Chapter II: The Broom-Like Tree (2)

The "eastern front room" in the "dwelling quarters" was wide open, and a temporary arrangement was made for the reception of the Prince, who arrived there very quickly. The scene of the garden struck him before anything else. The surface of the lake sparkled with its glittering waters. The hedges surrounded it in rustic beauty, and luxuriant shrubs grew in pleasing order. Over all the fair scene the breeze of evening swept softly, summer insects sang distinctly here and there, and the fireflies hovered about in mazy dances.

The escort took up its quarters in a position which overlooked the stream of water which ran beneath the corridor, and here began to take cups of _saké_. The host hastened to order also some refreshment to be prepared for Genji.

The latter was meanwhile gazing abstractedly about him, thinking such a place might belong to the class which Sama-no-Kami fairly placed in the middle category. He knew that the lady who was under the same roof was a young beauty of whom he had heard something before, and he was looking forward to a chance of seeing her.

He then noticed the rustling of a silken dress escaping from a small boudoir to the right, and some youthful voices, not without charm, were also heard, mingled with occasional sounds of suppressed laughter. The casement of the boudoir had been, until a short time before, open, but was pulled down by order of Ki-no-Kami, who, perhaps, doubted the propriety of its being as it was, and now only allowed a struggling light to issue through the paper of the "sliding screen!" He proceeded to one side of his room that he might see what could be seen, but there was no chance. He still stood there that he might be able, at least, to catch some part of the conversation. It seems that this boudoir adjoined the general family room of the female inmates, and his ears were greeted by some faint talking. He inclined his head attentively, and heard them whispering probably about himself.

"Is it not a pity that the fate of so fine a prince should be already fixed?" said one voice.

"Yet he loses no opportunity of availing himself of the favors of fortune," added another.

These remarks may have been made with no serious intention, but as to Genji, he, even in hearing them, could not help thinking of a certain fair image of which he so fondly dreamt. At the same time feeling a thrill on reflecting that, if this kind of secret were to be discovered and discussed in such a manner, what could be done.

He then heard an observation in delicate allusion to his verse which he had presented to the Princess Momo-zono (peach-gardens) with the flowers of Asagao (morning-glory, or convolvulus).

"What _cautious_ beauties they are to talk in that way! But I wonder if their forms when seen will answer to the pictures of my fancy," thought Genji, as he retired to his original position, for he could hear nothing more interesting.

Ki-no-Kami presently entered the room, brought in some fruits, trimmed the lamp, and the visitor and host now began to enjoy a pleasant leisure.

"What has become of the ladies? Without some of them no society is cheerful," observed Genji.

"Who can there be to meet such wishes?" said the Ki-no-Kami to himself, but took no notice of Genji's remark.

There were several boys in the house who had followed Ki-no-Kami into the room. They were the sons and brothers of Ki-no-Kami. Among them there was one about twelve or thirteen, who was nicer-looking than the others. Genji, of course, did not know who they all were, and accordingly made inquiries. When he came to the last-mentioned boy, Ki-no-Kami replied:--

"He is the youngest son of the late Lord Yemon, now an orphan, and, from his sister's connections, he is now staying here. He is shrewd and unlike ordinary boys. His desire is to take Court service, but he has as yet no patron."

"What a pity! Is, then, the sister you mentioned your stepmother?"

"Yes, sir, it is so."

"What a good mother you have got. I once overheard the Emperor, to whom, I believe, a private application had been some time made in her behalf, referring to her, said, 'What has become of her?' Is she here now?" said Genji; and lowering his voice, added, "How changeable are the fortunes of the world!"

"It is her present state, sir. But, as you may perceive, it differs from her original expectation. Changeable indeed are the fortunes of this world, especially so the fortunes of women!"

"Does Iyo respect her? Perhaps he idolizes her, as his master."

"That is a question, perhaps, as a _private_ master. I am the foremost to disapprove of this infatuation on his part."

"Are you? Nevertheless he trusts her to such a one as you. He is a kind father! But where are they all?"

"All in their private apartments."

Genji by this time apparently desired to be alone, and Ki-no-Kami now retired with the boys. All the escort were already slumbering comfortably, each on his own cool rush mat, under the pleasant persuasion of _saké_.

Genji was now alone. He tried to doze, but could not. It was late in the evening, and all was still around. His sharpened senses made him aware that the room next but one to his own was occupied, which led him to imagine that the lady of whom he had been speaking might be there. He rose softly, and once more proceeded to the other side of the room to listen to what he might overhear. He heard a tender voice, probably that of Kokimi, the boy spoken of before, who appeared to have just entered the room, saying:--

"Are you here?"

