Chapter II (2)

“How long a time passed thus I do not know, but suddenly the woman held her hand up, listening, and there came a faint sound from the other room. Then swiftly she drew her hood about her face and passed out, closing the door softly behind her; and I drew back the bolt of the inner door and waited, and hearing nothing more, sat down, and must have fallen asleep in my chair.

“I awoke, and instantly there flashed through my mind the thought of the kerchief the woman had left behind her, and I started from my chair to hide it. But the table was already laid for breakfast, and my wife sat with her elbows on the table and her head between her hands, watching me with a look in her eyes that was new to me.

“She kissed me, though her lips were cold; and I argued to myself that the whole thing must have been a dream. But later in the day, passing the open door when her back was towards me, I saw her take the kerchief from a locked chest and look at it.

“I have told myself it must have been a kerchief of her own, and that all the rest has been my imagination; that, if not, then my strange visitant was no spirit, but a woman; and that, if human thing knows human thing, it was no creature of flesh and blood that sat beside me last night. Besides, what woman would she be? The nearest sæter is a three-hours’ climb to a strong man, and the paths are dangerous even in daylight: what woman would have found them in the night? What woman would have chilled the air around her, and have made the blood flow cold through all my veins? Yet if she come again I will speak to her. I will stretch out my hand and see whether she be mortal thing or only air.”

_The fifth letter_:

“MY DEAR JOYCE,—Whether your eyes will ever see these letters is doubtful. From this place I shall never send them. They would read to you as the ravings of a madman. If ever I return to England I may one day show them to you, but when I do it will be when I, with you, can laugh over them. At present I write them merely to hide away,—putting the words down on paper saves my screaming them aloud.

“She comes each night now, taking the same seat beside the embers, and fixing upon me those eyes, with the hell-light in them, that burn into my brain; and at rare times she smiles, and all my being passes out of me, and is hers. I make no attempt to work. I sit listening for her footsteps on the creaking bridge, for the rustling of her feet upon the grass, for the tapping of her hand upon the door. No word is uttered between us. Each day I say: ‘When she comes to-night I will speak to her. I will stretch out my hand and touch her.’ Yet when she enters, all thought and will goes out from me.

“Last night, as I stood gazing at her, my soul filled with her wondrous beauty as a lake with moonlight, her lips parted, and she started from her chair; and, turning, I thought I saw a white face pressed against the window, but as I looked it vanished. Then she drew her cloak about her, and passed out. I slid back the bolt I always draw now, and stole into the other room, and, taking down the lantern, held it above the bed. But Muriel’s eyes were closed as if in sleep.”

_Extract from the sixth letter_:

“It is not the night I fear, but the day. I hate the sight of this woman with whom I live, whom I call ‘wife.’ I shrink from the blow of her cold lips, the curse of her stony eyes. She has seen, she has learnt; I feel it, I know it. Yet she winds her arms around my neck, and calls me sweetheart, and smoothes my hair with her soft, false hands. We speak mocking words of love to one another, but I know her cruel eyes are ever following me. She is plotting her revenge, and I hate her, I hate her, I hate her!”

_Part of the seventh letter_:

“This morning I went down to the fiord. I told her I should not be back until the evening. She stood by the door watching me until we were mere specks to one another, and a promontory of the mountain shut me from view. Then, turning aside from the track, I made my way, running and stumbling over the jagged ground, round to the other side of the mountain, and began to climb again. It was slow, weary work. Often I had to go miles out of my road to avoid a ravine, and twice I reached a high point only to have to descend again. But at length I crossed the ridge, and crept down to a spot from where, concealed, I could spy upon my own house. She—my wife—stood by the flimsy bridge. A short hatchet, such as butchers use, was in her hand. She leant against a pine trunk, with her arm behind her, as one stands whose back aches with long stooping in some cramped position; and even at that distance I could see the cruel smile about her lips.

“Then I recrossed the ridge, and crawled down again, and, waiting until evening, walked slowly up the path. As I came in view of the house she saw me, and waved her handkerchief to me, and in answer I waved my hat, and shouted curses at her that the wind whirled away into the torrent. She met me with a kiss, and I breathed no hint to her that I had seen. Let her devil’s work remain undisturbed. Let it prove to me what manner of thing this is that haunts me. If it be a spirit, then the bridge wilt bear it safely; if it be woman—

“But I dismiss the thought. If it be human thing, why does it sit gazing at me, never speaking? why does my tongue refuse to question it? why does all power forsake me in its presence, so that I stand as in a dream? Yet if it be spirit, why do I hear the passing of her feet? and why does the night-rain glisten on her hair?

“I force myself back into my chair. It is far into the night, and I am alone, waiting, listening. If it be spirit, she will come to me; and if it be woman, I shall hear her cry above the storm—unless it be a demon mocking me.

“I have heard the cry. It rose, piercing and shrill, above the storm, above the riving and rending of the bridge, above the downward crashing of the logs and loosened stones. I hear it as I listen now. It is cleaving its way upward from the depths below. It is wailing through the room as I sit writing.

