Chapter I (3)

After dinner, when she had washed up the dishes--(he would offer to help her, but she would never let him),--she would take a motherly interest in her brother's work. She would hear him his lessons, read his exercises, and even look up certain words in the dictionary for him, always taking care not to ruffle up his sensitive little soul. They would spend the evening at their one table at which they had both to eat and write. He would do his homework, she would sew or do some copying. When he had gone to bed she would sit mending his clothes or doing some work of her own.

Although they had difficulty in making both ends meet, they were both agreed that every penny they could put by should be used in the first place to settle the debt which their mother owed to the Poyets. It was not that the Poyets were importunate creditors: they had given no sign of life: they never gave a thought to the money, which they counted as lost: they thought themselves very lucky to have got rid of their undesirable relatives so cheaply. But it hurt the pride and filial piety of the young Jeannins to think that their mother should have owed anything to these people whom they despised. They pinched and scraped: they economized on their amusements, on their clothes, on their food, in order to amass the two hundred francs--an enormous sum for them. Antoinette would have liked to have done the saving by herself. But when her brother found out what she was up to, nothing could keep him from doing likewise. They wore themselves out in the effort, and were delighted when they could set aside a few sous a day.

In three years, by screwing and scraping, sou by sou, they had succeeded in getting the sum together. It was a great joy to them. Antoinette went to the Poyets one evening. She was coldly received, for they thought she had come to ask for help. They thought it advisable to take the initiative: and reproached her for not letting them have any news of them: and not having even told them of the death of her mother, and not coming to them when she wanted help. She cut them short calmly by telling them that she had no intention of incommoding them: she had come merely to return the money which had been borrowed from them: and she laid two banknotes on the table and asked for a receipt. They changed their tone at once, and pretended to be unwilling to accept it: they were feeling for her that sudden affection which comes to the creditor for the debtor, who, after many years, returns the loan which he had ceased to reckon upon. They inquired where she was living with her brother, and how they lived. She did not reply, asked once more for the receipt, said that she was in a hurry, bowed coldly, and went away. The Poyets were horrified at the girl's ingratitude.

Then, when she was rid of that obsession, Antoinette went on with the same sparing existence, but now it was entirely for her brother's sake. Only she concealed it more to prevent his knowing it: she economized on her clothes and sometimes on her food, to keep her brother well-dressed and amused, and to make his life pleasanter and gayer, and to let him go every now and then to a concert, or to the opera, which was Olivier's greatest joy. He was unwilling to go without her, but she would always make excuses for not going so that he should feel no remorse: she would pretend that she was too tired and did not want to go out: she would even go so far as to say that music bored her. Her fond quibbles would not deceive him: but his boyish selfishness would be too strong for him. He would go to the theater: once inside, he would be filled with remorse, and it would haunt him all through the piece, and spoil his pleasure. One Sunday, when she had packed him off to the _Châtelet_ concert, he returned half an hour later, and told Antoinette that when he reached the Saint Michel Bridge he had not the heart to go any farther: the concert did not interest him: it hurt him too much to have any pleasure without her. Nothing was sweeter to Antoinette, although she was sorry that her brother should be deprived of his Sunday entertainment because of her. But Olivier never regretted it: when he saw the joy that lit up his sister's face as he came in, a joy that she tried in vain to conceal, he felt happier than the most lovely music in the world could ever have made him. They spent the afternoon sitting together by the window, he with a book in his hand, she with her work, hardly reading at all, hardly sewing at all, talking idly of things that interested neither of them. Never had they had so delightful a Sunday. They agreed that they would never go alone to a concert again: they could never enjoy anything alone.

She managed secretly to save enough money to surprise and delight Olivier with a hired piano, which, on the hire-purchase system became their property at the end of a certain number of months. The payments for it were a heavy burden for her to shoulder! It often haunted her dreams, and she ruined her health in screwing together the necessary money. But, folly as it was, it did assure them both so much happiness. Music was their Paradise in their hard life. It filled an enormous place in their existence. They steeped themselves in music so as to forget the rest of the world. There was danger in it too. Music is one of the great modern dissolvents. Its languorous warmth, like the heat of a stove, or the enervating air of autumn, excites the senses and destroys the will. But it was a relaxation for a creature forced into excessive, joyless activity as was Antoinette. The Sunday concert was the only ray of light that shone through the week of unceasing toil. They lived in the memory of the last concert and the eager anticipation of the next, in those few hours spent outside Paris and out of the vile weather. After a long wait outside in the rain, or the snow, or the wind and the cold, clinging together, and trembling lest all the places should be taken, they would pass into the theater, where they were lost in the throng, and sit on dark uncomfortable benches. They were crushed and stifling, and often on the point of fainting from the heat and discomfort of it all:--but they were happy, happy in their own and in each other's pleasure, happy to feel coursing through their veins the flood of kindness, light, and strength, that surged forth from the great souls of Beethoven and Wagner, happy, each of them, to see the dear, dear face light up--the poor, pale face worn by suffering and premature anxieties. Antoinette would feel so tired and as though loving arms were about her, holding her to a motherly breast! She would nestle in its softness and warmth: and she would weep quietly. Olivier would press her hand. No one noticed them in the dimness of the vast hall, where they were not the only suffering souls taking refuge under the motherly wing of Music.

