Chapter VII: Part I: I (7)
Claire followed me out of the room. In the little dark hall we stood close together. She had closed the door of the drawing room after her. Beyond it we heard Philibert’s high nasal voice arguing. “What do you really think, Blaise?” My sister’s voice was low and confidential. I felt her mind pressing upon me with gentle insistence.
“I don’t know.”
“But you see a great deal of her, she talks to you.”
“Yes, but not about herself.”
“Come, Blaise.”
“Not about the present, only of the past, her home over there.”
She made an impatient gesture.
“Does she never mention Philibert?”
“Never in any way that matters. How can you think--? Do you imagine then that she is vulgar?”
But Claire’s eyes, tranquil and dark with their usual mournful depths of mystery, looked at me deeply as if she had not heard.
“I am afraid,” she said, “of Bianca.”
I was startled. The idea that Claire was afraid, so afraid as to voice her fear to me in that low tone of secret confidence, seemed to make everything worse, much more miserable.
“Why?” I asked, searching her face that so often evaded me with its mockery and now was so grave and deliberate.
“She may do something.”
“What?”
“I don’t know, but she’s jealous.”
“Jealous of Jane?”
“Yes, hadn’t you noticed? She follows her about?”
“Bianca follows Jane about?”
“Just that.”
I thought how strange women are, seeing things that we none of us notice. I followed Bianca, Jane and Claire in imagination, moving about Paris in smooth rapid motors, slipping in and out of crowded streets, shops, drawing-rooms, theatres, watching each other. But how could Claire see one pursuing the other with all those people round them, all the music, the waiters, the footmen, the lights scattered along dinner-tables, the obstructing tables and chairs, the endless engagements? My mind wavered, I felt dizzy. I saw each one of the three women stepping out of her car, going into her house, the door closing upon her, hiding her from the world.
I came back to Claire’s delicate face and brooding eyes.
“But why should Bianca be jealous?”
“But why not?”
“You mean she thinks Philibert is escaping her?”
“And isn’t he?”
“I don’t know.” Suddenly I felt at the end of my strength, as if I had been undergoing a great nervous strain. “How should I know anything about Philibert? You all seem to think I know what Philibert is up to.” I felt strangely exasperated. “And what, _mon dieu_, is there exactly between Bianca and Philibert?”
“Ah,” my sister smiled faintly, “that I cannot tell you, but whatever it is, it is enough.”
“Enough to make trouble, you mean?”
“Yes, enough to make trouble.”
“Well, if you really want my opinion, it is that Jane does not bother at all about Bianca.” And I began irritably to get into my coat. But Claire, helping me on with it, still pressed me and said over my shoulder--
“So you don’t think Jane in her turn is jealous?”
“I don’t think anything about it. What I think is that it is none of my business.” And I grabbed my hat and left her, but looking back as I went down the few steps to the outer door, I saw her looking after me with an inscrutable smile, as if she had learned something from me that she had wanted to know, and I determined to keep away from such family talks in future.
I had my theory about Jane during those days, of course, but according to Clémentine I was wrong. Clémentine thinks that Jane loves Philibert even now, even now over there in that dreary little house. I can’t believe it. But what does Clémentine mean by love, anyway? Clémentine is a Latin, the smooth willing exponent and devotee of her senses. She has known love--“_elle a rencontré l’amour plusieurs fois_.” If she means anything, if there’s anything in what she says about Jane, it is that Philibert still has the power to affect Jane, to make her pulse beat quicker, even now. I wonder, but I don’t want to think about it.
I believed that winter that Jane had ceased to care for Philibert, and that that was the explanation of her strangeness, that made her appear so often like a sleep-walker. I argued that to a person like Jane it would be more terrible to no longer love than to be no longer loved. There were moments when alone in my room with her image before me, I was certain that she was beginning to despise him. How could she help it I would ask myself, and be filled with an exulting bitterness. I see now what it was. I wanted her to despise him, and so believed it. But it was not so much that I fiendishly wanted Philibert to suffer, for I did not believe he would suffer. I wanted Jane to right herself. That was it. I wanted her to get loose from her bonds that seemed to me to expose her in an attitude humiliating and pitiful. I couldn’t bear to contemplate her as Philibert’s slave. It was this thought that sent me out at night to walk the streets in a fever. Ridiculous? Perhaps. But haven’t I a phrase of Jane’s sounding in my brain even now that justifies all my sickening suspicions of the past, one phrase, the only one that she ever let fall that threw any light on her relations with her husband.