“I have crawled upon my belly to the utmost edge of the still standing pier, until I could feel with my hand the jagged splinters left by the fallen planks, and have looked down. But the chasm was full to the brim with darkness. I shouted, but the wind shook my voice into mocking laughter. I sit here, feebly striking at the madness that is creeping nearer and nearer to me. I tell myself the whole thing is but the fever in my brain. The bridge was rotten. The storm was strong. The cry is but a single one among the many voices of the mountain. Yet still I listen; and it rises, clear and shrill, above the moaning of the pines, above the sobbing of the waters. It beats like blows upon my skull, and I know that she will never come again.”

_Extract from the last letter_:

“I shall address an envelope to you, and leave it among these letters. Then, should I never come back, some chance wanderer may one day find and post them to you, and you will know.

“My books and writings remain untouched. We sit together of a night—this woman I call ‘wife’ and I—she holding in her hands some knitted thing that never grows longer by a single stitch, and I with a volume before me that is ever open at the same page. And day and night we watch each other stealthily, moving to and fro about the silent house; and at times, looking round swiftly, I catch the smile upon her lips before she has time to smooth it away.

“We speak like strangers about this and that, making talk to hide our thoughts. We make a pretence of busying ourselves about whatever will help us to keep apart from one another.

“At night, sitting here between the shadows and the dull glow of the smouldering twigs, I sometimes think I hear the tapping I have learnt to listen for, and I start from my seat, and softly open the door and look out. But only the Night stands there. Then I close-to the latch, and she—the living woman—asks me in her purring voice what sound I heard, hiding a smile as she stoops low over her work; and I answer lightly, and, moving towards her, put my arm about her, feeling her softness and her suppleness, and wondering, supposing I held her close to me with one arm while pressing her from me with the other, how long before I should hear the cracking of her bones.

“For here, amid these savage solitudes, I also am grown savage. The old primeval passions of love and hate stir within me, and they are fierce and cruel and strong, beyond what you men of the later ages could understand. The culture of the centuries has fallen from me as a flimsy garment whirled away by the mountain wind; the old savage instincts of the race lie bare. One day I shall twine my fingers about her full white throat, and her eyes will slowly come towards me, and her lips will part, and the red tongue creep out; and backwards, step by step, I shall push her before me, gazing the while upon her bloodless face, and it will be my turn to smile. Backwards through the open door, backwards along the garden path between the juniper bushes, backwards till her heels are overhanging the ravine, and she grips life with nothing but her little toes, I shall force her, step by step, before me. Then I shall lean forward, closer, closer, till I kiss her purpling lips, and down, down, down, past the startled sea-birds, past the white spray of the foss, past the downward peeping pines, down, down, down, we will go together, till we find the thing that lies sleeping beneath the waters of the fiord.”

With these words ended the last letter, unsigned. At the first streak of dawn we left the house, and, after much wandering, found our way back to the valley. But of our guide we heard no news. Whether he remained still upon the mountain, or whether by some false step he had perished upon that night, we never learnt.

VARIETY PATTER.

My first appearance at a Music Hall was in the year one thousand eight hundred and s---. Well, I would rather not mention the exact date. I was fourteen at the time. It was during the Christmas holidays, and my aunt had given me five shillings to go and see Phelps—I think it was Phelps—in _Coriolanus_—I think it was _Coriolanus_. Anyhow, it was to see a high-class and improving entertainment, I know.

I suggested that I should induce young Skegson, who lived in our road, to go with me. Skegson is a barrister now, and could not tell you the difference between a knave of clubs and a club of knaves. A few years hence he will, if he works hard, be innocent enough for a judge. But at the period of which I speak he was a red-haired boy of worldly tastes, notwithstanding which I loved him as a brother. My dear mother wished to see him before consenting to the arrangement, so as to be able to form her own opinion as to whether he was a fit and proper companion for me; and, accordingly, he was invited to tea. He came, and made a most favourable impression upon both my mother and my aunt. He had a way of talking about the advantages of application to study in early life, and the duties of youth towards those placed in authority over it, that won for him much esteem in grown-up circles. The spirit of the Bar had descended upon Skegson at a very early period of his career.

My aunt, indeed, was so much pleased with him that she gave him two shillings towards his own expenses (“sprung half a dollar” was how he explained the transaction when we were outside), and commended me to his especial care.

Skegson was very silent during the journey. An idea was evidently maturing in his mind. At the Angel he stopped and said: “Look here, I’ll tell you what we’ll do. Don’t let’s go and see that rot. Let’s go to a Music Hall.”

I gasped for breath. I had heard of Music Halls. A stout lady had denounced them across our dinner table on one occasion—fixing the while a steely eye upon her husband, who sat opposite and seemed uncomfortable—as low, horrid places, where people smoked and drank, and wore short skirts, and had added an opinion that they ought to be put down by the police—whether the skirts or the halls she did not explain. I also recollected that our charwoman, whose son had lately left London for a protracted stay in Devonshire, had, in conversation with my mother, dated his downfall from the day when he first visited one of these places; and likewise that Mrs. Philcox’s nursemaid, upon her confessing that she had spent an evening at one with her young man, had been called a shameless hussy, and summarily dismissed as being no longer a fit associate for the baby.

