their belief hereafterwards, that the treasure which they were convinced had actually been deposited there, had been removed by some more trusting and active listener than their father had proved.

This same governess remained with them to the time of her death, which occurred some years later, under the following circumstances as extraordinary as her dream.

_The Earl's Hall_

The good governess had a particular liking for the old castle, and when lessons were over, would take her book or her work into a large room in the ancient building, called the Earl's Hall. Here she caused a table and chair to be placed for her use, and in the chiaroscuro would so sit at her favourite occupations, with just a little ray of subdued light, admitted through one of the glassless windows above her, and falling upon her table.

The Earl's Hall is entered by a narrow-arched door, opening close to the winding stair. It is a very large and gloomy room, pretty nearly square, with a lofty vaulted ceiling, and a stone floor. Being situated high in the castle, the walls of which are immensely thick, and the windows very small and few, the silence that reigns here is like that of a subterranean cavern. You hear nothing in this solitude, except perhaps twice in a day, the twitter of a swallow in one of the small windows high in the wall.

This good lady having one day retired to her accustomed solitude, was missed from the house at her wonted hour of return. This in a country house, such as Irish houses were in those days, excited little surprise, and no harm. But when the dinner hour came, which was then, in country houses, five o'clock, and the governess had not appeared, some of her young friends, it being not yet winter, and sufficient light remaining to guide them through the gloom of the dim ascent and passages, mounted the old stone stair to the level of the Earl's Hall, gaily calling to her as they approached.

There was no answer. On the stone floor, outside the door of the Earl's Hall, to their horror, they found her lying insensible. By the usual means she was restored to consciousness; but she continued very ill, and was conveyed to the house, where she took to her bed.

It was there and then that she related what had occurred to her. She had placed herself, as usual, at her little work table, and had been either working or reading--I forget which--for some time, and felt in her usual health and serene spirits. Raising her eyes, and looking towards the door, she saw a horrible-looking little man enter. He was dressed in red, was very short, had a singularly dark face, and a most atrocious countenance. Having walked some steps into the room, with his eyes fixed on her, he stopped, and beckoning to her to follow, moved back toward the door. About half way, again he stopped once more and turned. She was so terrified that she sat staring at the apparition without moving or speaking. Seeing that she had not obeyed him, his face became more frightful and menacing, and as it underwent this change, he raised his hand and stamped on the floor. Gesture, look, and all, expressed diabolical fury. Through sheer extremity of terror she did rise, and, as he turned again, followed him a step or two in the direction of the door. He again stopped, and with the same mute menace, compelled her again to follow him.

She reached the narrow stone doorway of the Earl's Hall, through which he had passed; from the threshold she saw him standing a little way off, with his eyes still fixed on her. Again he signed to her, and began to move along the short passage that leads to the winding stair. But instead of following him further, she fell on the floor in a fit.

The poor lady was thoroughly persuaded that she was not long to survive this vision, and her foreboding proved true. From her bed she never rose. Fever and delirium supervened in a few days and she died. Of course it is possible that fever, already approaching, had touched her brain when she was visited by the phantom, and that it had no external existence.

THE VISION OF TOM CHUFF

At the edge of melancholy Catstean Moor, in the north of England, with half-a-dozen ancient poplar-trees with rugged and hoary stems around, one smashed across the middle by a flash of lightning thirty summers before, and all by their great height dwarfing the abode near which they stand, there squats a rude stone house, with a thick chimney, a kitchen and bedroom on the ground-floor, and a loft, accessible by a ladder, under the shingle roof, divided into two rooms.

Its owner was a man of ill repute. Tom Chuff was his name. A shock-headed, broad-shouldered, powerful man, though somewhat short, with lowering brows and a sullen eye. He was a poacher, and hardly made an ostensible pretence of earning his bread by any honest industry. He was a drunkard. He beat his wife, and led his children a life of terror and lamentation, when he was at home. It was a blessing to his frightened little family when he absented himself, as he sometimes did, for a week or more together.

On the night I speak of he knocked at the door with his cudgel at about eight o'clock. It was winter, and the night was very dark. Had the summons been that of a bogie from the moor, the inmates of this small house could hardly have heard it with greater terror.

His wife unbarred the door in fear and haste. Her hunchbacked sister stood by the hearth, staring toward the threshold. The children cowered behind.

Tom Chuff entered with his cudgel in his hand, without speaking, and threw himself into a chair opposite the fire. He had been away two or three days. He looked haggard, and his eyes were bloodshot. They knew he had been drinking.

Tom raked and knocked the peat fire with his stick, and thrust his feet close to it. He signed towards the little dresser, and nodded to his wife, and she knew he wanted a cup, which in silence she gave him. He pulled a bottle of gin from his coat-pocket, and nearly filling the teacup, drank off the dram at a few gulps.

He usually refreshed himself with two or three drams of this kind before beating the inmates of his house. His three little children, cowering in a corner, eyed him from under a table, as Jack did the ogre in the nursery tale. His wife, Nell, standing behind a chair, which she was ready to snatch up to meet the blow of the cudgel, which might be levelled at her at any moment, never took her eyes off him; and hunchbacked Mary showed the whites of a large pair of eyes, similarly employed, as she stood against the oaken press, her dark face hardly distinguishable in the distance from the brown panel behind it.

Tom Chuff was at his third dram, and had not yet spoken a word since his entrance, and the suspense was growing dreadful, when, on a sudden, he leaned back in his rude seat, the cudgel slipped from his hand, a change and a death-like pallor came over his face.

For a while they all stared on; such was their fear of him, they dared not speak or move, lest it should prove to have been but a doze, and Tom should wake up and proceed forthwith to gratify his temper and exercise his cudgel.

In a very little time, however, things began to look so odd, that they ventured, his wife and Mary, to exchange glances full of doubt and wonder. He hung so much over the side of the chair, that if it had not been one of cyclopean clumsiness and weight, he would have borne it to the floor. A leaden tint was darkening the pallor of his face. They were becoming alarmed, and finally braving everything his wife timidly said, "Tom!" and then more sharply repeated it, and finally cried the appellative loudly, and again and again, with the terrified accompaniment, "He's dying--he's dying!" her voice rising to a scream, as she found that neither it nor her plucks and shakings of him by the shoulder had the slightest effect in recalling him from his torpor.