Chapter II (1)

They drove out of Paris. They crossed the vast plains of France shrouded in mist. It was an evening like that on which Christophe had arrived in Paris ten years before. He was a fugitive then, as now. But then his friend, the man who loved him, was alive: and Christophe was fleeing towards him....

During the first hour Christophe was still under the excitement of the fight: he talked volubly in a loud voice: in a breathless, jerky fashion he kept on telling what he had seen and heard: he was proud of his achievement and felt no remorse. Manousse and Canet talked too, by way of making him forget. Gradually his feverish excitement subsided, and Christophe stopped talking: his two companions went on making conversation alone. He was a little bewildered by the afternoon's adventures, but in no way abashed. He recollected the time when he had come to France, a fugitive then, always a fugitive. It made him laugh. No doubt he was fated to be so. It gave him no pain to be leaving Paris: the world is wide: men are the same everywhere. It mattered little to him where he might be so long as he was with his friend. He was counting on seeing him again next day. They had promised him that.

They reached Laroche. Manousse and Canet did not leave him until they had seen him into the train. Christophe made them say over the name of the place where he was to get out, and the name of the hotel, and the post-office where he would find his letters. In spite of themselves, as they left him, they both looked utterly dejected. Christophe wrung their hands gaily.

"Come!" he shouted, "don't look so like a funeral Good Lord, we shall meet again! Nothing easier! We'll write to each other to-morrow."

The train started. They watched it disappear.

"Poor devil!" said Manousse.

They got back into the car. They were silent. After a short time Canet said to Manousse:

"Bah! the dead are dead. We must help the living."

As night fell Christophe's excitement subsided altogether. He sat huddled in a corner of the carriage, and pondered. He was sobered and icy cold. He looked down at his hands and saw blood on them that was not his own. He gave a shiver of disgust. The scene of the murder came before him once more. He remembered that he had killed a man: and now he knew not why. He began to go over the whole battle from the very beginning; but now he saw it in a very different light. He could not understand how he had got mixed up in it. He went back over every incident of the day from the moment when he had left the house with Olivier: he saw the two of them walking through Paris until the moment when he had been caught up by the whirlwind. There he lost the thread: the chain of his thoughts was snapped: how could he have shouted and struck out and moved with those men with whose beliefs he disagreed? It was not he, it was not he!... It was a total eclipse of his will!... He was dazed by it and ashamed. He was not his own master then? Who was his master?... He was being carried by the express through the night: and the inward night through which he was being carried was no less dark, nor was the unknown force less swift and dizzy.... He tried hard to shake off his unease: but one anxiety was followed by another. The nearer he came to his destination, the more he thought of Olivier; and he was oppressed by an unreasoning fear.

As he arrived he looked through the window across the platform for the familiar face of his friend.... There was no one. He got out and still went on looking about him. Once or twice he thought he saw.... No, it was not "he." He went to the appointed hotel. Olivier was not there. There was no reason for Christophe to be surprised: how could Olivier have preceded him?... But from that moment on he was in an agony of suspense.

It was morning. Christophe went up to his room. Then he came down again, had breakfast, sauntered through the streets. He pretended to be free of anxiety and looked at the lake and the shop-windows, chaffed the girl in the restaurant, and turned over the illustrated papers.... Nothing interested him. The day dragged through, slowly and heavily. About seven o'clock in the evening, Christophe having, for want of anything else to do, dined early and eaten nothing, went up to his room, and asked that as soon as the friend he was expecting arrived, he should be brought up to him. He sat down at the desk with his back turned to the door. He had nothing to busy himself with, no baggage, no books: only a paper that he had just bought: he forced himself to read it: but his mind was wandering: he was listening for footsteps in the corridor. All his nerves were on edge with the exhaustion of a day's anxious waiting and a sleepless night.

Suddenly he heard some one open the door. Some indefinable feeling made him not turn around at once. He felt a hand on his shoulder. Then he turned and saw Olivier smiling at him. He was not surprised, and said:

"Ah, here you are at last!"

The illusion vanished.

Christophe got up suddenly, knocking over chair and table. His hair stood on end. He stood still for a moment, livid, with his teeth chattering.

At the end of that moment--(in vain did he shut his eyes to it and tell himself: "I know nothing")--he knew everything: he was sure of what he was going to hear.

He could not stay in his room. He went down into the street and walked about for an hour. When he returned the porter met him in the hall of the hotel and gave him a letter. _The_ letter. He was quite sure it would be there. His hand trembled as he took it. He opened it, saw that Olivier was dead, and fainted.

The letter was from Manousse. It said that in concealing the disaster from him the day before, and hurrying him off, they had only been obeying Olivier's wishes, who had desired to insure his friend's escape,--that it was useless for Christophe to stay, as it would mean the end of him also,--that it was his duty to seek safety for the sake of his friend's memory, and for his other friends, and for the sake of his own fame, etc., etc.... Amélie had added three lines in her big, scrawling handwriting, to say that she would take every care of the poor little gentleman....