But the spirit of lawlessness was strong within me in those days, so that I hearkened to the voice of Skegson, the tempter, and he lured my feet from the paths that led to virtue and Sadler’s Wells, and we wandered into the broad and crowded ways that branch off from the Angel towards Merry Islington.

Skegson insisted that we should do the thing in style, so we stopped at a shop near the Agricultural Hall and purchased some big cigars. A huge card in the window claimed for these that they were “the most satisfactory twopenny smokes in London.” I smoked two of them during the evening, and never felt more satisfied—using the word in its true sense, as implying that a person has had enough of a thing, and does not desire any more of it, just then—in all my life. Where we went, and what we saw, my memory is not very clear upon. We sat at a little marble table. I know it was marble because it was so hard, and cool to the head. From out of the smoky mist a ponderous creature of strange, undefined shape floated heavily towards us, and deposited a squat tumbler in front of me containing a pale yellowish liquor, which subsequent investigation has led me to believe must have been Scotch whisky. It seemed to me then the most nauseous stuff I had ever swallowed. It is curious to look back and notice how one’s tastes change.

I reached home very late and very sick. That was my first dissipation, and, as a lesson, it has been of more practical use to me than all the good books and sermons in the world could have been. I can remember to this day standing in the middle of the room in my night-shirt, trying to catch my bed as it came round.

Next morning I confessed everything to my mother, and, for several months afterwards, was a reformed character. Indeed, the pendulum of my conscience swung too far the other way, and I grew exaggeratedly remorseful and unhealthily moral.

There was published in those days, for the edification of young people, a singularly pessimistic periodical, entitled _The Children’s Band of Hope Review_. It was a magazine much in favour among grown-up people, and a bound copy of Vol. IX. had lately been won by my sister as a prize for punctuality (I fancy she must have exhausted all the virtue she ever possessed, in that direction, upon the winning of that prize. At all events, I have noticed no ostentatious display of the quality in her later life.) I had formerly expressed contempt for this book, but now, in my regenerate state, I took a morbid pleasure in poring over its denunciations of sin and sinners. There was one picture in it that appeared peculiarly applicable to myself. It represented a gaudily costumed young man, standing on the topmost of three steep steps, smoking a large cigar. Behind him was a very small church, and below, a bright and not altogether uninviting looking hell. The picture was headed “The Three Steps to Ruin,” and the three stairs were labelled respectively “Smoking,” “Drinking,” “Gambling.” I had already travelled two-thirds of the road! Was I going all the way, or should I be able to retrace those steps? I used to lie awake at night and think about it till I grew half crazy. Alas! since then I have completed the descent, so where my future will be spent I do not care to think.

Another picture in the book that troubled me was the frontispiece. This was a highly-coloured print, illustrating the broad and narrow ways. The narrow way led upward past a Sunday-school and a lion to a city in the clouds. This city was referred to in the accompanying letterpress as a place of “Rest and Peace,” but inasmuch as the town was represented in the illustration as surrounded by a perfect mob of angels, each one blowing a trumpet twice his own size, and obviously blowing it for all he was worth, a certain confusion of ideas would seem to have crept into the allegory.

The other path—the “broad way”—which ended in what at first glance appeared to be a highly successful display of fireworks, started from the door of a tavern, and led past a Music Hall, on the steps of which stood a gentleman smoking a cigar. All the wicked people in this book smoked cigars—all except one young man who had killed his mother and died raving mad. He had gone astray on short pipes.

This made it uncomfortably clear to me which direction I had chosen, and I was greatly alarmed, until, on examining the picture more closely, I noticed, with much satisfaction, that about midway the two paths were connected by a handy little bridge, by the use of which it seemed feasible, starting on the one path and ending up on the other, to combine the practical advantages of both roads. From subsequent observation I have come to the conclusion that a good many people have made a note of that little bridge.

My own belief in the possibility of such convenient compromise must, I fear, have led to an ethical relapse, for there recurs to my mind a somewhat painful scene of a few months’ later date, in which I am seeking to convince a singularly unresponsive landed proprietor that my presence in his orchard is solely and entirely due to my having unfortunately lost my way.

It was not until I was nearly seventeen that the idea occurred to me to visit a Music Hall again. Then, having regard to my double capacity of “Man About Town” and journalist (for I had written a letter to _The Era_, complaining of the way pit doors were made to open, and it had been inserted), I felt I had no longer any right to neglect acquaintanceship with so important a feature in the life of the people. Accordingly, one Saturday night, I wended my way to the “Pav.”; and there the first person that I ran against was my uncle. He laid a heavy hand upon my shoulder, and asked me, in severe tones, what I was doing there. I felt this to be an awkward question, for it would have been useless trying to make him understand my real motives (one’s own relations are never sympathetic), and I was somewhat nonplussed for an answer, until the reflection occurred to me: What was _he_ doing there? This riddle I, in my turn, propounded to him, with the result that we entered into treaty, by the terms of which it was agreed that no future reference should be made to the meeting by either of us—especially not in the presence of my aunt—and the compact was ratified according to the usual custom, my uncle paying the necessary expenses.