To which a female voice replied, "Yes, dear, but has the visitor yet retired?" And the same voice added--

"Ah! so near, and yet so far!"

"Yes, I should think so, he is so nice-looking, as they say."

"Were it daytime I would see him, too," said the lady in a drowsy voice.

"I shall go to bed, too! But what a bad light," said the boy, and Genji conjectured that he had been trimming the lamp.

The lady presently clapped her hands for a servant, and said, "Where is Chiûjiô, I feel lonely, I wish to see her."

"Madam, she is in the bath now, she will be here soon," replied the servant.

"Suppose I pay my visit to her, too? What harm! no harm, perhaps," said Genji to himself. He withdrew the fastening of the intervening door, on the other side there was none, and it opened. The entrance to the room where the lady was sitting was only screened by a curtain, with a glimmering light inside. By the reflection of this light he saw travelling trunks and bags all scattered about; through these he groped his way and approached the curtain. He saw, leaning on a cushion, the small and pretty figure of a lady, who did not seem to notice his approach, probably thinking it was Chiûjiô, for whom she had sent. Genji felt nervous, but struggling against the feeling, startled the lady by saying:--

"Chiûjiô was called for, I thought it might mean myself, and I come to offer you my devoted services."

This was really an unexpected surprise, and the lady was at a loss.

"It is, of course, natural," he said, "you should be astonished at my boldness, but pray excuse me. It is solely from my earnest desire to show at such an opportunity the great respect for you which I have felt for a very long time."

He was clever enough to know how to speak, and what to say, under all circumstances, and made the above speech in such an extremely humble and insinuating manner that the demon himself could not have taken offence, so she forbore to show any sudden resentment. She had, however, grave doubts as to the propriety of his conduct, and felt somewhat uncomfortable, saying shyly, "Perhaps you have made a mistake!"

"No, certainly not," he replied. "What mistake can I have made? On the other hand, I have no wish to offend you. The evening, however, is very irksome, and I should feel obliged if you would permit me to converse with you." Then gently taking her hand he pressed her to return with him to his lonely apartment.

She was still young and weak, and did not know what was most proper to do under these circumstances, so half yielding, half reluctantly was induced to be led there by him.

At this juncture Chiûjiô, for whom she had sent previously, entered the room. Upon which Genji exclaimed "Ha!"

Chiûjiô stared with astonishment at him, whom she at once recognized as the Prince, by the rich perfume which he carried about him.

"What does this mean?" thought Chiûjiô. She could still do nothing. Had he been an ordinary personage she would have immediately seized him. Even in that case, however, there was enough room to doubt whether it would not have been better to avoid any violent steps lest it might have given rise to a disagreeable family scandal, hence Chiûjiô was completely perplexed and mechanically followed them.

Genji was too bold to fear bystanders, a common fault with high personages, and coolly closed the door upon her saying, "She will soon return to you."

The lady being placed in such an awkward position, and not knowing what Chiûjiô might imagine, became, as it were, bewildered. Genji was, however, as artful and insinuating as might be expected in consoling her, though we do not know where he had learnt his eloquence. This was really trying for her, and she said, "Your condescension is beyond my merit. I cannot disregard it. It is, however, absolutely necessary to know 'Who is who.'"

"But such ignorance," he a little abashed, rejoined "as not to know 'Who is who,' is the very proof of my inexperience. Were I supposed to understand too well, I should indeed be sorry. You have very likely heard how little I mix in the world. This perhaps is the very reason why you distrust me. The excess of the blindness of my mind seems strange even to myself."

He spoke thus insinuatingly. She, on her part, feared that if his fascinating address should assume a warmer tone it would be still more trying for her and more difficult to withstand, so she determined, however hard she might appear, not to give any encouragement to his feelings, and showed therefore a coolness of manner. To her meek character there was thus added a firm resolution, and it seemed like a young bamboo reed with its strength and tenderness combined, difficult to bend! Still she felt the struggle very keenly, and tears moistened her eyes.

Genji could not help feeling touched. Not knowing exactly how to soothe her, he exclaimed, "What makes you treat me so coolly? It is true we are not old acquaintances, but it does not follow that this should prevent us from becoming good friends. Please don't discompose yourself like one who does not know the world at all: it pierces my heart."