It was only the other day in St. Mary’s Plains. Time had made it possible for her to speak as she did. Ten years, fifteen, had passed, but she spoke with an icy distinctness as if controlling a shudder.
“Bianca,” she said, “was jealous of that process of corruption that she called my happiness.” But this is all too painful. I must stick to the facts of my story.
Claire’s fear was all too well founded. Bianca was jealous and Bianca was going to intervene. Philibert was slipping away from her and falling in love with his stupid wife. That could not be tolerated. She stirred uneasily. Moreover Paris was beginning to take account of Jane. People were talking about her wherever one went. They argued about whether she was ugly or just the most beautiful woman in Europe. Sides were equally divided. But what did it matter whether one called it beauty or ugliness, once her appearance had made its impression upon the receptive mind of Paris? The Byzantine Madonna or the Egyptian mummy or whatever it was that she had been said to resemble had come to life. Paris recognized her as singular, and that was all that was necessary. Soon she would be the rage. Some one would set the ball rolling. Bianca saw it all quite clearly. Like a little witch bending over a boiling pot she made her preparations. It would be funny to think of if it had not come off just as she intended. The sorceress was again on the move astride her broomstick. She was chanting her incantations that were meant to bring a woman to the dust and a man to her side. But first she sent for Fan and told her all about Ivanoff and Jane and about Philibert’s interference in Biarritz. She had got the whole story from Philibert and used it now with just the effect she wished. She began lamenting the fact that she saw so little of Jane, Jane was dropping her old friends. Hadn’t Fan noticed a difference? No, Fan hadn’t. But Ivanoff--surely Jane didn’t see anything much of Ivanoff these days, not at any rate as she used to? Fan laughed. If Bianca thought Jane capable of flirting--. But Bianca meant nothing so silly. Bianca meant simply that Jane had been very foolish and that Philibert was angry with Ivanoff and wouldn’t have anything to do with him because of Jane’s foolishness. Fan at this, had grown suddenly serious. The rest was easy. It all came out. Ivanoff had had large sums of money from Jane. Philibert had found out, and Jane had made him swear to do nothing about it so that Fan should never know. This, of course had been most unfair to Ivanoff as the latter had been given no chance to clear himself with Philibert. Ivanoff might have been able to explain many things that remained obscure.
The result of this conversation was all that Bianca would wish for. Poor Fan rushed home to her dilapidated attic on the Isle St. Louis and flung it all at Ivanoff’s great sleek meek head. He had been taking money from Jane. How much money? When? Why? Where was it? How could he? How had he come to think of such a thing? Didn’t he have any sense of honour? Didn’t he have any shame? Ivanoff bowed his head. Meekly and humbly he let her rave at him until exhausted, she flung herself on the bed in a torrent of tears, and all that night he sat on the floor beside her bed, extravagantly ashamed, thinking vague dark hopeless thoughts, and now and then heaving a sigh.
It didn’t occur to him, the next day or the next or any day after that to explain anything. Probably he was unaware that Fan’s second thoughts were more poisoning and disturbing to her than the first. Ivanoff was no psychologist. If he noticed that Fan was strained and looked at him queerly, he remained passive and mute, and no light of curiosity seemed to strike down into his abysmal calm. When suddenly Fan flashed out the question--“Did you make love to her?” he merely shook his head, and when at last after a week of fidgetting she announced that she had written to Jane to tell her that they couldn’t pay the money back and that she would understand the wisdom of their not seeing each other any more, he stared vacantly, then frowned and sat down in a heap on the divan for the rest of the day. Judging by his fantastic subsequent behaviour, he must have been pondering upon the question. He probably thought--“Women are worthless cattle. Jane has told. She has given away the secret. She has hurt Fan. I am getting tired of Fan. Some day I will go away, but Jane hurt her and made her tiresome and she must be hurt too, before I go. But how? But how?” That was the difficulty. He must think of some way. And all the time he was sitting there thinking, he could hear Fan coughing and tossing in her room, and he could see her little tame chaffinches jumping about in their cage in the window. Fan was often like that, like a neat little bird flitting and hopping about, but now she was sick and ruffled and not gay and chirpy at all.