In those days, we sat, some four or six of us, round a little table, on which were placed our drinks. Now we have to balance them upon a narrow ledge; and ladies, as they pass, dip the ends of their cloaks into them, and gentlemen stir them up for us with the ferrules of their umbrellas, or else sweep them off into our laps with their coat tails, saying as they do so, “Oh, I beg your pardon.”

Also, in those days, there were “chairmen”—affable gentlemen, who would drink anything at anybody’s expense, and drink any quantity of it, and never seem to get any fuller. I was introduced to a Music Hall chairman once, and when I said to him, “What is your drink?” he took up the “list of beverages” that lay before him, and, opening it, waved his hand lightly across its entire contents, from clarets, past champagnes and spirits, down to liqueurs. “That’s my drink, my boy,” said he. There was nothing narrow-minded or exclusive about his tastes.

It was the chairman’s duty to introduce the artists. “Ladies and gentlemen,” he would shout, in a voice that united the musical characteristics of a foghorn and a steam saw, “Miss ’Enerietta Montressor, the popular serio-comic, will now happear.” These announcements were invariably received with great applause by the chairman himself, and generally with chilling indifference by the rest of the audience.

It was also the privilege of the chairman to maintain order, and reprimand evil-doers. This he usually did very effectively, employing for the purpose language both fit and forcible. One chairman that I remember seemed, however, to be curiously deficient in the necessary qualities for this part of his duty. He was a mild and sleepy little man, and, unfortunately, he had to preside over an exceptionally rowdy audience at a small hall in the South-East district. On the night that I was present, there occurred a great disturbance. “Joss Jessop, the Monarch of Mirth,” a gentleman evidently high in local request was, for some reason or other, not forthcoming, and in his place the management proposed to offer a female performer on the zithern, one Signorina Ballatino.

The little chairman made the announcement in a nervous, deprecatory tone, as if he were rather ashamed of it himself. “Ladies and gentlemen,” he began,—the poor are staunch sticklers for etiquette: I overheard a small child explaining to her mother one night in Three Colts Street, Limehouse, that she could not get into the house because there was a “lady” on the doorstep, drunk,—“Signorina Ballatino, the world-renowned—”

Here a voice from the gallery requested to know what had become of “Old Joss,” and was greeted by loud cries of “’Ear, ’ear.”

The chairman, ignoring the interruption, continued:

“—the world-renowned performer on the zither—”

“On the whoter?” came in tones of plaintive inquiry from the back of the hall.

“_Hon_ the zither,” retorted the chairman, waxing mildly indignant; he meant zithern, but he called it a zither. “A hinstrument well-known to anybody as ’as ’ad any learning.”

This sally was received with much favour, and a gentleman who claimed to be acquainted with the family history of the interrupter begged the chairman to excuse that ill-bred person on the ground that his mother used to get drunk with the twopence a week and never sent him to school.

Cheered by this breath of popularity, our little president endeavoured to complete his introduction of the Signorina. He again repeated that she was the world-renowned performer on the zithern; and, undeterred by the audible remark of a lady in the pit to the effect that she’d “never ’eard on ’er,” added:

“She will now, ladies and gentlemen, with your kind permission, give you examples of the—”

“Blow yer zither!” here cried out the gentleman who had started the agitation; “we want Joss Jessop.”

This was the signal for much cheering and shrill whistling, in the midst of which a wag with a piping voice suggested as a reason for the favourite’s non-appearance that he had not been paid his last week’s salary.

A temporary lull occurred at this point; and the chairman, seizing the opportunity to complete his oft-impeded speech, suddenly remarked, “songs of the Sunny South”; and immediately sat down and began hammering upon the table.

Then Signora Ballatino, clothed in the costume of the Sunny South, where clothes are less essential than in these colder climes, skipped airily forward, and was most ungallantly greeted with a storm of groans and hisses. Her beloved instrument was unfeelingly alluded to as a pie-dish, and she was advised to take it back and get the penny on it. The chairman, addressed by his Christian name of “Jimmee,” was told to lie down and let her sing him to sleep. Every time she attempted to start playing, shouts were raised for Joss.

At length the chairman, overcoming his evident disinclination to take any sort of hand whatever in the game, rose and gently hinted at the desirability of silence. The suggestion not meeting with any support, he proceeded to adopt sterner measures. He addressed himself personally to the ringleader of the rioters, the man who had first championed the cause of the absent Joss. This person was a brawny individual, who, judging from appearances, followed in his business hours the calling of a coalheaver. “Yes, sir,” said the chairman, pointing a finger towards him, where he sat in the front row of the gallery; “you, sir, in the flannel shirt. I can see you. Will you allow this lady to give her entertainment?”

“No,” answered he of the coalheaving profession, in stentorian tones.

“Then, sir,” said the little chairman, working himself up into a state suggestive of Jove about to launch a thunderbolt—“then, sir, all I can say is that you are no gentleman.”