When Christophe came back to himself he was furiously angry. He wanted to kill Manousse. He ran to the station. The hall of the hotel was empty, the streets were deserted: in the darkness the few belated passers-by did not notice his wildly staring eyes or his furious breathing. His mind had fastened as firmly as a bulldog with its fangs on to the one fixed idea: "Kill Manousse! Kill!..." He wanted to return to Paris. The night express had gone an hour before. He had to wait until the next morning. He could not wait. He took the first train that went in the direction of Paris, a train which stopped at every station. When he was left alone in the carriage Christophe cried over and over again:

"It is not true! It is not true!"

At the second station across the French frontier the train stopped altogether: it did not go any farther. Shaking with fury, Christophe got out and asked for another train, battering the sleepy officials with questions, and only knocking up against indifference. Whatever he did he would arrive too late. Too late for Olivier. He could not even manage to catch Manousse. He would be arrested first. What was he to do? Which way to turn? To go on? To go back? What was the use? What was the use?... He thought of giving himself up to a gendarme who went past him. He was held back by an obscure instinct for life which bade him return to Switzerland. There was no train in either direction for a few hours. Christophe sat down in the waiting-room, could not keep still, left the station, and blindly followed the road on through the night. He found himself in the middle of a bare countryside--fields, broken here and there with clumps of pines, the vanguard of a forest. He plunged into it. He had hardly gone more than a few steps when he flung himself down on the ground and cried:

"Olivier!"

He lay across the path and sobbed.

A long time afterwards a train whistling in the distance roused him and made him get up. He tried to go back to the station, but took the wrong road. He walked on all through the night. What did it matter to him where he went? He went on walking to keep from thinking, walking, walking, until he could not think, walking on in the hope that he might fall dead. Ah! if only he might die!...

At dawn he found himself in a French village a long way from the frontier. All night he had been walking away from it. He went into an inn, ate a huge meal, set out once more, and walked on and on. During the day he sank down in the middle of a field and lay there asleep until the evening. When he woke up it was to face another night. His fury had abated. He was left only with frightful grief that choked him. He dragged himself to a farmhouse, and asked for a piece of bread and a truss of straw for a bed. The farmer stared hard at him, cut him a slice of bread, led him into the stable, and locked it. Christophe lay in the straw near the thickly-smelling cows, and devoured his bread. Tears were streaming down his face. Neither his hunger nor his sorrow could be appeased. During the night sleep once more delivered him from his agony for a few hours. He woke up next day on the sound of the door opening. He lay still and did not move. He did not want to come back to life. The farmer stopped and looked down at him for a long time: he was holding in his hand a paper, at which he glanced from time to time. At last he moved forward and thrust his newspaper in front of Christophe. His portrait was on the front page.

"It is I," said Christophe. "You'd better give me up."

"Get up," said the farmer.

Christophe got up. The man motioned to him to follow. They went behind the barn and walked along a winding path through an orchard. They came to a cross, and then the farmer pointed along a road and said to Christophe:

"The frontier is over there."

Christophe walked on mechanically. He did not know why he should go on. He was so tired, so broken in body and soul, that he longed to stop with every stride. But he felt that if he were to stop he would never be able to go on again, never budge from the spot where he fell. He walked on right through the day. He had not a penny to buy bread. Besides, he avoided the villages. He had a queer feeling which entirely baffled his reason, that, though he wished to die, he was afraid of being taken prisoner: his body was like a hunted animal fleeing before its captors. His physical wretchedness, exhaustion, hunger, an obscure feeling of terror which was augmented by his worn-out condition, for the time being smothered his moral distress. His one thought was to find a refuge where he could in safety be alone with his distress and feed on it.

He crossed the frontier. In the distance he saw a town surmounted with towers and steeples and factory chimneys, from which the thick smoke streamed like black rivers, monotonously, all in the same direction across the gray sky under the rain. He was very near a collapse. Just then he remembered that he knew a German doctor, one Erich Braun, who lived in the town, and had written to him the year before, after one of his successes, to remind him of their old acquaintance. Dull though Braun might be, little though he might enter into his life, yet, like a wounded animal, Christophe made a supreme effort before he gave in to reach the house of some one who was not altogether a stranger.

Under the cloud of smoke and rain, he entered the gray and red city. He walked through it, seeing nothing, asking his way, losing himself, going back, wandering aimlessly. He was at the end of his tether. For the last time he screwed up his will that was so near to breaking-point to climb up the steep alleys, and the stairs which went to the top of a stiff little hill, closely overbuilt with houses round a gloomy church. There were sixty red stone steps in threes and sixes. Between each little flight of steps was a narrow platform for the door of a house. On each platform Christophe stopped swaying to take breath. Far over his head, above the church tower, crows were whirling.