Antoinette had her religion to support her. She was very pious, and every day never missed saying her prayers fervently and at length, and every Sunday she never missed going to Mass. Even in the injustice of her wretched life she could not help believing in the love of the divine Friend, who suffers with you, and, some day, will console you. Even more than with God, she was in close communion with the beloved dead, and she used secretly to share all her trials with them. But she was of an independent spirit and a clear intelligence: she stood apart from other Catholics, who did not regard her altogether favorably: they thought her possessed of an evil spirit: they were not far from regarding her as a Free Thinker, or on the way to it, because, like the honest little Frenchwoman she was, she had no intention of renouncing her own independent judgment: she believed not from obedience, like the base rabble, but from love.

Olivier no longer believed. The slow disintegration of his faith, which had set in during his first months in Paris, had ended in its complete destruction. He had suffered cruelly: for he was not of those who are strong enough or commonplace enough to dispense with faith: and so he had passed through crises of mental agony. But he was at heart a mystic: and, though he had lost his belief, yet no ideas could be closer to his own than those of his sister. They both lived in a religious atmosphere. When they came home in the evening after the day's parting their little flat was to them a haven, an inviolable refuge, poor, bitterly cold, but pure. How far removed they felt there from the noise and the corrupt thoughts of Paris!...

They never talked much of their doings: for when one comes home tired one has hardly the heart to revive the memory of a painful day by the tale of its happenings. Instinctively they set themselves to forget it. Especially during the first hour when they met again for dinner they avoided questions of all kinds. They would greet each other with their eyes: and sometimes they would not speak a word all through the meal. Antoinette would look at her brother as he sat dreaming, just as he used to do when he was a little boy. She would gently touch his hand:

"Come!" she would say, with a smile. "Courage!"

He would smile too and go on eating. So dinner would pass without their trying to talk. They were hungry for silence. Only when they had done would their tongues be loosed a little, when they felt rested, and when each of them in the comfort of the understanding love of the other had wiped out the impure traces of the day.

Olivier would sit down at the piano. Antoinette was out of practice from letting him play always: for it was the only relaxation that he had: and he would give himself up to it wholeheartedly. He had a fine temperament for music: his feminine nature, more suited to love than to action, with loving sympathy could catch the thoughts of the musicians whose works he played, and merge itself in them and with passionate fidelity render the finest shades,--at least, within the limitations of his physical strength, which gave out before the Titanic effort of _Tristan_, or the later sonatas of Beethoven. He loved best to take refuge in Mozart or Gluck, and theirs was the music that Antoinette preferred.

Sometimes she would sing too, but only very simple songs, old melodies. She had a light mezzo voice, plaintive and delicate. She was so shy that she could never sing in company, and hardly even before Olivier: her throat used to contract. There was an air of Beethoven set to some Scotch words, of which she was particularly fond: _Faithful Johnnie_: it was calm, so calm ... and with what a depth of tenderness!... It was like herself. Olivier could never hear her sing it without the tears coming to his eyes.

But she preferred listening to her brother. She would hurry through her housework and leave the door of the kitchen open the better to hear Olivier: but in spite of all her care he would complain impatiently of the noise she made with her pots and pans. Then she would close the door; and, when she had finished, she would come and sit in a low chair, not near the piano--(for he could not bear any one near him when he was playing),--but near the fireplace: and there she would sit curled up like a cat, with her back to the piano, and her eyes fixed on the golden eyes of the fire, in which a lump of coal was smoldering, and muse over her memories of the past. When nine o'clock rang she would have to pull herself together to remind Olivier that it was time to stop. It would be hard to drag him, and to drag herself, away from dreams: but Olivier would still have some work to do. And he must not go to bed too late. He would not obey her at once: he always needed a certain time in which to shake free of the music before he could apply himself seriously to his work. His thoughts would be off wandering. Often it would be half-past nine before he could shake free of his misty dreams. Antoinette, bending over her work at the other side of the table, would know that he was doing nothing: but she dared not look in his direction too often for fear of irritating him by seeming to be watching him.