This was a little too much, or rather a good deal too little, for the Signora Ballatino. She had hitherto been standing in a meek attitude of pathetic appeal, wearing a fixed smile of ineffable sweetness but she evidently felt that she could go a bit farther than that herself, even if she was a lady. Calling the chairman “an old messer,” and telling him for Gawd’s sake to shut up if that was all he could do for his living, she came down to the front, and took the case into her own hands.

She did not waste time on the rest of the audience. She went direct for that coalheaver, and thereupon ensued a slanging match the memory of which sends a thrill of admiration through me even to this day. It was a battle worthy of the gods. He was a heaver of coals, quick and ready beyond his kind. During many years sojourn East and South, in the course of many wanderings from Billingsgate to Limehouse Hole, from Petticoat Lane to Whitechapel Road; out of eel-pie shop and penny gaff; out of tavern and street, and court and doss-house, he had gathered together slang words and terms and phrases, and they came back to him now, and he stood up against her manfully.

But as well might the lamb stand up against the eagle, when the shadow of its wings falls across the green pastures, and the wind flies before its dark oncoming. At the end of two minutes he lay gasping, dazed, and speechless.

Then she began.

She announced her intention of “wiping down the bloomin’ ’all” with him, and making it respectable; and, metaphorically speaking, that is what she did. Her tongue hit him between the eyes, and knocked him down and trampled on him. It curled round and round him like a whip, and then it uncurled and wound the other way. It seized him by the scruff of his neck, and tossed him up into the air, and caught him as he descended, and flung him to the ground, and rolled him on it. It played around him like forked lightning, and blinded him. It danced and shrieked about him like a host of whirling fiends, and he tried to remember a prayer, and could not. It touched him lightly on the sole of his foot and the crown of his head, and his hair stood up straight, and his limbs grew stiff. The people sitting near him drew away, not feeling it safe to be near, and left him alone, surrounded by space, and language.

It was the most artistic piece of work of its kind that I have ever heard. Every phrase she flung at him seemed to have been woven on purpose to entangle him and to embrace in its choking folds his people and his gods, to strangle with its threads his every hope, ambition, and belief. Each term she put upon him clung to him like a garment, and fitted him without a crease. The last name that she called him one felt to be, until one heard the next, the one name that he ought to have been christened by.

For five and three-quarter minutes by the clock she spoke, and never for one instant did she pause or falter; and in the whole of that onslaught there was only one weak spot.

That was when she offered to make a better man than he was out of a Guy Fawkes and a lump of coal. You felt that one lump of coal would not have been sufficient.

At the end, she gathered herself together for one supreme effort, and hurled at him an insult so bitter with scorn, so sharp with insight into his career and character, so heavy with prophetic curse, that strong men drew and held their breath while it passed over them, and women hid their faces and shivered.

Then she folded her arms, and stood silent; and the house, from floor to ceiling, rose and cheered her until there was no more breath left in its lungs.

In that one night she stepped from oblivion into success. She is now a famous “artiste.”

But she does not call herself Signora Ballatino, and she does not play upon the zithern. Her name has a homelier sound, and her speciality is the delineation of coster character.

SILHOUETTES.

I fear I must be of a somewhat gruesome turn of mind. My sympathies are always with the melancholy side of life and nature. I love the chill October days, when the brown leaves lie thick and sodden underneath your feet, and a low sound as of stifled sobbing is heard in the damp woods—the evenings in late autumn time, when the white mist creeps across the fields, making it seem as though old Earth, feeling the night air cold to its poor bones, were drawing ghostly bedclothes round its withered limbs. I like the twilight of the long grey street, sad with the wailing cry of the distant muffin man. One thinks of him, as, strangely mitred, he glides by through the gloom, jangling his harsh bell, as the High Priest of the pale spirit of Indigestion, summoning the devout to come forth and worship. I find a sweetness in the aching dreariness of Sabbath afternoons in genteel suburbs—in the evil-laden desolateness of waste places by the river, when the yellow fog is stealing inland across the ooze and mud, and the black tide gurgles softly round worm-eaten piles.

I love the bleak moor, when the thin long line of the winding road lies white on the darkening heath, while overhead some belated bird, vexed with itself for being out so late, scurries across the dusky sky, screaming angrily. I love the lonely, sullen lake, hidden away in mountain solitudes. I suppose it was my childhood’s surroundings that instilled in me this affection for sombre hues. One of my earliest recollections is of a dreary marshland by the sea. By day, the water stood there in wide, shallow pools. But when one looked in the evening they were pools of blood that lay there.

It was a wild, dismal stretch of coast. One day, I found myself there all alone—I forget how it came about—and, oh, how small I felt amid the sky and the sea and the sandhills! I ran, and ran, and ran, but I never seemed to move; and then I cried, and screamed, louder and louder, and the circling seagulls screamed back mockingly at me. It was an “unken” spot, as they say up North.