XIII
I come now to the night of old François’s ball that he gave for his daughter Bianca, that dreadful night of climax and exposure when the fabric of appearance was torn to shreds and we were left there, betrayed by ourselves to the eye of God, stark naked in all our senseless passion and trivial brutality. The experience of that night stands up for me out of the past bald and glaring in all its garish savagery like a totem pole in a glittering desert. I circle round it. The habits and tastes of civilization appear there like a mirage. I see the actors of the drama behaving like primitive creatures possessed by demons. Civilization skin deep? The banality is apt here. I have called Philibert and Bianca the spoiled darlings and perfect exponents of an ultra-refined social system, and so they were, but that didn’t prevent their behaving like a cave man and woman. The only difference was that they knew what they were doing. They were calculating and deliberate and amused. They turned loose the reckless savagery with the little dry laugh of knowledge.
I did not go to the ball myself. I had been away, had come back unexpectedly, and had found myself by some extraordinary mischance, some curious combination of circumstances, locked out of my rooms and without a key. It was late. I remember being unwilling to rouse my mother at that time of night, and standing in the street wondering which one of my friends I would ask for a bed, I don’t know why I suddenly decided to go to Philibert’s. I had never spent a night in his house in my life, but now, as if Paris were suddenly an unknown city of strangers and his roof the only prospect of shelter, I found my way in a fiacre to his bleak and imposing door.
I remember the emptiness of the house as I entered, the great silent entrance hall with its sleepy porter, and the coldness of the wide marble stairway and my unwillingness in spite of the solicitations of a couple of men servants to go to bed anywhere in any one of the blank luxurious rooms offered to me, until Philibert or Jane came home to authorize me to do so. “_Monsieur et Madame_ would undoubtedly be very late,” the footman told me, “they were ‘_chez Monsieur le duc_,’ where there was a ball.” I listened vaguely, accepted a tray of refreshments and sent the men to bed, saying that I would wait up for the master. But the wine and biscuits placed in the library did not tempt me to ease or somnolence. I felt restless and oppressed. How big the place was to house a man and a woman and a child. What a distance to little Geneviève’s nursery. I picked up a book, put it down. A long mirror opposite me reflected a portion of the great high shadowy room and my own small wizened figure seated like a gnome in a circle of light. The sight of myself, always unpleasant, set me wandering. I turned on lights here and there. All was still and smooth with the vast ordered beauty of a cold enchanted palace. The thought of Philibert’s success as a house decorator passed through my mind without engaging my attention, that seemed somehow to be fixed on something else, something deep and elusive that had a meaning could I but find it. What did they stand for, those high polished walls with their lovely panellings? What did they enclose beyond so many treasures of art? The rare still air in those gleaming spaces seemed to have a quality, a presence, cold, enigmatic, and final. I tiptoed round the immense deserted salons like a thief. I waited and waited with a growing sense of the ominous, and then at last I heard the whirr of a motor coming into the porte cochère, and going out along the gallery to the great wide shadowy stairhead, I looked down and saw the light flash out, filling the vast white lower hall, and saw Jane come in alone, trailing her long gleaming draperies behind her, and advance across that expanse of marble like a woman in a trance, holding up and out in her hand before her, well away from her as if she were afraid of it, a small object that I identified when she had almost reached the top of those interminable stairs as a small dead bird with a jewelled pin run through its body.
She spoke in a queer tired voice that grated slightly.
“I found it in the car, on the cushion. Ivanoff must have put it there. It is one of Fan’s birds. A chaffinch--you see--He meant it as a symbol.”