At last he came upon the name he was looking for. He knocked.--The alley was in darkness. In utter weariness he closed his eyes. All was dark within him.... Ages passed.

The narrow door was opened. A woman appeared on the threshold. Her face was in darkness: but her outline was sharply shown against the background of a little garden which could be clearly seen at the end of a long passage, in the light of the setting sun. She was tall, and stood very erect, without a word, waiting for him to speak. He could not see her eyes: but he felt them taking him in. He asked for Doctor Erich Braun and gave his name. He had great difficulty in getting the words out. He was worn out with fatigue, hunger, and thirst. Without a word the woman went away, and Christophe followed her into a room with closed shutters. In the darkness he bumped into her: his knees and body brushed against her. She went out again and closed the door of the room and left him in the dark. He stayed quite still, for fear of knocking something over, leaning against the wall with his forehead against the soft hangings: his ears buzzed: the darkness seemed alive and throbbing to his eyes.

Overhead he heard a chair being moved, an exclamation of surprise, a door slammed. Then came heavy footsteps down the stairs.

"Where is he?" asked a voice that he knew.

The door of the room was opened once more.

"What! You left him in the dark! Anna! Good gracious! A light!"

Christophe was so weak, he was so utterly wretched, that the sound of the man's loud voice, cordial as it was, brought him comfort in his misery. He gripped the hand that was held out to him. The two men looked at each other. Braun was a little man: he had a red face with a black, scrubby and untidy beard, kind eyes twinkling behind spectacles, a broad, bumpy, wrinkled, worried, inexpressive brow, hair carefully plastered down and parted right down to his neck. He was very ugly: but Christophe was very glad to see him and to be shaking hands with him. Braun made no effort to conceal his surprise.

"Good Heavens! How changed he is! What a state he is in!"

"I'm just come from Paris," said Christophe, "I'm a fugitive."

"I know, I know. We saw the papers. They said you were caught. Thank God! You've been much in our thoughts, mine and Anna's."

He stopped and made Christophe known to the silent creature who had admitted him:

"My wife."

She had stayed in the doorway of the room with a lamp in her hand. She had a taciturn face with a firm chin. The light fell on her brown hair with its reddish shades of color, and on her pallid cheeks. She held out her hand to Christophe stiffly with the elbow close against her side: he took it without looking at her. He was almost done.

"I came...." he tried to explain. "I thought you would be so kind ... if it isn't putting you out too much ... as to put me up for a day--"

Braun did not let him finish.

"A day!... Twenty days, fifty, as long as you like. As long as you are in this country you shall stay in our house: and I hope you will stay for a long time. It is an honor and a great happiness for us."

Christophe was overwhelmed by his kind words. He flung himself into Braun's arms.

"My dear Christophe, my dear Christophe!" said Braun.... "He is weeping.... Well, well what is it?... Anna! Anna!... Quick, he has fainted...."

Christophe had collapsed in his host's arms. He had succumbed to the fainting fit which had been imminent for several hours.

When he opened his eyes again he was lying in a great bed. A smell of wet earth came up through the open window. Braun was bending over him.

"Forgive me," murmured Christophe, trying to get up.

"He is dying of hunger!" cried Braun.

The woman went out and returned with a cup and gave him to drink. Braun held his head. Christophe was restored to life: but his exhaustion was stronger than his hunger: hardly was his head laid back on the pillow than he went to sleep. Braun and his wife watched over him: then, seeing that he only needed rest, they left him.

He fell into the sort of sleep that seems to last for years, a heavy crushing sleep, dropping like a piece of lead to the bottom of a lake. In such a sleep a man is a prey to his accumulated weariness and the monstrous hallucinations which are forever prowling at the gates of his will. He tried to wake up, burning, broken, lost in the impenetrable darkness: he heard the clocks striking the half hours: he could not breathe, or think, or move: he was bound and gagged like a man flung into water to drown: he tried to struggle, but only sank down again.--Dawn came at length, the tardy gray dawn of a rainy day. The intolerable heat that consumed him grew less: but his body was pinned under the weight of a mountain. He woke up. It was a terrible awakening.

"Why open my eyes? Why wake up? Rather stay, like my poor friend, who is lying under the earth...."

He lay on his back and never moved, although he was cramped by his position in the bed: his legs and arms were heavy as stone. He was in a grave. A dim pale light. A few drops of rain dashed against the windows. A bird in the garden was uttering a little plaintive cry. Oh! the misery of life! The cruel futility of it all!...

The hours crept by. Braun came in. Christophe did not turn his head. Seeing his eyes open, Braun greeted him joyfully: and as Christophe went on grimly staring at the ceiling he tried to make him shake off his melancholy: he sat down on the bed and chattered noisily. Christophe could not bear the noise. He made an effort, superhuman it seemed to him, and said:

"Please leave me alone."

The good little man changed his tone at once.

