Chapter II: Part I (2)
It would be difficult, perhaps impossible, to see on this earth a young creature, whose youth and beauty, and slender grace of person gave her more the appearance of some visionary spirit, too exquisitely ideal for human life. Indeed, she seemed to be tinted with the hues of heaven, and never did a mortal being exist in such fine and harmonious keeping with the scene in which she moved. So light and sylph-like was her figure, though tall, that the eye almost feared she would dissolve from before it, and leave nothing to gaze at but the earth on which she trod. Yet was there still apparent in her something that preserved, with singular power, the delightful reality that she was of humanity, and subject to all those softer influences that breathe their music so sweetly over the chords of the human heart. The delicate bloom of her cheek, shaded away as it was, until it melted into the light that sparkled from her complexion--the snowy forehead, the flashing eye, in which sat the very soul of love--the lips, blushing of sweets--her whole person breathing the warmth of youth, and feeling, and so characteristic in the easiness of its motions of that gracile flexibility that has never been known to exist separate from the power of receiving varied and profound emotions--all this told the spectator, too truly, that the lovely being before him was not of another sphere, but one of the most delightful that ever appeared in this.
But hush!--here is a strain of music! Oh! what lips breathed forth that gush of touching melody which flows in such linked sweetness from the flute of an unseen performer? How soft, how gentle, but oh, how very mournful are the notes! Alas! they are steeped in sorrow, and melt away in the plaintive cadences of despair, until they mingle with silence. Surely, surely, they come from one whose heart has been brought low by the ruined hopes of an unrequited passion. Yes, fair girl, thou at least dost so interpret them; but why this sympathy in one so young? Why is thy bright eye dewy with tears for the imaginary sorrows of another? And again--but ha!--why that flash of delight and terror?--that sudden suffusion of red over thy face and neck--and even now, that paleness like death! Thy heart, thy heart--why does it throb, and why do thy knees totter? Alas! it is even so; the Endymion of thy dreams, as beautiful as even thou thyself in thy purple dawn of womanhood,--he from whom thou now shrinkest, yet whom thou dreadest not to meet, is approaching, and bears in his beauty the charm that will darken thy destiny.
The appearance of Osborne, unaccompanied, taught this young creature to know the full extent of his influence over her. Delight, terror, and utter confusion of thought and feeling, seized upon her the moment he became visible. She wished herself at home, but had not power to go; she blushed, she trembled, and, in the tumult of the moment, lost all presence of mind and self-possession. He had come from behind a hedge, on the path-way along which she walked, and was consequently approaching her, so that it was evident they must meet. On seeing her he ceased to play, paused a moment, and were it not that it might appear cold, and rather remarkable, he, too, would have retraced his steps homewards. In truth, both felt equally confused and equally agitated, for, although such an interview had been, for some time previously, the dearest wish of their hearts, yet would they both almost have felt relieved, had they had an opportunity of then escaping it. Their first words were uttered in a low, hesitating voice, amid pauses occasioned by the necessity of collecting their scattered thoughts, and with countenances deeply blushing from a consciousness of what they felt. Osborne turned back, mechanically, and accompanied her in her walk. After this there was a silence for some time, for neither had courage to renew the conversation. At length Osborne, in a faltering voice addressed her:
“Your dove,” said he, “is quite recovered, I presume.”
“Oh, yes,” she replied, “it is perfectly well again.”
“It is an exceedingly beautiful bird, and remarkably docile.”
“I have had little difficulty in training it,” she returned, and then added, very timidly, “it is also very affectionate.”
The youth’s eyes sparkled, as if he were about to indulge in some observation suggested by her reply, but, fearing to give it expression, he paused again; in a few minutes, however, he added--
“I think there is nothing that gives one so perfect an idea of purity and innocence as a snow-white dove, unless I except a young and beautiful girl, such as--”
He glanced at her as he spoke, and their eyes met, but in less than a moment they were withdrawn, and cast upon the earth.
“And of meekness and holiness too,” she observed, after a little.
“True; but perhaps I ought to make another exception,” he added, alluding to the term by which she herself was then generally known. As he spoke, his voice expressed considerable hesitation.
“Another exception,” she answered, inquiringly, “it would be difficult, I think, to find any other emblem of innocence so appropriate as a dove.”
“Is not a Fawn still more so,” he replied, “it is so gentle and meek, and its motions are so full of grace and timidity, and beauty. Indeed I do not wonder, when an individual of your sex resembles it in the qualities I have mentioned, that the name is sometimes applied to her.”
The tell-tale cheek of the girl blushed a recognition of the compliment implied in the words, and after a short silence, she said, in a tone that was any thing but indifferent, and with a view of changing the conversation--
“I hope you are quite recovered from your illness.”
“With the exception of a very slight cough, I am,” he replied.
“I think,” she observed, “that you look somewhat paler than you did.”
“That paleness does not proceed from indisposition, but from a far different”--he paused again, and looked evidently abashed. In the course of a minute, however, he added, “yes, I know I am pale, but not because I am unwell, for my health is nearly, if not altogether, restored, but because I am unhappy.”