He was at the ungrateful age--the happy age--when a boy saunters dreamily through his days. He had a clear forehead, girlish eyes, deep and trustful, often with dark circles round them, a wide mouth with rather thick pouting lips, a rather crooked smile, vague, absent, taking: he wore his hair long so that it hung down almost to his eyes, and made a great bunch at the back of his neck, while one rebellious lock stuck up at the back: a neckerchief loosely tied round his neck--(his sister used to tie it carefully in a bow every morning):--a waistcoat which was always buttonless, although she was for ever sewing them on: no cuffs: large hands with bony wrists. He had a heavy, sleepy, bantering expression, and he was always wool-gathering. His eyes would blink and wander round Antoinette's room:--(his work-table was in her room):--they would light on the little iron bed, above which hung an ivory crucifix, with a sprig of box,--on the portraits of his father and mother,--on an old photograph of the little provincial town with its tower mirrored in its waters. And when they reached his sister's pallid face, bending in silence over her work, he would be filled with an immense pity for her and his own indolence: and he would work furiously to make up for lost time.

He spent his holidays in reading. They would read together each with a separate book. In spite of their love for each other they could not read aloud. That hurt them as an offense against modesty. A fine book was to them as a secret which should only be murmured in the silence of the heart. When a passage delighted them, instead of reading it aloud, they would hand the book over, with a finger marking the place: and they would say:

"Read that."

Then, while the other was reading, the one who had already read would with shining eyes gaze into the dear face to see what emotions were roused and to share the enjoyment of it.

But often with their books open in front of them they would not read: they would talk. Especially towards the end of the evening they would feel the need of opening their hearts, and they would have less difficulty in talking. Olivier had sad thoughts: and in his weakness he had to rid himself of all that tortured him by pouring out his troubles to some one else. He was a prey to doubt. Antoinette had to give him courage, to defend him against himself: it was an unceasing struggle, which began anew each day. Olivier would say bitter, gloomy things: and when he had said them he would be relieved: but he never troubled to think how they might hurt his sister. Only very late in the day did he see how he was exhausting her: he was sapping her strength and infecting her with his own doubts. Antoinette never let it appear how she suffered. She was by nature valiant and gay, and she forced herself to maintain a show of gaiety, even when that gracious quality was long since dead in her. She had moments of utter weariness, and revolt against the life of perpetual sacrifice to which she had pledged herself. But she condemned such thoughts and would not analyze them: they came to her in spite of herself, and she would not accept them. She found help in prayer, except when her heart could not pray--(as sometimes happens)--when it was, as it were, withered and dry. Then she could only wait in silence, feverish and ashamed, for the return of grace. Olivier never had the least suspicion of the agony she suffered. At such times Antoinette would make some excuse and go away and lock herself in her room: and she would not appear again until the crisis was over: then she would be smiling, sorrowful, more tender than ever, and, as it were, remorseful for having suffered.

Their rooms were adjoining. Their beds were placed on either side of the same wall: they could talk to each other through it in whispers: and when they could not sleep they would tap gently on the wall to say:

"Are you asleep? I can't sleep."

The partition was so thin that it was almost as though they shared the same room. But the door between their rooms was always locked at night, in obedience to an instinctive and profound modesty,--a sacred feeling:--it was only left open when Olivier was ill, as too often happened.

He did not gain in health. Rather he seemed to grow weaker. He was always ailing: throat, chest, head or heart: if he caught the slightest cold there was always the danger of its turning to bronchitis: he caught scarlatina and almost died of it: but even when he was not ill he would betray strange symptoms of serious illnesses, which fortunately did not come to anything: he would have pains in his lungs or his heart. One day the doctor who examined him diagnosed pericarditis, or peripneumonia, and the great specialist who was then consulted confirmed his fears. But it came to nothing. It was his nerves that were wrong, and it is common knowledge that disorders of the nerves take the most unaccountable shapes: they are got rid of at the cost of days of anxiety. But such days were terrible for Antoinette, and they gave her sleepless nights. She would lie in a state of terror in her bed, getting up every now and then to listen to her brother's breathing. She would think that perhaps he was dying, she would feel sure, convinced of it: she would get up, trembling, and clasp her hands, and hold them fast against her lips to keep herself from crying out.

"Oh! God! Oh! God!" she would moan. "Take him not from me! Not that ... not that. You have no right!... Not that, oh! God, I beg!... Oh, mother, mother! Come to my aid! Save him: let him live!..."

She would lie at full stretch.

"Ah! To die by the way, when so much has been done, when we were nearly there, when he was going to be happy ... no: that could not be: it would be too cruel!..."

* * * * *

It was not long before Olivier gave her other reasons for anxiety.

He was profoundly honest, like herself, but he was weak of will and too open-minded and too complex not to be uneasy, skeptical, indulgent towards what he knew to be evil, and attracted by pleasure. Antoinette was so pure that it was some time before she understood what was going on in her brother's mind. She discovered it suddenly, one day.