In the far back days of the building of the world, a long, high ridge of stones had been reared up by the sea, dividing the swampy grassland from the sand. Some of these stones—“pebbles,” so they called them round about—were as big as a man, and many as big as a fair-sized house; and when the sea was angry—and very prone he was to anger by that lonely shore, and very quick to wrath; often have I known him sink to sleep with a peaceful smile on his rippling waves, to wake in fierce fury before the night was spent—he would snatch up giant handfuls of these pebbles and fling and toss them here and there, till the noise of their rolling and crashing could be heard by the watchers in the village afar off.

“Old Nick’s playing at marbles to-night,” they would say to one another, pausing to listen. And then the women would close tight their doors, and try not to hear the sound.

Far out to sea, by where the muddy mouth of the river yawned wide, there rose ever a thin white line of surf, and underneath those crested waves there dwelt a very fearsome thing, called the Bar. I grew to hate and be afraid of this mysterious Bar, for I heard it spoken of always with bated breath, and I knew that it was very cruel to fisher folk, and hurt them so sometimes that they would cry whole days and nights together with the pain, or would sit with white scared faces, rocking themselves to and fro.

Once when I was playing among the sandhills, there came by a tall, grey woman, bending beneath a load of driftwood. She paused when nearly opposite to me, and, facing seaward, fixed her eyes upon the breaking surf above the Bar. “Ah, how I hate the sight of your white teeth!” she muttered; then turned and passed on.

Another morning, walking through the village, I heard a low wailing come from one of the cottages, while a little farther on a group of women were gathered in the roadway, talking. “Ay,” said one of them, “I thought the Bar was looking hungry last night.”

So, putting one and the other together, I concluded that the “Bar” must be an ogre, such as a body reads of in books, who lived in a coral castle deep below the river’s mouth, and fed upon the fishermen as he caught them going down to the sea or coming home.

From my bedroom window, on moonlight nights, I could watch the silvery foam, marking the spot beneath where he lay hid; and I would stand on tip-toe, peering out, until at length I would come to fancy I could see his hideous form floating below the waters. Then, as the little white-sailed boats stole by him, tremblingly, I used to tremble too, lest he should suddenly open his grim jaws and gulp them down; and when they had all safely reached the dark, soft sea beyond, I would steal back to the bedside, and pray to God to make the Bar good, so that he would give up eating the poor fishermen.

Another incident connected with that coast lives in my mind. It was the morning after a great storm—great even for that stormy coast—and the passion-worn waters were still heaving with the memory of a fury that was dead. Old Nick had scattered his marbles far and wide, and there were rents and fissures in the pebbly wall such as the oldest fisherman had never known before. Some of the hugest stones lay tossed a hundred yards away, and the waters had dug pits here and there along the ridge so deep that a tall man might stand in some of them, and yet his head not reach the level of the sand.

Round one of these holes a small crowd was pressing eagerly, while one man, standing in the hollow, was lifting the few remaining stones off something that lay there at the bottom. I pushed my way between the straggling legs of a big fisher lad, and peered over with the rest. A ray of sunlight streamed down into the pit, and the thing at the bottom gleamed white. Sprawling there among the black pebbles it looked like a huge spider. One by one the last stones were lifted away, and the thing was left bare, and then the crowd looked at one another and shivered.

“Wonder how he got there,” said a woman at length; “somebody must ha’ helped him.”

“Some foreign chap, no doubt,” said the man who had lifted off the stones; “washed ashore and buried here by the sea.”

“What, six foot below the water-mark, wi’ all they stones atop of him?” said another.

“That’s no foreign chap,” cried a grizzled old woman, pressing forward. “What’s that that’s aside him?”

Some one jumped down and took it from the stone where it lay glistening, and handed it up to her, and she clutched it in her skinny hand. It was a gold earring, such as fishermen sometimes wear. But this was a somewhat large one, and of rather unusual shape.

“That’s young Abram Parsons, I tell ’ee, as lies down there,” cried the old creature, wildly. “I ought to know. I gave him the pair o’ these forty year ago.”

It may be only an idea of mine, born of after brooding upon the scene. I am inclined to think it must be so, for I was only a child at the time, and would hardly have noticed such a thing. But it seems to my remembrance that as the old crone ceased, another woman in the crowd raised her eyes slowly, and fixed them on a withered, ancient man, who leant upon a stick, and that for a moment, unnoticed by the rest, these two stood looking strangely at each other.

From these sea-scented scenes, my memory travels to a weary land where dead ashes lie, and there is blackness—blackness everywhere. Black rivers flow between black banks; black, stunted trees grow in black fields; black withered flowers by black wayside. Black roads lead from blackness past blackness to blackness; and along them trudge black, savage-looking men and women; and by them black, old-looking children play grim, unchildish games.

When the sun shines on this black land, it glitters black and hard; and when the rain falls a black mist rises towards heaven, like the hopeless prayer of a hopeless soul.

By night it is less dreary, for then the sky gleams with a lurid light, and out of the darkness the red flames leap, and high up in the air they gambol and writhe—the demon spawn of that evil land, they seem.