"You want to be alone? Why, of course. Keep quiet. Rest, don't talk, we'll bring you up something to eat, and no one shall say a word."

But it was impossible for him to be brief. After endless explanations he tiptoed from the room with his huge slippers creaking on the floor. Christophe was left alone once more, and sank back into his mortal weariness. His thoughts were veiled by the mist of suffering. He wore himself out in trying to understand.... "Why had he known him? Why had he loved him? What good had Antoinette's devotion been? What was the meaning of all the lives and generations,--so much experience and hope--ending in that life, dragged down with it into the void?"... Life was meaningless. Death was meaningless. A man was blotted out, shuffled out of existence, a whole family disappeared from the face of the earth, leaving no trace. Impossible to tell whether it is more odious or more grotesque. He burst into a fit of angry laughter, laughter of hatred and despair. His impotence in the face of such sorrow, his sorrow in the face of such impotence, were dragging him down to death. His heart was broken....

There was not a sound in the house, save the doctor's footsteps as he went out on his rounds. Christophe had lost all idea of the time, when Anna appeared. She brought him some dinner on a tray. He watched her without stirring, without even moving his lips to thank her: but in his staring eyes, which seemed to see nothing, the image of the young woman was graven with photographic clarity. Long afterwards, when he knew her better, it was always thus that he saw her: later impressions were never able to efface that first memory of her. She had thick hair done up in a heavy knob, a bulging forehead, wide cheeks, a short, straight nose, eyes perpetually cast down, and when they met the eyes of another, they would turn away with an expression in which there was little frankness and small kindness: her lips were a trifle thick, and closely pressed together, and she had a stubborn, rather hard expression. She was tall, apparently big and well made, but her clothes were very stiff and tight, and she was cramped in her movements. She came silently and noiselessly and laid the tray on the table by the bed and went out again with her arms close to her sides and her head down. Christophe felt no surprise at her strange and rather absurd appearance: he did not touch his food and relapsed into his silent suffering.

The day passed. Evening came and once more Anna with more food. She found the meal she had brought in the morning still untouched: and she took it away without a remark. She had none of those fond observations which all women seem instinctively to produce for the benefit of an invalid. It was as though Christophe did not exist for her, as though she herself hardly existed. This time Christophe felt a sort of dumb hostility as impatiently he followed her awkward hasty movements. However, he was grateful to her for not trying to talk.--He was even more grateful to her when, after she had gone, he had to put up with the doctor's protestations, when he observed that Christophe had not touched the earlier meal. He was angry with his wife for not having forced Christophe to eat, and now tried to compel him to do so. For the sake of peace, Christophe had to gulp down a little milk. After that he turned his back on him.

The next night was more tranquil. Heavy sleep once more drew Christophe into its state of nothingness. Not a trace of hateful life was left.--But waking up was even more suffocating than before. He went on turning over and over all the details of the fateful day, Olivier's reluctance to leave the house, his urgent desire to go home, and he said to himself in despair:

"It was I who killed him...."

He could not bear to stay there any longer, shut up in that room, lying motionless beneath the claws of the fierce-eyed sphinx that went on battering him with its dizzy rain of questions and its deathlike breath. He got up all in a fever: he dragged himself out of the room and went downstairs: in his instinctive fear he was driven to cling to other human creatures. And as soon as he heard another voice he felt a longing to rush away.

Braun was in the dining-room. He received Christophe with his usual demonstrations of friendship and at once began to ply him with questions as to what had happened in Paris. Christophe seized him by the arm:

"No," he said. "Don't ask me. Later on.... You mustn't mind. I can't, now. I'm dead tired, worn out...."

"I know, I know," said Braun kindly. "Your nerves are shaken. The emotions of the last few days. Don't talk. Don't put yourself out in any way. You are free, you are at home here. No one will worry about you."

He kept his word. By way of sparing his guest he went to the opposite extreme: he dared not even talk to his wife in Christophe's presence: he talked in whispers and walked about on tiptoe: the house became still and silent. Exasperated by the whispering and the silence and the affectation of it all, Christophe had to beg Braun to go on living just as he usually did.

For some days no one paid any attention to Christophe. He would sit for hours together in the corner of a room, or he would wander through the house like a man in a dream. What were his thoughts? He hardly knew. He hardly had even strength enough to suffer. He was crushed. The dryness of his heart was a horror to him. He had only one desire: to be buried with "him" and to make an end.--One day he found the garden-door open and went out. But it hurt him so much to be in the light of day that he returned hurriedly and shut himself up in his room with all the shutters closed. Fine days were torture to him. He hated the sun. The brutal serenity of Nature overwhelmed him. At meals he would eat in silence the food that Braun laid before him, and he would sit with never a word staring down at the table. One day Braun pointed to the piano in the drawing-room: Christophe turned from it in terror. Noise of any sort was detestable to him. Silence, silence, and the night!... There was nothing in him save an aching void, and a need of emptiness. Gone was his joy in life, gone the splendid bird of joy that once used to soar blithely, ecstatically upwards, pouring out song. There were days when, sitting in his room, he had no more feeling of life than the halting tic-tac of the clock in the next room, that seemed to be beating in his own brain. And yet, the wild bird of joy was still in him, it would suddenly take flight, and flutter against the bars of its cage: and in the depths of his soul there was a frightful tumult of sorrow--"the bitter cry of one living in the wilderness...."