Olivier thought she was out. She usually had a lesson at that hour: but at the last moment she had received word from her pupil, telling her that she could not have her that day. She was secretly pleased, although it meant a few francs less in that week's earnings: but she was very tired and she lay down on her bed: she was very glad to be able to rest for once without reproaching herself. Olivier came in from school bringing another boy with him. They sat down in the next room and began to talk. She could hear everything they said: they thought they were alone and did not restrain themselves. Antoinette smiled as she heard her brother's merry voice. But soon she ceased to smile, and her blood ran cold. They were talking of dirty things with an abominable crudity of expression: they seemed to revel in it. She heard Olivier, her boy Olivier, laughing: and from his lips, which she had thought so innocent, there came words so obscene that the horror of it chilled her. Keen anguish stabbed her to the heart. It went on and on: they could not stop talking, and she could not help listening. At last they went out, and Antoinette was left alone. Then she wept: something had died in her: the ideal image that she had fashioned of her brother--of her boy--was plastered with mud: it was a mortal agony to her. She did not say anything to him when they met again in the evening. He saw that she had been weeping and he could not think why. He could not understand why she had changed her manner towards him. It was some time before she was able to recover herself.

But the worst blow of all for her was one evening when he did not come home. She did not go to bed, but sat up waiting for him. It was not only her moral purity that was hurt: her suffering went down to the most mysterious inner depths of her heart--those same depths where there lurked the most awful feelings of the human heart, feelings over which she cast a veil, to hide them from her sight.

Olivier's first aim had been the declaration of his independence. He returned in the morning, casting about for the proper attitude and quite prepared to fling some insolent remark at his sister if she had said anything to him. He stole into the flat on tiptoe so as not to waken her. But when he saw her standing there, waiting for him, pale, red-eyed from weeping, when he saw that, instead of making any effort to reproach him, she only set about silently cooking his breakfast, before he left for school, and that she had nothing to say to him, but was overwhelmed, so that she was, in herself, a living reproach, he could hold out no longer: he flung himself down before her, buried his face in her lap, and they both wept. He was ashamed of himself, sick at the thought of what he had done: he felt degraded. He tried to speak, but she would not let him and laid her hand on his lips: and he kissed her hand. They said no more: they understood each other. Olivier vowed that he would never again do anything to hurt Antoinette, and that he would be in all things what she wanted him to be. But though she tried bravely she could not so easily forget so sharp a wound: she recovered from it slowly. There was a certain awkwardness between them. Her love for him was just the same: but in her brother's soul she had seen something that was foreign to herself, and she was fearful of it.

* * * * *

She was the more overwhelmed by the glimpse she had had into Olivier's inmost heart, in that, about the same time, she had to put up with the unwelcome attentions of certain men. When she came home in the evening at nightfall, and especially when she had to go out after dinner to take or fetch her copying, she suffered agonies from her fear of being accosted, and followed (as sometimes happened) and forced to listen to insulting advances. She took her brother with her whenever she could under pretext of making him take a walk: but he only consented grudgingly and she dared not insist: she did not like to interrupt his work. She was so provincial and so pure that she could not get used to such ways. Paris at night was to her like a dark forest in which she felt that she was being tracked by dreadful, savage beasts: and she was afraid to leave the house. But she had to go out. She would put off going out as long as possible: she was always fearful. And when she thought that her Olivier would be--was perhaps--like one of those men who pursued her, she could hardly hold out her hand to him when she came in. He could not think what he had done to change her so, and she was angry with herself.

She was not very pretty, but she had charm, and attracted attention though she did nothing to do so. She was always very simply dressed, almost always in black: she was not very tall, graceful, frail-looking; she rarely spoke: she tripped quietly through the crowded streets, avoiding attention, which, however, she attracted in spite of herself by the sweetness of the expression of her tired eyes and her pure young lips. Sometimes she saw that she had attracted notice: and though it put her to confusion she was pleased all the same. Who can say what gentle and chaste pleasure in itself there may be in so innocent a creature at feeling herself in sympathy with others? All that she felt was shown in a slight awkwardness in her movements, a timid, sidelong glance: and it was sweet to see and very touching. And her uneasiness added to her attraction. She excited interest, and, as she was a poor girl, with none to protect her, men did not hesitate to tell her so.