It was as if her teeth were almost chattering, and she were controlling that shaking of jaws with an effort. And as she spoke, I saw Ivanoff distinctly, taking that tiny feathered thing out of its cage and wringing its neck with his strong brown fingers, and smiling through his slits of eyes. Jane continued to hold it out before her and stared at it. Presently she said again in that queer rasping voice--
“Look, it’s quite dead. It has been speared through the heart. The pin is one I gave Fan years ago. The bird is her pet chaffinch. My Aunt Patience used to tame chaffinches. There was one that used to perch on her head while she worked. That was in St. Mary’s Plains.”
She stopped and looked at me a moment in silence enquiringly. We were standing at the head of the stairs. Something in my face must have arrested her attention. “Come,” she said in a sudden tone of command. “Come into the drawing room. We will wait together for Philibert.” She said the last three words much more loudly than the others. They seemed to go rolling down the long gallery like rattling stones. I remember thinking that she must be very ill and that I ought to persuade her to go to bed. We moved in the direction of the drawing rooms. She was dressed in some shining glittering sheathlike thing of a silvery tone and wore emeralds in her ears and on her hands. Her eyes were as green as her earrings, and her face the colour of yellowish white wax. She dragged a chinchilla cloak after her as if it were terribly heavy. It had slipped off her shoulders and I noticed that her skin was covered with little beads of moisture. I thought--“The Lady of the Seas.” She looked as if she had been in an accident--been wounded somewhere. I half expected to see a red spot spreading over her side as she let fall her cloak in the great drawing room and turned on, one after another, a blazing circle of lights. The effect was startling. There was no stain of blood on her gown, but the livid pallor of her face and arms in that glare of light suggested that she was all the same in the state of one who had all but bled to death. Under the glittering lustre of many crystals, her face was a gaunt mask of yellowish bone and pale greenish shadow, and her lips were drawn tight across gleaming teeth. Her expression was famished, thirsty, breathless.
I was frightened, and at the same time strangely excited. Where was Philibert? What was the meaning of Jane’s feverish icy glitter? Why were we there, she and I, at three o’clock in the morning, transfixed in a blaze of artificial light in a room that was as inimical as a palace in Hell? As she turned away and moved to the mantelpiece, where she stood with her back to me, leaning her elbows on the black carved marble, I had a moment’s respite. What did she want me for? Wouldn’t Philibert think it queer our waiting up for him in such ridiculous solemnity. I addressed her long shining back.
“Do you often wait up for him?” She turned half way round.
“No, but tonight we must wait, we must wait until we know.”
Her words gave me a feeling of weakness. I was obliged to sit down. All that light, all that gleaming parquet, all those precious cabinets, full of rare glimmering treasures, and the night outside, wheeling towards day, and Philibert coming from somewhere in a motor, and all the people of Paris sleeping, quite still, in their beds but being whirled through space on a turning globe, made me dizzy. I heard her say from a great distance--
“Fan is not dead. She was at the ball. She avoided me. She looked very ill. Ivanoff wanted to frighten me. I would have been, if I hadn’t been more frightened by something else. Fan was my friend, so was Bianca. I have no friends now. It is very strange to be quite alone when things are going to happen.”
“What is going to happen?” I tried to speak naturally.
“I don’t know. We must wait. We will find out.”
She came across to me and then looked at me shyly. It was suddenly as if she had come to herself again, and whereas she had seemed terribly old, as old as a deathless woman of some strange legend, she was now for a moment merely young and helpless and unhappy.
“You will be a friend to me, won’t you?” she asked dropping into a chair before me. I nodded, unable to speak.
And so we sat on in the centre of that immense room in two gilt fauteuils under the full glare of the chandelier. Occasionally she said something, then would sink into silence and seem to forget that I was there. But each time that the clock on the mantelpiece struck the quarter or the half hour she would start convulsively.