The world's misery lies in this, that a man hardly ever has a companion. Women perhaps, and chance friendships. We are reckless in our use of the lovely word, friend. In reality we hardly have a single friend all through our lives. Rare, very rare, are those men who have real friends. But the happiness of it is so great that it is impossible to live when they are gone. The friend filled the life of his friend, unbeknown to him, unmarked. The friend goes: and life is empty. Not only the beloved is lost, but every reason for loving, every reason for having loved. Why had he lived? Why had either lived?

The blow of Olivier's death was the more terrible to Christophe in that it fell just at a time when his whole nature was in a state of upheaval. There are in life certain ages when there takes place a silently working organic change in a man: then body and soul are more susceptible to attack from without; the mind is weakened, its power is sapped by a vague sadness, a feeling of satiety, a sort of detachment from what it is doing, an incapacity for seeing any other course of action. At such periods of their lives when these crises occur, the majority of men are bound by domestic ties, forming a safeguard for them, which, it is true, deprives them of the freedom of mind necessary for self-judgment, for discovering where they stand, and for beginning to build up a healthy new life. For them so many sorrows, so much bitterness and disgust remain concealed!... Onward! Onward! A man must ever be pressing on.... The common round, anxiety and care for the family for which he is responsible, keep a man like a jaded horse, sleeping between the shafts, and trotting on and on.--But a free man has nothing to support him in his hours of negation, nothing to force him to go on. He goes on as a matter of habit: he knows not whither he is going. His powers are scattered, his consciousness is obscured. It is an awful thing for him if, just at the moment when he is most asleep, there comes a thunderclap to break in upon his somnambulism! Then he comes very nigh to destruction.

A few letters from Paris, which at last reached him, plucked Christophe for a moment out of his despairing apathy. They were from Cécile and Madame Arnaud. They brought him messages of comfort. Cold comfort. Futile condolence. Those who talk about suffering know it not. The letters only brought him an echo of the voice that was gone.... He had not the heart to reply: and the letters ceased. In his despondency he tried to blot out his tracks. To disappear.... Suffering is unjust: all those who had loved him dropped out of his existence. Only one creature still existed: the man who was dead. For many weeks he strove to bring him to life again: he used to talk to him, write to him:

"My dear, I had no letter from you to-day. Where are you? Come back, come back, speak to me, write to me!..."

But at night, hard though he tried, he could never succeed in seeing him in his dreams. We rarely dream of those we have lost, while their loss is still a pain. They come back to us later on when we are beginning to forget.

However, the outside world began gradually to penetrate to the sepulcher of Christophe's soul. At first he became dimly conscious of the different noises in the house and to take an unwitting interest in them. He marked the time of day when the front door opened and shut, and how often during the day, and the different ways in which it was opened for the various visitors. He knew Braun's step: he used to visualize the doctor coming back from his rounds, stopping in the hall, hanging up his hat and cloak, always with the same meticulous fussy way. And when the accustomed noises came up to him out of the order in which he had come to look for them, he could not help trying to discover the reason for the change. At meals he began mechanically to listen to the conversation. He saw that Braun almost always talked single-handed. His wife used only to give him a curt reply. Braun was never put out by the want of anybody to talk to: he used to chat pleasantly and verbosely about the houses he had visited and the gossip he had picked up. At last, one day, Christophe looked at Braun while he was speaking: Braun was delighted, and laid himself out to keep him interested.

Christophe tried to pick up the threads of life again.... It was utterly exhausting! He felt old, as old as the world!... In the morning when he got up and saw himself in the mirror he was disgusted with his body, his gestures, his idiotic figure. Get up, dress, to what end?... He tried desperately to work: it made him sick. What was the good of creation, when everything ends in nothing? Music had become impossible for him. Art--(and everything else)--can only be rightly judged in unhappiness. Unhappiness is the touchstone. Only then do we know those who can stride across the ages, those who are stronger than death. Very few bear the test. In unhappiness we are struck by the mediocrity of certain souls upon whom we had counted--(and of the artists we had loved, who had been like friends to our lives).--Who survives? How hollow does the beauty of the world ring under the touch of sorrow!

But sorrow grows weary, the force goes from its grip. Christophe's nerves were relaxed. He slept, slept unceasingly. It seemed that he would never succeed in satisfying his hunger for sleep.