This speech touched her, and her firmness began to waver.

"Were my position what it once was," said she, "and I received such attention, I might, however unworthy, have been moved by your affection, but as my position in life is now changed, its unsatisfactory condition often makes me dream of a happiness I cannot hope to enjoy." Hereupon she remained silent for some moments, and looked as if she meant to say that she could no longer help thinking of the line:--

Don't tell anyone you've seen my home.

But these few moments of silence agitated the pure waters of her virtuous mind, and the sudden recollection of her aged husband, whom she did not generally think much about, occurred tenderly to her memory. She shuddered at the idea of his seeing her in such a dilemma as this, even in a dream, and without a word fled back to her apartment, and Genji was once more alone.

Now the chanticleer began to proclaim the coming day, and the attendants rose from their couches, some exclaiming "How soundly we have slept," others, "Let us get the carriage ready."

Ki-no-Kami also came out saying, "Why so early, no need of such hurry for the Prince."

Genji also arose, and putting on his _naoshi_, went out on a balcony on the southern side of the house, where he leaned upon the wooden balustrade and meditated as he looked round him.

It appears that people were peeping out of the casement on the western side, probably being anxious to catch a glimpse of the Prince, whose figure was indistinctly to be seen by them from the top of a short screen standing within the trellis. Among these spectators there was one who perhaps might have felt a thrill run through her frame as she beheld him. It was the very moment when the sky was being tinted by the glowing streaks of morn, and the moon's pale light was still lingering in the far distance. The aspect of the passionless heavens becomes radiant or gloomy in response to the heart of him who looks upon it. And to Genji, whose thoughts were secretly occupied with the events of the evening, the scene could only have given rise to sorrowful emotions.

Reflecting how he might on some future occasion convey a message to the lady, and looking back several times, he presently quitted the house and returned to the mansion of his father-in-law.

During some days succeeding the above events, he was staying at the mansion with his bride. His thoughts, however, were now constantly turning to the lady on the bank of the middle river. He therefore summoned Ki-no-Kami before him, and thus addressed him:--

"Cannot you let me have the boy, the son of the late Chiûnagon[48] whom I saw the other day? He is a nice lad, and I wish to have him near at hand. I will also introduce him to the Emperor."

"I receive your commands. I will talk with his _sister_, and see if she consents to it," replied Ki-no-Kami with a bow.

These last words alluding to the object which occupied his thoughts caused Genji to start, but he said with apparent calmness--

"Has the lady presented you yet with a brother or a sister?"

"No, sir, not yet; she has been married now these two years, but it seems she is always thinking she is not settled in the way her parents desired, and is not quite contented with her position."

"What a pity! I heard, however, she was a very good lady. Is it so?"

"Yes, I quite believe so; but hitherto we have lived separately, and were not very cordial, which, as all the world knows, is usual in such relationship."

After the lapse of five or six days the boy Kokimi was brought to him. He was not tall or handsome but very intelligent, and in manners perfectly well-bred. Genji treated him with the greatest kindness, at which, in his boyish mind, he was highly delighted. Genji now asked him many questions about his sister, to which he gave such answers as he could, but often with shyness and diffidence. Hence Genji was unable to take him into his confidence, but by skilfully coaxing and pleasing him, he ventured to hand him a letter to be taken to his sister. The boy, though he possibly guessed at its meaning, did not trouble himself much, but taking it, duly delivered it to his sister. She became confused and thoughtful as she took it, and fearing what the boy might think, opened the letter and held it before her face as she read, in order to conceal the expression of her countenance.

It was a long one, and among other things contained the following lines:--

I had a dream, a dream so sweet,
Ah! would that I could dream again;
Alas, no sleep these eyes will greet,
And so I strive to dream in vain!

It was beautifully written, and as her eyes fell upon the passionate words, a mist gathered over them, and a momentary thought of her own life and position once more flashed over her mind, and without a word of comment to the boy, she retired to rest.

A few days afterwards Kokimi was again invited to join the Prince. Thereupon he asked his sister to give him an answer to the Prince's letter.

"Tell the Prince," she said, "there is no one _here_ who reads such letters."

"But," said the boy, "he does not expect such an answer as this! How can I tell him so?"

At first, she half-resolved to explain everything to Kokimi, and to make him thoroughly understand why she ought not to receive such letters, but the effort was too painful, so she simply said, "It is all the better for you not to talk in that way. If you think it so serious why should you go to him at all?"