Visitors who came to our house would tell strange tales of this black land, and some of the stories I am inclined to think were true. One man said he saw a young bull-dog fly at a boy and pin him by the throat. The lad jumped about with much sprightliness, and tried to knock the dog away. Whereupon the boy’s father rushed out of the house, hard by, and caught his son and heir roughly by the shoulder. “Keep still, thee young ---, can’t ’ee!” shouted the man angrily; “let ’un taste blood.”

Another time, I heard a lady tell how she had visited a cottage during a strike, to find the baby, together with the other children, almost dying for want of food. “Dear, dear me!” she cried, taking the wee wizened mite from the mother’s arms, “but I sent you down a quart of milk, yesterday. Hasn’t the child had it?”

“Theer weer a little coom, thank ’ee kindly, ma’am,” the father took upon himself to answer; “but thee see it weer only just enow for the poops.”

We lived in a big lonely house on the edge of a wide common. One night, I remember, just as I was reluctantly preparing to climb into bed, there came a wild ringing at the gate, followed by a hoarse, shrieking cry, and then a frenzied shaking of the iron bars.

Then hurrying footsteps sounded through the house, and the swift opening and closing of doors; and I slipped back hastily into my knickerbockers and ran out. The women folk were gathered on the stairs, while my father stood in the hall, calling to them to be quiet. And still the wild ringing of the bell continued, and, above it, the hoarse, shrieking cry.

My father opened the door and went out, and we could hear him striding down the gravel path, and we clung to one another and waited.

After what seemed an endless time, we heard the heavy gate unbarred, and quickly clanged to, and footsteps returning on the gravel. Then the door opened again, and my father entered, and behind him a crouching figure that felt its way with its hands as it crept along, as a blind man might. The figure stood up when it reached the middle of the hall, and mopped its eyes with a dirty rag that it carried in its hand; after which it held the rag over the umbrella-stand and wrung it out, as washerwomen wring out clothes, and the dark drippings fell into the tray with a dull, heavy splut.

My father whispered something to my mother, and she went out towards the back; and, in a little while, we heard the stamping of hoofs—the angry plunge of a spur-startled horse—the rhythmic throb of the long, straight gallop, dying away into the distance.

My mother returned and spoke some reassuring words to the servants. My father, having made fast the door and extinguished all but one or two of the lights, had gone into a small room on the right of the hall; the crouching figure, still mopping that moisture from its eyes, following him. We could hear them talking there in low tones, my father questioning, the other voice thick and interspersed with short panting grunts.

We on the stairs huddled closer together, and, in the darkness, I felt my mother’s arm steal round me and encompass me, so that I was not afraid. Then we waited, while the silence round our frightened whispers thickened and grew heavy till the weight of it seemed to hurt us.

At length, out of its depths, there crept to our ears a faint murmur. It gathered strength like the sound of the oncoming of a wave upon a stony shore, until it broke in a Babel of vehement voices just outside. After a few moments, the hubbub ceased, and there came a furious ringing—then angry shouts demanding admittance.

Some of the women began to cry. My father came out into the hall, closing the room door behind him, and ordered them to be quiet, so sternly that they were stunned into silence. The furious ringing was repeated; and, this time, threats mingled among the hoarse shouts. My mother’s arm tightened around me, and I could hear the beating of her heart.

The voices outside the gate sank into a low confused mumbling. Soon they died away altogether, and the silence flowed back.

My father turned up the hall lamp, and stood listening.

Suddenly, from the back of the house, rose the noise of a great crashing, followed by oaths and savage laughter.

My father rushed forward, but was borne back; and, in an instant, the hall was full of grim, ferocious faces. My father, trembling a little (or else it was the shadow cast by the flickering lamp), and with lips tight pressed, stood confronting them; while we women and children, too scared to even cry, shrank back up the stairs.

What followed during the next few moments is, in my memory, only a confused tumult, above which my father’s high, clear tones rise every now and again, entreating, arguing, commanding. I see nothing distinctly until one of the grimmest of the faces thrusts itself before the others, and a voice which, like Aaron’s rod, swallows up all its fellows, says in deep, determined bass, “Coom, we’ve had enow chatter, master. Thee mun give ’un up, or thee mun get out o’ th’ way an’ we’ll search th’ house for oursel’.”

Then a light flashed into my father’s eyes that kindled something inside me, so that the fear went out of me, and I struggled to free myself from my mother’s arm, for the desire stirred me to fling myself down upon the grimy faces below, and beat and stamp upon them with my fists. Springing across the hall, he snatched from the wall where it hung an ancient club, part of a trophy of old armour, and planting his back against the door through which they would have to pass, he shouted, “Then be damned to you all, he’s in this room! Come and fetch him out.”

(I recollect that speech well. I puzzled over it, even at that time, excited though I was. I had always been told that only low, wicked people ever used the word “damn,” and I tried to reconcile things, and failed.)

The men drew back and muttered among themselves. It was an ugly-looking weapon, studded with iron spikes. My father held it secured to his hand by a chain, and there was an ugly look about him also, now, that gave his face a strange likeness to the dark faces round him.

But my mother grew very white and cold, and underneath her breath she kept crying, “Oh, will they never come—will they never come?” and a cricket somewhere about the house began to chirp.