At last one night he slept so profoundly that he did not wake up until well on into the afternoon of the next day. The house was empty. Braun and his wife had gone out. The window was open, and the smiling air was quivering with light. Christophe felt that a crushing weight had been lifted from him. He got up and went down into the garden. It was a narrow rectangle, inclosed within high walls, like those of a convent. There were gravel paths between grass-plots and humble flowers; and an arbor of grape-vines and climbing roses. A tiny fountain trickled from a grotto built of stones: an acacia against the wall hung its sweet-scented branches over the next garden. Above stood the old tower of the church, of red sandstone. It was four o'clock in the evening. The garden was already in shadow. The sun was still shining on the top of the tree and the red belfry. Christophe sat in the arbor, with his back to the wall, and his head thrown back, looking at the limpid sky through the interlacing tendrils of the vine and the roses. It was like waking from a nightmare. Everywhere was stillness and silence. Above his head nodded a cluster of roses languorously. Suddenly the most lovely rose of all shed its petals and died: the snow of the rose-leaves was scattered on the air. It was like the passing of a lovely innocent life. So simply!... In Christophe's mind it took on a significance of a rending sweetness. He choked: he hid his face in his hands, and sobbed....

The bells in the church tower rang out. From one church to another called answering voices.... Christophe lost all consciousness of the passage of time. When he raised his head, the bells were silent and the sun had disappeared. Christophe was comforted by his tears: they had washed away the stains from his mind. Within himself he heard a little stream of music well forth and he saw the little crescent moon glide into the evening sky. He was called to himself by the sound of footsteps entering the house. He went up to his room, locked the door, and let the fountain of music gush forth. Braun summoned him to dinner, knocked at the door, and tried to open it: Christophe made no reply. Anxiously Braun looked through the keyhole and was reassured when he saw Christophe lying half over the table surrounded with paper which he was blackening with ink.

A few hours later, worn out, Christophe went downstairs and found the doctor reading, impatiently waiting for him in the drawing-room. He embraced the little man, asked him to forgive him for his strange conduct since his arrival, and, without waiting to be asked, he began to tell Braun about the dramatic events of the past weeks. It was the only time he ever talked to him about it: he was never sure that Braun had understood him, for he talked disconnectedly, and it was very late, and, in spite of his eager interest, Braun was nearly dead with sleep. At last--(the clock struck two)--Christophe saw it and they said good-night.

From that time on Christophe's existence was reconstituted. He did not maintain his condition of transitory excitement: he came back to his sorrow, but it was normal sorrow which did not interfere with his life. He could not help returning to life! Though he had just lost his dearest friend in the world, though his grief had undermined him and Death had been his most intimate companion, there was in him such an abundant, such a tyrannical force of life, that it burst forth even in his elegies, shining forth from his eyes, his lips, his gestures. But a gnawing canker had crept into the heart of his force. Christophe had fits of despair, transports rather. He would be quite calm, trying to read, or walking: suddenly he would see Olivier's smile, his tired, gentle face.... It would tug at his heart.... He would falter, lay his hand on his breast, and moan. One day he was at the piano playing a passage from Beethoven with his old zest.... Suddenly he stopped, flung himself on the ground, buried his face in the cushions of a chair, and cried:

"My boy...."

Worst of all was the sensation of having "already lived" that was constantly with him. He was continually coming across familiar gestures, familiar words, the perpetual recurrence of the same experiences. He knew everything, had foreseen everything. One face would remind him of a face he had known and the lips would say--(as he was quite sure they would)--exactly the same things as he had heard from the original: beings similar to each other would pass through similar phases, knock up against the same obstacles, suffer from them in exactly the same way. If it is true that "nothing so much brings weariness of life as the new beginning of love," how much more then the new beginning of everything! It was elusive and delusive.--Christophe tried not to think of it, since it was necessary to do so, if he were to live, and since he wished to live. It is the saddest hypocrisy, such rejection of self-knowledge, in shame or piety, it is the invincible imperative need of living hiding away from itself! Knowing that no consolation is possible, a man invents consolations. Being convinced that life has no reason, he forges reasons for living. He persuades himself that he must live, even when no one outside himself is concerned. If need be he will go so far as to pretend that the dead man encourages him to live. And he knows that he is putting into the dead man's mouth the words that he wishes him to say. O misery!...

Christophe set out on the road once more: his step seemed to have regained its old assurance: the gates of his heart were closed upon his sorrow: he never spoke of it to others: he avoided being left alone with it himself: outwardly he seemed calm.

"_Real sorrows_," says Balzac, "_are apparently at peace in the deep bed that they have made for themselves, where they seem to sleep, though all the while they never cease to fret and eat away the soul_."

Any one knowing Christophe and watching him closely, seeing him coming and going, talking, composing, even laughing--(he could laugh now!)--would have felt that for all his vigor and the radiance of life in his eyes, something had been destroyed in him, in the inmost depths of his life.