Sometimes she used to go to the house of some rich Jews, the Nathans, who took an interest in her because they had met her at the house of some friends of theirs where she gave lessons: and, in spite of her shyness, she had not been able to avoid accepting invitations to their parties. M. Alfred Nathan was a well-known professor in Paris, a distinguished scientist, and at the same time he was very fond of society, with that strange mixture of learning and frivolity which is so common among the Jews. Madame Nathan was a mixture in equal proportions of real kindliness and excessive worldliness. They were both generous, with loud-voiced, sincere, but intermittent sympathy for Antoinette.--Generally speaking Antoinette had found more kindness among the Jews than among the members of her own sect. They have many faults: but they have one great quality--perhaps the greatest of all: they are alive, and human: nothing human is foreign to them and they are interested in every living being. Even when they lack real, warm sympathy they feel a perpetual curiosity which makes them seek out men and ideas that are of worth, however different from themselves they may be. Not that, generally speaking, they do anything much to help them, for they are interested in too many things at once and much more a prey to the vanities of the world than other people, while they pretend to be immune from them. But at least they do something: and that is saying a great deal in the present apathetic condition of society. They are an active balm in society, the very leaven of life.--Antoinette who, among the Catholics, had been brought sharp up against a wall of icy indifference, was keenly alive to the worth of the interest, however superficial it might be, which the Nathans took in her. Madame Nathan had marked Antoinette's life of devoted sacrifice: she was sensible of her physical and moral charm: and she made a show of taking her under her protection. She had no children: but she loved young people and often had gatherings of them in her house: and she insisted on Antoinette's coming also, and breaking away from her solitude, and having some amusement in her life. And as she had no difficulty in guessing that Antoinette's shyness was in part the result of her poverty, she even went so far as to offer to give her a pretty frock or two, which Antoinette refused proudly: but her kindly patroness found a way of forcing her to accept a few of those little presents which are so dear to a woman's innocent vanity. Antoinette was both grateful and embarrassed. She forced herself to go to Madame Nathan's parties from time to time: and being young she managed to enjoy herself in spite of everything.

But in that rather mixed society of all sorts of young people Madame Nathan's protégée, being poor and pretty, became at once the mark of two or three young gentlemen, who with perfect confidence in themselves picked her out for their attentions. They calculated how far her timidity would go: they even made bets about her.

One day she received certain anonymous letters--or rather letters signed with a noble pseudonym--which conveyed a declaration of love: at first they were love-letters, flattering, ardent, appointing a rendezvous: then they quickly became bolder, threatening, and soon insulting and basely slanderous: they stripped her, exposed her, besmirched her with their coarse expressions of desire: they tried to play upon Antoinette's simplicity by making her fearful of a public insult if she did not go to the appointed rendezvous. She wept bitterly at the thought of having called down on herself such base proposals: and these insults scorched her pride. She did not know what to do. She did not like to speak to her brother about it: she knew that he would feel it too keenly and that he would make the affair even more serious than it was. She had no friends. The police? She would not do that for fear of scandal. But somehow she had to make an end of it. She felt that her silence would not sufficiently defend her, that the blackguard who was pursuing her would hold to the chase and that he would go on until to go farther would be dangerous.

He had just sent her a sort of ultimatum commanding her to meet him next day at the Luxembourg. She went.--By racking her brains she had come to the conclusion that her persecutor must have met her at Madame Nathan's. In one of his letters he had alluded to something which could only have happened there. She begged Madame Nathan to do her a great favor and to drive her to the door of the gallery and to wait for her outside. She went in. In front of the appointed picture her tormentor accosted her triumphantly and began to talk to her with affected politeness. She stared straight at him without a word. When he had finished his remark he asked her jokingly why she was staring at him. She replied:

"You are a coward."

He was not put out by such a trifle as that, and became familiar in his manner. She said:

"You have tried to threaten me with a scandal. Very well, I have come to give you your scandal. You have asked for it!"

She was trembling all over, and she spoke in a loud voice to show him that she was quite equal to attracting attention to themselves. People had already begun to watch them. He felt that she would stick at nothing. He lowered his voice. She said once more, for the last time:

"You are a coward," and turned her back on him.

Not wishing to seem to have given in he followed her. She left the gallery with the fellow following hard on her heels. She walked straight to the carriage waiting there, wrenched the door open, and her pursuer found himself face to face with Madame Nathan, who recognized him and greeted him by name. His face fell and he bolted.

Antoinette had to tell the whole story to her companion. She was unwilling to do so, and only hinted roughly at the facts. It was painful to her to reveal to a stranger the intimate secrets of her life, and the sufferings of her injured modesty. Madame Nathan scolded her for not having told her before. Antoinette begged her not to tell anybody. That was the end of it: and Madame Nathan did not even need to strike the fellow off her visiting list: for he was careful not to appear again.

About the same time another sorrow of a very different kind came to Antoinette.