"Yet, how can I disobey his commands to go back?" exclaimed the boy, and so he returned to Genji without any written answer to him.

"I was weary of waiting for you. Perhaps you, too, had forgotten me," said Genji, when he saw the boy, who was, however, silent and blushed. "And what answer have you brought me?" continued Genji, and then the boy replied in the exact words which his sister had used.

"What?" cried Genji: and continued, "Perhaps you may not know, so I will tell you. I knew your sister before she knew Iyo. But she likes to treat me so because she thinks she has got a very good friend in Iyo; but do you be like a brother to me. The days of Iyo will be probably fewer than mine."

He now returned to the Palace taking Komini with him, and, going to his dressing-room, attired him nicely in the Court style; in a word, he treated him as a parent would do.

By the boy's assistance several more letters were conveyed to his sister. Her resolution, however, remained unshaken.

"If one's heart were once to deviate from the path," she reflected, "the only end we could expect would be a damaged reputation and misery for life: the good and the bad result from one's self!"

Thus thinking, she resolved to return no answer. She might, indeed, have admired the person of Genji, and probably did so, yet, whenever such feelings came into her mind, the next thought that suggested itself was, "What is the use of such idle admiration?"

Meanwhile, Genji was often thinking of paying a visit to the house where she was staying, but he did not consider it becoming to do so, without some reasonable pretext, more especially as he would have been sorry, and for her sake more than his own, to draw a suspicion upon her.

It happened, however, after a prolonged residence at the Court, that another occasion of closing the Palace in the certain celestial line of direction arrived. Catching at this opportunity he left the Palace, and suddenly turning out of his road, went straight to Ki-no-Kami's residence, with the excuse that he had just discovered the above fact on his way. Ki-no-Kami surprised at this unexpected visit, had only to bow before him, and acknowledge the honor of his presence. The boy, Kokimi, was already there before him, having been secretly informed of his intention beforehand, and he attended on him as usual in his apartment on his arrival.

The lady, who had been told by her brother that the Prince earnestly desired to see her, knew well how dangerous it was to approach an inviting flower growing on the edge of a precipice. She was not, of course, insensible to his coming in such a manner, with an excuse for the sake of seeing her, but she did not wish to increase her dreamlike inquietude by seeing him. And again, if he ventured to visit her apartment, as he did before, it might be a serious compromise for her.

For these reasons she retired while her brother was with Genji, to a private chamber of Chiûjiô, her companion, in the rear of the main building, under the pretence that her own room was too near that of the Prince, besides she was indisposed and required "Tataki,"[49] which she desired to have done in a retired part of the house.

Genji sent his attendants very early to their own quarters, and then, through Kokimi, requested an interview with the lady. Kokimi at first was unable to find her, till after searching everywhere, he, at last, came to the apartment of Chiûjiô, and with great earnestness endeavored to persuade her to see Genji, in an anxious and half trembling voice, while she replied in a tone slightly angry, "What makes you so busy? Why do you trouble yourself? Boys carrying such messages are highly blamable."

After thus daunting him, she added, more mildly, "Tell the Prince I am somewhat indisposed, and also that some friends are with me, and I cannot well leave them now." And she again cautioned the boy not to be too officious, and sent him away from her at once.

Yet, at the bottom of her heart, different feelings might have been struggling from those which her words seemed to express, and some such thoughts as these shaped themselves to her mind: "Were I still a maiden in the home of my beloved parents, and occasionally received his visits there, how happy might I not be? How trying to act as if no romantic sentiment belonged to my heart!"

Genji, who was anxiously waiting to know how the boy would succeed in persuading his sister, was soon told that all his efforts were in vain. Upon hearing this he remained for some moments silent, and then relieved his feelings with a long-drawn sigh, and hummed:--

"The Hahaki-gi[50] distant tree
Spreads broom-like o'er the silent waste;
Approach, how changed its shape we see,
In vain we try its shade to taste."

The lady was unable to sleep, and her thoughts also took the following poetic shape:--

Too like the Hahaki-gi tree,
Lonely and humble, I must dwell,
Nor dare to give a thought to thee,
But only sigh a long farewell.

All the other inmates of the house were now in a sound slumber, but sleep came not to Genji's eyes. He did, indeed, admire her immovable and chaste nature, but this only drew his heart more towards her. He was agitated. At one moment he cried, "Well, then!" at another, "However!" "Still!" At last, turning to the boy, he passionately exclaimed, "Lead me to her at once!"