At a quarter to four she said--“Ivanoff meant me to feel that I had broken Fan’s heart, but Fan is all right. I saw her. She looked quite happy tonight and she danced continually. What does that mean--a broken heart? What makes one feel pain in one’s left side when one is unhappy? Just the power of suggestion? Perhaps if that power were strong enough it would affect the actual heart in one’s body, make it burst in one’s side.” Then without transition, “I would have sent for my Aunt Patience, but I did not want her to know. I was safe in her house. Sometimes I think of the Grey House as the only safe place in the world. If I went back there now, I wonder if I would feel the same, or whether it would seem very small and stuffy and shabby. My people there were very simple people. They loved me. They were all very religious except my Aunt Patty who believed in science. One ought to believe in something--I don’t. I can’t. I joined the Catholic Church to please Philibert but I don’t believe. If my Aunt Beth knew she would worry about my eternal life. I wonder if I would find that a nuisance or just the most touching thing in the world. I wonder if they would all look like funny old frumps or seem quite beautiful. One can’t tell.”
Her voice stopped. We sat in a silence that grew steadily more tense and unbearable. The clock struck four and she started to her feet, and a spasm twisted her features and she began to talk very rapidly while at the same time she seemed to be panting for breath.
“I have found out tonight. I found out at the ball. It was like a revelation from heaven. I saw it all in a blinding burst. The noise of the music, the crowd, pale faces wheeling round me, bobbing ducking, they couldn’t hide it from me. Bianca was there, at the centre, cold, sharp, like a silver needle, watching Philibert, drawing him to her like a magnet. Every one was there. I was alone. I saw Fan in the distance. She avoided me, but I heard her coughing and her high little voice crying out through her hacking cough to some one--‘Yes, my dear, I’m dying. Why not? 39 of fever, but I simply had to come. What’s a woman’s life worth if she can’t dance.’ And then that cough again. Every one danced interminably. I saw Aunt Clothilde sitting like a bronze fountain with a watershed of grey silk spreading all round her, in a corner of the library; she was saying witty things in her squeaky voice to solemn old men in wigs. I stood alone in a window, watching Bianca watch Philibert. I must have spoken to a number of people, I don’t remember. Hands reached for mine, voices murmured, voices addressed me by name. Other voices laughed and whispered and cried out round me. The music throbbed. Faces whirled past. Some women shrieked and giggled out in the garden. Waiters and footmen moved about. Motors hooted in the street. The waves of darkness welled up behind me to meet the waves of light rolling out of the hot rooms. I was cold, cold as ice, my face burning. Some one going past shouted at me, ‘I say, you look ghastly. Have something?’ I didn’t answer. I was watching Bianca. Bianca was my friend--I loved her. I watched men and women approach her, touch her fingers, move away. I watched other men circle round her, keep coming back, hang forward humbly, shoulders hunched, heads bowed, waiting for a word from her, fascinated men who desired and pleased her. Philibert was among them, but he didn’t hang forward bowing. He stood near her, twirling his moustaches, talking to one and then another, making gestures, laughing, frowning, snubbing people, being impertinent, being amusing, flattering old dowagers, glaring at presumptuous youths, criticizing women with his cold eyes, and every now and then exchanging a look with Bianca. They scarcely spoke to each other, but I could see their communion was uninterrupted. I saw and understood--He has always loved her. They have always been together like that, always. That is what I have found out, and more, more. It was so before I came, before he met me, while we were engaged, when we were married, always Bianca, she was always there.