“Strange,” said Jane, “to see one unhappy at your years.”
“I think I know my own character and disposition well,” he replied; “my temperament is naturally a melancholy one; the frame of my mind is like that of my body, very delicate, and capable of being affected by a thousand slight influences which pass over hearts of a stronger mould, without ever being felt. Life to me, I know, will be productive of much pain, and much enjoyment, while its tenure lasts, but that, indeed, will not be long. My sands are measured, for I feel a presentiment, a mournful and prophetic impression, that I am doomed to go down into an early grave.”
The tone of passionate enthusiasm which pervaded these words, uttered as they were in a voice wherein pathos and melody were equally blended, appeared to be almost too much for a creature whose sympathy in all his moods and feelings was then so deep and congenial. She felt some difficulty in repressing her tears, and said, in a voice which no effort could keep firm.
“You ought not to indulge in those gloomy forebodings; you should struggle against them, otherwise they will distress your mind, and injure your health.”
“Oh, you do not know,” he proceeded, his eyes sparkling with that light which is so often the beacon of death--“you do not know the fatal fascination by which a mind, set to the sorrows of a melancholy temperament, is charmed out of its strength. But no matter how dark may be my dreams--there is one light for ever upon them--one image ever, ever before me--one figure of grace and beauty--oh, how could I deny myself the contemplation of a vision that pours into my soul a portion of itself, and effaces: every other object but an entrancing sense of its own presence. I cannot, I cannot--it bears me away into a happiness that is full of sadness--where I indulge alone, without knowing why, in my feast of tears’--happy! happy! so I think, and so I feel; yet why is my heart sunk, and why are all my visions filled with death and the grave?”
“Oh, do not talk so frequently of death,” replied the beautiful girl, “surely you need not fear it for a long while. This morbid tone of mind will pass away when you grow into better health and strength.”
“Is not this hour calm?” said he, flashing his dark eyes full upon her, “see how beautiful the sun sinks in the west;--alas! so I should wish to die--as calm, and the moral lustre of my life as radiant.”
“And so you shall,” said Jane, in a voice full of that delightful spirit of consolation which, proceeding from such lips, breathes the most affecting power of sympathy, “so you shall, but like him, not until after the close of a long and well-spent life.”
“That--that,” said he, “was only a passing thought. Yes, the hour is calm, but even in such stillness, do you not observe that the aspen there to our left, this moment quivers to the breezes which we cannot feel, and by which not a leaf of any other tree about us is stirred--such I know myself to be, an aspen among men, stirred into joy or sorrow, whilst the hearts of others are at rest. Oh, how can my foretaste of life be either bright or cheerful, for when I am capable of being moved by the very breathings of passion, what must I not feel in the blast, and in the storm--even now, even now!”--The boy, here overcome by the force of his own melancholy enthusiasm, paused abruptly, and Jane, after several attempts to speak, at last said, in a voice scarcely audible--
“Is not hope always better than despair?”
Osborne instantly fixed his eyes upon her, and saw, that although her’s were bent upon the earth, her face had become overspread with a deep blush. While he looked she raised them, but after a single glance, at once quick and timid, she withdrew them again, a still deeper blush mantling on her cheek. He now felt a sudden thrill of rapture fall upon his heart, and rush, almost like a suffocating sensation, to his throat; his being became for a moment raised to an ecstacy too intense for the power of description to portray, and, were it not for the fear which ever accompanies the disclosure of first and youthful love, the tears of exulting delight would have streamed down his cheeks.
Both had reached a little fairy dell of vivid green, concealed by trees on every side, and in the middle of which rose a large yew, around whose trunk had been built a seat of natural turf whereon those who strolled about the ground might rest, when heated or fatigued by exercise or the sun. Here the girl sat down.
A change had now come over both. The gloom of the boy’s temperament was gone, and his spirit caught its mood from that of his companion. Each at the moment breathed the low, anxious, and tender timidity of love, in it purest character. The souls of both vibrated to each other, and felt depressed with that sweetest emotion which derives all its power from the consciousness that its participation is mutual. Osborne spoke low, and his voice trembled; the girl was silent, but her bosom panted, and her frame shook from head to foot. At length, Osborne spoke.
“I sometimes sit here alone, and amuse myself with my flute; but of late--of late--I can hear no music that is not melancholy.”
“I, too, prefer mournful--mournful music,” replied Jane. “That was a beautiful air you played just now.”
Osborne put the flute to his lips, and commenced playing over again the air she had praised; but, on glancing at the fair girl, he perceived her eyes fixed upon him with a look of such deep and devoted passion as utterly overcame him. Her eyes, as before, were immediately withdrawn, but there dwelt again upon her burning cheek such a consciousness of her love as could not, for a moment, be mistaken. In fact she betrayed all the confused symptoms of one who felt that the state of her heart had been discovered. Osborne ceased playing; for such was his agitation that he scarcely knew what he thought or did.
“I cannot go on,” said he in a voice which equally betrayed the state of his heart; “I cannot play;” and at the same time he seated himself beside her.
Jane rose as he spoke, and in a broken voice, full of an expression like distress, said hastily:
“It is time I should go;--I am,--I am too long out.”