Kokimi calmly replied, "It is impossible, too many eyes are around us!"

Genji with a sigh then threw himself back on the cushion, saying to Kokimi, "You, at least, will be my friend, and shall share my apartment!"

FOOTNOTES:

[Footnote 22: A hero of an older fiction, who is represented as the perfect ideal of a gallant.]

[Footnote 23: A fast observed when some remarkable or supernatural event took place, or on the anniversary of days of domestic misfortune.]

[Footnote 24: A general of the Imperial Guards.]

[Footnote 25: Love letters generally are not signed or are signed with a fancy name.]

[Footnote 26: Left Master of the Horse.]

[Footnote 27: Secretary to the Master of Ceremonies.]

[Footnote 28: Deputy-governors of provinces. In those days these functionaries were greatly looked down upon by the Court nobles, and this became one of the causes of the feudal system.]

[Footnote 29: The naoshi is an outer attire. It formed part of a loose and unceremonious Court dress.]

[Footnote 30: This alludes to a common habit of women, who push back their hair before commencing any task.]

[Footnote 31: Some kinds of nuns did not shave their heads, and this remark seems to allude to the common practice of women who often involuntarily smooth their hair before they see people, which practice comes, no doubt, from the idea that the beauty of women often depends on the tidiness of their hair.]

[Footnote 32: This means that her soul, which was sinful, would not go at once to its final resting-place, but wander about in unknown paths.]

[Footnote 33: A mountain spoken of in Chinese literature. It was said to be in the Eastern Ocean, and people of extraordinary long lives, called Sennin, were supposed to dwell there.]

[Footnote 34: In China and Japan handwriting is considered no less an art than painting.]

[Footnote 35: An ideal woman patroness of the art of dyeing.]

[Footnote 36: The weaver, or star Vega. In the Chinese legend she is personified as a woman always engaged in weaving.]

[Footnote 37: In the same legend, it is said that this weaver, who dwells on one side of the Milky Way in the heavens, meets her lover--another star called Hikoboshi, or the bull-driver--once every year, on the evening of the seventh day of the seventh month. He dwelt on the other side of the Milky Way, and their meeting took place on a bridge, made by birds (jays), by the intertwining of their wings. It was this which gave rise to the popular festival, which takes place on this day, both in China and Japan.]

[Footnote 38: Little darlings--a kind of pink.]

[Footnote 39: The Tokonatz (everlasting summer) is another name for the pink, and it is poetically applied to the lady whom we love.]

[Footnote 40: A female divinity in Indian mythology.]

[Footnote 41: From the Chinese poet Hak-rak-ten, who was mentioned before. He says in one of his poems: "Once upon a time a certain host invited to his abode a clever match-maker. When the guests were assembled he poured forth wine into a beautiful jar, and said to all present, 'drink not for a moment, but hear what I say about the two choices, daughters of the rich get married soon, but snub their husbands, daughters of the poor get married with difficulty but dearly love their mothers-in-law.'"]

[Footnote 42: A soft style of Japanese writing commonly used by ladies.]

[Footnote 43: A stiff and formal style of Japanese writing.]

[Footnote 44: The fifth of May is one of the five important national festivals. A solemn celebration of this fête used to be performed at Court. It is sometimes called the festival of the "Sweet Flags,"--_calami aromatici_--because it was held at the season when those beautiful water-plants were in the height of perfection.]

[Footnote 45: Another of the five above-mentioned. It was held on the ninth of September, and it was customary on the occasion for rhymes to be given out to those present, wherewith to compose Chinese poems. It was sometimes called the "Chrysanthemum Festival," for the same reason that the celebration of the fifth of May was termed the "Sweet Flag Festival."]

[Footnote 46: This is an astrological superstition. It is said that when this God is in any part of the compass, at the time being, it is most unlucky to proceed towards it, and to remain in the same line of its direction.]

[Footnote 47: The deputy governor of the province Iyo; he is supposed to be in the province at this time, leaving his young wife and family behind.]

[Footnote 48: The father of Kokimi seems to have been holding the office Yemon-no-Kami as well as Chiûnagon.]

[Footnote 49: Tataki, or Amma, a sort of shampooing, a very common medical treatment in Japan.]

[Footnote 50: Hahaki-gi, the broom-like tree, is said to have been a certain tree growing in the plain of Sonohara, so called from its shape, which, at a distance, looked like a spreading broom, but when one comes near, its appearance was totally changed.]