At the Nathans' she met a man of forty, a very good fellow, who was in the Consular service in the Far East, and had come home on a few months' leave. He fell in love with her. The meeting had been planned unknown to Antoinette, by Madame Nathan, who had taken it into her head that she must find a husband for her little friend. He was a Jew. He was not good-looking and he was no longer young. He was rather bald, and round-shouldered: but he had kind eyes, an affectionate way with him, and he could feel for and understand suffering, for he had suffered himself. Antoinette was no longer the romantic girl, the spoiled child, dreaming of life as a lovely day's walk on her lover's arm: now she saw the hard struggle of life, which began again, every day, allowing no time for rest, or, if rest were taken, it might be to lose in one moment all the ground that had been gained, inch by inch, through years of striving: and she thought it would be very sweet to be able to lean on the arm of a friend, and share his sorrows with him, and be able to close her eyes for a little, while he watched over her. She knew that it was a dream: but she had not had the courage to renounce her dream altogether. In her heart she knew quite well that a dowerless girl had nothing to hope for in the world in which she lived. The old French middle-classes are known throughout the world for the spirit of sordid interest in which they conduct their marriages. The Jews are far less grasping with money. Among the Jews it is no uncommon thing for a rich young man to choose a poor girl, or a young woman of fortune to set herself passionately to win a man of intellect. But in the French middle-classes, Catholic and provincial in their outlook, almost always money woos money. And to what end? Poor wretches, they have none but dull commonplace desires: they can do nothing but eat, yawn, sleep--save. Antoinette knew them. She had observed their ways from her childhood on. She had seen them with the eyes of wealth and the eyes of poverty. She had no illusions left about them, nor about the treatment she had to expect from them. And so the attentions of this man who had asked her to marry him came as an unhoped for treasure in her life. At first she did not think of him as a lover, but gradually she was filled with gratitude and tenderness towards him. She would have accepted his proposal if it had not meant following him to the colonies and consequently leaving her brother. She refused: and though her lover understood the magnanimity of her reason for doing so, he could not forgive her: love is so selfish, that the lover will not hear of being sacrificed even to those virtues which are dearest to him in the beloved. He gave up seeing her: when he went away he never wrote: she had no news of him at all until, five or six months later, she received a printed intimation, addressed in his hand, that he had married another woman.

Antoinette felt it deeply. She was broken-hearted, and she offered up her suffering to God: she tried to persuade herself that she was justly punished for having for one moment lost sight of her one duty, to devote herself to her brother: and she grew more and more wrapped up in it.

She withdrew from the world altogether. She even dropped going to the Nathans', for they were a little cold towards her after she refused the marriage which they had arranged for her: they too refused to see any justification for her. Madame Nathan had decided that the marriage should take place, and her vanity was hurt at its missing fire through Antoinette's fault. She thought her scruples certainly quite praiseworthy, but exaggerated and sentimental: and thereafter she lost interest in the silly little goose. It was necessary for her always to be helping people, with or without their consent, and she quickly found another protégée to absorb, for the time being, all the interest and devotion which she had to expend.

Olivier knew nothing of his sister's sad little romance. He was a sentimental, irresponsible boy, living in his dreams and fancies. It was impossible to depend on him in spite of his intelligence and charm and his very real tenderheartedness. Often he would fling away the results of months of work by his irresponsibility, or in a fit of discouragement, or by some boyish freak, or some fancied love affair, in which he would waste all his time and energy. He would fall in love with a pretty face, that he had seen once, with coquettish little girls, whom perhaps he once met out somewhere, though they never paid any attention to him. He would be infatuated with something he had read, a poet, or a musician: he would steep himself in their works for months together, to the exclusion of everything else and the detriment of his studies. He had to be watched always, though great care had to be taken that he did not know it, for he was easily wounded. There was always a danger of a seizure. He had the feverish excitement, the want of balance, the uneasy trepidation, that are often found in those who have a consumptive tendency. The doctor had not concealed the danger from Antoinette. The sickly plant, transplanted from the provinces to Paris, needed fresh air and light. Antoinette could not provide them. They had not enough money to be able to go away from Paris during the holidays. All the rest of their year every day in the week was full, and on Sundays they were so tired that they never wanted to go out, except to a concert.

There were Sundays in the summer when Antoinette would make an effort and drag Olivier off to the woods outside Paris, near Chaville or Saint-Cloud. But the woods were full of noisy couples, singing music-hall songs, and littering the place with greasy bits of paper: they did not find the divine solitude which purifies and gives rest. And in the evening when they turned homewards they had to suffer the roar and clatter of the trains, the dirty, crowded, low, narrow, dark carriages of the suburban lines, the coarseness of certain things they saw, the noisy, singing, shouting, smelly people, and the reek of tobacco smoke. Neither Antoinette nor Olivier could understand the people, and they would return home disgusted and demoralized. Olivier would beg Antoinette not to go for Sunday walks again; and for some time Antoinette would not have the heart to go again. And then she would insist, though it was even more disagreeable to her than to Olivier: but she thought it necessary for her brother's health. She would force him to go out once more. But their new experience would be no better than the last, and Olivier would protest bitterly. So they stayed shut up in the stifling town, and, in their prison-yard, they sighed for the open fields.