“Tonight I saw them together, perfectly. I watched them. I wanted to fathom them, to know what it was they possessed between them. I knew it was evil. I longed to know their evil. The sight of Bianca roused in me a horrible envy. I stood like a stone watching her. She used to be my friend--I loved her. Evil appeared to me upon her face beautiful, shining out like a sickly light, potent, alluring. Suddenly I heard a squeaky voice say--‘Come here, child. You shouldn’t show yourself with a face like that. If it’s so bad lock yourself up. Men are all brutes. Some day you won’t care.’ I looked at your Aunt Clothilde, blind with rage, you know, blind, and turned and went out through the window into the garden. At the far end in the dark I walked up and down alone. The music and the light streamed out of the long windows. I saw innumerable heads bobbing. It looked like a madhouse. Philibert and Bianca were in there together, cool, sane, infinitely wise. I was the insane person. At one o’clock I went in again and crossed to where Philibert stood beside Bianca and asked him if he were ready to come home. Bianca was in white. She was almost naked. She had a cloud of white round her and her body was as visible through it as a silver lily through water. She looked fresh and cool as dew. Philibert answered but did not look at me. ‘You need not wait,’ was what he said, but I was watching Bianca’s face and I saw there something else. Her eyes were wide open. They poured their meaning into mine. Her face was like a still white flower holding two drops of deadly poison. She did not move. She did not smile. It was all in her eyes. I looked down into them for an instant, one instant. It was enough. I had a feeling as I turned away of coming up out of a great depth, of breaking a spell. The Duke took me through the rooms to the top of the stairs. I walked beside him, my hand on his arm. I didn’t look back. I left them together.
“I found Ivanoff’s dead bird in the car. It didn’t frighten me. But I was frightened. I felt as I drove away like some one who has had a narrow escape, a very close shave. Why? What was it? Nothing had happened, nothing visible, nothing to disturb the still immensity of the spell-bound avenue. I drove on alone, up the Champs Elysées. The sky was studded like a shield with hard pointed stars. The double row of roundheaded lamps lining the black gleaming surface of the pavement stood like sentinels put there to conduct me out through the Arc de Triomphe into desolate uncharted space. I held Ivanoff’s dead bird in my hand, and I felt as if I were driving away from that crowded ball room straight over the rim of the earth. The sight of you here, at the top of the stairs brought me to my senses. I remembered. I understood on the instant of seeing you that I had wanted to kill Bianca, tonight. That was what had frightened me. That was my close shave. You stood there, worried and tired and kind. I recognized you.”
Her voice stopped suddenly. She covered her face with her hands. I rose to my feet and took a step towards her, and just then the clock struck five and its little gilt angel stepped out with his tiny jewelled trumpet. She whirled towards it, lifting her face that was drawn like an old woman’s.
“Philibert will not come ... I know now,” she whispered. “He has gone away with Bianca.” She swayed, looked this way and that around the wide gleaming room, them at me, holding out her hands. “Help me, Blaise.”
In a moment she had given way to sobbing. Ah, then, then I, who had never touched so much as her hair or her cheek or the fold of her dress, then indeed, I would have taken her in my arms to comfort her, as one takes a child. But she was the great strong creature, I was the weakling. I could only kneel by her chair and try to steady her convulsed frame and heaving shoulders with my own arm round them in futile incompetent anguish, while I heard her heart breaking as if it were so much strong stuff being splintered there in her side.
It was six o’clock when she went to her room. The servants were not yet about. The house was still, impenetrably calm, the curtains still drawn, the formality of its beautiful equanimity unchanged.
Six o’clock; Bianca and Philibert were well on their way by that time, travelling south, rolling smoothly along over long white roads between mysterious poplars in a misty dawn. They had provisions with them in the car. I can see them now as I think back, opening a bottle of champagne, eating sandwiches, and I can hear their laughter. They were very gay, very pleased with the way they had done it. They had walked straight out of François’ house together at three thirty in the morning, had stepped into the motor in the presence of a crowd of departing guests, and had disappeared. The audacity of the thing was of a kind to tickle them immoderately. They must have laughed a good deal. I wonder that Jane and I, spellbound under that glaring chandelier, didn’t hear them. Strange that the echoes of their light laughter didn’t travel back to us across that widening distance, while we waited and listened. Strange to think of that old _roué_ François wandering back through his emptied rooms, among the débris of that night’s festival, all unsuspecting. Very curious to think of Philibert and Bianca murmuring to each other, their laughter giving way to the bitter and exultant growling of their excited senses, while I led Jane back to her room. No one saw her go tottering down the hall leaning against me. No one saw her swollen face looking through the door and trying to smile at me before she closed herself in alone.
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Jane--Our Stranger: A NovelChapter VII: Part I: I (7)
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