Osborne caught her hand, and in words that burned with the deep and melting contagion of his passion, said simply:
“Do not go:--oh do not yet go!”
She looked full upon him, and perceived that as he spoke his face became deadly pale, as if her words were to seal his happiness or misery.
“Oh do not leave me now,” he pleaded; “do not go, and my life may yet be happy.”
“I must,” she replied, with great difficulty; “I cannot stay; I do not wish you to be unhappy;” and whilst saying this, the tears that ran in silence down her cheeks proved too clearly how dear his happiness must ever be to her.
Osborne’s arm glided round her waist, and she resumed her seat,--or rather tottered into it.
“You are in tears,” he exclaimed. “Oh could it be true! Is it not, my beloved girl? It is--it is--love! Oh surely, surely it must--it must!”
She sobbed aloud once or twice; and, as he kissed her unresisting lips, she murmured out, “It is; it is; I love you.”
Oh life! how dark and unfathomable are thy mysteries! And why is it that thou permittest the course of true love, like this, so seldom to run smooth, when so many who, uniting through the impulse of sordid passion, sink into a state of obtuse indifference, over which the lights and shadows that touch thee into thy finest perceptions of enjoyment pass in vain.
It is a singular fact, but no less true than singular, that since the world began there never was known any instance of an anxiety, on the part of youthful lovers, to prolong to an immoderate extent the scene in which the first mutual avowal of their passions takes place. The excitement is too profound, and the waste of those delicate spirits, which are expended in such interviews, is much too great to permit the soul to bear such an excess of happiness long. Independently of this, there is associated with it an ultimate enjoyment, for which the lovers immediately fly to solitude; there, in the certainty of waking bliss, to think over and over again of all that has occurred between them, and to luxuriate in the conviction, that at length the heart has not another wish, but sinks into the solitary charm which expands it with such a sense of rapturous and exulting delight.
The interview between our lovers was, consequently, not long. The secret of their hearts being now known, each felt anxious to retire, and to look with a miser’s ecstacy upon the delicious hoard which the scene we have just described had created. Jane did not reach home until the evening devotions of the family were over, and this was the first time she had ever, to their knowledge, been absent from them before. Borne away by the force of what had just occurred, she was proceeding up to her own room, after reaching home, when Mr. Sinclair, who had remarked her absence, desired that she be called into the drawing-room.
“It is the first neglect,” he observed, “of a necessary duty, and it would be wrong in me to let it pass without at least pointing it out to the dear child as an error, and knowing from her own lips why it has happened.”
Terror and alarm, like what might be supposed to arise from the detection of secret guilt, seized upon the young creature so violently that she had hardly strength to enter the drawing-room without support: her face became the image of death, and her whole frame tottered and trembled visibly.
“Jane, my dear, why were you absent from prayers this evening?” inquired her father, with his usual mildness of manner.
This question, to one who had never yet been, in the slightest instance, guilty of falsehood, was indeed a terrible one; and especially to a girl so extremely timid as was this his best beloved daughter.
“Papa,” she at last replied, “I was out walking;” but as she spoke there was that in her voice and manner which betrayed the guilt of an insincere reply.
“I know, my dear, you were; but although you have frequently been out walking, yet I do not remember that you ever stayed, away from our evening worship before. Why is this?”
Her father’s question was repeated in vain. She hung her head and returned no answer. She tried to speak, but from her parched lips not a word could proceed. She felt as if all the family that moment were conscious of the occurrence between her and her lover; and if the wish could have relieved her, she would almost have wished to die, so much did she shrink abashed in their presence.
“Tell me, my daughter,” proceeded her father, more seriously, “has your absence been occasioned by anything that you are ashamed or afraid to mention? From me, Jane, you ought to have no secrets;--you are yet too young to think away from your father’s heart and from your mother’s also;--speak candidly, my child,--speak candidly,--I expect it.”
As he uttered the last words, the head of their beautiful flower sank upon her bosom, and in a moment she lay insensible upon the sofa on which she had been sitting.
This was a shock for which neither the father nor the family were prepared. William flew to her,--all of them crowded about her, and scarcely had he raised that face so pale, but now so mournfully beautiful in its insensibility, when her mother and sisters burst into tears and wailings, for they feared at the moment that their beloved one must have been previously seized with sudden illness, and was then either taken, or about to be taken from their eyes for ever. By the coolness of her father, however, they were directed how to restore her, in which, after a lapse of not less than ten minutes, they succeeded.
When she recovered, her mother folded her in her arms, and her sisters embraced her with tenderness and tears. Her father then gently caught her hand in his, and said with much affection:
“Jane, my child, you are ill. Why not have told us so?”
The beautiful girl knelt before him for a moment, but again rose up, and hiding her head in his bosom, exclaimed--weeping--
“Papa, bless me, oh, bless me, and forgive me.”
“I do; I do,” said the old man; and as he spoke a few large tears trickled down his cheeks, and fell upon her golden locks.
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Jane Sinclair; Or, The Fawn Of SpringvaleChapter II: Part I (2)
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