* * * * *

As soon as he had regained his hold on life he had to look about him for a means of living. There could be no question of his leaving the town. Switzerland was the safest shelter for him: and where else could he have found more devoted hospitality?--But his pride could not suffer the idea of his being any further a burden upon his friend. In spite of Braun's protestations, and his refusal to accept any payment, he could not rest until he had found enough pupils to permit of his paying his hosts for his board and lodging. It was not an easy matter. The story of his revolutionary escapade had been widely circulated: and the worthy families of the place were reluctant to admit a man who was regarded as dangerous, or at any rate extraordinary, and, in consequence, not quite "respectable," to their midst. However, his fame as a musician and Braun's good offices gained him access to four or five of the less timorous or more curious families, who were perhaps artistically snobbish enough to desire to gain particularity. They were none the less careful to keep an eye on him, and to maintain a respectable distance between master and pupils.

The Braun household fell into a methodically ordered existence. In the morning each member of it went about his business: the doctor on his rounds, Christophe to his pupils, Madame Braun to the market and about her charitable works. Christophe used to return about one, a little before Braun, who would not allow them to wait for him; and he used to sit down to dinner alone with the wife. He did not like that at all: for she was not sympathetic to him, and he could never find anything to say to her. She took no trouble to remove his impression, though it was impossible for her not to be aware of it; she never bothered to put herself out in dress or in mind to please him: she never spoke to Christophe first: her notable lack of charm in movement and dress, her awkwardness, her coldness, would have repelled any man who was as sensitive as Christophe to the charm of women. When he remembered the sparkling elegance of the Parisian women, he could not help thinking, as he looked at Anna:

"How ugly she is!"

Yet that was unjust: and he was not slow to notice the beauty of her hair, her hands, her mouth, her eyes,--on the rare occasions when he chanced to meet her gaze, which she always averted at once. But his opinion was never modified. As a matter of politeness he forced himself to speak to her: he labored to find subjects of conversation: she never gave him the smallest assistance. Several times he tried to ask her about the town, her husband, herself: he could get nothing out of her. She would make the most trivial answers: she would make an effort to smile: but the effort was painfully evident; her smile was forced, her voice was hollow: she drawled and dragged every word: her every sentence was followed by a painful silence. At last Christophe only spoke to her as little as possible; and she was grateful to him for it. It was a great relief to both of them when the doctor came in. He was always in a good humor, talkative, busy, vulgar, worthy. He ate, drank, talked, laughed, plentifully. Anna used to talk to him a little: but they hardly ever touched on anything but the food in front of them or the price of things. Sometimes Braun would jokingly tease her about her pious works and the minister's sermons. Then she would stiffen herself, and relapse into an offended silence until the end of the meal. More often the doctor would talk about his patients: he would delight in describing repulsive cases, with a pleasant elaboration of detail which used to exasperate Christophe. Then he would throw his napkin on the table and get up, making faces of disgust which simply delighted the teller. Braun would stop at once, and soothe his friend and laugh. At the next meal he would begin again. His hospital pleasantries seemed to have the power to enliven the impassive Anna. She would break her silence with a sudden nervous laugh, which was something animal in quality. Perhaps she felt no less disgust than Christophe at the things that made her laugh.

In the afternoon Christophe had very few pupils. Then, as a rule, he would stay at home with Anna, while the doctor went out. They never saw each other. They used to go about their separate business. At first Braun had begged Christophe to give his wife a few lessons on the piano: she was, he said, an excellent musician. Christophe asked Anna to play him something. She did not need to be pressed, although she disliked doing it: but she did it with her usual ungraciousness: she played mechanically, with an incredible lack of sensibility: each note was like another: there was no sort of rhythm or expression: when she had to turn the page she stopped short in the middle of a bar, made no haste about it, and went on with the next note. Christophe was so exasperated by it that he was hard put to it to keep himself from making an insulting remark: he could not help going out of the room before she had finished. She was not put out, but went on imperturbably to the very last note, and seemed to be neither hurt nor indignant at his rudeness: she hardly seemed to have noticed it. But the matter of music was never again mentioned between them. Sometimes in the afternoons when Christophe was out and returned unexpectedly, he would find Anna practising the piano, with icy, dull tenacity, going over and over one passage fifty times, and never by any chance showing the least animation. She never played when she knew that Christophe was at home. She devoted all the time that was not consecrated to her religious duties to her household work. She used to sew, and mend, and darn, and look after the servant: she had a mania for tidiness and cleanliness. Her husband thought her a fine woman, a little odd--"like all women," he used to say--but "like all women," devoted. On that last point Christophe made certain reservations _in petto_: such psychology seemed to him too simple; but he told himself that, after all, it was Braun's affair; and he gave no further thought to the matter.