Then all at once, without a word, my mother flew down the stairs, and passed like a flash of light through the crowd of dusky figures. How she did it I could never understand, for the two heavy bolts had both been drawn, but the next moment the door stood wide open; and a hum of voices, cheery with the anticipation of a period of perfect bliss, was borne in upon the cool night air.

My mother was always very quick of hearing.

* * * * *

Again, I see a wild crowd of grim faces, and my father’s, very pale, amongst them. But this time the faces are very many, and they come and go like faces in a dream. The ground beneath my feet is wet and sloppy, and a black rain is falling. There are women’s faces in the crowd, wild and haggard, and long skinny arms stretch out threateningly towards my father, and shrill, frenzied voices call out curses on him. Boys’ faces also pass me in the grey light, and on some of them there is an impish grin.

I seem to be in everybody’s way; and to get out of it, I crawl into a dark, draughty corner and crouch there among cinders. Around me, great engines fiercely strain and pant like living things fighting beyond their strength. Their gaunt arms whirl madly above me, and the ground rocks with their throbbing. Dark figures flit to and fro, pausing from time to time to wipe the black sweat from their faces.

The pale light fades, and the flame-lit night lies red upon the land. The flitting figures take strange shapes. I hear the hissing of wheels, the furious clanking of iron chains, the hoarse shouting of many voices, the hurrying tread of many feet; and, through all, the wailing and weeping and cursing that never seem to cease. I drop into a restless sleep, and dream that I have broken a chapel window, stone-throwing, and have died and gone to hell.

At length, a cold hand is laid upon my shoulder, and I awake. The wild faces have vanished and all is silent now, and I wonder if the whole thing has been a dream. My father lifts me into the dog-cart, and we drive home through the chill dawn.

My mother opens the door softly as we alight. She does not speak, only looks her question. “It’s all over, Maggie,” answers my father very quietly, as he takes off his coat and lays it across a chair; “we’ve got to begin the world afresh.”

My mother’s arms steal up about his neck; and I, feeling heavy with a trouble I do not understand, creep off to bed.

THE LEASE OF THE “CROSS KEYS.”

This story is about a shop: many stories are. One Sunday evening this Bishop had to preach a sermon at St. Paul’s Cathedral. The occasion was a very special and important one, and every God-fearing newspaper in the kingdom sent its own special representative to report the proceedings.

Now, of the three reporters thus commissioned, one was a man of appearance so eminently respectable that no one would have thought of taking him for a journalist. People used to put him down for a County Councillor or an Archdeacon at the very least. As a matter of fact, however, he was a sinful man, with a passion for gin. He lived at Bow, and, on the Sabbath in question, he left his home at five o’clock in the afternoon, and started to walk to the scene of his labours. The road from Bow to the City on a wet and chilly Sunday evening is a cheerless one; who can blame him if on his way he stopped once or twice to comfort himself with “two” of his favourite beverage? On reaching St. Paul’s he found he had twenty minutes to spare—just time enough for one final “nip.” Half way down a narrow court leading out of the Churchyard he found a quiet little hostelry, and, entering the private bar, whispered insinuatingly across the counter:

“Two of gin hot, if you please, my dear.”

His voice had the self-satisfied meekness of the successful ecclesiastic, his bearing suggested rectitude tempered by desire to avoid observation. The barmaid, impressed by his manner and appearance, drew the attention of the landlord to him. The landlord covertly took stock of so much of him as could be seen between his buttoned-up coat and his drawn-down hat, and wondered how so bland and innocent-looking a gentleman came to know of gin.

A landlord’s duty, however, is not to wonder, but to serve. The gin was given to the man, and the man drank it. He liked it. It was good gin: he was a connoisseur, and he knew. Indeed, so good did it seem to him that he felt it would be a waste of opportunity not to have another twopen’orth. Therefore he had a second “go”; maybe a third. Then he returned to the Cathedral, and sat himself down with his notebook on his knee and waited.

As the service proceeded there stole over him that spirit of indifference to all earthly surroundings that religion and drink are alone able to bestow. He heard the good Bishop’s text and wrote it down. Then he heard the Bishop’s “sixthly and lastly,” and took that down, and looked at his notebook and wondered in a peaceful way what had become of the “firstly” to “fifthly” inclusive. He sat there wondering until the people round him began to get up and move away, whereupon it struck him swiftly and suddenly that be had been asleep, and had thereby escaped the main body of the discourse.

What on earth was he to do? He was representing one of the leading religious papers. A full report of the sermon was wanted that very night. Seizing the robe of a passing wandsman, he tremulously inquired if the Bishop had yet left the Cathedral. The wandsman answered that he had not, but that he was just on the point of doing so.

“I must see him before he goes!” exclaimed the reporter, excitedly.

“You can’t,” replied the wandsman. The journalist grew frantic.

“Tell him,” he cried, “a penitent sinner desires to speak with him about the sermon he has just delivered. To-morrow it will be too late.”

The wandsman was touched; so was the Bishop. He said he would see the poor fellow.