* * * * *

Olivier had reached the end of his schooldays. The examinations for the _École Normale_ were over. It was quite time. Antoinette was very tired. She was counting on his success: her brother had everything in his favor. At school he was regarded as one of the best pupils: and all his masters were agreed in praising his industry and intelligence, except for a certain want of mental discipline which made it difficult for him to bend to any sort of plan. But the responsibility of it weighed on Olivier so heavily that he lost his head as the examination came near. He was worn out, and paralyzed by the fear of failure, and a morbid shyness that crept over him. He trembled at the thought of appearing before the examiners in public. He had always suffered from shyness: in class he would blush and choke when he had to speak: at first he could hardly do more than answer his name. And it was much more easy for him to reply impromptu than when he knew that he was going to be questioned: the thought of it made him ill: his mind rushed ahead picturing every detail of the ordeal as it would happen: and the longer he had to wait, the more he was obsessed by it. It might be said that he passed every examination at least twice: for he passed it in his dreams on the night before and expended all his energy, so that he had none left for the real examination.

But he did not even reach the _viva voce_, the very thought of which had sent him into a cold sweat the night before. In the written examination on a philosophical subject, which at any ordinary time would have sent him flying off, he could not even manage to squeeze out a couple of pages in six hours. For the first few hours his brain was empty; he could think of nothing, nothing. It was like a blank wall against which he hurled himself in vain. Then, an hour before the end, the wall was rent and a few rays of light shone through the crevices. He wrote an excellent short essay, but it was not enough to place him. When Antoinette saw the despair on his face as he came out, she foresaw the inevitable blow, and she was as despairing as he: but she did not show it. Even in the most desperate situations she had always an inexhaustible capacity for hope.

Olivier was rejected.

He was crushed by it. Antoinette pretended to smile as though it were nothing of any importance: but her lips trembled. She consoled her brother, and told him that it was an easily remedied misfortune, and that he would be certain to pass next year, and win a better place. She did not tell him how vital it was to her that he should have passed, that year, or how utterly worn out she felt in soul and body, or how uneasy she felt about fighting through another year like that. But she had to go on. If she were to go away before Olivier had passed he would never have the courage to go on fighting alone: he would succumb.

She concealed her weariness from him, and even redoubled her efforts. She wore herself to skin and bone to let him have amusement and change during the holidays so that he might resume work with greater energy and confidence. But at the very outset her small savings had to be broken into, and, to make matters worse, she lost some of her most profitable pupils.

Another year!... Within sight of the final ordeal they were almost at breaking-point. Above all, they had to live, and discover some other means of scraping along. Antoinette accepted a situation as a governess in Germany which had been offered her through the Nathans. It was the very last thing she would have thought of, but nothing else offered at the time, and she could not wait. She had never left her brother for a single day during the last six years: and she could not imagine what life would be like without seeing and hearing him from day to day. Olivier was terrified when he thought of it: but he dared not say anything: it was he who had brought it about: if he had passed Antoinette would not have been reduced to such an extremity: he had no right to say anything, or to take into account his own grief at the parting: it was for her to decide.

They spent the last days together in dumb anguish, as though one of them were about to die: they hid away from each other when their sorrow was too much for them. Antoinette gazed into Olivier's eyes for counsel. If he had said to her: "Don't go!" she would have stayed, although she had to go. Up to the very last moment, in the cab in which they drove to the station, she was prepared to break her resolution: she felt that she could never go through with it. At a word from him one word!... But he said nothing. Like her, he set his teeth and would not budge.--She made him promise to write to her every day, and to conceal nothing from her, and to send for her if he were ever in the least danger.

* * * * *

They parted. While Olivier returned with a heavy heart to his school, where it had been agreed that he should board, the train carried Antoinette, crushed and sorrowful, towards Germany. Lying awake and staring through the night they felt the minutes dragging them farther and farther apart, and they called to each other in whispering voices.

Antoinette was fearful of the new world to which she was going. She had changed much in six years. She who had once been so bold and afraid of nothing had grown so used to silence and isolation that it hurt her to go out into the world again. The laughing, gay, chattering Antoinette of the old happy times had passed away with them. Unhappiness had made her sensitive and shy. No doubt living with Olivier had infected her with his timidity. She had had hardly anybody to talk to except her brother. She was scared by the least little thing, and was really in a panic when she had to pay a call. And so it was a nervous torture to her to think that she was now going to live among strangers, to have to talk to them, to be always with them. The poor girl had no more real vocation for teaching than her brother: she did her work conscientiously, but her heart was not in it, and she had not the support of feeling that there was any use in it. She was made to love and not to teach. And no one cared for her love.