They used to sit together after dinner in the evening. Braun and Christophe would talk. Anna would sit working. On Braun's entreaty, Christophe had consented to play the piano sometimes: and he would occasionally play on to a very late hour in the big gloomy room looking out on to the garden. Braun would go into ecstasies.... Who is there that does not know the type that has a passionate love for things they do not understand, or understand all wrong!--(which is why they love them!)--Christophe did not mind: he had met so many idiots in the course of his life! But when Braun gave vent to certain mawkish expressions of enthusiasm, he would stop playing, and go up to his room without a word. Braun grasped the truth at last, and put a stopper on his reflections. Besides, his love for music was quickly sated: he could never listen with any attention for more than a quarter of an hour on end: he would pick up his paper, or doze off, and leave Christophe in peace. Anna would sit back in her chair and say nothing: she would have her work in her lap and seem to be working: but her eyes were always staring and her hands never moved. Sometimes she would go out without a sound in the middle of a piece, and be seen no more.

* * * * *

So the days passed. Christophe regained his strength. Braun's heavy but kindly attentions, the tranquillity of the household, the restful regularity of such a domestic life, the extremely nourishing German food, restored him to his old robustness. His physical health was repaired: but his moral machinery was still out of gear. His new vigor only served to accentuate the disorder of his mind, which could not recover its balance, like a badly ballasted ship which will turn turtle on the smallest shock.

He was profoundly lonely. He could have no intellectual intimacy with Braun. His relations with Anna were reduced, with a few exceptions, to saying good-morning and good-night. His dealings with his pupils were rather hostile than otherwise: for he hardly hid from them his opinion that the best thing for them to do was to give up music altogether. He knew nobody. It was not only his fault, though he had hidden himself away since his loss. People held aloof from him.

He was living in an old town, full of intelligence and vitality, but also full of patrician pride, self-contained, and self-satisfied. There was a bourgeois aristocracy with a taste for work and the higher culture, but narrow and pietistic, who were calmly convinced of their own superiority and the superiority of their city, and quite content to live in family isolation. There were enormous families with vast ramifications. Each family had its day for a general gathering of the clan. They were hardly at all open to the outside world. All these great houses, with fortunes generations old, felt no need of showing their wealth. They knew each other, and that was enough: the opinion of others was a thing of no consequence. There were millionaires dressed like humble shopkeepers, talking their raucous dialect with its pungent expressions, going conscientiously to their offices, every day of their lives, even at an age when the most industrious of men will grant themselves the right to rest. Their wives prided themselves on their domestic skill. No dowry was given to the daughters. Rich men let their sons in their turn go through the same hard apprenticeship that they themselves had served. They practised strict economy in their daily lives. But they made a noble use of their fortune in collecting works of art, picture galleries, and in social work: they were forever giving enormous sums, nearly always anonymously, to found charities and to enrich the museums. They were a mixture of greatness and absurdity, both of another age. This little world, for which the rest of the world seemed not to exist--(although its members knew it thoroughly through their business, and their distant relationships, and the long and extended voyages which they forced their sons to take,)--this little world, for which fame and celebrity in another land only were esteemed from the moment when they were welcomed and recognized by itself,--practised the severest discipline upon itself. Every member of it kept a watch upon himself and upon the rest. The result of all this was a collective conscience which masked all individual differences (more marked than elsewhere among the robust personalities of the place) under the veil of religious and moral uniformity. Everybody practised it, everybody believed in it. Not a single soul doubted it or would admit of doubt. It were impossible to know what took place in the depths of souls which were the more hermetically sealed against prying eyes inasmuch as they knew that they were surrounded by a narrow scrutiny, and that every man took upon himself the right to examine into the conscience of other men. It was said that even those who had left the country and thought themselves emancipated--as soon as they set foot in it again were dominated by the traditions, the habits, the atmosphere of the town: even the most skeptical were at once forced to practise and to believe. Not to believe would have seemed to them an offense against Nature. Not to believe was the mark of an inferior caste, a sign of bad breeding. It was never admitted that a man of their world could possibly be absolved of his religious duties. If a man did not practise their religion, he was at once unclassed, and all doors were closed to him.

Even the weight of such discipline was apparently not enough for them. The men of this little world were not closely bound enough within their caste. Within the great _Verein_ they had formed a number of smaller _Verein_ by way of binding their fetters fast. There were several hundred of them: and they were increasing every year. There were _Verein_ for everything: for philanthropy, charitable work, commercial work, work that was both charitable and commercial, for the arts, for the sciences, for singing, music, spiritual exercises, physical exercises, merely to provide excuses for meeting and taking their amusement collectively: there were _Verein_ for the various districts and the various corporations: there were _Verein_ for men of the same position in the world, the same degree of wealth, men of the same social weight, who wore the same handle to their names. It was even said that an attempt had been made to form a _Verein_ for the _Vereinlosen_ (those who did not belong to any _Verein_): though not twelve such people had been forthcoming.