* * * * *

Nowhere was her capacity for love less in demand than in her new situation in Germany. The Grünebaums, whose children she was engaged to teach French, took not the slightest interest in her. They were haughty and familiar, indifferent and indiscreet: they paid fairly well: and, as a result, they regarded everybody in their payment as being under an obligation to them, and thought they could do just as they liked. They treated Antoinette as a superior sort of servant and allowed her hardly any liberty. She did not even have a room to herself: she slept in a room adjoining that of the children and had to leave the door open all night. She was never alone. They had no respect for her need of taking refuge every now and then within herself--the sacred right of every human being to preserve an inner sanctuary of solitude. The only happiness she had lay in correspondence and communion with her brother: she made use of every moment of liberty she could snatch. But even that was encroached upon. As soon as she began to write they would prowl about in her room and ask her what she was writing. When she was reading a letter they would ask her what was in it: by their persistent impertinent curiosity they found out about her "little brother." She had to hide from them. Too shameful sometimes were the expedients to which she had to resort, and the holes and crannies in which she had to hide, in order to be able to read Olivier's letters unobserved. If she left a letter lying in her room she was sure it would be read: and as she had nothing she could lock except her box, she had to carry any papers she did not want to have read about with her: they were always prying into her business and her intimate affairs, and they were always fishing for her secret thoughts. It was not that the Grünebaums were really interested in her, only they thought that, as they paid her, she was their property. They were not malicious about it: indiscretion was with them an incurable habit: they were never offended with each other.

Nothing could have been more intolerable to Antoinette than such espionage, such a lack of moral modesty, which made it impossible for her to escape even for an hour a day from their curiosity. The Grünebaums were hurt by the haughty reserve with which she treated them. Naturally they found highly moral reasons to justify their vulgar curiosity, and to condemn Antoinette's desire to be immune from it.

"It was their duty," they thought, "to know the private life of a girl living under their roof, as a member of their household, to whom they had intrusted the education of their children: they were responsible for her."--(That is the sort of thing that so many mistresses say of their servants, mistresses whose "responsibility" does not go so far as to spare the unhappy girls any fatigue or work that must revolt them, but is entirely limited to denying them every sort of pleasure.)--"And that Antoinette should refuse to acknowledge that duty, imposed on them by conscience, could only show," they concluded, "that she was conscious of being not altogether beyond reproach: an honest girl has nothing to conceal."

So Antoinette lived under a perpetual persecution, against which she was always on her guard, so that it made her seem even more cold and reserved than she was.

Every day her brother wrote her a twelve-page letter: and she contrived to write to him every day even if it were only a few lines. Olivier tried hard to be brave and not to show his grief too clearly. But he was bored and dull. His life had always been so bound up with his sister's that, now that she was torn from him, he seemed to have lost part of himself: he could not use his arms, or his legs, or his brains, he could not walk, or play the piano, or work, or do anything, not even dream--except through her. He slaved away at his books from morning to night: but it was no good: his thoughts were elsewhere: he would be suffering, or thinking of her, or of the morrow's letter: he would sit staring at the clock, waiting for the day's letter: and when it arrived his fingers would tremble with joy--with fear, too--as he tore open the envelope. Never did lover tremble with more tenderness and anxiety at a letter from his mistress. He would hide away, like Antoinette, to read his letters: he would carry them about with him: and at night he always had the last letter under his pillow, and he would touch it from time to time to make sure that it was still there, during the long, sleepless nights when he lay awake dreaming of his dear sister. How far removed from her he felt! He felt that most dreadfully when Antoinette's letters were delayed by the post and came a day late. Two days, two nights, between them!... He exaggerated the time and the distance because he had never traveled. His imagination would take fire:

"Heavens! If she were to fall ill! There would be time for her to die before he could see her ... Why had she not written to him, just a line or two, the day before?... Was she ill?... Yes. She was surely ill ..." He would choke.--More often still he would be terrified of dying away from her, dying alone, among people who did not care, in the horrible school, in grim, gray Paris. He would make himself ill with the thought of it.... "Should he write and tell her to come back?"--But then he would be ashamed of his cowardice. Besides, as soon as he began to write to her it gave him such joy to be in communion with her that for a moment he would forget his suffering. It seemed to him that he could see her, hear her voice: he would tell her everything: never had he spoken to her so intimately, so passionately, when they had been together: he would call her "my true, brave, dear, kind, beloved, little sister," and say, "I love you so." Indeed they were real love-letters.